#the end result i'm good with but at some point editing feels so clinical but in the most laborious way

[wreckedhoney]

the third chapter of the fic really beat me in the ass, folks

[erinwantstowrite]

any writing tips for how to write efficiently/quickly while not making the stuff you write shitty as a result?

this is a pretty open ended question, because there are a lot of factors to writing and it's not a simple answer (when is anything ever simple on my page lmfao?)

what you're feeling:

it mostly matters what headspace you're in. i say it a lot, but mindset is the most important part of the writing process. for multiple reasons!

if you're going into a writing session while feeling tired or angry about something, you will often make mistakes. it's important to write while you're feeling pretty good (this is nuanced as some people prefer to write when upset/angry, or have no choice if they're trying to get their final papers done in an academic setting). you'll find yourself editing a lot more if you wrote it while tired, so if you can, start off feeling good. this will also increase your writing speed because you're starting off with a fresh mind.

so that means to take breaks. which sounds counterproductive, but hear me out!

just like when you're studying, you have to take some brain breaks. you'll get way too caught up in stuff/will get tired/will get upset with what you're writing/etc etc etc. there's a lot of reasons. so every 30 minutes or so, take a break. go watch a youtube video, or walk around your house, whatever clears your mind of your writing. when you come back to it, you'll have a fresher mind. not as fresh as the start of your time, but still better than if you kept burning yourself out while trying to push through it

though if you're like me and you get distracted if you leave a room or change a tab: just pull up a different writing tab and work on a different project for a few minutes. set a timer. or don't leave the room, and just do some stretches or jumping jacks

2. fundamentals

i wish i could give a cheat code, but there isn't one. it takes a lot of practice to be able to write quickly/efficiently. the best way i can describe it is like another trade: an artist or musician that has already mastered their fundamentals will be able to sight read a piece or sketch a figure drawing in under a minute, and have the quality of the art turn out well.

if you haven't mastered your fundamentals and you try to speed run it, your writing quality will go down. you'll miss simple spelling or grammar mistakes (one or two is fine, but it can become a problem), you might get very short or clipped sentences that read out as play directions rather than an internal dialogue or interesting narration (example: "She picked up the glass and took a sip." VS "Her long, red nails clink on the glass when she picks up the champagne offered to her. She takes a long sip of her drink, her clinical gaze sweeping over the partygoers. She doesn't leave a lipstick stain on the glass, but her companion does.")

(though, sometimes they really did just take a sip of their drink. it depends on the impact you want that action to have.)

your writing speed will naturally progress as you pick up these fundamentals. so practice makes perfect!

3. Awareness

being aware of what you're writing while you're writing is a big one. i'm guilty of the play directions too. and while i have a beta reader (hey bestie), i don't want to slow myself down. so i often remind myself of my fundamentals as i'm going, not afterwards. to help myself there, i pause while writing to read what i have written out loud. i try to make sure that what i have written is easy to say out loud, which in turn makes it far easier to read. and i try to make sure the inner voice makes sense as well. if i'm writing damian, i try to speak the words in his intonation. same with peter, who has a very different internal monologue. it will point out mistakes to me. like "oh he would never say that/he wouldn't say it that way")

editing while you go is also important. sometimes i write a few paragraphs, then go back to the start of the segment i just wrote, and then read it out loud. the editing will come out as i do so, because i will notice mistakes that i wouldn't have otherwise. in turn, the editing often makes paragraphs longer. (or shorter, in some cases! often times, writing is like "i really wanted that to be said, but it's kind of redundant and adds nothing" and so things get scrapped.)

if it's an academic paper you're writing for, put yourself in the shoes of a presenter. imagine that you've already written this paper and studied it a million times before, and now is the time that you are reading your paper for classmates or a professor or someone who wants to read your research. it'll put you in a more critical mindset of "oh that doesn't make sense when i say it to someone else" or "that's not true" or even "whoa, that sounded really smart."

same goes if you're writing for entertainment purposes. if you're writing horror, then you're telling the story as someone who experienced the horror itself or at a campfire trying to scare your friends. if you're writing fantasy, then you really got to put yourself in the shoes of your narrator. this might bring to your attention "wait, how tf are their feet not hurting for walking as long as they have."

