#seriously if you just do what's written on the page for dg you have a slam dunk. and they deliberately chose not to. baffling

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[girlwithamissingpearl]

Here we go again. The criticism of SH’s Sassanach Gin tour is as expected. Not everyone has to like what he does. That’s fair. But that continuing narrative that he takes advantage of his fans? Sorry, but that’s a hard no for me.

Personally I don’t know how the actual fuck he does it. Ten years in and he is still gracious and accommodating to all his fans, even those that cross every line. How is unsolicited groping ever acceptable? I think he is far too affable. But the he’s taking advantage of his fans continues. If all he wanted to do was was an Outlander pump and dump cash grab, not only is he doing it all wrong, he’s working far to hard. Rather than invest his own money and produce a craft product, he could have purchased a house brand equivalent of whisky and gin, and concentrate on labels. Imagine limited edition pumpkin spice, thanksgiving, Christmas, new year’s, Valentine’s Day, shirtless-you get the idea- SH limited edition bottles. I think he’s looking beyond that and trying to build a brand.

There’s also been a lot written about the individual appearances and signings. I would never camp out at midnight to get a place in line, but a 6-8 hour wait? There are a small group of gals that I follow and Dm with, that I would gladly grab a lawn chair and sunscreen and happily take my place in line with. Not sure if they would be as keen, but @khccbc1745, @kiaora45, @harriethattie, @caldineens, @collectido, @ maryofboston, @ Stargazer74 , @andorra97 and many more, who take the time to not only comment, but call me out when I get things wrong(which I have been known to do) you know who you are- I’d wait in line, with any of these women, in a heartbeat. Even though we range in age-40-80- I don’t think we would have a single second of silence. With a group, you take turns getting coffee, snacks, lunch…quick SH selfie, hotel nap, dinner and drinks. I think that’s the part people don’t get when they see the long lines. It’s not for everyone, but it’s also for most a once in a lifetime thing. Go ahead and laugh, a couple of years ago I was the first to make fun of people like me, but scrolling through the fandom has become one of my favourite things to do, and something I don’t have to share with other family and friends that will never understand the joy of all things Outlander and SH😊. The other thing that most people don’t get is that, and I think I can speak not only for myself but the other amazing women in the fandom, we really don’t take each other that seriously. This is fun, and for me definitely a guilty pleasure bc🥸I’m so happy that I have these like minded people I can commiserate with because I just watched the last mid season episode of season 7. How dare they say…to be continued next year. Next year? Ffs.

On a final note, a fun fact. If we didn’t have tickets for tennis, I definitely would have gone to the Scottish festival in Fergus Ontario to see our very own hometown boy CV, and RR and for once be able to post some original pics. Not far from home, I’ve been to the festival in the past- definitely have Scots in the family tree including a competitive bagpiper- and its always fun. I’ve really enjoyed CV as WR in the first part of season 7 and really looking forward to watching his story unfold. But having to wait until next year to watch the second half of season 7, and who knows how long before season 8 airs. Don’t even get me started about DG, and the timeline for the release of book 10. Seriously considering a class action lawsuit for the cruel and unusual punishment inflicted by DG when she said Jamie’s ghost story would be revealed in the last page of book 10. Why DG? Why? On the other hand, I can take my time scrolling, commenting and posting about season 7. If I was a patient person, which I’m not. So for now I’ll make due with the ongoing commentary of how people around the world refer to the “pineapple swim trunks” SH sports in an upcoming episode of MIK 2. Something budgies….🦜🏊‍♂️🩲…