#she's FUN and she's GREAT and there's a very Obvious Reason why the fandom ignores her as a Robin and i WILL be bitter until they start
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3-why-am-i-here-3 · 16 days ago
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Venting about the discourse regarding Gwen and her relationship to Miles in this fandom, not because I think it will do any good, but because i just want to say it.
What happened between Miles and Gwen in ATSV and the consequential fallout opened the door for some very interesting discourse. Discussions can be had about the events leading up to Gwen's blunders, whether she can earn forgiveness, and how these things will affect Mile's relationship with her, as well as how these types of situations play out in real relationships. These discussions have been happening to an extent, but not in a way that is conducive to good discourse.
What often keeps people from healthy discussion of these topics is the many different interpretations of Gwen; specifically the very polarized opinions people have of her. Some believe what she has done should never be forgiven, while others believe she has done nothing wrong to begin with.
I fall somewhere in the middle; I like Gwen, and I hope she is redeemed in the next movie, but I also acknowledge that she does need redemption. Obviously, you can like Gwen; you can also dislike her, but there is nothing wrong with either. What I see a lot of, though, are people who like or dislike her to the point of mischaracterization.
I believe there is room for interpretation of her character, but there does come a point where it becomes illogical. For example, some people who dislike Gwen will make her out to be completely evil, and the sole reason for every bad thing that happened to Miles. Others who do like her will paint her as a martyr and a saint. Neither are true. Gwen is a teenage girl who was caught between a rock and a hard place. She messed up and needs to work to earn her forgiveness. Both these statements are true, but depending on which side of the debate people fall on, they will only believe one or the other.
People don't (or won't) seem to understand that Gwen (and her situation) were nuanced. It is not black or white, but some shade of grey. And maybe you're reading this and thinking, "duh," but even if many people know this, they don't act like it. I'm not saying you can't criticize or praise Gwen, but I see people get so caught up in either blasting or defending her that it destroys any opportunity for an actual good discussion. I think Gwen's character is complex, and that's why I like her so much. I love it when characters accidently pave the road to hell with the best intentions, and I love seeing discourse about what they did wrong and what they did right. All this fandom does, however, is wage wars over whether Gwen is a demon or an angel at the expense of her character and Miles', for that matter.
I also see so many people engaging with content that would be better ignored. I can't stress this enough: if there is a user saying something that you don't like and it's not harmful to you or anyone else, then unless you intend to respectfully give your opinion in a way that's conducive to productive converstaion, DO NOT ENGAGE! Block them, report them, whatever, just don't interact. I see so many people in the comments of posts that they simply disagree with being disrespectful to the poster or anyone who agrees with them. What's even more infuriating is when the post is obvious rage bait. I've seen so many rage bait posts about Gwen trying to ignite either side of the debate over her character and they always get what they want: a bunch of people arguing in the replies.
It's such a shame because this could have produced some great conversations, but people have instead faught over it. It all comes down to a lack of nuanced opinions of a nuanced character, in my opinion. I'm hoping BTSV will calm people down and maybe then there will be room for more respectful conversation, but right now? It's a war zone and I want no part of it.
TL:DR: People who don't understand nuance and only deal in absolutes have made this fandom a lot less fun.
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atthebell-moved · 1 year ago
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now you've gotten me curious, if you're interested in sharing, what are your thoughts on the jaiden federation stuff?
tbc i think the ACTUAL CANONICAL federation stuff jaiden has going on is cool and makes sense for her character; my issues, as usual, lie more with fan interpretation.
my issue is the fact that people reacted to the "you helped us" line by thinking jaiden was either a baby raised by the federation and that's why she had such affection for cucurucho (completely stripping her of agency and quite literally infantilizing her) or that she was cucurucho's mom which. if i have to explain how that's a sexist assumption i think there's no hope for this fandom.
why did i not see a single post talking about her being a scientist or a federation worker who helped create the cucuruchos? why was the IMMEDIATE assumption that she must have some familial relationship or that she was either a brainwashed, engineered child (and yes, i know the theory existed before this, but i have the same exact issues with it pre-reveal she was involved with the federation) or a mother figure, rather than someone who helped make the damn things? i have genuinely not seen a single post talking about her working as a scientist for the federation pre-memory loss, which was my immediate assumption and is the most likely theory!
i find it frustrating because to me it's yet another obvious blindspot for this fandom that people took a story reveal about an asian woman's character and made her into a literal baby. like people pull infantilizing shit with jaiden all the time, and they do it to other asian women ccs (namely tina, who gets it so bad it's unreal), but this one is so blatant it feels like a parody.
i get that drawing the characters as cute kids is fun. sure, whatever, kidfic and whatnot is great if that's your cup of tea. but the choice to leap to a theory that involves jaiden being an infant lacking any agency and that her (very cool and i think very significant!) personal choice to have sympathy for cucurucho despite the rest of the island's fear and distrust gets ignored in favor of that feels awful. jaiden chose to take her character in a really interesting moral direction, and instead of respecting that choice, people decide she must have been raised by the federation, because that's the only way she could be stupid/emotional enough to sympathize with cucurucho.
idk. people can do whatever they want, and im not saying any individual who likes that theory is a misogynist jackass on purpose. i just think the amount of people who immediately leapt to that theory is weird and sucks because of all the reasons i listed above.
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allwaswell16 · 2 years ago
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15 questions
Thanks for the tag @phdmama ! I'll tag: @haztobegood @himynameiszayn @fallinglikethis @dearlou @loulovehome @reneedibbley @somethingwittyorother @thewhitecitrus (lol I legit couldn't remember your url and had to just search "Cathy" on my own blog to find it, probably I should go to bed)
are you named after anyone? not really. It's just a name my dad liked. It was the name of one of The Price Is Right models. sigh. Anyway, I do have my great grandmother's middle name though.
when was the last time you cried? Unfortunately, my husband's grandmother passed away just after Christmas. She was really cool and funny and creative, and we got along really well. At every family gathering I would hole up in a corner with her, her sister (my husband's great aunt), and one of his aunts. And we would have the best time ignoring everyone else lmaooo Anyway, Great Aunt Josie gave the best eulogy for her sister and we were all crying and then laughing and then crying again.
do you have kids? I do! I have two boys!
do you use sarcasm a lot? I feel like I used to be more sarcastic? I admit my humor can be on the sarcastic side in real life. So to be honest, I've tried to curb it. Not sure how successful I've been at that though. And the reason I've tried to cut back is just because I don't want anyone to feel hurt by my humor. If I want to hurt someone's feelings, I don't use humor.
what’s the first thing you notice about people? I have no idea. Eyes, maybe?
what’s your eye colour? brown
scary movies or happy endings? happy endings. I don't watch scary movies. I have to be very particular about what I watch because when something is visual it sticks with me in a different way than words or audio. And it will haunt me for life. Fun times.
any special talents? writing maybe? It's just something I've always done. OH I'm really good at standardized tests. a;lskjdf. They were always like a fun little puzzle. But also this is why I think those tests are bullshit. I got the same ACT score as my friend who is now a doctor. Like graduated from Yale kind of smart. lol in no universe am I as smart as her. But that dumb test said we were the same. lol no. Let's see what else...winged eyeliner! I can do a helluva wing. Hmmm, one more...I'm good at memorizing maps and have a good sense of direction. So I'm a good person to travel with!
where were you born? Illinois
what are your hobbies? writing, reading, cross stitch, embroidery, fandom? does that count?, makeup, skincare, baking
do you have any pets? I have one very spoiled, very enormous tuxedo cat named Catty. And some number of fish that are my husband's.
what sports do you play/have you played? I grew up playing soccer and tennis
how tall are you? 5′3″
favourite subject at school: writing and literature, probably obvious
dream job: writer, also probably obvious
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ravensroundofrobins · 6 years ago
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Since most of y'all Don't seem to Know her.... Let’s DO THIS BRIEF HISTORY OF ROBIN!STEPH BUCKLE TF UP BITCHES
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(Note: For the most part, Steph’s time as Robin is included in the War Games TPB, especially because it serves as a catalyst for said event. Highly recommended the read, but mind, like, everything about it) ((also also tumblr only allows 10 pics, so I'm cherry picking my fav panels/most important ones. + offering a bit of meta. take this with a grain of salt and Please read War Games and draw your own conclusions blah blah))
So to start with, a little Context to Steph’s Start as Robin:
Tim’s dad found out about his Robining & made him hang up the cape+mask. As any Concerned and Reasonable parent would. Steph is still operating as Spoiler at the time, despite many attempts by many members of the batfam (but especially Batman) to dissuade her from crime-fighting.
Due to a gross misunderstanding (as these things tend go in comics *sigh*) Steph, who is dating Tim at the time, sees a girl who was interested in him make a move & thinks that Tim is cheating on her. She channels this grief/mourning/anger into making her own homemade Robin costume and convinces Batman to take her under his wing (he sets the conditions that she must follow every order, with a ‘one strike, you’re out’ kind of policy). She undergoes an unspecified training period to get in Proper Shape For Crime Fighting and Batman starts taking her on various patrols and investigations.
During this time, she also teams up with Batgirl (Cassandra Cain) on more than one occasion (one of my fav panels below, just bc its so stylized lmao. its Cute)
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During this time, in true Robin Tradition, Steph builds up quite the rapport with Batman, providing a lighter/comedic side and being a general breath of fresh air and foil to the Dark Knight. (just LOOK at this banter & Bargaining for the batmobile!!! a TRUE ROBIN)
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There’s a couple cases that I won't get too far into (but one i want to briefly mention involves Zsasz and Steph going almost a bit too far when trying to subdue him. its a very clear parallel to Jason & serves as foreshadowing for how War Games will play out i.e., Steph’s fate) 
Now during this time, there’s an assassin/merc who is killing off teens who were suspected to be Robin (Tim Drake), which Batman catches wind of and the Dynamic Duo moves in to put an End to. (look at this smug lil robin, catching the Bad Guy™ off guard. ADORABLE)
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Another thing to note now, is how Eager Robin is to jump onto the case and into the fray. and how carefully she toes the line when following/questioning batman’s orders. this is touched on many times often either with her able to juuuuust reason with the caped crusader enough to Bend his own orders or even to change his mind on occasion.
(a thing i want to note here with this panel and with this particular time in Steph’s career as Robin is that the writer had her referring to Batman as ‘Boss’. whether this was intentional or not, it most closely resembles, to me, Carrie Kelley’s mannerisms as Robin. i.e. another Robin that the writers may have been using as inspo/to parallel. Carrie’s time as Robin is also defined by Batman’s grief from losing Jason, and is given a very similar probationary status that Steph is given during her time as Robin. coincidence? maybe. but i think not.)
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While they lose track of the villain initially, Steph’s quick thinking to place trackers on her is what saves the mission. at the Moment at least. Batman makes a decision to bring Robin along when tracking their prey, but orders her to stay behind in the batplane & ‘not touch anything’ unless ordered to do so. which is where we get the Defining Moment:
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When Steph, against orders, jumps into the fray. its something to be admired, and very Typical Robin Behavior (bc where would they be if they weren't impulsive and, well, KIDS, amirite?) but unfortunately, her decision costs them the chance of apprehending the villain, and Batman stays true to his word...
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and she's Fired (g o d I'm not the biggest fan of damion scott’s art but this look BROKE MY HEART. i can practically HEAR those choked back tears and see that quivering lip like... G O D BRUCE NO. GIVE HER ANOTHER CHANCE. ANYTHING ELSE THAN WHATS GONNA HAPPEN)
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here’s where I'm gonna TL;DR War Games for y’all bc.... holy shit its a LOT. and Steph’s involvement really only begins it, and essentially ends it. (literally lmao. she's featured a little throughout but like. its a Crossover Event™ for a reason. everyone gets a little bit of the spotlight, which means a bit of shuffling around ofc) but Anyways
tl;dr - steph takes one of Batman’s contingency plans on her way out of the cave & implements it w/out being aware of a few Key Details. all out War breaks amongst the different gangs of gotham, with Batman & company trying to regain control of the city & maintain order. Black Mask resurfaces, catches and tortures Steph to learn details about the plan and makes his own grab for power (fun fact, for those of you paying attention to the Big Picture: this essentially sets up for his position later on in Under The (Red) Hood when Jason starts wrestling that control away from him) Steph manages to escape, Batman takes her to Dr. Thompkins clinic, and Leslie reveals that her condition is critical. bruce makes it back in time to be by steph’s side for this:
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and then she dies ;-;
BUT THIS IS COMICS- so its revealed initially that Leslie withheld treatment to save Steph’s life to Make A Point and try to dissuade Gotham Youth from following Steph’s path. BUT-BUT WAIT THERES MORE BC THIS IS ~*C O M I C S*~ so its ALSO revealed later on that steph DIDNT die. Leslie helped fake her death and blah blah blah, Steph comes back, gets to be spoiler again, then batgirl and the rest as they say is history
anyways. STRAIGHT FROM THE BAT’S MOUTH THANKS. Steph WAS really™ a Robin™ and as much as DC wants to pry that from my gay goblin hands they WONT be able to. and anyways... She Earned It. okay. give this girl the Respect she deserves. 
(now since I'm a Shipping Blog™, ima add some thoughts regarding her parallel to other robins and how Theoretically a relationship with raven might work out)
Again, the biggest parallel that DEFINES War Games and Steph’s time as Robin, is that to Jason Todd. (fun fact/sidenote: they’re both Leos, so like. Another Connection btwn the two lmao) They’re both impulsive and eager to prove themselves, and follow Batman with unwavering faith and loyalty (up to a Certain Breaking Point that is). They’ve got especially cheeky attitude and flair for drama, and hey. Narratively speaking, writers seem to have a penchant for drawing a few connecting lines between them (again, by starting the WG TPB off with Bruce mourning on Jason’s bday & setting a Tone for the overall event. and then again, by having a major character for UtRH be the very same villain that killed our former girl wonder) 
Now with those lines drawn, and with an understanding of how Jason has interacted with Raven in-canon (with mostly cordial interactions and for the most part respectful analysis of each other’s abilities & strengths), & no known connection between Steph & Rae as of yet, we can really only assume a few things:
-like most of the batboys, Raven is very likely to get along with Steph and to respect her abilities given that Steph respects her in turn.
-Steph’s bright, extroverted personality could again work as a good foil/compliment to Raven’s more introverted/muted one.
-theyve got what i like to call the Bad Dad™ connection (with Steph’s being a former Gotham Rogue™, and Raven’s... well.. y'all Know) Steph’s already shown great Morbid Humor regarding this part of her life (shown in her interactions with Cass) and is very willing to bond with others over Sucky Parents
-while stephanie has a canonical Love™ of Waffles, and raven (at least in regards to her Most Popular fanon from the 03 cartoon) has a fanonical love of them as well. Hence, they ARE the Waffle Queens (embrace the ridiculousness, guys. DO IT)
-Since steph is not an Adopted member of Bruce’s family (& again, more often than not they have attempted to dissuade her from vigilantism) and similarly, due to Batmans Dislike of meta-humans/outsiders messing with Affairs in His City, as well as some of his canonical Distrust™ for Raven due to her mysterious background/nature. this could be another minor/potential bonding point between the two
-likely more??? its getting late, and not much else I can think of off the top of my head, but i might add more to this later. 
as a ship StephRae has as much potential as any other, and since there’s not a lot of canon to really go off, fans can really take it.... wherever and i think thats beautiful
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gamajun · 2 years ago
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all the love and fame steve harrington's character got over the years truly doesn't mean SHIT when you realize that good 60% of you don't even understand his character, nor did you ever.
you may have all started worshiping him when he turned to kids, became a "mom" and god knows what else, but each and every one of you ignored the reason why he even became that in the first place.
nancy wheeler.
and this isn't even a discussion about which pairing you should love or prefer, this is a discussion about steve harrington's character and in order for anyone to understand a single thing about him, you have to go back to his roots and that will ALWAYS be nancy wheeler.
steve didn't become who he is today and went through his big development because he broke up with this girl, he did it because he LOVED her.
"i know you promised nance to keep us safe. so keep us safe."
the whole reason why he even got stuck with the whole upside down chaos is because he willingly came back to jonathan's house to apologize and after facing the madness in that house, he still chose to stay and fight. why? because his care for nancy wheeler is stronger than him being a coward.
and when he tells nancy to go with jonathan in season 2, while he offers to stay with the kids, he does it for the exact same reason. love and care for her. he quite literally doesn't have any other reason.
steve's connection with kids only grows afterwards and that's where his independence shines, because he is able to make meaningful impact on the audience just by continuing his growth and linking that with other great characters like dustin and robin only makes him more lovable.
but what started it all? what made him who he is today?
it's just baffling, because the show quite literally spells it out for y'all dumbasses that it's nancy wheeler who was there at the beginning of his whole journey and it's quite natural she will never leave because this is fiction and when you're writing a goddamn story, it's quite natural for your characters to make a full circle, reflect back and realize what is actually the one thing that's been there for them the whole time.
it's called making a great conclusion for an already great character.
but then i have to see y'all burying media literacy six feet deep into the ground by saying steve's love for nancy is ooc and he would absolutely NEVER dream about having a family with her, while being a same dumbass who called him a mom for five years straight. when i say it's depressing for us i'm not even kidding.
not to mention the very obvious way the writers tried to communicate how it's nancy the one that matters the most in that dream, and not her pumping six kids out for him, yet y'all chose to be the most pathetic bunch of dumbasses i've seen in fandom spaces and call that sweet moment a breeding kink.
have fun trying to be taken seriously in real life i guess.
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beautifulpersonpeach · 2 years ago
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Bpp sorry for spamming asks in your inbox and I totally get it if you're ignoring all my tkkr asks - I admit they're silly but I really want to know what you think about the controversy of Jimin's dad hosting an event at a cafe on Jungkook's birthday. Do you think he's playing into jikook? Tkkrs are attacking him and Jimin and saying he's using jkk for clout. And I'm just ????? How do their minds work?
