#songs of shankar jaikishan

[shankerjaikishen-the-unbeatables]

Samgam : The Golden Triangle

By Subramanian Vishwanathan On a Classic Block-buster’s 60th Release Anniversary … ‘SANGAM’: The Golden Triangle 1964, MumbaiI have told this before in some other review. But I have to tell this again. It’s about my father.My Dad was quite a considerate man and had his own way of diplomatically saying ‘No’ to his pestering children. We kids (I and my brother) were developing an increasing…

[bollywoodirect]

75 Years of #Barsaat (22/04/1949)

Barsaat is directed by #RajKapoor. The film stars the famous duo of Kapoor and #Nargis as well as #PremNath.

One of the posters showing the heroine dangling on the arm of the hero would go on to inspire the R K Studios' famous logo.

The film was the debut of music director Shankar Jaikishan and established their career. Lyrics by Ramesh Shastri, Hasrat Jaipuri, Shailendra, Jalal Malihabadi, and Akhilesh.

What are your favorite Barsaat songs?

[rastronomicals]

7:11 AM EDT November 1, 2024:

Shankar Jaikishan -   "''Typewriter Tip, Tip, Tip'' From Merchant-IVory's Film ''Bombay Talkie''" From the Soundtrack album The Darjeeling Limited (September 25, 2007)

Last song scrobbled from iTunes at Last.fm

[shrimpbiryani]

got tagged by @tumkaafiho (thank you!!) to post the first 10 songs that play on shuffle. after the first three i was like abay ab bas lata ke gaane aayein ge lol. i tag everyone that wants 2 do this but also @lmpassioned @111thfloor @maykhaana and @arjoi if u are still here

o dil e betab theher - lata (hemant kumar) mere piya se koi - lata (madan mohan) haule haule jiya dole - lata (sd burman) raaton ki neend chheen li - suraiya (jamal sen) (this fucking song!!!!) mareez-e-ishq hoon main - arijit (sharib toshi) ik larki bheegi bhaagi si - kishore (sd burman) agar tum mil jao - udit (anu malik) ay ajnabi - udit (ar rahman) ruk ja raat theher ja re chanda - lata (shankar jaikishan) pyaar bhare do sharmeele nain - mehdi hassan (robin ghosh)

good mix of composers i'd say

[dustysixshooter]

Step into a world of vintage charm with our meticulously curated old Hindi songs list, a compilation that pays homage to the unparalleled musical legacy of Indian cinema. Lose yourself in the mesmerizing melodies that once ruled the airwaves, crafted by legendary composers like S.D. Burman and Shankar-Jaikishan. From the hauntingly poetic lyrics of Sahir Ludhianvi to the infectious beats of R.D. Burman, each song is a timeless gem waiting to be rediscovered. Whether you're seeking solace in melancholy tunes or dancing to the rhythms of bygone days, our collection promises to evoke a myriad of emotions, transporting you to a simpler time.

[hopefulkidshark]

To be connected to yourself means to be attentive and attuned to what is going on inside of you, and to know who you are. At the macro level, this means understanding your own make-up, being aware of the various dimensions that make up your being. This song related to Inside fight when a person found in Situation which is againt Consensus ???

FILM QUOTES

Paise Ki Pahachaan Yahaan Lyrics (1970)

Song: Paise Ki Pehchaan Yahaan Film: Pehchan (1970) Singer: Mohammed Rafi Music Director: Shankar-Jaikishan Lyricist: Neeraj Featuring: Manoj Kumar

Philosophical Song Of Rafi: Paise Ki Pehchaan Yahaan..

