#still look up to her- even though she isn't her 'perfect student' persona

[peppermintchaos]

Tell me about magical girl Peppermint and Takeover

the parallels bro

[loz-furbies]

Skyward Sword Zelda

Design

Now for something completely different since Zelda is a commoner this time! I think the outfit works well, it’s not too busy but it also has plenty of memorable details (I especially like the sailcloth around her shoulders) and the green and pink ribbons in her hair. And while the overall design is very different from the usual Zelda looks, the blue cloth on her waist at least reminds me of the “aprons” a little.

Mixed feelings about the white dress, the Hyrule crest collar is great, but everything else in the dress is really simple and basic so it feels a little out of place. However I like the white dress when she’s depicted with botw Zelda in her white dress, it’s a nice contrast how one has long flowy sleeves and the other has no sleeves at all.

Character

Skyward Sword Zelda has a charming and playful personality, making her super likable, and overall she really feels like an ideal girl-next-door type. As Link's childhood friend she's incredibly supportive of him, but also not above calling him out for being lazy or lightly teasing him. And she can be quite stern and gutsy when needed, as seen when she puts Groose and his cronies in place when she finds them bullying Link.

To some extent Zelda does feel a bit too much of idealised manic pixie dream girl to the more down-to-earth MC-kun that is Link. A considerable amount of her lines are spent on speaking positively of Link too, and we don't get to know much about what else she has going on in her life besides Link and the Plot.

A notable example of this is her status as a student of the knight academy, why is that not touched at all? Why was her role to give a trophy to the flight competition winner and not take part in it herself? Even if she's at a different stage from Link in her studies, shouldn't she still have something to say about their shared goal? I've seen some fans attribute the fact that she made it through a dungeon on her own to being a knight student, but I'm not giving the game credit for that.

We do get to know that she was interested in the surface even before the events of the story, and apparently has a knitting hobby judging by the items in her room. Which... okay I've been a bit too hard on her, as it's incredibly rare for any of the Zeldas to have a hobby at all and I do give SS Link points for his wood carving hobby too. It's just that so many of her lines are spent on gushing over Link so I guess I would have needed more stuff that's specific to her alone to balance that out.

Once she finds out about her role as the reborn goddess she becomes more serious and gloomy, but is still very much recognisable as the same character. Which has not been a given in the history of Zeldas with multiple personas, so good for her.

We don't get to know a lot about how regaining an unspecified amount of memories of her previous life has affected her sense of self, but I figure it has had at least some effect since she sometimes switches to first person, notably when apologising to Link about involving him in the grand anti-demise plan (which at least to me clearly isn't SS Zelda's fault). Though there's not any question if the goddess persona had somehow taken over, since the greatest line of the game "I'm still your Zelda" exists.

Ultimately while I think SS Zelda gets close to the line of being too much of a perfect fantasy waifu, she doesn't cross it and remains incredibly charming.

Role in the story

The game has a very slow beginning, where a lot of time is spent setting up Link and Zelda's relationship and ordinary life. And while the characters are the biggest draw for me in these games, I think there would have been room to condense the story a bit. Even if you really like the characters, in a video game you can reach a point where you're just hoping them to get on with it so you can actually play the game, which isn't exactly helpful if you're supposed to like the characters. But if you don't get frustrated with the slow start, Zelda is set up extremely well as someone you'd want to save.

After the setup she falls into a tornado, and the first part of the game is spent chasing after her and trying to figure out what's going on with her. You get more information about her bit by bit, so she clearly remains as the goal. Once you do catch up with her, it's after she was just rescued by Impa, who chides Link for having been too late to do anything himself. For me this worked just fine because I was really bad at the game, so her criticism was perfectly fair, but I wonder how better players felt about when the plot mandates that their perfect performance is judged to be a failure?

Eventually both Zelda and Link travel to the past, where Zelda explains herself as the reborn goddess and commits to her duty to seal Demise's curse for thousands of years, which changes the game's objective from trying to solve the mystery around her to a more clear rescue mission. Sealing herself to magic sleep is Zelda's big moment and the the game really plays it up, and to great success because that scene is beautiful. After that she doesn't really do much though, like because her darkness-sealing moment happens in the middle of the game (and chronologically before the main part of the gameplay since we're in the past here) and the grand finale darkness sealing is done by the Master Sword, there's not a lot of room for Zelda and she ends up with more of a victim role.

It is also kind of disappointing how Zelda gets damseled twice in the same game. I guess I can kind of see that since Link and Zelda's relationship is such a big part of the story, it makes sense that her life would be at risk when the stakes need to be at their stakiest, but I really wish they could have thought of something else than have her be woken up from her magical coma for five minutes before getting immediately kidnapped for the bad guys' evil resurrection ritual.

