#the casting isn't perfect but it's a damn sight better than what has come before

[firelxdykatara]

I'm glad you're optimistic about the remake but the cast is far from perfect. Not a single Inuit person has been casted to play a SWT character and every Air Nomad actor with the exception of Gordon Cormier, who is Filipino-Canadian, is of chinese descent and they're portraying Tibetan inspired characters.

I didn't say the cast was perfect, I said the cast has a lot more poc than any iteration we've had (original show, sequel series, and movie) thus far, which is unequivocally true, and that there are a number of poc behind the camera (both showrunners and a significant number of the writers and directors who I can find credits for), which was not true of the original show.

I think looking or asking for or expecting perfection is always going to be an exercise in futility, if not abject failure, and I think it's important to acknowledge what we do have now, which we did not have with the original story, and which makes 'but the show was perfect as is, why change it' more than a little bit suspect.

That's all.

[hello-yue-here]

About your atla ship songs, I have a couple of questions (sorry if my phrasing comes out wrong, english isn't my first language and I worry it might across as accidentally defensive): how did you end up with the choices for zukka, jetko and yuekka (note: I haven't seen the great comet, so feel free to obsess over it, I'm intrigued now and the hype is appreciated!)? Sidenote: I think the mailee choice is HILARIOUS and the tokka one just make me sad, I didn't expect to be attacked like this😭

kdjfha;s i love you im gonna obsess SO HARD over great comet now. you may regret this

this is gonna be so long so the rest is under the cut whoops

yuekka: no one else from great comet

where do i even begin. WHERE DO I EVEN BEGIN

okay so background information on this show: it's based off of a 76 oages excerpt from war and peace and its centered around a woman named natasha (and this guy pierre but he's irrelevant to this song so we wont worry about him) and natasha's bethrothed is off fighting in the war right now. she hasn't seen him in a while but she is in love with him.

every single lyrics of this song SCREAMS yuekka to me. the innocence and purity of their love. the love at first sight. and even the melancholy ending just- i go apeshit for this song. i love this song so much. and denee benton's voice??? kljsdhflwksugf please listen to this song if you haven't already. listen to the whole show. your life will be changed forever.

onto the lyrics (i stg this is ab to be the whole song whoops)

"the moon"

THOSE ARE THE FIRST WORDS ON THE SONG. natasha and andre (her bethrothed) met underneath the moonlight. Sokka and Yue first spoke to eachother at night and always met each other for their most intimate moments under the moonlight. also yue is LITERALLY the moon so like: right of the bat with those two words it's yuekka.

"and i saw your eyes / and i saw your smile / and the world opened wide"

sokka fell in love with yue the moment he saw her in the canal. she literally enchanted this motherfucker. everything about her made his heart go crazy. and 'the world opened wide' to me is from yue's perspective. Yue had never left the north pole and sokka had seen a good chuck of the world at the point. He took her on appa, he told her about his adventures. he saw the world yue wished to see and you know damn well that Sokka would have done anything to give it to her.

"oh the moon /oh the snow in the moonlight / and your childlike eyes and your distant smile / ill never be this happy again / you and i and no one else"

natasha sings fondly about the moon and the snow, seeing as it was where she fell in love with andre. yue and sokka LITERALLY fell in love in the same place: in the snowy nothern water tribe under the light of the moon. childlike eyes: THEYRE CHILDREN!!! distant smile: this is where it gets a little sad. theyre both children with way too many duties during a world that has known nothing but war for the past century. they want to be happy but yeah, theyre smiles are distant and far away because happiness seems out of reach for them most of the time. i'll never be this happy again: the moments yue and sokka shared together were probably the happiest either of them ever were. they were able to ignore the war and the world in the moments they shared together. and with no one else. no one else would be able to give each other this sense of peace and happiness and love.

"joy and life inside our souls / and no body knows just you and me / it's our secret"

Yue and Sokka had to sneak out in secret at night to go and see each other. Yue and Sokka couldn't be together for real because Yue was already engaged, but they were literally in love so she decided to see him anyways in secret. kasdjfhklasjd im losing my mind over them at this point.