पैसे की पहचान यहाँ, इंसान की कीमत कोई नहीं, बच के निकल जा इस बस्ती, में करता मोहब्बत कोई नहीं

Money Is The Identification Here, Humankinds Have No Value, Make Good Your Escape, In This Township, There’s No One Who Loves You… बीवी बहन माँ बेटी न कोई पैसे का सब रिश्ता है, आँख का आँसू खुन जिगर का मिटटी से भी सस्ता है, सब का तेरी जेब से नाता, तेरी ज़ुरूरत कोई नहीं, बच के निकल जा इस बस्ती.. No One Is A Wife, Sister, Mother, Daughter, Money Is All There Is For Relationship, The Tear From The Eye, Or The Heart’s Blood, Is Cheaper Than Dirt, All Of ‘em Are Related To Your Pocket, No One Needs You, Make Good Your Escape…. शोख गुनाहो की ये मंडी, मीठा ज़हर जवानी है, कहते है ईमान जिसे वो कुछ नोटों की कहानी है, भूख है मज़हब इस दुनिया का और हक़ीक़त कोई नहीं, बच के निकल जा इस बस्ती में... It Is A Bazaar Of Brazen Sin, Youth Is Sweet Poison, What They Call As “belief”, It Is The Yarn Of Some Cash, The Religion Of This World Is Hunger, There’s No Other Reality, Make Good Your Escape…

ज़िन्दगी क्या है चीज़ यहाँ मत पुछ आँख भर आती है, रात में कराती ब्याह काली वो बेवा सुबह हो ��ाती है, औरत बन कर इस कुचे में रहती औरत कोई नहीं, बच के निकल जा इस बस्ती.. What’s This Thing Called Life?, Don’t Ask, For Tears Well Up The Eyes!, That Budding Flower Marries At Night, A Widow She Becomes At Morning Light!, In This Lane, A Woman, No Longer Remains A (Chaste) Woman!.. Make Good Your Escape

[djfloops]

Dil Ke Jharoke Mein Tujhko | Brahmchari (1968) | Shammi Kapoor, Rajshree | Mohammed Rafi | Sad Songs

Stay updated with the latest videos from Shemaroo Filmi Gaane Subscribe on the below link. https://www.youtube.com/channel/UCP6uH_XlsxrXwZQ4DlqbqPg Movie : Brahmchari (1968) Song : Dil Ke Jharoke Mein Tujhko Star Cast : Shammi Kapoor, Pran, Rajshree Singer : Mohammed Rafi Music : Shankar Jaikishan Lyricist : Hasrat Jaipuri Lyrics: dil ke jharoke me tujhko bithakar yaado ko teri main dulhan…

[chutneymusic]

Dil Ke Jharoke Mein Tujhko | Brahmchari (1968) | Shammi Kapoor, Rajshree | Mohammed Rafi | Sad Songs

Stay updated with the latest videos from Shemaroo Filmi Gaane Subscribe on the below link. https://www.youtube.com/channel/UCP6uH_XlsxrXwZQ4DlqbqPg Movie : Brahmchari (1968) Song : Dil Ke Jharoke Mein Tujhko Star Cast : Shammi Kapoor, Pran, Rajshree Singer : Mohammed Rafi Music : Shankar Jaikishan Lyricist : Hasrat Jaipuri Lyrics: dil ke jharoke me tujhko bithakar yaado ko teri main dulhan…

[musicindustry123]

Bollywood’s Iconic Music Directors: Shaping Soundtracks and Shaping History in the Bollywood Music Industry

The Bollywood music industry owes much of its identity and cultural influence to a select group of legendary music directors who have shaped its soundtracks over the decades. From the golden era of the 1950s to the modern, experimental age, Bollywood’s music directors have consistently reinvented soundscapes, creating music that not only supports storytelling but also reflects the evolving tastes of audiences. These visionary composers transformed Bollywood music from classical renditions to more eclectic, global influences, marking each decade with unforgettable melodies, genres, and themes. Today, the music produced by Bollywood legends remains a key part of India’s cultural fabric, defining pivotal moments in films and sparking nationwide trends. This article explores the contributions of some of Bollywood’s most iconic music directors and how their work has redefined the Bollywood music industry, making it a global phenomenon.

