#thanks to these two for understanding the assignment and celebrating accordingly

[huxandkisses]

It is a truth universally acknowledged that 80% of people want more Hux.

Celebrating the most beloved character in all of Star Wars - the ginger general himself, Armitage Hux!

Hi and welcome to the first ever round of Hux and Kisses, a multi-shipping event celebrating General Armitage Hux!

The first round, aka The Exchange, is hosted on AO3 - please go to https://archiveofourown.org/collections/HuxAndKissesExchange to sign up.

You can find the rules there, and under the "read more" on here.

We're also on Discord - please drop us a note or message to get an invite!

And please - share, if you can! Thank you, and see you soon!

Rules:

1. All requests, offers, and assignments must focus on Armitage Hux. Other characters are welcome to make appearances as part of a pairing with Hux or in a gen(eral) fanwork.

You can choose which rating(s) you are willing to offer or receive (Gen, Teen, Mature, Explicit). Assignments should include at least one of the recipient's requested tags and be a complete, standalone work.

2. Sign-ups require 3 requests (with a maximum of 6), and 3 offers (with a maximum of 6). You are free to request/offer fanfiction, fanart, or both mediums. You have to request and offer (at least) two pairings and a gen option. You can ask and offer up to 6 pairings or gen options.

You can find more infos and examples on the sign-up page on AO3.

We have decided not to use a tag set. Please use your common sense.

3. All fiction must be at least 1000 words long, and all artworks should be clean sketches on unlined paper (or digital equivalent).

4. If your offer doesn't match up with any requests, you will be given the opportunity to add any freeforms (optional tags) that will make you matchable. If you do not respond within 24 hours, your sign-up will be deleted. If there aren't any offers that match your request(s), then your request will go up for grabs as a pinch hit.

5. While you should aim to create something you think your recipient will enjoy, you don't have to include all of their preferences/suggestions. However, you must not include any of their DNWs. If there's any confusion over the info provided, please send a message to the mods!

7. While depictions of, for example, First Order propoganda, villains being villains, or bigoted characters are fine, using the narrative to promote real-world fascism, racism, or other discrimination is not allowed.

6. If you find yourself in need of a short extension, get in touch and we can try work something out.

Or if you find yourself unable to complete your assignment we'll understand - life happens! But please do let us know at least a week prior to the deadline, so there's time to find pinch hitters if we need to.

8. Visual or written depictions of sexual encounters between adults and minors (<16) are not allowed in fanworks for this exchange, but implied sexual content is allowed (so long as it does not violate any DNWs and is tagged accordingly).

9. Concerning treat fics - this exchange will have a second round in February 2022. We ask you to consider to postpone any treats you're inspired to write to save for that date, because the second round will once more take up the requests made for the exchange, and make them "free for all".

10. This is a multi-shipping event open to all and every pairing if it includes Hux. If you can't tolerate seeing Hux as anything as part of your otp, a m/f or m/m pairing, we're sorry, but this is not the event for you. We won't tolerate any hate on ships (that includes background ships) in any form, and doing so will get you banned from participation.

Thank you so much to @venatohru whose rules for the "Hoelidays" we were allowed to adapt for our event!

[stardustinthesky]

i know places. rogue one: a star wars story. cassian candor/jyn erso. they cling to each other like they did on scarif, before bodhi and his stolen ship. they speak in silence, have from the beginning; it shouldn’t be easy.

ao3 ⎢ ff.net

-

It should’ve ended like this:

Cassian and Jyn disappearing into the white light of the blast.

(instead, it begins like this:

The beach and hearts beating in sync while awaiting death, and suddenly Bodhi and his stolen Imperial ship; Rebels shouting as they drag them on the sand; the Zeta-class transport heaving dangerously to the side and the engine screaming, overcrowded with fighters and bucking under the strong winds; someone giving Chirrut basic first aid as Base refuses to let go of him; relieved faces and grim ones.

Bodhi is a quick learner; he punches the hyperdrive while in atmo.)

-

Everything changes after Scarif.