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Hi Anon,
I feel I should probably say something about the ignored taekooker asks. The truth is, taekookers bore me, especially lately. They're easily the most predictable people in the fandom for several reasons but here's two: (1) they're not very bright and are impervious to reason, and (2) they're the most attached to the object of their obsession: Jimin. Wherever he goes they follow.
I got some asks about taekookers' reactions to Memories and recalled the 'discourse' about them last year, and the year before, and the year before that - nothing had changed. All I'd like to say about taekookers now is what I've said before: when you come across one, report, block, and de-platform if you're able to. Nothing good can come from taking any of them seriously.
Anyway, what's there to think about Jimin's dad hosting a café event on Jungkook's birthday for 13 lucky people, besides it sounding like a lot of fun? I think it's a cool idea and hope anyone who attends has a great time. It's old news that Jimin's and Jungkook's families are close, especially when you remember that jikook are one of the closest pairs in BTS and have been for at least 9 years now. For kicks, just off the top of my head:
Since 2015, Jimin's dad has posted pics of Jimin, Jungkook and other BTS members at his café.
In 2017 Jungkook offered to pay for a lavish birthday party honouring Jimin's parents, not even his own, Jimin's.
Also in 2017 jikook's family together dropped jikook off at the airport for their private trip to Tokyo.
More recently, the first thing Jungkook's mom blurted out when she heard Jimin's voice on the phone was 'AHHH JIMIN-AH SARANGHAEEEE".
*
Taekookers are a miserable bunch and the reasons why are obvious.
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(Such teamwork)
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You said you are sad that it is rare that non-fandom, smart curious people engage with Louis and you understand why. Why is it rare? It is though. I am curious how people see Louis too and how they understand his celebrity and music. He’s very interesting.
I agree that Louis is very interesting, but I think to get any sense of how and why he is interesting you need to know quite a lot about him.
There are real obstacles to non-fandom people getting access to what's interesting about Louis.
The main obstacle is the cultural understanding of boybands - which sees them as not very serious and worthy of attention (basically because their fans are young women - as is reasonably well covered). In addition, members of boybands are seen as people who don't have a lot to offer - they're stupid young teenagers who are manipulated by those with power and when they get older they are mostly figures of fun. I don't think it helps that superficially Louis could be slotted into the cultural space given to 'messy ex boyband member'.
On top of that I don't think there are many translators who are interested in explaining why 1D members are more interesting than you think and therefore drawing people in. Internal fan politics are so weird and messy that those who position themselves as translators are deliberately ignoring a lot that they know (I will never stop thinking of Kaitlyn Tiffany answering questions about Harry's early interest in fashion by saying that 1D all dressed badly).
I don't think it's a coincidence that the biggest engagement with Louis as an artist in any platform was the Every Single Album podcast about 1D. I think it's through 1D that people are most likely to begin to talk about Louis and have access to what makes him interesting. But as I've said - there are a lot of barriers to talking about 1D.
There is a possibility that at some point in the future that - hey did you know Louis Tomlinson is doing better than you'd think is an angle. But in order to make that interesting there needs to be a hook to why - and I'm not sure that those are obvious to people who aren't already deep in the fandom.
In addition, the rewards of engaging with Louis in particular aren't great. Sure you'll get the clicks, but there's a lot of harassment as well. That seems to have gotten to Nora Princiotti - and she's one of the two cultural commentators who have taken Louis most seriously.
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reader-no-danna · 4 years ago
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characters: genos, zombieman, metal bat, amai mask
synopsis: headcanons for the characters stated above in a relationship with an s-class!reader
fandom: one punch man
warnings: none!
a/n: my first writing post 🤩 i love the s-class heroes so much so i decided to write some headcanons for them with a reader who’s also s-class! i may make a part two with flashy flash, fubuki, etc. hope you like it!
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genos
at first, genos is indifferent to your presence among the s-class. he’s already prioritized his training and spending as much time as possible with saitama
i don’t even think he’d be aware you’d joined until it was announced at another meeting
he’s veryy curious to know about your abilities and how you shot through the ranks so quickly. but i think he’d keep his distance for a while
assuming reader is around his age, genos would be low-key shy around them. he just can’t bring himself to approach you first. this poor boy-
so at first he sticks to keeping things ✨professional✨ when he hears about a successful mission you were on, you’d get the occasional “i heard you did well against the enemy. well done, y/n” and a little awkward nod of his head
but you’d soon catch on him. when you gave reports at the hero summons, he would ALWAYS pay attention. like watch-dog man could be going on about how city-q is burning to the ground and you’d be like “well everythings fine over here-” and his head would shoot up-
silent fuming if tatsumaki scolds you or anyone interrupts you
and he’d make trips to whatever city you were placed in charge of and ask if you needed any help. he knows you can take care of yourself, he’s just looking for an excuse to talk to you
one day you saw him with saitama and the gang and you started hanging around them and that was it-
you all would be going on a lot of outings together, trying to ignore all the people gaping at you
he definitely finds time to steal you away from the others. he could never grow tired of saitama but fubuki would probably have loads of questions for you so he may excuse himself from the group for a bit and take you with him
the two of you fight sooo well together. you’re often assigned to handle monsters as a team because of how well you work with each other
you’re always with him if his parts get damaged during a fight. scolding him and telling him to be more careful, he’s getting too reckless these days
and genos’ fans take a particular liking to you... if your relationship is public then please believe the fan pages are goin wild
genos doesn’t care about all that, but he’ll quickly jump your defense if people start spreading false rumors about you and your relationship
he loves you and you’ll know it everyday 😌
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zombieman
yet another stern man
he is also quite curious as to how you managed to make s-class.
because you either got in right away after the entrance exam, like genos, or you somehow managed to surpass amai mask. either way, he already has some degree of respect for you.
he seems like a bit of a loner, so i imagine the two of you would have to be assigned to a task or mission of some sort together to start communicating.
one thing i like feel he’d admire in an s/o is their strength, so he would be looking respectfully if you two were fighting together.
very observant. he’s looking for your fighting style, what attacks you normally use, and how he can help with his abilities.
he cannot stand heroes who’re only in the profession for the publicity. amai mask already annoys him- so that being said he’s very appreciative to see you actually saving people and being compassionate and not just smiling for the camera while leveling a boulder or sum-
in fact, he probably started to develop some sort of feelings after watching you save someone. maybe it was a child you had helped reunite with their parents after their town was wrecked.
you bring the kid over to their parents, and when you turn over to zombieman he was smiling for a split second before reverting back to that slight frown.
it can be slightly unnerving watching him fight, with his regenerative abilities and all that. you know he’ll recover from any injury but it still concerns you when he gets hurt.
he always reassures you, it’s not a big deal, he’s more than used to it by now. the last thing he wants is to scare you, so catch him actually looking out for his safety and trying to limit the damage done to him for you.
if you get hurt somehow, he’s by your side in an instant. your safety is top priority
he’ll blame himself for your injury, you gotta reassure him for him to feel better, and even that would take a lot of convincing
he’s glad to have you in the s-class, it was getting a little insufferable over there-
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badd/ metal bat
remember when he had no idea who madame shibabawa was?? yeah this man does not pay attention during hero meetings 😭 he also was not aware you had joined s-class even though he definitely should’ve been told at that point.
another meeting was called and he’s sitting down in his usual spot, he turns around to see you there like ”😀”
he watches as you calmly give a report on recent sightings of monsters and other matters, like where?? did you come from???
he’s got a pretty boisterous attitude, and he’s very assertive and loud when you first meet him. i feel as though his rashness would be even worse if he thought he had feelings for someone
easily flustered, and it’s obvious too. you offer to come with him for a threat-level demon mission and he’s going on about how he doesn’t need the help of a “newbie” and how he can handle himself just fine. of course you have faith in him, he’s VERY strong but it’s fun to mess with him, and he’ll know when you’re doing it
eventually you decide to tag along with him on an assignment, and surprise, surprise, you hear no complaints from him
you two are a force of NATURE in a fight. his stamina and strength is boundless, and you’re also very impressive with your abilities.
you know those scenes in the manga where he’s in the middle of a fight, his shirt torn, hair all ruffled and in his face, and he’s got bloodstains on him? yeah you’re getting a full view of that on the regular 🥵
fights always end with you two walking away together, he’s swinging his bat and talking about the thrill and how much he enjoyed a good fight. he’ll also be slightly embarrassed to add “you weren’t so bad yourself, you know” and his face will be red but not from the exhaustion-
his sister zenko will become a big fan of you now that you’re s-class! he may even ask if you can give her your autograph and talk to her. he’d be so embarrassed but trying to hide it-
doesn’t know what to do with his hands so he just stuffs them in his pocket. also he avoids eye contact with you too. it’s too cute
“y/n, look, i don’t mean to bother ya, but my lil sis, she’s a huge fan and she'd really like to meet you so if you had the time that would be great. thanks.”
pleasee be nice to this mans sister 😤 i headcanon that he wouldn’t date anyone if zenko didn’t like them
after you meet zenko, congratulations- you have unlocked his soft side 🥰 you’ll find he's a real gentleman
if you’re talking during an s-class meeting and someone interrupts you- this man will NOT care who-
“oi! didn’t you hear y/n speaking just now? shut up or i’ll thrash you!”
in conclusion: badd >>> and his heart is yours 🥰
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amai mask
this little prick right here
he wouldn’t be as upset if you went straight to s-class after the hero entrance exam like genos did. but if you actually climbed through the ranks?? and surpassed him??
he would’ve had to be a-class rank t-t-two for a bit 🤢🤮 like hurry up and move to s-class already, it’s killing him
despite being upset about it, he’s also quite impressed. the reason he refuses to move to s-class despite being more than capable is because he wouldn’t allow anyone he deemed unworthy to pass. you had to be very strong, and he begrudgingly had some sort of respect for you because of it
he also respects just people. a hero has to be beautiful, in both appearance and personality. so if you’re a good person then he’ll actually get along with you
make no mistake, he cares about his public image. so when he sees you, a young and stunning hero who made their debut in the highly esteemed s-class? he’d definitely see that as an opportunity grow his fan base
purposely greeting and talking to you frequently in public. and then acting surprised and bashful when being questioned about it by the media
it wouldn’t be long before the tabloids started rolling out with your names on the headlines, with people talking up your relationship
whether or not you’d be upset with it is up to you
if you don’t mind the gossip, amai mask would be muchh bolder with you in public. giving you those wry smiles that would make any other fan melt and openly flirting with you. the two of you may even be invited as guests on one of those talk shows he’s seen on
if the publicity is too much for you, he’d actually shut down the rumors immediately. “y/n is a wonderful addition to the s-class, and i’m looking forward to watching them grow. but their just an acquaintance… nothing more.”
why do i actually want to write a fic about amai mask and reader playing up their relationship in public now
buttt that’s actually not true because he’s starting to catch FEELINGS
he doesn’t like most of the s-class but you’re the exception
he’s a busy man but expect him checking up with you as much as possible to make sure you’re doing alright
after a particular stressful mission, he’ll book a reservation for you two at the best restaurant in the city! perks of being a star...
he’ll tell you all about his upcoming projects, but he’ll also listen very attentively as you talk about the s-class! he may even make fun of some of them just to get you to laugh
very attentive boyfriend and much nicer to you than he is to anyone else, s-class or not!
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sanjiafsincedayone · 4 years ago
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Why SaNa over other ships?
Now, this is not to hate on other ships or downplay them, because what shipping really comes down to is often simply preference. What characters or dynamics you enjoy and what reasons you might have for liking different things. 
No, this is simply my own reasons for why I like SaNa and also why I think they could make sense and thirdly why it’s possible Oda could be setting it up to actually happen in canon. It’s all just my views and I apologize if I forget a moment or add something that is more head canon, but again, this is my reasons and they will always be partially biased. (And there are too many to remember them all properly, so if you want to add feel welcome to do so.)
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I think Sanji and Nami is a lovely ship even based just on fan content and the community. But we also get some great moments in the manga, and I personally think there is potential for Oda to make an actual romance work between them.
1. Why I like Sanji and Nami
I personally fell in love with Sanji before I even started to watch or read One Piece, simply based on his voice actor (Hiroaki Hirata), his design and his fighting style. So obviously I already have a bias towards Sanji (SanjiAFsincedayone having a bias towards Sanji? Who knew?). I didn’t ship Sanji with Nami from the start and even now I am a multi shipper who enjoys fan content with Sanji as a main part of several pairs, most prominently ZoSan.
So, when did I fall for SaNa then? Well, I have talked about it in various posts before which you can find in my Masterpost - SanjiAFsincedayone, but for me shipping Sanji and Nami more seriously didn’t start until Thriller Bark. 
Sanji took a knife in the back for her as she is dressed in a wedding dress, even this one scene is enough to explain why someone might like to ship them together.
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I for sure saw many SaNa moments before that, and felt Nami seemed special to Sanji, but I didn’t think it would have a big chance of happening and I preferred other ships above it when consuming fan material. Again, shipping is after all mostly fantasy and wanting more of something in a romantic/sexual way. Thriller Bark was when Sanji and Nami’s interactions caught my attention properly and I started to look a bit closer and actually note the way Oda wrote them and their moments. Going back after and rereading I think there is a lot of interesting things even before that. But the wedding theme and bridal carry and how Oda showed them in Thriller Bark was just too on the nose to ignore.
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What got me into shipping Sanji with Nami were mainly three things. 
1. Their dynamics getting more interesting over time and Sanji and Nami being two of the most well written and interesting characters in One Piece. 2. Sanji consistently seeming to have a preference for Nami in combination with my belief that he is after true love and isn’t just a pervert forever doomed to be alone. 3.  The manga showing the potential of it actually happening and them finally catching my attention in Thriller Bark. Basically there are moments to follow and look at in the actual story as well, which in turn also leads to more fan content and material for shippers.
So point 1 and 2 really is mostly about my preference and how much I enjoy watching them together and how well I imagine they would fit together. I think their personalities and desires overlap well with them being able to understand and compromise for each other while aslo being on a similar level of intelligence and communication. They also have their kindness and empathy as a highlighted shared theme for their characters.
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Them talking about the Children in Punk Hazard or Sanji helping Nami turn in the argument between both Luffy and Vivi and Luffy and Usopp are some examples. Or Nami letting Sanji smoke in her body because she knows how hard it is for him. Small gestures like this show both understanding and a willingness to compromise.
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I think they are fun and have a relationship that right now might need working on, but it’s clear how much they care for each other and how they actually appriciate each other a lot.
Simply put I think they are interesting together and I think they could work as a romantic couple in the future, where their dreams and family oriented views migh allign. Again, from how I view them as characters and interpret their wants and possible futures I think Sanji and Nami is a good match. They can have a restaurant either traveling the world or docked close to both Cocoyashi and Zeff, Nami can tend to her mikans together with Sanji and they can manage a restaurant for a living. I also think they are the most parental members in the crew and has shown some possible signs of wanting to settle down with families. This would also work well as a final contrast to their less than happy childhoods (You might also want to check out my post (Part 3) Sanji x Nami hints - Thematic parallels).
There is a lot of potential in their dynamics and how different they seem while they also seem willing to adapt and try to understand each other that make them interesting as characters of romantic plots. At the same time they have enough in common to relate to each other and work well together. Again, as a fictional ship within the fandom there is a lot of great artists, writers etc. that truly explore them and make Sanji and Nami a great and fun ship with an active fandom to engage with.
Of course there are more shallow reasons like them matching in age and being good-looking but really I could ship Sanji with almost any woman if it was only about the looks. I mean, Purin is basically made to be a perfect match for Sanji, but I personally find his dynamic with Nami much more interesting and his dedication to Nami is of course unpraralleled thanks to the time Oda has spent on them over many years.
I love Sanji and Nami as individual characters and with the amount of moments between them there is also a lot to explore and enjoy in the manga. It makes them interesting in a third aspect for me, which is of course analysis and the potential of them actually ending up together and looking closer at the way Oda writes them from a story perspective. For me what we have gotten from Oda in terms of Sanji x Nami moments is very interesting and I see potential there even though it would need more development to truly work for the current story.
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But, again shipping doesn’t have to mean anything for the actual story... There are crack ships or slash ships that surely will never happen but that could still be great and fun to explore for the fans. Honestly, everyone is free to ship whatever they want. We all have different taste after all.
So, what about the manga then? 
2. Why do I think they could make sense as a romantic couple even in canon?
First, my own view is that Sanji is someone who seeks true love, and as briefly shown with both Violet and Purin it seems like he would take an actual relationship seriously if given the chance. I also think it would make him happy and thus as Oda might want to create happy resolutions for the strawhats I think Sanji ending up with someone has quite a big chance of happening. This is combination with his preference for Nami and in turn Nami truly caring for him (though not yet in a romantic way) is something that makes me think it could happen. Other ships have potential too depending on how Oda decides to develop them, but considering how he keeps adding moments for SaNa in the way he does as of now I still think SaNa is the most likely ship for Sanji.
As I mentioned earlier I also think Nami has shown some possible inclinations for wanting a family (or at least being a great mother if we look at her with children in many arc, not the least Punk Hazard) and maybe even getting married eventually. 
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If she ends up with someone we will need to see a more obvious attraction and want for romance from her no matter what ship we might consider. She has at this point not shown a lot, but I do think the thematic parallels she shares with Sanji in combination with how their moments are written has the potential to grow into something more. 
As a romantic pair I think Sanji and Nami would be happy, he would adore her and take care of her and both of them would probably find that ideal. In fact it’s already a big part of their dynamics and seem to make them both happy. They also seem to try to understand and show interest in knowing each other as seen with several scenes and general attention towards each other’s backstories. They also challange each other in different ways and we have seen them compromise a few times. I think compared to many other relationship in the manga Oda has shown more personal moments between them. So a romantic additional aspect is not too far off. Not that Oda would make it happen now, but that he would lay down the groundwork for it to work by the end of the series.