1. The Golden Era: Setting the Foundations with Melody and Emotion

The early years of the Bollywood music industry, particularly the 1950s and 1960s, were defined by lush, melodious compositions that focused on emotion, storytelling, and Indian classical influences. Legendary music directors like Naushad, S.D. Burman, and Shankar-Jaikishan set a high standard, blending classical instruments like sitar, tabla, and flute with Western instruments like the violin and harmonium. Naushad’s work in Mughal-E-Azam and Baiju Bawra introduced audiences to the grandeur of orchestral compositions, while S.D. Burman brought a distinct blend of folk and classical influences, as seen in films like Guide and Bandini.

Shankar-Jaikishan, known for their romantic melodies in films like Awaara and Shree 420, became pioneers in creating music that complemented the cinematic experience, giving Bollywood its first taste of true filmic music. These directors didn’t just make songs; they made emotions, and their work defined Bollywood music’s foundation in melody, capturing the hearts of generations of listeners.

2. The 70s and 80s: The Experimental Age of Bollywood Music

The 1970s and 1980s marked an era of significant experimentation in the Bollywood music industry. Music director R.D. Burman, known as the “King of Bollywood Music,” was the primary force behind this experimental phase. With his genius for blending Western and Indian sounds, Burman created some of Bollywood’s most iconic songs, including Dum Maaro Dum and Mehbooba Mehbooba. R.D. Burman’s music brought elements of rock, jazz, and disco into mainstream Bollywood, making it more relatable to the youth and giving the industry a more modern edge.

Laxmikant-Pyarelal, another prominent duo of the era, made waves with their wide range of music that catered to every emotion, from soulful melodies to peppy numbers. Their contributions in films like Karz and Ek Duje Ke Liye showcased Bollywood’s ability to cater to a wider audience while still retaining the classic elements of Indian music. The influence of these music directors during the 70s and 80s shifted Bollywood music towards a more global sound, laying the groundwork for even more innovation in the coming decades.

3. The Technological Leap in the 90s: A.R. Rahman’s Impact

The Bollywood music industry witnessed another significant transformation in the 1990s with the arrival of A.R. Rahman, whose work took Bollywood music to international levels of acclaim. Rahman’s debut in Roja (1992) stunned audiences with his innovative use of electronic instruments, digital recording techniques, and fusion of Western and Indian classical elements. Known for his intricate layering and unique sound design, Rahman brought a fresh approach that made Bollywood soundtracks stand out globally.

Rahman’s compositions in films like Dil Se, Bombay, and Taal showcased his experimental edge and advanced production skills, capturing the attention of international audiences. His work even led him to Hollywood, where he won two Academy Awards for Slumdog Millionaire. Rahman’s influence extends beyond Bollywood, helping to redefine India’s place in the global music scene. His dedication to quality and innovation set a benchmark, and he remains one of the most celebrated figures in the Bollywood music industry.

4. Modern-Day Maestros: Fusion and Innovation in the 2000s and Beyond

As the Bollywood music industry moved into the 2000s and 2010s, a new generation of music directors emerged, bringing in an era of fusion, technology, and international collaboration. Music directors like Vishal-Shekhar, Pritam, and Shankar-Ehsaan-Loy have helped Bollywood music evolve further by blending traditional Indian sounds with contemporary styles such as EDM, rock, and hip-hop.

Pritam’s work in films like Yeh Jawaani Hai Deewani and Barfi! showcases his versatility and ability to craft songs that cater to modern audiences while maintaining Bollywood’s soulful essence. Similarly, Vishal-Shekhar’s music in films like Om Shanti Om and Student of the Year has introduced audiences to Bollywood’s pop side, making it relatable for younger listeners. These modern-day composers understand the pulse of the youth, creating music that’s both fresh and universally appealing.

