#savvy's creations

[inkmachinx]

my hand slipped and I ended up drawing more for @reel-fear and @/howdy-folks-its-showtime. whoops :3

[princessproductivity]

A bit about @princessproductivity!

Hey there, everyone! Welcome to the Princess Productivity blog! This blog is written by myself, a 23-year-old Christian woman, residing in the beautiful Pacific Northwest! I co-own two successful businesses with my ambitious husband, and I am now pursuing two more entrepreneurial ventures of my own.

My "business beliefs":

Everyone has room to become a better, more productive version of themselves.

Knowledge related to self-improvement should be freely available to those who are willing to take the necessary steps to improve their circumstances.

If a person wants to turn their unpaid passion into a successful business, that passion must be treated like a business, even if they aren't yet making a dime.

Entrepreneurial success can be achieved without the loss of one's humanity, compassion, and generosity.

We live in the era of opportunity, where over 300 million people in the U.S. alone have the wisdom of the internet at their fingertips. The sad reality is that only a handful (about 10%) of those 300 million have the self-discipline to truly pursue entrepreneurial success.

This blog was created for that handful.

On the Princess Productivity blog, I share the things I have learned while building two businesses, and the things I'm still learning as I pursue the founding of two more. From books and podcasts I've discovered along the way, to personal experience and lessons learned, this blog is my attempt at sharing knowledge with others.

No filters, no catch, and most importantly, no charge.

What is the 12 week year? 7 ways to organize your life... 7 ways to reduce your screen time...

[starlit-mansion]

Occasionally now i will see a sentiment about how it's groundbreaking and meaningful for fnaf to be an indie game that got a huge movie deal but i think it's actually a bit more meaningful that it had a huge movie deal years ago and scott held onto it for long enough to at least genuinely make sure there were good effects and casting rather than it being farted out at the height of popularity

[neturbizenterprises]

Revolutionize Your Podcast with Podcastle AI

Explore the transformative impact of generative AI in podcast creation with us! This video delves into how AI technologies are revolutionizing the industry by automating content creation, enhancing audio quality, and personalizing listener experiences. We’ll discuss tools like Podcastle's clip generator and revoice feature that streamline workflows for podcasters and content creators.

Discover advanced methods for improving production processes, from AI-driven transcription services to programmatic podcast advertising. These innovations not only enhance accessibility but also help monetize content effectively. Join us as we uncover these exciting developments in media production!

Podcastle AI:

Explore the transformative impact of generative AI in podcast creation with us! This video delves into how AI technologies are revolutionizing the industry by automating content creation, enhancing audio quality, and personalizing listener experiences. We’ll discuss tools like Podcastle's clip generator and revoice feature that streamline workflows for podcasters and content creators.

[inthesocialmediaspace]

A Digital Odyssey: Navigating the Seas of Social Media Together

🌟 Welcome, Fellow Adventurers! 🌟

Greetings, wanderers of the digital realm! 🌐✨ Whether you're a seasoned social media explorer or embarking on your maiden voyage, this corner of the internet is your safe haven for all things social media and social media marketing.

🚀 Embarking on a Shared Journey 🚀

Step aboard as we set sail on a grand adventure into the ever-evolving world of social media. 🛳️ Our ship is more than a blog; it's a community where we gather to exchange ideas, insights, and inspiration. Here, we believe that our collective experiences are the wind in our sails, propelling us forward toward new horizons.

🌐 Unveiling the Social Media Tapestry 🌐

Through this blog, we'll unravel the intricacies of social media platforms, decoding algorithms, and crafting content that captivates. 🧩 Let's dive into the art of engaging storytelling, the science of eye-catching visuals, and the magic of forging authentic connections in a digital landscape.

📣 Amplifying Voices, Together 📣

In the sea of social media noise, our mission is to uplift and amplify each other's voices. Whether you're an entrepreneur, a content creator, or simply someone passionate about sharing stories, this is your harbor. 🏞️ Let's learn from one another's triumphs and challenges, celebrating victories and offering support during stormy seas.

