#so my “being a scientist” is pretty arbitrary lol

[thisfuckingdork]

Having passed my final semester, I can now officially call myself a scientist! (despite only a quarter of my degree being actually dedicated to science, 'inherently interdisciplinary' and what naught)

[thecloserkin]

book review: Mira Grant, Feed (2010)

Genre: Sci-Fi

Is it the main pairing: Yes

Is it canon: No

Is it explicit: No

Is it endgame: Yes

Is it shippable: Hell to the yes

Bottom line: Creepily Codependent Siblings Survive the Zombie Apocalypse! They are adopted but the way they refer to each other as “my brother” and “my sister” when they could have used given names instead? I am here for it. While tight plotting is not one of this book’s strengths, you should slog through the infodumps to the ending which packs one hydrogen bomb of an emotional wallop.

This is the first book in the “Newsflash” trilogy about a pair of journalists, Georgia and Shaun Mason, who begin by blogging out of their parents’ basement and end by uncovering a vast governmental conspiracy subtended by various alphabet-soup agencies. The zombie apocalypse itself happened 23 years ago, and it happened the way these things invariably happen: Scientists try to cure cancer/the common cold, unleash freak virus on humanity, cue end of the world as we know it. Georgia and Shaun are the paradigmic products of this remade world: They, like many children born in and around the chaos of the outbreak, were orphans. On their adoption papers their birthdays are given as the same day—an arbitrary made-up date, but it makes them twins even if George is def a few months older. She acts older too, acting as the business brains of their fledgling journalistic operation while Shaun’s job is to “poke dead things with sticks” and look good while doing it. There is a performative aspect to Shaun’s mugging for the camera and flirting with anything in a skirt. He’s doing it because outrageous behavior garners them more hits, obviously, but he’s also doing it for George who gets a kick out of watching him charm the pants off people. She is bemused but not remotely threatened. George is all-business all the time, emotionally guarded and wary of physical contact, and one time when someone tried to hug her Shaun smoothly stepped up to intercept the hug to spare her the discomfort of enduring it. I SCREAMED. Note that George doesn’t mind being touched if it’s Shaun doing it:

I shuddered. Shaun caught the gesture and put a hand at the small of my back, steadying me. I flashed him a smile.

Shaun put a hand on my knee, steadying me, and I covered it with my own.

These small moments of tenderness punctuate an endearingly banterful sibling rapport. This is them reacting to the news of their big break—they’ve been tapped to cover the presidential campaign of an idealistic Wyoming senator:

Shaun was sure we’d get it. I was sure we wouldn’t. Now, staring at the monitor, Shaun said, “George?” “Yeah?” “You owe me twenty bucks.”

This is George shooing Shaun out of her room so she can change her clothes:

I pointed to the door. “Get out. There’s about to be nudity, and you’ll just complicate things.” “Finally, adult content! Should I turn the webcams on?”

This is big sister Georgia mocking Shaun for his youthful indiscretions:

”Remember how pissed you got when we had to do all that reading about the Rising back in sixth grade? I thought you were going to get us both expelled.”

In conclusion I love them sfm they are perfect.

As an aside, the people tagging this book “horror” on Goodreads have either not read the book (which is legit, TBR piles are a thing) or don’t understand what horror is? It’s like they saw the word “zombies” and just auto-completed the genre. What defines horror is not blood, gore, or violence but the fear and loss of agency engendered by that violence. That’s why so many horror film protagonists are women, who experience loss of agency in large and small ways on a daily basis and must learn to survive in the face of it; it’s cathartic to watch them take back control. The point of this digression is that THIS IS NOT A HORROR NOVEL. It’s not about that kind of fear!!! This is a political thriller so buckle in kids we’re going for a ride.

