#the anthems of two heretical cults???

[crocutacanidae]

A mashup of these two songs would be so cool

[rafry]

Euclydia, Cults and Need for Control

Disclaimer: this analysis raises sensitive topics. if you are/were a victim of a cult and the topic triggers you, please refrain from reading further(/seek help). Additionally, I am not a specialist on said topic, nor am I a clinician. But I am a survivor, so part of the narrative may or may not be just me projecting the trauma on a silly yellow triangle. That said, reader discretion is advised! :)

The take: Euclydia is likely to be a cult-like society and the reason Bill, after years of abuse, grows up to be as he is: a power-hungry monster. Let's analyze!

For the starters, The Start. Each state has its own anthem. How lucky that we were kindly provided with the Euclidian hymn (hidden under the code "FORGETTHEPAST")! Lets take a look:

"Two dimensions to and from, You always know which way to go If you're lost, don't be afraid, In Euclydia you've got it made! Run too far too right of frame, You'll appear on left again! Jump too high, don't fry or fret, You'll pop up from the ground, I bet! In this place there is no fear, Roles and rules, always clear, Euclydia, we hold you dear…"

That tells us way more than we could've asked for, really. The most important: Euclydia is a state of Clear Rules™. Everything works perfectly thanks to The Rules and The Roles, and the state is loved by it's citizens. It's might be a caricature 2D utopia, but how it reacts when the rules are questioned?

"Eye doctor of a different kind, who wants to make his patient blind The doctor says: 'three sips a day will make the visions go away' Fussy eater, baby Billy Wouldn't drink unless it's silly..."

If there's anything about cults and the way they make people behave, is that the "wrong" ones in the community are usually ostracized and/or heavily medicated to not cause any troubles. Those people are sometimes called 'heretics', but may as well just be called crazy or insane by their peers. Oh look completely unrelated picture:

"Cipher, Cipher, he's insane Starting fires with his brain"

Honestly, the other time it would be it. Euclydia, if not Is, then sure does Act like a cult in some way. I could've finished here, easily, but there's something missing, isn't?

"The hell do you mean by 'The Need to Control', OP?"

I mean that the BILLVILLE is important.

There's the thing about trauma survivors: some of us, after living a life with no control over ones societal position (ostracization/isolation), body (forcibly medicated) or even mind (feeling of inadequacy), crave for some form of control to be regained.

It can turn toxic very quickly when the only form of control one has ever seen in their life is being The Leader (cult leader/shitty parent/armageddon overlord/you get the idea, it's about becoming an authority figure).

And so, Bill becomes a cult leader! Very possibly covering up the need for control and admiration with what I call "The most inefficient way to build an Interdimentional Portal ever", since, well, he's got to lie to himself every now and then, that's his thing (trauma response).

As for the details:

He uses the dead mans body — the body that wouldn't cause any resistance, thus being perfect for taking under control.

He sees the position of the interviewer as more authoritative than the position of the interviewee — and he swaps the roles. That wasn't enough though, so he demands (politely) to be called "My Lord And Master" for a good measure.

He very possibly recreates some of Euclydia-like order in his own "Town" in terms of expressing individuality. They might've been pretty decent in following scripts, I think.

So, I don't think Euclydia has ever been religious in any way, since that would left some other scars on Bills psyche for sure. But highly authoritative, ignorant, strict in its rules to the point of self-damnation? That checks. That's the place that has formed Bill, after all.

That's the place that he wishes to rebuild.

Maybe not consciously, maybe distorted by his illness and broken memory of a loving-paradise-home that has never actually been that way, but he seeks the comfort of familiarity — most of us do. Familiar stings are better than an uncontrollable too-bright future, isn't?

I hope he does well on therapy.

[all-rock-and-roll-is-homosexual]

"Rhys you talk so much about the things you hate about modern goth music. Is there anything you actually like?"

WELL.

OK, so preface that I am very much a fan of guitars. I enjoy more of like, guitar based stuff and this list is going to reflect that. I have nothing against like more synth driven artists (Which, I'll be happy to do a list of those too...at some point) - I'm just a big dummy who likes good guitars.

I'll do my best to break down why I like each band/artist I list and include a link to a song, and I have also done my best to link songs that are no more than a few years old from each artist. With a few exceptions depending how good the song is. Or whatever I feel like, really. Also, like, this list is entirely subjective and limited based on my personal thoughts and opinions.

