#the conquest of time

[thenwothm]

REVIEW: CENTURY "THE CONQUEST OF TIME" (SWEDEN)

Get ready for the fiery debut album "The Conquest of Time" from Swedens Century! @centuryswe @noremorserecords

The time has finally come for the debut album from CENTURY. Formed in 2020 in Stockholm, Sweden, the duo of Staffan Tengnér and Leo Ekström released the “Demo MMXX” the same year, taking the underground metal world by storm. “The Fighting Eagle” 7” single of 2022 was just a glimpse of what would follow. “The Conquest Of Time” is a flawless display of heavy metal craftsmanship; from bulldozer cuts…

[lem0nademouth]

i need leftists to cope with their post 9/11 + Iraq/Afghan wars Islamophobia guilt in a way that doesn’t involve erasing the fact that, like it or not, Islam is a proselytizing religion that has fueled centuries of colonization, genocide, and imperialism. idealizing Islam as a purer, better alternative to Christianity is in itself Islamophobic, and it also ignores the many communities who have suffered at the hands of Islamic imperialism. it is possible to not be Islamophobic while acknowledging that.

[polychromaic]

🌸 when the Hindriarch banished Eskhind and her kin from Bey Lah, Neelahind would follow her heart into voluntary exile. To abandon a surefooted life, as well as a coveted spot among the Fellowship, is nearly unheard of among both hindren and Wardens, but Neelahind was glowing when she took her leave. I hear the pair are quite happy together, practicing arconautics in the ruins to the west—at least, that's what the kendren bring news of when they come back to trade.

back at it again w more caves of qud deer gals 😏✨ i'm kind of enamored with the ending to the Bey Lah quest where Esk and Neela both take off, so i wanted to see what they'd look like as a matched set of lesbian pariah-arconauts. geez, i can’t believe it’s been almost two years since i drew them last

image descriptions under break!

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the left a title card reads "Pariah Neelahind (she/her)". Some of the details are labeled. Her fur is a rich cedar red, with a lighter heartwood underbelly curling under her arms and on the inside of her legs down to her hooves; her curly hair is dark mahogany, tied back in a ponytail with a sky-blue bandana; her antlers are a pale heartswood, deepening to a rich velvet at the tines. She’s smiling, looking up and off to her right; she's poised upright, her arms spread to either side of her as she grips the haft of her war-scythe Yal, which is laying across her shoulders. She’s wearing shining steel platemail—a breastplate over a nanoweave surcoat patterned with pale lemon slices over pink (called "Pink Lemonade"); her armor is incomplete, but well taken care of. She’s wearing leather braces, a steel gauntlet on her left hand only, and a woven blue sash and bedroll across her back.

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the right a title card reads "Pariah Eskhind (she/it)". Some of the details are labeled. Her fur is ashen, with her pale undercoat spotting through on her forearms and flanks. Her messy hair is a greenish bleach-blonde, and one of her ears has a hole in it; her antlers are pale and their velvet is darker grey, and they're covered in little tied-on charms and brass tine hornaments. She has an eyepatch over her left eye, and a gap between her front teeth. She's grinning, slouching in a relaxed fashion, pulling back her hood with one hand and flashing a rock-on with the other; her front two legs are crossed, while the back two are spread like she's posing for a picture. She's wearing a well-worn chainmail hauberk, which extends down over her back; a ragged cowl, with buttoned slots along the hem of the hood for her antlers to fit through; a leather bracer on her left wrist, a steel pauldron on her right shoulder, a fingerless elastyne glove on her right hand, and two pairs of croccasins on her hooves. A pocketed saddle is slung over her back, along with a backpack and bedroll; on either side, the pockets are full of tools and bits. Tucked into her swordbelt is a sheathed folding carbide longsword and a gaslight kris; slung across her chest is a bolt-action rifle called "Peashooter" (it has a lesbian flag on its stock). Around her legs are several beaded bracelets and charms; one of them is the rightfully reclaimed Kindrish, complete with its carved deer charm.

[krispyphan]

Deadserious au due to summoning him, 15 yr old Danny meets up with Ra's and 8 yr old Damian. This displaces him in time though.

After showing off his immense power, Baby Damian immediately gets a fat crush on Danny, but when demanding professing his love Danny’s response is “until you grow taller then me brat”.

Danny afterwards leaves back to his time, immediately finding out that this change led to Danny being chased after by the Wayne’s youngest. And even worse the baby he met now towered over him despite still being older.

