#the kid laroi music video

[golden-jeon-jungkook]

Jung Kook in 'TOO MUCH' MV

[secondwheel]

Stay (2021)

[my-chaos-radio]

Release: July 9, 2021

Lyrics:

I do the same thing I told you that I never would

I told you I'd change, even when I knew I never could

I know that I can't find nobody else as good as you

I need you to stay, need you to stay, hey (oh)

I get drunk, wake up, I'm wasted still

I realize the time that I wasted here

I feel like you can't feel the way I feel

Oh, I'll be f- up if you can't be right here

Oh, ooh-woah (oh, ooh-woah, ooh-woah)

Oh, ooh-woah (oh, ooh-woah, ooh-woah)

Oh, ooh-woah (Oh, ooh-woah, ooh-woah)

Oh, I'll be f- up if you can't be right here

I do the same thing I told you that I never would

I told you I'd change, even when I knew I never could

I know that I can't find nobody else as good as you

I need you to stay, need you to stay, hey

I do the same thing I told you that I never would

I told you I'd change, even when I knew I never could

I know that I can't find nobody else as good as you

I need you to stay, need you to stay, hey

When I'm away from you, I miss your touch (ooh)

You're the reason I believe in love

It's been difficult for me to trust (ooh)

And I'm afraid that I'ma f- it up

Ain't no way that I can leave you stranded

'Cause you ain't ever left me empty-handed

And you know that I know that I can't live without you

So, baby, stay

Oh, ooh-woah (oh, ooh-woah, ooh-woah)

Oh, ooh-woah (oh, ooh-woah, ooh-woah)

Oh, ooh-woah (oh, ooh-woah, ooh-woah)

I'll be f- up if you can't be right here

I do the same thing I told you that I never would

I told you I'd change, even when I knew I never could

I know that I can't find nobody else as good as you

I need you to stay, need you to stay, hey

I do the same thing I told you that I never would

I told you I'd change, even when I knew I never could

I know that I can't find nobody else as good as you

I need you to stay, need you to stay, hey

Songwriter:

Woah-oh

I need you to stay, need you to stay, hey

Justin Bieber / Magnus Hoiberg / Charlie Puth / Isaac Deboni / Omer Fedi / Blake Slatkin / Charlton Kenneth Jeffrey Howard / Subhaan Rahman / Michael David Mule

SongFacts:

👉📖

Homepage:

The Kid LAROI

Justin Bieber

[gay-aunt-jackie]

Chappell Roan, Tate McRae and her boyfriend The Kid LAROI

[red-carpet-shots]

The Kid LAROI | Video Music Awards (2024)

[someawesomeamvs]

Warning: Profane language, spoilers

Title: Stay

Editor: Evil Dexter

Song: STAY

Artists: The Kid LAROI, Justin Bieber

Anime: 5 Centimeters per Second (film), Seirei Gensouki, Chuunibyou demo koi ga Shitai!, Cross Road, Eden* (game), Fuuka, Fruits Basket (2019), Granblue Fantasy: The Animation, Hello World (film), Horimiya, Hyouka, "Josee, the Tiger and the Fish" (film), Kimi no na wa (film), Koe no Katachi (film), Komi Can't Communicate, Kyoukai no Kanata, Nisekoi, Noragami, Psychic School Wars (film), Saenai Heroine no Sodatekata, Tada-kun wa Koi wo Shinai, Tasogare Otome X Amnesia, The Place Promised in Our Early Days, Tokyo Revengers, Violet Evergarden, Weathering with You (film), White Album 2

Category: Romance

[thefourhorsemenoftheapocolypse]

Part Two: The Come Up

Part 1

*******************************************

Cade Manning (singer songwriter): "I began to write songs when I was 11 or 12. I spent most of my middle school years writing and making music. I didn't really bother with making friends or anything. Music was the only thing that I cared about. During those years of my life I was always writing songs, recording them, and editing so I could post them onto Soundcloud and whatnot. When Musically was a thing I posted there too, so I could build my platform. Doing all of that really took up my time , so there wasn't ever really time for me to do normal preteen things like hanging out or whatever. I was focused on building towards my career."