Twenty-three years ago during the outbreak, Georgia and Shaun’s parents lost their eight-year-old biological son. He was bitten by the neighbors’ dog. This was before it was widely understood that the virus could jump between mammalian species, and that anything surpassing the 40 pound threshold was susceptible to its effects. The dog weighed over 40 pounds. The Masons, who were award-winning reporters in their own right, dealt with their grief by channeling their emotional resources into chasing the news ratings. They continued to be phenomenally successful journalists as well as shitty parents to Shaun and Georgia, whom they seem to have adopted entirely for publicity purposes. The narrative invites us to draw the comparison between George and Shaun, who have chosen to pursue this career out of a thirst for THE TRUTH, and their parents who have less lofty motivations. Not to put too fine a point on it but their parents are mercenary motherfuckers. These kids survived their childhood by building an emotional bunker that they never learned to climb out of. This line from the very first chapter is so telling because they’re out in the field and Shaun is being chased by a zombie right?:

I screamed, images of my inevitable future as an only child filling my mind.

When Shaun’s in mortal peril, Georgia doesn’t think of him as “the center of my universe”— which he is—she thinks of the void that would result in the loss of her brother. That’s how they fit together, that’s what they are to each other, and all the other stuff is layered on top of the shared trauma of their childhood. Ffs they even have a ritual for administering each other’s blood tests—you know that thing at wedding toasts where the bride and groom loop their arms together and tip the champagne flute into the other’s mouth? Like that:

Moving with synchronicity born of long practice, we broke the biohazard seals and popped the plastic lids off our testing units

So the protocol for taking blood tests, which everyone has to do all day long to prove they’re not infected, is to come into the foyer/antechamber/vestibule one at a time and once you test clean you proceed into the building while the next person cycles into the chamber. That way, if anyone is found to be infected, they can be isolated. Georgia and Shaun have never once complied with this rule:

Our next-door-neighbor used to call Child Protective Services every six months because our folks wouldn’t stop us from coming in together. But what’s the point of life if you can’t take risks now and then, like coming into the damn house with your brother?

Implying that if one of them ever got bitten by a zombie the other one would rather spend the rest of their short life trapped in a garage with the shambling corpse of their sibling than die in their sleep at a ripe old age. Talk about ride or die.

I said before that this presidential campaign, this is their big break as much as it is the candidate’s. Up till now George and Shaun have been blogging under the umbrella of news aggregation entities (sort of like how BuzzFeed and HuffPost and Medium are populated by user-generated content that isn’t necessarily making the content creator an appreciable pile of money), but now they’ve finally landed the story that will let them strike out on their own. One of the sharpest things about this book is how it depicts journalism as a job, and a tough one to do right. Nashville does the same thing for the music industry, and as over-the-top as that show is, it shows you the nuts and bolts of success in a profession where practitioners are supposedly driven by “passion” alone. Here the distribution of labor is skewed pretty heavily towards George:

I get the administrative junk that Shaun’s too much of a jerk and Buffy’s too much of a flake to deal with.

Buffy is their business partner and some kind of auteur hacker + tech whiz. Shaun is the public face of their media brand. But make no mistake, George is the heart and soul and brains of this operation. You see her business acumen in drive-by observations like “Replacing that much equipment would kill our operating budget for months,” or when she talks about i n s u r a n c e. And George talks about insurance a lot. She mentions how a certain camera covered in zombie body fluids is an insurance write-off, how being present in designated high-risk zones during certain times of day can triple your insurance premium, how a certain treatment for her chronic vision condition isn’t covered by health insurance. I … just wanna point out that the human race has survived a flippin’ zombie apocalypse, but the United States remains wedded to private for-profit health insurance where who and what are “covered” remains a game of Russian roulette?!! Whoever said it was “easier to imagine the end of the world than the end of capitalism” was onto something. This society is functioning cohesively enough that elections are a thing (thus, nation-states are still a thing). If you want to tell me our fragmented, inefficient, fee-for service model of paying for medical care that routinely bankrupts & kills our citizens has weathered the end of civlization and emerged intact from its ashes, you better look me dead in the eye and bring receipts.