Actors - My GOD, Actors. Actors are just so good. Less riff-y on this list but undeniably post punk while still being very fresh. Great vocals from their singer - IDK who he is. I only pay attention to Shannon and Kendall tbh. But I just have to say like - great music, great image, great art direction (there's a video for almost every single song off the new album!) - the total package tbh. The song chosen here is "Strangers" - which features more prominent guitar than some other songs on the album. But hey, they're ✨versatile.✨ Did I mention my huge crush on Shannon and Kendall?

Wisborg. They do great music and they've got a great sense of image, which in my opinion is just as important as the music sometimes (tradgoths can stop wailing and gnashing their teeth now). What can I say? I'm not immune to pretty men in leather jackets and eyeliner. But seriously, I listened to every album they have available and loved them. The song I've linked is "I Believe In Nothing" which, while it doesn't exactly sound like the Cult - it's got sort of that anthemic and punchy vibe that the best Cult songs have.

All Your Sisters - I was overwhelmed the first time I heard Come Feel, which I've linked. Do they count as goth? are they post punk? are they (insert other label)? I don't know! But they sound amazing!

The Kentucky Vampires - They're a little heavier and sometimes get lumped in under the Deathrock label - but no matter where you place them they should be paid attention to. Their vocalist sings with his own voice and while it's undeniably got a great gothic quality to it it doesn't come across as him copying anybody else. The song I've linked for this one is "Holy Heretic", it's very much sort of a very identifiably goth song and makes no apologies for being that. Goth is not a dirty word in this household. My apologies to Siouxsie, Andrew Eldritch and Robert Smith.

Long Night - I admittedly don't know much about them other than them being Norwegian and that I like their music so 🤷🏻‍♀️ - I think they sound cool and not like they're trying too hard to be a new Sisters/Cure/Christian Death and that's all it takes for me.

Then Comes Silence - GOD, THEY ARE SO GOOD. The song I've chosen is "Warm Like Blood", the drums sound very...Bela Lugosi's Dead, but trust me the rest of the song makes up for that.

Ötzi - Only idiots pass up Ötzi. Nuff said. Song chosen is "Scorpio".

Ritual Howls - Really great sound that doesn't stick too closely to any singular genre but plays with its influences. It doesn't sound like someone who is out to make a parody of goth. Song chosen is "Alone Together".

Twin Tribes - I KNOW, I KNOW, I know I've complained about the overuse of the sort of synth clap sound in a lot of modern post punk stuff - but I still like Twin Tribes. A lot. Much more dreamy and post-punk than the previous bands on the list - great for twirling around in velvet dresses sort of thing. Heavy Cure influence, but still keeping it fresh and not an outright copy. The song I've linked is "Fantasmas" - which, honestly, just try to not dance to it. Bonus points for a cool video.

Christine Plays Viola/Winter Severity Index - I couldn't decide between the two of them, so you get both! These tracks are both stretching it a bit - both being about 8 years old. But they're just so incredibly infectious.

Special Mention goes to O. Children - who are really fucking great- they just haven't really released anything new since 2012. They released a live album earlier this year - but the recordings are from 2014. And also Secret Shame. I like one or two songs by them but I'm not super familiar with them and there's just something that doesn't quite cut it for me.

Hey, has anyone heard of that Crushed Kid band?

[stagedivemag]

SHOW REVIEW // WARPED TOUR

On June 25th the Vans Warped Tour rolled into the Pepsi Center for their stop in Denver.  It was my second year going at the Denver date and I’m not familiar with the previous location, but I do quite enjoy the lot at the Pepsi Center.  Although, this year they did move the merch booths in few feet (yes, I totally noticed) from one of the sides near the Mutant stages to create less space for fans to watch the bands they still had a lot of open space towards the southern end of the lot near the Skull Candy stage which helped make it feel less crowded than last year.

For me, Warped Tour always starts the night before.  Yes, I am that person.  Maybe it’s my age or just wanting to not be rush in the morning but I always prepare the night before any big music event with what I am bringing and keep a few clothing options in mind.  I always bring my camel back and some snacks since they do allow homemade snacks into the lot (except for the 4 people I saw with full cans of Pringles).  I always make sure to take out cash and pack my ID in case I’m in the mood for a $11 beer or two.