(which goes back to mindset!!)

4. planning

have as much planned out before you write as you can... and also do not go strictly with what you're planning

that sounds like i'm being contradictory again but it's like this: i have an overarching outline for my story, so i know what goals need to be met. then, you plan chapter by chapter. some goals NEED to be met in certain places... and they will have a domino effect to your outline. you'll get to a previously established goal and realize that it doesn't fit at all anymore. and this can even happen for your chapter outlines!

(this post here has some tips about if you're struggling while writing a chapter)

essentially, you gotta be adaptable. you need a map to guide you before you start going off on different paths. it'll cut down a lot of your writing time if you're going into a writing session aware of what your goals are.

and so, we get to the end of this post that wasn't meant to be this long. story of my life. i hope this helps/makes sense? this is what helped me write faster/more in depth. i learned tips and tricks by practicing and keeping a critical eye on my work. and sometimes the tricks and tips are more geared towards my own brain and how to get around things

(like learning that art block just means you're improving, and so you should do some studies of your favorite artists and anatomy, and go back to those fundamentals, so you can play around with them)

[dent-de-leon]

do you know why lance seems to be the fandom sweetheart for like a majority of people watching voltron? don't get me wrong, he has his great moments, but half of the time he's just plain annoying (so fucking annoying). maybe i'm just too old to like the kind of character lance is.

I’ve thought about this myself, and here’s what I found–relatability. Lance has, by all means, the most “normal” background. He’s intended to be the “everyman,” a character that’s typically easygoing and very much what you’d expect from an ordinary teen. For the pilot episode, our intro, he also feels like the main focus out of the ensemble cast. As such, he ends up being this slate that a lot of fans, teens especially, can project onto. They see themselves in his place. He has typical problems like homesickness, competitiveness, jealousy, inferiority. 

This is also why a lot of fans extrapolate those issues, I think. Particularly that last one. He’s no longer just someone who’s afraid of feeling left out or second-rate, suddenly he has depression or PTSD. Again, I think this is a result of fans seeing a bit of themselves in Lance and so projecting. It’s natural, and oftentimes people can find it sort of therapeutic. But still, there is something that’s always bothered me about fans insisting Lance in particular suffers from mental illness when we have a character in canon who does–and oftentimes, that part of Shiro’s life is pushed to the wayside in favor of adding those traits to Lance. 

Or, even worse, as I’ve said before, I’ve seen Lance focused k/l that covered Keith’s galra reveal. And Shiro was often shown as the most aggressively against Keith, either outright rejecting or even lashing out at him. A character who suddenly turns monstrous from his canon trauma, all so Lance could look better in comparison, and it’s…very upsetting to see. Anyway, I’m glad Shiro was the one in canon who showed Keith that unconditional love and support through his galra reveal, because so many fanworks believed the contrary. And therein lies something to consider–I’ve seen lots of fans either dismiss or demonize Shiro’s very real symptoms of mental illness, while simultaneously claiming Lance was good representation for it, and it was just…strange.

But again, I assume that’s because people are drawn to different characters. And for whatever reason, those few fans who erase Shiro’s mental illness and pass it off to Lance for the sake of “lang/st” find that “representation” from Lance to be more palatable. That is to say, someone without the very real symptoms Shiro shows. Which, you know, upsets me as someone with clinical depression and other mental health issues, but I digress. If that kind of projection helps other fans, then I guess I kind of understand. 

But I just raised a whole other topic there, so let’s talk about that–“lang/st.” Yeah. Putting Lance through lots of pain and suffering is so common, fandom coined a name. See also, the usually accompanying “klang/st.” So, yeah. If fans love Lance so much, why put their golden boy through so much suffering in a whole genre of fics? I think it’s because fans simultaneously love and hate the actual “everyman” aspect. Yes, Lance is like them. But they want him to be so much more!! They want him to have those deep, angsty backstories and heartbreaking character arcs like Shiro and Keith. 

