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#the harvester might also be a kind of demon btw. like he's a god but he's old and the lines get blurry when u go that far back
heavywithplot · 2 years
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any chance you'd tell us more about John and the Harvester? 👀
even as someone who doesn't have strong opinions on mpreg, i find what little we know utterly FASCINATING
oh boy, okay, so it's like
to explain the whole harvest ritual thing that's going on, it's spinning together a couple of concepts, namely that the symbolic appearance of something in ritual is important for the intended effect. kind of like how in ye olde days (like, medieval/renaissance) for nobility, it wasn't that someone had to BE a virgin, but had to maintain an APPEARANCE of one in a high stakes political marriage (see lucrez/a borg/a) (so for it to work, john has to go through something like a pregnancy, but without doing the whole nine months and a baby part because its the symbolic appearance of it that matters for this)
the ritual itself is about how food harvests are necessary for a continuation of life, so a new harvest would require new life (or something representing new life) to continue. and harvests themselves are hard work, but so is living, so its analogous, ritually, to labor and birth. bringing forth new harvest (birth) to ensure a bountiful harvest (food) for the community (life).
the harvester is an old old old god who has always been where he is and this town was sort of came to life around him. you go where the land is fertile and the food is good, right? where else would that be than where an old god of a harvest is. the problem with old gods is that after awhile, people forget the names, which is where john comes in.
john is probably the first person in about five centuries who can actually see the harvester as he looks, and not just a person who's features you forget soon after or something that looks increasingly more wrong the longer you stare. john grew up around spooky stories and folklore traditions. he knows that you don't love a god like a person, you love a god by giving them something, with offerings and devotions, so: his body for ritual, which in turn let's the harvester act like the god of the land he is (the fuckin. pumpkin/whatever idol effigies that john gives birth to, they aren't a living thing, they're like the first crops of the season, so the harvester cracks them open and spreads the seeds to the fields)
(when he's not doing ritual devotions for an old harvest god, he works at a museum and writes for the local paper. he also gets coffee with the harvester on a semi regular basis and asks him questions about forgotten centuries of history)
(for context this is all set in some middle of fucking nowhere farm land town in new england. fields for miles, baby)
uhhhh. that's the general gist of it!! there's not a lot to it, the minor details change from ritual to ritual, I just really really wanted to create a setting where I could have a character get knocked up on the regular with enough flexibility to make it weirdly poetic or spooky scary depending on my mood hsshdhfhgh
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hencethebravery · 7 years
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If you're interested I'd love some fic commentary for Alive.
Oh, yes, very much so. btw, sorry to take so long answering this. I was far and away this weekend. If you’d like to read “Alive,” without my obnoxious commentary you can do so here. xo
I’m (still) doing author commentary!
One day, I plan to love so loudly, my body abandons every demon harvesting me. — Arati Warrier, “Alive”
A/N: I didn’t mean for this to happen, but this fic turned into an exploration of trauma and anxiety. The Killian in this soon-to-be universe ended up being a war veteran with OCD and illogical, rampaging thoughts and I ended up choosing the poem after the fact.
It’s a tricky thing. Once you’ve known the taste of someone’s lips and found it to be a far more momentous occasion than you had initially anticipated. Beforehand, one might think you’ll only know it the one time, and the odds of it happening again are unlikely, so… you do it, aye? Curious. How do you not do it again? That’s the question, isn’t it? Especially if it was a little bit unexpected, let’s say—it had failed to show up on the calendar for the month of June, and now the rest of your life is totally fucked to hell.
It’s not possible that anyone else’s lips could throw such a wrench into his schedule. Not even much of one, to be fair. Working freelance as he did, odd hours and odd jobs, one unexpected, life-altering kiss does not a fucked up schedule make. If anything, there was an added flair to his rather mundane existence that hadn’t been there earlier. Spike the coffee, eat an egg, walk the dog, kiss your mate, do the shopping—and what was that last thing?
You: “What was the what thing?”
Your Brother: “Kiss your who?”
Doesn’t matter. Point is, when you’re talking to your brother about sharing an all too brief kiss with the bloke you once rode the bus with, you try and keep it casual. After all, Liam Jones has no reason to know that you’ve circled June the 5th in an expensive black ink that’s bled through the page—all the way through to August, in fact, when there’s supposed to be a boat trip scheduled for the whole lot of you, and you have to ask yourself, “How do you not do it again?”
A/N: I’m really excited, because I’m in the middle of writing a tiny prequel to this fic (quite by accident), and having the opportunity to provide commentary on this is super helpful. Anyway, a lot of the anxiety and OCD-esque thoughts seen here often show up in my own brain, which is why they show up here. Sometimes if my schedule gets disrupted, even a little bit, it’ll ruin the rest of the week or the month or the year or whatever, so I ended up relying on the whole “schedule” thing a few times. Making it vaguely humorous is the only way to deal, hence, Killian treating his own coping strategies as objectively silly is a common enough mechanism.