Hope, then despair when the plans are lost and Aldeeran is annihilated, and hope again when a Force-sensitive young farmer brings them back and manages to destroy the Death Star.

What started out as a disorganized guerilla against a galaxy-wide dictatorship becomes a unity of ideals; scattered forces and divergent opinions unequivocally rally with the Alliance under one goal. Ships and equipment are supplied, people join the ranks in mass. It is a relief to see such enthusiasm spreading so rapidly, even though everyone knows they’re outmatched. Still, there’s hope.

Rebellions are built on hope!

-

People celebrate the Death Star’s destruction accordingly. Along with Solo and Skywalker, the surviving members of the Rogue One team are awarded medals during a big ceremony on Yavin IV.

Cassian and his fellow comrades fresh out of medbay decide not to keep them; hanging them on the small memorial in the rec room of the Great Temple, they honor those who gave their lives on Scarif (oh K-2, my friend, you would hate all of this), and the people of Alderaan, already forgotten in the joyous commotion.

“They won’t be forgotten,” Leia Organa says behind them. “They’ll never be forgotten.”

-

The Rebellion army relocates to Both.

They barely have time to strip Base One bare, ships overloaded with equipment and men and women. Cassian spends most of his time in Command Center, Jyn and Baze help with ammunition and weapon inventory before departure. Chirrut is a patient teacher with Skywalker.

Cassian and Jyn cross paths in corridors with promises to talk later, always later.

-

The five of them are assigned to Solo’s Millennium Falcon for the trip.

“What a piece of junk,” Jyn mutters loud enough to be heard. “We’ll never make it to Hoth in one piece.”

The hyperdrive fails twice; Jyn spends her time in the bowels of the ship, trying to understand the maze of conduits and electric cables while that Wookie won’t stop howling. Chirrut laughs and translates. Cassian and Han have a shouting match in the cockpit while Bodhi slides in the pilot seat and tries to fly the ship; Baze just grunts in a corner.

A bigger ship takes pity on them and tractors them the rest of the way.

-

Echo base is cold inside out; despite brave attempts to keep the place remotely warm, the cold sips in the hastily made base. The blast doors of the north and south entrances do little against the frigid nights and howling winds, and the heaters scattered through the maze of corridors, rooms and hangar decks sputter what little warmth they can produce.

So, on the first night here, Jyn leaves her bunk and slides in bed next to Cassian.

“I’m cold,” she says at his sleepy Jyn? and snuggles against his side, throwing her blanket on top of his.

He readjusts the worn curtain giving his bunk a modicum of privacy in the crowded dorms; everyone else may be asleep but the room is crammed with bunks, wall to wall and floor to ceiling.

He should miss his private room on Yavin IV, but he doesn’t; Jyn wouldn’t be in his bed.

-

It’s a tacit agreement (promises to talk later, always later); she shares his bed every night, silently slipping out of her bunk when everyone’s turned in for the night.

Legs tangled, she takes his arm to wrap it around her waist and falls asleep to the feel of his breath against her neck.

-

“Your hearts resonate in harmony,” Chirrut says one day when the five of them manage to have lunch together.

His companions look up at him but he just smiles cryptically.

-

People start to talk and Cassian gets worried but either Jyn isn’t aware of the gossip or she just doesn’t mind. Personal space is a foreign concept whenever the other is involved, and has been from the beginning. Always seemingly in orbit around each other, they become an item whenever someone mentions them; Cassian and Jyn, Jyn and Cassian.

If Han Solo and Leia Organa are famous for their public arguments, Cassian Andor and Jyn Erso are known for their formidable accomplishments together, on and off-base.

“Is it hard?” Luke asks around a mouthful during one breakfast.

“What’s hard?” Jyn responds.

“Being married and in the Rebellion.”

Bodhi’s fork stops right before his open mouth. He glances nervously between Luke, Jyn and Cassian; the latter suddenly staring at each other. “They’re–they’re not married,” Bodhi explains when it looks like none of them is going to answer.