Shankar-Ehsaan-Loy brought a distinct blend of classical and Western influences, evident in soundtracks like Dil Chahta Hai and Rock On!!, which introduced Bollywood to the idea of full-length rock ballads and pop-rock anthems. These directors have embraced technology, and their ability to innovate has kept Bollywood music relevant in a rapidly changing industry.

5. Global Influence and the Rise of Independent Artists

The Bollywood music industry today is not only shaped by established music directors but also by the rise of independent artists and the influence of global trends. The internet and digital platforms have allowed new artists to gain visibility and share their music with a wide audience, leading to collaborations with international artists and more genre experimentation. Indie artists like Prateek Kuhad and DIVINE have brought fresh sounds and ideas to Bollywood, challenging traditional norms and showcasing a blend of modern and traditional Indian influences.

Collaborations with international artists like Will.i.am and Pitbull have also brought Bollywood music closer to global mainstream sounds. This integration of global and indie music styles has diversified Bollywood’s sound, making it more versatile and appealing to audiences around the world.

Conclusion:

The Bollywood music industry has been shaped by the brilliance of iconic music directors, each of whom brought unique styles, innovations, and influences that transformed Bollywood soundtracks and defined entire eras of Indian cinema. From the emotional, melody-driven compositions of Naushad and Shankar-Jaikishan to the experimental and global appeal of R.D. Burman and A.R. Rahman, these visionaries have created music that continues to captivate audiences. Today’s music directors continue to build on this legacy, using technology and fusion to take Bollywood music to new heights. As the Bollywood music industry embraces both tradition and innovation, it’s clear that its journey is far from over, with new generations of artists carrying the legacy forward into an exciting, global future.

[gmqazi19739]

Asha Bhosle - Bio, Top 34 Best Bollywood Music

Asha Bhosle is a name that resonates with music lovers across the globe. Known for her versatility and soulful vocals, Asha has become an unforgettable presence in the world of Indian Hindi music. From classics to Bollywood hits, her songs cross generations and captivate audiences. For more than six decades, Asha Bhosale has sung thousands of songs and is world-renowned for her extraordinary talent.