Eating a big breakfast is always on my to do list in the morning so I don’t get tempted to spend an absurd amount on food throughout the day.  Not like there is anything wrong with that, but I’m also vegan and although I saw veggie wraps available I’m still quite the picky eater.  Due to packing the night before hitting the road and getting there before doors opened was a breeze too.  Parking lots weren’t full, no traffic and I got there in time before the line started getting extremely long.  

Once getting in it’s always straight take pictures of the giant schedule, although this year since the line for water wasn’t long so I stopped to fill up my camelback first.  I did bring a pen and paper with me to take notes for this review, but I just ended up taking pictures on my phone to make it easier.  After figuring out what my day was going to look like (mostly at the Mutant Stages all day again) I went off to catch my first band, Sworn In

I’m not a huge fan of Sworn In, personally, but they were the only band playing first that appealed to me so I caught the second half of their set.  A lot of my friends are big on them so right away I saw people I knew in the pit getting wild and having fun.  I spent more time creeping on my friends and tagging them in my Instagram story videos than I did watching the band too but it was still a good time.  After Sworn In, I caught Sylar. Another band I’m not too big on, but these guys have a lot of energy and a big fan base which always makes a band you might not be into more enjoyable.  

After Sylar, I did some walking around and checked out the merch booths.  A lot of the bands do signings each day, but after being disappointed I couldn’t take a picture with Whitechapel after waiting in line last year I decided to not waste my time, plus some of the bands I’ve already met from talking to them at the merch table at shows throughout Denver.  There were a lot of the same booths as last year, didn’t really notice anything different.  When I spotted the Blackcraft Cult booth I instantly wished I had brought some money to buy a shirt since there isn’t a sales tax or shipping, same with Plug Your Holes.  All of the bands had a good selection of merch on hand to sell, along with Emmure and Carnifex selling foam fingers.

After walking around for a bit and stopping to have a snack to get off my feet for a minute, I headed over to catch CKY.  Spotted a few familiar faces before they went on and of course we all mentioned how it takes us back to our Tony Hawk Pro-Skater days.  CKY was the band I was most excited to see because of that reason alone.  It was my first (and probably only) time seeing them and I didn’t want to miss a second of their set.  They played a nice mix of songs and finished with everyone’s favorite “96 Quite Bitter Beings”, but the crowd was very relaxed and it took until the 4th song for a most pit to get going.

After CKY it was back to the Mutant Stages to catch Emmure.  Along with a few other bands I saw, Emmure was recently in Colorado a few months back and killed it at the Summit Music Halls. So I almost thought about skipping them to catch something different, but I knew how heavy it was going to be and I didn’t want to miss it.  Needless to say, I wasn’t disappointed except for the fact nothing from their album Goodbye to the Gallows was played, (not surprised) which is my favorite album of theirs.  

After Emmure, it was off to the Full Sail Stage to catch Knocked Loose.  I was mostly going to see how the crowd was going to be for their set because I knew it was going to be insane after catching them in February in a small venue downtown. They have done a good job building a fan base because, for playing on one of the small side stages, their turn out was huge.  Only saw a few dropped crowd surfers during this one but, for the most part everyone kept their hardcore moshing friendly.

Before Knocked Loose ended their set, I snuck away to head back to the Mutant Stages to catch the final few bands of my day.  After the Burial is one of those bands I can never not see and I’m glad I didn’t miss them this time. Their vocalist Ant made a remark to the crowd when he noticed a few fights breaking out, about how Warped Tour is for people with all different backgrounds of music from punk to hardcore to metal and that if they are going to get in a mosh pit they should expect to get hit but not take it personal.  His point didn’t really stick with some people. I noticed later in the day and the days following, on social media regarding ‘hardcore dancing’ during a metal bands set, but to me it makes sense. It’s a music event with different styles of music, you can’t expect everyone to live by your own personal rules in your head regarding what type of moshing should be taking place. Just let them do their thing, enjoy the band you are there to see and don’t let it bother you.

After their set, I felt like I was going to die from the heat that picked up out of nowhere. So, I went off and laid on the parking lot while listening to Hatebreed.  After a much-needed rest I went to check out The Acacia Strain which is another of my favorite bands that were playing that day.  Their set was heavy and got violent fast (wasn’t surprised) and I witnessed a few friends take some hard hits, but no one was seriously injured. Carnifex was next and the last band for me for the night. As always, they sounded great.  I tried to get as close as I could to the front for these guys since they are one of those bands I could listen to and never get sick of.  They, once again, played a cover of Slipknot’s ‘The Heretic Anthem’ which fans went wild for.  