"this winer sky / how can anyone sleep / there was never such a night before / i feel like putting my arms around my knees / and squeezing tight as possible / and flying away"

these are my FAVORITE lines in the entire song. yue and sokka had never felt this strongly about anyone before and that's why they are so drawn to each other. they had never experienced love before and they wanted to hold onto it for as long as they could even though they knew they couldnt. Sokka takes yue up on appa and she is wistful and wishes she could live like he does every day: ie flying away. oh my god these two deserved so much better. so much fucking better.

now for the saddes part. the saddest fucking part.

"maybe he'll come today / maybe he came already / and he's sitting in the drawing room / and i simply forgot"

natasha misses andre so intensely at this point. when i first listened to this show and heard this song i was like "wait a min... is andre like... dead?" and im sure i wasnt the only person who assumed that this was why natasha felt so sad by the end of such a beautiful song. (spoiler alert andre is fine)

but this line really exemplifies how sad natasha is, and hints at the fact that andre may never come back. it implies that their relationship is doomed (at least in my opinion) and that's all yuekka. Sokka misses yue intensely when shes gone. Yue accepted her fate almost immediately but sokka was in denial. he thought there had to be another way. but in the end it wasn't meant to be. and sokka will go on, loving yue, wishing for her back, even though it's not possible.

fuck im gonna cry.

zukka: all i've ever known- hadestown

"i was alone so long / i didn't even know that i was lonely / out in the cold so long / i didnt even know that i was cold"

sokka is from the swt so theres where the cold comes in. also in the gaang (initially) it was just him katara and aang. and katara and aang were much closer to each other than sokka was with aang and the two of them were benders so sokka was kind of an outsider with the two of them. He also represses a lot of his emotions and feels the need to do everything himself so i do see a lot of loneliness in sokka. and the fact that so many people in his life have left him (his mom, yue, his dad, suki briefly, etc...) he is known to keep people at an arms length. i see a lot of loneliness in sokka.

zuko's loneliness is a lot more obvious: he has literally been cast out and abandoned by everyone except iroh. and even then he still feels the need to be alone (remember zuko alone? thought so) these boys look after themselves and push others away and revel in their loneliness in order to keep themselves from getting hurt. at least in my opinion on canon and also some fanon because id be a liar if i said fanon didnt influence how i view ALL my ships (not just zukka)

"all ive ever known is how to hold my own / but now I wanna hold you too"

COME ONE MANNNN, they just wanna hold each other. theyre both very big protectors as well and kljhflkasdhg they wanna protect eachother like kljdhfl im gonna lose it rn.

"You take me in your arms / And suddenly there's sunlight all around me / Everything bright and warm / And shining like it never did before / And for a moment I forget / Just how dark and cold it gets"

SUNLIGHT SYMBOLISM. zuko is literally powered by the sun. i don't think i even NEED to elaborate on this one anymore lol. They find comfort in each other away from all of their trauma. when they're together nothing else matters and i personally love that for them. they both deserve love.

"I knew you before we met / And I don't even know you yet / All I know is your someone I have always known"

these two are extremely similar in canon. many parallels. older brothers overshadowed by their prodigy little sisters. longing to make their fathers proud (granted one dad is good and one is fuckin evil), both are pretty bad with emotions. both are seen protecting others before themselves (sokka protecting suki during the serpant's pass, sokka protecting toph on like multiple occassions, zuko protecting katara in the final agni kai), the list goes on. they know who the other is because they see themselves in the other person. they already know each other because they are each other (in a way, not entirely, but the similarities are strong in my opinion)

"I'm gonna hold you forever / The wind will never change on us / Long as we stay with each other / Then it will always be like this"

i just think this line is so cute and sweet (ignoring all the symbolism and foreshadowing that comes with the last line in the musical itself. im gonna pretend this is nothing but happy) and i think these boys deserve happiness so yeah. this song is zukka to me lol.

jetko: thrill of first love- falsettoes

if you've never listened to this song go an do it now. you will know INSTANTLY that it is jetko because of the dynamics alone. marvin and whizzer are pure jetko and i take no crticisms.

marvin and whizzer are both extremely stubborn, and they don't always get along, and they fight a lot, and they get mad at each other a lot, and they are both passionate as hell, and they will bring this passion into everything. they love each other that is without a doubt, but they arent perfect and they are once again stubborn and determined as fuck.

sound familiar? it's literally jetko.