The end credits show snippets of Zelda's life after she fell to the surface, met Impa and started following her duty. Which was of course great but also a somewhat odd place to put it, and made me wonder if it was originally supposed to be shown somewhere during the story but got cut. And then they just put it in the credits since the scenes were already animated. But in any case it's nice to see more of Zelda's journey, even if strictly didn't offer any new information.

Relationships

As usual Zelda's most important relationship is with Link, and this time there even is more to it than a single line that they're childhood friends. Or they are childhood friends, and while in general I'm a big hater of this trope being so common in Japanese media, at least here it's used with a purpose, as the Goddess' master plan involved specifically preparing a hero who'd go to the ends of earth for her reborn form.

I said about Link and Zelda in Spirit Tracks that their relationship doesn't get any specific development and is more just about that they went on an adventure together and you have to imagine that they grew closer during that. Meanwhile in Skyward Sword they clearly know and care about each other as people and it's not just about like, general human empathy towards someone in trouble, which certainly makes their relationship more interesting.

So as I complained earlier, a lot of Zelda's lines are about Link. She gently teases him for being a sleepyhead, goes out of her way to arrange him time to practice for the flying competition and knows to send her loftwing to wake him up, asks his opinion on her ceremonial costume, asks him out to fly together which is totally written to look like a date, and so on. Some of her behaviour comes out as so flirty that it makes me think if she's all astonished at Link for being so oblivious. And she states multiple times that she wishes that Link will be the one to win the flying competition, so she can do the celebration ceremony with him, or how amazing he was when he managed to do that. The last point was brought up so many times that it just got really heavy handed, and I do think that some of it should have been cut, but just as it was entering actual cringe territory, an alternate explanation emerged that she actually wanted to talk about these ominous premonitions she's had, but had trouble bringing it up and was stalling for time.

Also it's just beautiful how the whole sleeping thing goes full circle, with Link being the notorious sleepyhead in the beginning, but Zelda requesting that it's Link's turn to wake her up as she's about to enter her magic sleep. Really shows that she has a lot of trust in him.

Meanwhile Link doesn't talk outside dialogue options as usual, so you don't get as much from his side, but his expressions when he looks at Zelda in many scenes tell a lot about how he cares about her.

In general their relationship skirts around being a romance but doesn't fully confirm anything (or at least that I can remember). After Link wins the flying contest, a scene where it looks like Zelda is about to kiss him is set up, but instead she pushes him off the ledge to complete the ceremony. And maybe she was just so coy about the "date" in the clouds because it was all about trying to gather courage and find a good moment to bring up a difficult topic, and Link's determined responses how he'll certainly save Zelda are totally platonic? But like, obviously a scene that teases a possible kiss is put in for a reason and the game ends with a shot of their loftwings flying together after Zelda tells about her future plans to live on the surface and asks what Link wants to do, so I'd say you need some serious anti-shipping goggles to ignore what's being implied.

Also since I brought it up for Spirit Tracks, Link and Zelda hold hands in this game too.

Impa is in the game as well in the role of Zelda's bodyguard, guide and friend, and this time offers a more meaningful relationship with her than her previous incarnations. Impa is fulfilling her job at assisting Zelda do hers, but they also clearly care about each other. We don't get to see them that much though, so their personal relationship isn't defined too well. Like Impa acts as a servant and refers to Zelda with "your grace", and Zelda just goes along with it and we don't know if she tried to establish a more equal relationship. In one of the end credits snippets we see Zelda doing this cute happy skip when she's walking with Impa and it looks like she's having fun, and these four seconds are probably their most casual scene together.

It's also really sweet when it's revealed that the old woman who helps the cast in the present timeline is actually Impa, so Zelda gets one more chance to meet her. Or it's kind of funny how they saying their goodbyes in the past but Impa reassures that they'll meet again, and after some time travel from Zelda's perspective the reunion in present time is literally just a few minutes later, and then Impa actually dies and they're separated for a second time. But obviously it was about how Impa had been hanging in there for thousands of years so she could still help Zelda and Link with their duty.

In any case Zelda and Impa's bond is clearly strong, even if we don't see the details. It also makes me think of how different this is from BotW Zelda's situation, and how things might have turned out for her if she had a mentor how knows what to do and also is emotionally supportive.

Groose primarily acts as a rival to Link, which includes being a romantic rival for Zelda's affections. He's not any threatening at it at all though since his feelings are clearly one sided, but it's not exactly clear what Zelda thinks about him. He is introduced when he has hidden Link's loftwing so that Link couldn't take part in the flying competition, and Zelda immediately jumps in to take Link's side. After that Groose's character development happens while Zelda is away, and next time they meet Groose behaves in a more respectable manner and Zelda appears to be happy to see him.

Like everyone else in Skyloft, she also has her own loftwing buddy, and much fuss is made about how everyone is soul-bonded to their bird. None of this really shows up about Zelda's relationship to her loftwing, who doesn't even get a name, though to be fair neither does Link's. In general I think the loftwings were hugely underdeveloped considering how much time you have to spend on one flying around.