What’s really impressive about Georgia is she’ll rattle off exactly what kind of activities (those forbidden by her journalistic licensing) will invalidate her life insurance if she’s stupid enough to get killed while doing them. From which I surmise that she and Shaun are both covered by pretty hefty policies of which they are each other’s sole beneficiary. Which makes sense, they’re in a dangerous line of work, but I feel like it’s a poor investment since whoever was left behind would be doing their damnedest to climb into the grave next to their sibling lol.

Another little requirement of the household insurance—since we leave safe zones all the time in order to do our jobs, we have to be able to prove we’ve been properly sterilized, and that means logged computer verification of our sterilizations.

George is talking about the AI that is apparently located in her showerhead that douses her with a bleach & antiseptic compound when she comes back from being in the field?? That sounds painful but what concerns me is the breathtaking scope of the Internet of Things’ penetration into her life. The AI is in the bathroom. It knows exactly where she’s been bc ofc her GPS location can be tracked via her phone, and it’s merrily sending packets of information off to …. somewhere, where it will doubtless be aggregated with all the data collected about George from other sources, and combed for patterns to predict future behavior. That’s how surveillance capitalism works. if this sounds chillingly familiar it’s because it’s already happening, it’s what the tech giants are already doing—gobbling up as much data about as many people in as many contexts as possible—and leveraging that data for profit. Privacy is a joke. George is not unaware of this, but what choice does she have? It’s either install the damn AI in her showerhead or get her parents’ homeowners’ insurance policy cancelled for being too “high risk.”

I want to circle back to George’s chronic medical condition for a sec. She’s got a disability—what’s a called a “reservoir condition” where the virus takes up residence in a body organ, in her case the retina—meaning essentially that she has zombie vision; she can see ridiculously well in low light situations but direct sunlight will blind her. She has to wear shades even indoors and is literally incapable of crying since her tear ducts are inoperative. So there’s a testy situation where a federal agent tries to get her to take off her sunglasses so he can verify her identity with a retinal scan right? And because they’re standing outside this is obviously a recipe for permanent blindness, quite aside from the fact you wouldn’t be able to get a valid scan anyway due to the virus over-dilating George pupils. But instead of checking George’s files, where her disability & its effects are prominently listed, this grunt insists on making her remove her glasses because Procedure. It’s a pretty tense moment. Shaun goes ballistic. He doesn’t physically threaten the dude, or insult his mom or anything. No, Shaun understands that he needs to make this pencil-pusher more afraid of the consequences of taking George’s glasses than of Not Following Procedure. And it works. YEET.

On the campaign trail the Senator’s aides arrange for sex-segregated hotel rooms but Shaun and George are having none of it:

On the few occasions when I’ve tried sleeping without Shaun in the next room, well, let’s just say that I can go a long way on a six-pack of Coke.

The ostensible reason the sleeping arrangements need to be reshuffled is, Buffy can’t sleep without a nightlight and George’s eyes can’t tolerate a nightlight. Clearly the real reason is George and Shaun are c l i n g y and codependent as FUCK. One night after a zombie attack and the long grueling hours of cleanup/decontamination that followed it, they actually climb into the same bed—I guess this room only had a double instead of two singles?? The scene the next morning, the two of them having predictably overslept:

“Fuck a duck, Buffy, what are you trying to do, blind her?” … Shaun, clad only in his boxer shorts, staring at an unrepentant Buffy.

So Shaun’s beef with Buffy is not that she barged in on them while they were asleep & half-naked but that she opened the curtains, thereby triggering a painful migraine for George’s sensitive eyes. Buffy explains she didn’t shake them awake because they both sleep armed, lmao. George’s disability and Shaun’s practiced ability to help her maneuver around it (like a trusty prosthetic, he’s an extension of herself) serves to highlight how in this partnership they are one unit and they know each other inside out. This is them after their close shave with the dunce who tried to take George’s glasses:

“Fuck you, too,” I muttered as Shaun got his arm around me and hoisted me away from the barn. “You kiss our mother with that mouth?” “Our mother and you both, dickhead. Give me my sunglasses.”