In short I think they would make each other happy, but also challange and grow thanks to the other. I think their dreams of traveling the world with Nami drawing her map and Sanji cooking on all the seas and finding All Blue and then settiling down together close to both their “homes” in East Blue with a restaurant and family seems to fit them both. It wouldn’t always be easy, but I think they would actually enjoy their dynamics with Nami bossing Sanji around most of the time.
Now this all sounds nice and all, but it’s of course just my imagination based on biased interpretations of the manga. So where do I get it from?
3. The way SaNa is portrayed by Oda
Now this is really the biggest point... Because again, I can ship whatever characters I want and it is just for fun. It doesn’t have to happen for me to enjoy it or I wouldn’t ship Sanji with Zoro. But with Sanji and Nami there are legit reasons in addition to my preference that makes me think it could happen in the manga.
It might take years to actually go through it all in order with my additional interpretations, but I will try to go through the basics themes and moments that to me could indicate SaNa over any other Sanji or Namji ship.
I think the obvious thing to talk about first is simply how Sanji definitely has a romantic (and sexual) interest in Nami. No matter what other character you might see with either of them, this has been shown consistantly over the whole manga. You may argue that Sanji might be interested in others equally, and though I wouldn’t agree it’s a fair point. However from a story perspective it would still need to be resolved. It’s highly unlikely for Nami to end up with anyone unless Sanji ends up with someone else and gets a happy ending too.
As for Sanji’s interest in Nami I personally think Oda has paid a lot of attention to it in a way that makes it the most likely ship for Sanji. He might yet add moments between other ships and develop them (most notably San/Pu of course), but in my opinion the way Oda has added Nami in other potential romantic moments with Sanji it seems Nami is above every other woman so far.
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Most importantly I think we have seen: 
Sanji leave Violet who actually seemed to show interest in him to run off to save Nami (and the crew, but the point is that Oda chose to highlight and add this moment with focus on Nami to begin with).
Sanji being more focused on Nami even when Vivi and Robin has been on the ship or at the same place. Oda definitely puts Sanji with Nami above other women at least in amount of moments and involvment.
Sanji being very concerned with Nami in front of Purin and being shown happy with her (the bridal carry for example) and saying he loves her right in front of Purin.
Sanji having stronger reactions to Nami than other women. This could just be my way of seeing it, but I do think we have seen the strongest reactions from Sanji when it comes to Nami. Not the least with turning into a literal devil when he heard she was kidnapped by Absalom. For example compare Sanji rushing after Nami in both Skypiea and Thriller Bark even to him going after Robin. Or his reaction to Nami getting sick in Drum. We simply have a lot of strong reactions from Sanji towards Nami in different ways and more importantly Oda seeming to add focus on them. 
We also have him reacting to things like “women’s tears” or calls but only indicating Nami might be calling him personally. For example Sanji hearing Tashigi cry or saying he trusts Violet or Robin even though they are lying but for Nami adding things like “I think I heard Nami call out for me” or moments like “I leave my Nami to you”. Basically the way Oda writes it there often seems to be added a more personal stake in Sanji’s reactions and moments with Nami compared to with other women.
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So from Sanji’s point of view, and the way Oda has written them so far, I think he puts Nami above every other woman. But more importantly, Oda shows us moments between them that he doesn’t add for other ships as consistantly or in romantic looking ways. Keep in mind that both Nami and Sanji are main characters, but they are not Luffy. Oda choosing to not use Luffy (who will obviously have strong moments with all of his nakama, like how he had his own time with Sanji both in Baratie and WCI) for some of these moments but rather insert Sanji or Nami instead for each other’s stories makes it more relevant. Because it’s not an obvious choice in the same way. It’s a choice based on their characters and dynamics within the world, not because of their roles as main hero or heroine. Here are some examples.
1. Their first meeting. Sanji is for the first time seen in love cook mode and he basically seem ready to leave everything behind for Nami. Right away his reaction to Nami is stronger than what we have seen from him and it seems to hold true even with time.
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2. SaNa having interest and plot relevance to each other’s back stories. Sanji getting involved with hearing Nami’s back story and saving his sister.  Also, calling her “sister” which indicates a platonic familiarity where he puts Nami above Nojiko romantically (yes, despite flirting some with her). Nami in turn also getting involved and showing interest in Sanji’s backstory, pushing to go with Luffy to save Sanji and being the one to remind us of Sanji’s past and character traits.
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3. Sanji getting personally tantalized by using Nami. This has happened several times, the first with Kuroobi in Arlong Park, but also with Mr. 2 in Alabasta, Absalom in Thriller Bark and then in Fishman Island (Zou too, but that wasn’t just Nami) and on Zou. You can check my post (thought not updated fully) Sanji and Nami – Fights and danger for a more detailed view. (Even in movies like Strong World Sanji has a direct talk with Shiki about Nami and it seems most people are aware of Sanji being extra sensitive to Nami.)
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4. Sanji asking Nami if she is jealous or if she loves him, indicating again that he is interested to know is she is interested in him. Once even responding “I love you too”. In general Nami responding in these situations in a more “positive way” or Oda showing Sanji interpreting her actions as more romantic. For example the “proposal” or the hug in WCI.
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5. Romantic looking moments or themes. Now this is of couse not something that has been done mutually between them and thus aren’t actually romantic scenes. But the tropes and common use for many of the things that Oda has chosen to use for Sanji and Nami are romantic in nature. Of course the two forced marriages are the strongest examples with them rescuing each other from getting married to someone else. But we also have the switch body trope, the slap and of course smaller gestures like the bridal carries or the way Oda drew the hug between them in WCI. I am not saying that SaNa is the only ship with romantic looking moments, because San/Pu And San/Violet obviously has some as well. However, considering the amount SaNa moments and the fact that he has left Violet and Purin in particular for Nami seems to make the SaNa moments trump any other ship. At least for me personally SaNa as it is now and as Oda has portrayed it in comparison to other Sanji ships gets in the way of Sanji ending up with someone else unless Oda starts to make some changes.
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I want to make some emphasis on how Nami and Sanji seem to get some “bigger” moments between them in almost every arc. Again, compare this to Sanji with other women, or even Nami with other crew members.
Baratie - Their first meeting and Sanji’s reaction to Nami and interest gets focus. Arlong Park - Sanji shows interest in Nami’s past and Kuroobi mocks Sanji by specfically mentioning Nami. ( Loguetown Arc, Reverse Mountain Arc, Whiskey Peak Arc and Little Garden mostly have small moments, like Sanji asking if Nami is jealous or Sanji giving Nami his jacket.) Drum Island - Nami is sick and we see Sanji worry and care for her and in the end even sacrificing himself for her. Nami worries about him too. Alabasta - Sanji fighting Mr. 2 looking like Nami and lots of small moments like Sanji asking Nami if she loves him.
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Jaya - Nami showing interest in Sanji’s back story. Small things like Nami hiding for the bugs behind Sanji or Sanji. Skypiea - Sanji being hell-bent of saving Nami and making the others look for her. Then him saving Nami and Usopp from Enel and Nami being worried in return. (Both times Sanji gets hit by Enel Nami is there and worries.) Then a lot of small moments like him giving her a flower and Nami pulling Sanji’s ear for flirting with Conis. Long Ring Long Land - Nami encourage Sanji be the ball and win, but mostly small moments like Sanji getting annoyed with Aokiji for flirting with Nami or him sitting next to her and trying to kiss her. Water 7 - Sanji leaving his love letter to Nami and Nami being worried for (and impressed with) Sanji. Enies Lobby - Sanji losing against a woman, Nami being understanding and then stepping in to basically revenge him. Also Sanji hearing it as Nami loving him and then him showing up to save Nami and Usopp from Jyabura.
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Post-Enies Lobby - Not much, but Sanji stepping in to make Nami and Zoro stop fighting and make Nami understand Zoro’s pov. Thriller Bark - Sanji just being extremely focused on Nami and worried about her throughout the whole arc. Also him getting specifically selected by Luffy to save Nami. Of course the wedding theme with the bridal carry and Sanji’s reaction to Nami. Also Sanji’s Zombie protecting Nami (and later kicking Robin) and his “obsession with Nami” being mentioned. Sabaody Archipelago - Another smaller arc, but we do get Nami worried about Sanji possibly drowning. And smaller moments like Sanji being angry for Nami being put in danger by the Fishman Riders or him telling Franky to take care of Nami as he runs to protect Zoro. When they return we of course also get the nosebleeds, and Sanji daydreaming about Nami’s development.
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Fishman Island - Sanji’s reaction to Jinbei and Arlong. Also the fishmen pointing out that Nami might be their weakness due to Sanji’s “over reaction“ to her falling. Punk Hazard - The body swtich, Sanji’s body saving Nami and Sanji being careful with not hurting her etc. Also them working together to save the children, Sanji listening to Nami’s request and saying he loves her more because of her kindness. Also small things like Sanji giving his jacket to Nami again. Dressrosa - Sanji leaving Violet behind to save Nami, insisting that he should be the one to save her and then him getting attacked by Doflamingo and Nami getting worried and not wanting to leave him. Sanji basically tries to sacrifice himself for Nami for the 4th time (Drum, Skypiea x2, also maybe in Thriller Bark). Zou - We get a lot of focus on Nami and Sanji together, and then of course when Sanji is gone Nami is the driving force for his plot. Once again Nami is also used to taunt Sanji (inside Capone). Then Nami is both the one to mention Sanji being from North Blue and to listen to Pekom’s talk about his family. Not to mention her insisting on going with Luffy to WCI and having a fight with Zoro as she defends Sanji. Whole Cake Island - The way she pushes for them to find Sanji, her hapiness when they find him and her hurt and the slap. We even get something like Nami being tantalized with Sanji by both Purin and Brulee. The only strawhat besides Luffy who gets a personal story thread with Sanji and a personal resolution for their conflict is Nami. The tension seems personal and combined with Sanji having another love interest but choosing Nami above her it does seem like Nami is the more natural choice both for Sanji and for Oda. 
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There is also a distinct increase in romantic-looking moments between them, with them touching more than ever before.
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Wano - Even after WCI it doesn’t seem like Oda is stopping the SaNa moments. Sanji manages to save and carry Nami three times in the beginning of Wano. On top of that we have the bath scene and of course a lot of small moments and mentions between them like Sanji asking Usopp to take care of “My Nami-san” or Sanji jumping in abobe Nami to save her from arrows. 
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How many times have we had Sanji be the one to go after Nami or save her? By his own choice, by being the one present or even by Luffy asking Sanji to go. Oda puts Sanji next to Nami a lot, and I think it’s possible he might be doing it for a reason.
Who knows what we might get, but the fact that we have as much as we do really seems to show Oda having a preference to put them together in various ways.
The point is they have a lot of time and moments dedicated to them from Oda despite them both being secondary characters. At this point it’s possible Sanji is the person Nami has moments with the most in the story besides Luffy (and perhaps Usopp) as they often end up together. Of course this is including them thinking about and talking about each other as well, and not just direct interacting. For example counting the body switch and Nami being worried and focused on Sanji while on Zou. Oda doesn’t have to, but he has chosen to write it like this. On top of that he adds romantic interest from Sanji and romantic looking moments between them.
I could go on, and there are plenty of moments and examples to find between Nami and Sanji that are interesting to look a bit deeper at. You can check out my Masterpost - SanjiAFsincedayone for some of them. But as it is now here are the main points for why I think SaNa at least has a bigger chance to happen than other ships with the two of them as it is now.
One-sided attraction and romantic interest from Sanji’s side that needs to be resolved in one way or another.
Nami seems special to Sanji. Even small things like only using -san for her and -chan for others is a detail that makes her stand out to him.
Great involvement in each other’s stories. Oda likes adding Sanji and Nami in moments together both for interaction and explenation about each other. For example Sanji is also often used to save Nami.
Interactions of understanding and changing dynamics between the two, like them compromising for each other or wanting to know about the other’s past. Matching personalities and a possible future.
Romantic themes and moments, mainly the weddings, but also the amount of times Sanji has saved Nami and things like the hug being drawn in a very romantic looking way with Nami being more focused on.
Tension and urgency. This is basically Sanji and Nami having a lot of focus on each other in dire situations and Oda showing it with specific mentions.
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So, to summarize, I like Sanji and Nami both as indvidual characters and together. I enjoy them as a ship and to explore their dynamics in a romantic way no matter what they might end up as in the story. Anyone should be able to respect that people have different preferences. Additionally I think and speculate that they would work well and could happen in the manga as well. This is obviously a biased interpretation and opinion. 
I might be wrong, but you should be able to respect that too as we have yet to get anything objectivly confirming any ship. We don’t know if any ship with end up canon at all. Maybe Sanji and Nami will remain a ship that never becomes canon, but even so they are a ship that is definitely worth enjoying.
I hope you found this post interesting and can enjoy your own ship and fandom while also seeing that it’s ok for others to like something different than you. Thanks for reading.
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persepholline · 3 years ago
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I've read that article about the romanticization of the Darkling and while I absolutely understand people who are pissed off/sad and I agree that it's shitty, I find LB's attitude towards Darkles stans very funny in a "girl what are you doing" sort of way because it's so petty like I've never heard of a bestselling author writing a portion of their fans into their books as a crazy cult before, it clearly hit a nerve
I'm new to the fandom but the feeling I get is she wrote something problematic ten years ago and became very embarrassed about it afterwards so she turned on the fans that liked it as a way to absolve herself. Especially since fandoms in general have become a lot more focused on discussion of what constitutes healthy/acceptable relationships to write about. And in a way I get it I had a huge Twilight phase in high school and afterwards I was super embarassed about it because of how problematic and cringe it was. But now with distance and more maturity I'm able to both still see why it was problematic and also why I was drawn to it (mostly the very unhinged representation of female desire) and like...it's really not the end of the world and no it never made me believe that breaking into somebody's room at night to watch them sleep was actually ok in real life lmao. This feels so obvious to me but apparently it needs to be said.
(More under the break this is turning into an essay, I've been thinking of this a lot recently)
And of course it's good to have these discussions about how historically romance tropes have echoed social dynamics of men's shitty behavior being romanticized and excused. But these days they often are so simplistic and focused on chasing clout that they become this weird new puritanism and moral panic about oh now women are reading novels it's going to make them hysterical or something
So you have these weird assumptions that you can't like a character and also be critical of their actions, or enjoy certain parts of a character and not others, or wish they were written differently and like them more for their potential (which I'm sure stings a bit for an author lol) - it assumes that if you like a character it means you would approve of their actions in real life, or that people just stupidly reproduce whatever they see on TV. That tendency to treat fictional characters like real people is the thing that actually worries me, to be honest, because it indicates a lack of distance and critical capacities regarding how stories are used and received. But people - fans and authors - are so scared of being called out as problematic and harassed for it that they're going to shy away from any nuance.
And yeah I think that it's good that standards of what constitutes an ideal relationship are evolving and becoming more feminist and communicative and all that and we definitely need more of that. But not all fiction has to be aspirational! Sometimes you just want to read about fucked up shit, because it's cathartic or fascinating, even healing at times because with fiction you are absolutely in control and can choose when to close the book. Toxic relationships in fiction can have an appeal specifically because they go to extremes of feeling that we don't want to go to in reality, in exactly the same way as horror movies or very violent action movies - which I don't see a lot of people besides fundamentalist Christians argue that they turn you into violent psychopaths (and that feels very obviously sexist). And for women, who are often taught growing up that love is the purpose of life, the "saving someone with your ability to love" can be a power fantasy in the same way that being a buff superhero who saves the day with their capacity for incredible violence can be a power fantasy for men. Still doesn't mean those women are going to fall in love with actual murderers or that those men are going to start beating up people at night. And love is scary, and weird, and weirdly close to horror at times, with all the potential for loss of self and being vulnerable and overwhelming feelings and potential for being horribly hurt and it should be possible for stories to explore that without anybody screaming about how this is going to Corrupt the Youth or something
And I mean I get it LB wanted to write a cautionary tale for teenagers, but it just did not work for reasons a lot of people have already written about - the fact that the Darkling is the leader of an oppressed minority and is the only one with a real political agenda to end that oppression in the first trilogy, the fact that he helps Alina come into her own power while her endgame LI is someone she keeps herself small for, that she's shamed for wanting power after growing up without any, a generally very wonky conception of privilege, and a lot of other stuff with yucky regressive implications to the point where stanning the villain actually feels liberating and empowering which is a surefire sign that the narrative is broken (unless it's a villain focused story lmao). But of course that Fanside article makes almost no mention of the political dynamics, it's all about interpersonal stuff which is an annoying trend in YA, there are those massive events happening in the background but it's made all about the feelings of the hero(ine) ; war as a self-development quest (which is kind of gross). Helnik is kind of an example of this too - I like them, I think they're fun ! But Matthias spends a big part of the story wanting to brutally murder Nina and her kind, and he mostly changes his mind because he finds her hot. Like you don't feel there is some sort of big revelation that his entire moral system and political framework is completely rotten ; it's all better because of feelings now.
As a teenager that kind of sanctimonious bullshit would have annoyed the hell out of me ; I read those books in my early twenties and I found the ending so stupid I wouldn't have trusted any message or life lessons coming from them. And I liked reading/watching dark stuff as a teenager, as a way to deal with the very intense inner turmoil I was dealing with - and I turned out fine ! Meanwhile I've seen several times women in very shitty relationships being obsessed with positive energies and stories ; they were so terrified of their life not being perfectly wholesome they ended up being delusional about their own situations.
Like personally I think the Darkling is a compelling, interesting, alluring character and also a manipulative, murderous piece of shit and that Alina should get to punish him (like in a sexy way) - but he's also the end result of centuries of war, oppression and trauma and reducing that to "toxic wounded boy" feels kind of offensive ngl ESPECIALLY since the books don't offer any kind of systemic analysis or response to oppression beyond "the bad guy should die" and "now the king/queen is a good guy our problems are solved!!!!"
In Lives of the Saints, we see how Yuri is abused extremely badly and almost killed by his father, and so when his father dies when the Fold swallows Novokribirsk, he thinks the Starless Saint has saved him. Later in KoS/RoW he's turned into this fanatic who explains away all the Darkling's crimes. The other followers talk about how the Starless Saint will bring equality for all men. Then the Darkling comes back and actually thinks his followers are pathetic, which feels again like a very pointed message to his IRL stans. Which is absolutely hilarious to me. Like oh no, if he was real he would not like you and think you're pathetic ! Yeah ...but he's not. Real. Damn right he would not like the fics where Alina puts him on a leash. I'm still going to read them. What is he going to do about it, jump out of the page ? Jfjfjjdhfgfjfj
Anyway I think the intended message is "assholes will use noble political causes for their own gain and to manipulate people" and "being abused/oppressed is not an excuse to behave badly." Which. Sure. But that's kind of like...a tired take, honestly ? A big number of villains nowadays are like this ; either they've been bullied as kids, or they're part of an oppressed group, or they have "good ideals but too extreme". This is not surprising because a lot of mainstream heroic narratives present clinging to the status quo as Good and change as chaotic and dangerous. And like sure in real life people often do bad shit because they're wounded and in danger. But if you want to do a story like that, you have to do it with nuance, talk about cycles of violence, about how society creates vulnerable people to be exploited, about how privilege gives you more choices and the luxury of morals, etc. The Grishaverse does not have this level of nuance (maybe in SoC a little bit but definitely not in TGT). So it kind of comes off as "trauma makes you evil" and "egalitarianism is dangerous" and "if you're abused/oppressed you're not allowed to fight back". And ignores the fact that historically, evil generally comes from unchecked privilege.
I guess my point is that there are many things I like about LB's writing, she knows how to create these really exciting character dynamics, and the world she has created is fascinating. But these stories are not a great starting point for imparting moral lessons. And her best characters tend to be, at least in canon, the morally grey ones. I hope one day she'll be at peace with the fact that she wrote the Darkling the way she did and leave his fans alone but in the meantime I'm just not going to take this whole thing seriously I'm sorry
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Hogwarts No.1 Ship
Fandom: Harry Potter  Pairing: Draco Malfoy x reader Word count: 3.4k Summary: You - Rubeus Hagrid’s niece and a surprising slytherin - have a crush on the Slytherin prince himself, but you are sugar and he is spice and there is no world where the two of you would fit together...right? Warning: Swearwordsm concussion, broken bones, but mostly fluffffffffff Requested by the amazing and patient (I’m really sorry it took so long) @onlycherryblossom​: Hi! I love your work and I was wondering if you could right a Draco Malfoy x Reader. you know, the one we talked about. It'd be so awesome! i hope you have a good day/night! (I won’t put our chat in here so that I don’t spoiler anything)
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Hogwarts had rarely ever known two students who were as opposite to each other as Draco Malfoy and Y/N Hagrid. Draco - who was the embodiment of how people imagined the stereotype of Slytherin to be - was (most of the time) a prideful, cold, unempathetic prick, while you were a selfless, positive thinking, kind and gentle soul that could‘ve been a descendant of Helga Huffelpuff herself. The two of you did have one thing in common though. Your house. The hat had made you both into Slytherins which was on Draco’s side not surprising at all, but quite a shock for everyone who had talked to you for even a minute. Probably the biggest shock was courtesy of Rubeus Hagris - Half-Giant and your adopted uncle (on his father’s side) - who insisted that the hat must have made a mistake, but was quickly shot down by Dumbledoor who assured that the hat didn‘t make any mistakes. After some initial tumbling though, Hagrid realized that the house didn‘t make the person and that it didn‘t matter in what house you were sorted into, you’d always be his little pumpkin. And he was quite right. Even after you had been a Slytherin for just about five years, you had only grown more kind and loving - having bonded with many people in the other houses and years, but not quite as many in your own house. You’d call Blaze and Millicent maybe something close to friends and Pansy tolerated you which is why you gave her the title of ‘good acquaintances‘, but other than that you didn‘t really have a lot of contact with them in your free time. The most complicated relationship you held though was the one to the aforementioned Draco Malfoy. In a weird twist of fate the two of you somehow became the main ship in Hogwarts (with Harry and Ginny or Harry and Hermione as close second) even though you couldn‘t remember more than two or three times that you had talked to the boy outside of a classroom or study environment. Sure, he had never bullied or teased you which already differentiated you from most of the students, but you simply explained it by the fact that you were a good student - especially in potions class - and behaved well enough to gain a number of house points which made you into a good asset to Slytherin and as such made you a less logical target. Now all in itself that would‘ve been more than fine with you, but for some stupid reason your heart decided to betray you against it‘s better judgement and fall for him. Somehow, even after years of seeing him kick others down and behave like a complete douchebag you couldn‘t help but blush slightly at the mention of his name and feel your heart flutter when you walked by him in the hall or in the common room. The worst part was in potions class where he sat right beside you after Snape deemed your former partner as way too unqualified for one of his best students and exchanged him for Draco. Working with him in and of itself was actually rather nice. He was a good student and did his work thoroughly and mindfully, but you found it hard to concentrate when his hand brushed yours as you read a passage in the book or when he poured ingredients in the coultron that you were stirring. You really tried to ignore your feelings and ban every thought of him, but it seemed like you weren‘t doing the best job at it since your uncle kept asking about what it was that was distracting you all the time. On a rainy October day fairly at the beginning of your fifth year you decided you had enough. You were sitting in your Uncles hut with a plate of more or less edible cookies in front of you and a cup of something that was surely supposed to be tea when you finally gathered the courage to say what you had been meaning to say for weeks now. “Uncle Rubeus, can I ask you something?” Hagrid turned to you with his usual smile as he patted fang who was drooling all over his lap where he had laid his head. “Course ya can pumpkin. What’s it about?” “Uhm...well… you know there is this boy that I-“ “Ohhh Ah see,” Hagrid quickly interrupted you before you could even ask the question, “Ya know, usually I’d be more than happy to help ya with every question you have but ah really don’t thin’ I’m the right person for this, I’m sorry.” A little bit disappointed but not really surprised you just sighed and shook your head, telling him that it was okay, before bidding your goodbyes and making your way back to the castle quietly mulling over what exactly your plan b should be now that plan a had failed and you still had no idea what to do with or how to get rid of your stupid crush on Draco.
“You know what I would do if I were you?“ Ginny asked and pointed the end of her quill at you. The both of you were sitting in a corner of the library where you had planned to help her study for her upcoming potions exam, only for her to basically interrogate you until you admitted that you had an unlucky crush, even though she luckily hadn‘t pushed you to tell her who the guy you had a crush on was. “I‘d probably just tell them, I mean what do you have to lose. Either he‘ll say yes and you‘re happy or he says no and you just avoid him like he doesn‘t even exist - which would honestly be the appropriate reaction if he refuses a snack like you. See, no real downside to it.“ “Oh really? Hmmm, I wonder why you haven‘t told Harry how you feel yet then,“ you teased her and tapped your chin. Ginny‘s face immediately started to rival the colour of her hair and the way she crossed her arms in front of her chest and pouted reminded you of an overgrown toddler - but in a cute way. “I-I don‘t like Harry, okay? I mean I did when I was like ten because he was famous and I was a child,“ she tried to make sure you really knew how silly she wanted you to believe she thought it was by drawing out the word child for a good few seconds before rolling her eyes and looking to the side, “And anyway, it‘s not like he‘d date his best friend’s sister…“ “Oh Gin,“ you immediately felt bad and grabbed one of her hands with yours, “Have you looked at yourself? You‘re amazing and if Harry doesn‘t see that through his stupid invisible cloak and these glasses than he doesn‘t even deserve you.“ “Even though I admit that yes, I am amazing, this isn‘t the topic that we should be conversing about right now, remember? I think there‘s a certain blond Slytherin that you should be worried about more right now.“ Immediately blood shot right to your cheeks and you quickly looked around to make sure no one could‘ve heard her before leaning forward and hissing: “What? No? I don‘t like Draco? Why would you even think that? I never said that he is the one I have a crush on.“ Ginny just raised her eyebrows in an unimpressed manner, leaning back in her chair and picking the quill back up to play around with while she talked. “Listen honey, I‘m not judging you or anything. Don‘t get me wrong, I still and probably will always think Draco is a major asshole and doesn‘t even deserve to breath the same air as you-“ “He isn‘t that bad…“ “Yes he is, but anyways, no matter what I think of him I also know that you are a clever girl that knows how to protect herself and who knows, maybe you‘d even have a good influence on him.“ Images of you and Draco together with your friend group laughing and having fun crossed your mind and you could feel your heartbeat fasten involuntarily. “That‘s all great and good, but like I said, I don‘t have a crush on Draco,“ you gave the hope of getting out of this situation with the lie you‘ve been telling yourself for months still intact one last try, but Ginny didn‘t give it the time of day. “Oh please, I see the way you look at him in the dining hall and how your eyes are always on him when he‘s playing quidditch and just now you defended him even though the two of you aren‘t even friends. My love-radar is pinging like crazy around the two of you which is why I, Ginny Wealey also known as the love witch-“ “No one calls you that,“ you interrupted her only to be shushed by an evil glare. “I, Ginny Weasley, will help you in fulfilling your desire and getting together with Draco and I already have the perfect plan.“ “No no no no, please don‘t! Don‘t do this! Ginny no!“ you tried to make your point clear but she was already cleaning up her stuff and getting ready to leave. “Don‘t worry oh sweet Y/N, the next time we‘ll talk everything will be set in motion,“ she winked before dashing off leaving you standing in her figurative dust with your mouth agape for a few seconds before you let your head sink onto the table. This would definitely take an interesting turn…
After that you definitely started to actively avoid Draco which was - surprisingly enough - not as easy as you thought. Somehow he was almost always at least in your near vicinity. Besides the obvious factors of class (where you tried to focus on working and on praying whatever Ginny had planned wouldn‘t happen) and when you were eating in the great hall (where you had resorted to sitting at the very end of the table as far away from him as possible) he seemed to also be there in your free time. You were relaxing in the common room? He was there reading a book. You were outside with Harry and co.? Guess who’s coming their way to insult them (while not saying a single bad thing about you). By now there were just about three places where you were sure that he wouldn’t be able to pop up at any given moment. Your room, the bathroom and the potions classroom on Wednesday and Friday afternoon when class has already ended. After Snape had realized that he had some real potions-potential sitting in front of him he offered you extra credit as some sort of teaching assistant which basically meant that you helped him prepare lessons, helped him grade the first to third years tests and that you cleaned up and organized the potions classroom twice a week. Now usually, knowing that you were more than capable of handling the potions and ingredients standing around on your own after having seen you do it for a few months, you‘d be alone while you cleaned up except for the occasional visit of your professor to tell you which ingredients you should put on the students desks for the next class, but for some reason the next Friday - three days after Ginny had made her promise to you - the door already stood open and you could hear Professor Snape talking to someone. “I really expected better of you, your action is the reasons Slytherin has lost 50 housepoints and I hope you know that it is on you to gain them back, no matter your status,“ Snape‘s voice carried to where you stood and you wondered who the student was if Snape went so easy on them with his lecture. Usually you‘d be afraid for your life after losing even ten house points so getting such a calm reaction for 50 must‘ve really meant something. Your questions about the identity of the student were answered when you entered the dungeon room and immediately felt yourself freeze. Of course not even you (time dependent) sanctuary was safe anymore. Of course Draco just had to stand there and look at you without any identifiable emotion in his gaze. “Ah, Miss Hagrid, right on time as always,“ Snape nodded after he also noticed you and you felt slightly more at ease knowing that with him there nothing could really happen. “Should I come back later?” you asked politely, not sure if you had interrupted something. “No, you may stay. Mister Malfoy over here has got himself caught trying to sabotage McGonagall class, a childish act which I would’ve expected of the Weasleys but really not from you. As a punishment he will be the one to clean the potions classroom bi-weekly from now on until he has regained the house points lost. You’ll supervise him.” “I’m sorry, I’m not quite sure I understand.” “Malfoy will do all the cleaning but since he has no experience with it I can’t just leave him alone so, since you’d be here anyway, you can watch him and make sure that everything goes orderly.“ It wasn‘t really a question as much as a command, something that you were used to from Snape, so you just nodded and bid him goodbye as he went to his office, leaving you and Draco behind. By now you had seen through what was happening. This was Ginny‘s plan. Somehow she must‘ve managed to blame Malfoy for the prank on McGonagall - something rather extreme given the taken house points- hoping (or somehow knowing) that his punishment would force you to spend at least an hour with him alone in a dimmed room twice a week. Inwardly you cursed your friend, while outwardly you tried everything to avoid directly looking at Draco as you explained his tasks to him before you sat down at your usual place and pulled out a book really hoping you could get him to not talk to you that way. Either your plan was working great or Draco just really didn‘t care for you, because an hour later you still hadn‘t exchanged any words, instead he dutifully, but slightly pouting, had done his job while you shot him the occasional glance to make sure he was doing it correctly. “I think that was all, you should be good to go now,“ you told him with a small smile, relieved that you were finally free to leave the room and with that the tension that had built up inside you as a mix of nervousness and fear. Draco had opened his mouth to respond when a third year came rushing inside with at least twelve books in her arms that almost towered over her which she quickly placed on a table, slightly out of breath. “Professor Snape sent me. He said these have to be sorted and put away.” You could probably feel Draco’s sigh before he had made it and - not really fond of spending more time so frustratingly close to your crush and yet so far - you just nodded and told both of them that you’d take care of it and that they could leave, which both promptly did. You took the books and carried them to the back of the room where a sole, old bookshelf was standing - since the students mostly had their own books - and started putting them away when you heard a sickening crunch before suddenly the shelf including books came crashing down at you and before you could even think to pull out your wand, the world turned black.
“I’m so so so sorry, you were right I shouldn’t have interfered, if I’d just listened to you you wouldn‘t be lying here now,“ Ginny whined from beside your bed where she had been sitting for the past twenty minutes apologizing over and over again and blaming herself for the broken arm, leg and the concussion that had you unable to leave the infirmary for the next three days to a week. “Ginny, how often do I gotta tell you, it isn’t your fault! I would’ve sorted those books in anyways - no matter if you had pulled that prank or not - and it would’ve fallen anyways,” you tried to reassure her and gave her a soft smile. “But-“ “No but, okay? We can’t change the past anyways, and even if we could I wouldn’t because thanks to you, I don’t have to take that stupid DADA test.” Your attempt to lighten the mood seemed to work, because soon you and Ginny were back to your usual conversation-style and it relieved you immensely. It made you feel okay again. She was just telling you of a stung Harry had pulled in the Gryffindor Common room when she suddenly paused mid sentence and looked up. You followed her eyes to where they were placed firmly on a certain Platinum blond boy that looked simultaneously like he’d rather be everywhere else and like he was glad to be there, it was a sight to see. “I think I’ll leave for now, I’ll come back later with tons of sweets that Luna and I are going to steal from Harry’s personal stash,” Ginny said goodbye and gave you a wink as she walked away making you torn between wanting to roll your eyes and feeling yourself blush. Unsure of what to do next you motioned to the chair that Ginny had just occupied and Draco seemed to get the hint because he quickly sat down. “Hey-“ “Hi-“ “Sorry, you first.” “No it’s fine, you’re injured, you go first.” “Well, uhm-“ you took a deep breath to calm yourself down, “-I wanted to thank you, for bringing me here I mean, Madame Pomfrey told me you carried me all the way.” You looked away hoping that he wouldn’t see how nervous you were. “You don’t need to thank me, I couldn’t just let you lay there buried under books, your not Granger after all,” he said, seemingly trying to joke but immediately noticed that it was probably not the best thing to say given that you and Hermione were good friends. “Listen, what I came here for,” now it was Draco’s turn to take a deep breath, “I’ve been meaning to tell you something, but you were always with Potter or avoiding me or whatever, but after I saw you lying there… I guess I was just worried for you, I really don’t want you to get hurt.” Now that definitely caught your attention. For a second you played with the thought that this could possibly not be Malfoy but just someone else playing him with the help of polyjuice potion because he was definitely not acting like himself, but something in his word convinced you otherwise. “Thanks, I think, but would you mind me asking why? I mean...we’re not really the closest of friends,” you asked him, looking directly into his face to search signs of a possible answer. “Fuck it, I like you, okay? Happy?” You were completely stunned. Stunned, speechless, shocked. In all the time that you had been crushing on him you had never even really considered even the slightest possibility that he could reciprocate your feelings but now here he was telling you straight up. “You-You like me? Like like-like me?” You asked, just really wanting to be sure. There was a hint of nervousness and worry in his eyes, but he hid it behind a wall of annoyance. “You heard me, didn’t you? So, just get it over with, do you like me too or do you not, because if you don’t then I don’t want to waste my time any longer.” This definitely sounded more like the Draco you were used to and you had to giggle a little bit. “Yes, yes I like you too,” you confessed and like it was the most natural thing in the world you moved the uninjured hand over to where he laid on your bed and took it in yours. For the moment, you were caught in the shimmer of happiness and glee at having your crush there with you, definitely something more than your crush, and it would probably take a while until you‘d realize that there were some interesting things to follow, like telling your uncle about this for example...
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raviposting · 3 years ago
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Okay so I’ve seen a lot of conflicting responses to Buddie this episode, from it being clear to people that they’re getting together, to thinking the writers have unintentionally messed things up to thinking it’s purely queerbait.
And I get the different responses, I do - tbh I’m somehow in two camps, where I simultaneously believe it’s a slowburn but I also think it’s bait. And those are two very different opinions to have and it got me thinking about why we have these different responses as fans to the possibility of a queer ship (namely two men who would presumably be bi/pan) being canon. 
While people talk about how it’s just people wanting two characters to kiss or entitled fans - sure, that’s existent in every fandom, but I think there’s also a very real fear from queer fans who don’t want to get their hopes up and I d on’t love how the conversation has shifted to calling queer fans stupid for having hope, so I kind of wanted to break it down into 3 aspects that I’ve noticed: 
How writers portray bi characters and why that makes fans hesitant to have hope
What queerbait actually means as a concept
How much “slowburn” has changed in procedurals
1. How writers portray bi characters
Something I’ve thought about a lot are the bi characters I’ve seen on TV - Darryl (CEG), Sara Lance (Arrow), Lucifer (Lucifer), just to name a few. These are great characters imo and I think you’d have a fun time watching but a thing to note is that all these characters were established as bi within the first season of their respective shows and they all fairly quickly fell into a clear romantic ship as well (with the exception of Sara as she spanned multiple shows). It may have taken time for them to say the word bisexual, but it was still clear these characters were queer fairly quickly on. You could maybe argue that Lucifer was a slowburn, but then (while it does not take away from him being bi/pan so do not use this as an excuse to be shitty about him) it’s a m/f ship which is still not the point of my post, to find a m/m or f/f ship that has that same treatment.
Some writers have done it - like for Valencia in CEG, or Petra in JTV - when they saw that fans read them this way, but trying to find those characters were few and far between, and when I looked at popular queerbait ships (whether or not they actually are queerbait) it’s usually ships where the characters are largely viewed as bisexual. A lot of times this also comes with pushback from both straight and to be frank, other queer fans as well. Straight fans don’t always see the signs that queer fans do, so to them a queer character who hasn’t been explicitly clear from the start comes out of nowhere. And what I’ve seen from certain queer fans are concerns that people aren’t appreciating the canon queer characters in a show - and I think there is a conversation to be had about that, but I don’t think the response should also be about then demanding less representation for people either. 
If we go back to 911, people talk a lot about how it has canon queer characters, which it definitely does - Michael, Hen, Josh, Karen, and David are all canonically gay/lesbian and that’s awesome, and we absolutely should talk about fans (white fans in particular) ignoring these characters. It also does not change the fact that none of these characters are bisexual and that is the representation people are looking for. Both of these things are true - these characters are often under appreciated in canon AND people deserve bisexual representation. They don’t contradict each other and to act like one negates the other does a huge disservice.
And even if a character was made bisexual in the canon text we don’t get that slowburn. This may be true for things like Leverage, or LOK, but there’s also a real fact of censorship that affected these shows and the fact that general audiences may not understand the queer text tjat the writers intended. It doesn’t make the writing any less wonderful or the ships any less poignant or beautiful or important, and there’s ofc shows like She Ra that made this more obvious (or the.....mess that was Supernatural that made it. Half true?) but these are still real things that should be acknowledged on why people are so hesitant to call it slowburn - because it’s something most queer fans haven’t SEEN DONE, because m/f ships will get that care for slowburn when it’s done but it’s not done for m/m or f/f ships in that same capacity.
2. What queerbait is
This one’s fun because I don’t think many people understand what it is, but queerbait is very dependent on the intentions of the writers/creators/etc. - which tbh can be hard to gauge, because a genuine intention that ended up not happening or someone baiting fans or someone trying to support all ships and not be rude all have very different intentions but to a fan who only sees bits and pieces of this person on social media, it can be hard to gauge.
Honestly with how much the 4th wall gets broken because of social media now I’d personally say we’ve probably moved into a different definition of queerbait - unintentional vs intentional - because we’re at a point where a show knows what ships are popular and at what level of excitement fans are for it - but that being said, there’s still a clear spectrum of intent. And imo? I don’t think 911 has that intent of queerbait - whether it’s a slowburn or they have a different vision for buddie that I (probably) won’t agree with remains to be seen, but this show usually treats its storylines with care. Are they perfect at it? No, definitely not, I definitely think that they’ve dropped the ball a few times (especially with just how many characters they have lmao), but they also clearly do their storylines with earnest and with genuine care for these characters.
Is 911 getting them together? I want to say yes. I don’t think this was always the plan, just something that they decided along the way, but I also don’t think that changes anything about the ship. A lot of people point to Tim Minear being vague about the ship, or the actors and their interpretations, but 1. We have no idea what they’ve been told about Buddie moving forward and 2. No show runner is going to spoil their show that much. 911 may be keeping quiet because they have a different plan for buddie, sure, but also maybe because they’re still figuring out how exactly they want to do this and/or they want to make this slowburn and don’t want to give it away.
3. Slowburn in procedurals
I feel like this is something that procedurals have started shying away from, but slowburns used to be very common - Bones, Castle, their ships didn’t get together for literal years, but that’s just not something that many shows do nowadays, even for m/f ships. Even things like Deckerstar will have the characters get together after ~3 seasons and explore the relationship onwards, whereas a few years ago, y ou’d pr obably be watching a sh ow and it’d take them 7 seasons to get together. My assumption for this is that shows are afraid  of getting canceled, but there’s been a pretty big shift in getting a couple together after say, 6 seasons to now getting them together about halfway through the show. I don’t think either one is bad or good - in good writers’ hands, either can be amazing - but that shift has made it so that a lot of younger fans in particular, I think, don’t fully recognize slowburn when they see it.
911 as a show tends to run pretty fast - it kind of has to with its depth of characters they have - but when they do have slower running storylines they really do make use of that as well. Bobby’s addiction is something that’s always going to be present in his character, May’s suicide attempt was brought up again front and center after 3 seasons, even Chim’s dynamic with the Lees was brought up again and it was reinforced again that they’re his family. There are certain storylines that have to be continuous and aren’t a one and done type of thing, and that includes Buck and Eddie, especially if you want to establish them as queer to a general audience who doesn’t think about these things.
And honestly, despite my fears, I think they are laying groundwork there. We have Buck learning to be more confident in his relationships, we have Eddie ready to date and learning to follow his own heart, we have Buck and Eddie both establishing that Buck is family and will always be there for Christopher. These are pretty big steps to do for a ship and we’ll obviously have to see how the show goes forward but they’ve already insinuated Eddie and Ana are breaking up, I’m sure Taylor and Buck may last a season and be over, but we do have to see what this next season brings. Do I think they’d say this? No, definitely not.
tl;dr: 
911 is a show with good viewership, but there’s always a possibility they can’t continue with their season and then their promises would feel like a lie. Or they may still be hammering out the details as this season hasn’t been written. Or they may just simply not want to spoil their show,  or they don’t want people criticizing a story before it’s finished, all of these could be reasons. The showrunners, writers, actors, ultimately they owe nothing to us as a fandom to potentially spoil their series, or do something, change it or their schedule for it, and get accused of bait. 
But it also doesn’t change why fans are wary of this storyline either, and I wish people would have more nuance and compassion for fans who are worried about queerbait (whether they think it’s not queerbait and dislike people worrying about it or if they do and are calling people idiots for believing it). There’s a lot of reasons why fans are wary and don’t want to have hope, and it’s not necessarily about 911 specifically as it is a pattern of writing seen in other pieces that have fans worried. These things can all coexist and I wish we as fandom in general could acknowledge that, because pretending that they don’t and criticizing each other/people’s intentions or knowledge when they have certain expectations also doesn’t do much to help.
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sugarcarnation · 3 years ago
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Which characters do you like the most that the fandom at large would tear you apart for? Why do you like them and why do you think they get so much hate?
well the most obvious answer to this question is miss rachel berry. i absolutely adore her and i remember being so happy that the show had a female main character who i loved and then i entered the fandom expecting people to feel the same and well. as you might be able to imagine i was in for a rude awakening
and okay im not gonna pretend that rachel was a perfect human being because she sure wasn’t. but she’s really not as terrible as people are claiming she is. i love her because she’s incredibly ambitious, funny and (yeah i’m gonna say it) a good friend
as for why people dislike her so much i think a lot of it has to do with her being the main character and in turn taking up a bunch of screentime. in addition to that she can be quite selfish (although that applies to almost everyone on this show) and doesn’t always realize when a line has been crossed (again she is really not the worst offender when it came to that though)
and then i do believe that the whole lea michele thing added to people disliking her because this fandom has problems separating the actor from the character but i don’t wanna gonna go into that too deeply lmao
other characters i love who aren’t really appreciated by most of the fandom are definitely tina, artie and the season 4 newbies
the hatred tina is getting is downright absurd at times because what did she ever actually do to deserve it? in my opinion the whole blaine debacle in season 4 is the only time where she actually did something bad. and then this isn’t even what people are criticizing her for so like what is the fandoms deal with her lmao
similarly to rachel i love her because she’s ambitious and not afraid to stand up for herself. but exactly that seems to be the problem because i guess people don’t like it when anyone who’s not their favorite character is taking up the spotlight in any shape or form
artie is a case where i genuinely don’t know why anyone has a strong hatred for him. i could get not having strong feelings about him because he admittedly didn’t do much but that alone should mean that there’s no reason to dislike him so much
and yeah the conversation with ryder in lights out was bad but sam was just as guilty as artie when it comes to that situation and he is adored by most of the fandom
i know artie gets criticized for his treatment of women and i agree that it wasn’t great all of the time but in the end he was a great boyfriend (especially compared to other characters) and in my opinion a very fun character
and lastly i think the season 4 newbies are mostly just disliked because their introduction to the show was pretty bad in most cases. and i can understand feeling kinda bitter that your favorite character got replaced by a low budget version of them but i think that watering the newbies down to that is a disservice to them
they all developed to be really fun characters who aren’t just copies of the older characters and did the best they could with the admittedly not always great storylines they got
in my opinion it is kinda telling though that kitty is by far the most popular newbie character. this fandom at large just has a thing for the mean cheerleader and will ignore every other character
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some-cookie-crumbz · 3 years ago
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Venn Diagram
Venn Diagram Fandom: My Hero Academia Pairing: DabiTwice; Implied Huwumi Summary: DabiTwice Week Day 2 Prompt Fill: Part of a longer DabiTwice Pro Heroes AU I have in the works and may have spoilers for more recent manga chapters if you aren’t up to date. Dabi reminded himself that he should maintain his composure, as expected of a Pro of his caliber. After all, it was just a civil meeting with another Pro to discuss agency lines and the swiping of a culprit. So what if the other Pro in question had a jawline of immaculately chiseled marble? He certainly didn’t care! Standard Disclaimer: If you read and enjoy this, please give it a like/ reblog so I know if I should write more.
Also Minor Trigger Warning: Implied/ Referenced Mental Illness
Touya checked his appearance in the mirror for the upmtenth time in the last five minutes. He shouldn’t be this worked up, he reminded himself, fussing as if it was a real date. It wasn’t a real date, he insisted to himself for an even larger attempt. Sure, the other had practically purred the invitation to coffee at him but that didn’t mean anything! It was just two guys hanging out and discussing the logistics of whether or not the other had stolen Dabi’s target from him! At a coffee shop that the other insisted was great for getting a handle on someone else!
So what if Bubaigawara Jin was 5’Hunk tall with a warming grin and sharp eyes? Touya certainly didn’t care! This was strictly business!
Which was why he’d spent two hours the prior night stressing over his outfit.
And then another hour and a half fussing over it when he woke up.
And planned to come up with an incredibly clever lie to tell Father as to where he was going, because God forbid Father know who it was Touya’s little meetup was with.
Touya groaned and scrubbed his face with his hands, reminding himself to stay calm as anxiety caused his skin to prickle with warmth. He was usually incredibly good at keeping his Quirk under control and had learned early on that his emotions correlated to it. Thankfully enough, Father had been quick to come up with tactics to handle his flames so as to halt his harming himself and allowing him to pursue Pro Heroics professionally, eager to follow in his father’s footsteps.
Which placed him back in the current moment.
Todoroki Enji was not an easily impressed or rattled man, more times than not seeming cruelly indifferent. This was, of course, just how the public saw him. Touya and his siblings knew that, while a harsh critic and incredibly awkward at expressing his feelings, Father was an ultimately good and kind man. He was also, however, a very disciplined and serious man, who took pride in his work and shouldered the weight of his profession with the kind of regalia he expected of others.
It was most likely why he had some rather… strong opinions about his peers.
The obvious ones were Number One Pro All Might, who he made his disdain and resentment for apparent all the time. After that came Hawks, ranked Number Three, who he found irritating due to his haughty behavior. They were the two big standouts due to their close ranking to Endeavor himself but much more so in how they had the ability to set him off in the first place with minimal effort. Hawks was your standard troll the handful of times they’d interacted, playfully digging at the older man in ways that he knew would set him off behind closed doors and then smiling through the tongue lashing. All Might was an unintentional irritant. His apparent ignorance to Endeavor’s self-imposed rivalry between them seemed to only further push Enji’s buttons regarding it.
And then there was Pro Hero Torrential, whose agency was their neighbor and Enji held equally strong opinions about. More times than not, he could be heard grousing about that “uncouth sea hag and her salty little hooligans” just across the way. Torrential herself was relatively skilled at what she did - well enough to rank in the top 25 - but she seemed to revel in firing Enji up more than chasing down baddies. Her own Quirk was water-based so she was always quick to use it to her advantage along with passive aggressive jabs just to prod at Endeavor’s ego. If Touya was honest, he didn’t understand his Father’s reasons for falling for it every time. After so long, he figured that it was the reaction that had Torrential poking and prodding like she did. Furthermore, there were 20 ranks separating them on the charts, so why should her opinion matter so much? Or was it more a matter of how frequently she was able to rattle his cage? However, Torrential was part of why Touya felt compelled to lie about who he was meeting up with.
Jin was also a Pro Hero by the name of Twice, who was Torrential’s faithful right hand man.
He shook his head and started to make his way down the halls to head out. As he walked through, he realized that it seemed Father was nowhere to be seen. Had he stepped out for something? He knew he was off work today, but it wasn’t impossible that something had come up. The man was a workaholic, after all. He felt himself relax at not needing to have any kind of story figured out. He stopped at the door to lace on his boots only to jump as Father walked in, Shoto and two of his little friends a few paces behind him. “Touya? Where are you going?” Enji asked.
He opened his mouth to answer, trying to keep the panic from being too obvious, when there was the sound of quick footfalls behind them. “Touya, you jerk! I told you I just needed an extra minute to finish getting ready!” All eyes shifted to Fuyumi as she came bustling into the entryway, pouting at her brother with her hands on her hips, all dolled up for a trip of her own.
It took Touya less than two seconds to roll with it. “Not my fault you take forever,” he drawled with an overly dramatic roll of his eyes.
Enji looked between his older two children with a raised brow. “Where are the two of you going?”
“Akiko and I wanted to go shopping today,” Fuyumi said as she stepped down to put her own shoes on, “but Mom was worried about us going out alone, what with all the escalated Villain activity lately.”
“So I offered to go with as bodyguard in exchange for Yumi paying for my grub,”
Shoto blinked slowly. “Hopefully you’re gonna have two servings, because I get the feeling they’re gonna use you like a pack mule,” he quipped flatly.
“Shoto! So mean!” Fuyumi gasped while Touya released a sharp bark of laughter. Shoto wasn’t always the best with his comedic timing, but when he was, he always nailed a bullseye!
Enji made a small noise of agreement. “I see. I was hoping you could help me with these three today, but this is much better,” the older man said with a small nod. “You two look after one another out there. And if you need anything, just call. We’ll be there at a moment’s notice if you need the assistance.”
“Of course, Father,” Fuyumi said, giving him a brief hug and quick peck to one cheek before waving at Shoto and his friends. “Have fun training, boys. And don’t let Father work you guys too hard.”
“I think it’s actually the other way around,” Touya hummed, grinning mischievously when Enji scowled at him. “You aren’t exactly a spring chicken any more, old man.”
“In yet I can still run circles around you,” he said back, the only shift to his expression being the slightest twitch to the left corner of his mouth.
“What did you sa-!” He was suddenly jerked away from the brewing squabble by Fuyumi tugging on his arm.
“Touya, you and Father can bicker later! We’re gonna be late!” With that final declaration, he was unceremoniously dragged out the door, Shoto and his friend with the green hair waving at them.
Once they were on the street proper, he readjusted himself and glanced sideways at Fuyumi. While her outfit was casual enough for a girl’s day to be plausible, he had his doubts. “So, what are you actually getting up to?” he asked suspiciously.
She flashed him an expectant look. “What, no ‘thank you’ for saying your floundering butt back there?”
“I wasn’t floundering,” he huffed.
“But you would have been the second you had to lie about what you were doing. Because clearly you’re going on a date. And with someone you think Father would disapprove of, if you feel the need to hide it,” she explained evenly. He winced and averted his gaze from her. Fuyumi was an incredibly quick woman, much to Touya’s simultaneous chagrin and relief. She was incredibly in-tune with the people she loved and could piece things out with them with the greatest of ease. This attribute could be a great asset or a detriment, depending on where her loyalties lay at any given moment. “Look, I’m not going to pry or anything. If you don’t want to tell me, you don’t have to.”
“Thanks, Yumi,” he said with a small sigh. He felt his shoulders slump a bit as he relaxed. Despite her occasional bratty little sister tendencies, Fuyumi knew when to keep certain things to herself. “Just… I’m going to talk to Father about it eventually. Probably. If anything more comes of this.”
“Not sure if this mystery man is gonna pass the first date test?” she asked while waggling her eyebrows at him playfully.
He contemplated answering that it wasn’t a date, but a work-related conference. Because he was still insisting to himself that it really was only that. “Not sure if I’m gonna pass the first date,” he grumbled quietly.
“Touya,” she said in quiet shock. He tried to ignore her by continuing to walk, but she reached out and grabbed his arm. He stopped and turned to face worried cerulean eyes. “Hey, if the first date doesn’t go well, that’s not your fault. It could just mean you two aren’t as good together as you initially thought.”
“Just like the last two guys I tried to get serious with?” he scoffed, rolling his eyes. He didn’t like thinking about it, really. But it felt like… Well, outside of his family name, he didn’t have much to offer a boyfriend. His own rise to acclaim as a Pro was far from glamorous and he knew his tendency towards sarcasm and dramatics weren’t always the biggest appeals to lots of people.
Fuyumi huffed and reached up to lightly pat his cheeks. “Hey,” she said, her tone serious and firm in a delicate way that only she and Mom seemed capable of, “I know what you’re thinking and I’m gonna break down why you’re wrong. You’re successful, you’re funny, you’re smart, you know what you want and how to get it. And, most importantly, you know who you are and don’t put up with other people’s crap. Those guys before? They were just assholes who thought they could ‘fix’ you without realizing you don’t need fixing. It’s not your fault if they were intimidated by you and how comfortable you are in your own skin.”
He opened his mouth to say something before chuckling quietly and closing his eyes. “Damn, just cutting straight through, huh?”
She giggled and let her hands shift to carefully adjust the janked collar of his leather coat. “Now, cheer up! You’re clearly interested in this guy, whoever he is, so focus on having fun!”
“Fine, fine,” he mused, opening his eyes to glance at her again. He realized that they should probably iron out the details of their plan. It’d look suspicious if they came home without the other, after all. “So, how do we wanna deal with the rents when we get back?”
“Akiko’s already aware of the cover story, so I’ll let her know to cover for you, too, just in case. We were going to meet up for dinner around 5:30-6. You can join us for gossip, and then we go home together afterwards,” she suggested as they reached a crosswalk. He nodded as he hit the sign to keep going north, towards the train station, while she moved to go west. “I’ll add you to our text chat so that you know where to meet us at.” With that said, she waved and scampered across the crosswalk as it turned, lifting her hand to wave at a figure waiting on the other side.
Touya froze for a second as he took in the figure, wearing baggy clothes, large shades and a cap with a wide brim. The outfit was clearly a front to keep their actual physical characteristics hidden; whether to avoid the ire of the Todoroki men or not, Touya wasn’t entirely sure. He tilted his head to the side and narrowed his gaze as Fuyumi rushed to their side. They offered one of their arms to her, which she eagerly attached to, her back still facing Touya. The capped figure glanced up briefly and Touya froze at the sharp golden eyes fixated on him, followed by a sly grin.
He was tempted to follow after them but then the crosswalk chimed for him. He decided to leave it until later, given Fuyumi had done him a favor. He couldn’t shake his sudden hunger for barbeque-style chicken wings, though.
Thankfully enough, he showed up right on time at the agreed upon coffee shop. Bubaigawara was waiting out front for him, one hand in the pocket of the bomber jacket he was wearing while the other was scrolling through something on his phone. He perked up as Touya approached, his phone immediately disappearing into his pocket. “Hey! Hope it wasn’t a hassle finding this place,” he prompted.
Touya flashed a small smirk as he reached him. “Think I’ll be disoriented just because we’re in a shop on your agency's side?”
He chuckled and indicated the simple chalkboard display and Wooden hanging sign that read “Bean There, Brew That” above the front door of the shop. “More just because this place is a little bit of a hole in the wall. Owner’s a real sweet lady, though,” he assured before reaching for the door and holding it open for him. “After you, Dabi.”
He laughed as he slipped past. “I ain’t on duty; drop that formal bullshit. Just call me Todoroki or Touya,” he groused.
“In that case, Todoroki,” Twice said as he walked in after him, “fuck the formal bullshit with me, too.”
“Sounds good, Bubaigawara,” he agreed, allowing the other to lead him to the front counter. The shop, as he said, was a simple and laid-back place, with quiet piano music playing over the speaker and only two or three other patrons occupying the joint. The elderly owner was behind the counter, ringing customers up, while her grandkids helped her with preparing orders. Bubaigawara insisted on paying for both their drinks while Touya was sent to find a seat. He ended up selecting a spot by the window.
There was a soft thunk as his drink was set in front of him. “Fan of people watching?” Bubaigawara asked as he settled in across from him.
“Nice way to kill time,” he shrugged, sliding his drink closer. He carefully removed the plastic lid and watched the steam roll out in large uneven plumes, the strong and thick scent of fresh brewed coffee filling his senses. “Tended to do it a lot as a kid. Learned when a lot of the other kids were getting up to dumb shit.”
“Oh, that must have made you real popular with your peers as you got older!” he laughed.
Touya snorted himself as he took a sip of his drink. “Enough so that I got kicked out of my ritzy lil school,” he scoffed. The blonde haired man perked up at that, sipping his own drink and making a noise of interest. Realistically, Touya knew he shouldn’t be sharing this fact so early on. This information was more of a second or third date sort of thing. But… He also didn’t want to have to skirt around parts of himself. He was a work in progress and he wanted to make sure any potential partners were aware. “My first year at UA I got in a real bad fight with some other kid. Now, admittedly, I wasn’t exactly the scholarly type to start with, and I’d butted heads with this particular dick more than once. Ratted him out for cheating on a practical test so him and his buddies jumped me after school. Pretty sure I broke the asshole’s jaw and left him with some permanent burn marks.”
“Sounds like they deserved it, though,” the other said evenly. “I mean, they attacked you. And they outnumbered you. You were just defending yourself.” He took another sip of his drink and flashed an amused smirk. “Plus you’re the one that became a Pro, even without attending a proper Hero school. You’re the one that cared enough to still deserve a career in the field while I’d be willing to wager those dipshits all flunked out or are nothing but coffee jockies.”
Touya froze as he leaned to take another sip of his drink. He blinked three times in quick succession before shaking his head. “What?”
“What?” he parrotted back, glancing back up in surprise.
“You… You’re serious?”
“Yes…? I mean, again, they started it. Did they just expect you to roll over and take it? You wouldn’t just let a Villain you stopped from robbing a bank curb stomp you under the principle of alerting the police that they were going to be apprehended,” he pointed out, waving one hand as he spoke.
Touya continued to stare, mind reeling. While Father hadn’t been angry with him for getting thrown out of UA, he also hadn’t been thrilled. His pride in his son for doing what was right was undercut by his disappointment in that same son not showing the restraint he knew he had. The resulting lecture from Father had been a strange mix, trying to insist he stand by his morals but also knowing when to back down from a fight. Even to this day, though, Touya struggled with that specific concept. After all, it was up to Pro Heroes to protect the public, to assure law and order was upheld. If they didn’t hold other Pros to the same standard, what good was all their preaching? It would be nothing more than moral grand-standing.
“And, I mean, if it makes you feel better, I dropped out of middle school,” Bubaigawara said with another shrug.
“No joke?” Touya asked, relaxing at the table and leaning a bit closer.
He hummed. “That was around the time that, uh, my mental health took a nosedive. Struggled with that shit for a long time. Got this as a result of all that, actually,” he laughed lightly, reaching up to tap the long scar that ran down the center of his scar. Touya had only really seen it a handful of times and always assumed it was something medical, but now that he looked at it closer, he could tell that it wasn’t perfectly symmetrical like he always thought. “I… Kinda gave up, to be honest. Everyone around me gave up on me, so what was the point? I decided to just become who everyone assumed I always was for a good couple of years. But then… After the worst week of my fucking life… Captain found me.”
Touya blinked in surprise. Captain was the term that Torrential’s staff called her by. He knew part of it was as a show of respect and he’d heard she recruited her staff through unconventional means, but the details weren’t something he’d explored. “Huh… And she set you on the right path?”
“Don’t know if she really even meant to get me the way she did,” he confessed with a wistful smile. He sipped his drink and stared outside at the few passersby. “But long story short, she pushed me to follow my passions and gave me the encouragement I needed to do it. But I’ll tell you about that another time.”
A small chuckle escaped Touya at that. “I’ll hold you to that,” he hummed, feeling more at ease on this date than he had on any in the last three years.
And, yes, he finally embraced that he was on a date.
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fromtheplanethexagon · 4 years ago
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the robot problem: a critical look at tobecky, 5 years late
hello wordgirl fandom i am back :) and i have a lot of thoughts that i never got around to expressing before i moved on from the show. so be aware that everything i'm saying is based on my experiences during the 2012-2016 era of the fandom & state of tumblr in general, and i am not familiar with more recent fan content.
it's been over five years since the show ended, and @ifbrd​ reminded me (along with some great analysis) that while tobecky was super popular since before the show technically started (thanks to the play date shorts), it's pretty unhealthy in a lot of ways that tend to be excused or flat out ignored in fanworks. i'd like to reflect on that a bit (a lot); specifically, how both the show and the fandom approached this enemies-to-lovers ship, and how easily this ship can slip into uncomfortable territory if we're careless about how we interpret the ship and create fan content of it.
i will admit, i'm mostly writing this as a response to past me and my old creations - though i moved on from the show as a whole years ago, i do like taking the time to reflect on old interests once in a while, and reevaluating my thoughts on them. and this ship is probably the biggest one that still lurks in the corners of my mind once in a while, so let's go.
cherish is the word: a short positive note before a much longer negative one
i wanted to start this essay off with some positivity, because i am going to be very negative after this. tobecky was, in some ways, cute. it's obvious from the very beginning that these two characters are on pretty equal ground, even if one of them isn't aware of it. and that's part of the fun - the irony of how unaware tobey is that his nemesis/crush/person that pretty much always wins against him is someone that he completely dismisses as incompetent. i want to point this out because honestly, in general i don't like enemies-to-lovers because a lot of them use a power imbalance within the dynamic, and i hate power imbalances, especially when it comes to actual life-or-death scenarios (at least, as much as cartoons can do that). in most episodes, becky is never actually forced to go along with his wishes. she's not held in a 'date' against her will, nor is she ever really outwitted by him. i bring this up because there is one huge, uncomfortable exception, which i will get to later.
another big plus to the ship is the fact that they just... get along? even when fighting? of course we get brief moments where they just hang out and talk about paintings or whatever, but i'm talking about how much they get each other, even if they don't realize it. like the word banter, for example. been there since day one. becky loves words, and while most other people in her life don't really care (ranging from 'eh, that's cool i guess' to her brother calling it annoying), tobey gives her a chance to show off and thus treats her as a worthy adversary as herself, not because of her more generic superpowers - something that we've seen in canon that she feels self-conscious about (see: her motivation in patch game). one of the less noticed examples, to me, is "it's your party and i'll cry if I want to", because it's just - okay. they both are excluded from a social event, and while it's obvious that tobey deals with it by destroying the city, it's also pretty obvious that becky also deals with her frustration by fighting in that battle. like, yes, realistically it's just objectively bad that he's destroying buildings. but they're also providing each other with a way to work through their frustrations, first by fighting and then by talking things out, and finally by hanging out together instead of dwelling on being excluded from the party.
so it makes a lot of sense to me that many tobecky fans gravitated towards writing far-in-the-future fic, usually by implying that some growth had taken place before starting to write the ship. (there are, as far as i'm aware, 2... maybe 3 exceptions, that take the time to attempt a real redemption for him, at least when i left the fandom.) because if you take away his worst moments, either by reasoning out that he was 10 years old and a mess, or that he was a cartoon character in a cartoon world where everyone's actions are over-the-top, or by just flat-out pretending that certain episodes never happened, there's some pretty solid ground to start a ship on.
go gadget go: we all do not see it, we simply close our eyes (review of canon)
when the show began, i was the same age as the characters. a lot of other people were, too - at least in my cohort of the fandom. i think it's pretty safe to say that many of us have fond memories of the show's earlier seasons, and held on to that interest as we got older, for whatever reasons. so like, not to be all 'as an OG fan...', but i remember seeing the shorts air for the first time in 2006. i have a diary entry in july of 2009 about how i, a 12yo with no concept of the idea of 'shipping', was disappointed in the new tobey episode because i wanted more tobecky interactions. (that was robo-camping, btw, lol.) and so i remember how exciting their rivalry felt, watching them as someone literally their exact same age, and then watching that again as a nostalgic 17yo, and then uh... growing up, to put it frankly, and realizing just how unhealthy most of their interactions were.
okay what i meant to say was, this section is an overview of the relationship's canon portrayal throughout the years.
first, we have early tobecky: this includes the shorts and the first few seasons. this is their classic relationship: he likes her and takes robots on rampages to get her attention, she majorly disapproves and has fun taking him down. we've all seen the show, you know what i'm talking about. his backhanded ways of trying to find out her identity often feature prominently in the episodes, which - sigh, i've mentioned this whole issue before, but it's kind of a grey area in the whole uncomfortable-factor thing, because while trying to find out her identity is VERY invasive, it's something that like... everyone in the show tries to do, even her canon crush (scoops). on the one hand, it's really not a great look, but on the other hand, this is a cartoon meant to parody a genre in which this trope is extremely common. so i just wanna say that i have Issues and Thoughts on this aspect of their relationship, but there are other things i find more important to discuss here.
second, we have late tobecky: this is seasons 7-8. this is... a very strange and huge shift from the previous dynamic, though it's not necessarily obvious. what i mean by that is that for some reason, the show writers made it so that half of tobey’s rampages have nothing to do with his crush on wordgirl, even though that used to be the sole reason for his villainy. seriously. we have the birthday episode, where he's upset because he feels left out; wg vs tobey vs the dentist, where he's mad that he has a cavity; and trustworthy tobey, where his robot goes on a rampage... after becky accidentally makes it malfunction. the two outliers are ‘guess who’s coming to thanksgiving dinner’ and ‘patch game’, but they still differ from previous seasons because 1) his destruction is isolated to a forest far away from the city, and 2) his motive is still to impress wordgirl, but his methods are relatively tame. also he completely gives up on the secret identity thing??? i may have missed some things but i think he straight up tells her 'yeah there's no way you're wordgirl, lol' and the subject is just dropped for the rest of the show.
i also want to include 'the robot problem' here, because it's one of two season 6 tobey episodes, and follows the 'doesn't destroy buildings to get her attention' pattern: in fact, he teams up with her to try and stop someone else from going on a rampage (even if his reasons are selfish, lol).
and finally. the other season 6 episode. we have go gadget go, the bane of my time spent in the fandom. because GGG is the single episode where tobey truly manages to take away her autonomy, and proceeds to abuse that power for an extended period of time, for his own amusement. it's bad. it's Very Bad. put in the context that it's a white boy doing this to an (ambiguously) brown girl, it's REALLY REALLY BAD. and the more i look back on it, tbh, the more weirded out i am that the show not only made it seem like she wasn't affected at all within the episode, it just... forgot about it (which is not unusual for shows and especially children’s shows, but WG does make some efforts to either retain continuity or create canon reasons for why things are forgotten about). it's the kind of thing that you can't excuse and honestly you can't redeem (like at this point, you gotta ask yourself why you're spending so much effort trying to redeem this guy when becky has several other possible ships that are nowhere near this unhealthy - violet, scoops, honestly even victoria if you want another hero/villain ship, my absolute fave rarepair rose, etc).
so if you want to still ship it you have to just pretend that it never happened. (i remember trying for weeks to write something exploring the aftermath of this episode, to try and make myself feel better about it, but the more i wrote the more i realized just how traumatic this event should've been, so i eventually just dropped it.) and i brought up my own timeline of experiences earlier to point out that this episode aired eight whole years after the show started. which means that when i saw it, even though i was a huge stickler for canon at the time, i'd built up my own idea of the show and characters strongly enough to go 'yeah, no, this episode sucks and i am going to pretend that it doesn't exist'. and i think a lot of other people did too, because i really saw like... no one mention it, ever, except for some rogue fanfics over on ff dot net that already liked dynamics like that.
because here's the thing, and i don't know if people nowadays are aware of it? but i'm 80% sure (cannot find a source, so the other 20% is that it was just a rumor) that the show was originally supposed to end after season 6. and even if it's a rumor, it makes a ton of sense, because we get 1) an 'ending' to tobecky, which is a bad one, 2) a permanent wordgirl identity reveal that significantly changes one of the major dynamics in the show, 3) an episode where TJ gets to work with wordgirl and get a nice potential ending for their sibling dynamic, 4) an episode where we see Two-Brains explore life without his henchmen... the list goes on, and idk how many of these are just major stretches. but the point is. if the show had ended there, that would've been a pretty solid ending for many things, including their relationship: aka, it would prove that it was only ever heading somewhere bad, and when tobey finally has his moment of triumph, he is truly evil about it. and this provides us fans who HATE go gadget go with an easy reason to dismiss it - we can say that it was an attempt to conclude things in a way that wouldn't have happened if the writers had known they'd get more time. but despite that... it is still a canon episode.
it is odd to me how dramatically the dynamic shifts after that, though, because we seriously go from 'worst case ever, tobecky is toxic, your ship is dead' to 'no actually they get along and hang out and get ice cream together and tobey isn't even pressuring her into it, she's happy to go along with it :)' like, immediately. i never knew much about the show writers, so i don't know if the writers changed in between these seasons, but i would absolutely not be surprised if they did.
the earlier episodes are definitely problematic as well (though they pale in comparison to GGG) but i think everyone who ships it is aware considering that tobey is, yknow, a villain. from memory, he destroys buildings to get her attention, lies to her about the level of danger that people are in to trick her into spending more time with him, blackmails her into reading his poetry, and he creates a robot based on her that’s supposed to be devoted to him (but of course, all of these things backfire). not great stuff of course, but like... he’s a villain, that’s the point of his character. and considering that he’s a child these are things that can be redeemed, if done thoughtfully.
anyway, to sum up this section, the show starts off with a pretty standard 'enemies with an unrequited crush' setup, takes a really dark turn for a single episode, and then for the rest of the show takes their dynamic in a direction that makes it much, much easier to ship. as long as you ignore a lot of previous content.
wordbot: where's becky's autonomy in all of this? (misogyny)
we've finally gotten to the fandom. i recognize that a lot of this is going to come across as hypocritical considering how active i used to be re: this ship, but like... i'm a very different person now. anyway. disclaimer i guess - i don't write this to accuse all tobecky shippers of being like this - i know a lot of us aren't/weren't! but boy do i have things to point out, so without further ado:
it is very hard to ship this without allowing some bit of misogyny to slip into it. very, very hard. the entire premise of the ship involves a girl falling in love with a boy that repeatedly pressures her to date him via threats to the safety of herself and people she cares about, which... it's 2020, i shouldn't have to explain why that's terrible & a terrible example to set for children (which is why i am glad they never made it canon, tbh). best-case fan content has tobey stop pressuring her and start working to redeem himself out of an actual change of heart, which leads to becky seeing him in a new light. worst-case fan content treats his incessant pressuring and sometimes outright threats as something romantic - and even worse, romantic to the point where he deserves her attention and love as a reward for not giving up or whatever. i did see this pretty frequently for a while, especially in the earlier 2010s (didn't read much, Not My Thing At All), but i don't feel like going into detail here because of how obviously problematic it is. one medium (but still bad) case is where the fan content makes him start his redemption, but treats her liking him back as a reward for not knocking buildings over anymore. another not great case is where she tries to fix him with her love, which is a very common and very dangerous romantic trope. both are just... so incredibly unfair to her.
in content where she tries to 'fix him'... yeah i feel like it's really obvious how misogynistic that is. girls and women should not feel responsible for the evil actions of men, plain and simple. idk what else to say here i just really hate that trope and hated it back then and it just sucks! so can we not do that anymore, thanks.
in content that treats her like a reward for good behavior, there really isn't much of an explanation for what she sees in him. if she just goes 'oh wow, you're good now, i am going to fall in love with you for it' the whole thing falls flat because it makes NO sense whatsoever. we get to hear so much about tobey and his feelings and why he likes her and how he feels about it, but where is that energy for becky? why does she choose to trust him, to spend time around him, what does she enjoy about his presence? where is her getting over scoops in the process of falling for tobey? where is her telling her friends about this, confiding in them, asking them for advice? where is her choice in the matter?
win a day with wordgirl: do you guys even like becky or do you just like the idea of her (misogyny... 2!)
it was pretty standard for all fandoms the early-mid 2010s, but that's still not a good excuse for why so many tobecky fanfictions centered specifically around tobey's feelings while refusing to give becky the same level of empathy and nuance. it is true that to ship them comfortably you have to redeem him to some degree, which means spending time figuring him out and trying to find ways to pull him to the light without feeling super OOC. but ships take two people??? and there was so much potential for fanfics to explore becky's complex feelings on the matter - because she is! complex! she's heroic and kind but she's petty and has a competitive streak, she easily befriends villains but also doesn't trust them and doesn't believe they can ever really change, she's the savior of an entire planet but has feelings of inadequacy as her civilian identity and struggles with feeling like she can be successful without superpowers, she's great at the straightforward meanings and uses of words and loves reading but struggles to write passages that aren't dry as hell, it can be easily headcannoned that she's neurodivergent (special interests, issues with fitting in with her peers, taking things very literally, etc)... seriously there is SO MUCH to explore about her character, and a lot of it comes into play when you add tobey into the mix (literally ALL of the things i mentioned are explored at some point using tobey as a parallel or foil), but i rarely saw fanfiction that explored her thoughts on things further than 'he's evil but... maybe good?' or 'he's evil but... i kind of like him anyway?'.
if you want her to fall for him while being a villain, explore it!! why does she go against her morals? does she lie to herself about it to feel better? does she feel like she has to 'fix him' as part of her superhero duties to the city, and if so, how does that affect her as she tries and fails to help him? does she fall for him when she believes that he's turning good, only to feel betrayed when he starts acting worse because he feels like he can get away with it? it's such a shame that fanworks spend so little time even considering these questions, and it is absolutely a product of how deeply misogyny is/was baked into how we approach media (especially back then).
tobey goes good: but wait, i thought this show was progressive (a conclusion, i guess)
ifbrd wrote a great meta recently about how the show is a bit misogynist, despite being progressive in several ways. honestly i don't have much to add, but i'd really recommend reading through this; it makes a lot of great observations about the ways that male and female characters are presented differently through the show
i have little to add, so i'd just like to conclude with a reflection on the ship from my current viewpoint. i do think part of the reason so many of us latched onto the ship, despite how obviously problematic it was, is that the show treats a lot of things that would be serious in real life as normal or even comedic - which is fine lol, i'm not going to pretend that it's not a show for little kids, so they have to keep the tone light.
but if we, as teens/adults, decide to engage with this content in a more realistic manner, we have to be prepared to confront how messed up so many of the things going on really are. and if you still want to ship it, there's nothing inherently wrong with that! there's a lot of interesting things to explore in this ship, no matter what stage of enemies-to-friends-to-lovers you write them at, and it can be really helpful to have a space where you can explore a dynamic such as this in fiction. (speaking from experience here tbh, writing some fic for them helped me deal with complicated feelings about some ex-longtime friends.)
so to write this ship at all means that there are canon issues that you need to deal with if you want to have them end up in a healthy relationship in any manner that makes sense (unless you create an AU where none of that is applicable, which, power to you then). and i’m not saying ‘write them with a healthy endgame or you’re Bad’, not at all lol. but at least please, please take a step back once in a while to examine the dynamic that you’re writing, and please be careful about whether you mean to be romanticizing whatever behaviors you end up portraying as good.
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blackjack-15 · 4 years ago
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Adoration to Ashes, Dust to Just — Thoughts on: Alibi in Ashes (ASH)
Previous Metas: SCK/SCK2, STFD, MHM, TRT, FIN, SSH, DOG, CAR, DDI, SHA, CUR, CLK, TRN, DAN, CRE, ICE, CRY, VEN, HAU, RAN, WAC, TOT, SAW, CAP
Hello and welcome to a Nancy Drew meta series! 30 metas, 30 Nancy Drew Games that I’m comfortable with doing meta about. Hot takes, cold takes, and just Takes will abound, but one thing’s for sure: they’ll all be longer than I mean them to be.
Each meta will have different distinct sections: an Introduction, an exploration of the Title, an explanation of the Mystery, a run-through of the Suspects. Then, I’ll tackle some of my favorite and least favorite things about the game, and finish it off with ideas on how to improve it.
If any game requires an extra section or two, they’ll be listed in the paragraphs above, along with my list of previous metas.
These metas are not spoiler free, though I’ll list any games/media that they might spoil here: ASH; mention of a whole host of previous games with the Hardy Boys in them; mention of SCK; mention of STFD; mention of FIN; mention of DED; small spoilers for SPY; unflattering mention of the Nancy Drew: Girl Detective series; brief mention of erotic-shifter-romance book Bearllionaire.
The Intro:
Welcome to the Nancy Games, lads!
Before we begin, since we’re at the beginning of a new “section” of games, let’s go over exact what the “Nancy Games” entail. Unlike the other games, this section (which runs from ASH through SPY) of games is most concerned with Nancy’s personality, growth, and showing her through a different character foil each game.
These games not only give us a better picture of who Nancy is, but also how she fits (or doesn’t fit) into the world around her and with the people that she meets. Rather than solving the case, these games are made to make Nancy react to things; rather than ‘where is Nancy Drew’ or ‘what case is Nancy Drew tackling’, the preeminent question for ASH and the four games after it is simple: ‘Who Is Nancy Drew?’.
Though only possible because of the nature of the miscellaneous games (WAC, TOT) and the Faerietale Games (SAW, CAP), the Nancy Games have been sorely needed since the series graduated past the first few cases. For a lot of the series, the games weren’t really concerned with the main character of the series, preferring her to be a blank slate that players could superimpose themselves onto…which, as recent media (such as Twilight, and Twilight But With Bondage This Time), isn’t a good basis for a character outside of a dime-store bodice ripper.
But these games aren’t Bearllionaire, they’re detective stories, and detective stories need a strong main detective to carry the story — not to mention the stakes.
That’s where these games come in. Building obviously to the story in SPY, each game explores another facet of Nancy’s personality, and shows what she could become — or could have become, in a few instances — should she let the more negative sides of her personality take over, or if she trusts the wrong kind of people and makes the wrong friends.
How better to illustrate than by showing exactly the kinds of people that Nancy’s friends are? That’s what ASH is primarily concerned about — showing who Nancy is by showing the reactions of people who have known her all her life to a crisis. The only difference between Nancy and her Foil in this game is the fact that Nancy has good people — good friends — fighting for her. It’s how she gets herself out of jail, and how she manages to solve the crime.
And it’s a fun (if a bit clunky) game mechanic as well.
This is why this story can only happen in Nancy’s hometown. Not only is it delightful for fans to see (modern-day, as we saw the old version in CLK) River Heights for the first time and get to explore a bit around the town, but hometowns in media are quite significant when looking at who a character is.
Almost always, a hometown is used as sort of a microcosm for the character, giving us a bit of a cheat sheet into who they are as a person just by showing their environment. Think about it — how many times in cop shows (which are the most blatant offenders by far) are we told that a character is from a small town, and thus they’re intent on proving themselves, probably a ridiculously hard worker (to get out of “that place”), and a bit more innocent than their inner-city colleagues? Or that a character grew up overseas to justify their interest in international crime, establish them as a bit of a wildcard, and handwave them knowing about 16 languages? Or that they grew up “on the streets”, justifying a hidden juvenile record, skills in hand-to-hand combat, and a soft spot for Youths Just Like Them?
(But enough about Criminal Minds. I’d rather focus on something that actually has thought put into it.)
The same thing is happening here in ASH; from River Heights, we can extrapolate that Nancy is well-off, straight-forward, comfortable largely around adults (think about it — ignoring the usual phone characters, we only meet one person around Nancy’s age in RH, and she hates her), and has a drive to be Somewhere Other than her small town.
Another interesting point is that River Heights is chosen as the backdrop for something that has only happened twice in the series, and only once been done well: a personal revenge story against Nancy herself. Sure, RAN attempted it, but RAN’s story is — if you haven’t read that meta, spoilers — hot, flaming garbage, and the personal revenge plotline is bungled to the extreme, resulting in it not putting across that theme very effectively.
ASH is different; from the very beginning, it’s obvious that whoever is doing this is working off of a person grudge against Nancy specifically — and burned down the town hall in order to implicate her, so they’re not playing around. It’s the reason that the culprit search is so focused, which really benefits the games as well. The question isn’t really “who would want to get rid of Town Hall”, it’s “who hates Nancy enough to burn down a building to get her in trouble”. It makes questioning so much more interesting — and very full of mines, which is Great — when it’s the person, rather than the specific crime, that matters.
The last thing I’ll touch on in this introduction is a question that the fandom has posed both seriously and jokingly many times over the last….almost exactly 10 years (10 years!!! I need to lie down my land!!!) since the game first came out: where are the Hardy Boys? Surely, if there was ever a game where they made sense to appear, it would be this one; their friend is in prison and needs the help of practiced investigators — you’d think that even if Carson wouldn’t think of hiring them (which, as desperate as he was, he totally would have), that Nancy would have given them a call, if only to see if ATAC had anything on the suspects.
There are two reasons why the Hardy Boys don’t appear, from a storytelling perspective (ignoring the issue of how much money it would cost to include them or any other technical considerations), no matter how much I would have liked them here, or how much sense it would have been to at least name drop them, if not make them phone friends.
The first is to keep the game centered on River Heights. Everyone in the game — both suspects and allies — is from River Heights and is a part of the town’s makeup. Our suspects reporter, a politician-slash-ice-cream-store-owner, an ex-detective-turned-antiques-dealer, and a college student born and raised in RH. They represent different facets of the town — the media, the political, the business, and the rising generation — and so each represent a part of the town. Nancy’s allies all fall under the “rising generation” — the “Future of the Town”, if you will — or under the justice system category, with Carson. Even the Chief represents another facet — the law — that can both hurt and help Nancy in turn. By keeping all suspects and allies tied to the town, the mystery and the story can focus on exactly what’s going down in River Heights, without any distractions.
The second reason that the Hardy Boys don’t appear is a little less obvious and a little less cut-and-dried plain fact, but I find it compelling enough to mention here: Ned is present. Other than as a foil in CAP (and an oddity in CRE/VEN), the Hardy Boys don’t appear in the games where Ned is present — it tends to be an either/or thing as far as phone characters are concerned. The why of this is, admittedly, conjecture, but I do find it fascinating that the two (three, technically) don’t intersect — and when they do, it’s to compare them.
Also there are not enough fics of the time Nancy sent Ned to hang out with the Hardy Boys like their house was a vacation kennel and Joe broke Ned’s car. Just saying.
Ned represents River Heights, safety, security, constancy, and comfort — the same things that the other River Heights phone friends (Carson, George, Bess, Hannah) do, albeit to a slightly lesser extent. The Hardy Boys, on the other hand, represent excitement, danger, the unknown, new discoveries, and growth — as do, in different extents, the non-River Heights returning phone friends (Hotchkiss, Savannah, Prudence).
Nancy sits squarely in the middle of these two extremes; she’s from River Heights, but she’s not exactly of River Heights, if you get my meaning. As the games have progressed, they’ve shown Nancy moving further and further away from safe, small, friend-related cases to professional jobs with more than a few people actively trying to kill her. For me, that’s the reason we don’t see the Hardy Boys and Ned mostly in the same games; they represent different spheres of Nancy’s life.
And, had competent writer(s) stayed and the games not, well, imploded due to Penny being one of the worst business people I’ve ever encountered, it would have been interesting to see that push-and-pull dynamic being expressed in Nancy’s relationships. As it is…thank Heaven for AO3, am I right?
Now, let’s refocus on ASH in specific, and talk about its composite parts, shall we?
The Title:
Other than being catchy and evocative (and telling us exactly what crime was committed here — that of arson), Alibi in Ashes is also a notable title for its flexibility in meaning. Like CAP, there are so many different connotations for “fire”, and all of them apply neatly to this game.
First, we’re dealing with the literal fire that sends Town Hall up in smoke, and the inciting incident for our mystery (and Nancy’s jail time). Next, we have the word “fire” standing in for “emergency” — as in “where’s the fire” — and there seems to be a new emergency every five minutes in this game — the fire, Nancy’s arrest, Bess breaking the vase, Carson’s absence, etc.
After that, we venture even further down the abstract hole, and dive into the political — whistleblowing, which is often referred to as “setting a/the fire”. This is partially what Nancy does, and is also what Brenda likes to do, no matter the accuracy of the report. Finally, we stay with Brenda for the term “media wildfire” – which is exactly what Nancy’s arrest (due to Brenda’s machinations) causes.
The title in total — “Alibi in Ashes” — also works in a few different senses. Literally speaking, Nancy’s alibi — and the evidence to prove it — is in the ashes of Town Hall, waiting to be discovered. More metaphorically, due to the work of the culprit, Nancy’s alibi (aka her innocence) is in pieces, in ashes — it’s been destroyed. Finally, in a literary sense, Nancy’s situation can be shown in the “ashes” of a past life — in the “wildfire” that destroyed Alexei’s life and career as a detective.
Its acronym being “ASH” is also pretty awesome, not gonna lie.
It’s the multifaceted nature of the title that really gives it its staying power, catchiness aside. Many titles are just as good as ASH’s, but almost none work harder at having so many possible meanings that are all represented in the text of the game itself.
The Mystery:
Sufficiently chastened into spending more time at home (at least for a few days), Nancy comes home in order to spearhead her team (consisting of Ned, Bess, and George) to victory in the River Heights Clues Challenge. This friendly little competition that included No Cheating Whatsoever on the part of Other Teams heats up, however, when a clue leads Nancy to the historic Town Hall — only to have it erupt in flames minutes later. Coughing but still moving, Nancy escapes the inferno…only to be greeted by the suspicious press, declaring her guilty of setting a beloved building on fire.
Things only get worse when Chief McGinnis shows up the next day, taking Nancy into custody due to political pressure in the town. An arsonist is afoot in River Heights, and unless her friends can dig up some dirt on someone — or everyone — else, it looks like Nancy Drew won’t just be convicted by the press, but by the town that raised her…
As a mystery, ASH has some great personal stakes — for Nancy and for our suspects — and pretty layered motivations. The cast comes alive through their relations to Nancy, especially as she’s unprotected with Carson being in Australia. The shift in the mystery that occurs when Nancy can finally get out and speak to the suspects — and seeing how differently they treat her than how they treated the other members of the cast — really helps to add something new to a mystery that’s tying itself up a bit, and give it the last push of gas it needs to get us to the conclusion.
While it’s not the most involved, complex, or thematic Nancy Drew mystery ever, it does what it needs to do, and does it well – and that’s honestly all I want in a game more devoted (as it should be) to character than it is to a twisty plot.
The Suspects:
ASH has a rather full cast (not because of the size of the suspect pool, but because there are so many people involved that should be mentioned), so let’s get started with our suspects, then move on to our other cast members.
Brenda Carlton, resident Reporter of River Heights News and perpetual thorn in Nancy’s side, is both our first suspect and our culprit, proving once again that the media cannot be trusted. We haven’t had a reporter be our culprit in 21 games (TRT’s Lisa being the previous example), so I guess we were due, but Brenda is a delightfully hateful example of just how bad the media can be, so kudos for that.
And this game didn’t even come out in an election year. How refreshing.
As a suspect, Brenda is awesome. Catty, arrogant, and with a penchant for dressing up as Nancy – titian wig and all! – to perform her dastardly, dastardly acts, the game doesn’t try to be subtle for one second that she’s up to no good. While Nancy and Brenda are equally as interested — and equally as talented, by all appearances – in ferreting out a good story, Brenda takes it a step further and makes one if she can’t find one – and nurses a grudge against Nancy for exposing her for it.
Up next is ice cream shop owner and scaly politician Antonia “Toni” Scallari, a woman with a bright-eyed, smiling public face — and if you don’t like that face, don’t worry…she has others. Toni is your typical politician — pretends to be nice and pleasant, is actually a scheming villain, hates people who do honest work, and thinks that fairness in government is a luxury – but the game does stop shy of making her The Villain, preferring instead to show the crimes she’s committed in her search for money and power and letting her quietly bow out of the election.
So definitely better than she deserved, but at least the game shows her corrupt nature rather than sweeping it under the rug.
As a suspect, Toni would have made a decent villain, but it would have turned the game into a tale of cold political expediency and machinations, rather than hot-blooded revenge, and that would have been a shame. I’m a fan of how the games from about TOT on always have multiple characters who Do Crimes and Bad Things, and Toni is a prime example of a bad guy who just happens not to be The Bad Guy.
Third on the docket of suspects is our resident grumpy old man (and Nancy’s foil in this game) Alexei Markovic, who provides not only some of the best voice work in the game, but whose age is also proof that Nancy’s dad really is the silver-haired DILF we’ve been waiting for.
C’mon, he prosecuted Alexei when Alexei was 20. The youngest Carson could have been was 25 if he booked it through college, took no breaks to study for the LSAT, and blazed through law school — and immediately got a job the day after graduation. And seeing as Alexei has the “old coot” personality and grey hair…well, Carson is probably straddling the line between DILF and GILF.
(I’m so sorry for that aside, guys, it got away from me. I’m equally sorry for the first recorded use of the term “GILF” in the Nancy Drew fandom. It’s not the legacy I wanted, but perhaps the legacy I deserve.)
Back to Alexei!
Alexei is a great character, full-stop, and his VA just improves the experience more. Bitter and jaded, but by no means uncaring or evil or myopic about his troubles, Alexei is, where Nancy is concerned, a bleeding heart whose blood happens to run cold. While he could be bitter about Carson playing a part in taking away everything he had, and thus treat Nancy poorly, he instead empathizes deeply, wants to help, and, in effect, treats her the way that somebody — anybody — should have treated him.
As a suspect, Alexei, as Nancy’s foil in the game, would have been a poor choice; he’s not really there to be suspicious, he’s there to show the stakes of the mystery. No matter if Carson could find a world-class defender to get Nancy off the charges, no matter if they couldn’t even indict her, the stakes aren’t “Nancy will go to jail for Realsies” — the stakes are the town turning its back, she loses those she loves, and is unable to do the job that is the essence of who she is. In other words, if things go poorly, Nancy becomes Alexei.
One of the reasons that Alexei is such a good character is that he recognizes this immediately, and is determined to do all he can to prevent that. Sure, he knows the odds are stacked against him, and the whole town is his enemy, and he won’t get anything for helping out — but at his heart, he’s still the Magnificent Markovic; “no case too big, no fee too small,” remember?
Last of the actual suspects is noted red-light runner and girl in envious, envious green, Deirdre Shannon. Deirdre’s a rather divisive character in the fandom — especially of late — but is a character I stand firmly on the side of great, for a few reasons.
The first is that the games took a 1-dimensional, wouldn’t-cast-a-shadow-if-you-turned-her-sideways character from the Girl Detective books, there purely to make Nancy look good, and instead gave her a fully realized character, sympathetic motivations, and a whip-sharp tongue.
The second is her hilarious banter with the River Heights crew and wry sense of humor, which would be enough to make her a favorite character of mine alone.
Annoyed by constant, unflattering comparisons to Nancy from her parents (her father also being a lawyer in River Heights), she’s amused when Nancy’s arrested — though, if you read in between the lines, never suspects Nancy actually set the fire nor thinks Nancy will ultimately get the blame — though not as amused at Bess’ spying on her. She harbors a not-secret crush on Ned and enjoys spending time with him, girlfriend or no girlfriend — though it should be noted that even Ned isn’t spared her sharp tongue.
As a culprit, Deirdre would have been the obvious choice for writers who were the caliber of…well, of the Girl Detective series writers, but thankfully we’re on a higher playing field with Nik, Cathy, and the rest of the crew behind ASH. Deirdre is a snarky observer, but that’s as far as her ‘evil’ goes — and looking at her methodology for solving the Clues Challenge clues (and her commentary on her compatriots) is a joy — real detective work, indeed!
After our suspects, let’s talk about our players on the side of Right — or at least, on the side of Nancy — starting with the girl detective herself (as we will for all of the Nancy Games). ASH provides a better look at Nancy than we’ve had before (as befitting the first of the Nancy Games)
Nancy Drew is our main character, sometimes-protagonist, and at times villain protagonist — especially in the eyes of our culprits — when it comes to unearthing long-buried hurts and wrongs. Stuck in jail for a crime she didn’t commit due to political and community pressure, for the first time, the girl detective can’t really do anything by herself, and is relegated to “phone friend” while her boyfriend and childhood friends are running around frantically trying to introduce reasonable doubt in a frame-up par excellence.
Our source in SPY refers to Nancy as an autodidact — one who teaches themselves — and that’s a perfect summation of Nancy’s character. She’s no museum expert, nor cowgirl, nor entomologist, nor any other hat she’s put on — but she can fake it if someone hums a few bars. Her other big pluses as a detective are (once again according to the source in SPY) in interrogation and code/puzzle breaking — and the differences in the questions that Ned et al pose and the questions Nancy poses to our suspects does bear out the first point, at the very least. Her code and puzzle skills are the usual fallback for the games’ mysteries, more so in the modern games than in older ones (which is both a good and bad thing, depending on what types of puzzles you like).
In ASH, we learn about a key trait of Nancy’s — self-sufficiency, and, more importantly, the limits of that self-sufficiency. Able to fake most things until she makes it, Nancy is finally put in a situation where she can’t do anything by herself, and it’s a source of frustration and impatience to her that overrides other feelings (“Also, I’m in jail, and I would really like to get out,” anyone?). It’s rather stunning that Nancy goes from a triumphant Girl in the Dress to stuck in a police station, relying on the phone and her own intuition, and it does some good for her character exposure and development.
Next up is Edward “Ned” Nickerson, erstwhile boyfriend and long-suffering Emerson College student, Ned is part of an honors fraternity and is in River Heights for the Clues Challenge — and to see his girlfriend, of course. While his attempts to be Detective Ned have really only resulting in finding the keys that were in his pocket, Ned is nevertheless quite useful in getting information out of Deirdre (and is responsible for one of the funniest bits of dialogue in the game that’s not spoken directly by Deirdre).
According to the files from SPY, Ned’s defining characteristics are his honestly and his loyalty, both of which mean that he’s the ideal ‘phone friend’ when Nancy’s in a pickle — and means of course he’d be front and center, ready to do anything he needs to in order to help clear Nancy’s name. His main role in the game, however (and very interesting, as one of 6 or so Neirdre shippers in the fandom!) is to be the object of Deirdre’s window-shopping affections and to be made fun of (good-naturedly, of course) by his friends.
Because of his relationship (such as it is) with an overtly antagonistic character, Ned’s a lot of fun in ASH. I feel like he gets a lot of characterization that he often lacks in most other games (excepting CAP and SPY, of course), and it just makes me like him more.
George Fayne is also here to help — though, irritatingly, not required the same way Bess and Ned are — with her knowledge of technology and impeccable Togo-watching skills. George is a great character in the OG Nancy Drew books – the ultra-modern, straightforward, clumsy flapper, to contrast Bess’ more genteel sensibilities and Nancy’s down to earth, practical, yet fashionable nature — and one of the greatest disservices that the 60s rewrites, post-60s ND books, and, yes, the game series has done to the ND universe is to turn her into a “hurr-durr tomboy because name George like boy name” sort of mockery of her original character.
And no, I’m not crediting her as “Georgia”, because that was not her name in the books. Her name was George, full stop — once again, quite fashionable of her to have a “boy’s” name in the 20s/30s — named after her grandfather. You may fight me on this, but you will not win.
George is noted to have above-average skills in mechanical engineering, and indeed creates a jammer to stop Brenda’s broadcast in the game, but is otherwise…well, kind of pushed to the side in favor of Bess and Ned, her enmity with Deirdre notwithstanding. I’ll address this issue more in The Un-Favorite and The Fix, but a few tweaks while developing the game would have gone a long way towards defining George as a character — we’re ignoring MED wholesale, don’t worry — and helping the gameplay be a bit more varied.
George’s maternal cousin, Elizabeth “Bess” Marvin, on the other hand, is basically required to get what you need to know from Toni, but is very much not the favorite person of Alexei, due to her breaking an antique vase upon coming into his shop.
When a vase can survive the Nazis but not Bess Marvin, it seems a shame that Bess didn’t go to France with Nancy during DAN. They would have found that secret room with the artwork in like a minute and a half.
Bess is mentioned to lack judgment (her reveal of George’s crush on the snack shop boy illustrates that pretty well) but to have above-average intuition and, while manipulated easily enough, is too honest for that manipulation to really cause any lasting harm. Because of her sweet, open nature — and her open pocketbook when it comes to ice cream — she’s a favorite of Toni’s, and uses that in order to try to clear Nancy’s name and discover just what illegal, corrupt pies Toni has her grubby little politician hands in.
Going a little less friendly and a little less college-aged for our next helper, we turn to Chief McGinnis, a grumpy pushover of a cop who’s really only important for letting Nancy walk around a Police Station and solve a crime while under arrest because he didn’t wanna do his job, and for a hilarious diatribe about Pancake City.
Seriously, I go and watch that scene every so often when I need a good laugh. ASH has some fabulous comic writing, and McGinnis’ rant is a prime example.
McGinnis is pretty ineffectual as a helper, but he does allow for the first 2/3 of the game to happen by locking Nancy up (“You cannot leave jail! This is a very basic concept!), and for that, we salute him.
Rounding out our cast of Nancy-supporters is Carson Drew, who is (frustratingly, to him) stuck in Australia when all this goes down, and thus cannot use his legal prowess to free her.
Of course, as a prosecutor, I’m not sure how much help he’d be anyway, but hey, a lawyer is a lawyer is a lawyer, at least in the ever-wise eyes of HER Interactive.
Carson’s really just there (or not there, as the case may be) to explain how Nancy can be locked up with such a powerful lawyer father, honestly, but he gets some good lines in, so we’ll forgive it. He’s also there to round out the “River Heights Cast”, but I can’t help feeling that, if we were gonna have another Drew in this game, I would have taken the puppy over the golf ball. #Togo4Ever
The Favorite:
There’s a lot to love in ASH, so I’m going to focus on the biggest things. Suffice to say if a part of the game isn’t in this section but isn’t in the Un-Favorite, I love it.
I’m going to start off just by saying that the dialogue in ASH is wonderful. We’ve got distinct individual voices, sarcasm galore, enough cattiness to fuel the Halle Berry movie, and great interpersonal work, especially with Alexei.
One of the places Nik truly shines is dialogue, and a small-town environment like River Heights really shows off his skill. I sometimes hear the charge that “no one talks like this!!” leveled against the Nik games but, honestly, I talk to people every day who speak similarly to Nik’s characters, allowing for the differences in written and spoken speech, and so do most people I know. Allusions, analogies, metaphors, and aphorisms aren’t just for English class — they’re part of speaking well.
If you really wanna see dialogue where “no one talks like this,” look at the early ND games. FIN is a particularly bad offender, but SCK and STFD aren’t much better.
My favorite puzzle in the game is the letter swap puzzle inside of Scoop, by far. Sure, I enjoy other puzzles — Alexei’s number box, fingerprinting, the suspect board — immensely, and have a blast doing them, but I can spend hours figuring out old quotes on that aqua background and not notice the time passing one jot. It’s fun, references old games, and is exactly the kind of puzzle that gets me excited anyway, and I love it to pieces.
My favorite moment in the game is probably the moment Nancy takes control and goes and talks to Toni, oddly enough. The stark difference in what Toni says about Nancy while she’s in the station to what she says to her face is like a brick wall to the chest, and is, every time, the moment when you see exactly how River Heights turned on Alexei so completely as to push him out of his job and into the antique business. It’s a moment of almost stomach-sinking disgust, and I absolutely adore the game for not pulling its punches and instead keeping true to one of its major themes — that you need to see who people are in the dark, not when they’re facing you.
In the light of day, Alexei is just a cantankerous old man; Toni is a smiling, motherly ice cream store owner, Brenda is a hard-hitting reporter, and Deirdre is a vapid Queen Bee type. Under the cover of darkness, however, we see Alexei’s charity and heart, Toni’s corruption and two-faced nature, Brenda’s unethical and illegal means to her ends, and Deirdre’s soft center. And I love the game for pointing out the world of difference it makes to see what someone truly is.
For my last point, there are two characters are of note in this game that I love for very different reasons.
The first is Alexei, who is the inspiration behind the title of the meta. There’s something incredibly compelling about Alexei’s down-to-earth nature and the way he deals with being dealt the poorest hand in the world without ever dipping into “woe is me” or any other self-indulgent crap. Insatiably curious, bright, and caustic, Alexei feels like the perfect person to sit down, drink a cup of something warm, and talk about puzzles, antiques, and harsh truths with.
He’s a character who watched his entire life fall apart with one bad person’s actions — “one time, just once, I tried to speak truth to power, and man if I didn’t pay the price” — but still had it in him to keep going, even if it wasn’t what he was doing before. He went from being the town’s golden boy to a pariah, and yet still looks after River Heights and its history, even becoming the curator of the River Heights Museum (when it opens). The difference between his reaction to being falsely accused to, say, Noisette Tornade’s (DAN) reaction to being “falsely” accused is huge and, I think, rather inspiring.
The second is Deirdre Shannon, if you couldn’t tell by my gushing about her above, and, can I just say, I love everything about her. There’s a temptation to assume at first blush that she’s your average boy-stealing popular rich girl a la WAC, but actually looking at her tells a different story.
Sure, the rich part is true — but so is Nancy, and from the looks of their houses and all the trips/vacations they do, the Marvins and Faynes seem pretty well off as well. She shares the tendency for a sharp tongue with Nancy as well (as befitting her status as Nancy’s foil in DED, stay tuned!). Deirdre also doesn’t qualify as popular — her two “friends” that she hangs out with in ASH for the Clues Challenge are still in their “free trial”, and aren’t really her friends.
And her feelings for Ned? While she openly flirts with him (even if Ned doesn’t get it until the girls tell him), Deirdre isn’t looking to actually cause damage (if only because she sees Ned as completely unobtainable), and is up-front about everything she does to Nancy’s face. Putting yourself in her shoes, she’s a bright girl, in love with a boy who is the definition of out-of-reach, is constantly (and negatively) compared to the boy’s girlfriend, and feels stuck in her small town, desperate to move beyond the boredom. In other words, in any other story, she’s the protagonist. It just so happens — as she’s acutely aware — not to be her story. And that’s the kind of character that it’s impossible for me not to love.
And speaking of things impossible to love…
The Un-Favorite:
My biggest problem with ASH, as was mentioned above, is the fact that George is relegated mechanically and interpersonally to the “unimportant” bin. Nancy, Bess, and Ned all have suspects that like and don’t like them, while all George gets is a note that her and Deirdre particularly don’t get along — no extrapolation, no explanation. It makes the decision to include her as a playable character feel a bit like a last-minute decision, like Bess and Ned were planned and George was supposed to be watching Togo until the very end when she makes the jammer or something.
My least favorite puzzle in the game has got to be the stacking of the boxes and crawling towards the exit at the start to escape the fire; it’s a time-sensitive puzzle, which are usually my least favorite, and takes the mechanics of Renate’s bag puzzle and small visual distinctions, which we’ve already noted in the last meta are not particularly my jam either. I wouldn’t replace or get rid of it, it’s just my least favorite. I tend to start my game from a save I have after the puzzle — while I have to refresh on the opening occasionally, it’s better than the frustration from the combined puzzle.
I don’t have a least favorite moment from the game, to be quite honest, so let’s move on to the last section of this meta.
The Fix:
So how would I fix Alibi in Ashes?
The big thing I would change would to be to ensure that each member of Team Danger should have one culprit that likes them and one culprit that hates especially them. Nancy already has Alexei for her plus and Brenda for her minus, and Bess should keep Toni and Alexei, respectively, but both Ned and George need one more. Luckily, with four friends and four suspects, they’ll divide up evenly very easily.
My fix would be to have Ned keep Deirdre as his plus and give him Toni as his minus (local business owners usually don’t like football players for being rowdy and taking up a lot of seats, plus he’s Nancy’s boyfriend and staunchest defender).
George, meanwhile, keeps Deirdre as her minus (though flesh it out a bit more — what exactly went wrong there?) and gains Brenda as her plus. Not only would this make the endgame where she creates the jammer a little more interesting, I’d note that George and Brenda have a bit in common, due to Brenda’s technical and mechanical prowess that we see throughout the game. Throw in something with George having done a technical internship with the River Heights broadcasting network or something during high school, and we’d get a slightly different side of Brenda, even though George still dislikes her privately.        
Just fixing this issue would be enough to where nothing in ASH would stand out as a real negative, but for my second, smaller fix, I’d make the friends able to call each other to change off, instead of having to call Nancy, then have her call the other person. That slows the game down and is needlessly clunky, and I’m still not quite sure why they did it.
Once those two things are fixed, there’s nothing in the way of ASH being a truly excellent game. Sure, it’s not as thematic as the few games preceding it, but it’s not supposed to be — it’s supposed to have an entertaining mystery while showing us a little more of who Nancy really is and why she does what she does, and on those (and most other) fronts, ASH is an incredibly solid, enjoyable game that I replay whenever I get the chance.
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