Zelda also has a father with whom she actually gets to interact with, but I don't get much anything out of that except that they have a normal/good relationship.

[dragondemoness]

Could we please get some relationship headcanons for Ann, Makoto, Futaba, Haru, and Sumire?

Sure! Thanks for requesting!

Ann, Makoto, Futaba, Haru and "Kasumi" Relationship HCs

Contains spoilers for Persona 5 Royal in "Kasumi's" part

Ann

This girl loves the absolute shit out of you omg-

You guys usually either go on dates to cafes or to the underground mall

Sometimes she even brings you to her photo shoots

If you're shy and hesitant to go, she will beg you, giving you puppy dog eyes and talking about how much she wants to show you off until you give in and say yes

She won't force you though, if you really don't want to go

She'll be disappointed, but she'll understand

Affection. For. DAYS

There is rarely a moment where this girl isn't touching you; (not like that you nasties-) holding hands, hugging you, kissing you, etc.

She's not super overpowering in public, just holding your hand or hugging you. Doesn't want to make you overwhelmed

But in private? This girl is ALL over you

So many cuddles when you guys are alone.

You guys often chill at her place, watching movies and munching on sweet snacks

Skin care goddess

She is a model after all. She has a whole nighttime skin care routine and begs you to join her

She swears that you'll thank her for it

Next morning, everyone is asking you about how you have perfect skin and Ann is just like "told ya so"

Ann confessed first

She's not at all embarrassed to have a crush on you, and she trusts you with her life

She confessed while you guys were hanging out on the roof

She was super nervous about you rejecting her, but was ECSTATIC when you accepted her affections

She jumped on you and hugged you tight, squealing happily

If you got caught up in the Kamoshida drama, she is so grateful to you for being there for her

Especially when her best friend Shiho jumped off the school roof

Speaking of Shiho, Ann definitely introduced you to her

She wants her best friend and her lover to get along

Shiho likes you a lot btw

When Ann sees you two hanging out together, she feels so warm inside

Ryuji often teases you two about your relationship, but Ann always smacks him in the head

Morgana is SUPER jealous of you, but he trusts that you'll treat Ann well

If you don't, he'll scratch the shit out of you

Makoto

She's a very busy person, so you don't get to go out very often

When you do, it's usually a quiet and chill place, like a park, a cafe or just stay at home dates

After a few months of being together, she introduces you to Sae

#overprotective big sis sae

This girl goes full on interrogation mode, asking you a billion questions

Makoto stops her, but she knows that Sae is just looking out for her

Sae does come to trust you after a while tho, and she is very supportive of you two

Don't you dare hurt Makoto or Sae will get you

Makoto is pretty stiff with affection

She isn't used to relationships, and she lived with Sae for most of her life, so she's very touched starved

Makoto does get used to physical affection after a while, but in the beginning, she is super embarrassed and blushy about it

Literally melts when you hold her

She loves to be the little spoon, it makes her feel safe and protected

When she found out she liked you, she turned to Joker to advice

She knew he was the least likely to tease her or make fun of her

She confessed while you guys were doing homework together at her house while Sae was away

You were definitely shocked that Miss Student Council President liked you, but you weren't complaining

So you accepted her confession, and she was caught off guard

But she still smiled at you and leaned into your side as you wrapped an arm around her

She would love to study with you! Very flattered that you came to her for help, and she will do her very best to bring your grades up

She's very patient with you, and never makes you feel stupid if you don't know somethinng

She would scold Ryuji for not paying attention, but when it's you, she's like, "okay hon, here's how you do it"

She always checks in on you, and makes sure you're taking care of yourself

Even if you guys can't see each other every day, she always texts you things like, "Love you! Make sure you stay hydrated!" and makes sure you eat

She is also very protective

If she finds out you're being bullied, she will get those assholes expelled immediately

Futaba

You guys most likely got together after the whole thing with her palace

After that, she was super nervous and afraid to be around people

She got used to you pretty quick tho

You knew what to talk to her about, you never judged her for anything, and you always made her feel safe

Next to Joker, you're her favorite person

Once she started to like you, she was confused

What is this feeling?? Why do I feel so weird around them??

She goes to Joker for advice and he tells her that what she's feeling is love

Love? WhAt??