As much as I wanted to stay until GWAR went on at 7pm I was too exhausted from being out in the sun all day to want to stay.  On the plus side, I wasn’t the only one leaving at that time, so I didn’t feel as bad. The next day when I started seeing pictures from their set I instantly regretted my decision, especially because I usually never miss them when they come through town.

My Warped Tour experience was a fun one in the end.  Saw a lot of my favorite bands in one day, ran into a ton of people I know, got to watch them all go hard in numerous pits throughout the day, and I didn’t get sunburnt (okay except for on my nose).

-Alex

[thefeedpost]

All The New Albums Emerging In March 2019

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Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in March. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, March 1

2 Chainz — Rap Or Go To The League (Def Jam) Absolutely Not — Problematic (No Trend Records) Andreya Triana — Life In Colour (Hi-Tea Records) Andrew Leahey — Airwaves (Skyline Music) Angel-Ho — Death Becomes Her (Hyperdub) Ari & Mia — Sew The City (self-released) Austin Meade — Waves (7013 Records) Bobby Long — Sultans (Compass Records) Browbeat — Remove The Control (Indelirium Records) Bryan Adams — Shine A Light (Polydor Records) Bus — Never Decide (Bus — Never Decide) The Cactus Blossoms — Easy Way (Walkie Talkie Records) CFCF — Liquid Colours (self-released) Charles X — EID2 (Ambiguous Music Group) Chrome Waves — A Grief Observed (Disorder Records) Citizen Cope — Heroin And Helicopters (RainWater Recordings) Criminal Hygiene — Run It Again (Dangerbird Records) Cube — Decoy Street (Superior Viaduct) Darkwater — Human (Ulterium Records) Dear Boy — The Strawberry EP (Easy Hell) Della Mae — The Butcher Shoppe EP (Rounder Records) Delicate Steve — ‘Till I Burn Up (ANTI‐) Desert Ships — Eastern Flow (Desert Ships) DJ Plead — Pleats Plead EP (Nervous Horizon) Durand Jones & The Indications — American Love Call (Dead Oceans) Fate McAfee — Diesel Palomino (Slough Water Records) Fews — Into Red (PIAS Group) Frankie And The Witch Fingers — ZAM (Greenway Records) Gang Of Four — Happy Now (PledgeMusic) Gold Connections — Like A Shadow EP (EggHunt Records) Hand Habits — Placeholder (Saddle Creek) Hawksley Workman — Median Age Wasteland (Isadora Records) Heretical Sect — Heretical Sect EP (Caligari Records) Hozier — Wasteland, Baby! (Island) The Japanese House — Good At Falling (Dirty Hit) JD Simo — Off At 11 (Crows Feet Records) Jon And Roy — Here (Blue Heron Music) Jonathan — To Hold (LAA) Jonny Kosmo — Jonny Kosmo (Slimehouse) Kerchief — Fluke (Mint 400 Records) Ian Brown (of The Stone Roses) — Ripples (Black Koi) In Flames — I, The Mask (Nuclear Blast) Laurice — Bad Boy (Mighty Mouth Music) Lemaitre — Fast Lovers EP (Astralwerks) Little Simz — GREY Area (AGE 101) Living Hour — Softer Faces (Kanine Records) Lonesome Shack — Desert Dreams (Alive Naturalsound Records) Lost Leaders — Promises Promises (PledgeMusic) Mansionair — Shadowboxer (Glassnote Records) Mary Bragg — Violets As Camouflage (Tone Tree Music) Masked Intruder — III (Pure Noise Records) Maxïmo Park — As Long As We Keep Moving (Cooking Vinyl Limited) Mike Edel — Thresholds (PENNANT) Mike Tramp — Stray From The Flock (Mighty Music) Mint Field — Mientras Esperas EP (Innovative Leisure) Motherhood — Dear Bongo (Forward Music Group) Nude Shoes — Suburban Ceremonies EP (Know Hope Records LLC) Octo Octa — For Lovers EP (Technicolour) Pink Mexico — Dump (Little Dickman Records) Pinty — City Limits EP (Rhythm Section International) Pond — Tasmania (Marathon Artists) Pool Kids — Music To Practice Safe Sex To (Skeletal Lightning) Potty Mouth — Snafu (Get Better Records) Primer — Novelty (YHS Records) Quaker City Night Hawks — QCNH (Lightning Rod Rec.) Queensrÿche — The Verdict (Century Media) Reese Wynans — Sweet Release (J&R Adventures) Rock Goddess — This Time (PledgeMusic) Royal Trux — White Stuff (Fat Possum Records) Scott Gilmore — Two Roomed Motel (Crammed Discs) Shy Girls — Bird On The Wing (Keep Cool Projects/RCA Records) Sigrid — Sucker Punch (Island) Sisters Of Suffocation — Humans Are Broken (Napalm Records) Skinny Lister — The Story Is… (Xtra Mile Recordings) Statement — Force Of Life (Target/Mighty Music) Steve Poltz — Shine On (Red House Records) Stillhound — Strangers Will Not Thank You (self-released) Swan’s Chamber — Swan’s Chamber EP (Leaving Records) Swazi Gold — Jehovah’s Whispers (Research Records) Tanya Tagaq — Toothsayer EP (Six Shooter Records) Teen — Good Fruit (Carpark Records) Tics — Agnostic Funk (Tomatenplatten) Tim Bowness — Flowers At The Scene (InsideOut Records) Tom Walker — What A Time To Be Alive (Relentless Records) Ulysses Owens Jr. — Songs Of Freedom (Resilience Music) Upsahl — Hindsight 20/20 EP (WHIPPIN) Vesper Wood — Instar (Otta Viktoria Records) Wearemarvin — Wearemarvin EP (La Pochette Surprise Records) Weezer — The Black Album (Atlantic While She Sleeps — So What? (Spinefarm Records UK) Yves Jarvis (formerly Un Blonde) — The Same But By Different Means (ANTI‐)