Anne Manning (Cade's mother): "I was, not worried per say, but concerned with the lack of friends Cade had when he was younger. I mean don;t get me wrong, I loved that he was dedicated to working towards his dream, but I didn't think that not interacting with kids his age was a good thing. John and I did try to help him but were unsuccessful."

Cade Manning (singer songwriter): "I wouldn't say I had no friends. There was a guy I grew up with. Tommy Wade. I would say he was, is, my best friend. Our moms were, still are, childhood best friends. Tommy's mom had him a few weeks before my mom had me so I think they had hopes of us becoming like the 'next generation' of them. They were right. Many memories of my childhood include him. Like the time we were on the swing set at his cousin's house and I thought it would be a great idea to jump off while I was high in the air and ended up scratching up my knee pretty bad. Blood was oozing down my leg and I remember Tommy screaming and almost passing out. But yeah, he and I have been great friends since were babies. Even through those middle school days where I was grinding pretty much day and night building and expanding my music. Tommy helped me through all of it. He became my first real fan. From the very beginning he was always hyping me up and helping me. He helped me develop my style and genre and was always there for me whenever I was stuck or hating the way a song was coming out. He helped me get my music out there, posting songs that I had recorded or was in the midst of making. He showed his other friends my music and they all fell in love with it, asking him when I'd make more. I honestly feel like none of this would have happened had we not become close. So, thank you Tommy. For everything."

Tommy Wade (Cade's childhood friend): "Yeah, Cade was always into music. Always banging on anything that made noise, he was. Our childhood was fairly normal. We were always at his place or mine. It depended on whose parents were working. We had sleepovers almost every weekend. Family events, birthday parties, my grandpa's funeral, he was there. Every important milestone he witnessed. And vice versa. When we hit middle school that's when Cade really doubled down on making it into the industry. I thought it was a bit weird that someone my age already knew what they wanted to be. But at the same time I knew that Cade had made up his mind long before we reached middle school. I fully supported his dream. I wanted to see him make it. Whenever he recorded new music I was always the first one that got to hear it. I loved everything he made. I remember the long nights of posting his new songs everywhere. Soundcloud, Musically, Snapchat, Instagram, anywhere really. In school I would show my other friends his stuff and they loved it. They always asked me when he would make something new, and I always felt a rush of pride in me when they would rave about his new song or beat. Watching Cade's music spread around to people outside of school was surreal. Then it spread out to other counties and eventually our of state. As social media became more popular, more people would post themselves singing along to his music or dancing. It felt good watching Cade get more popular. And I was there from the beginning."

*******************************************

Anne Manning (Cade's mother): "I remember the day very vividly. September 19, 2021. I'm the kitchen, going through the mail, when I get a call from an unknown number. I answer it because I have this feeling that I should. A man's voice comes through the speaker. He asks me, 'Is this Cade Manning?'. I'd told him it wasn't, that I was his mother, and in my head I'm wondering, 'what does this man want with my son?'. He explained to me that he was a music producer with a record label and that he wanted to talk to Cade because he had come across him on Musically or some app like that and was interested in hearing more in person. And I'm like 'Oh my gosh, this is it. This is what he's been waiting for.' I had told him that Cade wasn't home at the time, he was out with his dad, but I would give him Cade's phone number so he could speak with him about it. As soon as we hung up I immediately called John to tell him about it. He was ecstatic. I didn't tell Cade directly about it because I didn't want to spoil the surprise but I did tell him to watch out for a call from an unknown number. He was confused but he listened to me. And from then on, the rest is history."

John Manning (Cade's father): "When Anne called I nearly yelled out loud from shock. Cade and I were out at the grocery store when she called me. As soon as we were done I sped home."