The answer to that question is that you bloody well don’t. You keep that tongue of yours firmly ensconced inside your own mouth unless you’re shouting down bar maids or showing up your know-it-all brother at trivia night. You manage to live your life for a whole two months without screwing anything up. Well done, you.
You manage to abide by the calendar you’ve kept since naval training—the calendar that, for all intents and purposes, saved your life once upon a time. Being the roughed up, dramatic younger brother had its perks, but in the end, rampant alcoholism, a suspicious rash, and a series of exceptionally burned bridges had taught him the benefits of following a careful schedule. It hasn’t managed to buff out all the sharp corners; rum tastes too sweet and his memory is a little too good, but no price is too high when you’re trying to avoid the odd skin allergy. Which is what it was.
Regardless, August arrives and it’s hotter than the East Coast has any right to be. He’s quite confident in his assertions that even Afghanistan wasn’t this hot, and considering the fact that Afghanistan was actually hell, he’s not sure what to make of the temper tantrum that the state of Maine seems to be currently throwing.
“Just last week you were complaining about how cold it was,” comes David’s muffled voice from below deck, “enjoy it.”
David Nolan is of an optimism so profound it’s certain not to be believed. The man has thought exceedingly well of almost everyone and everything in their lives since they were children, which, to Killian’s mind, can only end badly. He’s not written it down, but it has been inscribed within the gelatinous valleys of his brain somewhere, this unspoken responsibility—don’t let it ruin him. Having people like David Nolan in the world is a very important thing, and the only way to keep them around is to have people like Killian picking up the pessimistic slack.
A/N: Killian as a black sheep has become a common trope in a lot of my OUAT fic where he makes an appearance. I love his brash selfishness in contrast with the “Charming” family’s own tendency to be selfless. I love that he probably sees it as his responsibility to use his darker impulses to help those people who have managed to retain their own lighter impulses. God. I love him so much.
“It’s my boat, mate,” Killian shouts down the hatch, “I’ll complain where I like.”
On the side of his monthly calendars there’s a designated “Notes” section, set aside for various odds and ends. He’s been known to put some poetry there on occasion, either verses he’s written or found, a phone number or two, an exceptional cocktail, what have you. For the month of August there’s a sailboat at the top (nothing too fancy), followed by wave, after wave, after wave, and then, down at the bottom, there’s a capsized sailboat. Hence, pessimism.
The heat is physically uncomfortable, to be sure, but it’s also demanding. For example, it demands that two men working on a boat out in the hot sun remove some of their clothing in order to avoid fainting or otherwise feeling ill in such unreasonable weather. This, however, requires him to confront the somewhat uncomfortable question of how he avoids doing the thing he had done only the once—with no intention of repeating said thing. His calendar said so.
A/N: @phiralovesloki loves “His calendar said so,” and I love her because she loves it so much. It’s like an endless cycle of love.
David Nolan in a t-shirt is not unlike David Nolan wearing nothing at all. If anything, it might be worse. Without the shirt, it’s almost as if he’s existing in a moment of unreality, wherein there’s nothing especially remarkable about that chest over there other than the fact that it is one. He’s got one of those too—if anything, his is better, covered in a masculine dusting of hair as it is. David’s white t-shirt looks like it’s been run through the wash a couple hundred times. There are barely-there tears at the sleeves and around the collar. Today it is stained with sweat beneath his arms and lower back.
A/N: Josh and Colin are two of the most aesthetically pleasing humans I have been #blessed to witness. I know this seems kind of like a female Gaze moment, but whatever, we deserve it. Women get “Gazed” at everyday of our lives, so it’s only fair that I write a poetical fanfiction wherein I get to think about two handsome men on a boat in tight, ratty t-shirts. Leave me alone.
The heat is overwhelming, like the desert, only there’s a wetness in the air that makes it harder to breathe. For a moment, he misses the feeling of having a gun in his hand so he grabs a beer from the cooler and holds it against his neck, his pulse tapping against the glass like machine gun fire. Interrupt.
A/N: To use the word “interrupt” in the middle of obsessive thoughts is something my therapist taught me. The more you know.
“You see those clouds?”
David’s voice is soft at his side, his own mouth wrapped around the lip of a bottle and he has to say that no, he hadn’t even noticed. The poorly drawn “ship” sailing on the pages of his calendar starts to sink in the wake of poor weather and his heart aches—keeps beating quickly in his chest and he knows a panic attack when he feels one. Inconvenient things, they seem to be.