Friday, March 8

Adam French — The Back Foot And The Rapture (Virgin EMI Records) Alice Phoebe Lou — Paper Castles (self-released) Amanda Palmer — There Will Be No Intermission (Cooking Vinyl Limited) Astralingua — Safe Passage (Midnight Lamp Records) Babybird — Happy Stupid Nothing (Psycho Mafia Recordings) Bencoolen — Daydream (self-released) Black Lung — Ancients (Ripple Music) Buckcherry — Warpaint (RED MUSIC) Caleb Elliott — Forever To Fade (Single Lock Records) The Coathangers — The Devil You Know (Suicide Squeeze Records) Crypt Trip — Haze County (Heavy Psych Sounds) Dave — Psychodrama (Neighbourhood Recordings) David Gray — Gold In a Brass Age (IHT Records) Dead Swords (feat. Alex Rosamilia of The Gaslight Anthem) — Enders (Human Blood Records) Dido — Still On My Mind (BMG Rights Management (UK) Ltd) Drinking Boys And Girls Choir — Keep Drinking (Damnably) Dwilly — Crayola EP (CloudKid) E.B. The Younger (Eric Pulido of Midlake) — To Each His Own (Bella Union) Elijah Woods x Jamie Fine — 8:47 EP (Big Machine) Flight Of The Conchords — Live In London (Sub Pop) Foals — Everything Not Saved Will Be Lost Part 1 (Warner Bros. Records) Gesaffelstein — Hyperion (Columbia Records) Helado Negro — This Is How You Smile (RVNG Intl.) High Tides — Paradise Daze (Rad Cult) Hobby Club — Video Days EP (Heist Or Hit) I Was A King — Slow Century (Coastal Town) Indoor Pets — Be Content (Wichita Recordings) Jim Jones And The Righteous Minds — Collectiv (MaSonic) Jnr. Williams — Where We Start EP (Arista / Insanity Records) Juice Wrld — Goodbye & Good Riddance (Interscope) Justus Proffit — L.A.’s Got Me Down (Bar None Records) Karl Denson’s Tiny Universe — Gnomes & Badgers (Seven Spheres Records) Kyle Dion — SUGA (self-released) KOKOROKO — KOKOROKO EP (Brownswood) Leggy — Let Me Know Your Moon (Sheer Luck Records) Leo “Bud” Welch — The Angels In Heaven Have Done Signed My Name (Easy Eye Sound) Liily — I Can Fool Anybody In This Town EP (Flush Records) Love Trap — Rosie (Wild Honey Records) Manics — Binary EP (Dim Mak) Maren Morris — Girl (Columbia Nashville) Matt Shapiro — Fade In EP (self-released) MDD — Reverse The Contrast (HANDS) Meat Puppets — Dusty Notes (Megaforce Records) Meadows End — The Grand Antiquation (Black Lion Records) Minke — The Tearoom EP (Chess Club/RCA Records) Misery Index — Rituals Of Power (Season of Mist) Munya — Blue Pine EP (Luminelle Recordings) Nick Waterhouse — Nick Waterhouse (Innovative Leisure Records) Patty Griffin — Patty Griffin (Thirty Tigers) Rosie Tucker — Never Not Never Not Never Not (New Professor) The Royal — Deathwatch (Long Branch Records) Sasami — Sasami (Domino Recording Company) Savage After Midnight — 11:59 EP (RED MUSIC) Shady Bug — Lemon Lime (Exploding In Sound Records) Stella Donnelly — Beware Of The Dogs (Secretly Canadian) Ten Fé — Future Perfect, Present Tense (Some Kinda Love) Tredici Bacci — La Fine Del Futuro (NNA Tapes) The Wild Reeds — Cheers (Dualtone Records) Vasco — Tender Luv EP (Big Beat Records) William Basinki — On Time Out Of Time (Temporary Residence Limited) Xeno & Oaklander — Hypnos (Dais Records) Youth Fountain — Letters To Our Former Selves (Pure Noise Records)

