#so that when the 16th comes around I'll have Ben's post up

[will-o-wips]

Save the Villainess Thoughts by Willow Masterpost Part 1: Jane

So I've decided to be insane. Make a small (lies, it is long, that is why it is divided up into parts) post about the Halloween videos and the lore that they have given us. As well as maybe compile theories/thoughts about these characters. Idk if there is a community for this even, or if anybody's actually obsessed like I am, but I'm having fun thinking about it either way, so... I guess this is for like the 0.0000000000001% of the people (me and only me). Enjoy lmao.

You have been warned: the actual insanity starts under the cut lmao.

So I will start with... Jane. Mostly because her Halloween special video is not as lore-bomb-dropping as the rest. The video itself is mostly about certain aspects of the gameplay so far. It's a neat little thing! Honestly, these are more thoughts/rambles than actual, well, coherent notes, but from what I've noticed (from being insane and watching every single social media post on Tumblr Best Laid Plans Productions ever made about all of them, more or less, even though my memory is spotty and I didn't have time to rewatch them before making this), is that Jane is just unknowingly integrated in this world. I don't notice her having any thoughts about before she was transported into the romance novel she read; it's not like she's thinking about her family home, or that she has any plans of going back. She just knows she doesn't belong in this world as the villainess, which is super interesting to me. She's just... accepted her fate and that she must survive. She's BECOME the villainess, rather than just feeling like an imposter in another person's body. She only knows she's innocent, which is why she's fighting so hard to be freed from such a fate. Another thing that supports this is the fact Jane always says such weird phrases that I'm like 99% sure aren't actual English idioms, but rather phrases that this alternate romance novel universe uses. Such as "By the blood" in the Halloween special specifically, because, what does this mean Jane???? What are you referring to here!!! (Side note: Edmund also uses these odd phrases a lot, so I suppose it's something the nobility of Carcosa are familiar with; some kind of "noble language" to distinguish those of nobility from commoners or whatever. Some kind of pretentious thing that just happens because society is cruel lmao. Either that OR this is just the way Carcosians speak in general and Jane just kinda always knew this ever.)

Another thing, besides just the obvious announcements of how this guideline/tutorial thing works in the gameplay, is the fact that Jane explicitly states that daytime and nighttime are important. Most people would sign this off to, well, gameplay experience. That during the night you can talk to people more intimately and have like rendezvous or whatever with your favourite characters, while at daytime you're solving mysteries mostly. See the thing with that is, is that Servant also somewhat says very similar things in previous instances of videos. And we all know that Servant is like... that one person that gives everyone the creeps, the intrigue and also the insanity. They are, as of now, the most explicit in the fact they are somewhat of a mastermind behind this all. They know what is happening with the lore. They know, but they don't like explicitly telling us what is happening, so... yeah thanks ig Servant? In each case, Jane here is not joking when she says that nighttime and daytime are important; they're probably very much so magically (maybe?) linked to how this story is supposed to progress. Aka gameplay actually impacts lore, and lore impacts gameplay. As to what it is referring to... well, I have my theories about it. But what I'm most confident in is that it is related to some kind of magic about the story. It is relevant to the narrative; relevant to things both Ben and Servant know about this world. And I say Ben because he's also so sus in such a world-altering way but I'll talk about him later... yeah, later lmao.

Now, my notes that I took while watching the videos here are very vague (thank you for that Willow, you are so insane about this you cannot even write in proper English), but there's something about the jewelry and accessories of these characters. Most noticeably, the way they glow. Like Rhythmically Glowing and Shaking. In Jane's case, it's her earrings [her brooch is less important but it still has symbolism on it probably, with how it has a bee etched onto it. Maybe this is her family's like symbol? Like how Renaissance Pope families had different kinds of symbols etched into buildings they funded into existence and all. Who knows]. Maybe this is some kind of glint effect or whatever; but then why is it animated like THAT??? Idk if I'm onto something or not here, I have high suspicions that I am, but maybe I'm also just looking into it too deeply... but there's something wrong with this jewelry. There's something wrong with the way that Servant's Brooch also glows, whenever Edmunds (tie clips? cufflinks for your neck??? what are they I'm not good with fashion, though the game has such good fashion design guys okay) accessories start glowing and shaking, when Izel has his little gem earring (I love that design omg, also + the brooch he has on his tie but like it doesn't shake) shakes and glows as well and how Ben's POCKET WATCH CHAIN (+ the little uhh buttons on his coat but they don't shake the way the other things do) IS GLOWING OKAY (and yes I'm insane enough to pause these videos just to see whether it is true). Something is going on. It's happening (slightly) even during daytime, and I checked this, so there's something fishy with this. There has to be. I'm so convinced there is jfkldsjfks. A possible explanation for this is that because these characters are all main actors in the story, some kind of magic is there to maybe,,, force them to play their part? Maybe they cannot be exempted from the main storyline because of this? Maybe everybody is just here because they have no other choice? Honestly idk. More thoughts on this in the other parts because dude I'm gonna lose my mind if I try to put everything in here. AND MAYBE IT'S JUST AN ARTISTIC CHOICE AND I'M JUST INSANE ABOUT IT??? Who knows.

Anyway, to close off this post, because I know it is long and idk whether there's actually any substance here, I'll try to compile the thoughts about Jane into a few small sentences, without fangirling in between lmao.

