#she's also. not that strong and doesn't know how to use an psi powers that could do damage though
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Weird little kid
#art#illustration#ocs#psychonauts#psychonauts oc#Darcy#refs#she doesn't have a last name yet but that's ok#she's based off a really old oc I used to have#like. from animal jam originally lol..#she's something of a trouble maker. always sneaking around and trying to break the camp equipment#it's a wonder how she hasn't been kicked out yet. she keeps getting caught before she can really do any damage though#she's also. not that strong and doesn't know how to use an psi powers that could do damage though
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I have now shifted from reading the first X-Men run to reading the Claremont stuff, and of course I have opinions. (I'm nowhere near done with Claremont's run, just past Dark Phoenix and Days of Future Past.)
I can honestly see why Claremont basically saved the X-Men franchise, his stuff is so much better than the first 66 issues. I'm sure part of it is a shift in comics writing style, from less adventure-of-the-month to more ongoing saga, soap opera style, but it's just good. It's really good. Claremont sets up plot points well in advance, he creates a team with distinct personalities, and friction (or friendships) that come with that. The prose is beautiful at times. I remember trying to read Claremont stuff after growing up with 90's X-Men, and thinking the writing sounded corny (and I know people who grew up reading later era X-Men feel the same way about 90's comics now). But after reading the first run, Claremont's X-Men hits differently, and it's so much easier to read, like I'm not forcing myself to slog through it.
Phoenix/Dark Phoenix saga is genuinely a beautiful story. There's a lot to be said about the all-powerful female character being unable to control her power, and being essentially corrupted by lust (both physical lust and lust for power), and the weird virgin/whore dynamic Claremont has going with Jean. Like, there are absolutely weird sexist undertones. But if Jean absolutely had to be killed off, it's a well-written death, and I can see why adaptations keep going back to it, although I wish they'd stop, no one has gotten it right. I think the X-Men Animated Series actually did the best job, they stayed close to the original story (with the 90's cast) and went with a "Jean is possessed by Phoenix" angle rather than the "Jean was replaced by Phoenix" retcon in the actual comics. I can kind of see why the later retcon went with "cosmic firebird" to separate Phoenix from Jean, as even the way Jean talks about "Phoenix" in the original story, like she's tapped into some primal, cosmic power, sounds like it's some force outside of herself.
I totally forgot that Beast and Angel are both there for the final battle before Phoenix dies, Beast because he saw on an Avenger's monitor that the X-Men were in trouble. And Angel actually rejoins the team for awhile. Poor Bobby is the only one who gets left out.
There's a long period in the comics where Jean and Beast think the other X-Men are dead, and the X-Men think Jean and Beast are dead after the groups are separated escaping Magneto's lair, which fills with lava. I can understand Jean not being strong enough to do a psi-scan (she is exhausted from protecting herself and Beast, and they emerge in Antarctica, so they are struggling just to survive). But apparently when they report the news to Xavier, he just doesn't bother to do any kind of Cerebro search. "The X-Men are ambiguously dead with no bodies or real confirmation of their deaths, guess I won't bother to use this device that can locate mutants, I'm off to space with my bird girlfriend."
This was also the start of the "Professor Xavier is a jerk!" era. The first run had Xavier doing so very questionable stuff, but it was always treated in a "Father Knows Best" kind of way. Xavier was the mentor that they all obey without question, and he was basically always right. Claremont wrote an Xavier who is flawed and capable of making mistakes, although he still appears to be a man who loves his students like his own children. He gets distracted by his dreams of (and later romance with) Lilandra, he butts heads with Cyclops and tries to treat him like a child when Cyclops has been leading the team independently for a while. After Jean's death, when Cyclops is basically summarizing his entire life with the team, he criticizes a few of Xavier's decisions, and in particular thinks about how cruel the whole "fake death Changeling substitute" thing was. I know Claremont is also responsible for also fleshing out Magneto as a character and making him a much more nuanced figure, and I like it. To be honest, I think fan opinion lately has swung too far in the other direction, now we've got "Magneto was right" and "Xavier is the worst," and I don't fully agree with that, either. I think they are both deeply flawed leaders who are both capable of good and bad. I like flawed Xavier who is still a thoughtful and caring person.