And this is George waking up in their hotel room, eyes squeezed shut against the glare of multiple computer screens:

He touched my hand with the tips of his fingers before he pressed my sunglasses against my palm.

This is absurdly, spine-tinglingly intimate. First he touches her hand with the tip of his fingers, the most fleeting of touches to let her know it’s him, and then he presses the glasses into her palm to restore her agency so she can, you know, open her eyes. And that earlier scene with him guiding her by the elbow in broad daylight!!! I’M NOT CRYING YOU’RE CRYING

Sometimes I can hardly believe that George and Shaun are twenty-three years old. When I was twenty-three I … was not adulting half so well as these kids. But then, giving their barbarous upbringing, that’s not surprising; my parents loved and nurtured me. When I look at George and Shaun and the successful business they’ve built and the professional relationships they’ve cultivated and their expertise and their bravery I just feel this proud parental glow you know?

I want to say a word about Senator Ryman before we move onto spoiler territory. There’s a big controversy initially about whether the Senator is “genuine” or not (spoiler alert: he is). But what does that even mean, genuine? He’s a good egg, sure, but what are his policies, none of which are explored in depth except his support for horse farms??? I’m not kidding. In a world where any animal weighing over 40 pounds is a zombie outbreak waiting to happen, it’s a controversial position to say people should be able to keep pets in residential zones. Here is how George describes our Candidate:

He’s like a big, friendly Boy Scout who just woke up one day and decided to become the President of the United States of America.

I see two major problems with this: One, they say “Personnel is Policy” so who the hell is he planning to appoint to key Cabinet positions and can he trust them to pursue rather than undermine his objectives (and does he even have a deep enough bench of people to draw on)? Two, the Boy Scouts of America are not exactly, er, unproblematic, and while it’s safe to say our faves are always problematic, I think “Boy Scout” is shorthand here for “no skeletons in his closet,” which again puts the focus squarely on his personal qualities rather than what policies he espouses. It’s great that he hasn’t cheated on his wife or his taxes. But morality and ethics are not the same thing:

Morals are how you treat people you know. Ethics are how you treat people you don’t know. Your morality is what makes you a good spouse/friend … Your ethics are what makes you a good politician … Morality dictates that you take care of your family, friends and even acquaintances first … For a large society—a society where you can’t know everyone—to work, ethics must come before morality, or ethics and morality must have a great deal of overlap. By acting morally, you must be able to act ethically.

I think we can all agree that this does not describe how our society is currently constituted, and it doesn’t describe George and Shaun’s America either. So this narrow fixation on whether individual candidates are “genuine” or corrupt imo kinda misses the point. George says:

I haven’t even been able to find proof that his campaign received funding from the tobacco companies, and everyone’s campaign receives funding from the tobacco companies.

I don’t want to undersell how important it is the guy is not taking tobacco money. But is he also eschewing Wall Street money, Big Pharma money, defense contractor money? How could George possibly have time to investigate all this dark money if she is supposed to be covering the actual campaign? Seems like it would be a lot easier to reform the campaign finance laws than to vet every single single candidate’s funding sources.

I think one reason the Senator is long on identity & personal charisma and short on policy is that he’s up against an opponent whose base of support is millenarian-fundamentalist “the Rapture is here, we’re all going to hell”:

it was either Ryman’s brand of “we should all get along while we’re here,” or Tate’s hellfire and damnation.

If that is the main faultline in society, I guess half the voters don’t really wanna hear how a given politician is planning to make a material difference in their lives, since they’ve already got eyes on the prize aka the next life.

So there you have it. George and Shaun are scrappy independent muckrakers digging for the truth. Time and again their allegiance to that holy grail overrides their concern for trivial aims like idk personal safety. There’s a vast, shady conspiracy afoot, and as our heroes get closer to it they start getting shot at. They lose comrades. None of this deters them because they are after THE TRUTH. Oh wait there is in fact one thing George values more than the truth:

”You’re more interested in your brother than figuring out the truth?” “Shaun’s the only thing that concerns me more than the truth does.”

