#shuhei nakamura

[queenrojpag]

[shadowmoonarts]

SOBBING HORRENDOUSLY

[raamitsu]

THEY CAME OMG 😭😭😭😭😭😭😭😭😭😭

BITCH YOU HAVE NO IDEA HOW LOUD I SCREAMED WBWEHJYDFGBWEHJDFVGWJHDFQWVF

ALSO TOGAME'S HAIRCUT IN THIS PANEL ??????????????????? STRAIGHT UP HANDSOME !

[ibelongtotheclassics]

TOO WEAK ON MY KNEES 🤧

The "ikemen" of Japan w/ this trend = a must!!! 💯🔥🇯🇵

( 🎥 : New edit w/ my kindred )

Incomplete list~ if only we could fit all of them 😊

[heinfienbrot]

Shuhei Nishiguchi and Tatsuya Nakamura.

[hanchette]

𝐈𝐓 𝐖𝐈𝐋𝐋 𝐀𝐋𝐖𝐀𝐘𝐒 𝐁𝐄 𝐘𝐎𝐔 ( wind breaker characters )

a/n: i want suzuri to cook for me

consist of : fluff, gender neutral reader, established relationship — soft moments

𝐒𝐔𝐙𝐔𝐑𝐈 𝐒𝐇𝐔𝐇𝐄𝐈, you're seated at the back of suzuri's workplace, one that you've called your own with how much you frequent here to visit your boyfriend. he's just as dedicated to his job as you've known him since.

known to never half-assing anything when he can do his best to do it.

and that's why you're here now, suzuri had done his best cooking a meal, one that is wrapped up in a container that he has bought for the two of you—one that he had prepared meticulously with despite his rather clumsy fingers.

"ow." he reacted, although his tone was too flat for you to discern whether he really felt that anyway. nevertheless, you murmured an apology. "sorry."

suzuri kept quiet, allowing you to map the little wounds littered all over his hands as you bandage them with the little ones that possess cute prints.

"i am always worrying you, aren't i?" suzuri breathes out, eyes trained on your hand as you help him patch up.

"you do." you admit, ever since you've met him, ever so self less and kind—so much that he forgets about himself until tsubaki and nakamura found him where he change, albeit slowly.

suzuri breathes through his nose, as soon as you placed the final bandage on his finger, suzuri allows his body to slump forward, his forehead pressing on your hand like he is bowing towards you.

"i promise to do better so you won't then." he mouths against the back of our hand, warm breath fanning your skin as you look down at the man whom dedicated his life towards you.

"how so?" you asked, eyes crinkling at the sides as you look at him—trailing the way his man bun looks good on him.

and his words came in sincerely, "i will practice hard to cook you a perfect meal and try to take care of myself better.. and yet.." he pauses, sucking in a breath, "and yet, at the same time, i don't want to."

your mouth parts, about to ask until he continues, "because I'll miss you patching me up like this."

you shake your head, finding his words silly. feeling how his lithe fingers, wider than your own but the roughness like holding a jagged rock tells about how much his life has been. searching for a place he can safely call home. and though the guys were his family, you were a semblance of what home is.

"shuhei," you call his name, lovingly, tenderly, and suzuri lifts his head, "i will always be with you, don't worry, i will patch you up whenever you need to, take care of you, and continue to love you."

with a smile, suzuri allow a breath of defeat, of course, you'll always be with him. he takes a hold of your hand, kissing the end of your ring finger, a smile etched on his lips.

"okay." was what he could only say.

𝐓𝐀𝐊𝐈𝐈𝐒𝐇𝐈 𝐂𝐇𝐈𝐊𝐀, "what are you?" now, in this same moment, takiishi holds your face in both hands, squishing your cheeks together, owlish eyes staring you down.

"y/n." you offer.

you're seated on his lap, as he had pulled you in when you were walking pass him, takiishi stayed silent, perhaps he did not accepted your answer, merely, staring you down with an intriguing look in his gaze.

he couldn't understand, how his heart would always ache when you're around, how his eyes would always be glued to your every move or how when you're not around, he would crave your presence besides him. and though it is a feeling that always leave him feeling bad about everything, the constant pinning needles that kinks his cold heart or the gnawing in his bones, takiishi would never forsaken this feeling.

endo had told him one time—that takiishi finds you intriguing.

takiishi continues to stare, remembering the moment he had sent endo on an errand to check on you, eager ear listening attentively to any updates on your situation.

you make him feel worse, but at the same time good.