She has no idea what to do or how to confess

She ends up blurting it out when you're playing games together

You're surprised, but you accept

Futaba has no idea how to girlfriend-

You reassure her that you guys can take things slow and you will ease her into it

Takes her a little bit to be open to affection

She's scared she'll make you uncomfortable somehow

But once she does get used to it, this girl is literally attached to you

Loves to cuddle

She'll just jump on you out of nowhere and will grip you tighter the longer you hold her

Little spoon Futaba

Feels so safe and relaxed when you hold her

Calls you her "Player 2" and her "Partner in Crime"

When you play games together, she whoops your ass

But how can you be mad when she looks so happy🥺

You guys usually hang out indoors but when Futaba wants to buy something, she will drag you to go buy it

After she introduces you to Sojiro, he's a little wary of you at first

But it doesn't take him long to trust you

He's basically adopted you along with Joker

You, Joker and Futaba are his babies but he'll never admit it

Haru

Again, you guys got together after all the Palace business

She actually liked you since the beginning, but she couldn't say anything because of her father and that idiotface he wanted her to marry

Because of the nastiness with her fiancé, she was really nervous about confessing

Even so, she knows that you'll never hurt her, and confesses while you're helping her tend to the garden on the rooftop

When you accepted her confession, she smiled wide and took your hands

She's pretty shy with affection

She never received much warmth or affection from her father, so she's really touch starved

Doesn't mean she doesn't love it though

But if you kiss her hand or hug her, she will be very red

Really loves hand kisses, they feel so romantic to her

Because of how well-known she is, PDA is a no-no. Doesn't want all the attention on you guys when you're together

She'll hold your hand, and maybe hug you, but that's about it

Loves to call you cute names like "darling" and "love"

Dates at cafes or on the rooftop

Because she's often busy with running the business, you guys don't go out very much

But like Makoto, she always messages you to check on you

Oh, and also VERY protective of you

If she finds out you're being bullied... Oh boy

She's gonna fetch the axe-

Sumire

(BIG SPOILERS!)

I haven't actually finished Royal yet, but I know the gist of Sumire's character. Please let me know if I get a detail wrong or leave a detail out tho

What your relationship starts as depends entirely when you guys get together

If you guys were together since childhood, you, her and her sister Kasumi were best friends

If she confesses to you before the accident, Kasumi is super supportive

But after the accident, Sumire begins to distance herself from you and you end up separating

You end up reuniting at Shujin, where she was still a little nervous around you

But her love stayed the same

After you guys started talking again, you rekindled your friendship

You were a little disturbed and concerned about her posing as Kasumi, but you never mentioned it

After you guys awaken to your Personas and end up in Maruki's palace and she ends up having an identity crisis, you stay by her side throughout it all

Once she decides to stop posing as Kasumi and be herself, you restart your romance

Very flustered when you compliment her or show her affection

She loves it though

After she's done with practice, please hold her

She will melt into your touch immediately

Loves to train with you at the park

Wants to better her gymnastics and make sure you stay healthy

Her father was lowkey scary when you met him, but he loosened up once he got to know you

When she has nightmares about Kasumi's accident or when she doubts herself in her abilities, just hold her, hold her hands or just let her know you're there for her

Depends on whether or not she wants to be touched

She tries even harder with gymnastics

She wants to make you and Kasumi proud

Once again, she always makes sure to check on you and making sure you eat properly, hydrate, all that good stuff

She's so glad to have your support

[thequibblah]

⭐ honestly there are so many things that I'd likevto ask which is why I want to ask a broaderish question.. How do you approach the characterisation of your "Main cast"? I think you have created some really great complex characters even though they do not exist in canon or even fanon (Germaine in example)

I hope this isn't too broad lol

no, i don't think it's too broad! just let me know if my answer doesn't actually touch on what you were wondering about haha

character creation for me tends to be spontaneous rather than conscious — i.e. i'm just writing my way through a scene and i'm like anyway, these people are new and they're friends or they're dating or they hate each other, and there's rarely a ton of forethought put into it. the vast majority of the ct cast was like that, i would say, except possibly michael, who was the first love interest i invented so there was a little more intention there

(but other than him i was really pulling things out of nowhere for the rest of the students especially — including with emmeline which sometimes surprises me)

the exception is, of course, the main cast. they and sara were very intentional, and i wrote little bio thingies for them before i started even outlining the fic. i mean the non-canon main cast, of course, lol — mary, dorcas (they're both canon but i've invented virtually everything about them, so), and germaine.

i did actually do a lot of hemming and hawing about how many girls there would be in lily's year in gryffindor. as discussed in a previous "my beef with j/k/r" instalment on this blog, the numbers of the hogwarts population really don't make sense at all, so i knew i could be flexible and kind of hand wave any questionable bits away. but the composition of the gryffindor girls was crucial in deciding lily's characterisation, imo — an easy way to convey implied characterisation is to show someone in contrast to the people around them. so: who is lily within the context of her friend group? is she friends with all the girls she rooms with?

separately, i've always liked writing friends in groups of four. in the planning stage of this i was like urghhh it's four girls, the four marauders, is that like too perfect....... and one thing i HATED was that people could then map on each marauder to each girl (lily = james is a bit questionable, though i firmly believe they're much more alike than they seem, but it kind of works.... mary = sirius, dorcas = remus, germaine = peter). and i didn't, and don't, want to make it seem like i've just made vaguely distinct female versions of each marauder!