And later:

The sight of him was enough to make my heart beat faster and my throat get tight. I knew he was wearing Kevlar underneath his clothes, but Kevlar wouldn’t protect him from a headshot.

Her first concern is always, always, for him.

SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS

George gets infected. That’s the denouement. George is infected and Shaun has to shoot her before she turns all the way. Every single person who makes it to this scene is just bawling by the end of it:

His lips brushed the top of my head as he bent forward and pressed them to my hair. I wanted to yell at him to get away from me, but I didn’t. The barrel of the gun remained a cool, constant pressure on the back of my neck. When I turned, when I stopped being me, he would end it. He loved me enough to end it. Has any girl ever been luckier than I am?

The reassuring pressure of the gun on the base of her neck??? Has there been a more romantic moment in cinematic history??? I THINK NOT. Shaun is a crack shot—he’s the kind of guy who caresses his guns, names them after pretty women, causes his sister to grouse about digging through a suitcaseful of his weaponry to find her clothes—and yet here he is using his gun to kill the woman he loves most in the world.

It was supposed to be Shaun. They both took it as a given that Shaun would be the one to die first. Now he has to find a reason to continue living other than the obvious (vengeance). Stay tuned for the next installment, narrated by Shaun!

[kinetic-elaboration]

July 21: ALIE/Raven Rock

(I find it hard to read Raven Rock without thinking about The 100, so here’s a bit of a rant inspired by that.)

Among my many problems with the ALIE story line is that it separates the universe of the show pretty much entirely from our actual world, which makes the show/its universe both more shallow and less interesting than they could have been.

By which I mean: the horror of stories set in the post-nuclear-apocalypse is that they are so scarily plausible. For 70+ years now nuclear war has been a possible thing that (some of) the nations of the world are very literally capable of engaging in. But even more than that, the fear of nuclear war, and the understanding that it isn’t just a military fantasy, has shaped so many aspects of our modern world, that even if you’re not thinking about nuclear weaponry at any given moment, you’re still living a life influenced in uncountable ways by the realities of the post-nuclear world. It’s deep in our way of life.

So, yes, there are different types of dystopias, and they play to different fears and have different roles in our collective imagination, and not all of them have to be scarily plausible (I like a good zombie apocalypse too ngl)--but this story, first in the original books and then in the initial two seasons of the TV ‘verse, settled itself in the specific fear of this very particular and again very plausible type of warfare, and I feel like it’s a bit of a cheat to pull the rug out from under all of that and say “oh actually it was a rogue AI.”

A rogue AI isn’t like the most impossible thing ever, I mean I know work in AI is real. But come on, what do you think we’re closer to today in 2017: a nuclear war or an ALIE type AI? There’s a reason JRoth referred to S3 as going “more sci fi.”

It’s not just that I feel like a certain story telling contract was broken--I do feel that, and I think some of the turns in the last two seasons are materially different from a Wild Twist or the natural evolution of a story, but that’s a different rant and it’s too late for me to tangent. My problem with JRoth et. al. veering off into a “sci fi” (calling this show sci fi still makes me break out into hives, but that’s yet a THIRD rant) explanation is that, in doing so, they really relieved themselves of reckoning in any way with the connection between their story and our world.

A nuclear-war based story, even one that takes places years after The 100 does, that is in any way interested in interrogating its reason for existing or even just, like, basic world building, should contend with the realities of the actual post-nuclear war in which it was created. Part of that is saying: how did this fictional world come to be? How did we get from here to there? And if we follow that path, what would we, or the people who follow us, have to live with? Picking a completely arbitrary and random explanation instead of any number of totally and terrifyingly plausible backgrounds is cutting yourself off from having to contend with anything about the world in which we live, with any sort of RL collective guilt or fear. It’s also frankly less interesting.

