#that's why the civil rights allegory is so shit btw

[kamiko1234]

Crack AU where the entirety of Detroit : Become Human is just the plot of an afternoon playdate between the human child versions of Markus, Alice and Connor. The reason for why they have three diffrent plots is because they couldn't agree on what exactly to play. Kara INSISTED that she wanted to play something with her new doll, Alice. Connor being an overexcited 6 y/o just wanted to be a cool robot detective who's like super smart and super strong and looks really, really cool. Only god knows what had Markus deciding on what his character should be. Since they are only three kids they decided the most logical option is just playing each of what they wanted and switching between eachother. And taking the side (read : uninteresting) roles in the stories of the other. The only person involved in this madness that isn't switching characters like switching clothes is Connor's grandpa chaperoning the playdate, Hank. The reason for why he freaks out everytime Connor in dbh dies is because he just grows increasingly worried about his grandon's apparent love for dying (and the plot of this playdate in general)

[nightcoremoon]

quantic dream is a weird case because like the games should be amazing but they're NOT

looks good, sounds good, feels good, great voice acting (fuckin willem dafoe and elliot page and clancy brown are all excellent VAs), replayable, and the writing in all the side bits are honestly great, and everyone did a great job with them as far as digital entertainment

like until dawn and the walking dead season 1 and life is strange, it's not really "traditional" controls, there is no real game over, each game runs from beginning to end regardless of the choices you make, QTEs and exploration and puzzles and moral choices are the extent of the gameplay.

but the difference is that UD & TWD & LIS had good writers and david cage is a complete hack (and kind of a misogynist and kiiiind of a racist)

I could go into the flaws of heavy rain, omikron, indigo prophecy, beyond two souls, but I think I'd rather go into detroit becoming human.

so like. "it's not a racial allegory", right? except literally at the start of the game you're a white cop and a black servant and a female servant. the black guy is treated badly by a crowd of white people, then he gets on the segregated back of the bus where he is forced to stand up, then he's on the run from the police (and dies), then he either a) runs a pacifist resistance and sacrificing himself or b) sets fire to everything, "we have a dream" and ✊🏾 are literal choices he can make, there is a million man march, you literally have the magical ability to Press X To Liberate (where he forces the robots to go from blindly following the orders of their masters to, uh, blindly following the orders of a new master oh no yikes), and hey at least it evaded tokens because there's another black guy and... oh no he's a 'magical negro' stereotype who can and will be fridged at any moment to give Pain to the white girl. oh and the underground railroad lady LMAO. and all this blatant black civil rights activism allegory is happening to... sigh. robots.

now look, I am really heavily into the philosophy of theoretical transhumanism. star trek, mass effect, deus ex, even bethesda fallout [much as I fucking hate many aspects of fallout 3/4, I do really like the synths angle as it adds layers of intrigue and grey morality to an otherwise quite absurdly black and white system] are some of my favorite universes partly because of that. data/doctor/7of9, legion & EDI, adam jensen, nick valentine, they're all some of my favorite characters in those series. it's probably partly because as an autistic person I understand and empathize with them much more than I do the non-robot characters (and so much more than the "autistic" characters written by allistics :/ ). protag!connor is a cinnamon roll (because he says fuck the police in the third act, since the only good cop is a dead former cop... but also because I do like his character and the way he was portrayed by the actor and his contrast to hank who is the best character voiced by an actor I love, and connorXhank is the only part of DBH that I like as far as the writing goes). I should have loved detroit as much as I love the movie I, Robot. [btw if you like detroit watch it]

and yet

the problem is that it should have tried to just stay in its own lane and deal purely with the transhumanism angle, and not tried to also be racially woke. it is tasteless and blatantly racist for white people (especially the, ugh, french) to directly compare any nonblack protected class to black people in a work of fiction. my fellow autistics, my fellow queers, jews probably but I'm not even gonna touch that, and androids. all of the experiences are wildly different from the black experience especially in the US and it is not our place to compare ANY demographic in such an on-the-nose fashion. oh and don't even get me fucking STARTED on the goddamn HOLOCAUST IMAGERY AT THE ENDING. OH YEAH THE ROBOTS ARE GETTING PUT INTO CONCENTRATION CAMPS AND THEN INTO AN INCINERATOR, THAT'S TOTALLY NOT JUST AN ANALOGUE TO JEWS OR ANYTHING HA HA FUCK YOU DAVID CAGE alright that's enough.

oh and kara's story is a completely useless and tacked-on experience that depends wholly on the effects of the other characters and a plot twist that kinda renders her entire story... just. completely fucking pointless. and also because david cage loves short haired girls in perilous distress of a sexual nature.

and the cherry on top of the shit sundae is that the entire android deviants aspect is a planned obsolescence ploy by the corporations. it was programmed for the androids to have free will so it makes the old models go all murderhappy and incentivizes the people to trade in their old malfunctioning iphones for brand new sleek & shiny new ones. it was just social commentary on apple's shady business practices that also disguised itself as social commentary on post-slavery america that disguised itself as social commentary on transhumanism. and that's all his fucking games are is several layers of social commentary stacked together in a trench coat like bojack's vincent adultman pretending to be a cohesive story.

& you know how I know it's social commentary?

BECAUSE THE FUCKING GAME IS ALSO ABOUT DRUG ADDICTION

oh did you forget about that part? yeah, it's because it was handled poorly and it didn't matter and only served to get woke points.

D:BH is just a mess from a purely conceptual standpoint, and that's why it's fucking horrible.

but

but

but

if you like it then that's fine because quantic dream are a fantastic studio that produce just *chef's kiss* sublime work, given what they were working with. I put it on the same level that I put the twilight and harry potter films, because they took steaming piles of shit and made them sparkle.

...g... get it? because... because the vampires... they sparkle. that's the joke ignore me

I'm not gonna treat you badly if you like the game because I like parts of it but please please acknowledge that it's a downright mess