#so he's missed two kinslayings and the drowning of his home

[conundrumoftime]

So I don’t think Rings of Power will do that theory about Celeborn actually being dead and getting sent back Glorfindel-style, BUT: if they did, that sounds like it could be a pretty horrific thing from his POV?

The horror of being returned to a world you don’t recognise, prince of a kingdom that no longer exists. Every soldier you see reminds you of those you couldn’t save; every bright banner recalls those of yours you saw trampled into mud.

You have no scars from the orc-blade that once struck you down. Your skin is untouched by the dragon-fire that killed you. You sit alone for long, long hours, staring at your unmarked body, wondering why, wondering if your death is something you’re meant to make amends for.

Galadriel backs away from you, calls you a deceit of Sauron’s sent to torment her. You don’t really have any way to convince her she’s wrong and part of you starts to think, maybe she isn’t. Maybe you wouldn’t even know.

[warrioreowynofrohan]

Aredhel, Reborn

This is a fragment that I started putting together a long time ago, and it stops in the middle, but my writing isn’t cooperating right now so I’m posting it as-is for @tolkiengenweek . It’s a sequel to my two previous Aredhel pieces (but not my Aredhel and Eöl one, which isn’t in continuity with it). Hopefully I’ll manage to follow up on it.

********************

Aredhel leaves the Halls, permitted to return to life for no reason that she can comprehend. She has not sought mercy for herself, though she has asked it a thousand times for her son and been met with a deafening silence. She chooses to return because Fingon is doing so, and he might not be able to bring himself to go if he left behind both of his siblings as well as his dearest friend. Turgon should have returned - would have been permitted to return, yeni ago, not tainted by kinslaying as his siblings are - but he is being stubborn, out of some mix of reluctance to face the survivors of Gondolin and reluctance to face the Lord of the Waters.

They reenter life to be almost immediately caught in their father’s embrace. Through all that follows - returning to Tirion, reunion with their mother and cousins, an apology to the Lady Eärwen that clearly terrifies Fingon more than any battle he’s ever fought in - the world seems faded and distant to Aredhel, as though some part of her fëa had never left the Halls. She cannot stay in Tirion, she cannot seem to hold the thread of a conversation with anyone, even her parents and brother. She knows, distantly, that she loves them, but it all seems so far away.

Her aimless feet take her to Valmar, and she find herself at the one place in the Blessed Realm that is shunned by Eldar and Ainur alike, climbing from the foot of Ezellohar to the two broken skeletons that were once the purest light in the universe, and as she collapses to the grass she feels, for the first time, a connection with the world. How did you do it? she whispers. How do you continue when what you hold dearest has been turned to darkness and ruin and ash? And something connects within her mind, something that never did through all the years in the Halls, never did during her return to Tirion, though all the reunions and necessary, distant apologies. Her feet carry her south and east, to the seashore and the white city, the city of pearls.

She does not go to the throne room of the king and queen, but to the docks, cloaked and hooded and unnoticed, seeking for faces she remembers. She finds one, working, holding a small curved knife in her hand that she uses to shell oysters.

Aredhel raises her hood, sees the Telerin woman start at the sight of her, and falls to her knees. The knife stops its work, poised in midair.

“What are you doing here?”

“I…I wished to apologize. To say that I was wrong.”

“So? What does that mean? What will that mend?” The woman lays down the shelling-knife, goes to a ship, and picks up another meant for carving wood. She lays the blade to a piece of wood lying nearby and the hands, their movements so smooth and deft when shelling oysters, begin to shake, leaving jagged, uneven cuts, leaving it useless. “I built the ships your people so wantonly destroyed, shaped them as you Noldor shape steel, and now I live again, but that which gave me life has left me. We did not hoard them and hide them in vaults, we sailed them and lived aboard them until they were more our home than the shore, and all you left to us were blood and ash and tainted memories.” The tremors through her body come in waves now, and her voice is choked. “My life was the least of what you stole from me. And now you seek what? Absolution? Resolution? This does not end for me. Why should it end for you?”

Aredhel hunches in on herself. “I surrender. What would you have of me?”

“Why come here, and not to the king?”

Olwë wouldn’t do anything to me - for Uncle Finarfin’s sake, if not for my own. He wasn’t who I attacked. He wasn’t who I killed.

“I thought you had more right. I…I know what it is to be betrayed by one whom you trusted. I know what it it is to see what you love dearest cast into ruin. And if I had - him - apologizing to me, truly and sincerely, as I am to you” - her voice breaks - “I would bury a knife in his guts.” She is shaking. “I came here because I didn’t know what else to do. Only that I needed to do something. I surrender. Say what you want from me, and you will have it.”

The Telerin woman just looks tired. “I don’t want your blood. What use would that be? I don’t want you locked up. What good would that do anyone? You cannot give back what you have taken. You cannot restore what is destroyed.

“Leave us in peace. Go.”

Aredhel goes.

....

