#smartass she is

[bamboozled-distress]

shoutout to dick and Barbara for choosing their original costumes for the sole purpose of taking the piss at Batman and to just absolutely enrage their father and sticking to their shit ass costumes for years on end because no matter what happens they are committed to the fucking bit.

[mariathechosen1]

“Ugghh why did they make King Edward black??! The woke mob are throwing all historical accuracy out the window!”

A MAN BECOMES A HORSE.

A MAN !!!

TURNS INTO !!!!

A HORSE !!!!!!!

DURING DAYTIME !!!!!!!!!!

[zarnzarn]

part three of the reverse odyssey au! polites' pov this time, cause I thought a constantly changing motive explanation would be fun

1/2/3/4

||

Later, they find that it is the prayer of a terrified Elepnor clinging to the mast that saved them.

He'd called out in fear in the prayer he'd heard the most, growing from a boy of ten to a youth of twenty in the Trojan War, under Odysseus and his quick, odd prayers to his patron goddess- and half-surprised, half out of reflex, Polites had thought later by the look on the goddesses' own face-

Athena had answered.

She'd guided their ship to shore through the storm, somehow, and then stood at the wheel, taller than anyone Polites had ever seen, straight-backed and proud. Staring at them all as they slowly got to their feet, bowing and muttering prayers under their breath as they prostrated, more than half of them trembling in fear.

They'd all known their captain was blessed by the Goddess of Wisdom, in a way that was more than a mere touch or grey eyes. All known the way he'd sometimes stop talking and stare into the distance, and bark out orders for a convoluted, twisted, wonderful plan after.

Polites had known it was something more the day his friend had stumbled out of the forest all those years ago, silent as an owl and grin sharper than it used to be. Eyes no longer Hermes' kaleidoscope-amber ones that hurt to look at, but a gleaming silver that struck you still where you stood to listen.

But this was still more terrifying than any battle they'd ever faced.

(He saw so much of Odysseus in her, even standing still, that it hurt.

They had been so close.)

"Owl Lady!" Telemachus cheers, and runs out from behind his mother's skirts to the Goddess of War. Penelope makes an aborted movement towards him, dredging up some mortification beyond the haunted expression on her face (if only they'd had one moment more, to grab each other's hands even a little, if she'd just grabbed at him tightly, if they hadn't forgotten to get rid of that accused windbag-) at the way Telemachus runs to Athena with even less fear than his father had, grinning wide up at her as he hugs her shins in greeting.

"Telemachus," She says, bemused and fond. Her voice is... familiar, actually. Polites can't place it for a second, until Penelope makes an odd choking sound next to him and memory assaults- of Odysseus running around shouting with joy after his son's birth, proudly showing him off to everyone around as if he looked anything more than a raisin, Penelope tiredly laughing as she lay against the pillows. Of him suddenly pausing and turning to the strange cloaked woman in the corner and dragging her out into the light to gently hand her his son.

"Odysseus," she'd hissed, sounding panicked, yet he'd just laughed and shifted her hands to support Telemachus' head. Polites and Penelope had frowned at each other, confused, but Odysseus had only teased the woman about a newborn baby being the thing to scare her and offered them no explanations, and what the fuck, that had been Athena.

Penelope's eye twitches a little bit, some of the heartbreak clearing up in her face in favour of a strong wish for strangulation. Polites empathized. What was wrong with Odysseus.

She stares at them now, expectant, and Polites realises what she's waiting for the same moment her lips curl into a sneer of rage. Shit, right, she and Odysseus had had some sort of falling out after the cyclops-

"So," She says, dangerously low. "Does the King of Ithaca think himself more powerful than the Goddess of Wisdom, that he spurns my presence in such a way? Or-"

"He's been taken by Poseidon."

Polites doesn't know the words come from him until Athena swivels her head around to face him.

Oh fuck.

He takes a shuddering breath as he pushes himself to his feet. Glances out to the side and feels his heart drop at the unfamiliar waters, so far away from-

He turns back to Athena and gathers his courage. "Poseidon appeared before us, one year ago. Demanded reparations for the hurt we dealt to the cyclops, his son."

