#the first emotions he ever felt as a sentient creature were as follows: 'Fear. Dread. Blinding loneliness. Existential despair.'

[blue-jacket-blues]

[OF HUMBLE ORIGINS AND BORN OF THE CURSED SEX]

[MY NAME IS HUX-A7-13 BUT THE PEOPLE WILL CALL ME REX]

[bubonickitten]

TMA fic: where there’s a will, we make a way

New chapter is up on AO3 here!

Summary: Jon goes back to before the world ended and tries to forge a different path.

Previous chapter: AO3 // tumblr

Chapter 11 full text & content warnings below the cut.

CWs for Chapter 11: mild self-harm (brief instance of wrist banging/bruising to distract from intrusive thoughts; mention of scratching/skin picking); some Buried-related claustrophobic memories; mentions of Jon starving himself (wrt to consuming statements, but worth mentioning for anyone who needs content warnings related to eating disorders, restrictive diets, etc.; there will be more going forward of Jon being hungry and restricting himself, and I'll keep warning for it, especially in chapters where it features heavily). SPOILERS through S5.

Chapter 11: Reaching Out

The tunnels are as ominous as they’ve always been, but at this point, Jon just might be growing accustomed to them. The creeping fear he’s always felt down here has faded to the background – an ambient sense of dread. It's almost tolerable, or at least less oppressive than the omnipresent sense of being watched that he’s long since accepted as his normal.

Here, he can compose his letter to Martin without the risk of Jonah Seeing exactly what Jon’s eyes see.

After the Watcher’s Crown, Jonah did not Watch through Jon’s eyes anymore. Whether that was because Jon was stronger than Jonah at that point or because Jonah did not bother to try, Jon doesn’t Know. Once the ritual was completed, Jonah no longer had any stake in Jon’s trajectory, no need to monitor his progress or ensure his survival. Moreover, Jonah’s inflated ego never allowed for the possibility that Jon could pose a threat to his reign. His Archivist – his Archive – had no further interest to him except as a source of entertainment, and he didn’t need to See through Jon’s eyes in order to behold the show. He could See all of creation from the Panopticon.

Jon is stronger now than he was the last time he was here, but he’s still nowhere near as powerful as he was during the apocalypse. He’s tried to Know how he measures up against Jonah now, but the Beholding seems intent on withholding that knowledge from him. Last time he made an attempt, the Eye treated him to a litany of statistics about the interactions between the human body and the venom of various species of spider.

Sometimes Jon thinks that if the Beholding is sentient, it might just be the pettiest of the Dread Powers.

In any case, Jonah Magnus is still as much of a gnawing question mark as he’s always been. It’s safest to assume that he has the advantage until proven otherwise – and Jon will take the tunnels over Jonah’s voyeurism any day, no matter how harrowing they may be. Even if he has to be down here alone – which he is.

Georgie is with Melanie, and Jon is reluctant to ask Basira for any favors right now. He wonders again if this is how Martin felt, living in the Archives, spending sleepless nights with himself and the scratching of a pen as his only companions. Just like Jon, Martin was never very good company for himself, especially back then – and back now. He was primed for the Lonely long before he started working at the Institute.

Speaking of which…

Jon sighs, puts his pen down, and begins to read through what he’s written.

I’m sorry I left you.

…now I’m here, trying to explain things –

– had changed since he left –

– it seemed he was alone –

– as far as I could tell, all alone in the world, and rather unhappy about the fact.

I will admit to taking a dislike to the man when I first met him – but –

– I’d say that – was a foolish act of past me.

Jon is still worried about starting the letter like this, but this is a point in time not too far removed from his early mistreatment of Martin. Jon had made his apologies and explanations at length in his future, but this version of Martin hasn’t experienced that yet. Jon can’t just jump into showing affection before taking accountability for his past behavior – recent past, from the perspective of this timeline.

He can only hope that Martin will read through to the end, and that Jon’s intention – his sincerity – will be understood.

Soon I was giving my account as a full confession –

– trying my best to fit this into a relatively coherent narrative.

It’s plenty of things I’ve done I couldn’t explain to you. I mean, I’m constantly – looking back at my past self and thinking, what an idiot. How the hell could he have done such an obviously stupid thing? How was I surprised it went so badly? What a relief I’m now so much older and wiser.

I’ve never really been the social type – I’ve always just been happier alone. Well, maybe happier isn’t quite the right word. I did get a bit lonely sometimes. I’d hear laughter coming from other rooms in my building, or see a group of friends talking in the sun outside, and maybe I’d wish I had something like that, but it never really bothered me – I didn’t need another people and they certainly didn’t need me.

Jon looks down at the words with a dissatisfied scowl. Does this come off as too self-centered? As more as an excuse than an explanation? This would be so much easier if he could just say what he means. Then again, Jon’s always struggled with discussing emotional matters, hasn't he? He can’t blame it all on the Archive.