She flees to the wild lands she once loved, which no longer feel so narrow as they did in the years of her youth, before Gondolin and Nan Elmoth and the Halls, before she knew that duty was a chain and love was a chain. Fear, too, is a chain, as she find when she wanders into the woods of Oromë where she once hunted with her cousins and stops, trembling, as the treetops cut off the sky, frozen, her thought a thousand miles away in drowned lands where the forest went from wonder to horror to prison. She works her way stumbling back to the light, her arms clutching at branches and tree-trunks to pull her onwards, until she emerges again into the free air.

She goes, instead, to the open plains, where she can run and ride and hunt, and take joy in feeling alive again, with a heart that beats and mouth that tastes and limbs that ache. In time she returns to the forest, first to edges and sun-dappled clearings, later to the denser woods in autumn when the leaves turn yellow and brown and fall to create openings where light and warmth enters, and nuts and fruits and berries surround her at every turn. Regaining the woods in summertime takes longer, where leaves create deep pools of shadow, and it is longer still before she wishes to be in the woods after nightfall, looking up at the stars.

(She no longer wears white. She dresses in greys and browns and tans, and in plain or woodland she might be mistaken for part of the landscape.)

She cannot say, for certain, how much of her escape is driven by avoiding walls, and how much by avoiding people, avoiding the need to hear or speak of (or hear people deliberately and delicately not speak of) a son she cannot defend and will not condemn. Did she shun the woods because they felt a cage, or because it felt that at any moment a pale-skinned, black-haired boy might step out of them with a present for his mother of hazlenuts or newly-caught game or skillfully-carved wood? A boy who is gone, who is become something she cannot and will not name.

Fingon finds her, from time to time, with uncanny ability, though he was never her equal as a woodsman. They share meals, wanderings, conversations light or serious. He does not tell her to return, though he speaks often of their parents and at times ventures to say how much they miss her. She does not know how to explain. Fingon can feel that their positions, failing and pardoned and returned and grieving for the lost, are the same, but it does not feel so to her. He fell in battle, and with a host of heroic deeds to his name. Her father fell in combat, the greatest one in the history of Arda. She died because she trusted the wrong person, loved the wrong person, ran off, was irresponsible and impetuous as always, led an enemy back to the one safe home she still had; her place in the First Age’s history is the dislodged rock or careless shout that starts an avalanche. Turgon has never blamed her for Gondolin’s fall, but that is because she never spoke to him while they were in the Halls, never knowing what to say. I am sorry that my son existed? She isn’t. She isn’t. She isn’t. She is only sorry that his father orphaned him, left him alone among strangers in a strange city with no parent to guide him.

One morning she awakes at her campsite to find her father there, tending the embers of her fire. She does not know how he has found her; he is gifted in scholarship, in diplomacy, in governance, in craftwork, in all the arts of war, but not in woodcraft or tracking or the arts of the wildnerness (save, by necessity, of keeping thousands of people alive in bone-chilling, soul-numbing temperatures).

They speak a little of other things, of her life in the woods and his in Tirion, but he cannot long restrain the question he has come to ask. “Aredhel, can you not come home?”

She offers the easier explanation first, the other being too painful to place in words. “I don’t want to go back to be pitied as a failure.”

“We all failed, dearest. Every one of us.”

“You did not. Not like me. You died fighting Morgoth and every Elda and I expect every Vala respects you for that. Fingon died fighting a balrog. My younger cousins died in battle. Even the philosopher did better than me! I was one of the most eager to go, I killed people in order to go, atta, and I have nothing to show for it, no achievements, nothing to boast of, and I will not go back to be petted and pitied and patronized, I won’t -” and she knows she still sounds like a spoiled child even now, when the others have grown wise and thoughtful and penitent.

Her father simply looks at her, long and quiet, as if trying to perceive all the words she has left unspoken, and they finally struggle to her lips.

“I don’t want to know what they all think of him. I do know what they think of him. I don’t want to be consoled for what my son did or became by people who didn’t know him and can’t understand him, and to know they are thinking of it every time they look at me, I’ll hate them for it and it will break out and I’ll cause trouble for everyone again - ” she’s stopped looking at her father, not wanting to see in his eyes his opinion of such a grandson, not wanting to feel the wrath against him that would come from it. “Why does everything I love fall to evil? My son, Tyelko, Curvo, my - ” she cannot bring herself to say husband, “- him? Do I have no judgement, no discernment? Am I being punished? I loved him when he killed me, I love my son and my cousins yet, and I don’t want to explain or to justify or to live among people that hate them -”

She is weeping now, and her father pulls her into an embrace. “You did not deserve this, Aredhel. Not what happened to you, or what happened to your son.”

“I don’t know.” Her voice is quiet now. “I think, sometimes, it is all of a piece. If you do evil to gain something, whether it be ill in itself or not, it will burn you when you find it. As with my cousins and the gemstones. I killed to gain freedom from limitations or constraint, and when I took it it burned me.”