“Killian,” David says, apparently for the second time, and he puts a hand on his shoulder. Definitely not in the calendar.
Killian doesn’t much feel like answering. Killian wants to write about the sky in his notebook. Not any sky, mind you. This sky, because it’s somewhat of a nightmare to behold. Even with the boat tied to the dock and the sight of safe, dry land in the distance, the sky at this moment is a wild thing. Moments ago, the air smelled like salt and bubbling yeast. The sun was a large, imposing spotlight on the deck of his ship, making the wood warm, their skin sweat.
In June the air smells like earth. Certain parts of the farm are freshly turned at this time of year, and no matter where you go, it emanates over the property. Through the fields, over the lake, between the trees. Over hill, over dale, point made. June is new. They are, the both of them, new. When Killian kisses David, it’s because he can no longer bear it.
“The wanting.” Answering the question, what was it he could no longer bear? Because he was starving in his little house by the sea full of dry, winter air that had given him nosebleeds. It was probably all that dirt in the air—all those trees in bloom. All that pollen in his hair, the perpetually dirty state of his hands.
The answer is a little bit dramatic, but David seems to take it in stride, either because he’s known Killian for most of his life, or maybe because he understands, either way, he smiles. When David smiles it’s a thing you don’t need to see, and sure, you should, of course you should, but Killian is exceedingly grateful that in this moment, he doesn’t need to open his eyes.
A/N: When Josh Dallas smiles it is literally like looking into the sun. That’s what this is about.
It’s his gut that’s empty, not his gaze. He is, quite frankly, sick of opening his eyes. All he needs to do is feel it, and he knows that his friend “wants” too—just as frantically, as hungrily, as poetically. He plays the follow-up question in his head on a tortuous loop the next few days. He even writes it down so he can stare at the shape of the letters and hate himself even more than he already does.
“How is it you smell like that?”
Because it is something… indescribable. He can wax poetic on the state of the air in June all he likes, he has words on words on words to describe it, but all of a sudden, the smell of this man is the scent of which he cannot seem to describe. And he answers, “Like what?” and Killian can only answer with his mouth against his, because it’s not about the words suddenly—it’s about the breath. It’s about David’s forehead against his, their lips barely touching, and he answers with a kiss because he’s a fucking idiot.
August doesn’t smell new. It smells tired. Or maybe he’s just tired. Either way, the bright, overbearing sun is lost behind a sky of heavy, dark clouds and the man at his shoulder smells like beer and sweat. Like the moth-eaten blankets he had kept below deck all winter. The trees are gone but he can still feel the bark against the skin of his back.
“We’ve got to tie the lot of this down,” he answers suddenly. He had wanted to avoid the inevitability of turning around to face him, the tree at his back—with that concerned look on his face. Killian smiles, but it’s not like David’s in June. You’d have to see it, or you wouldn’t even know it was there. “She’ll be fine tied to the dock, but I don’t want to lose any of this gear.”
He’d savor the refreshing feeling of the breeze if there were any time for it, but they seem to have run out of it, and thankfully for him, David seems to have adopted a similar sense of urgency. Moving around deck as he is, his hands wrapped deftly around thick rope, one knot after another. The thunder continues on in the distance, unperturbed, and there’s a flash of lightening that leaves an echo across a purple sky.
There’s another crack followed by a second flash, and the sky opens. Despite the maddening anxiety he has contended with all day, there is something undeniably satisfying about knowing he was right about the “shirt on being worse” thing. David pauses in his run about the deck to enjoy the torrent of rain that’s been unleashed on the two of them, a loud yell of relief passing his lips, and Killian wonders what they taste like in August. At sea, in a storm—like salt? Like rain? Like the beer they’d been drinking earlier. Like dirt, like himself, lingering on his tongue for months.
When David dashes across the deck, clothes clinging to his form, every muscle carved beneath wet fabric as if he were a statue, Killian is busy trying to forget about the sinking ship in his calendar. He’s trying to remember what it was his therapist had said about “being in the moment,” and suddenly David’s lips don’t taste like June. They taste like August, in the rain. Wet and messy and just as hungry as before.
“Aren’t you sick of it,” David not quite shouts against his lips, the rain and wind lashing against the deck, “that ‘wanting?’” He’s smiling again, that wide, sunshine-smile that he has worn everyday of his life and Killian can see it out of the corner of his eye. In between the heavy, wet drops hanging from his lashes and the hair falling against his forehead—of course he can see it.
“Yes!” Killian shouts over yet another thunder clap, both of their faces turned towards a manic sky. “Bloody exhausted!”
A/N: For all my talk about Killian Jones being a black sheep he’s also a dramatic garbage human and someone needs to make fun of him sometimes. Re: David, calling out Killian’s Extra™ ass, mumbling about “wanting,” when it’s just a kiss and he needs to fucking relax.