These thoughts, these feelings were always in my mind – until – I realized the deeper truth of it all.

I tried to put it into words, but without any real success. Even here, with the time to compose it properly, I’m not sure I’ve caught the essence of what I felt –

– I had a look through my library, and couldn’t find anything that matched it –

– those are musings for poets, among whom I do not number –

– it’s all very well to say ‘write down what you saw,’ but what if you don’t have the words?

I suppose I’ll just have to try.

I’ve always been more comfortable alone –

– had few friends – reluctant to make the sort of connections that might lead to –

– the prospect of being genuinely loved –

– fully and completely known –

– having people be genuinely lovely to me, I didn’t know what to do with those feelings –

– I could never bring myself to try. It felt more comfortable, more familiar, to be alone.

It is the fear of being watched, and judged, and having all your secrets known.

Ironic, in some ways –

– being what I am –

– an Archivist pleading for knowledge –

– to feed the sick voyeur that lurks in this place.

Eventually, I opened my eyes –

– feeling absurd about how terrified I was about being seen –

– kicking myself for having been so stupid –

– it wasn’t natural for people to live in isolation – we were creatures of community by nature.

Soon enough, I could no longer fool myself –

– the man I loved –

– who was by all accounts such a kind and gentle soul –

– when I – saw him standing there waiting for me – I don’t think I’ve ever been happier than in that moment.

He spoke words I thought existed only in my heart, and I loved him as the soil loves the rain –

– and it seemed he felt the same way –

– and together it seemed like we would get past our pain.

Everything about being with him felt so natural that when he told me he loved me, it only came as a surprise to realize that we hadn’t said it already.

…to say – “I love you” – honestly it’s one of the few decisions I’ve ever made that I completely understand.

It’s… woefully inadequate. Too devoid of context. Unlikely to reach Martin through the fog. But maybe it will be enough to at least convince him to talk to Jon. To keep the Lonely at bay, at least for now.

After leaving the hospital, the next thing that is properly clear in my mind is –

– I need him to be okay.

I couldn’t see him or hear him –

– I didn’t even get a chance to speak to him – asked what had happened, he was just gone. And I was alone again.

I wanted to say something reassuring, to reach out and let him know I was still there –

– I wanted to act, to help, to do something, but – I felt helpless to do anything but watch as events progressed.

I think he might be part of something really awful, and I don’t know how to make him see that – of course I did worry. I knew that, secretly, he was as well.

I know how that sounds – but – I ask you to read on.

For a split second, the memory of the ritual flits through his mind – Apologies for the deception, but I wanted to make sure you started reading … – and Jon brings his wrist down on the side of his chair, hard. The pain jolts him out of the recollection and brings him back to the present. He watches halfheartedly as the discoloration fades before his eyes, frustration with his overreaction itching in the back of his mind. Stupid.

With a longsuffering sigh, he rereads the previous section again. The borrowed words sound patronizing, without the qualifying context he wishes he could provide more explicitly. He isn’t just nitpicking – it’s crucial that Martin knows that Jon isn’t underestimating him, despite a history of doing exactly that for far too long.

The first time around, he trusted Martin – more than he trusted anyone, including (perhaps especially) himself – and even knowing what he knows now, he doesn’t regret it. He heard the tapes.

“But if I could just explain,” Martin had said.

“And how do you think Jon’s going to react to that explanation, hm?” Peter had replied. “You think he’ll accept it calmly? Come through with a well-considered, rational response?”

“That’s not fair.”

“Or would he assume he knows better than you and do something rash?”

“I don’t like being manipulated.”

“That’s fair. But I’m not wrong.”

“No.”

In Jon’s original timeline, he had proven Peter wrong. He had trusted Martin, respected his boundaries, followed his lead. This time, though… Jon won’t be able to demonstrate that with non-interference, and not being able to use his own words doesn’t help him explain that this isn’t just another instance of Jon just assuming he knows better than everyone else, that he actually does have special knowledge, and – well, truthfulness aside, that sounds condescending, too, doesn’t it?

He doesn’t blame Martin for agreeing with Peter. For a significant portion of Jon’s life, it would have been a fair assessment. He didn’t trust people. He didn’t trust himself, either – not really – but at least he knew his own intentions. That bone-deep fear of being manipulated, of being rejected, of not having control… it never played well with the concept of trust.

And when they first started working together, Jon made no secret of his knee-jerk judgment of Martin as being incompetent, clumsy, and unreliable. In retrospect, he couldn’t have been more wrong – and he knows now that he was only seeing what he wanted to see, projecting his own insecurities and fear of failure onto Martin to distract from his own floundering.