"no." he finally answers, "you, what are you." he repeats his question.

just earlier, you were nothing but a babbling mess towards him, his fist propping his head up as he looks at the view. you're sitting on a terrace of an abandoned house that's situated at roof, a place he found—more like endo did.

topics and topics spewing from your lips until you find yourself laughing and giggling at your own story. which prompted to takiishi to shift his attention to you. bored, dull look placed on you as his free hand brushes your cheek gently. and now, you find yourself in this situation.

and now you're stuck looking at him, you couldn't place a word in, what is he asking of you? what he wants of needs to hear? ahh.. but you know him well enough now, enough to stay by his side.

"your s/o." you answer, watching as his dull gaze only seemingly soften, the stiff look in his eyes relaxing ever so slightly that it has your mind going blank, focus on the very little details that makes takiishi.. him.

you don't understand, somehow, why and how he feels so foreign right now. that nonchalant look still present but he's too- he's not the usual. it's weird, but at the same time, endearing.

"right." he nod once, his free hand going back, thumb tracing the line of your cheekbone.

you're not sure if it was the right answer, but it's enough, it seems, when his eyes stray from your to look at the view, not dull, but softer now.

𝐓𝐒𝐔𝐁𝐀𝐊𝐈𝐍𝐎 𝐓𝐀𝐒𝐔𝐊𝐔, "hehe, i am so happy you came to me for help." he smiles, stupidly pretty that your heart couldn't help but swoon. he's so beautiful.

"how could i not? you are the right person to come to." you tilt your head, tsubaki giggles in response, dragging the chair in front of you as you straighten in your seat, watching his fingers take a napkin from the stand to wipe your face.

"that's why i am happy."

tsubaki then preps your face, from the soft bristles that glides along your face to the little sponges that press against your skin. "you're so pretty, y/n-chan." he compliments you, watching the color from the brush dust your eyelids.

"thank you.." you croaked out, honestly, you still can't believe you managed to date someone like tsubaki—someone so kind, sweet, and tantalizingly soft when it comes to the matters of the heart. "but you're more pretty than me tsubaki-chan."

you can hear small giggles from his lips, maybe you were making a weird expression? ahhh whatever, at least you made him laugh.

"really now?" his eyes crinkle in delight, "that's odd, why do i find you the most beautiful then?" he pressed a sweet peck on the tip of your nose.

perhaps you would need make up anymore, tsubaki muses, watching the way your eyes go wide and feel the warmness creeping in your face with his hand. "hm? y/n-chan is feeling shy in me now?" he teases, pinching your cheek.

"i suppose you won't need a blush now, am i right? then, the only thing that's missing is your lipstick."

before you could reply, tsubaki shows you his collection of lipsticks, from gloss, matte to tints with various colours, allowing you to choose whatever you want.

until you settle on one that you like.

tsubaki giggles, head tilting slightly, and his long hair following the gesture in a flawless motion.

"close your eyes and pucker your lips." he instructs you, you raised a brow, why would you need to close your eyes if he's applying it to your lips?

and it seems like your face is an open book, your beloved immediately responding, "c'mon, it's a surprise."

and so you did.

your senses heightening with the loss of your eye sight, hearing the cap of the lipstick open and waiting for it to be pressed on your lips.

what you thought would be cold and hard was instead, warm and soft.

familiar that it has you closing your eyes shut, thinking that it is merely an imagination you are feeling, until you feel tsubaki's hand wrap around the side of your neck, his thumb angling your head.

and you feel the pressure deepen.

it wasn't until soon that you feel him parting, your lips chasing what was on them, eyes fluttering open to look at tsubaki—his usual meticulously put on lipstick smudged, and the color is similar to the one you just picked earlier.

"ahh, i messed up on putting it on you, maybe we should try again?"

𝐘𝐀𝐌𝐀𝐓𝐎 𝐄𝐍𝐃𝐎, he closes his eyes, feeling the way your fingers rake through his hair, these are one of the beautiful moments in his life—and though yamato endo lives for the thrill and the chase he use to do, he also lives here in this moment, in your arms. the two of you usually sleeping in this particular time of the day.

"hey, let's do something fun." he hums, thoughts pushing each other like a train without a brake.

"define fun."

"maybe we should invite takiishi." endo hums, opening one eye to see you looking at him, sporting a scrunched face at the call of his friend's name. "no way." watching you flat out disagree made endo pout, for someone infamous for his fighting skills and terrifying actions, he acts like a kicked puppy towards you in the span of your relationship with him.