Jyn is the first to snap out of it. “Right,” she mumbles as she gathers her tray. “Not married.”

Cassian sighs as his eyes follow her hasty exit; so much for not minding the gossip.

Unsurprisingly, she stays in her bunk that night.

-

But the war wages on and they’re sent on a sabotaging mission that goes awry, the now legendary duo crumbling under its own weight. While they manage to escape, it’s a pretty close call and she has to help Cassian off the ship and to medbay.

Along with a twisted ankle, he took a pretty bad blow to the ribs, but thankfully the medical droid assesses that they’re not broken. “Feels like they are,” he smiles ruefully, trying to deflect the heavy tension in the room, and her grip on his hand tightens. “Hopefully that’ll get me a day or two off.”

Her face hardens. “Don’t joke about this. You almost died.”

He sobers immediately, the first non-monosyllabic sentence she’s uttered in days. His voice is insistent but soft when he speaks, “I wasn’t going to leave you behind, Jyn.”

She shakes her head. She should be mad; she should tell him things that would make him go away but she can’t. Somewhere between Yavin IV's Command Center and the beach on Scarif, they have become each other’s cause. “You know, that’s a stupid thing to do.”

I’m not used to people sticking around when things go bad.

The door slides open, Draven immediately spotting them across the room and they know the moment is over. “I know. But there are people out there who’d do anything for you, Jyn,” Cassian tells her while he still can.

(Welcome home.)

-

He’s surprised to see her slip in his bunk later that night. He’s propped up with both a sad flat pillow and his rolled-up winter coat, so she sits at the foot of the mattress, her legs pulled to her chest.

“Thank you for saving my life,” she says after a while.

She can see the corners of his mouth lift in the dimness. “You’re welcome.”

Suddenly the sight of him is too much and, at the same time, not enough; in another life, they might have taken their time.

(or maybe not.)

The kiss is tenderness; an elevator ride and an embrace on the beach and the disappearing horizon.

His hands slip underneath her shirt and find warm skin; the rustling of the clothes they try to shed is loud in the relative silence of their dorms. Someone on the other side of the room coughs; Baze’s bunk over them creaks as he tosses and turns. Metal pipes groan in the corridor.

He takes his time, tries not to wince at the pain in his ribs despite the painkillers he took earlier; instead, he watches the way her loose hair fan out on the flat pillow, listens as she exhales sharply through her nose as he runs his hand lower, and lower still.

(they cling to each other like they did on Scarif, before Bodhi and his stolen ship. They speak in silence, have from the beginning; it shouldn’t be this easy.

Are you with me?

All the way.)

–end.

[homedevises]

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A attending from Celine’s Spring 2014 collection. Photo: Imaxtree

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There are two types of designers that are about adored in appearance conversations: The artistic admiral who captain bequest houses or abreast brands, and the ambitious types who alpha buzzy new labels. 

But the absoluteness is that for the majority of bodies who assignment in appearance design, “making it” in the industry looks actual different. Rather than actuality in the spotlight as an “artistic genius,” a cast baton or founder, these creatives are generally alive abaft the scenes, agilely abstraction and conceptualizing pieces that will end up in collections they may never get to booty accessible acclaim for. And some of them are altogether blessed with that.

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Take Norman René Devera, for example. Currently a chief artist of womenswear at Calvin Klein, Devera’s resumé reads like a account of fashion’s greatest hits. He formed beneath Phoebe Philo at Celine back it was still Céline, Nicolas Ghesquière at Louis Vuitton and Alber Elbaz at Lanvin afore landing in his accepted position beneath Raf Simons. As far as Devera is concerned, the allowances of acquirements from and alive with the industry’s greatest talents is added admired than seeing his name in lights.

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“I don’t feel like I charge the accomplished apple to be able to say, ‘Oh, he did this or that.’ I’m not actuality for the glory,” Devera says back we accommodated up in New York. “The celebrity is to be able to say I formed with these directors, and these admiral are some of the best of our time. That’s enough.”

