#the fucking loss i experienced in bells of st john
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when the doctor asked emma grayling who clara is and she was like "she's a perfectly ordinary girl shes very clever and she's more scared than she lets on is that not enough" literally me to moffat
#clara oswald#doctor who#the fucking loss i experienced in bells of st john#couldnt even allow her to be good at hacking on her own da spoon men had to boost her iq<3#that was the beginning of the end#she was such an interesting and derranged character she deserved more and by more i mean less#so so much less#she was interesting in her own right she did not need that other shit#like she literally had her own time lord victorious moment she saw the universe from birth to death in hide and it changed her#she kept doing increasingly more reckless shit because she went to space to fill a hole she was not trying or expecting to live that long#and she hates it when the doctor tries to be responsible for her#shes always like i never asked you to protect me!!! which is a wild take she refuses to recognise him as the one who can keep her alive in#environments she has never experienced before#she went with him to have some wacky fun and then she saw horrors beyond comprehension and went oh. ok. i can be god too#she looked at the doctor and went oh it's not that you're special it's that your circumstances give you power. and now i have power too#and i have power over you i can make you do things for me#that shit was so good#and like to be clear im not saying she cant have her whole orphan black thing going on#but like what did it actually do for her as a character? it couldve done a lot but she wasnt the focus of any of it#also p much everyone on this show has sacrificed themselves for the doctor it is not a defining trait#what defines her as a character is not that she was Born To Save The Doctor its that she thinks like this#nobodys ever safe!!!!! ive never asked you for that ever!!!
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“Absence, darkness, death: things which are not”: 14x18 watching notes
“What’s Deal with Catharsis?”
Let’s talk about catharsis. 13x04 has been haunting me since it aired. I couldn’t get over Dean sitting on a therapist’s sofa asking “So what’s the deal with catharsis?”. I know it’s obvious but it is also a dramatic term and we are hardcore missing some catharsis in this show. Essentially, it’s the purging of negative emotions that are typically repressed which, in drama, enables renewal or restoration. One of SPN’s narrative problems, for me, is that it gives us precious little in the way of catharsis. There are notable exceptions (12x22 when Dean confronts Mary in his dream, for instance) but for the most part negative emotions are repressed, sublimated, and remain unaddressed.Â
This is especially (haha, autocorrect turned that to “epically,” which is also true) for Dean and Cas. And it’s not sustainable. We need some purgation of their negative emotions, we NEED them to know crucial bits of information that reveal their true feelings instead of repressing them: Cas killed a million Deans but Dean doesn’t know! Dean was nihilistically depressed when Cas died but Cas doesn’t know! Cas sacrificed his soul (and happiness) to save Jack and Dean doesn’t know! The layering of dramatic irony is all very well and good, but we need to stop it at some point.
“A quintessence even from nothingness”: Absence and Negative Space
Do I actually think that will happen soon? No. I was interested in “Absence” being the title of this episode since absence is defined by the things it is not. Cas explains it in terms of Jack--not bad but the absence of good. And that’s kind of where we are with DeanCas too. It’s not definitively one thing (romance) but it’s the absence of any other convincing explanation. If they aren’t these other things--brothers, friends, war buddies--then what are they? “Absence” also refers to Mary, of course, who was absent from their lives once and now is again to be experienced not as a person but a lack. Their whole maternal relationship is defined by feelings of loss and absence so in a sad and terrible way it’s returned to normal. SPN is full of things that are not definitively one thing but which are NOT a bunch of other things and, in all cases, the slipperiness of the definition is itself the narrative problem.
SHAMELESS RENAISSANCE POETRY PLUG please go read this poem by John Donne on the winter solstice, which is all about death and renewal:
Study me then, you who shall lovers be At the next world, that is, at the next spring; Â Â Â Â For I am every dead thing, Â Â Â Â In whom Love wrought new alchemy. Â Â Â Â Â Â Â For his art did express A quintessence even from nothingness, From dull privations, and lean emptiness; He ruin'd me, and I am re-begot Of absence, darkness, death: things which are not.
It’s called, “A Noctournal upon St. Lucy’s Day, being the shortest day” and I adore it. Also...it (along with a lot of Donne) seems so SPN-appropriate that I think he would have been a fan. (Donne is the preacher who wrote the “no man is an island” sermon and asked “not for whom the bell tolls; it tolls for thee”. He had a massive command of rhetoric, yo.)
Anyway, “absence, darkness, death: things which are not” is what the title immediately made me think of. Jack promised a new beginning, forged from the darkness that was Lucifer, and part of me is still convinced that this is what he’ll bring, despite appearances. We all predicted early on that he’d have a moment to go darkside and, yeah, this is it! His choices would also matter--because this is Team Free Will--but it would then be his choice to act evilly. Even if that happens, though, he can choose not to and part of me thinks he will. We don’t have other Big Bads on deck for the end of this season/start of S15 so I’m assuming episodes 19 and 20 will focus on the Jack problem until it reaches a crisis that carries us through to the summer. But how they will resolve it, I hope, has more to do with the power Jack holds to create as well as destroy. Or maybe Chuck’s reappearance will set this balance off? We’ll see.