"takiishi and fun is fun, ya know?" endo offers, trying to change your mind as he shifts in place from your arms to lay his chin on your chest, eyes still trained on you with intent.

you pursed your lips, squinting at your boyfriend who merely chuckles at the sight of your expression, though takiishi is a good companion—in a way, you don't like how endo always sports an injury after coaxing him for something.

"kidding." endo jokes, kissing your collarbone before nipping at the skin below it, "a' know ya' don't like that, hehe."

his eyes are crescent in shape as he grins at you from below, sneaky and naughty fingers trailing from your side to under your shirt. "endo."

"yeah?"

"stop that."

your words will always be his command, endo sighs, taking off his hand from you only to lift himself up so he can see you face to face. "you're no fun." he murmurs, lowering himself to plant kisses on your lips.

and though no matter how calloused his hands are, how dry his lips is, and how rough he is. endo is gentle.

gentle with the way he never gives you too much of his lips, hovering, small little pecks to keep you chasing but never waiting. "but a' like ya'." he mouths through your lips, hand coming to guide your nape.

"endo.."

and endo, he's a relentless. "ya want me to stop?" his words are soft, never a whisper at that point, it wasn't to ask a question, but asking for your permission.

you nod, eyes fluttering as you watch him grin at you. "kay.." he agrees, pressing his forehead against yours.

there are moment that you just can't believe, how soft he could be. he's danger all around, sharp along the edges and one wrong move, you'll have to lay there bleeding and crying. but that never happens, with endo, you feel safe, you feel stupidly safe.

and like a drug instilled in your system, your fingers, smaller than his—softer than what his could ever be, trace the inks that line his skin, the way the drawings seem to come to life at every twitch of his muscle amazes your eyes, and yet, you favorite would be the infinity on his neck.

"stay like this for a few." endo breathes, closing his eyes and plopping his heavy body on yours like a heavy blanket.

"i thought you wanted fun?" you question, lips tilting as you watch him.

"later." he replies.

he only says that, because he wants to feel more of your touch, soothing the ache in his soul and guiding him to a paradise he calls you. "for now, i want this." he muffled out through the soft pillows.

[umemiyan]

𝙈𝘼𝙎𝙏𝙀𝙍𝙇𝙄𝙎𝙏 & 𝙒𝙃𝙊 𝙄'𝙇𝙇 𝙒𝙍𝙄𝙏𝙀 𝙁𝙊𝙍.

𝗔𝗧𝗧𝗔𝗖𝗞 𝗢𝗡 𝗧𝗜𝗧𝗔𝗡. ⌇ armin arlert / bertholdt hoover / connie springer / eren jaeger / erwin smith / jean kirschtein / levi ackerman / marco bodt / reiner braun

𝗝𝗨𝗝𝗨𝗧𝗦𝗨 𝗞𝗔𝗜𝗦𝗘𝗡. ⌇ choso / megumi fushiguro / ryomen sukuna / satoru gojo / suguru geto / takuma ino / toge inumaki / toji fushiguro / yuuji itadori / yuuta okkotsu

𝗠𝗬 𝗛𝗘𝗥𝗢 𝗔𝗖𝗔𝗗𝗘𝗠𝗜𝗔. ⌇ denki kaminari / eijirou kirishima / hanta sero / hitoshi shinsou / izuku midoriya / katsuki bakugou / keigo takami/hawks / shouta aizawa / shouto todoroki / tenya iida / touya todoroki/dabi

𝗢𝗕𝗘𝗬 𝗠𝗘! ⌇ lucifer / mammon / leviathan / satan / asmodeus / beelzebub / belphegor / diavolo / barbatos / solomon / simeon

𝗛𝗔𝗜𝗞𝗬𝗨𝗨!! ⌇ asahi azumane / daichi sawamura / hajime iwaizumi / kei tsukishima / keishin ukai / kenma kozume / koushi sugawara / koutarou bokuto / lev haiba / rintarou suna / ryuunosuke tanaka / satori tendou / shouyou hinata / tadashi yamaguchi / tetsurou kuroo / tobio kageyama / tooru oikawa / wakatoshi ushijima / yuu nishinoya

𝗪𝗜𝗡𝗗 𝗕𝗥𝗘𝗔𝗞𝗘𝗥. ⌇ akihiko nirei / choji tomiyama / hajime umemiya / haruka sakura / hayato suo / jo togame / kanji nakamura / kyotaro sugishita / mitsuki kiryu / ren kaji / shuhei suzuri / tasuku tsubakino / toma hiragi / yamato endo

𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗢𝗢𝗡. ⌇ blue lock / demon slayer / genshin impact

[maissafespace]

WIND BREAKER

UMEMIYA HAJIME

One work currently in progress...