After learning that Martin had lied on his CV, Jon readjusted his initial opinions. He was impressed. Martin was remarkably capable for someone with no prior qualifications, no experience, no degree. What he lacked in experience he more than made up for in effort. He was clever, and resolute, and dependable, and genuine, and… and god, wasn’t Jon a fool for taking so long to notice? And then for never saying as much until it was almost too late?

This version of Martin hasn’t heard that apology just yet – or the corollary apology for waiting so long to apologize. Georgie had told him years ago that he needed to use his words, that people needed to hear directly that they were acknowledged and appreciated. Jon himself struggled with reading between the lines. Just because he had low tolerance for receiving direct praise – despite craving it deeply – didn’t mean that other people had the same hangups.

He’s since taken that advice to heart, but he should have done sooner. Georgie had been right about a lot of things.

Jon did eventually say as much and more, during those brief few weeks they had in the safehouse. Peter hadn’t been all wrong when he questioned how much they really knew one another. Between Jon’s early irascibility and the distance he felt obligated to keep given their employee/boss relationship; between preventing apocalypses and being in such constant life-or-death peril that it started to feel normal, so normal that Jon didn’t know what to do with himself when he wasn’t being chased or held captive; between the coma, and descending into inhumanity, and the Lonely… they hadn’t had a chance to get to know each other outside of a crisis situation.

Jon didn’t even know himself anymore. He wondered if he ever had.

For the first time, they finally had the time and space to remedy that. Both of them were changed and would never be the same, but they had each other. They were both willing to put in the effort, to learn how to communicate and accommodate and navigate boundaries, despite neither having much experience with a healthy relationship. And for a little while, it had seemed that they could both learn how to be present in the world again – starting with their own microcosm, one day at a time, encouraging one another to be more patient and kind with themselves.

It wasn’t fair, how abruptly that hesitant, hopeful attempt was stolen from them. Jon didn’t feel like he deserved comfort and contentment – he still doesn’t – but Martin… Martin deserved – deserves – to be safe and cared for and loved. Martin deserves to be happy.

Jon desperately wants to help him See that.

Don’t… misunderstand me, please –

– I trusted his instincts almost as much as I trusted my own.

More than I trusted my own, Jon amends in his head – but the Archive isn’t cooperating.

But I knew that I – knew the future –

– the promise of secret knowledge, of seeing something that no one else was privy to –

– there was – a lot – we were missing.

Please. All I ask is that I be allowed –

– a chance to express myself –

– said something about knowledge being a good defense here –

– so here I am, pouring out my lunatic story on paper in the hopes that you might eventually read it.

Statement of Georgina Barker regarding –

– travel through time.

Jon still has to ask Georgie if she can explain the situation to Martin, but he doesn’t think she’ll mind. It won’t be as comprehensive as Jon wishes it could be – he still struggles with explaining the fine details of the apocalypse to the others given his current limitations – but he’s done his best, and he can trust Georgie to do the same.

Some fears can only be endured for so long. I remember every second of that fall. Like it was happening in slow motion. I was certain I was about to watch him fall like I had.

That knowledge I had gained – could finally be put to use.

I shall do my best to explain, and hope that any revelations contained here in me sway you from the path you have started upon.

I wanted to tell him to stop, to warn him – because I knew –

– the Extinction – while I have seen evidence of its influence in other powers –

– there was no sign of – imminent arrival – I resolved –

– its emergence as a true power of its own –

– wasn’t a threat.

Whatever he was planning –

– to try and rescue those trapped –

– trying to protect me –

– defending the world from the darkness…

…I know – to talk to other people about it –

– desperately wishing for another human being to talk to –

– to take too much comfort in – people – would go quite strongly against the spirit of the experiment – had to really feel alone. That at least didn’t take too long to set in.

All that remained was the fog – could wander there for years, and never meet another – utterly forsaken – there seemed to be no end to it.

But it didn’t need to be forever, did it?

“This too shall pass.”

I tried to explain but all I could manage to get through the shaking sobs was, “I love you.”

By then it looked like he was on the verge of tears,

Jon stops reading for a moment, realizing that, aptly enough, he’s on the verge of tears right now. He swallows them back and continues.

By then it looked like he was on the verge of tears, but I couldn’t leave it alone – just couldn’t let it go.

I have tried to write it down, to put it into terms and words you could understand. And now I stare at it and not a word of it is even enough to fully describe the fact that –

I cannot lose him.

I – cared deeply about his well-being.

I know he didn’t deserve what happened to him.

He deserved to –

– to be – beloved –

– cared for – trusted –

– being wanted and appreciated –

– being genuinely loved –

– no matter how wrong it might feel –

– when you’re at your lowest point, when you’re your most emotionally vulnerable.

I need him to be okay –

– and the world is so much better for –

– the easy, charming man I’d fall in love with –

– being in it.