i've made my peace with that risk, of course, and i think each of the girls is significantly different from "their marauder" (LOL) that it's actually fine — and, better still, if that thought occurs to anyone i hope that their characterisations will go on to provide interesting nuance to the parallels

but, anyway, tangent aside, i love groups of four because i think basically all my life i've had groups-of-four friendships. to absolutely go to bat for us foursomes, it's nice because no single person is the obvious odd one out, and each combination in pairs brings something different to the table — the role that doe plays in the group of four at large, for instance, isn't exactly the same as who she is in her individual friendship with mary, lily, or germaine.

the three main cast members came of some very clinical answers to those initial questions about lily.

one, i have always liked having mary be one of lily's friends, and in my characterisation of her she's obviously a great foil to lily, as a fellow muggle-born student. so, she was a lock.

two, i wanted to write one other canon order character, but i didn't want it to be marlene because in my reading of her canon mention, lily is unlikely to write a letter to sirius with her full name (paraphrasing but "i was so upset when marlene mckinnon died, i cried for ages") or, indeed, write a letter discussing how sad marlene's death made her, if they were besties and schoolmates. i went with dorcas because why the hell not? in developing her i then added all these thoughts

three, i felt the need to make up an oc so i could have absolute freedom over their fate. i had certain preconceived notions about mary and dorcas and what their stories would be, so there were other things (e.g. playing quidditch) that i wanted to have a friend of lily's do that they couldn't. plus, i wanted to write a massive lesbian.

another little sticking point, though, was that i (for a very SHRUG?? reason) didn't want lily to be besties with everyone she's lived with, but i didn't want to insert a catty rival into her dorm either. (now, don't get me wrong, i do love a good rival. i did, after all, write mary and amelia, and i am a known appreciator of carlotta meloni, and i adore TLE's marlene mckinnon. but i wanted the gryffindor girls to be like lily's safe space — a contrast both to her home life and to her recently-strained friendship with snape, where she's spent some time having to second-guess herself a lot. in my mind her friendships with all three of her besties coalesced at various points organically, until she was like wow wait i do actually have a home base here.)

the compromise was someone who was friendly with lily, but there's no strain on that friendship to be more than it is — which, sara and lily respect each other but have also learned they're not so alike that they need to hang out all the time. sara, to lily, is the girl you do things with because you're schoolmates, and then once you're out of school you amicably drift apart and occasionally leave a nice comment on their instagram

so that was how the gryffindors coalesced in my mind as placeholder figures. i will fully confess i start with tropes and then work out ways to deconstruct them or complicate them — as i've talked about in multiple of these questions, i think a lot of my characters are caught between sticking to their perceived label and acting the way they want to, aka the ripest high school drama fodder known to humankind

Wearing a fake smile and watching her sister’s sickening love life had put things in perspective a little. Why should she always do what was expected of her?

(we construct ourselves in contrast to those around us....)

mary started off as boy-crazy, doe started off as idealistic, and germaine started off as struggling to find her place. then i built up from those foundations, adding in tropey bits i enjoyed and wanted to engage with — i wanted doe to be passionately principled, but the gentler counterpart to mary, and even-tempered where lily runs hot. i wanted germaine to be a little bit thoughtless, changeable, someone utterly herself but still uncomfortable in her own skin. knowing, then, that the other two were going to be, how shall i put it, gentler hearts (LOL), i went back to mary and decided she would have this tough-girl, queen-bee persona.

then doe got her family background, which added in her ambitions and hinted at her future, and made it so her foundation would be threatened by events of the story. obviously i was writing mary in the aftermath of the mulciber/avery incident, so i needed to ask how much her take-no-shit vibe was threatened by it — and if not, why? how? unsurprisingly, even to people like amelia...

“At least I’m not overflowing with insecurity,” said Amelia. Mary laughed. The sound echoed through the courtyard. “We both know that’s not true.”

...the persona is put-on, but the "real mary" is so caught up in the invented mary that even she couldn't hope to uncover an authentic self...nor would she necessarily want to, because her affected self is still her...

wait don't get me started

germaine was already a quidditch player, and i wanted her to be a seeker because that's automatic investment in perhaps the single player with the most impact on the game — crucial for what i knew would be many, many quidditch sequences, where james wasn't always the most important pov! some of that seekery vibe leeched into who she is: she's searching, right from the start, for a sense of self that feels just out of reach:

“This year is going to be a year of change,” Germaine said [...] “Henceforth I will be going by... Gemma.” The girls looked at one another for a beat. Then Lily, Doe, and Mary burst into laughter.