[prideprejudce]

I feel like people have read into Alicent's response to Rhaenyra's ultimatum in both good AND bad faith ways, but i feel like I haven't seen much of what Rhaenyra was feeling about it!!

Personally, I feel like the ultimatum she gave Alicent was the product of 3 different motivations- first, it was the obvious political move to kill the usurper to her throne, duh. The second, is that I think Rhaenyra is super aware- and terrified of- being trapped in a cycle of loss, being passed over for a son, and her claim to the throne standing only because of what she represents not her as a person. Thats its own whole fascinating character essay i cant get into here lol.

But the third reason is that I THINK she has a desperate personal obsession with being chosen by Alicent over Aegon, and leans into the ultimatum as a way to extract what she needs from Alicent-- to be chosen and prioritized over her father's son, and be the centre of Alicent's attention (romantic or not).

The directors/writers have mentioned one of the crucial aspects of Rhaenyra and Alicent's relationship is how many times Rhaenyra reaches out, only to be rejected by Alicent over and over. I think Rhaenyra, as someone who really internalized going after what she wants from a young age, is a bit spoiled, and is obsessed with Alicent's continuous rejection as both a novelty, and a deep source of insecurity.

Rhaenyra has a bit of magical thinking where she really does think that if she just pushes hard enough she can change the world into the shape she wants it to be, and I think when Alicent CONTINUES to deny her, she gets more and more frustrated.

Double this with her general issues around being passed over for a son, first from her father with baelon, and then COMPOUNDED with baby aegon stealing both her father AND alicent's attention as alicent prioritized birthing and probably caring for her son over rhaenyra's sulking when Rhaenyra was in the most pain she had been in yet in her life.

I think Rhaenyra is HIGHLY resentful about not just aegon usurping her throne, but also the lack of attention during the HEIGHT of her teenage years, where she already has a contentious relationship with her father AND .....stepmother?? first love??? sister?? (targaryen family incest issues are a wonderful icing on top of this cake)

It was very clear that the reason Alicent married viserys was SPECIFICALLY to have more children, and that Alicent CHOSE (from Rhaenyra's perspective) to put herself in that position JUST after Aemma died from the same cause, becoming a mother rather than staying with Rhaenyra and daydreaming about riding off into the sunset. In Rhaenyra's mind, she lost her mother to the promise of a son, only to lose Her Alicent™️ to ANOTHER promise of a son right after. This is probably the deepest rejection Alicent could have given her.

The entire second half of season 2 is more denial; Rhaenyra's marriage proposal of their children is rejected, Alicent rejects Rhaenyra's bastard sons in general, and Rhaenyra's choices by extension, then driftmark happens, then the ENTIRE USURPTION happens, rejecting Rhaenyra's claim to her own birthright.

Rhaenyra even tries AGAIN in season 3 - extending herself to go into Alicent's place of comfort to sue for peace, even telling Alicent bits of a personally sacred religious doctrine only to be rejected AGAINNNNNNN.

(I could write forever about how Rhaenyra indulges Alicent's religious but never gets the same back on her own customs)

Yah, I think when Rhaenyra sees Alicent next, its not just that the ultimatum is a political necessity, but its decades of rejection culminating in 'you need to choose and prioritize me over everything, including your son, bc i cannot take anymore rejection from you, and I cant handle NOT being the most important thing in your whole world tbh :)' Especially on the heels of her newfound radicalization i feel like Rhaenyra sees Alicent's 'Choosing Rhaenyra' this time as a Holy Blessing and the last crucial piece she needs to self actualize.

(Also never forget all of this takes place in the targaryen CESSPOOL that is Rhaenyra having Alicent as a sister/step mother/half employee?? Alicent was at least her subordinate at one point/only confidante/possible first love-- theres probably alot of projection on Rhaenyra's part for what Alicent's approval means to her)

sorry this is so long the word rejection has ceased to mean anything to me at this point

"Rhaenyra sees Alicent's 'choosing Rhaenyra' this time as a Holy Blessing and the last crucial piece that she needs to self actualize"

what if we all just set each other on fire

[tanglepelt]

Dc x dp idea 33

There is a battle going on. Between the justice/young justice/teen titans (any of them work) and some threat from the infinite realms.

The team is loosing, none of there weapons are working and magic isn’t working either.

A glowing green portal and Danny is dragged through by cujo. Danny yells at cujo to heel. Just for cujo to stop in the middle of the battle.

Danny looks around and sees what happening. He confronts the ones from the infinite realm demanding to know what was done to cause a fight. Demanding to know if they had threatened the realm. Had they broken any law against the realm.