TOGAME JO

One work currently in progress...

HIRAGI TOMA

TBA

SUO HAYATO

One work currently in progress...

KAJI REN

One work currently in progress...

KIRYU MITSUKI

TBA

SAKURA HARUKA

TBA

NAKAMURA KANJI

TBA

MIYOSHI AKIHITO

TBA

NIREI AKIHIKO

TBA

YAMATO ENDO

TBA

TAKIISHI CHIKA

TBA

SUZURI SHUHEI

TBA

TSUGEURA TAIGA

TBA

SUGISHITA KYOTARO

TBA

KUSUMI YUTO

TBA

[redsamuraiii]

My 5 Favorite Legal J-Dramas

I love them because they have perfect balance of seriousness and humour, not too dark and not too comedic. And the chemistry of the main leads are fun to watch with their constant bickering. 😂

1. Hero (2001)

Kuryu (Kimura Takuya) is an unconventional prosecutor who has a habit of investigating the criminals himself before prosecuting, which agitates his paralegal, Amamiya (Matsu Takako) has it delays the process while more cases are piling up, and often conflicts with the police who thinks he does not trust their investigation skills.

The series is so good that it has a second season with a newcomer played by Keiko Kitagawa, a special episode with Haruka Ayase and a movie with both Keiko Kitagawa and Matsu Takako. I like their chemistry, not just between the main leads but the supporting characters as well that got pulled into Kimura Takuya's shenanigans.

2. Miss Justice (2018)

A similar tale of a public prosecutor, Ririko (Yoshitaka Yuriko) whose strong sense of justice get in her daily work as she takes time to solve each cases diligently, playing the role of a "detective" to ascertain that the suspects are really guilty before she prosecutes them. However, it only delays her other cases which snowballs.

This agitates her older and experienced paralegal (Yasuda Ken) who is tasked to ensure she completes each task on time without delay. But over time, both him and the entire department who got pulled into her shenanigans finally understands her reasoning and begin to respect her as a fellow prosecutor and not as a newbie.

3. Police and Prosecutor (2023)

Gota (Kiritani Kenta) and Minami (Higa Manami) are siblings who work as a law enforcer and a paralegal respectively. She works for an ambitious public prosecutor, Shuhei (Higashide Masahiro) whose values and principles are opposite of Gota, which often puts them at odds with one another when they work together on every case.

While Minami and Shuhei know the grey world in their line of work, Gota is a brash detective who only sees thing in black and white which often puts them at odds with one another. But their opposing personalities and styles of work eventually help to solve the cases in arresting and prosecuting the right criminal.

4. Ishiko and Haneo (2022)

Ishiko (Kasumi Arimura) is an obstinate law graduate who aspired to be a lawyer but after failing the bar four times, she gives up her dreams and works as a paralegal at her father's private law firm where she met the prodigy Haneo (Nakamura Tomoya) who passed the bar on first attempt due to his photographic memory.

Ishiko is a bit insecure in having to work with a prodigy while Haneo is actually terrible at adapting that he often mask it with his "superior intellectual". Their different personalities and styles of working contradict each other as the two of them, with their own inferiority complexes, are thrown together to solve cases.

5. Binta : Love and Law (2022)

Minowa (Matsumoto Toshio) is a former delinquent who doesn't have a regular job and never really thought seriously about life until he had to look after his young step-sister left behind by his late father. He lands a job as clerk, working for a strong headed lawyer, Natsumi (Yamaguchi Sayaka) who is dumbfounded by his "stupidity".

But his strong sense of justice is a welcoming change that she needed having work in a corporate law firm surrounded by "vultures" that the two decided to start their own private firm to genuinely help people that really need help and not simply for the big money. But with each case, they realize things are not as simple as they think.