Cade Manning (singer songwriter): "I was very confused when my dad started acting weird. He kept giving me these weird glances. and started speeding, which was unlike him. When we got home my mom was standing in the doorway, with a big smile and bright eyes. It was honestly a bit freaky. She told me that she had gotten a call, didn't tell me who from, and to be on the lookout for a call from a number I didn't know. A few hours later I got a call from a California number and I answered it because my mom had told me to and it was a producer with Pacific Coast Recording Company that was interested in hearing more of my music. He wanted to meet with me to do a studio session. I was stunned. In my head I was freaking out because this is what I had been working towards since I was 11. I said yes, of course. Then two weeks later I was off to LA."

*******************************************

Billy Reign (music producer): "I first met Cade when he was 16 in October 2021. A buddy of mine had a teen son who had been obsessively listening to this artist who had been trending on Tiktok for a little while now. He gave me the name of the artist and some of his stuff, I listened to it and didn't to hear more than 10 seconds of this first song before I knew that I wanted to meet him. I worked with my team to find him so I could get in contact with him. I first got into contact with the mother before she forwarded me towards Cade. I called him and invited him out to LA to do a recording session to see if I wanted to him on the label. He came out, we got to know each other, and within a couple of days I had him walking out of the studio with a contract."

Director: "Why did you decide after only one session with Cade to sign him?"

Billy Reign (music producer): "Great question. I knew I wanted him because there wasn't any artist like him out there. His vocals were so raw and real and you could feel the passion he poured into music. He was so in tune with his emotions that they flowed into his writing which were only made greater when he sang. And he could play almost any instrument you put in front of him. And with him being so young I knew I would be able to help hone him into what he wanted to be."

*******************************************

Cade Manning (singer songwriter): "After Billy and I, professionally, recorded a couple of songs together he handed me a contract and I signed it, with my parents and lawyer present because I was a minor at the time. It was agreed before I left to go back home that we would wait until I was out of school for the summer to record any albums but I still had to write new songs, make beats, and send it all over to Billy so that we had stuff ready to record when I was done."

Tommy Wade (Cade's childhood friend): "I remember Cade telling me that he was going to be gone for about a week a little less than a month after school started because he had to go to LA for something important. It wasn't until he got back when I found out what the important thing was. When he got back from LA, Cade showed me the contract he had signed with Pacific Coast. It was insane. I remember freaking out with him and crying tears of joy. I was really proud of him."

*******************************************

Billy Reign (music producer): "When Cade got out of school for the summer he came back to LA to record his first album with us. Over the course of the school year he had been keeping in contact with me about songs that he had written and wanted to record. Over the nine month period he sent me samples and recordings of him playing the things he written and some of his revised songs he'd written when he was younger. As soon as he'd settled down we were in the studio recording for hours. Honestly I was shocked by how much he was giving us. On the first day alone we were in the studio for at least 10 hours, taking short breaks in between a few songs of course, but even then he didn't look tired at all. By the end of the first week we had recorded about 18 songs. We went through all of them one by one and cutting the ones he didn't like. When we were done with that we had 14 songs left. We edited those and created the album. All in all it took about a month but we had done. We helped him create his first studio album."

Cade Manning (singer songwriter): "It was crazy. Better than anything I had ever imagined. My first real studio album. I titled it TEENAGE DREAMS. A bit on the nose but I thought it fit perfectly. Me and Tommy were posting about it just to get the word and we dropped the album on July 1, 2022. People who had been following me and my music for years were really excited and stuff and when it dropped it was like a tidal wave of love and support. Within the following weeks it was getting more and more streams everywhere. It was even trending on Tiktok. I heard one of the songs from it on the radio for the first time when I was out with Tommy and another friend of mine who were visiting and it was like an out of body experience. It was great. After the album was released my account followings tripled on every platform. The love I was receiving was insane."

John Manning (Cade's father): "When Cade's album was released it was mayhem. Nearly overnight he went from this desperate kid trying to make it to a media sensation. Every radio station was playing his songs and he was riding that high for a while. For good reason. His music was good. Cade was achieving things that I had dreamed about and I was so proud of him. Still am. Anne and I watched as Cade was gaining the fame he deserved and we almost cried. Really. We spent the summer in LA watching Cade rise to stardom at such a young age. He was being recognized on the streets by fans and was signing autographs not too long after the release. It was a true wonder watching him reach his dream."