"So then why target-" Athena cuts herself off, teeth gnashing. Her hair starts rising, even though there's no breeze, feathers appearing across her visible skin. "I had rescinded my blessings from him! For this very reason, so Poseidon wouldn't-"

She stops talking with a hiss, pinching the bridge of her nose in barely contained fury. Polites' breath catches. She'd taken her blessings back- to protect Odysseus, of course, her feud with Poseidon was well-known to everyone and anyone, so the ocean god wouldn't take it out on her favoured.

Did Odysseus know that, Polites wants to ask her, remembering the absolute mourning devastation on his friend's face for that one day before it all went to shit, but knows it won't help anyone.

He swallows and continues. This part is going to anger her beyond anything, he knows. "Poseidon cursed him into a creature of the sea," He says cautiously, watching strange colors dance across her armour in her growing anger, looking less and less like a woman as he spoke, eyes glowing fire-hot. "His legs melted and turned into the tail of a fish, and he no longer could breathe above land, so we had to put him in the sea. And-"

His throat closes up, and the sailors around wince back, gathering Telemachus and pulling each other away from the wheel, knowing what's about to come.

"And?" Athena says, deceptively calm, as she watches them stumble away from her.

Polites gulps and feels tears run down his face as he says it. "And he ripped out his tongue."

Athena screams.

||

After they've all wiped the blood from their ears and eyes and huddled down in the belly of the ship, holding onto each other until they've stopped trembling-

They're going to write songs about that scream, Polites thinks vaguely, staring up at the wood. His hands still are shaking. The rage of Athena will be recorded for the ages, in songs and poems and books.

Still, he can't bring up any secret resentment against her for nearly killing them- he felt the same, that first day, when he'd found the bloody tongue on the deck and had vomited over the side of the ship, sobbing.

Odysseus, his silver-tongued friend, wisest of the Greeks, able to talk his way out of anything, tongueless. An unimaginable cruelty, especially to the favourite of Athena.

Although, that was probably why, wasn't it.

They all stiffen as the door creaks and Athena ducks to walk inside. Someone whimpers. Polites doesn't blame him.

She looks at them with Odysseus' eyes, staring around at them once more with a blank expression.

"The continuation of this quest will ruin your kingdom," She says simply, and Polites barely holds back five different protests that will get them all killed.

Penelope stands up, walking to the front. "I will not abandon my husband." She raises her chin, meeting the Goddesses' gaze without fear. "Not ever."

Athena rolls her eyes. Eurylochus chokes, and Polites has to hold back some hysterical mix of a laugh and bursting into tears. Gods, she acts just like him.

"I did not expect you to," She says dryly. "But it will take years, and you can't expect Ithaca to finance your search for that long without a ruler."

Penelope's expression wavers, voice cracking to a whisper. "Years?"

Athena looks remorseful at least when she nods. "Years," She says kindly. Someone puts their head into their hands, but Polites can't tell who, because his vision is blurring out with tears. "He has been blown to the far eastern shores, where the sands stretch over a land a thousand times the size of Sparta. It will take a year alone for him to make it back to the ocean, and Poseidon will fight to keep him away from you all. And by then-"

She closes her eyes and purses her lips, swaying back like someone has dealt her a physical blow. "By then," she continues, steeling herself back to untouchable Goddess. "He will have been of the wild waters for so long that he will be little more than an animal. You will have to catch him, with nets and boats and ropes- and then find a way to bring him back to normal."

They are silent for a while.

"So be it," Eurylochus says, standing up and placing a hand on Penelope's shoulder. He nods to the Goddess, even though he's close enough that Polites can feel him shaking to do it. "What would you counsel us to do for Ithaca in the meantime, Goddess?"

"Ctimene has an equal claim to the throne, as does Penelope," Athena muses. Polites starts and feels the men murmur. Still, who would argue with-

"How will Ctimene rule, though?" Someone pipes up. Nevermind, then. Clearly, Odysseus took everyone's common sense with him when he was rolled off the side of the ship.