she's more anxious and outwardly uncertain than her friends, and i wanted to consciously engage with that — proper teenage awkwardness, the kind that wouldn't really happen to Main Character lily, I Have No Sense of Shame mary, and I Am Overflowing with Good Sense doe. more than the other three, germaine is a normal person in the context of this world — she's not a muggleborn, so the war has a different impact on her; she's not the child of activists; she's not well-off. an absolutely spontaneous invention that i was really quite thrilled by was having her sister be crouch's secretary, because it's such a sudden, shocking realisation for her that she's got such a close connection in the thick of it

Germaine clapped a hand over her mouth. “Big news soon,” she mumbled. “Big news soon, that’s what Abigail said, only she didn’t say what big news…”

so germaine is really just... living her life, an indie coming of age film in which her friends' subplot is a fucking war LOL

i defined germaine in contrast to the other girls a lot when drawing out the characters for myself, mostly for a practical reason — i didn't want her to overlap too strongly with any of them, since she's the only one who's wholly my invention. i think some of that remains in her characterisation, but i decided to make it conscious instead:

Germaine saw herself as a happy medium, flexible enough to stretch sympathetically between her friends. But— What does it mean that I define myself in comparison to them? Nothing. She was only seventeen and she was finding her way.

i knew germaine was going to get the chaotic sporty romance pretty much right off the bat, but, fun fact, i hadn't actually picked out who her love interest would be until after i started spitballing other sixth years' names and had a basic idea of who emmeline was. wild!

i feel like i haven't said all i want to say but let's stop there or i'd go on forever, ha!

[sainadazai]

Chapter 4

A/n ahh yesterday was bakugous birthday I love him oml everyone say happy birthday even though its late

"They say clothes make the pros, ladies and gentlemen. And behold you are the proof." all might spoke, smiling brightly as everyone exited the changing rooms.

You walked out in a group, making it difficult to see everyones costumes, but you caught a glimpse of some that were rather cool. All Might seemed to think as well his words being "This is getting me all ramped up, you look so cool!" He really is too excited for his own good.

As everyone had finally taken their places, standing scattered in a bunch of costume-clad teens, you could finally look around and take in some of the impressive ideas your classmates had. Momo, wearing a quite revealing one-piece that was a beautiful red, contrasting with a yellow belt. It was showy, but you wouldn't say she looked anything less than badass.

Might be difficult to fight her while she wears it, though. You would want any mishaps to happen for the perverts around here, or in here.

"Woah! L/n I like your costume! It fits your quirk, haha" Momo approached you, as she laughed joyfully.

It better. This hero suit design had been in the works since you were just a preschooler. A skin-tight silver body suit that stops in the middle of your thigh. Two purple stripes going down either side from the shoulder down. A zipper, metal obviously, by the slightly turtlenecked top that goes halfway down your bust. On your hands, purple fingerless gloves, with concealed brass knuckles to benefit hand to hand combat.

Then, around your left thigh, a garter that also served as storage for small capsules of your own blood, just in case you're in need of something metal, and would be at risk if you cut yourself. The capsules are secured in little pockets around the garter, a pop of red to the otherwise shiny grey costume.

However, the favorite part ever since you were little, was the boots. They were a shiny purple that rose tightly up to your lower thighs, they were fireproof material with removable silver heels. Why? Well so that you can shoot them off using your quirk at any point in battle,or, if liquified, could be used to make you float.

This was an idea you and your mom thought of after seeing a movie where a girl shot bullets from her high heels, she told you that that was a badass woman moment, and ever since badass has been your favorite compliment to give. That was at age 7. Finishing off the costume you wore thick silver and purple glasses that scanned objects for metals and told you what metals they were, to make things easier to manipulate and multiply.

"I-am sorry-"

"L/n!"

"Sorry, um thanks! Yours looks badass, too. "

"Thanks L/n."

The two of you made your way over to jirou and continued to talk, or try to talk while stuttering. As they spoke to you, subconsciously you kept on the lookout for Todoroki. He was nowhere to be seen in the mess of teens, but you did spot Midoriya having what looked to be a seizure as he conversed with a very revealed Uraraka. She looked beautiful,too. Even though her suit was skin tight, it fit her well, showing her curves in a modest but flattering way. Her most gorgeous feature,though, was her hair, so instead of your eyes lingering on her body in its glory, you found yourself entranced with the shine of her hair, and the blush on her cheeks.

Even though you were stuck in your own attempts at conversation, not paying attention to the half and half boy anymore, he was paying attention to you. His eyes stuck to your face as it smiled and your eyes when they brightened. Wandering down to your chest, luckily zipped up and away from the observing eye, your curves every little dip around your waist and hip, your legs, thigh, calf, all the muscles you'd worked to obtain since childhood. Todoroki was entranced by you, and how you looked like a hero already.