Reading Raven Rock has inspired all of these thoughts, or at last brought them more to the surface and helped me articulate them, because the true story of our post-nuclear world is SO much more fascinating than anything I’ve seen in this show, and uncountable millions of times more engaging than anything in the ALIE story line in particular. The complex political-military machinery in place to contend with nuclear threat or attack, the continuity of government plans, the bunkers, the pre-written emergency orders, the secrecy, the codes, the huge number of people involved, the vast bureaucracy and literally underground infrastructure, the cultural preservation, the unstated moral assumptions underpinning all of these plans--it’s fascinating! And to The 100′s credit, S2 did touch on this stuff with Mt. Weather, if only in the most cursory and background way (literally mostly through the prop department lol, though I guess if you’re being generous the Wallace family and some of the hinted at history kind of fits into this grander narrative), but all of that was basically cut off and made all-but-moot by ALIE and the S3-S4 back story.

Yes, governments would have to respond to nuclear attack started accidentally by an AI just like they would an attack started purposefully by an enemy state, but come on: by saying a program fucked up you’ve pretty much absolved all of humanity from complicity in its own nuclear annihilation. I guess indirectly if we hadn’t developed the weapons in the first place, we couldn’t shoot ourselves in the foot with them but that’s a stretch. And you could blame Becca and her crew for the most inept AI program ever written (that’s another of my ‘many problems’ with it btw: who the fuck makes a program’s core mission “make life better”??), but that’s also a problem. First of all, Becca and a handful of scientists is a much smaller group to place blame on than, like, everyone involved in the world’s nuclear programs even today. And second, who is she? Who does she work for? A private company? Don’t get me wrong I fucking hate capitalism and Big Corporations too but let’s be real, if the nuclear apocalypse rains down on us it won’t be Random Incorporated Entity who’s responsible. This is the stuff of big shadowy government. (And as an aside: if you ARE going to go with Shadowy Entity Inc. you gotta like actually develop that story line, which has yet to happen on the show but again, another rant for another day.)

When I first watched S2 with my mom, we got to the big massacre of 2x16, and I looked over to her to see what her reaction was. Because it was the second time I’d seen it and the first time, it made me rather emotional; I mean it’s a sad scene, for Maya’s death alone. And she just shrugged it off and was like “Well they deserved it!” I thought she meant ‘for torturing children,’ which is a legit position but she actually meant ‘because their ancestors created this universe in the first place.’

Well psych they didn’t--it was some random poorly explained computer program!

Okay then.

[shadowtearling]

January is over! I’m both glad and surprised it came and went so quickly. I feel proud of myself for reading as much as I did this month!!!! I think the new year is always a good motivator to read read read. I love it. I’m doing a better job so far this year of reading whenever I can and taking advantage of my spare time in between and before classes. PLUS the long commute helps. Last year, I constantly found reason to NOT read, and this year, it’s like I can’t get enough! I also apparently can’t get enough of the exclamation point. Is it too much? Also! Do you all like this new banner? Any font suggestions? I’m clearly terrible at picking fonts; too indecisive. :( Anyway! On to the books!!!

Rating system: 2017 is the year of reading critically if I want to add diversity to my list of priorities for the kind books to be reading. This means also being a little more stingy with my ratings. (I don’t feel bad about this actually. I found I feel guiltier giving out five stars willy nilly, so this is an improvement!). This rating system is still arbitrary, so three star ratings don’t always have the same weight to them. As always, I rate based on my own thoughts and feelings, and as always, these are my opinions (unless I’m speaking about my marginalization(s). Don’t argue lmao). 

Rating Scale: 🌟 - 1 whole star ⭐️ - ½ star

Nichijou: My ordinary life (Vol. 1 & 2) by Keiichi Arawi - 🌟  🌟  🌟  = 3/5  (for both) This is a manga series about high school everyday life, but with a twist! (she said with sarcasm) There are a bunch of girls in high school and one of them happens to be a robot who just wants to fit in and be human (and her child scientist companion). One of the girls also happens to love making puns, one of them is the typical deadpan-type of characters, and the others are the normal ones. Some jokes were funny, most of them were not. I love puns, but this just had really terrible ones. The characters were supremely uninteresting, and I really don’t care about any of them. That said, while I was reading this, I guess I was entertained for the time being. This helps pass time quickly, but not the greatest manga I’ve ever encountered. 