The sound of the storm is softer below deck, as if it were a record playing in another room. The ship tugs on her moors but she’s steady, tied against the dock as she is. The only other sound is that of the air heaving in and out of their lungs, heavy with anticipation and adrenaline.
“You smell good too,” David admits between each, tired breath, “I’m sorry I made you wait.”
“Sometimes the waiting is the best part,” Killian answers gently, and there’s something in his tone, a note of understanding that he’s impressed to find he actually believes. “I’m good at waiting.”
As David moves closer he peels the wet t-shirt off his back and chuckles, shaking his head. “No, you’re really not.” The shirt falls with a decisive, wet splat against the ground, but Killian is too distracted by the return of David’s forehead, his hand against his neck. His fingernails are short and blunt against his skin, the scratch of an almost, but he feels his skin prickle all the same. Standing still in wet clothes, the warmth of the sun a fleeting memory, he knows he should feel cold but there’s this heat inside of him—flickering and alive.
A/N: Canon tells us that Killian Jones can wait, but does he do it well? idk about that. Dude turned Emma Swan into a ship for a year.
“If that’s the case,” he whispers, his own hands hovering at his sides, “what are you waiting for?”
The kiss is gentler this time, the shelter of the cabin urging slowness, carefulness. Here, they are beyond the reach of the whipping wind and stinging rain. The gaze of a seaside town, the towering pines. Their breath is softer, less like they’re running out of time, and there’s a drag between each pass of his lips. He feels as if he’s being savored and it’s not a thing that you deny yourself a second time.
“You should—” David’s voice is rough, like he hasn’t spoken in years and Killian’s pride does a little victory dance at the thought of its return, “You should change.”
Logically, Killian knows that David means “change clothes,” he knows this unequivocally. But he also has a tendency to err on the side of unnecessarily meaningful and he takes it to mean something else. Not in a negative way, he does not, by any means, feel that David wants him to be somebody else. This he also knows, unequivocally. What he also knows, what he has come to learn, is that his heart in its current state? It’s not sustainable. “You should change,” his heart speaks in David’s voice, “you need not want quite so much, when you can so easily have it.”
A/N: That was basically a long-winded way of saying that you should stop getting in your own way, which is usually my main problem.
He shivers at the sensation of cool air hitting his bare flesh, but there’s hardly a moment to feel uncomfortable. There’s David’s hand against the soft skin of his stomach, his fingers trailing through the fine hair beneath his belly button, and the warmth, it feels as if he’s slipping into a soaking tub. The rain continues it’s harsh pitter-pattering against the side of the boat as they move towards the small bed, clumsy step after clumsy step.
It smells like dust as they land, like the attic in the farmhouse, but the pile of blankets manages to catch them just fine. The cotton, washed one too many times, coming up to swallow their legs and shoulders, keeping them in a soft, dry place. He secures his own lips against David’s jaw, that sharp corner just beneath his ear and the moan that follows is more of a feeling than a sound—more of a sob than a gasp.
When he returns to his lips to catch yet another, quiet moan, it tastes even better than it had in June, then it had above deck moments earlier. Again, indescribable, and he feels a bit frustrated by the fact that words might fail him sometimes. After all, they do sit so well on his tongue, they feel manageable in a way that his thoughts don’t, that his heart doesn’t, and without them he worries that he’ll lose any sense of control he might have.
At some point the rain must stop, but it’s hard to notice, what with the hands and the lips and the feeling of his stomach as it moves against his own, in and out with every breath, sometimes quick and sometimes so slowly he’s worried that he’s holding it. At some point, in between the feeling of David’s lips against his rib cage and his hands at the button of his jeans, the sun very briefly returns before evening falls.
It’s his favorite time of day, those few moments before twilight. The rich, buttery light of the setting sun falls through the porthole over the bed, warming their entwined bodies atop the mussed blankets. The darkness behind Killian’s closed eyes turns a muted red color, and he can feel the warmth of the sun as it slowly sets against his skin, the fleeting light of day a gentle goodbye.
The water is calm against the boat, rocking them carefully back and forth, and his mind has never been quieter. The steady torture of a mind that refuses to settle, that must be shaken up and poured out over each and every month, everyday—that must be considered and thought over and applied and re-applied. Where no one means what they say, where he rarely means what he even says, but here, in this moment between sleeping and waking, it is blessedly silent.
He hears David mutter something against the back of his neck, and he knows, even without being able to see. He smiles.
A/N: I really hope that this fic was familiar to people who live with anxiety everyday, because it was certainly familiar to me as I was writing it. I know it’s also Captain Charming and CC is magical to be sure, but I still hope all the anxiety-related stuff was interesting for people.
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