This run also gets into Claremont fetish territory, big time. We've got the whole Jean seduction thing, the Hellfire club fetish gear (only for the women, of course!), Storm constantly getting naked, and that time Magneto turns the X-Men into adult babies. No, seriously, he is angry about being changed into a baby by Alpha the Ultimate Mutant (something that happened in another book between the first run and Claremont's run), and he wants to give them a taste of it. So he has them strapped into chairs with collars that shut off their powers and greatly restrict their movement and speech, while a robot nanny feeds them and brushes their hair, and yeah, it's really weird. He sort of makes it make sense, as Magneto claims that in baby form he could still remember who he was and what he had lost, and that actually sounds nightmarish. I can understand wanting to subject his enemies to the same indignity. But it's still weird.
Claremont really loves putting people in leather bondage outfits and the whole "you're mind-controlling me to be evil but I secretly like it" thing, starting with Jean. Even in the New Mutants and Excalibur we get some of this stuff, like Empath forcing Sharon and Tom to have sex with each other and put on weird bondage outfits. It's a whole thing with him. Storm is kind of like Starfire (who came later), in that she's a sexy, beautiful character who likes to get naked because she is comfortable that way, but she is not actively trying to be "sexy." I can kind of see it as "Storm is connected to nature," but otherwise I'm not sure how I feel about it. I don't think female characters should have to dress in skimpy outfits because they are trying to be sexy, but at the same time we get sexy characters who aren't really "allowed" to own their own sexuality. I almost respect it more with characters like Emma who say, "Yes, I dress this way to be sexy." We just get a lot of Storm taking showers.
Poor Thunderbird, he only lasted like four issues. Sometimes I wonder how it would have been if Wolverine had died instead, and if Thunderbird would have become as big a character. Wolverine has the whole "Weapon X" past thing going for him, but it seems like that was added later to flesh the character out, they could have just as easily given Proudstar an interesting backstory. Thunderbird's death is interesting, because it's not really depicted as a necessary sacrifice. Thunderbird didn't have to stay on the plane with Nefaria, Banshee was right there and could have caught him in the air. It was less of a noble sacrifice and more like a character desperate to prove himself. I'm not trying to disrespect Proudstar here, I just think it's interesting. I wonder if this death was meant to show Cyclops/Xavier failing in leadership for the first time, that they didn't realize Thunderbird would do something like this. They sort of "bring him back" with James Proudstar/Thunderbird II/eventually Warpath in the Hellions. Normally I don't really like "replacement characters" that have the exact same powers and look very similar to the original except Madelyne but New Mutants did a good job of making James Proudstar his own character. He is connected to John as his brother, he wants revenge for his brother's death, but unlike John, James comes across as very calm and serious, the leader of the Hellions who is responsible for everyone. And hey, now they're both alive in current comics - if only they'd be allowed to actually interact.
Claremont starts with a big team and then does a lot of pushing characters out. The original team leaves except Scott. Thunderbird dies. Then Jean comes back as Phoenix (and dies). Sunfire goes on the Krakoa mission, then says "Fuck you, I'm out," which is kind of constant theme with him. Lorna and Alex are constantly on the periphery, occasionally getting dragged into stories (like when they are brainwashed by Erik the Red), but never full team members. At least Havok gets to properly join later, Polaris is constantly getting pushed aside. Banshee actually gets a proper run on the book and is there for the first Phoenix saga before Claremont eases him into retirement with an injury to his voice and a romance with Moira. I really like Banshee, it's neat to have an "older" character on a team full of kids (and even Wolverine is treated as a younger guy in his early appearances, before his backstory gets fleshed out), and he has his own backstory of being an Interpol agent, and an evil cousin who wants to kill him. He also has an ancestral castle with leprechauns, but we won't talk about that. Claremont sort of keeps the "Muir Island" characters in the loop for awhile, so occasionally Banshee, Moira, Multiple Man, and sometimes Lorna and Alex get drawn into the story again.