the lyrics aren't what remind me of jetko, but the dynamic itself. the lyrics are too on the nose for a gay couple in 1970's america so that rlly cant apply to jetko all that much. but the way these two characters bounce off of each other and get annoyed with each other and argue with eachother reminds me of jetko. because let's be honest: these two are the most stubborn characters in the whole show. they will fight for what they believe and it will take literally everything to change their minds.

i love jetko but i think they would have petty arguments all the time and get aggravated by one another so easily. and this is even seen in canon: they work so fucking well together but they did not even HESITATE to fight one another after neither of them would give in and let the fight about whether jet was right or wrong about zuko being a firebender. like i cannot say it enough they are stubborn as fuck.

but underneath all that stubborn pettiness and bickering: marvin and whizzer still love each other. and jet and zuko would still love each other. because even though they are stubborn when it comes to arguments, they are even more stubborn and determined when it comes to each other. these two passionate motherfuckers are in love.

(now when i chose this song i decided to ignore the fact that this song literally spells out the fact that marvin and whizzer's relatinoship is doomed because they literally say passion dies. thats the difference between jetko and whizzer and marvin because i dont think passion dies. i chose this song strictly for the bickering lmao)

and i know you didnt ask about tokka but,,,,

i rlly wanna talk about the tokka one

so im going to

tokka: on my own- les mis

look. i KNOW this song is about unrequited love and i love tokka as a couple but,,, the unrequited love in this song just SCREAMS unrequited tokka to me so thats what i went with.

eponine is a girl who has neglectful parents who lives life by her own rules: toph. eponine is shown to be tough and confident and spunky to others but behind all of that she has emotions, she feels love, she hides her vulnerability so much: toph. she is in love with a guy she cant be with because he loves someone else: TOPH

eponine is toph to a t and toph is eponine to a t. this is not up for debate lmao

"without him i feel his arms around me"

toph is always seen grabbing onto someone (and its almost ALWAYS sokka) when she's somewhere where she can't use her feet to see. FEEL and ARMS cmon. look at it.

"and i know / i know that he is blind"

COME ON. IMAGINE TOPH SINGING THIS LINE. this line is already powerful enough in les mis but having toph, a blind character, sing it just makes the symbolism even deeper. toph sees the potential relationship they could have together. toph sees that sokka is oblivious to this. toph is not blind to the truth or the potention, but sokka is blind to her feelings. im about to lose my mind over this line.

"I love him / But every day I'm learning / All my life / I've only been pretending / Without me / His world will go on turning / A world that's full of happiness / That I have never known"

i need to sit down for a moment. toph grew up in a household where her parents did not understand her. she has learned to hide her true emotions and vulnerabilities from everyone. and its the fact that toph knows that she and sokka will never be together and the fact that she still loves him in spite of that is what makes this even more heartbreaking.

"but only on my own"

TOPH AND EPONINE SWEETIES I LOVE YOU

thank you for indulging my theatre kid nonsense. you are very sweet and kind and lovely and awesome and i hope you have a lovely day bestie :) <3

ask me why i think these songs go with these ships

[godkilller]

❝ gin--! ❞

he had called his name that night - screamed it, really -- when he had seen the small body being swept under kisuke's arm. he had screamed after them, those two -- only the howling from his captain had diverted kisuke urahara from what he had been about to do. for all of aizen's abilities -- he could not yet face down a bankai.

he had tried, though -- had tried. the captain had been skilled, however. cunning. even with the kanzen saimin in place, he had still landed a hit and kaname-- kaneme! he'd been breathing at least, and it'd been enough for aizen to pull him up and get them both to the fourth that night, collapsing from pain and bloodloss, deliriously mumbling of having been attacked by interrupting the captain in what he'd been doing --

collaborators.

he had made urahara into a proper patsy, had cared only about that -- until he'd woken up and found everything out. a month and more -- more -- since kisuke had taken him. and more than him -- more than that, more than --

a hilt wrapped in a shade that was not teal was grasped between his fingers as he stared at the place to which he'd been guided, coaxed, kyoka's awareness linked to another, one not his own. weeks it has been and he is here now, the shop standing no chance against the wrath of the one who now wears the haori lined with turquoise. a shade so near gin's eyes -- he is here, now, the smoldering wreckage proving his fury as he sweeps to --

there.

the entrance is easy to discover, a flaring of power and it splinters under the weight of his wrath. he is quick to launch himself down there, quick to call out again.