Devera says that active beneath the eyes of so abounding altered acclaimed designers has appropriate that he become an artful chameleon. Afore he starts any new role, he obsessively studies accomplished collections to “get central the apperception of the artistic director.” But he maintains that architecture aeon who are accustomed with his adjustment — Devera prefers to alpha the architecture action by draping in the attitude of the old masters, rather than application 2D sketches like abounding of his aeon — ability still be able to admit his altered blow in what comes bottomward the runway, alike after a name attached.

Accessories artist Mariza Scotch, who’s advised for Salvatore Ferragamo, Ralph Lauren, Kate Spade, Tod’s, Isaac Mizrahi and Gap, has a altered access to award her way advanced anniversary time she starts at a new brand.

“I tend to be assassin by brands or by bodies who would like to ad-lib a new chapter. It’s a bit like renovating an old abode as against to architecture a new one,” Scotch says on the buzz from Paris. “My through-line is: Back I see a brand, I think, ‘What is the aspect of this cast or what should it be, and how can I accurate that in the aboriginal accessible cardinal of beheld elements?'”

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Designer Mariza Scotch (wearing glasses) alive with backpack manufacturers in Italy. Photo: Courtesy of Mariza Scotch

In Scotch’s case, that’s sometimes meant afterlight the way a aggregation thinks about architecture in adjustment to advice it bigger get at the amount of what it stands for. While alive at Ralph Lauren in the ’90s, for example, Scotch created new signature accouterments and adapted the branding and logo that she acquainted would be too “garish” to assignment accordingly with the kinds of handbags she capital to produce. 

Still, that didn’t beggarly bucking the eyes of Ralph Lauren himself. In adjustment to adapt accessories in a way that would fit the beheld apple Lauren inhabited, Scotch paid absorption to added things that she knew he liked, activity above the accessible answers like sports cars and monograms to draw from added abstruse beheld references like coffer vaults and safes — “because he loves money,” she laughs.

“I about anticipation of it as actuality like the analyst at the UN who is advice speeches,” she says. “I saw my role as actuality a absolutely abutting adviser and not alone advantageous absorption to beheld cues and gestures, but absolutely account the being in as abounding means as I could and again aggravating to feel what fabricated him aflame and happy. It was the action of axis what I acquainted his affect and aspirations were into products.”

Years of alive at a ambit of brands both high-end and mass-market accept helped Scotch clarify her own affection and ethics to the point that she’s been able to barrage a acknowledged consulting close area brands appear to seek out her perspective. The adaptability she enjoys as a chargeless abettor with no eponymous cast absorbed to her name is allotment of what appeals to added designers like Dan-Yun Huang, currently allotment of the architecture aggregation at Phillip Lim, about their own jobs. 

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Huang, who was one of Devera’s colleagues at Celine, absitively to accomplish the move to Phillip Lim in allotment for the befalling to get a bigger anchor on the business ancillary of active a brand. It’s the affectionate of acquirements she says some of her above classmates from architecture academy are gleaning from starting and active their own brands, but she feels she’s accepting aloof as acceptable of a real-life apprenticeship by affective from a big European abode to a abate American one area she can be added hands-on with abundant aspects of the business.

“It’s a catechism of spending your own money or spending added people’s money [while you learn],” she jokes back I account her in New York. “I accept lots of accompany [who started their own labels], and alike if they’re accomplishing absolutely well, their bacon is not commensurable to alive at a big brand.”

Huang says the alone time it’s agitated her that she can’t booty acclaim for her alone designs is back she’s accomplishing things like applying for a acceptance in a new country, back solid affidavit that the assignment she does is admired and altered in her industry can advice on those applications. Otherwise, she says, the banking adherence and adventitious to apprentice — whether that be from a artistic administrator whose name anybody knows or an industry adept who has decades of admired acquaintance abaft the scenes — is acceptable enough.

Though Scotch understands the address of admission from architecture academy and aggravating to alpha a cast appropriate off the bat — if she anytime starts a cast of her own, she says, it will be because she wants to accomplice with her babe on a activity — she encourages any adolescent artist to catechize that aptitude in themselves afore jumping in.