Also, “absence makes the heart grow fonder,” which I’m going to keep an eye on as the season goes on.
Destiel is Pain
It’s fascinating that the promos were edited to suggest that this was an episode with MAXIMUM DEANCAS DRAMA OMG!! when it kinda...wasn’t. I know @occamshipper​ pointed out that they edited it just like a het romance drama, centering on the “you’re dead to me” and building up the angst and tension. And that was there, but it wasn’t everything. PR isn’t showrunning, yes, but it does mean something; it means they think the GA cares. And that’s kind of a big fucking deal at this point because what the GA cares about determines what we’ll see more of in the show. It’s not definitive at all. But it’s a trend and an important one that some fine folks have been tracking for a while.
The “you’re dead to me” was not not a big deal--and I had hoped very much that we’d get an apology along the lines of, “Cas, I’m sorry. What I said--I put the whole Jack thing on you and that’s not fair. I did the same thing. We all did. You didn’t fail us.” Let’s cross fingers and hope we hear that the next time they talk (since Sam stopped Cas from trying to give comfort in this episode...pray4Sam who was SUCH a brother-in-law/marriage counselor here). But it’s a Buckleming next so I don’t hold out hope. In any case, it’s a big deal because while Sam now knows that Dean doesn’t consider the whole thing Cas’s fault Cas doesn’t know that and will continue to go on thinking that a) he’s only good the Winchesters insofar as he’s “useful” and b) he’s a failure to Dean specifically. THAT’S TERRIBLE AND WE NEED TO CORRECT IT IMMEDIATELY!!
But we won’t correct it immediately because the show is riding DeanCas tension as basically the A plot at this point. Building angst to a breaking point surrounding Jack just emphasizes that. Jack caused our biggest DeanCas rift to date, both by Cas’s unwavering support in him that led to betraying Dean (running off with SOME WOMAN after stealing the colt from under his pillow after the mixtape scene, layering romance trope on romance trope) and by coming into existence the same day Cas died. Jack’s essential good or evil nature has been the biggest disagreement in their relationship for 3 seasons now so it makes sense to center a crisis on it.Â
And Dean doesn’t even KNOW about Castiel’s deal with The Empty! He doesn’t know that Cas traded his soul to return Jack’s to earth...only to have it be destroyed. True, The Empty said it would only come when Cas was happy and the thick angst we have now doesn’t suggest he’ll be happy anytime soon, but I think Dean and Sam are about to find out about the deal and Dean’s about to be pissed the fuck off at Cas for doing something SO STUPID (so like a Winchester). Maybe in the same conversation where Dean apologizes we can have Cas tell him the truth about the deal? Like, can they talk please? The real villain was miscommunication all along though, right?
Zombie Moms
Just a little sidebar to tell myself to return to 13x12, “Various and Sundry Villains” (a Yockey ep) and the two witches who were able to get Rowena the Book of the Damned (crucial in this episode, as Rowena unwittingly leaves it with Jack) try to resurrect their mom and bring her back...wrong. Because necromancy is extremely tough (and why didn’t Jack need any victim blood to bring Mary back the way that the Plum sisters did??) what they bring back is just a murderous simulacrum that was, honestly, what I was afraid they were planning to do with Mary. I’m relieved that they didn’t.
Both episodes owe a great debt to the Buffy episode “Forever” (5x17) where SPOILERS FOR BUFFY after their mother’s death her younger sister attempts to bring her back, only to realize at the last second that it’s not possible and the thing outside the door is a horror. It’s a very intense episode about grief, following “The Body” (5x16), one of the most devastating TV episodes to ever air. It was obvious to me that Yockey et al. were using that episode in 13x12, though not totally clear how. They even cast the zombie Mom like Joyce!!Â
In any case, in 13x12 the sisters’ refusal to let their mom go was an example of the toxic sibling codependency that Rowena used to kill them (as they beat each other to death, one using a hammer just like demon!Dean). In 14x18 Jack’s desire to bring Mary back is an example of his being unable to cope with the reality of his actions and his fear of losing the Winchesters. That’s not toxic codependency, but it is a refusal to go through the stages of grief. There’s definitely something going on here--and going on about Moms--that I can’t pick apart now but want to (or hope someone else will!!).
On which note, my chemo fatigue has found me so I’m gonna sign off. Apologies for typos or lack of clarity. I have really missed doing episode notes, though, so maybe I’ll be back to it soon. I’m psyched to see how this season wraps up, how about you?
#14x18#14x18 meta#14x18 analysis#watching notes#what's the deal with catharsis#catharsis#negative space#the empty#absence#destiel and the ga#pr is not showrunning#but this is intriguing#miscommunication#USE YOUR WORDS#let dean and cas have a conversation 2kforever#grieving!dean#castiel's deal#13x12#btvs#spn and other shows#spn and btvs#pop culture parallels#spn and literature#john donne#prof me#WILL GET YOU ALL TO LOVE POETRY IF IT KILLS ME#jk but I hope you do#nerd me#season 14 speculation#season 15 speculation
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