*******************************************

[thedyf]

The Kid LAROI - Kids Are Growing Up (Part 1) (Official Video)

[leebitcooky]

This song hits differently. Should I do a Lyric Video off it?

[golden-jeon-jungkook]

"Was it too much?"

[thesinglesjukebox]

KATY PERRY - "WOMAN'S WORLD"

Laughter is not an essential component of satire; in fact, there are types of satire that are not meant to be "funny" at all.

[2.15]

Joshua Lu: The prevailing narrative around Katy Perry has transformed: not just about her being a bad artist making bad music, but also about her being a bad person on top of it all. It's easy to justify every mark. "Woman's World" is dated in concept (empty feminist dribble), sound (plodding synthpop that would fit into any of her past three albums), and execution (scatterbrained music video rationalized via "it's just satire bro"). Choosing Dr. Luke as the song's producer was not only morally questionable but also marketed as her executive decision. There are bad artists who are bad people making bad music and still hugely successful; Katy Perry's inability to join those ranks is weirdly comforting, in almost a cosmic sort of way. [3]

Andrew Karpan: Rarely do songs flop by sounding so purely evil: a collage of bad taste arranged in a way that scans as faintly ominous, weird and off-putting, the sound of a dystopian future nostalgically looking back to the past.  [2]

Alex Clifton: Katy Perry is trying so desperately to have it both ways, and it muddies the message she wants to send. If we are to take “Woman’s World” as earnest, the song might’ve fueled teen feminist awakenings back in 2011 but now comes across so dated. If we are to take it as satire, then it’s a disaster as there’s zero bite or personality on display. Say what you will about Taylor Swift and her complicated relationship with feminism (and I will), but at least “The Man” had her fingerprints all over it with a few snarky zingers. There’s nothing in "Woman's World" that I can laugh at (and that’s not even considering the Dr. Luke of it all). I was rooting for Katy, I really was, but someone girlbossed too close to the sun.  [2]

Brad Shoup: A pale stick of factory-engineered cheese, where all the laughs thud and all the flexes result in pulled muscles. Perry used to be one of our very best pop panderers. Now what? [1]

Alfred Soto: Bet some of y'all want to hear her Kate Bush cover. [4]

Jonathan Bradley: She's a winner, a champion; she's a flower, she's a thorn. She's a bitch, she's a lover, she's a child, she's a mother, she's a sinner, she's a saint. But shouldn't she feel a little ashamed about failing to clear the low bar of discount Dua Lipa? [2]

Nortey Dowuona: Katy's flat, nasal soprano is produced by Kalani Thompson and Ryan OG. Both are experienced hands, but clearly they could only do so much with the take they got. The melody Katy sings in the first verse is so flat and thin that when she ramps into the chorus, she barely resolves the melody, the "it" a jarring cut before the chords resolve. Thompson and Ryan try to multitrack her voice to give it the power it doesn't have -- a trick he's learned from working with Kim Petras and The Kid Laroi, both of whom have weak yet distinctive voices -- but it doesn't work. During the second verse, the multitracked echoes below just remind the listener of the lack of depth in the main vocal, pitch corrected so noticeably that it sounds even more inhuman. Since the first and second verse play the same barely moving melody, there's very little else the producers can do. And while the hook is where their work shines, the abortive chorus and warmed-over chords prevent Katy from selling anything. If only Thompson and OG had a better vocal to work with, or a less rapist producer. [0]