The answer was no. They taunt him tho that he doesn’t stand a chance against them. He is just a lone child a mere baby by there standards.

Danny looks at them and scoffs at them. Just starts walking towards them.

Obviously the dc team tries to get him to stop. Danny looks back at them eyes glowing green a ice wall forming between them.

Danny turns back to those from his realm and transforms. Crown appearing above his head. He speaks of how he defeated vortex, undergrowth and nocturne. He has learned from pandora, frostbite and clockwork. United the realms. He lead the group that sealed away pariah. Danny just tells them to run.

And they do.

Danny transforms back. Ice wall down when he goes to apologize for them cujo knocks him down. Cujo is just full on him licking him.

[moeblob]

I think we should all disregard that these requests were from April C:

@sun-marie @kirikitsune

[muffinlance]

Read "Suki, Alone". Liked it in general. But can they please, please hire someone who knows both the show's actual events and how to follow through on a character arc? Because guys. Guys. That comic is not implying about Suki what they meant it to be implying, and all because of literally one line.

So like. From a writer's standpoint:

What they meant to do: show Suki as a community-oriented person who cares for her people, and believes in everyone succeeding together.

As opposed to (spoilers): the thief girl they set her up in contrast with, who's pretty upfront and consistent on primarily looking out for herself. She betrays Suki for one (1) corn chip to improve her own life at the prison, no surprise.

But the problem is: they give Suki an inspirational line to the effect of "we're all working together and we'll all break out together"

You know

The thing she does not do in the show

So if both the show and this comic are canon, then instead of setting up a compare/contrast with the thief girl, they've just set up a comparison. One were Suki is arguably worse, because she's been leading a significant number of prisoners on with her "we'll all fight and win our freedom together!" business, only to straight up cut them out of the escape loop and abandon them, whereas the thief is only leading Suki on in the sense that Suki keeps telling her what it's morally correct to think and confuses snide replies with agreement

My dudes. My fellow writers. You people actually being paid for this. There were so many ways to fix those awful implications against our girl's character, the simplest of which would be to not include that line. Or they could have, you know, made it canon compliant with what actually happens in the show, so that this comic doesn't set Suki up as a betrayer instead of a community builder. Like... just send all her good prison buddies off to other prisons in the wake of the warden finding out they're colluding. Have it timed to be right before the next new prisoners arrive, thus setting it immediately before the Boiling Rock episodes, so Suki didn't have anyone left in the prison she'd want to take with her on a breakout. For bonus points, include a page or two of her and her Kyoshi warriors opening up the cell of one of her prison friends post-war, thus implying she's tracking down and actually fulfilling her promises. Maybe even show her doing the same with thief girl, who was established as being imprisoned on false charges anyway, and also showing that Suki is A) the bigger person, and B) willing to acknowledge her own role in mistakes (because I cannot emphasize enough how much thief girl was not hiding her own priorities, and it was Suki who approached HER with all this, not the girl ever doing anything special to weasel her way in) (this would also open up an opportunity for paralleling Suki's earlier in-comic mistake of not listening to one of her friend's very valid thoughts and feeling, which lead to the girl leaving their island alone pre-canon; a "seeing people as they are, not what you want them to be" moment)

Anyway yeah enjoyable enough for a quick read but another one for the "this can't be canon or the characters are So Much Worse than they were in the actual show" pile

At least Aang didn't promise to murder anyone in this one

[juusbox]

[rkgk] an old brainworm came to visit me last night

[sealrock]

the four horsemen.

[thenwothm]

CATCH CENTURY ON TOUR THIS MONTH IN THE USA!

Swedens Century are currently on tour in the USA and still have a handful of dates running up until the 1st of April! Be sure to check them while you can! 3/19 St Louis, MO at Platypus* 3/22 Dallas, TX at Double Wide* 3/23 Austin, TX at The Lost Well* 3/24 Houston, TX at Hell’s Heroes 3/26 New Orleans, LA at The Goat^ 3/28 Atlanta, GA at Bogg’s Social^ 3/29 Raleigh, NC at Ruby…

[cenomatic]

dog

[see-arcane]

Thinking about how Dracula starts acting as soon as he reaches the shore. He just spent his entire cruise from Europe to England carelessly terrorizing and devouring a shipful of men for food and fun. Now he gets to Whitby and beckons a convenient sleepwalking young maiden to be his Uber Eats blood delivery--and oh hey! She's hot too? Well, she'll make a fine first conquest on new soil.