And yet, suffering from trauma or having a bad childhood does not make a character inherently more intriguing or dimensional. It just doesn’t. People heard “he has a big family” and immediately went to middle child, he’s always left out, his family never loved him enough!! And then in canon the show runners told us he was the youngest of his family and spoiled, and fans were surprised. Personally, I think that’s very fitting for someone who behaves like him, but I digress. My point is, lots of fans wanted him to suffer because they either like angst or they assume it somehow builds development of character. 

But of course, the latter isn’t always true. And honestly? I think there are enough tragic origin stories in Voltron already. Like, at least we have this one guy who seems like he came from a loving family and had a relatively good life. Good for him!! I’m happy for him. And there’s nothing wrong with that, you know? Branching off that, I feel like a lot of klang/st is also to make k/l feel like it has more “substance.” Fans gave k/l the self-discovery arc of Keith’s galra reveal, even though sheith had that. They made Lance the loving and supportive one in the face of Keith’s galra blood, but in canon that’s Shiro. 

Similarly, I see prekerberos things where Keith and Lance were always together or pining. You know who were always side by side in prekerberos canon? Who had that kind of dynamic? Sheith. You know who Keith agonized over being separated from for that long year? Shiro, not Lance. He didn’t even remember Lance’s name. Of course, there are the edits where Lance is in Keith’s BOM trial, though those same fans will swear there was nothing romantic about those sheith scenes. 

Voltron’s twitter posts a video of the sheith hug followed by the group one, and fans just complain about the lack of a k/l hug. Altean Lance aus where Lance and Keith have a k/a dynamic is also common. Lance gushes about his love for Allura in his vlog? “Bad character developement”–should have made him talk about Keith instead. It’s like, fans expected certain things from k/l in canon. And when they didn’t get that, they borrowed the dynamic from other ships, while simultaneously hating those same ships. It’s very strange to me. 

I think part of what broke my heart the most though, was fans rejoicing about Shiro going missing because in their minds it meant Lance would “step up” and be that source of love and comfort in Keith’s life. And that just…I felt sick reading things like that. So yeah, Lance is the “everyman,” but a lot of fans want him to be so much more. There’s this oc quality of–give him everything he wants!! Make him an Altean prince! The Black Paladin! Bring in someone who’s going to be the love of his life!! People want Lance to “prove Keith wrong” and “be the best,” even though Black Paladin Lance significantly detracts from his canon character development. 

They pass onto him qualities of other characters because they think he “deserves” it. So, I’m going to say this–it’s probably because I can’t relate to Lance at all. I relate to Keith, with all his canon fear of feelings and abandonment, his deeply rooted attachment to those he loves, his introspective nature and inclination to act on instinct, his volatile intensity of emotion, his unbridled anger at injustice, his difficulty with letting go, his upsetting childhood, his fierce loyalty, his love of quiet but oppressive fear of isolation, his desire for found family, the way he values his beliefs over his life. So yeah, I really identify with Keith. Some of my meta? Probably projecting a little. It happens. So I understand why people do the same with Lance.

But just like Keith, Lance is still ultimately his own person. And the way he is in canon? He’s a good character all on his own. He’s not Keith or Shiro or Allura, but he’s himself. He’s someone who has a way of instigating important events–bringing all the paladins together for when they find the Blue Lion, following that mermaid and uncovering a whole nefarious plot, helping Allura realize her hidden potential and the very depth of her magic. He goes from a flighty playboy to someone actually shy and sincere, who develops very real feelings for Allura. He realizes being Black Paladin doesn’t make you suddenly better, understands the importance of working as a team and really grows into his role as a Red Paladin. Someone worthy of carrying on Alfor’s legacy, someone Allura can really be proud of. 

So yes, Lance has gotten lots of character development, and I think he’s a really intriguing person all on his own. No other character traits required.