Leah Isobel: I honestly don't feel anything when people work with Luke anymore. Maybe that makes me a bad survivor, or a bad feminist; I'm sure that if I said that on Twitter a bunch of transphobes would immediately jump down my throat and call me a rapist. But it's the truth. If there was a true window for accountability -- and I'm not convinced there was -- it closed when "Say So" hit number 1 and the industry was like, cool, let's toss a bunch of other young women into a room with this guy. Or maybe it closed earlier, when Kesha performed "Praying" at the Grammys and seemed to collapse into herself after the song ended, to which James Corden responded with a blank, ineffectual "Wow" before moving the show along. Maybe it closed even earlier, when Bonnie McKee compared him to the devil and said that "Dr. Luke's deals are famously bad, everyone knows that," but still credited him with launching her career; or maybe it closed when, that same year, "New Rules" became Dua Lipa's breakout hit, earning Luke's publishing arm money via the songwriter Emily Warren. Maybe it was earlier than that, when Max Martin took Luke under his wing and made some of the most beloved pop hits of the form now known as "recession pop." But honestly, it was probably earlier: when capitalism took the place of feudalism, when some British guys sailed across the Atlantic Ocean and established a society built on the exploitation of people and nature, when the music industry was built off of vaudeville and the systems of domination it valorized. When artists choose to work with Luke, they are thinking like record executives; they are often rewarded. (Quoth the prophet: "As long as everybody getting paid, right?/ Everything gonna be okay, right?") Kim Petras is the first openly transgender woman to have a #1 single, and she only got there because she signed a contract with Luke. Nicki Minaj earned her first solo #1 with "Super Freaky Girl," a Luke production. Joy Oladokun performed at the fucking White House. That's not to excuse Katy's decision, but to say that these kinds of decisions are often papered over as "compromises" instead of sacrifices. This single's anodyne synths and bland, dated uplift smack of sacrifice. Any interesting perspective is filtered out of the song and redirected toward the video, with its blunt satire and strange pops of body horror. (If I had a nickel for every time a Katy Perry video's visual metaphors made me wince, I'd have two nickels, etc.) The oddity of the whole package suggests a certain helplessness in the face of doom. If it is truly a woman's world, it's in the sense of Andrea Long Chu's edgelordy Females: "The self is sacrificed to make room for the desires of another." [3]

Aaron Bergstrom: If the erstwhile Katy Hudson never actually broke with her fundamentalist evangelical upbringing and has in fact been working as a deep cover operative trying to discredit godless feminism and destroy it from the inside, how would that look any different from what she's doing now? [1]

Jackie Powell: Katy Perry is doing a lot. She’s doing too much. She’s straddling trying to be relevant, putting out an earworm, honoring her on-brand silliness that worked over 10 years ago, all while attempting to embody the current moment where rights in America are being taken away. “Woman’s World” has been discussed alongside “Chained to the Rhythm,” which Perry put out after Donald Trump was inaugurated, but while "Chained to the Rhythm" wasn't great, it at least had some sort of message and substance. “Woman’s World” doesn’t answer why this is a woman’s world that we��re living in. It is just a list of adjectives. There’s an argument to be made that Perry is still functioning in a pre-November 8, 2016 world where Hillary Rodham Clinton was trying to make history but was too polished, calculated and apologetic to do so. But the name of the game in 2024 is being unapologetic, a little silly, and authentic. That’s why Kamala is Brat and not living in whatever suffocating universe Perry is in -- I can tell you she's not living on Chromatica, amid all of the comparisons to Lady Gaga’s “Stupid Love”. There’s one mashup on YouTube where Perry’s “Woman’s World” vocal is smashed on top of the Gaga “Stupid Love” instrumental, and the chord progressions and family of synths are indeed similar. But as usual with a Lady Gaga song, "Stupid Love" had more dissonant sounds that gave the track some intrigue and punch. I’m a firm believer in the concept that being an artist involves a certain amount of thievery. But instead of stealing like an artist—there’s a book written about that—Perry is stealing like a manufacturer or corporate bigwig without a soul, just like the incredibly flawed person who produced the track.  [3]

Katherine St. Asaph: It feels reductive. [5]