Eurylochus snorts before Athena can answer, turning around with a wry smile. "Odysseus may have won us the Trojan War," he tells the lackwitted man. "But never has he once won a single fucking fight with his sister in all the time I've known them. She is a terrifying woman."

Polites feels a laugh slip from him before he can stop it. "She's your wife."

Eurylochus nods grimly. "And I am scared."

"She is rather... shrill." Athena agrees, mouth curling in distaste. "Still, she and you can rule when Penelope is on the waters and the kingdom will not suffer for it. But you cannot both abandon Ithaca to possible invaders."

Penelope sobs and quickly tries to muffle it with a hand, screwing her eyes closed. Polites puts his hand on hers, trying to be reassuring even though his own chest aches. Years.

They will do it, he knows. But still.

"You will find food to eat on these shores," Athena says, turning around. "Ithaca is twelve days west from here."

"Where are you going?" Telemachus pipes up.

A smile props up on Athena's face, small and lacking joy. Cunning and cruel. She still feels so much like Odysseus. "I was dealt a great insult," She tells the child. "And I must return my reply to it."

When they set out the next morning, all the fish in the waters are floating at the surface, dead.

[lichqueenlibrarian]

Kirk, Uhura, and Spock on the observation deck having left the galaxy behind. I love this especially because Spock’s correction that the Enterprise is one of them reflects Jim’s experience in the first inversion that the Enterprise is a living thing, that they’re part of her.

[finzphoenix]

Such a nerd, ugh!! Irresistible gremlin ://

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[thou-babbling-brook]

Finished AC Unity. RIP Arno Dorian you would’ve loved Alcoholics Anonymous (AA)

[le-fruit-de-la-passion]

I am not immune to 'Viktor as Jinx's/Powder's engineering mentor' propaganda

[grape-jucie-dog]

This randomly popped into my head, and I absolutely HAD to write it.

—

"What do you want?" Athena frowned as soon as the door closed, not needing to look up from her scroll to see Aphrodite standing by the entrance.

"You're the goddess of handicraft, I need you to fix this tear in my dress! Ares and I are going out, and you're the only god I know who can fix this quickly!" Aphrodite lifted up the pink cloth in her hand, walking over and practically shoving it into Athena's face.

Athena sighed, rolling up her scroll and patting around her bed. Aphrodite watched as the redhead got up and looked under her bed, the sheets, the pillows, everything.

"What in Hades are you looking for?" She watched as Athena looked through her books and scrolls, searching through the plant leaves.

"Hm, I must've dropped it somewhere around here..." Athena stood in the middle of her room, putting a hand to her chin, looking deep in thought.

"Dropped what?"

"The fuck I was going to give you," Athena turned to face Aphrodite, a mock look of exasperation on her face. "I can't seem to find it. Oh well..." She shrugged, going back to her scroll, ignoring the shocked and offended look on Aphrodite's face. "Now get out. Go find a different dress."

[mxthbladed]

@holyfurnace said: “I’m okay. I’m not even that tired.” (Lute to Exorcist!Vaggie exhaustion … sentence starters

One of Vaggie's brows quirked at that and she drawled, "Keep tellin' yourself that, stud." She took the couple steps needed to close the gap between them and slipped her arm around Lute's waist. "C'mon, you earned a good rest. You can't keep being the best lieutenant if you pass out from exhaustion."

[corviiids]

sparknotes for chapter 9 of as you like it because a very kind commenter asked for a breakdown and if theres one thing im good at it's breaking down

(spoilers for the fic obviously)

tihs chapter gave me so much trouble. i sat on it for so long i literally hated it by the time i posted it but im starting to forgive it now. it was, as ive said, originally way longer, and the next part of the fic was supposed to be the second half of this one... but it was starting to get absurd and i realised that neither part would have the weight i needed them to have if they were lumped in together. (with some relief, honestly, because i kind of had wanted them to be separate initially but didn't think they'd be long enough. i dont know myself very well.) anyway, the next chapter should be a bit of a doozy now although hopefully not SO absurdly long.