She's lovely, and while she is very funny, I find her harder to pin down than the rest of the cast (that we know of as of writing this). She's dead set on surviving, and that's probably because she might have experienced death once already. Either as the Villainess Jane Neville herself, or as the person she (possibly) used to be, that we know absolutely nothing of. She does not show any other hints to her past: just constantly assuring us she desperately needs help. I love her, of course, not only for her character design or the fact that she's funny, but for the fact that she somehow manages to avoid telling us anything concrete about herself. I don't think that this is done because Jane is not a character and is supposed to be a player-insert (that may play a part in it but y'know, that's just the nature of these kinds of games to a degree); she very much so is a character. She knows these phrases and these small courtesy things that no normal person who WASN'T integrated into this fantasy world would know. Maybe she retained only some of the past memories that her villainess self had, but truly... how could she remember those, but not her fiancé? Not the novel she is in? How can she know she is the villainess with certainty, at all, given she does not remember the book, the plot of said book, nor any of the other characters that well? She only knows someone is out to kill her, and that we must save her. Her weird integration with the world as well as the dissonance she presents with it at the same time is suspicious; she's very mysterious in that regard.

Perhaps I'm biased. Maybe I'm not looking hard enough. It might be that I'm missing something entirely. Somehow my suspicion/theory, even to me, feels like it's somewhat misplaced. That something is up is clear, but whether there's evidence to support anything is a whole other thing.

But somehow I'm inclined to believe that... Jane is not as forgetful as she might think she is. And that whatever happens to her by the choice of the player (who you romance, what kind of ending you get, what kind of choices you make, how you survive based on your deductions in the mystery, etc.), it always will tie into something she wanted to be. That us controlling her to a certain kind of destiny, is something she wanted to be, but never got the chance to be.

That we might guide her towards a destiny she actually deserved, rather than the one she has gotten.

[ Lmao I have so many more thoughts about what exactly makes a villainess but like... if the LIs/ROs/MLs or whatever you call them are all deconstructions and reconstructions of their specific tropes... Then isn't Jane also one? Shouldn't she be, at least? If she never was a villainess, then what makes her be one? If she was a villainess, what changes should she undergo in order to become a hero? And if she is neither... Or cannot remember whether she is clearly... What truly discerns her as a villainess?

I have so many more thoughts and theories about these people that I have to cover later because otherwise I'd have been sitting here for 2 hours trying to write all of this down somewhat understandably. If I actually had a plan for like any type of structure I might've not lost so much time on it. Will try to do that when it comes to the rest and all. Might also opt for smaller paragraphs lmao I genuinely hope I'm not overstepping something by doing this??? If the developers see this and go like "okay maybe don't", I'll take it down fjkdsjfklds. It's not like I'm dead set on sharing this if it's for whatever reason not good for business or something. ANYWAY THIS IS GETTING ABSURDLY LONG. Hope you enjoyed my rambles; until next time for the rest of them! ]

[flutishly]

The lull before the storm - revisiting the days before Hero's birthday, a decade later

Note: This post contains spoilers for Nothing Much to Do.

I'll admit, I haven't been keeping up with the NMTDaily in recent weeks. I'll watch the videos a couple weeks late, in chunks. It feels entirely unlike how I watched NMTD when it was originally released (obsessively, as the episodes came out; I never used subscriptions, so I'd check the channels directly pretty much every day), but entirely reflective of where my life is today, a decade later.

I'll be away this weekend, leading into the 10-year anniversary of Hero's 16th birthday and the radio silence that followed. I'll probably write more about the actual videos when the time comes (hey, remember when I spent hours micro-analyzing a tiny video only for the full-length scene to emerge within that same day? I should be embarrassed by that than I am), but for now I find myself thinking about how the tension ramps up and how the story of Much Ado About Nothing and NMTD's interpretation feels different in 2024 than it did in 2014.

There's a lot that at the time I feel I was less forgiving of, interestingly. Maybe it's because I'm older, but I find myself feeling sorrier for the boys this time around. Claudio's anxiety and self-consciousness feels more... forward. Pedro's need to people-please and "lead". Ben's intense need to be liked and appreciated. Ironically, even as their behavior seems even more "inappropriate" today, I can't help but feel that there's something about it that I better understand today.

Hero herself somehow feels more mature. There's something about watching with the retrospect of a decade that makes the coming punch hurt all the more. It's been long enough since my last rewatch that I'd forgotten so many smaller details, like the way the girls have their sleepover or the fact that Hero has her own charming relationship with the camera independently of Beatrice. (I'm not sure why I'd forgotten these moments specifically, but it's interesting! I suppose it has something to do with the fact that I always clicked with Bea more as a character, but in this rewatch I feel like I'm finally seeing the version of Hero that many of my friends from the NMTD era always saw.)

Hero seems more mature and Bea seems more childish. Ten years ago, Bea was just a few years younger than me; she was immature, but not so different from where I was in life. Now, both Bea and Hero feel like teenagers and I'm very much not a young adult anymore. I look at both of them and think how fragile they are, how much they're taking on themselves at such a young age (independence is wonderful, but do they have the love and support of a good adult mentor?). I think of Bea's discomfort talking about Ben and her fear of being hurt. I think of Hero's open love and trust. I think of how both will soon be heartbroken by the same event, in very different ways.

Hero's birthday is one of those plot points in the world of literary webseries. It's iconic for a reason. And I know that as things "unfold" this weekend (and are only revealed next week), I'm watching it from a very different place than a decade ago and with a completely different mindset. But I suspect that the sadness and anger I felt then will not be completely obliterated. I suspect that I'll still have a moment of anguish for Hero, for Bea, for shattered dreams and the end of innocence.

----

One final aside: I truly love the writing on NMTD. Time and again, I'm impressed by just how richly the characters are drawn, by what a beautiful job The Candlewasters did in translating a classic text and making it feel so very real. I feel so lucky to have experienced this show as it was released in 2014 and yet again lucky to watch it now.