Friday, March 15

Amongst The Pigeons — Begging Your Pardon (Marowak Records) Angel Dust — Pretty Buff (Roadrunner Records) Arre! Arre! — Tell Me About Them (PNKSLM Recordings) Beach Slang — MPLS EP (Bridge Nine Records) Benjamin Francis Leftwich — Gratitude (Dirty Hit) BESTA — Eterno Rancor (Lifeforce Records) Black Therapy — Echoes Of Dying Memories (Black Lion Records) Bouncing Souls — Crucial Moments EP (Rise Records) Brian Jonestown Massacre — Brian Jonestown Massacre (A Records) Buvette — Life EP (A+LSO) Chai — Punk (Burger) The Cinematic Orchestra — To Believe (Ninja Tune) Clever Austin (Perrin Moss of Hiatus Kaiyote) — Pareidolia (Touching Bass) David Leonard — The Wait ()Integrity Media Deafkids — Metaprogramação (Neurot Recordings) Dexter Story — Bahir (Soundway Records) Elizabeth Colour Wheel — Nocebo (The Flenser) The Faint — Egowerk (Saddle Creek) The Fall — Bend Sinister/The ‘Domesday’ Pay-Off Triad-Plus (Beggars Banquet Music Ltd) Fallujah — Undying Light (Nuclear Blast) Gary Hoey — Neon Highway Blues (Provogue Records) Hearing Things — Here’s Hearing Things (Yeggs Records) Huntly — Low Grade Buzz (Barely Dressed Records) Hvob — Rocco ([PIAS]) Iota — Tales (Small Stone Records) Julia Rakel — indie fEElz EP (Rama Lama Records) Just Friends — Nothing But Love (Pure Noise Records) Karen O and Danger Mouse — Lux Prima (BMG) Lauren Jenkins — No Saint (Big Machine Records) Louise Lemón — A Broken Heart Is An Open Heart (Icons Creating Evil Art) Low Life — Downer Edn (Goner Records) Matmos — Plastic Anniversary (Thrill Jockey) Merely — Hatching The Egg (YEAR0001) Nanami Ozone — NO (Tiny Engines) Never Loved — Never Loved EP (Equal Vision Records) Nick Sanders — Playtime 2050 (Sunnyside Records) Noncoonah — Dead Roses, Digged Up Zombies, Broken Pieces Of Diamonds, Live Cats (Ernest Jenning Record Co.) Over The Rhine — Love & Revelation (Great Speckled Dog) Redwolves — Future Becomes Past (Argonauta Records) Seahawks — Eyes Of The Moon (Cascine) Shy FX — Raggamuffin SoundTape (Digital Soundboy) Skylephant — Songs For The Fragile Collective (Musical Bear) Snarky Puppy — Immigrance (roundUP Music) Sontalk — Stay Wild (Sony Classical Records) Sowflo — New Shoes (Space Duck Records) Stephen Malkmus — Groove Denied (Domino Recording Company) Ted Russell Kamp — Walkin’ Shoes (PoMo) Their Throats Are Open Tombs — Of Psalters And Snakes (The Fear and the Void Recordings) Todd Snider — Cash Cabin Sessions, Vol. 3 (Aimless Records) Turning Jewels Into Water — Map Of Absences (FPE Records) Wyclef Jean — Wyclef Goes Back To School (Heads Music)