this chapter picks up where the previous cliff hung off, which is to say, after the 'shadow' akechi reveals that he's actually just the real ass guy. akechi in the palace what will he do. the chapter doesn't immediately kick off with ren's reaction though and that is because ren is the most repressed man alive and does not know how he feels about it.

so, akechi disguised himself to enter his palace, which is significant for a few reasons:

1. he's disguised as himself

which i think is ironic in a fun way, but it's also just a very basic nod to the fact that akechi pivots between which of his personae is his default. this isn't necessarily super meaningful, but he does later refer to the black mask suit as

a costume, instead of an outfit. i mean, don't read into it too much, he's just talking, but i did think that probably points to how he feels about his appearance generally.

2. more importantly, his disguise involves taking off his mask.

so he's disguised, yes, and he's disguised as himself, yes, but that disguise is a literal unmasking, which is also kind of ironic. in presenting himself this way he has literally and figuratively made himself vulnerable. they're inside his heart, and the entire time he's in the palace, he is exposed... again both literally and figuratively because he also starts sharing more with ren than he ever has. look, i just think it's fun to have a character who has so many layers that he has to lie so hard that he becomes himself again.

i only want to point this out because (this is also part of larger meta about mona lol) akechi knew about the metaverse, but there is no way to intuit the method of stealing hearts without guidance. it's such a specific and involved process. thje most akechi could work out on his own was that if you killed a shadow, that person would have a mental breakdown. no way to guess that if you send a calling card and then go in within the next 24 hours and take a physical manifestation of a thing that you didn't know existed (process) would lead to that person ahving a change of heart (result). so even if akechi had a palace and knew about it, even if he wanted to do something about it, he would have assumed there was nothing he could do about it - i also have no idea what the process would be for sending yourself a calling card, even if he DID know about the process. so basically in this fic akechi found his palace and just assumed that was it. he was like, fucked up lol. anyway

this just straight up isn't true HAHA so i put in the silly little dichotomy of akechi gently taking ren's arm to protect him from slipping on the ice while telling him that he lied about caring about him. i think in this chapter as akechi begins to openly explain more and more of his thought process, this is probably the first truly clear glimpse you get of exactly what akechi's distortion is and how deep it runs.

the things akechi says with total conviction in this chapter are just... not true, not a fair or founded way to view the world (or the art of performance haha), but he says them with total conviction, and hopefully it should show off how unreliable he is as a source of exposition. one commenter asked about this moment of akc's eyes going yellow and if it was somehting that happened in canon - not really, i was just thinking about those little moments in the game after you send a calling card where the game cuts from the person to their shadow to do a little oneliner about their distortion.

akechi's IN his own palace, so i thought it would be fun to kind of make it a physical thing that can happen to him where he sort of merges with his shadow for a brief second in the moments when the distortion is strongest.

OKAY this is one of my favourite bits of the chapter HAHA the deep soda lore. i dont expect anyone to remember all the way back to chapter 3 but:

literally nobody asked about this but i love the phantom thieves!!! i dream of all the little silly moments of being a team that they must have that we don't get to see in gameplay, for obvious reasons of it wouldn't really work in a game, but i can imagine them in my brain. i can imagine their trickshot contests that get their asses kicked. i can imagine them chanting at each other to chug while joker and oracle compete to down an entire bottle of brand neutral mountain dew baja blast. i can dream.

soda lore is gay.

i dont honestly think it's inherently a bad thing necessarily but this part does kind of set up like... you can see akechi very early on in life forming this worldview that the truth isn't always what you want, you know? this was a 'lie' he and his mother both bought into, they both knew what the truth actually was, so it wasn't real dishonesty, but they just had this little fantasy. i just thought it would be fun for akechi to have a way to bond with his mother and feel closer to her, and that way is by buying into this white lie. idk