[osawayudai]

崎山蒼志 “AKARI”

Single CD Jacket

Creative Direction: Nakamura Raita (yoru)

Art Direction & Design: Osawa Yudai

Photography: Tsunekawa Shuhei

＜2023＞

[byneddiedingo]

Chishu Ryu in An Autumn Afternoon (Yasujiro Ozu, 1963) Cast: Chishu Ryu, Shima Iwashita, Keiji Sada, Mariko Okada, Teruo Yushida, Noriko Maki, Shin'ichiro Mikami, Nobuo Nakamura, Kuniko Miyake, Eijiro Tono, Haruko Sugimura, Kyoko Kishida, Daisuke Kato. Screenplay: Kogo Noda, Yasujiro Ozu. Cinematography: Yuharu Atsuta. Production design: Minoru Kanekatsu If a foolish consistency is the hobgoblin of little minds, then what is a wise consistency? Because Yasujiro Ozu was nothing if not consistent, especially in the films of his greatest period: From Late Spring (1949) through An Autumn Afternoon, his final film, we get the same milieu -- middle class Japanese family life -- with the same problems -- aging parents, marriageable daughters, unruly children -- and the same style -- low-angle shots, stationary camera, boxlike interiors, exterior shots of buildings and landscape used to punctuate the narrative. Ozu's style would be called "mannered" except that the word suggests an obtrusive inflection of style for style's sake, whereas Ozu's style is unobtrusive, dedicated to the service of storytelling. There are, I suppose, some who are turned off by such consistency, who don't "get" Ozu. All I can say is that it's their loss, because it's a wise consistency, dedicated to trying to understand the way people work, why, for example, they conceal and obfuscate and manipulate to get what they really want. And why, sometimes, they don't even know what they really want. An Autumn Afternoon could almost be mistaken for a remake of Late Spring because of its central problem: a young woman at risk of sacrificing herself for an aging, widowed father. It stars the same actor, Chishu Ryu, as the father, Shuhei, and it ends in a strikingly similar way: The daughter, Michiko (Shima Iwashita), gets married, but we never see the bridegroom, just as we never see the man Noriko marries in Late Spring. But where Late Spring centered itself on a kind of moral dilemma, the white lie the father tells to resolve the problem, An Autumn Afternoon illuminates the relationship of father and daughter through the experiences of secondary characters. If Michiko marries, will her marriage be like that of her brother and sister-in-law, strained by constant arguments about money? If Shuhei doesn't encourage her to marry, will she end up like the daughter of his old teacher, embittered because she gave up the prospect of marriage to serve him? There's yet another possibility for Shuhei: His close friend, a widower, remarried, but now his much younger wife has him on a tight leash, putting limits on him that Shuhei doesn't have, such as the ability to stop off in bars and to drink with his old war buddies. (Even Michiko tries to rein in her father where this is concerned, pointedly commenting when Shuhei comes home a little late and tipsy.) The screenplay by Ozu and his usual collaborator, Kogo Noda, deftly integrates all of these stories and more, but the shining center of the film is the performance of Ryu, constantly letting us see the conflict that is churning beneath Shuhei's calm demeanor. And it's entirely fitting that the final shot of Ozu's last film -- Shuhei, saying softly to himself, "Alone, eh?" -- features Ryu, the actor who appeared in so many of his films that he seemed to be Ozu's alter ego.

[wrestlingisfake]

The New Year 2023

I still don't follow Pro Wrestling Noah but they're doing they're biggest show of the year, so I caved in and signed up for Wrestle Universe. (It's 900 yen for a month, which works out to $6.86 US, so that seems like a good deal.) The show starts at 2am EST tonight, with English commentary, so after Americans ring in the new year they can stay up late watching wrestling.

All I really know about the show is the main event: the Great Muta vs. Shinsuke Nakamura. Muta (aka Keiji Mutoh) is a living legend in Japan and he's winding down his retirement tour. WWE has given Nakamura special permission to come in for one of Muta's final matches. It's not exactly like Shinsuke returning to New Japan, but it's about as close as we're going to get anytime soon. Mutoh is 60 years old so I'm not expecting a five-star classic, but the fact this matchup seemed impossible a couple of months ago should fill it with drama.

Here's the rest of the card:

GHC heavyweight champion Kaito Kiyomiya vs. Kenoh

GHC junior tag champions YO-HEY & Kzy vs. Yoshinari Ogawa & Eita

GHC heavyweight tag champions Takashi Sugiura & Satoshi Kojima vs. Naomichi Marufuji & KENTA

GHC junior champion AMAKUSA vs. Junta Miyawaki

Timothy Thatcher vs. Jack Morris

Masakatsu Funaki & Katsuhiko Nakajima & Manabu Soya & Hajime Ohara vs. Kazuyuki Fujita & Kendo Kashin & Rongai NOSAWA & ?