Friday, March 22

American Football — American Football (LP3) (Polyvinyl Record Co.) Andrew Bird — My Finest Work Yet (Loma Vista Recordings) Anteros — When We Land (Distiller Records) Apparat — LP5 (Mute Records) Aubrey Logan — Where The Sunshine Is Expensive (Resonance Records) Avey Tare (of Animal Collective) — Cows On Hourglass Pond (Domino Recording Company) Bad Suns — Mystic Truth (Epitaph Records) Bill MacKay — Fountain Fire (Drag City) Blue Angels — Sue EP (UNO NYC) Bonnie Tyler — Between The Earth And The Stars (earMUSIC) Brian Carpenter’s Beat Circus — These Wicked Things (Innova Recordings) Brim Liski — Duels (Latenight Weeknight Records) Burning Rain — Face The Music (Frontiers Records) Casey Cavanagh — Old Souls EP (Old Souls Music) Christian Scott aTunde Adjuah — Ancestral Recall (Ropeadope) Crows — Silver Tongues (Balley Records) Dean Lewis — A Place We Knew (Universal Music Australia Pty. Ltd.) Delta Heavy — Only In Dreams (Ram Records) Dominanz — Let The Death Enter (Mighty Music) Donna Grantis (of 3rdEyeGirl) — Diamonds & Dynamite (eOne Music Canada) Emily Wells — This World Is Too ____ For You (Thesis & Instinct) Ex Hex — It’s Real (Merge Records) Fred Everything — Long Way Home (Lazy Days Recordings) Ghost Light — Best Kept Secrets (self-released) Guest Singer — I’m Irrelevant Now EP (Heist or Hit Records) Ian Daniel Kehoe — Secret Republic (Tin Angel Records) Ibibio Sound Machine — Doko Mien (Merge Records) Jack Savoretti — Singing To Strangers (BMG) Jayda G — Significant Changes (Ninja Tune) Jenny Lewis — On The Line (Warner Bros. Records) La Dispute — Panorama (Epitaph Records) Lafawndah — Ancestor Boy (Concordia) Lambchop — This (Is What I Wanted To Tell You) (Merge Records) Laurel Halo — DJ-Kicks (!K7 Records) Lil Yee — Live 4 It, Die 4 It EP (G-Affair/EMPIRE) Lucy Rose — No Words Left (Arts & Crafts) Luther Dickinson And Sisters Of The Strawberry Moon — Solstice (New West Records) Mary Lattimore And Mac McCaughan (of Superchunk) — New Rain Duets (Three Lobed Recordings) Matt Anderson — Halfway Home By Morning (True North) Matthew Logan Vasquez (of Delta Spirit) — LIGHT’N UP (Dine Alone Records) Niggght — Violent Delicacy EP (Kozmik Artifactz) Nilüfer Yanya — Miss Universe (ATO Records) No Win — Downey (Dangerbird Records) Obsidian Sea — Strangers (Ripple Music) Orville Peck — Pony (Sub Pop) Parting Gift — Ensom (Fearless Records) Problem Daughter — Grow Up Trash (Wiretap Records) Rachael Sage — PseudoMyopia (MPress Records) Red Sun Rising — Peel EP (Razor & Tie Recordings) Ritual Howls — Rendered Armor (Felte) Robin Trower — Coming Closer To Day (Provogue/Mascot Label Group) RPWL — Tales From Outer Space (Gentle Art Of Music) Shawn James — The Dark & The Light (Parts + Labor Records) Shlohmo — The End (WEDIDIT) Sleep In. — The Stars On Your Ceiling (Know Hope Records) Sleeper — The Modern Age (Gorsky Records) Slow Caves — Falling (Old Flame Records) Spiral Stairs (Pavement’s Scott Kannberg) — We Wanna Be Hyp-No-Tized (Coolin’ By Sound) Stillhound — Stillhound (Lost Oscillation) Strand Of Oaks — Eraserland (Dead Oceans) Substancia — Ancestor Boy (Concordia) Taali — I Am Here (Rainbow Blonde Records) Tamaryn — Dreaming The Dark (DERO Arcade) Terry Allen And The Panhandle Mystery Band — Pedal Steal + Four Corners (Paradise Of Bachelors) These New Puritans — Inside The Rose (Infectious Music) Tyson Meade — Robbing The Nuclear Family (Shaking Shanghai) Wallows — Nothing Happens (Atlantic Records) We Show Up On Radar — Zanzibar Whip Coral (Fika Recordings) Wild Belle — Everybody One Of A Kind (Love Tone) Yawners — Just Calm Down (La Castanya Records)