akechi's mother isn't really a character and i don't want to form her into too much of one because i think it's very much the point that, like... he made this point in an earlier chapter but having lost her at a pretty young age i think it's quite crucial that akechi doesn't really have a fully formed image of who his mother is outside of what she was to him as a child. so i actively don't want her to feel too real or defined. im not interested in making an oc out of her because i think it defeats the purpose. that said, this line exists to maybe gesture very vaguely at the notion that akechi's mother was a very bright person who similarly was stuck in circumstances that didn't serve to foster her real potential. just the image in my mind of a person who's clever enough to get across algebraic notation in chess by flipping through a book in a few minutes, but was never exposed to the opportunity to learn chess until this moment in someone else's house, and also the particular situation of learning this skill WHILE at someone's place as a call girl, i dunno . i hope im treating this with the grace it deserves but i wanted to build just this particular image in vivid colour while also keeping the reality quite blurry and vague, just to give the reader a sense of where akechi came from while still preserving his limited pov.

my thoughts on the phantom thieves' methods (and how they compare to maruki) are definitely too long and involved to put into a post about this fic chapter specifically, but maybe one day. i also wanna stress im not like... strictly anti-phantom thief or anti-heartstealing lol but i do have thoughts about the philsophy of it and the thieves' hypocrisy WHATEVER that's not for this post. i bring this up only to crow about finding a way to bring up the experience machine (ie maruki's reality) in this fic without it being royal compliant and have it be... hoepfully... sufficiently relevant to the plot. wa hoo! the experience machine came up for the first time back in chapter 4 and im just delighted that i finally got to close that loop. by the way, that experiment is also called the lotus eater machine after the lotus eaters in the odyssey! i dunno that it's actively my favourite thought experiment but it's definitely up there and i think about it a lot.

TITLE DROP

i think i spoke once about what 'as you like it' means. it's obviously the name of the shakespeare play from where 'all the world's a stage' comes, but it has a couple more layers to it as well - akechi's palace is a place where he performs to what he believes other people want or need to see from him - so his appearance is as you like it. and his accusation of the thieves' heartstealing methods is that they twist a person's internal reality to suit their vision - that's the meaning he's taking here, claiming that joker is turning akechi into an unfamiliar new thing, as [joker] like[s] it. you get it.

this running joke of ren really hating vents wasn't something i planned but im attached to it now. prayer circle for his knees

ive basically given up on making sense of samerecarm, which is par for the course for any rpg or video game really where reduction to 0hp/revival are mechanics. like, im inclined to think 0hp is more equivalent to unconsciousness, because... well... otherwise it's pretty cold that they left akechi dead in the engine room without even looking for a way around the wall. lol. but one of mona's revival lines is 'being dead isnt easy!' or something like that, so i kind of just give up and assume it's video game logic you'r enot meant to look at too hard lol. the way i reconcile it for my purposes is to say it's a sort of metaverse-exclusive state of being which is not quite dead but sort of in a limbo state wher eyou can be brought back with specific revival magic, which i refer to as being down. that's uhhh, that's different from the battle status of down... which you get after being hit with a crit/technical/weak skill... look, don't think about it. joker in crow's arms.

this is literally meaningless i just wanted to include a cameo of my very favourite persona q2 battle theme.

[i-am-confusion-03]

WHEN WAS SOMEONE GONNA TELL ME THAT SEYKA PETS THE TREX IN THE HOLO THING. WHEN. CUZ MY LIFE IS SO MUCH BETTER NOW THAT I KNOW

[yellowcry]

[christinered]

She must be very tired. Her mother must be very proud.

What I am stunned by ???

Who knew Guinness kept kink World Records?

I think we need to see what other World Records are out there.

~Red

[a-drama-addict]

also new rook that im actually playing BECAUSE she’s a grey warden and that makes me insane. Therése <3

[ell-arts]

Nothing like helping your little sister with her robotics homework, only for said homework to slap you in the face.

This is actually for a tag game (rules here). @yugopossum tagged me for a random drawing of an oc, while @ninjastar107 tagged me to draw Cevian, so I combined both into one post :)

Now I know that a tag game is supposed to be sent on into a chain...but it's late over here and I can't think of people to tag who haven't already done this xD So anyone is welcome to join in!

So many ideas to draw, so little sleep.