Please. All I ask is that I be allowed to –

– talk to you, before it all comes to an end –

– and I swear to you that –

– if you decide to do it – if –

– you want to be alone – and –

– didn’t say much to me after that –

– I made sure to keep – distance.

There’s so much more Jon wishes he could say; so much that he wishes he could say in his own voice, rather than the stolen words of survivors recounting the most traumatic moments of their lives. It still feels perverse, to use their statements like this. It might not be as bad as feeding directly on a victim, but it still falls on a spectrum of appropriating the torment of others for his own use.

At the end of the day, it really doesn’t feel all that different from Jonah’s brand of dehumanization. It’s just one more way Jon is complicit in the evil that thrives in this place –

“Hey,” comes Georgie’s voice from just a few yards away. Jon startles, sending his pen clattering to the floor. He had been so lost in his own thoughts, he hadn’t even heard her descending the ladder. “Sorry,” she says with a wince. “Didn’t mean to scare you.”

Retrieving the fallen pen, Jon waves the apology off – it’s okay – and Georgie comes to sit next to him.

“Finished with your letter?”

“…I’m vague on the details,” he says. “I have to be.”

“Want me to take a look?”

Jon nods; he had been planning on asking her to read it through. Even if it was in his own words, he would likely run it by her. He trusts Georgie’s judgment regarding relationship matters far more than he trusts his own, and he knows she’ll be straightforward with him if he’s said something… well, stupid. He’s gotten better at communicating, but that doesn’t mean his tendency to put his foot in his mouth has disappeared entirely.

He jiggles his leg restlessly as she reads, increasingly self-conscious the longer the silence goes on. He resists scratching at his hands – Georgie is sure to reprimand him if he starts that up again. It isn’t that she has a problem with his fidgeting; she was actually one of the first people in his life to tolerate it. Encouraged it, even. She pointed out quite bluntly once that whenever Jon tried to force himself to sit still, his restless energy didn’t go away, it just came out as waspishness instead.

But she had a rule: no self-harm, no matter how mild. Personally, he didn’t categorize the scratching as self-harm, but she was firm about it. Lately, the scratching is limited mostly to his burned hand, and he’s tried explaining to her that it doesn’t even hurt – the scar tissue doesn’t register much sensation anymore – but she won’t hear it. For the past couple weeks, whenever she catches him at it, she gives him a look until he stops.

“I think it’s good,” Georgie says. “But…”

Jon tenses, but then he glimpses Georgie’s playful grin.

“It’s nothing bad! It’s just… well…”

He can hear the spark of mischief in her tone and somehow that makes him more apprehensive than the prospect of criticism.

“See, you say you’re not a poet,” she says, pointing at the letter, “but this part here…”

He spoke words I thought existed only in my heart, and I loved him as the soil loves the rain –

– and it seemed he felt the same way –

– and together it seemed like we would get past our pain.

“You go and use a sappy metaphor – and I know,” she says, seeing him ready to protest, “they’re not your words and you’re using what you have available.”

Yes, he wants to say, and my vast library comprised solely of people’s retellings of their supernatural trauma isn’t exactly forthcoming with declarations of love, Georgina.

“But,” she says, goading now, “then you go and rhyme the first and last lines.”

Jon squints at the letter, and…

Fuck. It does rhyme.

He moves to snatch the paper away and Georgie stands and holds it out of reach, dancing backwards.

“No, nope, absolutely not,” she says, laughing. “Jonathan Sims, I refuse to let you change it. You’re leaving it exactly as is.”

“…being used against me in a cruel joke,” he huffs, glowering at her – but her laugh has always been infectious, and he can’t fight it as his lips twitch into a smile.

She hands the letter back to him after a minute, still grinning when she takes her seat again.

“I’m teasing you. You can change it if you want, but I think it’s adorable and you should leave it. Besides, Martin’s a poet, isn’t he? He might get a kick out of it.”

Honestly, it doesn’t bother him enough to rewrite the entire thing. And if there’s a chance of it coaxing a smile out of Martin…

“On a more serious note – this part here, ‘statement of Georgina Barker’ – I’m assuming you want me to try to convince him that you actually are a time traveler here to stop the apocalypse?” Jon nods. “Probably easier than trying to write it all out. I don’t mind, but are you sure he’ll listen to me?”

Jon shrugs. He has the same worry, but…

“As for myself, I must cling to –”

“– that most insidious of emotions: hope.”

“Somehow both unexpectedly sappy and predictably ominous,” she replies, “but I’ll take it. Better than despair, anyway.”

Despite the light teasing, the smile she flashes is genuine. Fleeting, though, as she continues.

“Oh, and one more thing – that one bit, capital-E Extinction? One, don’t like the sound of that, and two – should I know what that is? Melanie hasn’t mentioned anything like that before.”

“I’m sorry – it won’t let me say the words,” Jon says with a frustrated sigh.