“I don’t anticipate that starting a new cast necessarily equates with article absorbing or admired that is activity to advance people’s lives or the culture. I don’t anticipate that exponential amplification of cast aloft cast aloft cast is sustainable,” Scotch says. “In a apple area every distinct being needs to accept or be their claimed own cast at this point, it’s an act of apostasy to go the added way.”

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[ayearattias]

TIAS: A life time bonding!

I started my journey from India with immense curiosity and excitement to be a part of TIAS Business School on 11th of September 2016. Unfortunately, I already missed part of the Prep course due to personal issues. Once I arrived Netherlands I received immense support from my program manager in rearranging my course and settling down in Netherlands.

TIAS organized a grand event for the welcome day. We played games, dined together, shared stories and enjoyed drinks. We found our group members through an interesting game and got to know each other more over drinks.  It was like a big family outing.

This picture captures a glimpse of our first outing. This is one of my favorite picture because it is the first picture I took with my classmates at the start of my master’s program.

The program kick started in the middle of September’16 and life was never as busy as it has been over the last year. The classes start at 9 am in the morning till 5 pm in the evening. Some evenings were busier as we stayed back after the class to work in groups for our assignments. The group work experiences gave me some of the greatest insights into life. We were a group of six people representing four different nationalities (India, South Korea, Vietnam, Dutch) working together towards a common goal. Each of us had their own expertise and work experience to bring to the group, as well as their own limitations. Our cultural backgrounds also meant our workstyles were different and as the common saying goes “no two people think the same”, which is why we had a lot of disagreements and agreements. We had our own share of disappointments too. With Phillipa’s Networking and Team building sessions we could work our way out through the differences and learned to embrace diversity.

This picture was taken during one of our late-night group work sessions. Some of the group members are missing though.

An important thing to mention about TIAS is that all the lectures, classes, seminars and events are well planned and well organized. The schedule is available to the students on virtual campus and one can plan their schedule accordingly. The professors/lecturers, travelling from all parts of the world, at TIAS provide a unique mixture of Industry and academic exposure, as well as endorsing diversity through their different cultural backgrounds.

The man in the center is our professor for New Product Development, from Greece.

I also worked for TIAS student consultancy. We provided consulting services for an organization called Team Academy in Amsterdam. The experience of working in a live project is completely thrilling. We would visit their offices in Amsterdam every now and again to share the work we were doing. The project continued for almost five months. It also provided us with an extra task as we stayed back after class to meet the client’s deadline and continued working till late at night. We finally finished the project successfully in June with a presentation at the client’s office. This experience gave me the chance to work on a real life management problem. I communicated with clients, negotiated with them, built relationships, brainstormed whilst working on critical Marketing strategy issues and also had another chance to work in a diverse group.

This picture was taken at the client’s office on the last day of the Project.       P.S: Don’t miss the smile of satisfaction in our faces after the successful completion of our Project.

We also visited Palermo, Italy for a Study trip in May. Learning through travel - a unique experience for me. I have never been part of any study trip during my bachelor, only industrial visits. The study trip was full of fun with loads to learn. We all returned super tired and exhausted but built memories to last a life time.

First Dinner after we landed in Italy.

Company visits and discussions.

Irresistible food from Italy. No matter how busy I am I will always have time for local food.

At TIAS we party hard. The Student association organize party for almost all events. We celebrated Halloween, Christmas, and lunar New Year and went on a ski trip. The last of the events was the gala dinner to mark the end of class and move on to the final part of the program, the Thesis.

The group picture from the gala dinner.

In short this can be counted as one of the best years of my life. I had the opportunity to learn and to expose myself to a different culture and people. I have travelled around the country and networked with people. I have made new friends in life to comfort me and stand together.

Thank you TIAS, after a one year love affair with you I am more evolved, culturally aware, confident and have gained deep understanding of the business world. It is a bond that I will carry with me and treasure for the rest of my life.

This blog was written by Full-time MScBa student Amrita Deb (30) from India