He wondered if the girls had made you their friend since you were shy, if they took you in and wanted to be your friend since you didn't have the words to ask them yourself. If so, should he do the same? It seemed to work for them, he might need to re-think his plan.

You both were brought away from your separate places as Iida spoke.

"This is the fake city from our entrance exam." He spoke robotically, from inside a full armored suit.

You looked around, not previously noticing this was indeed one the cities from the exam. "Will we be conducting urban battles again?"

"Not quite,I'm going to move you two steps ahead!" All Might gestured the number two with his fingers.

"Most of the villain fights you see on the news happen outside. However, statistically speaking, the most disastrous villain fights happen indoors. Think about it, backroom deals, home invasions,secret underground layers. Truly intelligent criminals stay hidden in the shadows. For this training exercise you'll be split into heroes and villains and perform two on two battles."

The girl from lunch, with the frog quirk, spoke up, "Isn't this a little advanced?"

The pro simply smiled "The best training is what you get on the battlefield,"

"Wouldn't call this a battlefield.." you mumbled, looking around at all your classmates who you supposed would be villains soon. How did he expect other hero students to be able to play the villain? You understood that getting in a villain's mind might be important, but really how good could anyone do?

"But remember you can just punch a robot this time, you're dealing with actual people now."

"Sir, will you be the one deciding who wins?"

"How much can we hurt the other team?"

"Do we need to worry about the losers getting expelled like earlier-"

-

You walked down the concrete path keeping All Mights words in mind.

"The situation is this: the villains have hid a nuclear missile somewhere in their hideout. The heroes must try to soil their plans. To do that the good guys either have to catch the evil do-ers, or apprehend the weapon. Likewise the bad guys succeed if they protect their payload or capture the heroes."

Next to you stood a tall, blonde haired boy with a tail, he'd asked you to call him ojiro. The two of you, much to your dislike, were meant to play villains. Another dislike, you'd be going up against Shoto Todoroki and Mezo Shoji. After thinking it through, you figured they could use Shoji's ears and other heightened senses to find the two of you, and Todoroki would probably just freeze you. How could you fight if you couldn't move, right? Wrong.

Ferrokinesis is the manipulation of metal through the mind. You had especially trained yourself to combat without using a single bone in your body, it just takes concentrated breathing. It might have been nice to inform your partner of that, to ease his mind, and maybe plan some sort of strategy, but you haven't been able to speak outside of greeting him. Thus, you entered the tall building silently and stood by the missile, waiting for the "Heroes" to come.

"Uhm, L/n, did what happened earlier make this whole thing a lot more...scary?" He began, startling you by initiating conversation.

"Um, what do you mean by that? Like Midoriya and Bakugou fighting?" You questioned, a lot more comfortable considering you were just alone with him.

"Yeah, like seeing how real it can get, you know.." his face screamed nervousness, and that really wouldn't help the two of you, plus you needed to get into a villain mindset, still.

"No, you see, the fact that things might get more real now, it'll only help us. Recovery girl is there to heal any injuries later, so I say we should all fight like that. Well, not like- I- you"

"I get it."

"Uhm, yeah, if we all give it one hundred and ten percent, that's how we will actually get better, and maybe learn how to handle ourselves in different situations. If things go bad now, it'll be easy, we just get really angry and mean like bakugou, perfect villains, ha"

"Heheh, yeah, your right L/n"

"S-yeah, thanks"

You suddenly felt cold rising from below, guess you were right about that. Feeling proud of yourself, you decided to indulge the part of the villain just a bit more. Earlier had simply been two kids talking, but now, you'd strut your heels and be the scariest female they'd ever seen, or try at least.

"Mmm, why must heroes be so predictable!" You stomped and let out a crazed pout.

Ojiro was taken back by your sudden behavioral change, not knowing how you and dad used to play hero and villain all the time. His eyebrows raised in question at your statement, and he took a few steps away. The task to become villains totally forgotten as he watched you throw a fit.

"Damn todoroki, it's cold up here now! Don't you fools get it. Missiles need heat. C'mon then pretty boy, hurry up and freeze us so we can see that dumb hero smirk! I know you want too~" You were talking to the floor, swinging your arms and legs around as you paced back and forth. Trying your best not to overthink the cheesy, embarrassing words coming from your mouth.

"Frozen?"

Turning to your partner you shot him a smirk, "Yeah, pretty boy thinks he can immobilize us from outside, pft. How silly of him, thinking I'd go down without dinner first." Your words were getting out of hand. Was this what villains were like, or were you just hiding some secret vulgar persona? He was confused until he saw the strained tears building in your wide eyes. You were doing this against your own nature, trying your best to succeed.

"So then, um L/n, you must have quite the plan to escape these pros and keep our missile intact, hahaha" His fake laughs were nowhere near as good as yours, but it eased you that he was trying.