❝ GIN--! ❞

he can sense him down here.

❝ GIN--! WHERE ARE YOU?! ❞

his is the seat of captain now and he is willing to admit he's being reckless by doing this -- but oh, the cracks in the blade that is cradled between finger and palm, the loss of not just him but the youth that had become his shadow too in one night? no. no, aizen is calling, power seething around him, seeking for him. he knows he's here. he can sense it.

he had made a promise to shinso, hadn't he--?

and to himself.

he's going to murder the former captain when he gets his hands on him but better, now, to find gin and get him out of here, isn't it--? best to sweep in and out. before the humans can investigate but oh, he's seething.

          THAT NIGHT WAS A BLUR, ROARING ECHOES AND A BLASTING FORCE.  Tsukabishi Tessai, alongside Urahara Kisuke, had been formidable indeed. Yet their appearance in the midst of Aizen’s experimentations upon Gin’s captain was a necessary interruption indeed. Not even that, an interruption, no, planned. They were to be framed, after all. Their attendance was expected and one could have even ventured to say ‘perfect’ ... that is, prior to Tessai’s casting of Hado number eighty-eight, Hiryu Gekizoku Shinten Raiho. Something Aizen had believed a subsequent casting of Danku, a Bakudo level eighty-one, to be sufficient in blocking. AND IT DID.... somewhat. Perhaps he hadn’t accounted for how serious Urahara and his allies would be in stopping them from walking away, because the Kido Master shattered through that protective wall within a flashing spark and blaze.

          It was the first time Gin had ever seen a split-second show of shock grace the Lieutenant at his side’s features. Maybe that was why he acted fast, faster than Aizen and Tousen, he had always been focused on training himself to strike wickedly swift, and he did not disappoint them then. Gin had drawn Shinso and cut lightning. But he was still, no matter his speed or darting blade, a mere boy, a Third Seat standing against the snarling storm of a Kido Master’s design, and for the split second of deflecting there came many more agonizing seconds thereafter of rippling defeat as the high level Kido won over. Shocks shot through his body, cracked across Shinso’s blade till it flew from his grasp and embedded itself into the ground, a mirroring effect onto its wielder as Gin was blasted by that same force which proceeded to send him backward, flying, tumbling, tumbling, and black.

          Perhaps they had felt guilty, striking down some young and promising kid when they truly had wanted Aizen to be hit, and that was why Gin awoke within an unfamiliar abode. Or maybe Urahara Kisuke wanted information, and Gin was to be hostage, informant, kept holed up -- because when Gin gathered his surroundings, his state  ( sore, scuffed up, and the worst headache -- the rest he couldn’t tell, bandaged up -- where was Shinso? A hand flying out, reaching, searching blind before he even turned his head to look. Ah, fuck, he must’ve dropped it, yeah... he dropped it, and they hadn’t taken it with him, damn it )  ... it was his immediate reaction to seek an escape.

          That hadn’t gone too well. Guarding the exit, despite Gin’s careful and silent steps, was Yoruichi. He knew he couldn’t outrun her. Flash Goddess, wasn’t she? Best to not even bother making a fool of himself. Especially whilst still aching from the blast he took.

          He was implored to rest, to stay put, to recover and that he couldn’t go back.

          Gin couldn’t open a Senkaimon without Shinso, and thus that held true; he couldn’t go back even if he managed to run past the shopkeeper and bolt.

          Urahara Kisuke was not a cruel man, Gin found, but he was also the secretive type, and the kind of man that seemed to believe that he knew what was best. That sort of cruel. He believed and enacted his beliefs regardless of protest. Like so, in that keeping Gin here was best. Part of Gin wanted to agree, to stay, be plucked from Aizen’s clutches and be free of those howling nights... yet the other yearned to return, ached even. He felt he didn’t belong, this was wrong. Particularly a potent realization that he was no longer within the Seireitei, he wanted to return to Rangiku. Oh, she was going to be so worried. No doubt Aizen still spun the story of the villainous Urahara Kisuke, no doubt Gin’s own name had been listed as one of his victims. But Aizen would know better than to write him off as dead, surely. No, he’d know better, knew his boy prodigy could take a hit -- and certainly his Zanpakuto remained behind, yet solid and tangible, it hadn’t vanished to signal the death of its wielder. Likely Gin was reported as kidnapped.

