#satoshi while acting on emotion still /acts/ and in the end that's what matters
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silvermeww · 3 months ago
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Okay it's been a while, but I have been having a lot of thoughts!! Beach ep thoughts lol. But firstly: Shigeru is not as puntable in this version still, which is funny bc I already watched this ep in sub... probably still thinking about dub him back then (jk he's still good lol). He actually makes a good point here though, which is why I need to commemorate it-- that Ash/Satoshi was getting so fired up in this ep to get his 'revenge' on, er, whatever that demonstration Shigeru was pulling off that he doesn't considerate what kind of place it was (a resort, not a battling ground). And while still being annoying, he gives him honest feedback (that he really did lose bc what would happen if they fought? in front of their parental figures after a beaty contest btw?). Still can't get over 'I'm with the girls today' like okay bi king, go off I guess.
While we don't ever see them battle until the end of the Orange Islands arc, we can clearly see the differences here: Shigeru is more analytical while Satoshi fights with emotion (and can get consumed by it a lot too at this point). It's a problem now especially, since while emotion can help him (e.g. his last Gym Battle with Surge), it can also be detrimental (as we see later on with Sabrina-- he needed a real strategy against her as she was too powerful and... wasn't really sane at that point of time). I still have no idea why Shigeru is there in the first place, but hey! I won't refuse character development (also a possible nugget for why he decides to go researcher after Johto).
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How my boy has grown (in a few minutes... well, rather it was throughout his journey so far). The fact that he actually took to account what Shigeru had told him (to notice what was around him) and used it in this type of situation where everyone is panicking and doing the opposite. Satoshi is actually keeping a level head here, and it's so beautiful to see here. People who say S1 has nothing has not seen anything, this is like what, ep 18 I think? Even Takeshi is surprised lol, but it still stands to reason that it's something that came from him and his calm demeanor which rubbed off on Satoshi, which is why I'm saying it was the journey as well that contributed to this. If you asked him at the start of the season, he probably wouldn't have acted in time (hello, waking up late and embarrassment) or at all, panicking with them. But now? He's taking it upon himself to warn everyone to stay calm, to watch how it isn't a real Gyarados (knowing after the whole St. Anne thing... hey, what happened to being pronounced dead before?), and it's great! Look how Shigeru is smiling at him, he knows what's up. Them being friends before holds more weight when you think about moments like these.
Come to think about it, isn't him telling him what he's doing wrong also remnicent of Blue in the games, where he gives you hints on where to go next? I'm really loving this fr, can you tell?
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^^ The proud parents in question. Again, something to show how much he's grown, and Oak actually taking him seriously. And Delia noting how much he's grown.
Also grandson 🤝 grandfather
proud of gremlin child
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The guys ever (ft. live 'rock reaction). Get yourself a dude(s) who can do both. But seriously, for a 'filler' ep there's so much here?? That smidge bit of respect coming out of Shigeru, that light-hearted smirk coming off from Satoshi, that remark (acknowledging him in a battle-sort-of-way; acquiescing to his challenge now bc he has shown that he can keep a cool head), the way Satoshi didn't falter once. A glimspe of his future Champion self, tbh. The makings of the hero role that he'll get forced into, over and over again.
Also the ep where TR (or rather Jessie/Musashi) call out that they'll never forgive him from this point. Yeah idk about before.
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kapisonozaki · 2 months ago
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meakashi thoughts, part one, slide five (+ a bit of watanagashi for context)
 Because of what she said about the priest not necessarily deserving it, but had it coming, she’s worrying that Mion wouldn’t protect her unconditionally, since Shion has an obvious disdain for Hinamizawa, as mentioned earlier. And when she sees Satoshi, she sees what she wants the most from Mion: someone, who no matter how badly the odds are stacked against them, will protect her. Even more so, Satoshi, like the Sonozaki twins, never had a chance to grow up because of family problems that ended up turning into trauma. However, he doesn’t try to hide his naive, yet emphatic innocence. What Shion sees in him, she sees in Mion’s true self, as we see when all of a sudden we see Mion become incredibly vulnerable when talking with Shion in the library. Also, I’m not sure if this is mentioned in the main arcs, but in Miotsukushi Matsuri/Omote, we learn that the library is actually one of the only places that the Sonozaki actually don’t have control over in Shishibone District. This, of course, shows how the library is one of the only places in Shishibone where both Mion and Shion can show their true selves together, without having to put on appearances and disguises to appease the Sonozaki family.What’s strange, however, is that Shion never seems to show HER own vulnerability during the conversation. Mion showcases both the tomboy Mion, the heiress Mion Sonozaki, and the child “Shion,” but Shion only ever really shows her mature side without revealing any of her own sadness or vulnerabilities. It could just be said that she knows inside that Mion has experienced a significant amount more while they were separated, but I think it’s also due to how she doesn’t truly want to believe that Mion has changed such a large amount from her while she was gone, as well as her thinking that there isn’t a side of her that’s so emotional, since she obviously prides herself on her rationality, as mentioned in the beginning of the chapter. She doesn’t want to believe that there might be so much about Mion that she doesn’t know about her now. She doesn’t want to believe that what united them together as children, the inability to distinguish one from the other, might have been slipping away as time moved on from the misbranding incident. Later on, when she finds out Satoshi has a little sister that he always has to take of because their aunt hates her, she starts to hate Satoko just a little bit too. This isn’t necessarily just because Satoko was monopolizing Satoshi’s love, but also because she sees herself in Satoko, In Satoko, she sees a whiny brat who has to cling on to their “older” sibling not knowing how much pain they cause to the older sibling because of it. She doesn’t realize it yet, but she hates Satoko because she hates how she feels like she herself is bringing down Mion, who already seems so mature, with herself. It’s also important to note that at this point, Shion doesn’t hold a grudge against Mion for becoming the successor in her place. She might be disappointed, but it’s not strong enough to turn into a feeling of hatred. She knows that deep down, Mion is still just as vulnerable as she was when she was “Shion.” She wants to be there for Mion because of this, as shown by her observations of how Mion feels about her role as leader, but she feels that she’ll also bring Mion down because of her negative feelings towards Hinamizawa that Mion has obviously shown a little contempt towards, as seen with her response to the curse upon the Furude priests. Also, Rena definitely catches on to Shion’s disguise, considering she NEVER acts the way she did around Shion, around Mion. What Rena tells Shion starts making her believe in Oyashiro-sama’s curse. I would go into how the scene where Rena tells Shion how even a lie like a fake smile can become a true smile plays into the irony of Shion and Meakashi in general, but this isn’t a Shion analysis (this part has NOT aged well since I end up going more in depth about it later on 😭😭😭).
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zak-kondo · 2 years ago
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In Millenium Actress, Satoshi Kon teaches us to find our ambitions and the meaning of hope. The key to the greatest thing there is was never meant to be for a lock or answered by the film; you must provide the answer for yourself. What the key is, is just the drive towards finding the love of accomplishing that greatest thing. To the painter, his art was his passion, and the key to his art supplies box locked inside painting, the greatest thing there was for him.
Millenium Actress became my key towards finding great anime during that period where I had almost stopped watching it all together. I would never have made it this far making anime analysis content if it wasn't for me watching this film, and the few others from that period during those earlier days where I had almost completely lost hope.
Chiyoko was in a dark place. Her future was tied between indecision. Suddenly, during a time of political upheaval, she bumped into a tall painter. She saw his kindness and that he was a revolutionary, wounded and bloodied. Once the authorities came, she decided to help him get away. Though he was a political activist with a target on his back, she took him in. During that night conversation under the moon, she felt moved by his poetic words.
He told her he admired more the moon that was less bright than the one that is full. That is because the full moon has already peaked, it can only diminish. The not so bright moon still has potential, and the thrill and beauty of it struggling to be more beautiful, and the hope in every tomorrow that brings for it to reach that goal felt greater to him. It's been said time and time before, it's not about the end; it's about the journey.
As Chiyoko listened with fascination, she began to feel inspired by how passionate this man was about his art and what drives him. He told her that once he gets home when peace returns, he'd paint in the snowy landscape, which felt like a faraway world to him, even if it hurt from the cold. She decided then and there to go with him, and they make a promise to see each other again since he had to leave soon to dodge the authorities.
Eventually he vanished, and left behind the key while escaping from the authorities. Chiyoko would keep it around her neck after finding it, and tries to find him during the chaos of the war. She decided to take up acting, not because she cared about it. More so, she wanted him to see one of her films to lead him back to her. An amateur, she started off bad. Despite that, her strong emotions to find this man she fell in love with gave her the passion to deliver her lines beautifully. She became famous in the process. Still, the only audience she was looking for was just one man. As long as she kept the key and the memories, she'd keep trying to find him. There is a loneliness to this despite her grandiose career.
Eventually, a ghost appeared. It haunted her by telling her throughout her career that she has been cursed by an endless pursuit if love that will burn her up. The ghost tells her that she hates her and loves her both more than she can bear. No matter how much Chiyoko ran after him and made progress, the ghost laughed in the shadows behind her, telling her that she can't escape the curses' fate. It even told her that those who are alive who don't manage to meet up get to do so in the afterlife, which frightened her.
This films feels like I am watching a dream. The dream of an old actress who's memories have become so hazy that they have blended not just with the story of her love interest, but with the movies of her career as she tries to tell her life story throught the film for a documentary on her life. This is Satoshi Kon's specialty. The brilliance and surrealism of the edits, the blending of fantasy and reality that has so much wonder and mystery it goes over the viewers' comprehensions. Then there's the film crew in the movie. A camera man who thinks what the viewers think out loud, and provides humor for balance. On the other hand, there is Genya. He feels like Chiyoko's most loyal follower, a humble man who also loved her more than he could bear.
What a shame that such talent was taken so early from this world. Kon had a way with invoking the exact feeling I look for in anime. It pains me that his next film, which was supposed to be Dreaming Machine, will probably never be finished, because he is just outright irreplaceable, and the staff left behind can't find someone with his talent to direct and finish it.
The type of feeling that Millenium Actress brings is one that folds knots all over the inside of your heart. The ending throws a curveball at you and tells you that there is hope in the end. Whether or not you reach your goal, the lifetime you spent chasing it, the progress and hope you gained along the way, the accomplishments, were what really mattered.
Every time I begin to forget this film, I watch it again, learn something new from it, and enjoy it even more. I'll never stop talking about it. Some people say that all that could be said about an anime has been said, that the discussion is over. That couldn't be farther from the truth. There will always be people with new interpretations. In fact, the more I watch this film, the better I can talk about it the next time. That's why I can appreciate those that try to review older anime. Those that pump out endless seasonal reviews usually make them all bland because they only saw them once and weekly without notes or meaningful thought.
Last and certainly not least, this film was blessed with the music of Susumu Hirasawa. The soundtrack can toss you around with sadness, terrifying uncertainty, suspense, and bittersweet wonder.
Afterwords, Millenium Actress still asks the question to it's viewers in the end: What is the greatest thing there is to you?
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nichebim · 6 years ago
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Sanders Sides/ Boku no Hero Academia Quirk AU
Yes, you heard me.
Maybe this warrants some context.
So, I was looking for bizarre crossover fanfiction, as you do, and I came across one Sanders Sides and BNHA fic called “What Makes Up Midoriya” by kalopsic on ao3. I read it and, it’s a bit rough but damn did the idea stick in the best ways.
Anyways, I can’t seem to write a fic fast enough to post it . I’m already working on trying to adapt it into a comic or something but I’d honestly rather just read it. I already posted this on my ao3 account, though I don’t have any fics written there but I’m gonna copy and paste the google doc here. There will be criticism of the original fic and if you end up reading it, kalopsic, just know that I love your fanfiction and will be waiting for your next update if you’re still working on it.
Basic plot: My Hero Academia--Canon Divergence
The divergence being that Izuku basically had physical manifestations of the Sanders sides
Sides:
Rin/ Anxiety: didn’t start out with dark bags like real Thomas’ Anxiety, he developed them over time for reasons I’ll say later
Yoshi/ Morality: the child of the group, as opposed to Thomas’ being the dad
Akio/ Hero/ Princey: basically Roman but Izuku just wanting to be a hero
Satoshi/ Logic: basically Logan
Original fic dislikes:
each side had a quirk and I felt that, that it easily made Izuku very OP (overpowered), even they acknowledged it,  but I just felt like it was too much, no matter how convenient it was (Prince character had the power to double Izuku’s quirk power, Anxiety had the power to cause illusions, Morality had the power to heal, Logic could strategize)
everyone just dismissing his quirk just because that's how everyone treated him in MHA; SERIOUSLY EVERY SEPARATE PERSONALITY HAD ITS OWN QUIRK! HOW IS THAT NOT HERO MATERIAL?! It just didn’t make any sense to me and made me feel disillusioned.
Even if the sides didn't have quirks, they would still be useful; it just seemed like the author was looking for excuses to keep Izuku on track for receiving One For All
Likes:
story had a lot of potential to explore Izuku’s character and emotions, especially if I keep it the same track of it being undiscovered for the majority of his life
It’s just an interesting idea to see these characters placed in such a situation that would for sure require teamwork on the field and each of their reaction and reception to certain events and responsibilities
each facet of his personality may hold more radical opinions or measures to complete certain tasks that Izuku may not want to believe he’d be capable of or like (kinda exploring his character, like I said before); maybe Rin is willing to kill or sacrifice people for “the greater good” kinda thing
if I keep it in the same track of him not discovering it until he’s fourteen or fifteen, it could keep his “growing up quirkless” complex he retains in the show and I think watching work it out between all of the facets of his personality would be nice and comforting; they help him move through the whole treating people with “heroic” quirks like they’re on a pedestal and his inferiority complex
I like the whole emotional aspect of the sides, it’s kinda what entices me about this concept
Things that stay the same:
they first manifest at his thought of “I don’t want to be alone”
they’re basically all the same as Logic, Morality, Anxiety and Hero
he still meets All Might
Sludge villain still happens
he could summon each one individually if he wants
Rin does cares about everyone and the constant danger they’re in causes him so much stress/anxiety (minor change in that he develops the bags overtime)
Changes:
no, each side will not have a quirk
I don’t know if I’ll have them be able to directly talk to him like they do inside his head; small handicap that I feel would help the story would be that he could only talk to them in their physical form but I don’t think I’ll adhere to that for the sake of convenience
he will not get One For All, or at least if he does, it will not be like the canon version, maybe All Might will go with his original plan of bestowing it on one of the students in UA and he saw Izuku has potential
I’ll focus on the growing bond of the personalities because they manifested too late and honestly too close to high school that they need to learn teamwork and cooperation between each other and how to master their quirk
the sides are not omniscient; they don’t come into existence immediately knowing what they are and how they work; they’re all kinda blown away when they appear out of nowhere
he doesn’t need a phrase or punchline to summon them
they choose to have their own names: Satoshi with kanji meaning clear-thinking and quick-witted for Logic, Yoshi with kanji meaning joyful for Morality, Akio with kanji for hero and manly, and Rin with kanji for dignified, severe and cold
Satoshi will develop his need for glasses since he’s always reading and, unwisely, often does it in dark lighting; the only one who needs glasses
Maybe just to have fun, I’ll have each side actually be the other characteristic at their core, like how Yoshi/Morality is actually Izuku’s Hero and not Akio; possibility is Satoshi is actually Anxiety/ Izuku’s fear because at his core, he doesn’t want Izuku to become a hero because it’s reckless and dangerous even though he has all the statistics showing him that it’s, for the most part, a safe enough job with experience and training, and Rin could be Izuku’s strategic heart because he could sense the weakness in any tactic and theirs but he also knows all the possibilities that the plan could go wrong and that’s what makes him so stressed and anxious (I don’t know, this one kinda feels weak); what could Akio be, if he’s not the Hero? Eh, I don’t think I should do this, it’s kinda powerful on its own with just the revelation of Yoshi being Izuku’s true heroic heart
Overview of the “Sides” quirk:
-four full-bodied duplicates of Izuku can be manifested at Izuku’s will; each duplicate houses different aspects of Izuku’s personality
-when a Side is injured, time spent in Izuku’s mind will heal them; time it takes depends on the severity of the injurys
-if a Side’s body is destroyed or “killed” they will regenerate within Izuku’s mind and he can summon them again
-the Sides aren’t hivemind clones but aren’t completely independently people; can feel and think for themselves but regain energy in the time Izuku keeps them stored in himself and have Izuku’s safety as their number one priority instinctually; irrationally ready to die for Izuku (Rin is more subtle about it)
-by default are summoned in the Sanders Sides order of a circle with Izuku standing at the head and Satoshi to his right and Rin at Satoshi’s right, Akio to Rin’s right and Yoshi to Akio’s right, by Izuku’s left; standing in a circle
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-farthest Izuku can summon them is twenty feet away from him
-can summon them at light speed after enough practice
-can summon them off the ground (places above him and the like) after a bit of practice
-if he gets One for All, the power Izuku uses for One for All (like 5%) gets distributed evenly between them (they end up with 1% each); it takes them a while to figure this out when they went one hundred percent but all of them were only at twenty-something
-the Sides gain whatever memories Izuku has, even when they’re separated from him but it doesn’t work the other way around until the mind meld; for instance, if Izuku found out an important piece of information while the Sides weren’t there and then Izuku took them back in, they would automatically know what the information is but if a Side found out, then they would have to intentionally tell or “send” the memory/info to Izuku when they’re in the mind
Little Character Quirks (Not the superpower kind):
-Rin hogs Izuku’s phone because (since he’s Izuku’s fear, doubt and pessimism amplified into one single person) he can recognize everything that is potentially dangerous and fatal around him and uses the phone to distract himself; if he’s sitting on the couch by himself, he can recognize about fifteen different fire hazards and weak points in the living room and the danger gives him potentially crippling anxiety even though he knows that the majority of the danger is highly unlikely to happen; he distracts himself by reading articles of all the good things that have happened in the passing year and good deeds that people have done because his mind tends to take a turn for the worst in terms of his faith in humanity
-Satoshi is more believing in the fact that heroes are pretentious assholes, but in much fancier, intellectual words; people like Mt. Lady and Endeavor disgust him, whereas Izuku simply doesn’t care for them; don’t know where he stands on All Might; he, like Logan, wants Izuku to have a career in the scientific field and reminds him of it every other hour
-Akio is very quick to start a fight; has little inhibition and is very confident in his abilities, since he is Izuku’s brave, “heroic” side so he’s quick to act on whatever impulse he has even if he knows it won't end well.
-Yoshi is the ultimate All Might otaku--Izuku’s fanaticism but amplified about ten times--becomes incapacitated every time they talk to All Might. TH3 PHANBOI.
-They each have a different favorite food; Izuku with his pork cutlet bowl, Satoshi with his grilled salmon (he’s a simple man), Akio and his beef teriyaki bowl, Yoshi with his onigiri and bento box-lunch (he’s partial to the cute bento box, the kind that has panda onigiri and octopus sausage), and Rin with his ramen (doesn’t like eating it as much because he’s scared of choking--he has to have a really shitty day to eat it)
-Rin and Akio are suckers for Yoshi (though they’ll never admit to it), since he’s like the child of the group
-Rin can (and actually likes to) cook; learned how to by spending most of his time with his mom and Yoshi; has a little handkerchief that he wraps around his head to cover his hair when he cooks; he keeps it tucked into his front pocket, flowing out in classic emo fashion; makes Yoshi’s cute bento boxes for lunch, though he’ll take that secret to his grave and made Yoshi swear to do so as well; eventually tells the rest and they find it hilarious because he can make the bento boxes super cute; the first one to find out, aside from Yoshi, is Akio and he will help him out with cooking the octopus dogs since he gets really anxious around the jumping grease and Yoshi can’t cook for shit (friendship?); eventually, when everyone finds out, he begins to regularly cook for them since it relieves his stress after a while in the dorms
-ironically, Satoshi is the best fighter of all of them because he has the technique down to a fucking art but Akio is the physically strongest; Satoshi can still beat Akio any time any day
-In terms of fighting, Akio and Satoshi are the more aggressive fighters, but for different reasons; Akio is just the gung-ho, trigger happy type that dives in head first and Satoshi recognizes the circumstances where being on offense is the greater tactical action he could take; Yoshi and Rin are more evasive, Yoshi because he doesn’t want to hurt anyone and Rin because he’s skittish and always scared of being hurt, despite seeing holes in any enemy he faces; Yoshi is more likely to go on offense than Rin when he knows that the enemy is a villian but he can never bring himself to fight seriously with all his power against his classmates or friends, especially Kacchan; it’s not rare to see Rin go on offense, it’s just that he prefers to run because that’s who he is
-Akio is SUPER into fashion; cares a lot about his outward appearance and is the most muscular out of all of them because of it; his money never lasts when he goes out shopping; has ear piercings because why the hell not?
Actual Fic Outline
Act 1
-Izuku is a child, talks to “imaginary friends” that would be triggered by certain events or emotions; he would talk to “Hero” or whatever when he would watch All Might and when he sees animals or kids that need help or when he's sad (maybe Inko’s POV)
-Inko thinks Izuku’s short conversations with himself are kinda odd but she thinks its just something related to his quirk
-when they go to the doctor, the doctor tells them about his toe and that he won’t have a quirk at all
-Inko asks if his conversations with himself and imaginary friends were a sign of a quirk manifestation but doctor dismisses it as child’s imagination; their logic is that if Izuku did manifest a quirk  it would either be hers or her husband’s and the chance of Izuku manifesting something so radically different while having the vestigial toe joint are infinitesimal, practically impossible
-Inko takes his word for it but still thinks about Izuku talking to his “hero side” in front of the computer when she sees her son so heartbroken for being quirkless; she hears him say “we can do it” (all broken and dramatic)
-the sides begin as passing thoughts and sometimes make comments but since it is in Izuku’s head, it feels like he’s talking to himself but just a bit different but he can’t really tell the difference
-goes through childhood “quirkless”
-recall key events but with the “sides” included to show how natural it seems to Izuku and how easily it could be confused for the average thought process; helps an old man with his groceries when he’s like eight (Yoshi); snide comments of him being quirkless (include Akio and Rin); chasing to find the next hero fight and analyzing it (Satoshi) and Kacchan finds him and gets pissed off because he’s interested in becoming a hero (Rin and Akio); stuff like that
-Manifest physically in the beginning of the third year of middle school after Midoriya finally accepts that Kacchan is no longer his friend and thinks “I don’t want to be alone” and passes out for a moment because, seriously, he’s conjuring up at least four physical human beings with a quirk he’s never used before; on a Friday so he doesn’t have to worry about school for at least two days (or whatever day is the start of the weekend in Japan)
-They manifest, all of them have no idea what exactly happened but each have varying reactions
-all of them go home because they don’t know what to do and Inko has a mild freak out
-Have some trouble knowing which Izuku is the real one, even Izuku, but Logic immediately knows that he’s not Izuku and deduces which one of them is the real one by rationalizing that this is his quirk manifesting
-immediate first impressions are Logic is smart and rational, Hero is charismatic and exaggerated; won’t stop droning about how he wants to be a hero, Morality is sweet and kind, and Anxiety is dark and pessimistic
-Inko and Izuku have a teary moment and they all group hug and go to bed, all the Izuku’s are given camitas and stuff
-Next morning they’re all gone and Izuku freaks out just a bit and tries to summon them, with difficulty; starts crying because it doesn’t work until Inko helps him
-Inko and him work on discovering his abilities and stuff, along with Logic; discover that they have all of Izuku’s memories, even the ones when they’re outside of Izuku’s mind, but they only receive it when they are summoned back inside Izuku; they could see and feel what Izuku does but they have their own feelings and awareness; he could summon a specific side if he wants; they get hungry if they are physically manifested but they have no clue why?; if Izuku falls asleep with them still physical, he subconsciously calls them back
-Whenever Inko calls for Izuku, they all turn around
-Inko gives them all, except Anxiety, names to not get them confused ( Satoshi with characters meaning “wise and clever” for Logic,  Yoshi with kanji meaning “joyful” for Morality, Akio with the kanji “manly” for Hero); Anxiety gives himself the name Rin
-Goes to school and accidentally summons Satoshi when he was having trouble figuring out a math problem in class; Kacchan sees this shit and flips out the first time he sees Satoshi and Izuku being nervous and scared summoned Rin subconsciously
-Kacchan gets mad and starts being an ass and Izuku summons Akio subconsciously and Akio immediately fights with Kacchan; Rin suggests they leave Akio behind because it’s his decision to start fighting Kacchan while knowing what the guy is capable of but Izuku tells him that they aren’t leaving him; Rin or Izuku give Akio advice that helps Akio drop Kacchan, shocking everyone including Kacchan; leave while the Bakugou is stunned
-Izuku starts to doubt Rin’s reliability and trustworthiness because he suggested to leave Akio behind
-Izuku activates his quirk sometimes in class and gets made fun of, mostly summoning Rin when he gets really nervous or Satoshi when he’s having trouble with a math problem or something (“He’s like a preschooler!”)
-Appointment with a doctor to confirm his quirk and have it registered in the system; doctor flips out at the astronomical odds that Izuku faced to have his quirk
-Izuku starts noticing that Rin is developing bags under his eyes
-Inko takes them to get clothes after their doctor’s appointment because I want cute shit like that with name tags to help her out
-Meet Kacchan there and, while the moms catch up and stuff, Kacchan and Izuku and the sides have a confrontation; Akio immediately almost starts a fight, Yoshi tries to calm them down but Kacchan hurts his feelings and he cries, Rin just backs off, sulking and Satoshi gets them out of there, closer to the parents within hearing range; all are given nicknames by Kacchan ( “Useless” for Hero, “Smartass” for Logic, “Crybaby” for Morality and “Villian” for Anxiety) 
-leave all nice and color coded but kinda bummed; Inko has no clue what just went down but Izuku and Yoshi won’t let Satoshi or Rin tell her what happened
-back at school, classmates suddenly interested in Izuku now that he’s not “quirkless” and Izuku gains more control over his quirk accidents
-Izuku pals up with some dude Tomoe-kun that has metal fists and becomes friends after a few weeks.
-Tomoe has met all his sides and they’re all chill with him except for Rin because he doesn’t think he’s a real friend since he never talked to them before he knew he had a quirk and Tomue-kun never stood up to Kacchan before
-indicator of the tension between Rin and the rest of the sides as well as Izuku
-Some point when the rest are hanging out with Tomue, Inko brings Rin into the kitchen when she saw him fidgeting without Izuku’s phone and has him help with the dinner, having him cut the vegetables; takes him a while of deliberation while standing over the cutting board with a knife over vegetables, thinking of the hundred of ways the knife could kill him or chop his or his mom’s fingers off when she tells him to just do it and focus on what’s in front of him; once he gets going, he realizes how therapeutic cutting vegetables is; Inko tells him he’s great help; Rin wonders why he isn’t panicking while being surrounded by knives, fire and scalding water
-Izuku and Tomue work to find out more about Izuku’s quirk; if he can summon the sides to wherever he wants and if he can, how far or close can they be? (Maybe their default is in the same position as the Sanders sides? Definitely can only be summoned as far as six feet away) Hypothetical questions of if they can only summoned on the ground, how quick can Izuku summon them, etc.; when they combine back into Izuku’s body again, they gain Izuku’s memories but Izuku doesn’t gain theirs
-Some point during the testing, they figure out they’re facets of Izuku’s personality; maybe at a doctor’s visit by scanning his brain; when they aren’t physical, Izuku’s brain has parts buzzing with activity and they are inactive when Izuku has them all summoned; conclusion, the strange, active parts of the brain are the sides; they all just figure out which aspect each one of them is, which is easy at this point
-Yoshi and Rin have a heart to heart after Rin has a panic attack without Izuku’s phone while Inko was at work or something; finds out how butthurt Rin is that the others treat him the way they do; not directly said but it’s implied that Rin is afraid to get attached to them for reasons unknown right now ( “It’s fine. It makes this easier.”--Rin, 2k18)
-Yoshi begins to hang out more with Rin and his mom when Izuku, Akio and Satoshi hang out with Tomue; Yoshi gets Rin a Tamagotchi to use instead of Izuku’s phone for when he goes out
-All hanging out in the mall sometime after a testing session and Yoshi sees an ultra-cute lunch box with panda onigiri and octopus sausages and he loses it; discovery of Yoshi’s favorite food (not that important, just a wholesome little moment for later)
-when tension between Tomue and Rin during a practice session makes Izuku uncomfortable enough to force Rin to disappear during one of their tests
-Inko and Rin have a heart to heart after a tense, awkward dinner but nothing is resolved; conversation ends with Rin telling Inko that he knows that all the sides and Izuku don't like him, maybe not even she does and she just hugs him and tells him that she loves him but nothing else; she knows that what he said about Izuku is mostly true but she doesn't know how to help him
-(time skip?) months pass and Izuku and Tomue are still pals and Rin is still a pessimistic outcast in the group; Rin spends time with Inko mostly and Yoshi, isolating himself from Izuku and the others; Akio doesn’t understand why Yoshi likes Rin so much
-end of the year thing with burned notebook happens and the scrutiny of his ability to become a hero because his quirk isn’t flashy or powerful; “You might as well be quirkless” “Your uselessness just multiplied itself four times.”
-Satoshi shares the same sentiment and tells Izuku that they would help save more lives by being a scientist or engineer and they would be more financially stable because heroes with flashier quirks tend to make more and their quirk isn’t particularly flashy
-sludge villain happens, Tomue runs to get help, Izuku summons all the Sides subconsciously and Rin calls All Might when he sees him looking for the slime villain
-Izuku asks All Might if he could become a hero even though he’s not particularly powerful or experienced with his quirk; All Might says yes but with much training and education; All Might recognizes that Izuku is a one man team and tells him to build on all their teamwork; Izuku asks him of he could train him or something but All Might rushes off because he was about to return to his normal form
-Izuku starts looking for Tomue to tell him the news but Rin says “screw him, he left us” because All Might was literally wandering around in the direction that Tomue went and he still didn’t focus on getting help instead of running away but everyone is against Rin for ruining the good vibes they all had
-Rin stalks off and Yoshi goes after him; Izuku and the rest find Tomue in the clutches of the sludge villain, save him when Rin and Yoshi come back (they had a “gut feeling”) and All Might talks to Izuku again, scolding him for being reckless but agreeing to draw him up a fitness regimen to help him strengthen up, inspired by the Sides teamwork and strategy; he tells them to get enrolled in cheerleading (For lols but it actually helps establish trust and build agility) and Izuku and Akio are mortified about it but won’t reject any advice from their idol
-begin training with Tomue, but he tends to flake; during the months they discover that they all will continuously match Izuku’s image and body because Rin doesn't do the training but he’s still growing the muscles like Izuku and the rest but he doesn't have the hand to hand combat skills they're building
-Izuku tells Tomue about cheerleading and Tomue tells him there’s not a chance he’s joining with him
-Izuku joins the community cheerleading group with adults who already graduated high school and they help him out; makes friends with them and they all love Yoshi; meets small time retired hero who attends to keep in shape and stay active (grew up in a circus in a family of trapeze artists); helps him with combat moves and techniques as well as acrobatics since he’s a total noob; combat lessons for free!
-Izuku and Akio are the most enthusiastic fighters and spar in their spare time; Satoshi is the best fighter out of all of them and this pisses off Akio to no end
-Yoshi is trying to integrate Rin with the rest of the group (begs him to go with them to the cheer practice and combat sessions with the veteran hero and Rin actually gets along with the veteran hero), telling the others that they’re being unfair but they don’t particularly care or make an effort to connect with Rin because Rin isn’t trying either
-Small scene at home where Yoshi used some leftover rice from dinner to try to make onigiri and Rin watches painfully from the sidelines; everyone else is busy getting ready for bed or studying so Rin decides to cut in before anything gets worse and asks what the hell Yoshi is trying to do; Yoshi tells him he wants to make the cute “Kawaii” panda onigiri he had in that one bento box they got at the mall that one time because it was “amazing” and “adorable” but he’s failing miserably; Rin looks at the messed up seaweed and rice balls and sighs, quickly cutting little designs and magically making one, blowing Yoshi’s mind into another dimension (“Like this?” Yoshi looks at the little panda and his jaw drops, eyes sparkling in adoration and disbelief as they look at him in wonder.); soon, Yoshi starts mysteriously ending up with cute bento box lunches; Rin makes him swear to take this information to his grave
-During a cheerleading session, the retired hero tells Izuku that he has to bond with his Sides more and grow the trust they have in each other because they don’t have enough to become an effective team (regarding Rin and the frequently bickering Sides); tells him trust is a two way street and that trust is not something that is given freely (Rin’s perceived lack of trust in Izuku and Izuku in him); tells them they have to connect on a deeper level *wink, wink* foreshadowing *wink, wink*
-Tomue and Izuku plan on taking the UA test together and do but Tomue ditches Izuku to get points and Izuku only managed to get one five pointer and one ten pointer because Satoshi and Rin are arguing over the chances of winning with Satoshi’s strategy (some ways he defeats them is having them chase two of the Sides and have the run toward each other and make them disappear before they crash, making the robots crash; Satoshi recognizes a mechanism in one of the hinge joints of the robots and Rin helps him discover a weakness to exploit and render it useless; stupid stuff like that)
-the zero pointer comes; Izuku and Yoshi immediately run to help Uraraka and Satoshi pulls them back to make a plan where he and Rin distract the zero pointer and Akio, Yoshi and Izuku free Uraraka and once they get them to a safe distance, Izuku summons them back and he, Yoshi, Akio and Uraraka go hide and the timer runs out
-Izuku is devastated because he “knows” he failed; Akio tries to cheer him up by telling him that they could just take the general studies course and participate in the sports festival or go to another school and study in their hero department and Satoshi tells him that now he could focus on science rather than heroism and Izuku shuts them out for a while
-Tomue tries to comfort him and tells him he’ll tell him all about the school because he’s confident he at least passed
-Izuko gets his acceptance and tells his mom, summons his Sides (apologizes for shutting them out for days) and they all go to tell Tomue, except for Rin who’s still salty
-Izuku and the rest get to Tomue’s house and turns out Tomue didn’t get in and he’s a wreck; says “let’s grieve together”, assuming that Izuku didn’t get in either but Izuku tells him that he got in
-Tomue gets mad that Izuku did even though he scored way more kill points than he did and his quirk is way better and more “heroic”; Izuku asks him if that’s what he’s always thought and Tomue says yes but that he’d planned to make Izuku and his Sides his sidekicks so that they could be an entire combat squad of only two people; Izuku is hurt and so is Yoshi and Akio but Akio gets mad rather than showing his hurt so openly; Satoshi gets them all to leave before all hell breaks loose between Akio and Tomue; Yoshi is crying
-Izuku comes to the realization that they’ve ignored Rin more than this once regarding his opinion about things when he was right; Tomue isn’t a friend
-return home and Izuku apologizes to Rin, telling him he was right about Tomue and that he will make an effort to make Rin know that he is heard; Rin tries to be all nonchalant but from this point, their attitudes towards him is different, more respected but still tense
-celebrate his acceptance that night and they all get along and feel connected for once
-When Izuku and the rest are registering their quirk, they agree that they are sides of Izuku, so they call their quirk “Sides”
Act 2
-high school starts and the canon events happened except that he got help with the long jump and grip strength so he didn't get last place in every one, only got last place in about five or six (don’t focus so much on it; kinda just skim over it)
-Lunch time with his sides; Izuku is not a star student or particularly outstanding at first like in the manga or anime but he still trains hard and strategizes with Satoshi even though Satoshi tries to convince him to become a scientist instead every other minute; Ochako is introduced to all the sides at this time and he explains his quirk to her; wish each other luck with their hero careers; Akio has obvious crush on her and is, unfortunately, confident enough to flirt with her, but they go way over her head
-Emphasize the struggle to keep up in the quirk exercises; Kacchan is relentless with his teasing because of his non-flashy quirk; Ochako backs Izuku up when Akio gets ready to square up; Kacchan almost loses it when Yoshi tells Akio not to fight with “friends” and Kacchan tells him he’s not his friend; Aizawa breaks up whatever would’ve happened, making the sides disappear and erasing Kacchan’s quirk
-gets recognized for his strategy skills (mostly Satoshi and Rin) and combat skills (mostly Akio and Izuku) in the hero vs. villain weapon test
-teamwork between Rin and Akio is incredibly sloppy but they get the job done of distracting Kacchan with Izuku while Yoshi, Satoshi and Uraraka get the weapon
-Izuku has all the sides out and teams up with Rin and Akio to distract Kacchan while Ochako, Yoshi and Satoshi go after the weapon with Iida
-Rin and Akio begin to fight over how to handle Kacchan since Rin wants to keep his distance with him and be evasive while Akio wants to take him on hand to hand; Akio is less forgiving of Kacchan and would like some physical revenge
-Satoshi has a plan with Yoshi and Satoshi both engaging Iida in combat while Ochako stealths her way to the weapon but Iida makes sure to stay close
-Yoshi pulls his punches with Iida and Satoshi reprimands him for being too forgiving (“If this was a real battle, you would be risking your life and everyone else’s!”); Yoshi blocks a quick kick that would’ve hit Satoshi cause he was distracted
-Get Iida just far away enough for Ochako to get to the weapon
-test revealed the obvious tension between Akio and Rin and the hypothetical liability of having Yoshi on the field because he didn't want to hurt anyone and would pull his punches with Iida
-Izuku notices that Rin could dodge and would warn them of punches and attacks that Kacchan hadn’t thrown yet before even Izuku could process them and protected any weak spots in their stances that he could, warning them of their open spots and reminding them of the basic defensive stances; first signs of Rin’s keen ability to sense and find weakness in the group and in an enemy that is hyper focused when he is not in Izuku’s mind
-All Might gives Midoriya a pep talk; Izuku shares the progress he made with his quirk and the technique he's working on
-All Might compliments his hero suit; it is, unfortunately, still the same as the anime (not a big fan of the bunny ears, sorry)
-after this Akio decided that instead of wearing normal clothes, he will be wearing his hero suit at all times because “you never know when a villian attack could happen”
-Izuku is working on a technique where he summons them at different heights and certain distances so they could grab hands and propel him further towards where he wants; kinda weird to explain: it would be very quick and they would need to manifest nanoseconds at a time for it
-Can never get it quite right because they’re still off and not in harmony; end up bickering by the end of it
-Izuku tries to get Rin and Akio to hang out together alone and get on friendlier terms but they just end up fighting and insulting each other and stop when Yoshi just begs for them to get along (they’re both kinda suckers for Yoshi but Rin will never admit it); it usually starts with Akio saying something insensitive or Rin joking in a way that insults Akio and he takes it personally
-Izuku and the sides are hanging out in the dorm living room with Ochako and Iida; Akio pesters Satoshi while he’s studying and asks him how he’s on such good terms with Rin and how to get along with him; Satoshi simply tells him that he and Rin are amiable and have common interests in terms of strategy, though Rin usually focuses on the potential failure rate of each strategy; Akio tries to see if he and Rin have common interests
-Akio notices Satoshi is squinting his eyes and they realize that Satoshi needs glasses now, since he’s strained his eyes by reading articles on the computers and read books late at night, in bad lighting for close to a year and a half; Momo makes him some glasses in class during break when Yoshi reprimands Satoshi for straining his eyes while reading an article without glasses and asks for the prescription that they took at the last doctor’s visit; Satoshi just tells her because he memorized all the words in the prescription paper he was given
-Izuku is elected class rep because of Satoshi’s analytical mind and Akio’s charisma but Izuku thinks about how he could barely get all his sides to get along and doubts his ability to be class rep even though Akio and Yoshi are all for it at lunch with Ochako and Iida
-Ochako asks Yoshi where he got his super cute bento lunch and Rin gives Yoshi a death glare, making him stutter and change the subject
-Akio tries desperately to find common ground with Rin about food but Rin finds it weird and uncomfortable; unintentionally insults the bento box that Yoshi has that Akio doesn’t know Rin made
-media incident starts and in the panic, Yoshi and Satoshi are separated from Izuku, Rin and Akio; Akio suggests a reckless idea to Izuku to try to get everyone’s attention and then Rin tells him it’s stupid and dangerous, whatever it was; Akio tells him that this is why they don’t get along and they start to fight and yell at each other while Izuku tries to calm them down
-Iida intervenes and Izuku hands off the class representative to him, knowing that he can’t lead if he can’t even get his sides to get along
-Izuku realizes that, for the most part, he has no idea how to work with his sides and doubts his abilities to lead them
-has heart to heart with his sides that brings all the issues between them to light; Satoshi tries to deter him from being a hero and Akio and Yoshi strongly disagree; Rin still feels like an outsider and doesn’t think it will change anytime soon (doesn’t think he wants it to change); Izuku tries to tell him he accepts him and cares about him but Rin won't let himself feel; kinda bittersweet while they go to bed
-USJ incident occurs and he, Asui and Mineta escape by having Satoshi hot wire the boat (discover that Satoshi is basically the library of all of Izuku’s knowledge even if he himself forgot it or just glossed over it) and have Akio spin it around with Mineta’s sticky balls in the water, getting some villains stuck on the boat, to each other or their hands together, unable to use their quirk while Asui got them out with her tongue and Izuku summons the sides back to fight off just a few escaped villains
-Yoshi jumps in the way of Tomura’s hand when he reaches for Asui, gets disintegrated: brief moment before contact where Izuku was instinctively gonna call back Yoshi but he hears Yoshi tell him not to in his head; Izuku and Akio have a mild meltdown and, despite Satoshi and Rin’s warnings, attempts to punch Tomura but Nomu gets in the way, breaks Akio’s arm and almost kills Izuku before pros show up
-Akio is taken to Recovery Girl and Izuku, Rin and Satoshi are with Principal Nedzu, talking about their loss and a grace period for grieving and their ability to go home
-meet Akio outside nurse’s office and see through his nonchalant, victorious act
-are outside the school late at sunset and they see All Might; he tells him not to give up, that they need heroes like him and Yoshi, true heroes and then he walks away (foreshadow All Might’s decision to choose Izuku as next One For All?)
-Akio breaks down on his knees and Rin tries to calm him but all of them are shedding varying degrees of tears; Rin breaks down, too
-Rin reveals that he’s made effort to prevent himself being attached to them because they want to be heroes and people fucking die doing this shit (dun dun dun! Big emotional reveal! Wow!); (“Dammit, why does it still hurt?!”); guilty because Yoshi probably died not knowing how important he really was to Rin
-Izuku has a flashback of the first time he ever saved something; a bird that fell out of its nest; birth of Yoshi, his “morality”; goes over every interaction he had with Yoshi in his life in a split second and he discovers that Yoshi was Hero from when he was little, not Akio, like they all thought
-they hear Yoshi in their head; Izuku tries to summon Yoshi and it works; happy reunion, tears everywhere: Yoshi legit thought he was dead (comic relief, sorta)
-discovery that Yoshi is the true hero in Izuku, the one that wants to save lives and make the world better, as opposed to Aiko who likes the thrill, action and glory; He’s just the brave one with the dream
-Akio has an interesting reaction to the news that Yoshi is the Hero in Izuku and not him; he doesn’t know how to react to that
-a new thing about his quirk has been discovered; you can't kill a side without killing Izuku (total cop-out but I hope it’s still emotional and doesn’t ruin the story)
-they go home, something in their relationship different than before; discovery of Rin’s ability to care and his confession of being afraid to care; Yoshi's connection with everyone; they all admit they care about each other, even Akio to Rin but there's still issues to sort out there
-Izuku discover the next morning that he could hear Yoshi in his head when he's not physically manifested
-the psychic manifestation of their quirk is developing; questions about why he can't talk to the others in his head arise
Act 3
-They’re leaving Recovery Girl’s office the day of Sports Festival Announcement, Izuku, Akio and Yoshi get hella pumped now that Akio can fight again while Satoshi struggles to understand why they’re so excited for the event; says so during lunch (fun fact: they each have a different favorite food)
-Ochako asks Yoshi where he got his adorable as hell bento box again; Rin gives him the death glare; Izuku and Akio notice that it’s the second time he does this but brush it off
-Izuku and Akio mention how they hope to get first place and that they’ll need to practice their movesets to get better and stand a chance; Satoshi makes it clear that he doesn’t think they’ll get in the one on one rounds
-Izuku and Satoshi get in an argument at lunch; Izuku just wants support from Satoshi for once and wants to make his chances of being a good hero higher; winning first in the sports festival will get him recognized
-Izuku knows that he isn’t anyone special or significant like he is in the show and he’s hoping this will change that
-Satoshi tells him that he doesn’t understand why he wants to become a hero in the first place; “You can save just as much, even more lives, by becoming an engineer or doctor than becoming something as presumptuous as those self-proclaimed heroes you idolize so much.”
-Izuku and Satoshi are no longer on speaking terms in the two weeks of training for the festival
-Izuku decides that he will win the sports festival with or without him
-Day of festival comes and Izuku wins the race in first like the anime and fares maybe a bit better in the cavalry battle; only Akio and Rin helping out, but they butt heads a lot
-Satoshi is watching within the depths of Izuku’s consciousness; watches him struggle throughout the cavalry battle and race but doesn’t help out of spite; slowly and slowly becoming more aware and more self-thinking within Izuku as he watches him struggle through Hitoshi’s battle; snaps when he sees Izuku barely able to dodge some of Todoroki’s first shots when he tried to end the battle with the massive ice blast; Satoshi is awakened and suddenly aware of himself in Izuku’s mind
-(Flashback to Satoshi’s birth) first inkling of Logic was born during the creation of the first hero notebook, finally fully realized in the first notebook where Izuku actually began breaking down certain tactics instead of just writing them down and going through alternative strategies and criticisms; the infamous “muttering”
-Satoshi begins speaking to Izuku in his mind and gives him a strategy to have Todoroki exhaust his ice power by dodging the blasts with some help from precisely-timed appearances from the other Sides to propel him in certain directions at a certain timing but the Side that propels him has to be hit by the blast, since they haven’t mastered the half-second, quick version of it; at a certain point, Satoshi stops directly talking to Izuku because, since they’re psychically connected now, Satoshi just thinks it and Izuku and the rest just know what he’s trying to tell him; they bring him to close quarters in hand to hand with Todoroki but Todoroki gets desperate and uses his flames to blast him away, which Satoshi warned Izuku was a possibility and that they should be prepared to lose if that happened; this completes the link between Satoshi and the rest; Izuku gets gets the place that he got in the anime
-Todoroki hates Izuku for making him desperate enough to use his fire; Izuku never got to Todoroki about it being his power, not his father’s
-after matches, Satoshi tells Izuku to speak to him physically; Satoshi tells him that he doesn’t understand him and his recklessness, his need to become a hero; he tells him that he doesn’t understand but that he will help him become the greatest hero he can be
-Brushes off the emotions as best as he could
-Few weeks, Izuku’s recognized as the one in the second to last round and being so resourceful with a non flashy quirk; Akio is relishing it
-small note about the Sides healing along with Izuku because they got pretty fucked up by Todoroki
-Some domestic scenes of training and teamwork; more smooth with Satoshi and Yoshi because of the completed link; can do the split second propelling technique they’ve been developing with those two; Rin and Akio are still on the outside
-Yoshi gets scraped pretty bad when Akio and Rin fail to catch Yoshi during training because of their incompatibility and Akio feels guilty; finds Rin in the kitchen that night while Izuku is studying with Satoshi; finds out Rin is the one that makes Yoshi’s bento boxes and Rin has him swear that he won’t tell any of the others he does this; Akio asks him why he’s doing it tonight since he doesn’t always do it and Rin admits that he feels bad for letting Yoshi fall earlier; Akio says he’ll keep his secret, but offers to help with the stove work because Rin looks uncomfortable around the stove while he is frying the octopus sausages; Rin decorates extra cute since he feels bad for Yoshi getting hurt
-small bonding moment where Akio realizes he knows how to cook because, while the others were partying it up with Tomue, Rin was hanging out with his mom, helping make lunch and dinner (thinks about one time when Akio complimented his mom on a bowl of beef teriyaki that he loved and his mom was gonna tell him something that sounded like she was saying that she didn’t make it but Rin cut her off, eyes pleading her to not say anything; no one notices the small blush when Akio goes on and on about how good the teriyaki bowl is); begs Rin to make him some more beef teriyaki and Rin shoves him away, saying that the bonding moment is over but after this point, they’re on more friendly terms
-Day of internship picking starts and Izuku chooses to apply for a clone hero but is surprised when All Might chooses him as an intern
-Akio, Yoshi and Izuku fanboy the fuck out and Rin and Satoshi are all like “this has to be a mistake” but for different reasons; Rin thinks All Might would never intentionally choose them because nobody would want to choose them as an intern; Satoshi just thinks it was a mistake with paperwork
-find out it isn’t a joke when All Might goes to them during lunch and talks to them personally about his life and why he wants to be a hero
-Izuku tells him his answer and how Yoshi is kinda Izuku’s heroic soul personified; Akio’s still butthurt by this but doesn’t deny it because he knows it’s true
-Lunch ends and Ochako and Iida pester him about the meeting; Izuku tells them what they talked about
-Day of internships begin and All Might takes them out on a three hour patrol before going out to eat with them; tells them he just wants to get to know them and no villain attacks happened so he doesn’t need to waste much energy
-All Might brings them to his apartment after dinner; Izuku and Yoshi are taking in his apartment as avid fans would and Akio is still gushing over him while Rin and Satoshi just chill out; Rin’s using the Tamagotchi
-All Might orders out and they have dinner; Rin criticizes the rice balls they got and Satoshi makes the smart remark of “I’d like to see you attempt to make some.”; Akio sends Rin a knowing smirk and Rin glares at him
-All Might calls the night off short because he could feel himself losing the energy to keep his form; sort of startles Izuku, but they accept it and go to bed
-Next day they wake up early and find that All Might is still in his room, but his door is locked; Rin finds it suspicious, Satoshi just mildly so, but ultimately sides with Izuku, Yoshi and Akio when they say he just likes his privacy and he’s a hero so there might be some attempts on his life
-Out of money and out of options, Akio settles for volunteering to make omelettes, since he’s seen Rin make some and thought “why the hell not?” and fails horribly; Rin decides to let the group know that he likes to cook and he can cook well when he sees Akio try to make omelettes the second time and cuts in before things can get too bad; ties his hair back with a black handkerchief that he keeps in his pocket for “fashionable purposes”
-All Might gets out of the room around eleven and sees them all eating breakfast, talking pretty easily in his dining room; tells them he expected them to be asleep still, but this will be revealed later to be a lie since he heard them up and changed into his All Might form; compliments Rin on his cooking and Rin blushes cause he deep, deep, deeep down inside, he’s still an All Might fan and All Might just complimented his cooking; Izuku and Akio see this and get weirded out (“I didn’t know Rin was capable of being flustered.”)
-All Might tells them the plan for the day: visit some kids at a children’s hospital and then go on patrol around a certain, defined section of the city then have lunch, then patrol the second part of the city; tells Izuku he might have to take frequent bathroom breaks because he hasn’t been feeling well these past few days; end of the day, he’s going to be cleaning the beach that he cleans in the anime and tells him his goal is to clear the horizon before the week of the internship ends
-Akio asks him why they’re spending time with kids and cleaning up a beach after only spending two or three hours patrolling; All Might tells him that to be a hero, you don’t need to fight villains, you need to do what’s right and good for the world
-Satoshi asks for some clarity on the symptoms he’s experiencing and lists off several illnesses it can be but All Might brushes it off shakily
-This system, somehow, succeeds for the first few days; All Might assessed Izuku’s behavior with the children, even Rin’s, who’s been cordial; saw him help out with a few elderly looking for help with carrying things; watches the boys working together during the beach clean up and notices that Rin and Akio seem to get along better, still bicker though; takes a lot of bathroom breaks
-End of the day, All Might calls it a night at the beach and head to the apartment but then the Hosu attack happens
-All Might goes and tells Izuku to stay put but Izuku decides to head on there anyway on a bike, since the city they’re in is close to Hosu; calls all the Sides to himself
-While on his way to the fight, Izuku passes the alley with Iida and Stain; interferes immediately when he sees Iida pinned and sends location to Todoroki like in the anime; Todoroki shows up but he doesn’t consider Izuku a friend in this world
-Yoshi and Satoshi take Native and Iida out of the scene while Todoroki, Akio, Izuku and Rin stay and Satoshi feeds Izuku possible strategies in their heads; Midoriya gets paralyzed and Satoshi is left to work with Rin and Akio
-Todoroki gets paralyzed and Rin and Akio are left; Hero Killer deems Akio a fake hero because he just wants the title, making Akio have a small crisis ( “Even you’re more of a hero than I am” Akio to Rin) have to settle differences and work together during the Rin/Akio teamwork, it becomes something close to yin and yang; defense and offense; Rin defends, Akio attacks
-Remembers birth of “Hero” and “Anxiety”; remembers that they were born at the same time; Akio was born the time that Izuku stood up to Kacchan; Rin manifested that same moment, which is the first time he was really afraid of Kacchan; all his doubt and fear and inferiority almost made him not stand up to Kacchan but Hero hyped him up and made him brave enough to stand up to him; was scared to stand up to him but he did; Akio and Rin were wrestling for dominance in that instance when he was crying and shaking but still standing strong
-they link with Midoriya at the same time when he’s able to move again; bond between all of them is complete and they all sense it
-Rin, Akio and Izuku work in perfect harmony (do the split second summoning technique with Izuku and each other), knowing what each of them are thinking; Yoshi and Satoshi can see what’s going on and help in their place protecting Iida and Native far away; Yoshi helps Iida with his crisis, gets him moving; Satoshi tells the rest he’s messaged All Might about the situation and he should be there soon if he sees it, though he could be busy with whatever disaster is happening further away (keep in mind here, Izuku didn’t see the Nomus)
-All Might comes in later while Akio is incapacitated and Rin, Izuku, and Todoroki are keeping him at bay; cuts the fight short when Stain tries to jump him
-Restrain Stain with the rope and All Might reprimands the students for doing something so reckless and dangerous; other heroes show up; All Might is staring at Izuku the whole time and he can feel his gaze
-Tell them about the fabricated story and to not tell others about that night; goes back to the apartment with All Might and it’s all quiet since Izuku brought the Sides back to himself
-All Might starts to steam up and Izuku starts freaking out but Toshinori tells him to ignore it and explains his quirk and why it’s so powerful and reveals his true form by the time he’s done with his explanation; has Izuku sit down with him and he tells him that Izuku is a true hero and that he’s what the world needs; he won’t be there for very long and One for All needs to be passed on to a worthy predecessor; tells Izuku he wants to pass his power onto him
-Izuku short-circuits and passes out
End of this story because I’m a sucker for cliffhangers. Figures that my first post would be the longest thing ever.
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robbyrobinson · 7 years ago
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So, Valentine's Day. A day for love and chocolate. A perfect day to discuss yanderes. A yandere is a Japanese stock character which discusses a character who would normally appear loving and affectionate, but they would often take their affection for the person they're attracted to to some brutal and/or devastating lengths. It also goes without saying that while this term is usually applied to females, there are some rare occurrences in which a male can become one. With that being said, let's begin:
My Favorite Yanderes
Monika (Doki Doki Literature Club): As of the beginning of this year, one of my favorite games has been Doki Doki Literature Club! In DDLC, you play as a character who was a childhood friend of a young girl named Sayori. One day, she decides to invite you to join the Literature Club which consists of Sayori (as the vice president), Natsuki, Yuri, and Monika. The game seems to be all lighthearted and fun where your objective is to woo the heart of one of the girls. However, things take a dark turn when at the end of Act I, you learn that each girl has a deep, dark secret. Sayori puts on a facade of happiness in order to build others up when in actuality, she is clinically depressed. Yuri begins to become more and more psychotic, and she is aware of that, but she cannot do anything about it, and Natsuki is abrasive with the heavy implication that she has an abusive dad who hardly feeds her or let alone takes care of her. But that doesn't beat the icing of the cake. That would be Monika. You see, she is the only girl who doesn't have a route with the player despite her popularity, beauty, and her position as the class president. And so, she sets out to do something about that. What makes Monika horrifying is how she is aware that she is a fictional character in a video game, and so she tries to make her advances on you as in not the character you play as, but you the player. She knows when you're playing the game, she knows when you're off it, she even has access to files on your computer. But that doesn't beat what she had done to the girls. As I have stated, each girl has a different character flaw, but because of Monika's tampering with their character files, each girls' negative traits are amplified all so they would be unappealing to you. And if that's not enough, she outright deletes the girls from the game, and rewrites it so that she could be alone with you in the Literature Club room as you both seemingly float in space. As for you, she could care less on whether you're a boy or girl: she doesn't love you, but she loves what you represent. As a character who knows that the world they live in is fictional, she tries to cling onto you because to her, you're the only real thing she can try to form a relationship with. Despite her monstrous actions, if you delete Monika's character file, she realizes how horrible she had been acting, and she erases the entire game. It also turns out that she didn't have the heart to permanently delete the other girls, and she can bring them back. However, once she is out of the game, Sayori takes her place as the class president, and she now realizes the reality of her world. Overall, Monika is a really interesting character from a game that I didn't think much of. The game shows you how depression functions and hoaw each of these girls could be seen as rejects of society who can only express their desires by writing them. But hey, it's just Monika. Just Monika. Just Monika. JUST MONIKA. J U S T M O N I K A. J U S T M O N I K A....
Judge Claude Frollo (The Hunchback of Notre Dame): As I have said: there are some instances where yanderes can be men. In this adaptation of Victor Hugo's famous novel, Frollo is the self-proclaimed Minister of Justice out to exterminate the Gypsy race. With Frollo, he is undoubtedly one of the more complex of the Disney Villains. Unlike other Disney Villains who know that they're evil and revel in it, Frollo legitimately thinks that he is a good person, seeing himself as being so much purer than the common, vulgar, weak licentious crowd while committing actions that are horrible whether it be genocide, murdering a mother and nearly drowning her baby boy, raising said baby and mentally abusing him for twenty years, and trying to burn Paris to the ground all for a woman who is a member of the race that he despises. Oh, yes; he tries to burn Paris to the ground all because of his obsession with Esmeralda. In addition, Frollo has an awesome song called "Hellfire" which he sings about how Esmeralda is driving him to sin and that unless she be his and his alone, he would kill her. The song is up there with "Be Prepared" from The Lion King as being one of my favorite villain songs, though the subject matter behind the song is unnerving and maybe too adult for Disney. In fact, if it wasn't for the insistence of the writers to keep the song, this amazing song most likely wouldn't have made the cut. And when Frollo catches Esmeralda and sentences her to be burned at the stake, he tries to give her one last chance which she refuses.
Yuno Gasai (Future Diary): Yes. The Yandere Queen herself. What's there to be said for her? The fact that she is obsessed with Yukiteru Amano to the point that she commits murders in order to protect him? Or that one time where she orchestrates a plan which leads to his friends getting killed. The only reason as to why she isn't number one is because it'd be too easy.
Shion Sonozaki (Higurashi: When They Cry): Higurashi No Naku Koro Ni was one of my favorite animes. The show revolves around a boy named Keiichi Maebara who moves into a small village known as Hinamizawa. Things seem all find and dandy, until he becomes suspicious of his friends. He learns that every year on the Cotton Drifting Festival, one person gets murdered whilst another person goes missing. And then it seems that the characters are reliving events over and over again even if they were to die horribly one day and everything resets. Think of it as Groundhog Day but written by a horror writer. The resident yandere in this show is named Shion. Shion is the twin sister of Mion Sonozaki, the Sonozaki family being one of the more noted families of the village. Shion ends up meeting a boy named Satoshi Houjo. Now, the issue being that the Houjo family were supporters of a Dam project...basically where Hinamizawa itself would be flooded. As such Satoshi and his little sister Satoko are distrusted by the community. Eventually, Satoshi seemingly disappers, and Shion takes it upon herself to look after his sister. However, she kind of goes off the deep end by killing her grandparents, imprisoning her twin sister, and stabbing Satoko to death while she is on a cross. Yeah, the Sonozaki family has a torture room. Shion is really one of the main reasons as to why this series was notorious for its horror elements, but she also has her reasons for what she does such as being mistreated by her family, and being forced to have three of her finger nails ripped off by a torture device. That, and she actually is under the influence of a disease known as the Hinamizawa Syndrome which gives its victims paranoia, insanity, and often leads to them acting out extremely through murder, or by committing suicide by clawing their throats out. And you could say that she gets better at the end, so there's that.
Yandere Chan (Yandere Simulator): This one is more based on the yandere character type. Yandere Chan couldn't feel any emotions until she laid her eyes on Senpai, so now she has to keep others from between her and Senpai so that she could get Senpai to notice her. I don't know if this game is finished yet which is why I was initially going to keep her off the list, but it wouldn't feel complete without a slight mention of her.
Akane Hiyama (Love Tyrant): this one is from an anime I watched last year. In it, the show revolves around a young ,man named Seiji Aino who finds himself looped into circumstances between him and a cupid named Guri. As a cupid, Guri must write names into a book known as a Kiss Note (ha). Anyone's names who are written into it are automatically bonded for life. Akane is a girl that Seiji has feelings for, but he was unable to figure out how to tell her. So Guri suggests that he go kiss her. But then Akane comes to the conclusion that Seiji and Guri were dating, and produces two knives with the clear intention of killing them both. She goes onto explain that she knew how Seiji felt about her, but was heartbroken because he never told. Despite Aino's apology, Akane still tries to murder him, but this ends with her accidentally kissing Seiji. And the two get their names written in the Kiss Note...only for Guri to write her name into it as well. This leads to Akane stabbing Aino repeatedly with the knives, but it's revealed that because Guri is included in the relationship, the two are immortal. It still hurts, though.
Helga Pataki (Hey Arnold): Really more of a mixture with this and Tsundere, but Helga does have her moments. For one, there's the shrine that she made of Arnold which is borderline disturbing. She writes poems about Arnold, she actually tries to sabotage most of his attempts at going further with his crushes namely Ruth and Lila, and if the Jungle Movie is any indication, she had secretly recorded nearly all of Arnold's best moments which raises questions now that I think of it.
Alex Forrest (Fatal Attraction): Two words: "bunny-boiler."
Annie Wilkes (Misery): One of the better adaptations of a Stephen King book. While initially seeming to be friendly, Annie is actually a psychotic woman who keeps Paul hostage after finding out he was intending to kill off her favorite character. To that end, she forces him to revise the ending, murders a sheriff when he arrived to the cottage, and in the most messed up scene of the movie, Annie breaks both of Paul's legs to keep him from leaving. At least that's relatively better than what she did in the movie.
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tommyboyproductions · 6 years ago
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Reunion pt 1
Story Under Cut
My eyes popped open wide when I felt the taxi jerk to a stop. 
"Mm..mm?" I groaned, only then realizing I had dozed off during the long drive to Kawazu. 
"Did you have a nice nap?" I heard my mother ask and I turned to her. Still a bit groggy, I nodded, giving my arms a good stretch. I sat still for a few more moments until I realized we still weren't moving. I looked out the window to see a four story apartment building and it was then I realized we had made it. "Well? Aren't you going to get out, silly?" My mom giggled and every ounce of sleepiness I once felt was gone. I burst open the taxi door and nearly fell forward onto the snowy side walk. I was really here! I was finally back in Kawazu and I was standing infront of my new home! 
"KIIIIIMMMIIIIII!!!!!!" I heard my name sounding out in my direction. Before I could turn to face the front door of the apartment building, I felt two arms completely engulf me in a hug. "KIMI YOU'RE REALLY HERE!!!!" The voice repeated and I knew instantly it was my best friend Mika. I joined in on her excitement by wrapping my arms around her as well and the two of us simply stood there squeezing each other. I couldn't believe this was real. All of a sudden I felt like I was five years old again!
"MIKA! I CAN'T BELIEVE I'M REALLY HERE!!!" I smiled, continuing to grasp onto her.
"ME EITHER!!! THIS IS A DREAM COME TRUE!!!" Mika clearly felt the exact same way I did and it only got my adrenaline pumping faster.
"YO, KIMI'S HERE!" I heard another familiar voice emerge from the building and I knew it was Dento. 
"Dento!!!!" I waved my hand at him, still being embraced by Mika. 
"Dude, Kimi!" A third voice was present and I then saw Taro come around from the side of the building. The two boys took no time at all to run over to Mika and I, wrapping their arms around us as well. I couldn't remember the last time I felt so loved and at peace as I did in this moment, covered with my best friends. 
"Hi Taro!!!" My voice became more high pitched with every word I spoke and I immediately could tell I was about to burst into the happiest tears of my life. After a few seconds longer of hugging, each of us finally let go and backed away, giving everyone some space. I took my sleeve and whiped my teary eye's, sniffling my emotions back up my nose.
"Oh my god, Kimi, I can't believe you're actually here!!" Mika's face was blood shot red and I had a feeling mine was as well.
"Man, this is gonna be awesome! We're all finally back together again!" Taro cheered while grabbing Dento's shoulders and shaking his friend back and forth. Dento laughed and just that simple sound of his laughter was enough to take me back. Dento always had the best laugh of anyone I had ever known. It was so soft and cheery and even if you were in the worst mood in the world, just simply hearing Dento laugh could turn your mood upside down. I couldn't stop looking from one of them to the other, just taking in the fact that I was right beside them again. I had waited for this day for ten years and it was finally here. They were all right in front of me.
"Do I not get a hug?!" I heard my mother shout out, grabbing each of our attention.
"Mrs. Cho!!" Dento was the first to sprint over, giving my mom a huge hug. Mika and Taro followed and I simply watched, smiling. "You're gonna open the bakery again right?!" Dento pleaded and my mom started nodding furiously.
"Yes, yes, yes! And you guys better stop by as often as possible!! I'll make sure to always bake your favorites!" It was clear my mom was already feeling back at home as well.
"That's like music to my ears, Mrs. C!" Taro swayed back and forth, noticeably unable to stay still. There was just too much going on and each of us were on full blast.
"Mrs. Cho, thank you so much for letting Kimi come back to us!!" Mika wrapped her arms around my mother, giving her a similar hug to the one she gave me. When we were all kids, all of my friends were close to my parents, so seeing them light up around my mother again was another feeling I hadn't felt in ten years. It seemed that everything was going exactly how I had imagined it in my head, which made it feel even more like a dream. 
"Of course! She's missed all of you so much. We're ecstatic to be back in Kawazu!" My mom replied and looked up to me. "This move has been long awaited, trust me." My mother's voice was soft and I knew there was a bunch of love behind her words. "Just take care of yourself, okay Kimi?" Her voice grew slightly more serious and I rolled my eyes playfully.
"I will, Mom! And you're right down the road anyways, it's not like I'll be completely on my own!" I nicely argued.
"I know, I know! This is just all very new to me! You won't be under my roof! I feel like you're all grown up already!" My mother looked down and suddenly, I began to pity her a bit. I was so excited to live with my friends, a part of me had forgotten that my mom wouldn't have my dad with her for a while, so she'd practically be alone with her bakery. I walked over as my friends stepped to the side. I gently embraced my mother, resting my head on her shoulder.
"I promise, Mom. I'll come by every single day." I whispered, feeling her sigh in relief. "You'll never understand how thankful I am." I added, leaning back from the hug to see my mom was the one choking up now.
"Oh good grief! Go be with your friends!" My mother laughed, smiling at all four of us. "I'll head to the bakery and get settled in. And you need to do the same here!" She ordered, pointing at me. "And you guys help her! There's alot to unpack and she's a tiny little girl!"
"Don't worry, Mrs. Cho, we've got Kimi's back!" Mika assured her.
"Yeah, Mrs. C! There's nothin to worry about!" Taro also joined in, getting a slight glare from my mother. Although it had been ten years, my mom knew all too well that Taro was sure to be just as mischevious as he was as a child. 
"And get plenty of rest! Don't stay up too late unpacking!" My mom continued. "I know, Mom..." I huffed.
"And call me if you need anything!" Another request slipped out. "Your father has his phone on too if you have an emergency!"
"MOM! I'LL BE FINE!" I giggled and shook my head. My mom bit her bottom lip and then exhaled.
"Okay, okay! Just... be safe Kimi." With that last comment, my mom disappeared into the taxi and the engine started back up again. We all waved and Taro playfully winked at her as she got settled back in her seat. The taxi began to move down the road once more and slowly disappeared around a corner. Finally, it was just me and my friends.
"KIMI?!?" Once again, I heard my name being called out and I turned around to see Sayuri, Satoshi, and Yumi walking down the street towards us.
"HEY GUYS!!" I dramatically waved and began jogging toward them. Mika, Taro and Dento followed behind and the second I made it to Sayuri, we jumped into each other with another welcoming hug. 
"I TOLD YOU SHE'D BE HERE!" Satoshi claimed the other side of me, once again bounding me into a group hug. These types of welcomes would never get old. 
"KIMI, YOU'RE BACK!!" Yumi joined in the cheering, grabbing me from the back. "OH, GOSH GUYS, I'VE MISSED YOU SO MUCH!" I melted into them as much as I possibly could. If I could stay in any moment for the rest of my life it would be this one, for sure.
"We missed you too, Kimi!! So much!" Sayuri answered me.
"Yeah, we all agreed you're not allowed to bail again!" Satoshi poked me with his finger, trying to get his strict point across. When the hug ended, all seven of us formed a circle.
"I'm never taking my eyes off you! Not once!! I don't want you to disappear!" Yumi whined.
"I promise, guys. I'm never, EVER, leaving again." I inhaled, trying to calm my jitters, but it was no use. I knew I'd be hyped up for atleast the next week or so. Or maybe even the next month!
"Did you like, Tokyo?"
"Yeah, are you gonna miss it?!"
"What was the big city like?"
"Did you make friends at your other school?"
"Did you meet any famous people?"
"Our town is the size of a snail compared to that, right?" Questions were being whirled at me from every direction and I answered as many as I could keep up with. I felt a calm wash over me knowing my best friends were still interested to hear about my life in Tokyo. I wasn't too sure how they'd feel about me filling them in on it, but it seemed to be a pretty simple task. The longer we stood there, the more we talked and simply gushed over each other. Although they hadn't seperated, I could tell they all felt suddenly closer just on the account that I had come back. I knew it would be this way no matter who left. Our friend group just wasn't the same when we were missing someone. And then I felt as if someone was kicking me in the back of my brain. How had I not noticed?! Why was I just realizing?! Was I really so excited I became completely oblivious?! Everyone was there except for Ryuu! What the heck was going on?! I blamed my not noticing on adrenaline, but now that I had noticed my gut suddenly twisted into knots. Where was he? Why wasn't he the first person there? I knew it would be a little odd since he hadn't written me in so long, but my heart always just told me he was busy. Surely he hadn't forgotten I was coming back... My ears blocked out everything being said around me and I began looking down the street we stood next to. Then I looked in the other direction. There wasn't anyone in sight.
"Hey, Kimi, you okay?" Yumi looked oddly at me and I returned her gaze.
"Oh! It's nothing I just... where's Ryuu? He's the only one not here!" I stated, obviously bothered by the lack of his presence. Suddenly, all the chatting stopped and it was silent for the first time since I had arrived. I stared blankly at everyone who awkwardly began avoiding eye contact with me. This only got more weird?! "Guys?" I asked, suddenly confused by the mood change. "Is he on his way?" I asked again. Why did everyone start acting so odd?
"Oh, uh, yeah!" Taro began, scratching the back of his head. "You know! Ryuu, that guy... He's uh, he's just--"
"Running late!" Dento interjected, "You know he's never been good with times and... stuff"
"Yeah, he probably just got caught up doing something!" Yumi jumped in, but I couldn't help but just stare at them. Was there something I missed?
"Oh...?" I replied, raising my hand to my hair. I twirled it nervously without even noticing until Satoshi wrapped his arm around my shoulders.
"Don't worry, Kimi. You have plenty of time to see Ryuu! He lives here too after all. He'll probably be back some time tonight!" I could tell Satoshi was doing his usual 'Satoshi thing'. Calming me down. I looked at the ground and then back up at everyone. Satoshi was right. I'd have plenty of time to see Ryuu! I had just gotten back after all and having even one of my best friends there was a dream come true. But I had all six!
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brella · 7 years ago
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i feel like we always ask you about books so today i wanna ask you some anime recs :)
HOW INTERESTING THAT YOU SHOULD COME TO ME NOW, JUST AFTER I FINISHED ATTEMPTING TO BRIBE A TWITTER MUTUAL WITH A PHYSICAL CAKE SO THAT SHE WOULD WATCH AN ANIME I LOVE. i am always happy to share anime recs. 
ping pong: the animation (dir. masaaki yuasa): effusive yutaka “peco” hoshino and reserved makoto “smile” tsukimoto have been best friends since day one, and both of them love to play ping pong. peco, a child prodigy at the sport, loves it with all of his soul, and is so confident in his own talent that he’s become arrogant; while smile, in spite of his natural talent, does not take ping pong seriously, seeing it as nothing more than a way to pass the time. things are shaken up for the boys by the arrival of wenge “china” kong, a chinese player sent to redeem himself in japan after being kicked off the national team, who skunks peco in their first match, sending him spiraling into crisis; meanwhile, smile catches the interest of the school’s coach, a former star player, who is determined to make sure smile does not waste his talent. also joining the cast are manabu “akuma” sakuma, peco’s belligerent rival since childhood, and ryuichi “dragon” kazama, vanguard of the elite ping pong team at kaio academy. when all is said and done, will smile and peco’s friendship—and the love of ping pong that bonds them—remain? i urge everyone to watch this anime; it is perhaps the best i’ve ever seen. a work of art, of joy, of sadness and failure and triumph—a tribute to being alive, and to what it means to love something so much you feel like there’s no point in being alive if you can’t do it. and the animation, voice acting, and score are outstanding! 11 episodes.
the tatami galaxy (dir. masaaki yuasa): an unnamed college student is perpetually dissatisfied with his life, bemoaning the fact that he can never seem to grasp that “rose-colored campus life” he was certain he would have upon attending college in kyoto. just about the only thing he has in his corner is his mischievous frenemy, ozu, who drags him into scheme after scheme that only seem to make his situation worse; and a fellow student, akashi, who the protagonist has feelings for, but can never quite seem to spit it out. after a bad break-up sends him over the edge into total cynicism, he starts to wonder if his college years would have been spent differently (i.e., better) if he had chosen to join a different club on his first day. unbeknownst to him, the desire to go back and do it over again does send him back in time—each episode is an alternate timeline based on which club he joined. no matter how things change, though, he always seems to keep running into ozu, to just miss akashi, and to get involved with a man calling himself higuchi, who claims to be a god of matrimony; a bone-headed popular senior named jougasaki; and a beautiful but intense dental hygienist named hanuki. in the protagonist’s quest for the perfect college life, however, will he miss what’s right in front of him? i really love yuasa as you can probably tell and this, just like ping pong, is beautifully animated, great fun, and unexpectedly moving. a testament to the little things, to seeing the beauty and wonder in what we have. and the opening and ending are GOD TIER. 11 episodes.
gekkan shoujo nozaki-kun (dir. mitsue yamazaki): if you somehow haven’t watched this yet, please love yourself and do it. a romantic comedy series that follows 16-year-old chiyo sakura’s attempts to woo her crush, umetarou nozaki, gsnk, contrary to the shoujo form, actually begins with her confessing to him—but he misunderstands and gives her... his autograph?! yes, it turns out nozaki moonlights as a hugely successful shoujo romance mangaka, and he’s been needing an assistant, and sakura is in the art club... convenient! this show has it all—uproarious humor, masterful comedic timing, incredibly charming characters, and just the right dose of heartfelt romance to warm any heart. other cast members include mikoto mikoshiba, nozaki’s best friend, whose flirtatious antics constantly cause him to nearly die of embarrassment; yuzuki seo, chiyo’s best friend, a brash and oblivious jock with a beautiful singing voice; hirotaka wakamatsu, a mild-mannered basketball player constantly aggrieved by seo’s bullying; yuu kashima, star of the drama club and dashing prince of the school; and masayuki hori, drama club president and kashima’s ever-frustrated director. love is in the air not just for sakura, but for a few others, as well—it’s going to be an interesting year! 12 episodes.
kids on the slope (dir. shinchiro watanabe): kaoru nishimi is a shy and depressed honor student, classically trained to play the piano, who has spent his entire life moving from town to town due to the nature of his father’s job. at the beginning of the summer of 1966, he is sent to a small coastal town in kyushu to live with relatives, and is prepared for another year of loneliness until his world is turned on its axis when he meets delinquent sentaro kawabuchi. the two develop a strange and unlikely friendship, and kaoru soon discovers that sentaro, or sen, is an avid fan of jazz, then an emergent form of music in japan, and plays the drums in the basement of a record store owned by the family of his childhood friend, ritsuko mukae, with whom kaoru immediately falls in love. when ritsuko says that she would love to hear kaoru and sen play together, kaoru begins to acquaint himself with jazz, too, and finds that it holds more magic than he expected. part classic coming-of-age drama, part love letter to the jazz genre, this series was, fun fact, directed by the man behind cowboy bebop and samurai champloo—so, like, if that isn’t a testament to its quality, i don’t know what is. it will make you cry, though. just warning you. 
silver spoon (dir. tomohiko ito): desperate to escape the pressures of his home life, beleaguered honor student yuugo hachiken foresakes his chances of attending an elite tokyo high school and applies to ezonoo agricultural school in hokkaido. at first holding himself a rung above his peers, due to his perception of them as bumpkins who have never had to work hard academically due to their security as farmers, hachiken quickly learns that there’s a lot he doesn’t know, and he’ll have to work hard if he wants to keep up with his peers. though initially withdrawn, hachiken comes to make many new friends, and soon begins to take his studies seriously, earnestly trying to learn all he can about the world of agriculture and how it affects the lives of his friends. this series is easily something i’d call “the feel-good story of the decade,” but it also has many profound and emotional moments, and a hugely relatable protagonist in hachiken. it’s definitely a comedy, but at its heart, it’s one of those special series that kind of takes your hand and smiles at you and says, “yeah. i get it. i know how you feel. but it’s all right. life’s pretty fun, even if you don’t notice.”
hyouka (dir. yasehiro takemoto): to this day i’m still a bit stunned that kyoto animation managed to come out with something as good as hyouka, since it’s so different from their other works, but the truth is there. it’s simple, with a cast of only four characters and few recurring side ones; a subdued score using mostly public domain classical pieces, a quiet high school as the backdrop, a close and intimate portrait of the four kids it brings together. the PV actually does a fine job of introducing the characters—apathetic houtarou, inquisitive eru, cheerful satoshi, and caustic mayaka—so i won’t go into that too much. essentially, houtarou is urged by his sister to sign up for the classics club after no one else does, since it will be disbanded if it does not have at least one member. much to his surprise, someone else already has signed up by the time he does—a curious girl named eru with an insatiable appetite for mysteries. though houtarou lives by a philosophy of what he calls “energy conservation,” eru has a power over him (read: he has a big, beautiful crush on her) that compels him to go along with her antics, and his penetrating intellect doesn’t help much. satoshi, houtarou’s best friend, and mayaka, a childhood... acquaintance of houtarou’s, also join the club, and hyouka chronicles all of the things that happen to them over the course of their school year. when asked about the meaning behind the title (”hyouka” means “frozen dessert”), the author of the novels said, “the colour of youth is like ice cream. its many flavours are like the spectrum of a rainbow, but no matter how it tastes, what doesn’t change is its richness and flavour. another distinguishing feature of ice cream is the short time one has to eat it, and how we must take care to avoid polluting it. it’s just like how youth is full of numerous possibilities, but its fragile and limited energy is easily challenged by the outside world.” i think that probably speaks for itself in alluding to the bittersweet tone of the series. it really is one of my favorites.
and, because my fingers are getting tired: yu yu hakusho is my favorite shounen series by a mile and one of the few for which i highly recommend the dub—it’s long though, 100+ episodes, but worth every minute. i’ll be glad to go into why yyh specifically is the best in a separate post if anyone is interested bc hoo boy. uchouten kazoku season 1 is great and one of my favorites but season 2 was kind of eh to me. if you like action and tragic romance, kyoukai no kanata is my second-fave kyoani series after hyouka, though it does have some fanservicey bits and fetishy humor that kind of date it a little bit. and if you haven’t started boku no hero academia yet—PLEASE GET ON THAT; IT’S SO MUCH FUN! 
and, of course, the anime of my heart and soul: lovely complex, a romcom about a tall girl and a short boy, and their arduous, hilarious, heart-melting journey from vitriolic best buds to lovers. hits all the right notes. no other shoujo compares. it’s a series that anyone and everyone can AND WILL enjoy. 
i hope that’s enough to get you started! :’D pls let me know what you think if you watch any 
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historyman101 · 7 years ago
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Hyouka Review Part 2 (aka the post that should have come months ago)
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I know, I know, I’m late to the party. But honestly, I had a ton of things going on in the past months that waylaid this review that I won’t get into. It’s here now, and that’s what’s important, right? So let’s get to it.
This review will strictly cover episodes 12-22 and overall thoughts. If you can stand walls of text and are curious (hue) to know if Hyouka still stands up in the second half, read on.
The second half of the series has a very different tone and focus than the first half. While the first half was more about introducing characters and showcasing their skills at problem-solving and hinting at some of their inner troubles, the second half exposes them and explores them in-depth. Everything in the production shows that, especially in the voice acting.
Adam Gibbs’ performance of Oreki as a deadpan straight man remains unchanged, but he allows a little emotion to seep through, especially through his interactions with Chitanda. Madeline Morris comes into her own in this half, and while she still has some of that excited personality that makes Chitanda cute to watch, Morris’ soft and subdued tone also sheds some light on the growing attachment between Oreki and Chitanda. And it’s really their relationship more than anyone else’s that takes center stage. 
From the 2nd opening, we get a clear shift in direction to focusing on why Oreki acts the way he does, with the opening showcasing his sense of isolation from his energy-conserving philosophy. It is ultimately his friends, and Chitanda especially, that change who he is and pull him out of that lonely corner and into the world. Chitanda and Oreki complement each other, each bringing a spark into the other’s life, and Oreki gradually changes his behavior with each mystery he has to solve.
The best mystery arc in this section is bar none the cultural festival arc, which features each club losing an item to an unknown thief. This festival also shows just how much detail goes into KyoAni productions, with every background character animated and showcasing personality. It effectively conveys the excitement and frantic nature of a school festival, with students darting back and forth, advertising their stalls, and preparing their exhibits. This arc alone strengthens my certainty that Kyoto Animation is in a league of its own when it comes to anime. 
The festival arc also showcases every character’s central insecurity which are explored in the closing episodes: Chitanda struggles with anxiety while leading the Classics Club, Mayaka grapples with the question of art and genius in Manga Club, and Satoshi feels overshadowed by Oreki’s ability to solve seemingly impossible cases. 