Hannah Jocelyn: There’s no incentive besides the moral one to side with the abused, and who needs morals, especially when the abuser and their enablers are this powerful? That’s why Dr. Luke came back, and why he never left, depending on who you ask. Katy sounds good here (we’re not in straining “Daisies” territory anymore), and the beat is serviceably in-your-face and refreshingly loud. If this wasn’t Luke, I wouldn’t really care about it. In any other context, I'd even like the chorus line “we ain’t going away”; post-Roe it reads as hope that societal progress won’t be entirely reversed to the '50s and/or before. But if we are, in fact, “going away,” that’s partly because of power-hungry, entitled men much like Lukasz Gottwald. It's a predator's world, always has been and maybe always will be; he's lucky to be living in it, and Katy Perry’s happy to enable it. Neat harmonies on the word “celebrate," though.  [3]

Ian Mathers: We live in the stupidest fucking dystopia, don't we? [4]

Will Adams: A failure of a lead pop single by almost every conceivable metric (sonically: uninspired; lyrically: dated; visually: contradictory; contextually: yikes), "Woman's World" deserved its intense backlash from the moment its ill-fated snippet dropped. But the dust has settled, and my impression of the song now is mostly boredom and mild fascination. It is beyond me why Perry, whose career-long brand has been cartoonish kitsch -- sharks, furniture, toilets, oh my! -- thinks she's at all equipped to deliver message music. And this was after Witness. [3]

Isabel Cole: Sometimes I feel bad for hating so thoroughly on Katy Perry, America's living embodiment of what the Madonna/whore complex does to a mf, for having not one real thought in her big empty brain, but then she'll do something like reuniting with Luke in a pathetic attempt to rewind the clock back to when the two of them were still relevant. The lyrics are giving something between "Olympics-themed sportswear ad" and "studio exec who has never had a conversation with a woman his own age discussing his vision for a female superhero project." There are pop stars in the world who can take dumb lines and make them sound like they mean something, but possibly nobody is less suited to that task than Katy Perry, whose musical identity, insofar as she has ever had one, has mostly rested on taking dumb lines and making them sound even dumber. It's not just that her voice is grating, or that she's never once in her career displayed any kind of musical intuition or finesse or really any quality one might associate with an ostensible professional singer beyond "loud"; it's that she sings like she's doing a bit. On something gleefully stupid like "California Gurls," that served her well, or at least decently: it's camp! On a song pretending at genuine sentiment -- well, arguably it's also camp, in Sontag's formulation of "failed seriousness," but it's mostly just annoying. Luke, too, apparently has had not one single idea in the decade and a half since Teenage Dream, or else maybe he thought that putting out a track that would slot neatly onto the back half of that album would subliminally fool us into thinking it was 2010 again. But it's not, and rather than nostalgia the utter banality of the sound invites incredulity: was it really worth it, for this? [0]

Taylor Alatorre: "If we ended all collaboration with Dr. Luke tomorrow – and I will, if he deserves it, if the allegations against him are proven in a court of law – would that end sexism? (Crowd: No!) Would that end toxic masculinity? (Crowd: No!) Would that end record industry gatekeeping against mold-breaking female artists? (Crowd: No!) Would that protect other artists from those predators and abusers whose careers have continued unscathed? (Crowd: No!) Would that make the public any more receptive toward a stubbornly dated electropop stomper that misidentifies ‘girl power’ as a key ingredient of Teenage Dream's success, but whose uncompromising Moroder pulse and surprisingly diva-esque vocal turn are almost enough to override its intrinsic cheugy-ness? (Crowd: confused murmurs, smattering of applause)" [4]

Wayne Weizhen Zhang: I can’t write anything more clever or devastating than what the internet has already written. Katy Perry has been so completely and rightfully been savaged—for her aesthetic, singing, taste, and existence—that I almost feel sympathetic toward her. Just not quite.  [0]

Jacob Sujin Kuppermann: Defies even post-post-ironic enjoyment — no thinkpiece, no stannish counterfactual interpretation, no attempt to toss this into a running playlist or daily mix will survive exposure to this complete void. It's hard to even discern what she was trying to do here. [1]

Will Rivitz: Was she satirizing chart success too? [2]

Kayla Beardslee: I want to weigh in with my score, but everyone has already roasted this song so thoroughly, I don’t have anything left to say. Just like Katy Perry! [0]

[Read, comment and vote on The Singles Jukebox]

[lenaparkerx]

HIIII🤭🤭🤭

🩷🩷 Get to know me 🩷🩷

I'm Lena🥰

I'm 18

I do not send nudes unless I am getting paid, you are subbed to my paid Fanvue page, or you're buying from my wishlist. I'm so sorry hope you understand 🥺 please respect my boundary your bitch is broke!!!!!