Best Asha Bhosle Bollywood Music Download

Biography and Early Life Asha Bhosle was born on September 8, 1933 in a small village in Sangli, Goar, in present day Maharashtra, India. Music had been a part of her life since childhood, thanks to her father Dinanath Mangeshkar, who was a classical singer and theater actor. Asha grew up in a musical environment, which fueled her passion for music. Who is Asha Bhosle? Asha Bhosale is an Indian playback singer who has done a lot in Bollywood. She is known for her ability to sing in a variety of genres including classical, pop and folk. Her contribution to Indian music has earned him the status of a legend and she continues to be an inspiration to up-and-coming musicians today. How Asha Bhosle started her career in music Asha started her singing career at a very young age, making her debut in 1943 with the Marathi film Mazha Bale. She started by singing for minor characters or playing roles in Bollywood films and slowly moved into more ambitious projects. In her early years, she faced stiff competition from top singers like Geeta Dutt, Shamshad Begum and her sister Lata Mangeshkar. Asha Bhosle's role in creating music for Bollywood Asha Bhosle has become a sought-after singer in Bollywood, known for lending her voice to on-screen actors. Music in Bollywood involves recording songs featuring actors in films. Hope's voice quickly became synonymous with bold, beautiful and unconventional characters, as she took on roles that other singers initially avoided. Asha Bhosle’s challenges in childhood Hope faced challenges in the 1950s and 1960s when the industry was dominated by well-established musicians. She was often given music for secondary characters or "vamps" rather than principal actors. But this challenge turned into an opportunity, allowing her to experiment with different genres and stand out in many ways. Her fame in the 1950s A turning point in Asha’s career came in 1952 with Sangdil, where she sang under the musical direction of Sajjad Hussain. While this was just the beginning, it gained recognition and opened doors for better opportunities. A special moment came with the song Nanhe Munne Bache from Boot Polish (1954), composed by Shankar-Jaikishan. Her collaboration with Mohammed Rafi in this film earned him critical acclaim. Mohammad Rafi and the collaboration with original masterpieces Asha Bhosle collaborated with legendary percussionist Mohammad Rafi for many iconic songs. They worked magic together in many films, to the appreciation of audiences. Their chemistry in Bollywood music was amazing and they became one of the most popular duos in Bollywood music history. She draws on great Indian music By the mid-1960s, Asha Bhosle was a well-established artist in the music industry, earning her status alongside legends like Lata Mangeshkar, Geeta Dutt and Shamshad Begum And not just a secondary role she became leading films and producing feature film voice projects. Asha Bhosle's exceptional music Asha Bhosale’s musical style is known for its intensity, expression and emotional depth. Whether she’s singing romantic ballads or upbeat cabaret numbers, her voice carries a unique charm. Her ability to adapt to genres endeared him to directors and filmmakers. The genres Asha Bhosle explored from classical to pop music Over the years, Asha explored a variety of genres including classical, ghazal, folk and even pop. She recorded non-film albums and collaborated with international artists, demonstrating her versatility. Experimenting with new sounds kept her Bollywood songs fresh and relevant. Personal life: Family, relationships, and influences Asha Bhosle is the younger sister of another playback legend, Lata Mangeshkar. Although comparisons between the two were inevitable, Asha carved out her own special place in the industry. Her personal life had its share of ups and downs, including her marriage to Ganapatrav Bhosale, which ended in divorce. But her passion for music remained consistent and led to her success. Achievements and recognition over decades Asha Bhosle’s career has been decorated with many awards and honours, including several Filmfare Awards and the prestigious Dadasaheb Phalke Award. She also holds the Guinness World Record for the most recordings by an artist. Asha Bhosle’s Influence on Indian and World Music Asha Bhosle's influence extends beyond Bollywood. Her songs have been featured on international albums and she has played live all over the world. She has inspired new musicians in India and around the world. Conclusion Asha Bhosle’s journey from a small town to a global icon is nothing short of remarkable. With her unique voice, unparalleled versatility and musical passion, she created a legacy that will last generations to come. Asha's contributions to both Bollywood and Indian Hindi songs make her one of the most celebrated singers in history. FAQs How many songs did Asha Bhosle record? Asha Bhosle has recorded more than 12,000 songs in many languages ​​and genres. Is Asha Bhosale still active in the music industry? Yes, Asha Bhosle continues to perform in live concerts and occasionally record new songs. What is Asha Bhosle’s most famous song? She has some popular songs like Piya Tu Ab To Aaja, Dum Maro Dum, Chura Liya Hai Tumne Cha. Did Asha Bhosale get any international recognition? Yes, Asha has performed internationally and collaborated with global artists, becoming famous all over the world. How is Asha Bhosle related to Lata Mangeshkar? Asha Bhosle is the younger sister of Lata Mangeshkar, another popular pop singer in India. Read the full article

[shankerjaikishen-the-unbeatables]

Non filmy songs of Shankar Jaikishan

By Mukund Marulkar Friends…187)SHANKARJAIKISHAN KE GAIR-FILMY GEET-15 songs and One Background Music for documentary.1)Baar baar mujhko aazmaaeeye,mere dil ko todiye jodiye-Aadil Bhesadiya-Sharda2)Milaa thaa koee hamein yaad hai to bas itnaa..ham teraa intazaar karte hain,aa bhee jaa tujhse pyaar karte hain-Aarti Mukharjee-Kafeel Azar3)Jaan-e-tamanna,jaan-e-bahaaraa,zaraa ruk jaanaa-Shailendra…

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.

[vanditajain]

Typewriter Tip Tip Tip / Kishore Kumar, Asha Bhosle

Film school playback excercise. A re-visualisation of the song from the film ‘Bombay Talkie’ (1970). Composed by Shankar-Jaikishan. Sung by Kishore Kumar and Asha Bhosle. Words are of Hasrat Jaipuri