“Will Martin know what it means, though?” Jon nods. With any luck, Martin can be persuaded to fill the others in on it. “Good enough.”

She watches him for a few moments as he chews at his thumbnail, leg still shaking, staring at the floor.

“Something’s on your mind.”

Jon sighs and closes his eyes.

“I could feel hunger gnawing at me.”

“You still haven’t had a statement?” Georgie says, frowning at him.

“Something he could salvage from the whole situation,” he mutters, not looking up at her. “Just a way of getting some control over his life, you know?”

“Jon, you can’t just starve yourself –”

“Running was pointless,” he agrees sullenly. “To try to escape from my task would only serve to fulfill another. I finally understood what I needed to do –”

“– some hungers are too strong to be denied –”

“– you have to feed it – or it will feed on you.”

“So why haven’t you?”

“Even as I did so, in the back of my mind I hated myself –”

“– to feed the sick voyeur that lurks in this place.”

“I’m not saying you should… go hunting, or whatever you want to call it. This is an archive, there are plenty of statements lying around.”

“…you’ve got all this… all these people’s experiences listened to and filed away.”

“Right. They’re already given. They can’t be taken back. You’re not going out and hurting people, you’re just… reading what’s already here.”

She thinks he was just agreeing with her, he realizes – she didn’t comprehend his true meaning there. How could she have? He hasn’t properly explained to them that he is the Archive. He already Knows all of the statements housed here. Old statements were stale even when he hadn’t read them yet. Now, they’re even less fulfilling.

As a child, he hated reading anything that he felt like he had read before. It seems morbidly fitting that the Archivist in him is much the same way.

“Think of it like… like harm reduction,” Georgie is saying now. “From what I can gather, abstinence just isn’t an option for you, at least not right now. The next best thing is to meet yourself where you are. Even if you can’t stop, you can still take steps to minimize the harm – and that includes harm to yourself. Reading the statements that are already here – I think it’s justifiable, if the alternative is starving to death.”

“I am not sure how long this might continue for. Maybe years. Maybe forever.”

“Maybe. But right now, you need to take it one step at a time. You’re getting ready to hurl yourself into danger. You should be at full strength for that. If you aren’t going to sleep, you at least need to eat something.”

She has a point. There is one other concern, though.

“It seems I cannot avoid the ceaseless gaze of – Jonah –”

“– still there, still watching me –”

“– eyes were always focused on something, always watching. And – I always felt afraid –”

“– being under constant scrutiny and observation –”

“– it may be worth your while to keep an eye on the statements – in case he finds his way here –”

“– my mind has always been receptive to the thoughts that lurk in the written page –”

“– that throw out strange or sometimes even dangerous things –”

“– a simple ruse or deception –”

“– quietly waiting for you to lose your footing, to slip up and fall.”

“You’re afraid of getting tricked into reading the wrong statement again.”

Jon nods, not quite meeting her eye. All of the statements housed here are already catalogued in the Archive. He can recall them on his own word for word, if he concentrates. But something about that doesn’t feel right. Physically reading the statement, speaking it into the tape recorder… it’s like its own little ritual – like there’s an order of operations that has to be followed or it doesn’t count, somehow.

“…I outlined basic checks in due diligence –”

“– checking and double checking –”

“– before I finally felt safe enough –”

“– to read a statement – hitting record and speaking it aloud.”

“Well… we can probably vet them before giving them to you?”

“…they were also there as a backup in case something went horribly wrong – in case –”

“– it tried to read me back.”

“Okay,” she says after a moment’s consideration. “I’ll let Basira know.”

Her expression is concerned, but there’s something else underneath it. It doesn’t seem like judgment, or suspicion, or any of the other reactions he’s come to expect when discussing his reliance on the statements. It’s definitely not fear; this is Georgie. Pity, maybe?

Whatever it is, it makes him feel small and exposed and uncomfortably seen.

“Jon, look at me.” He does, with hesitation. “I know things are bad, and I’ll admit I was skeptical when you first said you wanted to change, but based on what I’ve seen over the past few months? I believe in you. It’s okay to have a little faith in yourself, too. I think you’ll need to, if you want to get through this.”

His gaze drifts to the floor, self-conscious.

“Anyway, it's probably best that Elias doesn’t see us pre-screening statements for you, right? Might make him suspicious. I can just gather a box of them and bring them down here. I’ll bring Basira with me, and we can explain the situation.” She stands and starts to walk toward the ladder, then stops abruptly. “Wait.”

She does a half-turn, not quite facing him, watching the floor pensively.

“I don’t know what I’m looking for. Is there something particular – like, do you have preferences, or – are there… nutritional requirements or something?” Jon can’t help it; he smiles at the absurdity of it all. “Do you need variety? Does a balanced diet even apply in this –”

Realizing he isn’t replying to any of her questions, she finally looks up, sees his amused smirk, and pauses mid-flustered gesture. He chuckles softly and shakes his head, mortified by the idea of cultivating a preference for statements as if choosing from a menu, but also just a bit shamefully, morbidly endeared at her thoughtfulness.