Mina shoos him off--for all that I enjoy the 'She scared him!' comments, I think the more legitimate possibility is that he saw her and thought 'Oh neat. Another tasty victim locked and loaded for later. Let's see where this goes.'--and he backs away to scheme over his very first round of psychological torture-courtship***. He discovers that Lucy and Mina are staying in the same house and, sigh, fine, he can't get in uninvited. Plus it'd spoil the fun to just force his way in so soon in the game. He'll find an opportunity later.

He flaps away, huffy.

But, being that he is in the land of oblivious English bloodbags, I find it very very hard to believe that just because his current favorite is out of reach for the moment, he just randomly decides to starve himself. This prick binged on an entire boat's crew Just Because, throwing away a fasting period that kept him an old man in Jonathan's company for TWO MONTHS. He is here to spoil himself.

So I have to wonder if someone else woke up with a sore neck this morning. Some sea-salted local beauty or strapping young man who wakes muzzy from a murky nightmare. They only stepped out for some air last night, surely they're not sick? Maybe they spied the missing hound who fled the Demeter? It really was a massive creature! It had come up to be petted and then...then...

Well, it was late. They were tired. Perhaps they imagined it.

As for the little pinpricks on their throat? Probably just some insect bite or a mishap with a needle.

Nothing to fret over.

[atopvisenyashill]

Worst thing dany did? I’m a little torn. My gut would have me jump to the execution of mmd but I’m not sold. I’m also tempted to consider her agreeing to take a cut of profits from slavery or agreeing to allow those people to be tortured. Other things she did wrong seem more like inexperience and things that were results of her imperfect but not wrong actions. Burning someone alive is pretty cruel, but dumping burning oil and tar is also something Jon and the other boys at the wall do, and I think Dany believed she might die in that fire as well—kind of like a moment of if I am wrong may I suffer the same fate moment. I guess her intent doesn’t really matter in the assessment but I think I’m a bit swayed by the fact that in that moment her world had fallen apart twice over and she also had suffered a miscarriage versus her comparative safety and stability when making seemingly cruel decisions in Meereen

Ya i go back and forth too.

The thing with Mirri is that Dany is well aware that what happens is not Mirri’s fault and that’s a bit of a pattern with Dany - she lets her anger run away with her & she does some heinous shit because of that. I don't think Mirri was purposefully trying to kill Drogo and Rhaego. They specifically don't listen to her advice-

His eyes were fixed on distant brown hills, the reins loose in his hands. Beneath his painted vest, a plaster of fig leaves and caked blue mud covered the wound on his breast. The herbwomen had made it for him. Mirri Maz Duur's poultice had itched and burned, and he had torn it off six days ago, cursing her for a maegi. The mud plaster was more soothing, and the herbwomen made him poppy wine as well. He'd been drinking it heavily these past three days; when it was not poppy wine, it was fermented mare's milk or pepper beer.

He takes her poultice off with his dirty hands and she puts a soothing - but likely not antibacterial - poultice on it instead.

Mirri Maz Duur studied Drogo, her face still and dead. "The wound has festered."

That's not a woman who is purposefully trying to get one over on Dany. That's a woman who is frustrated that her patient is not doing what she told him to do while her life hangs in the balance. Mirri warns Dany not to come in the tent, Jorah brings her in anyway, and Dany recognizes that this was Jorah's fault. The very first "if i look back I am lost" comes during this moment-

Ser Jorah had killed her son, Dany knew. He had done what he did for love and loyalty, yet he had carried her into a place no living man should go and fed her baby to the darkness. He knew it too; the grey face, the hollow eyes, the limp. "The shadows have touched you too, Ser Jorah," she told him. The knight made no reply. Dany turned to the godswife. "You warned me that only death could pay for life. I thought you meant the horse." "No," Mirri Maz Duur said. "That was a lie you told yourself. You knew the price." Had she? Had she? If I look back I am lost.

This is why I think it's kinda crazy when people make her "if i look back i am lost" into some sort of powerful rallying cry of justice or feminism or whatever. It's a rationalization. Instead of confronting the fact that Drogo got himself killed and that Dany understood very well the consequences of the magic she asked MMD to do, she buries it, and burns Mirri alive. I get she just had a miscarriage. I get she's young and upset. But Mirri is nothing but good to her and dies for it.

That's why I tend to come at this as being her worst moment, even if it doesn't have quite the level of destruction as sacking Astapor or torturing the wineseller and his daughters. Those are like, colossaly bad decisions but they're ones she's making on a political level. This one is all personal and all the more cruel for it to me.

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[blackonslaughtii]

forrest i love you