Meanwhile, Shoji was waiting behind Todoroki, face completely red and eyes wide. He heard your comments easily, and was completely frozen on the image of, well, what you had insinuated.

"Why are you red?" todoroki questioned, as his teammate looked incredibly flustered. Had he done something to fluster shoji? He didn't think so.

"G-go, um, L/- she" he short circuited before he could finish, being completely flustered and no longer functional.

"Alright..."

Todoroki continued his way up the several floors of the building now covered in ice, having been told where the two of you were hiding along with the missile. His feet crunched loudly against the ice covered floors, a smirk residing on his face. The boy was a little upset at first that his first interaction with you would be like this.

However, images of his father in his mind made him remember his purpose for being here. He was supposed to be the best, and you were supposed to be a villain. Number one heroes dont take pity on a villain just because she's cute.

"This quirk is insane," He heard your partner speak before entering the room. Upon showing his face, Ojiro was quick to take a defensive stance, while you were off in the corner of the room, leaning against a wall, feet equally stuck to the ground.

"Pry yourself up if you want, but it might be hard to fight me with no skin on the bottom of your feet." He smirked.

Shoto was continuing to walk towards the missile, thinking he'd won. Until he heard two little clicks from the corner.

"God, they really have to stop catering these trainings to my quirk, pft. God, ice is slippery."

His head shot up at the sound of your voice, your feet seemed to be free of ice, and the floor where they had been stuck showed two irregular lumps of stiff concrete. How? He thought you manipulated metal? Were there metals in concrete?

"God, I really do love these glasses," you tapped them. "Make my life a lot easier, less scientific novels and what not." the voice you had was so casual, were you pretending to be shy this whole time? Or were you just a really good fake villain. He felt like you were a real villain, eyes perking up a bit at the idea of a challenge.

"Lets see, how many walls do you think I could drop on you before the building collapses? Two, maybe three? Or I could just tie you up, huh?"

He smirked, "Oh really, shy-girl? I'd like to see you try.."

His words shot through your act like a bullet, piercing you right in the heart. His voice should not be allowed to sound like that. It's unfair, cheating even. Your face changed from confident to wavering and hands began sweat. Could you really hurt him? You saw bakugou hurt midoriya earlier, he did it like second nature, but you wanted to be a hero, learn about villains and put them away, so you proceeded. This was your chance to show off your combat skills.

Zipping down the zipper on your chest, you remove the tiny holder for it, causing it to fall in your palm and begin to liquify. Your glasses told you the different metals in it, and that allowed you to focus on multiplying them, closing your eyes as the liquid began to grow.

Your partner was staring between the two of you, hoping whatever you were about to do was successful, since his feet really did hurt. Suddenly your finger began making a circular movement, the metallic liquid mimicking it. It flowed in a ring of silver around your middle body.

"Metal is a fun element, you know. It's easily found in almost every environment, easy to hide, and disobeys many scientific theories. Like this liquid metal here, it looks normal, but it only gets this way by becoming scorching hot." You winked at no one in particular and swung your finger down in a straight line, a mini-mimic of Iida's air chopping.

The hot fluid melted the concrete in a straight line on the floor, ice and ground in that area being dissolved completely. It felt good to use your power to win, you could tell from his eyes todoroki was scared. Maybe you were stronger than you thought?

Losing, however, was not what he was scared of. The wave of heat that fell over him after your swing sent him into terrible memories. His scar began to itch and burn at the recognition of heat. You saw that, too. How his fear held deeper meaning, and it made you scared of yourself. You didn't want to be a villain anymore, you just wanted this to be over, your eyes almost welled with tears at how mean you'd been, acting like the villain.

"I-um-ugh" Your foot stomped down on the floor, slipping a bit but forcing concrete to envelope the boy's feet, while simultaneously forcing the ground up and the temperature just hot enough to free your partner.

"J-Just, where's Shoji?"

"I'll get him, since you did the fighting here, l/n...." Ojiro stated, running out of the room, having been uncomfortable with the tension.

The next words to come out of your mouth should have been expected, but never had they meant so much to todoroki. His eyes were back to normal, face stone once again. Trying to pretend that fear he felt, those memories, were never there. Steel walls being put up once again to hide away hid feelings, but you manipulate metal.

Your e/c eyes shoot to look at the scar around his left eye and then back to his whole face. Taking a few steps closer to him, ignoring the teachers yell of how your team had won, you whispered.

"Im so sorry."

No one else would understand it, not the other students watching intently from the observation room, not your partners downstairs, but he did. Shoto heard those words, and felt your eyes lingering on it, and his chest got tight. You knew, and you didnt call it ugly, and you stopped using heat because you knew.

It was your job to be the villain at any cost, but you worked harder to not use heat. You weren't just sorry for scaring him, but for the fact that he had to be scared. So he spoke to you, for the first serious time, saying the only words that felt appropriate.

"Thank you."