---------------------------------------------------

🩷Here are some things I love🩷

plants

cats

coloring

money

video games

the color pink & orange

music (kid laroi, lil mosey)

------------------------------------------------

🩷PRICING🩷

🩷1 feet photo your choice - $5

🩷1 blowjob photo your choice - $5

🩷1 cum photo your choice - $5

🩷5 naugthy sexy photo your choice - $5

OF link: https://www.fanvue.com/lenaparker

[my-chaos-radio]

Release: December 18, 2020

Lyrics:

You cut out a piece of me, and now I bleed internally

Left here without you (no, no, no), without you (ooh)

And it hurts for me to think about what life could possibly be like

Without you (no, no, no), without you (no, no)

I can't believe that you wouldn't believe me

Fuck all of your reasons

I lost my shit, you know I didn't mean it

Now I see it, you run and repeat it

And I can't take it back, so in the past is where we'll leave it, huh

So there you go, oh

Can't make a wife out of a ho, oh

I'll never find the words to say I'm sorry

But I'm scared to be alone

You cut out a piece of me, and now I bleed internally

Left here without you (no, no, no), without you (ooh)

And it hurts for me to think about what life could possibly be like

Without you (no, no, no), without you (no, no)

Oh-oh, whoa-oh, oh-oh, whoa-oh

Oh-oh, whoa-oh, oh-oh, whoa-oh

Without you, without you, ooh

Oh-oh, whoa-oh, oh-oh, whoa-oh

Oh-oh, whoa-oh, oh-oh, whoa-oh

Without you, without you

It's gon' be hard here on my own

And even harder to let you go

I really wish that we could've got this right

So here I go, oh

Can't make a wife out of a ho, oh

I'll never find the words to say I'm sorry

But I'm scared to be alone

You cut out a piece of me, and now I bleed internally

Left here without you (no, no, no), without you (ooh)

And it hurts for me to think about what life could possibly be like

Without you (no, no, no), without you (no, no)

Songwriter:

Oh-oh, whoa-oh, oh-oh, whoa-oh

Oh-oh, whoa-oh, oh-oh, whoa-oh

Without you, without you (no, no, no)

Billy Walsh / Blake Slatkin / Charlton Howard / Omer Fedi

SongFacts:

👉📖

[puckthedrama]

Do you think the NHL does the Tate and her boyfriend thing on purpose? Lol it's a lot of coincidences

i think the all star game was not on purpose, she had like one of the biggest songs of 2023 and the music video for it was hockey themed so it fit well, and she’s canadian (CALGARIAN ❤️❤️❤️) so it made a lot of sense for her to be there!

the kid laroi thing though 😭 supposedly it’s because he’s there to play a show on sunday but there were SO many other artists to go with and they went with him specifically 😭 and he’s about to drop that song that disses him in the first few lyrics so like…

it’s really good promo though!! so that’s good!!

[wegonbealright-09]

Too much is shit. The rapper is offbeat in a not good way, Kid Laroi lyrics all ending in NOW is repetitive clutter, and JK sings in a flat tone without any dynamics. It's musically and lyrically a bad song. Its just bad and no one want to say it!!!! This last minute garbage has been thrust at Army-- here eat these lil nubbins. As if this low budget green screen, women as props video is quality content. I embarrassed for JK. The songs keep getting worse. Seven looks like 18k right now compared to this polished turd.

I had never been so confused in my whole life, from start to finish I was like?...

TF am I listening to!?

[someawesomeamvs]

Warning: Potential spoilers, profane language, sexual imagery

Title: STAY

Editor: Shibutoi

Song: STAY

Artists: The Kid LAROI, Justin Bieber

Anime: Rent-A-Girlfriend

Category: Romance