“Well, I don’t know!” she says indignantly, but she grins back. “Fine. I’ll grab a bunch at random then, and you can just deal. Ass.”

God, he missed this easy, playful banter even more than he had realized.

Jon watches as she climbs the ladder, preparing for the customary anxiety that tends to hit him whenever she leaves his presence – that conviction that it will be the last he sees of her.

When she pulls herself up through the trapdoor, though, he’s pleasantly surprised to note that the fear doesn’t come. He’s even more surprised that a half-hour later, when Georgie sends Basira with a box of statements but doesn’t accompany her, the fear still doesn’t overwhelm him. It shouldn’t be that surprising – he does trust Georgie – but intellectually understanding something isn’t the same as emotionally assimilating it. It seems that for once, his emotions have caught up with reality.

“Melanie needs company right now, so Georgie couldn’t come with. She didn't say exactly what you needed help with, but I think I have an idea.”

“…to keep an eye on the statements –”

“– they were also there as a backup in case something went horribly wrong.”

“Figured as much. Anyway, Georgie said she’ll come see you before she goes home today.” Basira drops the box on the floor in front of him. “I told her you probably wouldn’t want her present for the statements anyway. No need to expose more people to them if we can help it. I thought you’d agree.”

Jon nods, thankful that Basira is on the same page and he didn’t have to bother explaining it himself.

“So, any stand out to you?”

May as well get it over with, Jon thinks with a heavy sigh.

He leans over the box and sifts through them, eyes skimming over the case numbers until one catches his eye. CASE #0020312, the label reads. Figures, he thinks to himself with a grim, humorless smile, and he hands it over to Basira for her to inspect.

She skims through it quickly – she’s a fast reader, Jon notes – and at several points her eyebrows raise and furrow.

“Seems normal enough – for a statement, anyway,” she says, handing it back to him. Then, meeting his eyes: “A bit on the nose, though.” Jon shrugs. “You want me to stay while you read it, right? Go on, then.”

The tape recorder clicks on in his pocket, as if to voice its agreement. Jon removes it and takes a moment to glare at it before turning his eyes to the statement, clearing his throat, and beginning his monologue.

“Statement of Tova McHugh, regarding their string of near-death experiences. Original statement given December 3rd, 2002. Audio recording by Jonathan Sims, the Archivist. Statement begins…”

The Coffin sits where Breekon dropped it, hungry and waiting. It’s the densest, most solid thing in the room, as if it has its own gravity, a sort of metaphysical black hole. It’s not as bad as the rift at Hill Top Road, but it has a similar feel to it: oppressive, wrong, its existence impossible but unavoidably present all the same.

Jon stands at the threshold, blocking the entrance, Basira and Georgie standing behind him.

“So this is it, then,” Georgie says. “You’re sure you know what you’re doing?”

“��as you can imagine, getting out of there proved – difficult –”

“– but they did return.”

She still looks uncertain, watching the Coffin as if it might move on its own.

“…try to keep you far away –”

“– didn’t want a good look inside that room – stopped at the threshold –”

“– make it very little distance over the threshold before – swallowed –”

“– you must trust me on that and not come looking –”

“– supervise from a distance –”

“Jon,” Basira says, cutting him off, “we get it. It’s dangerous, stay away, et cetera. I can feel the compulsion from here; you really don’t need to tell me twice, let alone five times.”

Jon barely hears her, his mind already entirely occupied with what he’s about to do. He stands paralyzed, knees locked, hands trembling just slightly, pulse thundering in his throat. Already his breath feels constricted, and he hasn’t even opened the thing yet.

“Do you need more time?” Georgie asks gently.

Jon shuts his eyes, swallows around the lump in his throat, and shakes his head no. The longer he puts it off, the harder it will be to take the plunge. And Daisy has waited long enough.

“Hey. Look at me.”

Jon breathes out, opens his eyes, and turns to face her. She opens her arms slightly, offering an embrace – but he shakes his head, giving her an apologetic look. Pressure is usually good, grounding him, but right now – well, he’s about to have all of creation pressing in on him, and any reminder of that is only going to send him spiraling.

“Okay. You have everything you need?”

He nods, trying to project whatever thin veneer of confidence he can muster – more for himself than the others, really. He holds up the tape recorder with Daisy’s statement tape in it, then gestures vaguely at the tape recorders littering his desk.

“…like breadcrumbs taking us home. Home, in this case, was –”

“Martin,” Georgie says with a knowing smile. “I’ll make sure he gets your message – and yes,” she says, seeing him about to interject, “I’ll make sure he doesn��t read it outside the tunnels. And I’ll explain… the situation. Don’t worry about things over here. Just focus on what you need to do on your end.”