Sweetness and Lightning (Vol. 1) by Gido Amagakure - 🌟  🌟  🌟   = 3/5  What’s better than food-related manga? Nothing! Except, I can find better food-related manga out there than this lmao. This was fun to read, but I found all of the characters were bland. I couldn’t find myself too invested in their stories. I also feel like this is going in the direction of student-teacher relationship (younger me would have loved that, but me now is absolutely creeped out by the idea of it). The child is adorable, though. I also do really love the positive relationship between the child and the dad, so that’s one redeeming quality. I don’t think I’ll continue with this series, though, unless I find copies of this for cheaps. 

Orange (Omnibus Vol. 1 & 2) by Ichigo Takano - 🌟 🌟 🌟 🌟 🌟 = 5/5 (for both) Out of all 12 books I’ve read this month, these are the only two five-star reads! I’m stingy lmao. Anyway, this was soooooooo good! Basically, this series is about this girl, Naho, who on the first day of her junior year (I THINK... don’t hold me to this), she receives a letter from future her telling her what will happen on those days and what she needs to do versus what she should avoid doing. She dismisses that letter until the contents come true! So this series then entails what happens with those letters and Naho & her friends. I cried so many tears and felt so many feelings. I related so hard to Kakeru even though our struggles were not the same. I also really loved the ending (even though I know a lot of people didn’t like how open-ended it was). I appreciated that aspect of the story because it feels true to the kind of tale it’s telling. It perfectly depicts how friends first react versus how they should react to other friends’ struggles. I really love the dynamics between every person, and I can only wish this series was longer to explore the different friendships we were introduced to. I HIGHLY recommend this series. Please go read it! (And then tell me so we can binge-watch the anime together!)

Something in Between by Melissa de la Cruz - 🌟  🌟  🌟  ⭐️   = 3.5/5  A story with a Filipina lead?! Sign me up! This tells the story of Jasmine who is the perfect student and is set to kick ass in college until she learns that her and her entire family have been illegal immigrants the entire time, and this super awesome scholarship she was supposed to get can no longer help her. I really loved getting to see my own culture reflected in this story (this is an #ownvoices ;) so go check it out). I didn’t appreciate the little jabs at other cultures though I do understand where it comes from. I also think there was so much happening? I feel like Jasmine and her fam were trying to tackle so much all at once (it’s realistic bc what POC doesn’t go thru so much in so little time), but also it made for a messy story. OH! I hated the writing lmao. It was tacky and not my style. I also think I’m just hella tired of YA contemporaries, but as of right now, they’re the biggest source for diversity in any YA category. Fantasy is still far too white lol. I still would recommend this because it is an important story that helps humanize immigrants, but beware lmao.

Simon vs the Homo Sapiens Agenda by Becky Albertalli- 🌟  🌟  🌟  = 3/5  I really enjoyed this story, but I was expecting so much more than what I was given. I hear everyone always raving about how fantastic this book was, but I think this was way too overhyped for me, which is why I didn’t like it as much as everyone else. I feel like the tension between friends was either unnecessary or done poorly (I’m talking about Leah here). HOWEVER, I still do like it. Simon was a fun character, and Blue was also really interesting. I also really love the discussion around consent and identity, and I think it was done well. 

Welcome to the Shadowhunter Academy (#1) by Cassandra Clare - 🌟  🌟  🌟  = 3/5  Simon felt reaaaaaally out of character in this novella. Maybe that’s bc of what happened at the end of TMI and that’s a valid excuse, but it makes me uncomfortable. Simon was one of the better characters in that series, and I really feel like he got butchered here. With that said, however, I do think that this novella shows improvement in CC’s writing because I still surprisingly enjoyed it. I just don’t think I’ll continue on with CC’s works? I think this is me breaking up with the Shadowhunter chronicles. She’s also highly problematic, so there’s that. 