Erik the Red shows up as a Shiar agent, even though Erik the Red was a fake persona that Scott used in the first X-Men run, and I swear we never get an explanation as to why. Did the Shiar agent just find the costume and think it was cool? Or maybe it was the agent's costume the entire time and Scott found it somewhere, that would explain how Scott quickly cobbled together a villain disguise complete with laser gloves that mimicked powers. I think Claremont just saw the bondage gear and couldn't resist.
First appearance of Juggernaut and Black Tom Cassidy as a duo, and Juggernaut even dives into the sea to save Tom. These two, along with Pyro and Avalanche and Unus and Blob, are high on my "gay villain duo" list.
Mesmero hypnotizes the X-Men into thinking that they are carnival workers, and Magneto shows up and is like:
Magneto actually rescues the X-Men from Mesmero just so he can take revenge on them himself, and says that Mesmero was just working with a Magneto robot the whole time.
I probably make it no secret that Wolverine is very low on my favorite character list, but I like him more in the early days when he's not only allowed to be a massive asshole, but the narrative actually treats him like one. Wolverine bothers me the most in his over-hyped days, when he is basically, to borrow TV Tropes, a Jerkass-Sue, who always saves the day and is still loved and respected by almost everyone despite being a massive asshole. In the early days there are actually consequences for Wolverine being a massive asshole, people yell at him and put him in his place, he actually loses fights occasionally, he gradually develops and shows that he has a good heart and cares about his team-mates. He is actually part of the team, not the star. My favorite Wolverine is a character who fits in as part of the X-Men, while Wolverine on his own bores the shit out of me.
The Hellfire Club story really makes Mastermind an impressive villain. I always thought he was a creep, and Hellfire club elevates him to mega-creep, but it also shows him managing to work his way into this Inner Circle of powerful mutants, and gain control over Jean with his illusion powers. (And some help from a device that Emma made, current comics forget she is a tech whiz). Like this is a legitimately dangerous, threatening Mastermind, although not after Jean wipes the floor with him.
I wonder what fan reaction was like to Kitty Pryde - was she a welcome addition, or the "annoying child character," like Wesley Crusher? Personally, I like Kitty, and I appreciate her acting like an actual child, not a hyper-competent genius, although she is an actual genius. I don't mind her doing things like wandering into the Danger Room and forgetting to phase because she's so scared, it makes sense. She's like 13.
There's a lot more to be said about the introductions of Sebastian Shaw and Emma and my favorite Brotherhood, with Destiny, Mystique, Blob, Avalanche and Pyro, but this has gone on too long already. Claremont definitely gave us a lot of characters with staying power.
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Eighla is a tentacle monster that is native to the planet Krug along with all the other types of monsters. She was born there and somehow she was brought to planet Jer, native to the fish people
Eighla Gee is the adoptive daughter of Edward Gee and Prince Platinum. She showed up mysteriously on Jer and was taken into a monster orphanage. Fate brought Eighla and Edward together.
Eighla is kinda crazy and very chaotic. Weather she intends to or not (she doesn't most of the time) she is usually the center of attention with either how loud she is or how weird some of the stuff she's saying is. She also has a bad habit of biting people weather it's out of anger or affection (not sexual). She never grew out of teething as a hatchling. Edward is very patient with her...maybe too patient and Prince Platinum unfortunately isn't that great of an influence.
Eighla has very different anatomy from a human. She has no bones just cartilage. Her legs support her from pure muscle strength alone along with the rest of her kind.
Edward being the power psi user he is has taught Eighla a little of what he knows about it. This has given her a novice level of psi skills. Though her main strengths come from her monster traits. The "devil tail" is actually a stinger that isn't strong enough to kill someone but it will ward off predators. She can also spit acid and her legs of pure muscle can pack a nasty kick. As mentioned earlier she also has a bit and it's like ok.
The tendrils on the bottom of her torso allow her to close the opening that allows her tentacles to come in and out of her body. Very useful for sleeping or sitting down
Eighla gets along with Violet the most out of her small group of friends. Piczo just gets annoyed with her antics and Gamma is a little scared of her. Violet is very unbothered by the crazy shit she does and says.
While in high school she was voted "Most likely to commit arson"
THIS is the new "Official" Eighla Gee reference image that you should use
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