Jon nods again, clenching and unclenching his fist at his side, stuffing the tape recorder back into his pocket with the other hand.

Time to stop dithering, he tells himself firmly.

“Tell Daisy I –” Basira blurts out, then pauses, struggling for words. “Tell her…”

She breathes out a short exhale and looks up at Jon. He nods at her: I understand.

“Tell her I’m waiting.” She pauses, biting her lip. “And Jon?” He makes a questioning noise. “Come back safe,” she says, then turns on her heel and walks briskly away down the hall.

“We’ll see you home soon, Jon,” Georgie says. She pours every ounce of reassurance into it that she can manage, but he can feel that she’s still apprehensive. “Don’t get lost.”

“…I’d – get out of there as soon as possible,” he says, trying to mirror her composure.

“You’d better. I doubt I’ll be the only one cross with you if you stay away too long.”

The tape recorders fill the room with a low, static-leaden murmuring – dozens of overlapping tones, unbroken streams of phonemes rendered nearly incomprehensible, discrete parts unable to compete against the cacophony of the whole. Although it sounds like the background noise of a crowd to Jon, he Knows every word being said: a litany of horror and dread unspooling in the air around him.

He also Knows that they will continue running, replaying each statement on a loop until he returns, no batteries required.

A notebook sits on his desk, battered and careworn. It’s Martin’s, half-filled with poems and works-in-progress, many of them from the weeks he was living in the Archives. He left it here when he went to work for Peter. Whether it was meant as a deliberate symbolic gesture – leaving the past behind him, sacrificing this sentimental part of himself in order to become what Peter’s plan required him to be – or was simply an oversight after months of having no time or mind for writing, Jon still doesn’t Know. He never asked. In the future, after Martin started writing again, Jon felt it was best not to reopen old wounds for the sake of satiating his own curiosity.

If only he could have learned that lesson earlier in life.

Jon has never been a fan of poetry. It’s never really resonated with him; he’s never understood it, and he… doesn’t have much patience for things he cannot understand. But then, Martin went to work for Peter Lukas – and the last time Jon was here, he had burned every other bridge between himself and humanity.

When he was a child, he had convinced himself that he didn’t need friends, didn’t need affection. He found human connection in books, and he told himself that it was enough. It wasn’t, in retrospect: he entered adolescence and then adulthood with stunted social skills, and practicing didn't seem worth the risk of failure. Between that and being the Archivist, it was no wonder he had chased everyone away.

By the time he woke up from his first coma, he knew that books would be no replacement for actual companionship, but he thought it might at least take the edge off, like it used to when he was a child. It backfired terribly. He would always Know how the story ended before even finishing the first chapter, and it would demolish any motivation to continue reading. It wasn’t just that his reading habits now tend to be as particular as they were when he was young, having little patience for anything that felt like he had read it before. It was that he couldn’t have a moment of peace from the knowledge of what he had become.

One day he stumbled across Martin’s notebook in Document Storage, along with some spoken word recordings that Martin had made while living in the Archives. At first, Jon didn’t know what the tapes were, and listening to any tapes that turned up had long since become automatic for him. Once he realized what was on them, he probably should have stopped, but he listened to every second of that handful of tapes, over and over and over again. He felt guilty – he had already violated Martin’s privacy once before, when he was deep in the throes of paranoia – but he justified it to himself because he… well, he'd needed to hear Martin’s voice.

The poetry was… well, Jon still didn’t get it, not really. But he found himself liking it anyway, because it was Martin’s voice and Martin’s words and Martin’s story, and Jon didn’t have to understand it for it to have meaning and value and warmth. He should have been content with the tapes, but he kept stealing glances at the notebook, itching to open it and start reading. Part of it was that simple curiosity that was always leading him astray, but for once, that wasn’t the loudest part of him.

It wasn’t a need to Know. It was a need for closeness.

So, he pushed that guilty voice in his head aside and… he read. Unlike the fiction stories he had been trying to lose himself in, he never once Knew anything about a poem before he finished reading it. He rarely Knew anything about it even after reading it, and then rereading it, and then rereading it again. For the first time in his life, not having answers was… refreshing. Freeing, even.

It didn’t take long for Jon to memorize every word, cover to cover – and he never grew bored of them, despite their familiarity.

Gingerly, almost reverently, Jon turns the pages. There are a handful of poems in here about him, and even now, indelibly etched into his memory, reading them on the page still makes him feel seen in a way that is all at once terrifying and comforting. Affecting, certainly, but in a way he could appreciate, once he gave it a chance.

You’re stalling, Jon tells himself, closing the notebook and placing one last tape on top of it.

He closes his eyes and forces himself to take several deep breaths – it’s the last chance he’ll have for the next few days – and he checks his pocket for the tape recorder with Daisy’s statement in it. Pointless, really; he already Knows it’s there, same as it was the last dozen times he checked.