          And Aizen would likely be searching for him, among others.

          Gin couldn’t deny the fact that, despite a fresh form of hatred brewing beneath him, seething really, a sickly stomach and a choked up throat.... how it terrified him, sometimes, to know he was well and truly entrapped by this man, no escape, already far too tangled to ever hope to pull himself away... oh, and yet he couldn’t deny that he wanted Aizen to find him. HE WAS TOO FAR DOWN THIS ROAD TO SHY AWAY NOW, too far down the line, he didn’t know what to do with himself if Aizen didn’t find him.

          Luckily, the thought didn’t plague Gin too terribly... even as days stretched on and Gin inevitably had to cave into eating what was offered to him, kind words and warm food did not reach him -- hollowly, patiently, he waited in near-muteness. HE WOULDN’T TELL URAHARA ANYTHING, no matter his gentle demeanor and respecting air, Gin steeled himself akin to a prisoner of war and it became apparent to the older man that the kid had no intentions to trust, to open up. Gin didn’t do that shit for anyone. He’d be damned if he caved and spit his secrets to the one man Aizen had verbally made known that he loathed... and if Aizen found out Gin confessed anything? Wouldn’t he then become a loose end a little... too... costly to be kept alive? Gin saw what Aizen did to pawns who disappointed him. Even Tousen, one of his top favorites, occasionally earned himself a scolding look that spoke of authority and displeasure... would Gin risk everything he had worked for thus far simply to confide in a stranger, shopkeeper, who had stolen him away from it all? No, not worth it.

          Besides, Gin knew it wouldn’t be much longer here.

          Weeks turned to a month, or something close to it.

          But Gin knew it’d be soon. Aizen was, after all, a thorough man.

          So was Urahara, as he had Gin moved downward, below the shop, across an an expansive underground training area  ( Gin didn’t bother trying to wrap his head around the fact that the ceiling looked like the sky outside, save for that ladder and opening... a strange set-up indeed )  A SMART MOVE, ultimately, as it kept Gin from being able to run away without first crawling from the single exit and entrance to the underground space, and it also kept him from getting absolutely leveled alongside the shop the moment Aizen’s reiatsu became known overhead. 

          Gin was accustomed to Aizen’s reiatsu in that he hardly even shuddered upon its weight thrashing downward, and the subsequent explosive force that wrecked the shop above. The Third Seat simply sat upright, looked upward, and held his breath. IT WAS BROAD DAYLIGHT UNDERNEATH THIS FALSE SKY, BUT GIN KNEW BETTER, he felt the chill of the air above flowing in from cracks, drafts, he knew too that Aizen would not act so boldly within a blanket of sunlight -- not yet, at least -- but still how odd it was to see moonlight begin pooling in, downward, from a sunny ceiling crumbling to give way for its visitor.

          A visitor who descended from the false sky’s wreckage as a nightbringer would, doused in darker hues, an ethereal world-ender he was making himself to be -- to become -- before Gin’s own eyes. A PART OF GIN’S UPBRINGING IN THE RUKONGAI URGED HIM TO RUN AND HIDE AT THE MERE SIGHT, seeing such a display of desperate might  ( Aizen was desperate, Aizen was pissed off, he had come for Gin and Gin alone in this moment and it both sickened and pleased him ) ... and part of Gin wanted to turn and run and not look back. HE WANTED TO STAY, HE WANTED TO WATCH THE KOI POND AND THINK NOTHING OF DEATH, CLEAN FINGERNAILS, THE PURRING OF A BLACK CAT, WARM CLOTHES... HE WANTED TO CRY, NO, TAKE ME HOME, I MISS HER, SHE’S WAITING FOR ME, PLEASE -- AH, HE WANTED TO GET OUT WHILE HE STILL COULD, STAY AWAY FROM ME, NO, HELP ME.

          Part of him lingered in shadow, stepping half a step backward rather than forward, into visibility, into Aizen’s frantic range of sight. He could hide himself still, wait for Urahara to step up to challenge Aizen’s wrath, wait for them both to clash and destroy... and then slip away. Or he could open his mouth now, and seal his fate to remain tethered to the man’s side forever more.

          He teetered there, for a second alone, at the precipice. 

          Then the boy called out to Aizen. A quick response, a signal; I’m here!

          Gin had never been one to listen to self-preserving advice.