🌈 A Rainbow of Possibilities 🌈

Our blog isn't just about facts and figures; it's a kaleidoscope of creativity. We'll explore vibrant strategies, brainstorm imaginative campaigns, and discuss the latest trends. 🎨 Let your creativity flow freely as we collectively shape the digital landscape.

🌟 Join the Crew! 🌟

Are you ready to embark on this voyage with us? If you're eager to navigate the intricacies of social media marketing while embracing the spirit of togetherness, then consider yourself part of our crew! 🤝 Follow this blog, engage in discussions, and let's chart a course for success, learning, and memorable connections.

To infinity and beyond, dear adventurers! 🚀🌍 Let's harness the power of pixels and passion to create something truly extraordinary. Get ready to immerse yourself in all things social media and set sail on a journey that promises growth, camaraderie, and a sprinkle of digital magic.

Welcome aboard! 🌊🌟

Warmest wishes, Merah

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 1)

I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!

I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.

On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.

Detailed analysis under the cut, with spoilers:

I went back through the season in my head and started asking myself: why is this element there? What does it contribute?

1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.

Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.

2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.

Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.

Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.

So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)

Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.

This is getting long. Continued in Part Two!

[monabee-draws]

Some TimeBomb Analysis I felt was very heartbreakingly necessary in this trying time:

Ekko comes to realise by being in this world that Jinx was always Powder, in the same way that Vi comes to reconcile the two 'versions' of her, Ekko sees all the ways Jinx's savvy-ness and cunning and brains were always Powder. He gave her up for dead - like his dream of a beautiful Zaun - a long time ago, and painted the mural to show it. But being here with Powder makes him realise he can still have this is he's willing to take her as she is now, flaws and all.

So we all know Ekko is really talking about Jinx in the line "I used to dream the undercity could be like this", but I also think the opposite is true for his last line: "Can we pretend like it's the first time?" is about the kiss, but it's also about this version of reality. It's about Benzo being alive and Powder being Powder. It's about stepping back from his real world for a second to pretend that this is his real world. He was always going to go back, but just like his use of the Z-drive means that he could theoretically re-do and undo all of his mistakes ad infinitum, this is an acknowledgement that this 'redo' is how he wished it has been, and that it isn't real for him at the same time. Because it isn't the final time he will pull the plunger and reset. But he wishes that it was.

3. Jinx has a very difficult relationship with abandonment, obviously. But these lines encapsulate her journey towards accepting that no, actually, the people who love her will always refuse to give her up no matter how much she believes doing so would save them (including Silco and Isha and even Vander since the enforcers come after the kids for the stones she steals.) Never giving up on her empowers both Ekko and Vi in the final hours of the show. Their relationships with Jinx and the strength of that connection in the fullness and acceptance of all of its flaws and history means that they can do and achieve anything. Not giving up on her means not giving up even when everything falls apart around them. It's the crux of Ekko's time travel ability - he will always remember what really happened in all of those loops, he still carries those scars and physical damage, but he keeps trying anyways and that is what saves the world.

4. Jinx is the 'someone worth building for.' Yes, this line is about TimeBomb but it's also very strictly about Jinx. It's about Jinx needing to know that her life also have worth for herself. Her inventions have by and large been built for the sake of others - her toy weapons to impress the others/keep up with them, the canon for Silco. She rebuilds Sevika's arm because she wants to feel useful for someone again. But she doesn't value her own input into the world for her own sake. Ekko isn't asking her to fix the world here, or to make good on her mistakes. There is no 'fixing' or 'undoing' or even 'rewriting' the way Vi wants her too, the way the Zaunites do with her legacy. There is only something new. And her life is worthy purely for whatever creations she adds to the world, regardless of whether they can undo the past. There's something so achy about that coming from the Boy Saviour. He isn't really here to save Jinx from herself - he just wants her to know she can do that saving on her own.

5. Jinx always knew what she needed to do to break the cycle. But she grew up with too many people who never wanted to let go of the past. In the end, we see her airship fly not towards Piltover (in some desperate rewrite of her failed story in Zaun) but away from it. She gets out, she pursues something new, the image loops but moves towards a new trajectory with a different (better) ending, just like Ekko shows her is possible with the Z-drive.

Two sides of the same coin. She leaves Zaun to see something new, and he returns to Zaun to see it in all of its fullness. I think they'll be alright.

[trishacollins]

Like here's the thing.

Colt blaming his creation for his problems is such a literary refrence. It's Frankenstein. And Félix is aware of the literary framing that takes on his life. Just as he is aware that Colt isn't. Colt both despises and doesn’t understand the creature he made.

But Adrien? Adrien is missing so many chapters to understand the tragady he's captured in. If Félix is Frankenstein, then Adrien is the wife in Jane Erye trapped in the attic, he's the miserable child brougut to keep Mrs. Havershem company as she mourns a wedding that never was, he's Rapunzel trapped in the tower, a prisoner for a crime he didn't commit.

But he doesn't know! The bars of his cage are clad in gold.

Félix is genra savvy enough to know the part he plays in the story. His goal is simple, to survive. To defy the expectations. To end his story better than those that shared his narrative role.

Adrien doesn’t know.

They're both tragic, but Félix *knows*.

[butterfly-ribbon]

something i like about mizuki and rui's interactions is that the first time he addresses her with the suffix "-kun" when he's asking about her name? but in every instance after this, he drops it even though he uses it to address /literally everyone/ (including the cis girls, he calls nene "nene-kun" for instance). makes me wonder if mizuki herself voiced her discomfort with it after explaining that she's trans to him or if he picked up on this on his own? either way, i like that he's considerate towards her even if he doesn't fully Get her...

i also love that mizuki here immediately assumes (perhaps a little unfairly towards rui even if it's understandable) that there's some narrativization on rui's end towards her which is rooted in a voyeuristic fascination in her as a person with a unique gendered experience that ties into how she's often treated as an object or an exhibit by everyone? it also makes sense in the context of her genre awareness and performativity bc mizuki is /very/ hypercognizant of tropes and the archetypes she's often forced to occupy?

it's this the expectation of herself as a source of entertainment to others. trans girls often exist in media to be ogled at and othered. she doesn't see reflections of herself in the world. she sees caricatures. so of course she'd assume tht this is what rui wants of her. of course that isn't the case, but trust is so difficult. commodification of transfemininity and transfemininity as performance being widely seen as a source of entertainment and comedy are things that are very normalized in pop culture and media… even when trans girls aren't treated as jokes, they merely exist to reinforce the femininity of cis girls as innately more authentic. this is something mizuki absolutely knows considering her genre awareness and how much she loves to engage with fiction, but i think it's also interesting that in the context of her relationship with the other girls in niigo there's this conflict taking place in terms of being the manic pixie dream girl who purposefully elevates the cis girls by setting the stage for them and helping them address their problems (she does this in carnation recollection, mirage of light, our escape for survival and many other instances) versus using them to affirm her own femininity … we see this the most with ena, but i think this is present with mafuyu too especially in the way she represents mizuki's hope.

mizuki's introduction to the other girls in person also establishes that she's very openly genre savvy and goes out of her way to point out narrative conventions of 'isekai stories' and other media tropes relating to her social situations in a way that feels very deliberate as a parallel to being cognizant of societal prejudices and gender constructs and the way they're sustained through pop culture so she has to co-opt them for her own benefit bc so much of mizu1 is about mizuki using fiction and horror stories as a medium through which she can engage with herself and the other girl but i think this is meaningful insofar as it tells us that mizuki always understood how abuse and misogyny work bc it's been her experience for her entire life… it's interesting that she's one of the few characters in the cast that's an active Anime Fan (ie, going out to try and get merch, tickets, the soundtracks, etc), but the expression around it is /very much/ like trans culture, like how a girl is engaged with things. it isn't about figures or being the ultimate oshi, she enjoys the characters, she enjoys what goes into the creation, she's engaged with how she relates to characters over them being "attractive." there's so much… about her and her genre awareness and also her social awareness… it feels very special bc very few stories go out of their way to acknowledge the fact that trans girls are usually the demographic with so much perspective on women's issues, both bc of their own lived experience and bc they feel like they /have/ to be knowledgeable to prove their own abuse and make up for the taking up so much space in women's spaces? it's motivated by internalized guilt but it's also out of a genuine desire to connect with women and womanhood … so many anime fandoms are often sustained by trans girls and that's something i always notice whenever i'm on twitter or tumblr? magical girl and idol series fan spaces are always occupied by trans girls and the same can be said for things like gundam? mizuki is the type of trans girl who's more into the former than latter but it's still important to note, and it makes me wonder how much of an overlap there is between how that works in english speaking fandoms and japanese ones? i imagine there's a big overlap, but it's still something i'm interested in seeing something more concrete about.

but yeah, the way mizuki is so invested in the process of creation and connecting with the characters very much parallels how she's the MV animator/editor for niigo and how her entire work process is predicated around having an intimate connection with ena's art, kanade's music and mafuyu's lyrics to display them in the best way possible? we know that she was creating edits for her favorite magical girls anime before she joined niigo (and she probably still does in her own time). trans girls often connecting and finding worth in things that cgirls have cast off as childish as well - "i don't need this" versus "this makes me feel like i can have the girlhood i was denied." the lesbian contingent in these spaces is also very strong. i feel that a lot of cgirls get disillusioned and have to come back and address the internalized misogyny around it. magical girls being co-opted by misogynistic otaku also makes it difficult, but it feels broadly meaningful to actually engage with magical girls and how they are genuinely made for young women and even more than that. also the editing … the AMVs and stuff and how it's about fixating on a piece and going through all the clips, closely editing … she's probably rewatched her favorite shows and episodes so often that it's easy for her to think about what she wants to go where. i imagine she would feel self conscious actually sharing her thoughts but also … we know how mizuki is so active in the nightcord chat and how much she fills the space with ena so i wouldn't be surprised. there's a side story where mizuki invites the others out to see a movie bc she doesn't want to watch it alone, she wants someone to exchange thoughts with … it feels so personally driven, this rare chance of hers to … try to show herself to others? she never wants to tell others directly, but through fiction and other things…

mizuki is also a fan of minori but not once does she identify as Anything More than that and of course idols are relevant to mizuki, bc her being Genre Aware extends to anime/manga (specifically magical girls and idols) and films (mainly horror). in the broad context of 'oshi' as a term this is important bc mizuki likes her and thinks she's cool and admires her, but she sees idols as ppl ... she sees girls as ppl.

i also think about mizuki and "loneliness" here in the context of transmisogyny as a system to isolate transfems, to deny them safety and community and solidarity in order to enable everyone else treating them like disposable sex dolls. many ppl will pretend that the idea of transfems being uniquely threatening or predatory is something that came from genuine concerns about sexual safety (especially terfs with their "concerns" about "males in women's spaces") when the truth is that it's a deliberate campaign to convince ppl that transfems don't deserve to be treated as human beings, never mind women, they're degendered objects (aka second class women). ppl aren't /born/ believing that transfems are more dangerous than cis men; nobody independently arrives at this train of thought as much as they're conditioned into it by the patriarchy in order to do their part in maintaining the exploitation of transfems as scapegoats for the sins of cis men even if they're not conscious of it. this just makes them gullible agents of the system.

a huge difference between how 'average' misogyny & transmisogyny operate is isolation. if you're a cis woman who's the subject of constant misogyny, it's still possible to find community within cis women. transmisogynistic oppression goes unnamed, isn't shared by any peers bc transfems rarely know other transfems growing up, and is never called out by anyone even adults. it's true that all systemic violence masquarades as personal violence, but i think this goes doubly so for transmisogyny especially bc the 'mainstream' understanding of transmisogyny even in queer spaces is that it doesn't exist as long as you use a trans woman's correct pronouns or recognize them as women (and even then ppl will always make excuses when they're called out for using they/them and it's not even called transmisogyny; it's just transphobia).

when trans women exist around others they're either reduced to sex objects/freaks or mothers/manic pixie dream girls who take on the brunt of emotional labor in social dynamics, and i think all of this informs mizuki's idea of loneliness here? rui may be well intentioned, but there's an inherent power imbalance between them as a cis guy and a trans girl (even though she's pretransition, it doesn't change this) that contextualizes their isolation and this is something mizuki is obviously bitter about… it's true that her family is supportive and gives her refuge in the form of her own room to retreat back to when the world is too cruel to her, but this is simply not enough when the goal of transmisogyny as an oppressive systemic force is to erase transfems like her from public spaces, which in some part also explains why mizuki feels so insecure about her coping mechanism being avoidance and running away bc it probably feels like she's letting transmisogyny 'win', so to speak? despite how much we see her being treated like an object and an exhibit in incredibly dehumanizing ways as well as all the microaggressions from so many ppl (even the ones who care about her like an and rui) we never see any teachers standing up for her? all they care about is getting her to attend enough so she doesn't have to repeat a year and such, which reads more like they're doing bc it's inconvenient for /themselves/ otherwise to have to deal with her more if she's held back a year. the fact that she tells rui that she hopes he can find friends that he has more in common with than just solitude in response to him trying to tell her that being lonely isn't all that bad is so loaded bc rui is a cis boy, so there's no way he understands the kind of isolation she's had to endure and the fact that he's able to speak positively about isolation understandably makes her bitter for these reasons.

mizuki joking about 'losing' to rui at making friends even though she has "better communication skills" when by that she means that due to her lived experience as a transfem she's had to become very hypercognizant of social norms and conventions in order to mold herself into a very palatable expression of femininity to be accepted by others but her hypersensitivity towards these things still isn't enough and rui can surpass her simply due to the fact that he's a cis guy...

[inkmachinx]

The Ink Demonth Day 18: Purpose

[spirit-lanterns]

Hmmm, had an idea I wanted share with you.

What if the Aeons in this AU are these super advanced A.I.s that the corporations responsible for manufacturing the Androids have as responsible for creating and programming them. And sometimes, due to one reason or another (their programs reaching a point where they can't he updated any further, or it starting to decay or corrupt. Not quite sure how to put it, I'm not overly computer savvy) they sometimes need to be replaced.

Like for example, Penacony Entertainment Firm's (the corporation responsible for Robin's creation) original design A.I. was Ena, but was later replaced by Xipe (but Ena's program was considered "too important" to simply throw away, so they Xipe simply absorb their Order programming into their Harmory algorithm). Yaoshi was originally the Xianzhou Militech Corporation's lead A.I. but the way their program was developing was considered "too dangerous" and so they planned to replace them with Lan. But Yaoshi has seemingly developed to the point where they were self-aware, and went rogue, resulting in the creation of a virus called "the Mara" which they would proceed to start infecting androids made Xianzhou (as well as other companies they could dig their virtual roots into). Their first victim being Android! Jingliu.

Jingliu was originally a combat android, before the Mara corrupted her personality core, leading to instances of her attacking friendlies, eventually being sent to you to be terminated after she ended up deleting the last person she had been serving under. But you just can't bring it upon yourself to pull the plug on her, so instead you attempt to help, trying to keep her under control while trying to find a way to purge the Mara from her programming. And it's through this time that Jingliu finds herself growing quite interested in you. It turns out the Mara's effects on her personality core also inspires her to actions of a more lewd variety 🤭

This is actually a really clever way of implementing the Aeons into the Android AU and still making them very powerful beings 😳

I’m so impressed! I would like to make this canon in the lore because it’s so smart. Also the fact that Jingliu’s Marastruck virus affects her personality core and in turn makes her horny, is really amusing to see. Imagine this stoic, seemingly emotionless combat Android wanting to touch you and attach mechanical genitals to her body like a Sex Android, suddenly taking an interest in things like sex, feelings, etc. and wanting to be close to you at all times.

You’d be so confused as to why Jingliu was suddenly getting “grabby feely” with you and getting frustrated because she can’t feel any pleasure. But since it was clear she was uncomfortable and needed something down there to satiate herself, you decided it would be harmless to attach a mechanical penis to her. What harm could that do? She’s probably just gonna masturbate—

Well, Jingliu wasn’t so harmless anymore. Now that she could experience proper pleasure in her nether regions, she was intent on making you the source of her pleasure. Not like you wouldn’t reject her, ofc. You’d gladly help out an Android if they were in a time of need 🤭

[sonichaunt]

So I had an idea, for a sonic AU: Black Arms infused Maria.

She still gets shot and sends Shadow to earth, but this time she just doesn't stay dead due to the Black Arm cells (from Shadow's blood) she's been infused with by her grandfather. Gerald did this in a last attempt to cure her as he feared GUN would soon come for him and his research- he was right of course... The cells mass multiplying to save the host have changed her body, slowed her aging significantly. Spending a large part of the last 50 years hiding away from GUN after escaping their facility thanks to the commander (once he reached a high enough rank to even discover she was there), she doesn't really look as kindly upon humanity any more. Even though the commander claims Shadow was never found ( and likely dead) she is is searching for him endlessly, becoming very science savvy in the process and gaining full control over her grandfather's creation, the artificial chaos.

She can sense Shadow is alive, the black arm part of her sharing a connection with him. However, this connection also extends to Black doom and when he returns to earth he becomes aware of her. Unlike Shadow this human "child" is far more susceptible to his mind control and influence. Shadow in turn might not fully remember everything, but he feels a strong bond with Maria, in more ways than just his lost memories could explain which confuses him. Since she's on the side of the Black Arms, going against them will become a lot harder for him. Hopefully Sonic and/or Rogue manage to get through to him, or earth will have an issue. Outside of Black Doom messing with her head her goal is to live with shadow on the ARK, away from the humans that could hurt either of them. Black doom offering a way for them to be able to live on earth itself without the threat of humanity coming after them (after all of humanity have become part of them- he meant as food, Maria thought he meant like she was, infused with their essence) did plant some ideas in her head however, even after their defeat, maybe she'd take a page out of Eggman's book and want Marialand, using her grandfather's memory altering tech to create a way to keep people in line.

[gummilutt]

Posebox 2.0 - Memory function for pose used

In 2024 I have really been getting into staging posed pictures to further enhance my stories and enjoyment of the game, thanks to inspiration and teachings by the wonderful Rachums on twitch. I enjoy it, but one of my struggles is the fact that I have very severe brain fog and remembering what the heck I used to undo it is a challenge. So I thought I'd bring my bhav-savvy, and celebrate the 20th anniversary by giving poseboxes a little quality of life addition! :)

Which is how I landed on this creation, which adds support for the posebox to remember what pose you last used.

Unfortunately I can't automatically apply it to existing poseboxes, but I can provide a base for posebox creators to use and start adding this functionality to new boxes! :) That is the creation I have for you today. It is based on the VeninOrchid base provided in the Shenanigans workshop on pose creation, but a separate clone with new guid, and my new code added. I have included creator resources (images and a video) of what is different when adding poses to this base.

Download base on simfileshare

I hope to in future also post a video on how to apply this code to already created poseboxes, for creators who would like to do it, but find it overly tedious to re-do the posebox from scratch (which yeah, that would suck!). And perhaps for simpe-comfortable posebox users to edit their favorite boxes if the original creator doesn't want to themselves :)

Credits: Kashmiresims/Rachums who inspired me to get into posing, picknmix who helped me get better at modding and helped me get to a point where I could actually know to make this, VeninOrchid who made the original base and from whom I learned to make poses myself :) Also wanted to shoutout NikkaSims who is my current favorite posebox maker, if you like posing you should definitely keep a close eye on her socials!

This was part 1 of my Anniversary Gifts, find the rest here!

[neturbizenterprises]

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[bananaactivity]

Im not finished with Carlos fully but he looks good enough for right now ( he’s 22 in this picture here)

I changed Carlos and Evie up, so now Evie is a vain witch like her mother who is fashionable but she doesn’t sew her own stuff. ( which is for the better cse wtf was that ugly ass dress she made for Mal in D2???)

Carlos considers himself to be a very expensive person and can be pretty big germaphobe. He hates getting anything on his clothes and he refuses to wear the school uniforms at Auradon Uni because they’re ugly. He wears lots of black white grey and red, with gold accents usually. He does theme around dog associated items like gold bone cutlets, paw print lapel chains, and a tennis ball brooch. He often wears red gloves and his favorite shoes are his collection of red bottom dress shoes. He likes hiding red on the interlining of his clothes too, such as his jackets and hats and vests.

A lot of his own person style is derived from 1990s London fashion ( as the artist that means I get my references from the 1996 101 Dalmatians live action movie, the styling of Cruela in that movie is ICONIC AND IMACULATE, and I MUST reference her for Carlos.

PURRRR

Of course he wears REAL animal print. And he’s not a weak touch me not prick like some think. He’s still tech savvy and does Anyalitics and specs for the core four. He also loves GUNS 😄. Think of him like a sharp shooter who stays in the back of turf wars and snipes people. The isle doesn’t have many marks men ( they all really like swords for some reason) so he’s pretty dangerous. He builds his own weapons too.

His passion started out as a way for him to collect his own furs but Harry gets him most of what he needs plus he always needs Carlos to redo his wardrobe ( he gets… messy… after a couple days work) Carlos hates that Harry ruins his creations so fast but he pays him well and gifts him rare fabrics and samples from Auradon.

Because Carlos has no magic Mal always underestimates him. She sees him as only a stylist and ranged weapon specialist. Even tho she acknowledges him for his wit and tech skills she still doesn’t listen to him. Sometimes he wishes he could stay with Harry but then he’d have to do more work up front. Harry understood what Carlos was capable of and respected him a lot. What Harry doesn’t understand is that not everybody likes to be covered head to toe in hot sticky blood 24/7. Harry had also promised him a suite on his boat that nobody else was allowed to occupy, but even if Harry’s crew feared HARRY they wouldn’t mind having an attitude with CARLOS for preferential treatment, even if it is what he deserves 🙄

Harry and Carlos’s relationship is the definition of there are two wolves inside you. Carlos smokes and drinks but he’s more of a Marlboro and Merlot type of guy and Harry’s a Rum and Cigar kinda lad. ( I’m using cartoon logic and say that those habits are purely aesthetic based of iconography from the original Disney moves, Cruella smokes and Capt. Hook smokes two cigars at once)

Carols isn’t really scared of dogs anymore but when he arrives at Auradon he “befriends” his roommate Chad ( now an animal lover like his mother) who has pet rats and a entourage of wild animals constantly in their dorm, and threatens to shoot and skin them all every single day to make a new line of coats ( when Chad rebuttals that his rats are too small to make coats, Carlos says they’d make the perfect fuzzy gloves 💀) He also uses Chad as a living mannequin for his designs. They have a goofy relationship with each other, Carlos does make Chad do all the dirty work of skinning and draining the animals he hunts but despite how traumatic that is Carlos is a fun sweet guy so it’s okay 💀💀💀.

Jay is jelly of Carlos due to his closeness with Harry. ( I guess the way to Jays heart and respect is by holding him at sword point and threatening to gut him and hang him by those very guts over shark infested waters and watch them nibble away at him 💀)

Next I’ll find up Carlos and do some fit designs then I’ll redesign Jay and tell that gutting story 😛

[funkslide]

I no longer live in reality, i live in a world where arthur morgan has a little youtube channel with his husband, theyre not often on camera, they dont always talk, but they show their little projects around the house.

Propagating a flower for Charles’ birthday, making a birdhouse from leftover wood, trying watercolors, taking in an injured horse, trying some projects but failing, trying again.

Charles sometimes films Arthur when he doesnt notice, like wearing his reading glasses trying to mend his favorite jeans, making an angry little face.

Arthur will show Charles’ little whittled creations that he admires so much, it’s essentially a video version of his journal.

In the beginning, editing the videos was hard, he stayed on the phone with Tilly for hours many evenings, needing help from someone young and more tech savvy.