#simonson you're cooking
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ffverr · 3 months ago
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Oh Skids.....
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seaweedstarshine · 3 months ago
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literally black king Emma was so fucking good. we were robbed. Like on the one hand they should have let Matt Rosenberg cook but on the other hand. the really brutal Ruth death and rahne trans panic murder were a lot 💀
Oh you’re so so right — the mutant metaphor suffers from cis white writers, but I remember people calling it trauma porn like there’s no narrative purpose for there being a massive death count overall, and I'm like… mmmmmMmm.
Personal preference rambles as a found family heavy angst enjoyer (this is not a defense of Rosenburg X-Men), but in a general sense I really like when — so they might not get along, but they got each other, because as life keeps gloating it's hell to fight supremacy when you're fighting each other (not that causes of divisions amongst marginalized people are unimportant, but if you don't have your people, no one else will, this is how I feel; also not that anyone is obligated to loyalty towards a specific individual that harms them) — Hope shooting Scott in the head isn't fine, but what binds them is more important than grudges. Logan finally leaving his MCU-esque Post Credits Scene Era to be with Scott! The way Black King Emma (!!!) will stoop to any low as she manipulates Scott into doing what she wants, but she is trying to protect him, she worries when he's shot, and when the perceived advantage of their separation ends, she just welcomes them all into the Hellfire Club?? It's just cathartic for me.
There are some very significant caveats in this run that I only hope I remember well enough to speak on… The Morlocks deserved better, eons before anti-mutant hate got to that level, and between Jono and Dani's roles — the X-Men having overlooked the way it's always godawful for the most marginalized among them before it was quite this godawful for all of them, the hypocrisy, it could've been explored better here with less focus on Scott and Logan. Like in Sabretooth and the Exiles, sort of, but not entirely…
(I think sometimes this works better with side books. The Simonson New Mutants run is debatably my fav and overhated in my opinion.)
Yeah, Rosenburg X-Men is very flawed, and it's extremely valid not to be into it when you hold the same energy for Krakoa's flaws, but overall (for me) it really nailed the tension and the stakes and the angst and I was extremely hooked, especially with Age of X-Men meanwhile making choices in the other books.
(I might be misremembering a bunch, too, I literally just reread my college essay from almost exactly 5 years ago to try and remind me! I was low-key exaggerating in those tags where I called it a paper, it was a 3-page one-week essay with two sources which were Rosenburg UXM and the textbook. I also re-skimmed the Ruth death issue…)
…okay one more thing also I can't lie I was heavy into David/Ruth at the time and I read that issue like three times that week it dropped, I'm not about to say it she wasn't fridged for the purpose of setting up how bad it's about to get, nor that the interesting shit it did with her powers didn't literally just mirror the excuse to write out Destiny in a very concerning pattern, but at least the story was about Ruth's pain rather than that of those left behind (which is very different from, say, the focus being on Peter Parker's pain when Ms Marvel last died; and also very different from Rahne's death, which is the worst of the run)— anyway in 2019 I was just so happy to see Ruth again after that wildly OOC Legion series that didn't mention her while David was also being a plot device in Age of X-Men (which I didn't love). I had pretty much lost hope that my X-Men Legacy babies would ever be relevant again, so it was a win for me. Not as big as Way of X, but the bar was on the floor. That said a content warning was so needed to be at the beginning instead of a fucking suicide hotline at the end.
But the Rahne trans panic murder, god. Masterclass in taking the mutant metaphor to depict the most brutal things to happen to real marginalized people (without bothering to represent them?) and it goes grossly exploitative so quick. The way X-Men's lack of sensitivity readers shows…
ANYWAYS I haven't read it in years please take my opinions with a grain of salt.
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