The Star Touched Queen by Roshani Chokshi - 🌟  🌟  🌟  🌟  🌟  = 4/5 LOVE This! An #Ownvoices fantasy about Mayavati whose horoscope entails a marriage with death and destruction. I buddy read this one with one of my really close friends (she doesn’t read too often), and we both really enjoyed it. Maya is this really dynamic character that, as the story progresses, really matures in a realistic way. The writing was phenomenal but I do think it was a bit out of place? Idk I always have problems whenever the writing is sophisticated but then it’s first person POV. Like.... I’m pretty positive that my brain cannot conceive even half of those words to describe what’s happening around me. I’d see a tree and I’d describe it as “green and really tall...” So there’s that. I also think that the writing kind of made it difficult to fall in love with the couple. I didn’t totally buy the romance, despite me loving both characters individually. I love the incorporation of different aspects of Indian culture as part of the fantasy elements of the world. I would love more from this story, but as it stands, this is where Maya’s story ends (the next book is actually a companion........). I highly recommend it! (Even though it sounds like I didn’t like it lmao I promise I did).

Three Dark Crowns by Kendare Blake - 🌟  🌟  🌟  🌟  🌟  = 4/5 I absolutely loved this. First of all, I appreciate that I can tell each sister apart from one another because they have such distinct personalities (Arisonoe is my fave as it turns out even if she has a dumb ass name). It’s a super slow book that basically builds up to the fight to the death (it doesn’t actually happen in this book). I knew that going in which is why I wasn’t salty when it didn’t happen. Basically, we get introduced to the sisters in this book, find out that there are some hella issues going on with their missing powers, and it gave us time to get used to the world all while introducing us to the characters. My number one biggest giant complaint is that I realllllly fucking hate Joseph. He’s an asshat and I hope he dies in book two. Katharine please kill him. There was an unnecessary love triangle lmao like fuck off with that shit maybe. I also hated Pietyr. So basically, the dudes are assholes and the girls are fantastic. Maybe that was the point? This is a matriarchal society so I guess it worked. Highly recommend if you really like politically-driven books and a large cast of characters.

Every Heart a Doorway by Seannan McGuire - 🌟  🌟  🌟  ⭐️   = 3.5/5 The writing is quite calming. Also confusing. This is another one of those far too hyped for me to love in the same way everyone else does. i appreciate the amazing concept and the wonderful conversations taking place in this book about identity, sexuality, gender, and mental illness. However, it was too short for me to really love any of the characters. I certainly failed to connect with the MC and didn’t feel for her anguish. It also left a bad taste in my mouth that the first person to be killed off in the murder mystery aspect happens to be POC when there were like 20 other white kids lmao........ NOT THAT I CONDONE MURDER but why we gotta kill POC for....... Idk. Proceed with caution I guess. 

Moll Flanders by Daniel Defoe- 🌟  🌟  🌟  = 3/5  This was funny as hell. Basically, it’s about this lady whose name we never really know because she keeps changing it to suit her needs. She was born in a prison, so she’s set up to fail in every aspect of her life bc poor and no family. HOWEVER, this is the story of how she eventually says fuck you to everyone and succeeds anyway bc why not. I read this for class, and I highly enjoyed it. Problems: there were literally zero chapter breaks, random ass capitalization (why must 17/18th century authors do this to me), too many much cataloging of goods (though that was literally the point is to be excessive... I get it... pls stop), and the author basically just said to the plot “GOGOGOGOGOGOGOGO” without taking a break. If you like classics similar to Jane Austen (but without the romance part bc she just basically scams all her husbands lmao), I think this is a really good one to check out. 

Thank you, lovely, for reading through this mess of a post. I love you and I hope you have a wonderful February reading month!