Hijo del Dr. Wagner Jr. & Atsushi Kotoge & Seiki Yoshioki vs. Masaaki Mochizuki & Susumu Mochizuki & Mochizuki Jr.

Ninja Mack & Dante Leon & Alejandro vs. Shuji Kondo & Tadasuke & HIROKI

Masa Kitamiya & Daiki Inaba & Yoshiki Inamura vs. Muhammad Yone & Akitoshi Saito & Shuhei Taniguchi

Yasutaka Yano vs. Taishi Ozawa

[gjupdates]

Tokyo Electron Limited (TOELF) Q3 2023 Earnings Call Transcript

[ad_1] Tokyo Electron Limited (OTCPK:TOELF) Q3 2023 Earnings Conference Call February 9, 2023 3:30 AM ET Company Participants Koichi Yatsuda – Vice President of Investor Relations Hiroshi Kawamoto – Vice President & General Manager, Finance Unit Toshiki Kawai – Representative Director, President & Chief Executive Officer Conference Call Participants Shuhei Nakamura – Goldman Sachs Yu Yoshida –…

[moneygigs]

Tokyo Electron Limited (TOELF) Q3 2023 Earnings Call Transcript

Tokyo Electron Limited (OTCPK:TOELF) Q3 2023 Earnings Conference Call February 9, 2023 3:30 AM ET Company Participants Koichi Yatsuda – Vice President of Investor Relations Hiroshi Kawamoto – Vice President & General Manager, Finance Unit Toshiki Kawai – Representative Director, President & Chief Executive Officer Conference Call Participants Shuhei Nakamura – Goldman Sachs Yu Yoshida – CLSA…

[lafrec]

2023年LFR最初のリリースはEwoksの新作2ndEP、7インチ！！！

ARTIST : Ewoks(イウォーク)

TITLE : ep2

LABEL : LIKE A FOOL RECORDS / LFR024

FORMAT : 7inch(”HALF&HALF TRANSPARENT GOLD/MINT GREEN”)

RELEASE : 2023.03.08(Wed)

PRICE : ¥1,800(+tax)

■Side A

01. Lucky Boy

02. Q

■Side B

01. Power Curve

02. It’s Okay As a Material

2021年秋LIKE A FOOL RECORDSよりデビュー7インチをリリースしたハートフルインディーロックバンドEwoksの新作7インチ。

デビュー7インチをリリース後、ミュージシャンからの支持も多く得、さまざまなイベントにも出演しライヴの経験を生かしたEwoksの新作、レコーディングは引き続きLFRワークスお馴染み、さらにEwoksのライブにも参加するStrohorn Music Laboratory横山令氏、前作から地続きにしてより骨太になったバンドサウンドに、プラス”遊び”もでき、マンドリンやサウンドホース、コーラスワーク等のアレンジやエンジニアとの信頼関係が深まったからこそのポストプロダクション、アンビエントな実験的アレンジも非常に効果的、より表現力豊かな仕上りになってます。

遊び心満載なアレンジ”Lucky Boy”で始まり、彼らのオルタナ要素たっぷり&ユーモア溢れる詩世界の”Q”、”Change Up”に引き続きお馴染み野球シリーズショートチューン””Power Curve”、彼らの良さが全て詰まったハートフルエモーション”It’s Okay As a Material”、の7インチいっぱいに詰め込んだ4曲を収録。

ジャケットデザインもGt.Vo.丸ちゃんが引き続き担当、さらに今回はカラーヴァイナル”HALF&HALF TRANSPARENT GOLD/MINT GREEN”ということで素敵にマッチしております。

前作に引き続き、PinegroveやBig Thief、Pavement、2nd Grade等インディーロック好きなら必ずハマる作品でしょう。

これを聴いて春を待ちましょう～。　

[Ewoks]

SUMMERMANのHayato Maruoka(Gt.Vo)中心に、SLEEPLESS/Japanese FootballのShuhei Nakamura(Ba.)、shutoのMomo Nakamura (Gt.Cho)、chie等のDaichi Inomata(Dr.Cho)によるバンド、2021年結成、2021年秋LIKE A FOOL RECORDSよりデビュー7インチをリリース、都内中心に精力的に活動中。

リリースに伴ってレコ発も決定しております。

Ewoks ep.2 release party

【episode vol.1】

2023.3.26（日）

@新代田FEVER

出演:

HELLOHAWK

bed

Ewoks

OPEN/START

11:45/12:00

adv/door

3000円/3600円

[heinfienbrot]

Tatsuya Nakamura and Shuhei Nishiguchi.