Friday, March 29

A Brilliant Lie — Threads: Weaver (A Brilliant Lie) American Pleasure Club — Fucking Bliss (Run For Cover Records) Ben Folds — Live At Myspace (Sony/MySpace) Betty Carter — The Music Never Stops (Blue Engine Records) Billie Eilish — When We All Fall Asleep, Where Do We Go? (Interscope) The Bobbleheads — Myths And Fables (PopPop Records) Brutus — Nest (Sargent House) C Duncan — Health (FatCat Records) Chris Cohen — Chris Cohen (Captured Tracks) Clint Alphin — Straight To Marrow () Coughy (feat. members of Speedy Ortiz and Ava Luna) — Ocean Hug (Joyful Noise Recordings) Facs — Lifelike (Trouble In Mind) Fennesz — Agora (Touch) Garcia Peoples — Natural Facts (Beyond Beyond Is Beyond) Ian Simmonds — All That’s Left (Pussyfoot Records) Jo Schornikow (of Phosphorescent) — Secret Weapon (Keeled Scales) K Á R Y Y N — The Quanta Series (Mute Records) L.A. Guns — The Devil You Know (Frontiers Records) La Bouquet — Sad People Dancing (ANTI-) Laura Stevenson — The Big Freeze (Don Giovanni Records) M. Lockwood — Communion In The Ashes (Black Mesa Records) Magic Circle — Departed Souls (20 Buck Spin) Mahawam — Is An Island EP (Molly House Records) The Maine — You Are OK (8123) Matthew Herbert Big Band — The State Between Us (Accidental Records Ltd) Mechanical God Creation — The New Chapter (Argonauta Records) Mekons — Deserted (Bloodshot Records) Mdou Moctar — Ilana (The Creator) (Sahel Sounds) Musket Hawk — Upside Of Sick (Unholy Anarchy) Nightmarathons — Missing Parts (A-F Records) O.A.R. — The Mighty (Black Rock Recorded Music, LLC) Ohtis — Curve Of Earth (Full Time Hobby) Okey Dokey — Tell All Your Friend (self-released) Oshiego — The Book Of Wonders (Horror Pain Gore Death Productions) Quelle Chris — Guns (Mello Music Group) Randy Randall (of No Age) — Sound Field Volume One (Dangerbird Records) Reaches — Wherever The Internet Goes, Sorrow Follows (We Be Friends) Rita Wilson — Halfway Home (Sing It Loud, LLC) Section H8 — Phase One EP (Flatspot Records) Show Me The Body — Dog Whistle (Loma Vista Recordings) Simple Creatures (Blink-182’s Mark Hoppus and All Time Low’s Alex Gaskarth) — Strange Love EP (BMG) Small Feet — With Psychic Powers (Barsuk Records) Son Volt — Union (Transmit Sound) Stella Parton — Survivor (Raptor Records) Steve Earle & The Dukes — GUY (New West Records) The Strumbellas — Rattlesnake (Glassnote Records) Suzi Quatro — No Control (Steamhammer) Tom Williams — What Did You Want To Be? (Wire Boat Recordings) The Underground Youth — Lust & Fear (Fuzz Club) Unkle — The Road: Part II / Lost Highway (Songs For The Def) White Denim — Side Effects (City Slang) Whitechapel — The Valley (Metal Blade Records) Yngwie Malmsteen — Blue Lightning (Mascot Records)

Read more: uproxx.com

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