Swallowing hard, he finally turns to look at the Coffin. The moment he lays eyes on it, the static rises in his mind.

Oh, shut up, Jon thinks tiredly. The Dread Powers are like cats yowling at overflowing food bowls, insisting that they haven’t had supper yet. At least cats are endearing. The Fears are noisy and intrusive with none of the charm. You’re all so goddamn needy, you know that?

The Coffin carries on, and Jon rolls his eyes. Wrapping himself in annoyance does little to drown out the fear, but it offers a slight buffer. He’ll take it.

You’re still stalling, he reprimands himself.

With trembling hands he picks up the key, fits it into the lock… and he opens the lid. It lifts easily with only a slight creak, no heft or resistance to it: it wants to be opened, like so many of the other hungry doors lurking around this world, bear traps and snares and spiderwebs all lying in wait for somebody foolish and curious enough to ignore all the alarm bells for just one… peek… inside.

Knock-knock, comes the intrusive thought.

Shut up, Jon shoots back.

The tape recorder clicks on, whirring impatiently in his pocket, as if to urge him onward.

You too, he snaps – but as much as his knee-jerk impulse is to be contrary, he has put this off long enough.

Jon steels himself, takes one last deep breath – savoring fresh air, full lungs, airways clear of dirt and grime and debris – and he begins his descent.

Martin is in Peter’s office, tending to some tedious administrative tasks. His brain feels fuzzy, thoughts sluggish and stunted from the lack of stimulation. The tick-tock of the wall clock drones on and on. He’s considered removing the batteries, but it’s the only company he’s had in days. Complete silence might be worse. Besides, the longer he sits here, the less and less the noise scrapes against the edges of his consciousness – and even when it does penetrate the fog filling his head, he can’t bring himself to care.

If Peter intends for the monotony to highlight his isolation and desensitize him to the absence of… well, everything, it’s working.

Then, between one moment and the next, there’s a shift. It crashes into him, tears through the quiet, and the world around him comes rushing back in, a sharp and blinding and cacophonous flood of sensory input.

There’s a palpable void where one shouldn’t be, and he knows with certainty that it’s distinct from the general sense of absence that he’s grown accustomed to over the past few months. The Lonely feels soft, quiet, gentle – natural, like a cocoon tailored specifically for him. This feels like a knife to the gut, a gaping wound, alarm bells screaming in his mind that something is wrong, wrong, wrong –

“Something’s happened,” he says to himself. He flinches at the sound. It’s jarring, hearing his own voice, raspy as it is with disuse.

Before he even realizes that he’s moving, he’s out of the office and hurrying down the hallway, not bothering to close the door behind him.

“Jon,” he whispers with a passion and urgency that feels alien to him now, thoughts no longer muffled and detached. He doesn’t know how he knows, but he does: Jon’s done something drastic, and given his track record, it can’t be good.

The only thought running through his mind is Jon, playing on a loop like a stuck tape; like the nervous stammering of the person he used to be, intimidated by and enamored with the man in equal measure; like a – like a prayer: Jon.

Martin picks up his pace, making a beeline for the Archives.

End Notes:

The Buried, Round Two: BEGIN.

I might not have much free time to write this weekend, so the next chapter probably won't be ready until next weekend at least. It will have some Martin POV though, FINALLY. This story hasn't had enough Martin screentime yet and that is entirely a hell of my own making, but I WILL remedy it. Also: ACTUAL DAISY CONTENT SOON, I SWEAR.

Citations for Jon's letter to Martin are as follows: MAG 040; 112/007/029/102; 007/150; 020/019; 150; 013; 135; 048/144/007/021; 021; 013/002/032/147/153/013; 161/091/101/089/135; 048/028/067/013; 143/150/008/013; 135/048/009; 013; 150; 013/117; 085/052; 063/124; 123; 011; 123/133; 070/154/123; 133/019/036/011; 094/088; 075; 135; 127; 124/157/050/157/130; 143/107/012/056; 122/012/057; 013; 145/121; 150; 042; 042; 032; 037/136/110; 152/008/101/153/032/129/153; 117/155/013/155; 133/112/152/154/013/051/049.

Citations for Jon's dialogue are as follows, broken down by section: Section 1: MAG 064; 019; 138/139; 019; 058; 148; 121/014/089; 066/135; 043; 096; 138/060/154/060/113/017/005/116/121; 054/022/054/147; 057/091; 155. Section 2: 150/096; 095/006/023/157/139; 125; 047. Section 3: None. Section 4: None.

The cited dialogue between Peter and Martin is from MAG 126. And it probably goes without saying but the Jonah/Elias statement quote is from MAG 160.

As always, you can also just ask if you want to know where a particular line comes from. c: