#she cut it herself!

[sweetest-honeybee]

Some people do kinda suck but I find a lot of joy in giving people really specifics compliments at my job and it makes their whole day sometimes c: 💛

[chloesimaginationthings]

Every FNAF artist goes through this..

[viyojo]

You're a kid now…🧍‍♂️still a kid now!

[valtsv]

i want to talk about my VAL design's halo actually because yes it is primarily a symbolic object but i also hc her as being some form of psychotic and as a fellow psychosis haver i have passionate feelings about the idea that just because something isn't "real" doesn't mean that you don't experience it. it's real to her and that's why it's always present in every drawing i make of her.

[milflaszlo]

(AKA the "Eurydice = Hades = Orpheus = Persephone" post. These four characters all simultaneously becoming one another and having already been one another in an endless cycle feels very fitting to me... it's a show about cycles -- in both the seasons and the song.) 📹: @medium-observation

[kashmimo]

[movedtodykedvonte]

Simon not knowing where the Bus was going and Betty turning into Golbetty right before it leaves is less to say her fate is ambiguous and unknown to even her but more so Simon and her can truly no longer travel together, more so he can’t come with her.

And that he finally realized that.

[stellernorth]

2x21 All Hell Breaks Loose

DVD commentary:

Sera Gamble: I really I love the scene. I love that we gave dean a vision because there's like a sub text too--I mean, it's not even really subtext--he does everything but say, "I'm not a ffff-freaking freak," when he's accused of potentially being- so his prejudice against um—

Robert Singer: I actually think you wrote that Sera, “I'm not, l'm not, I'm not a freaking psychic,” and Eric and i talked about it, i think it was me that said, you know, that's being a little rough on his brother, so actually this idea of that he doesn't quite get it out...

Sera Gamble: But he thinks that.

Robert Singer: He thinks it and you can see that.

[tma-thoughts]

I needed to give her a chelsea cut. For my health.

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[taylortruther]

like, she thought safety was denying parts of herself. but she realized she didn't have to cut off so much. and that's when she outgrew the fishbowl and the cage started feeling restrictive.

[natsmagi]

honestly the more i hear about engstars and its TLs the more i absolutely dread the inevitable release of poltergeist and what may ensue from it, bc if if the translators themselves are already invalidating arashis identity then i Really Truly do not want to see how theyll translate natsume and tsumugis microaggressions/transphobia towards her. esp since ive noticed a rise in people being comfortably transphobic towards her, and i REALLY do not wish to see natsume and tsumugi being stupid fucking morons be used as evidence to discredit her

and i think this is all the more reason why its VERY IMPORTANT for engstars to DIRECTLY ACKNOWLEDGE arashi and her gender. bc sometimes characters are STUPID and RUDE and APATHETIC. enstars is a story with NUANCED and FLAWED CHARACTERS, and when a character is being a fucking asshole youre meant to PROVE THEM WRONG. but they dont even acknowledge arashi as a girl themselves. so, if you do use engstars, please keep pressuring them bc omfg this is so bad and i can only see it getting worse

[commsroom]

a really small thing, but i like how eiffel and hilbert's exchange: "you ever meet anyone that could get things done all on their lonesome?" / "only one. her name is isabel lovelace." goes directly into the scene where minkowski suggests checking the turbines, leading to her (accidentally) fixing lovelace's shuttle. lovelace later says: "good thinking, commander. i wouldn't have looked at those for ages."

minkowski doesn't mean to help - actually, she's supposed to be doing the opposite of that - but it remains true that lovelace is only able to fix her shuttle because minkowski is there. i think it's an interesting point re: the show's themes in general, and also re: hilbert's specific (mis)perception of lovelace. he sees himself in her, he thinks she's the only one who understands his perspective (and hilbert's arrogant belief in this ideal of pragmatic self-sufficiency leads to both the failure of his life's work and the end of his own life), but what he sees in her isn't her; it's the trauma he's put her through. he's the only direct connection to her past. he's the only one who calls her isabel. they both die, and she comes back, and he doesn't, and she decides to be isabel lovelace again.

[mollysunder]

I was today years old when in learned, "Ma Meilleure Ennemie" uses French in the feminine case. This means that the "Enemy" in "My Best Enemy" is being referred to in the feminine gender, as in Jinx.

On one very obvious hand this could be about Ekko's perspective on Jinx and how they got where they're at, where they go from here, and what has it meant to either of them as whatever partnership they forge won't last.

But my more fun crack theory is this could be about Caitlyn realizes Jinx isn't the worst person in her life, it's Ambessa. The Noxus-Piltover alliance has fallen apart and Caitlyn is horrified to realize Jinx isn't the reason everything's worse and she's having a near mental breakdown as she thinks of all the choices she's justified under the previous assumption.

[swordmaid]

think brienne should actually try to kill jaime though. like that would be so sexy. to me. personally.

[prettycoolducks]

decided to quickly redraw/draw over an old (and I mean OLD) GLaDOS drawing. I liked the idea I was going for! It's GLaDOS standing over Cave Johnson's corpse lol. Original drawing under the cut (:

[siriusfelis]

Guhhh