Satoshi and Mayaka’s stories in particular are very human, and tap into that deep, ugly emotion of inadequacy. There is nothing more deflating than knowing someone is better than you could ever hope to be at something. The same anger that Satoshi secretly has for Oreki also keeps Mayaka from growing closer with Satoshi, her longtime crush. 
The same insecurity that plagues Satoshi and Mayaka’s relationship also surfaces between Oreki and Chitanda. In the closing episodes, we see them grow closer and Oreki even solves mysteries on his own initiative without a word from her. It’s clear that he cares deeply for her, but he also realizes he has a long way to go before he can finally come out to her about his feelings. The gap between them has shrunk, but it hasn’t disappeared.
This brings us to the closing episode, which I think is a candidate for one of the more beautifully animated and superbly written final episodes in anime. There are plenty of fans who wanted a dramatic confession of love, and I confess, I was one of those people when I first watched the anime in 2012. But let’s be honest: would that have been realistic? No. Sure, it would have been satisfying to see, but Hyouka keeps itself grounded when it comes to romance. Oreki has come a long way from the isolated, dark and gloomy boy he was at the start, but he has not come full circle. He sees the value of a rose-colored life, and the path is laid out before him, but he still has to walk down it. 
In the end, Hyouka is one of the visually stunning, incredible-sounding, and emotionally subtle anime I’ve watched in a long, long time. The mysteries are, as before, not blood-pumping, but it doesn’t really matter because the anime was not really about mysteries: it was about the changes we go through in our lives as told through daily mysteries. 
Easily one of Kyoto Animation’s best works, and a brilliant example of how KyoAni are the masters of character exploration.
I can only hope that Violet Evergarden will live up to those expectations.
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cryptswahili · 6 years ago
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What happened this week in the Crypto markets?
“That’s Our Two Satoshis” — The Ethereum Rallying Cry
See you in hell 2018 — crypto ushers in 2019 with a hot start!
Welcome back from the extended holidays! It’s been 3 weeks since our last Two Satoshis writeup, and that is an eternity in crypto given how fast and violently these markets move. For reference, the prices of many cryptoassets are up almost 100% since the Dec 14th lows. We forgive you if you didn’t notice this run-up, as the uncharacteristic equity, credit and commodity volatility over the past month probably garnered most of your attention. But this lack of correlation is precisely why everyone NEEDS to be paying attention to crypto. The crypto asset class isn’t going away, and despite finishing 2018 with yet another month of negative returns (5 straight), the crypto markets rebounded with a nice year-end rally which has continued thus far into the first week in January (+9% last week).
While we weren’t writing over the holidays, we were of course actively managing our fund, building our company, and sleeping/eating/breathing all things crypto. So before we dive into what happened this past week, below is a quick collection of random thoughts from the past few weeks:
Perseverance of Crypto Investors — Just about everyone you speak to believes equity and credit markets will continue to go lower. But the vast majority of people/investors either have to own equities and debt in their portfolios or just don’t actively manage it carefully enough to warrant rotation into something else, even if returns are not expected to be great. Meanwhile, absolutely NO ONE has to own crypto assets, and yet new investors continue to enter the market, despite large drawdowns. That should tell you something.
Is 24/7 Trading a Net Positive? — Many people applaud the crypto markets for being accessible and liquid 24/7. But is this really a good thing? Let’s look at Christmas Eve for example. The equity markets fell 3% in a half-day of trading, and had they remained open, it seemed like they would have fallen 10% given how bad sentiment was following 4 straight days of large declines. But after a few days off, the market reset itself, and when they re-opened 2 days later the markets jumped 5% sparking a rally that continued throughout year-end. Meanwhile, crypto never catches its breath (to the detriment of our families), and this may contribute to the large swings in price that often last days at a time. With no ability to “reset”, 24/7 trading may cause more harm than good.
Risk Asset or Safe Haven? — While we’ve talked at length over the past year about the lack of correlation between crypto and other asset classes, the jury is still out on whether or not crypto is a risk asset, or a safe haven (IMO, potentially both). Acting as a risk asset, is it possible that the 80% market decline in crypto foreshadowed the recent (and upcoming) swoon in traditional markets? Or was the crypto selloff simply due to the immaturity of the market, and we can expect it to act more defensive during a recession (like gold)? Our friend Travis Kling from Ikigai made an astute observation:
So why is crypto rallying, and will this continue?
Make no mistake about it, crypto valuations are still very difficult to ascertain. Until there is consensus on valuation and a long enough history to validate when prices are “cheap” or “expensive”, crypto will continue to trade based on sentiment, emotion and large underlying themes. One of these underlying themes is a rallying cry from the Ethereum community. While Ethereum is still the 2nd largest token, and arguably the most well-known besides Bitcoin, much of the 2018 sell-off can be contributed to poorly structured and ill-advised ICOs built on Ethereum, and an overall lack of scalability, speed and efficiency of the underlying protocol. That said, Ethereum still has the largest and most well-funded community of leaders and developers… and they finally had enough of the Ethereum bashing.
Over the past 4 weeks, Ethereum supporters came out of the woodwork defending their beloved protocol. This lead to previously bearish analysts turning slightly positive, Ethereum leaders like Joe Lubin calling the bottom, and more importantly, real hard data that not only offset the death spiral, but encouraged investment. As a result, ETH rallied from lows around $85 to current prices of $155. While it’s likely that prices will continue to be volatile, and may even retest lows at some point, we suspect that this “coordinated defense” may be a formula for success going forward. And other companies / projects took notice, and went on the offensive in recent weeks. We saw a slew of coordinated and well-timed press releases from Tron (TRX), Waves (WAVES), Neo (NEO) and many others, designed specifically to push token prices higher (and most worked). This response is to be expected after the carnage of 2018, as many of these companies and projects now must be more transparent and aggressive to build interest in their tokens.
As we’ve pointed out in previous weeks, crypto is in a distressed environment. And that means, price doesn’t really matter, and neither do percentage gains/losses. All that matters is deciding which tokens will exist in a few years, and whether or not growth in usage can ultimately accrue value to the tokens. For those that fit this description, the tokens were probably a buy at the lows on Dec 14th, they are probably still a buy up 100% from here, and will likely be a buy even if we retest the lows.
We’re still so early that, for those that do survive, the trend is almost assuredly higher.
Reflecting on Bitcoin’s 10th anniversary
So with 2018 behind us (and the hideous -75–85% returns that came with it), let’s take a second to reflect on why we’re even talking about crypto in the first place. Bitcoin turned 10 years old last week! And while the crypto markets have, and continue to, evolve beyond just Bitcoin, the anniversary of the first genesis block of Bitcoin reminds us that Bitcoin is a lot more than just “new money”. In fact, Bitcoin matters for Freedom.
Notable Movers and Shakers
The crypto markets rose almost 10% last week, and while correlation remains high between tokens, it’s a healthy sign that some tokens rose decisively more than others following real catalysts and announcements.
Ethereum (ETH) continues to lead the charge, rising another 14% week-over-week ahead of its upcoming forks and Constantipole upgrade. Bitcoin (BTC) lagged the move higher until late in the week, when it popped above $4,000 and finished up 6% for the week.
ChainLink (LINK) rose 34% last week. While the token is still -70% from all-time-highs in dollar terms, it is now testing all-time-highs relative to Bitcoin.
Zilliqa (ZIL) advanced 12% and is now up 70% from the lows, ahead of its mainnet launch on Jan 31st.
Similarly, Tron (TRX) gained another 17% last week ahead of its upcoming conference, and on the heels of its announced BitTorrent token.
What We’re Reading this Week
The best 2018 review — across all asset classes
Charlie Bilello of Pension Partners wraps up 2018 with tons of charts that show the carnage across all asset classes.
When Sheila Blair talks crypto…
…. We listen.
A trip down memory lane — the internet in 1994
You often hear that crypto is “the internet in 1994”. To further illustrate that point, go back to 1994 with this article discussing a pioneer of consumer commerce on the internet, and see the parallels for yourself.
Tokenize the World
You can now buy 10 Nasdaq securities, including AAPL and AMZN, via a digital token that represents the shares. This is foreshadowing what is to come, and enables global access to US stocks without the need to have a brokerage account or a bank account.
The State of Bitcoin
Not light reading, but this is a great place to start your 2019 journey into crypto — understanding where Bitcoin came from, and where it is headed.
Why crypto wasn’t ready for primetime
Our friend, David Nage, put out a great 2018 review citing why crypto wasn’t ready for primetime… but it’s not dead yet.
What Coinbase’s $8 bn valuation tells you about crypto
What happens when service providers grow in value much faster than those they service? This article is rich with detail on why cryptoassets are underpriced, citing historical valuations of US equity exchanges relative to equity prices.
The Bear Case
Despite the positive sentiment in the market right now, it is the start of the new year, and with that comes skepticism and predictions. We appreciate a healthy dose of skepticism about blockchain, and thoughts on what crypto needs to do to become relevant. Perhaps most interesting was McKinsey’s honest analysis of how little blockchain has actually solved to date, suggesting that a simple solution may be its best use case.
Arca in the Press & on the Streets
Arca CEO Rayne Steinberg was a guest on CEO Money, discussing how Arca is creating a new financial standard by combining the best of traditional centralized finance with blockchain technology.
Steinberg and Arca Portfolio Manager, Jeff Dorman, sat down with Christine Corrado from Proactive Investors to discuss the recently filed Arca US Treasury Token, and to discuss the cryptocurrency markets.
Arca co-founder and Chief Legal Officer, Phil Liu, spoke with with Amy Wan from Security Token Academy to discuss current regulations in the U.S. and why he feels they are sufficient. You’ll also hear about the tokenization of assets and why security tokens can improve liquidity and more in this expert interview. Plus, hear his thoughts on predictions for the security token industry in 2019.
And That’s Our Two Satoshis!
Thanks for reading everyone! Questions or comments, just let us know.
The Arca Portfolio Management Team
Jeff Dorman — Portfolio Manager
Katie Talati — Head of Research
Hassan Bassiri — Junior PM / Analyst
Disclaimer: This commentary is provided as general information only and is in no way intended as investment advice, investment research, a research report or a recommendation. Any decision to invest or take any other action with respect to the securities discussed in this commentary may involve risks not discussed herein and such decisions should not be based solely on the information contained in this document.
Statements in this communication may include forward-looking information and/or may be based on various assumptions. The forward-looking statements and other views or opinions expressed herein are made as of the date of this publication. Actual future results or occurrences may differ significantly from those anticipated and there is no guarantee that any particular outcome will come to pass. The statements made herein are subject to change at any time. Arca Funds disclaims any obligation to update or revise any statements or views expressed herein.
In considering any performance information included in this commentary, it should be noted that past performance is not a guarantee of future results and there can be no assurance that future results will be realized. Some or all of the information provided herein may be or be based on statements of opinion. In addition, certain information provided herein may be based on third-party sources, which information, although believed to be accurate, has not been independently verified. Arca Funds and/or certain of its affiliates and/or clients hold and may, in the future, hold a financial interest in securities that are the same as or substantially similar to the securities discussed in this commentary. No claims are made as to the profitability of such financial interests, now, in the past or in the future and Arca Funds and/or its clients may sell such financial interests at any time. The information provided herein is not intended to be, nor should it be construed as an offer to sell or a solicitation of any offer to buy any securities. This commentary has not been reviewed or approved by any regulatory authority and has been prepared without regard to the individual financial circumstances or objectives of persons who may receive it. The appropriateness of a particular investment or strategy will depend on an investor’s individual circumstances and objectives.
What happened this week in the Crypto markets? was originally published in Hacker Noon on Medium, where people are continuing the conversation by highlighting and responding to this story.
[Telegram Channel | Original Article ]
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early-gc · 7 years ago
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Animator’s Interview (Jio Manuel Consuelo)
Carreon, Earl Gerard H.
BFA-3B
 (Disclaimer: Because of the hectic schedule of the animator, we are only able to interview him through Messenger Chat, for proof, we can show you the actual conversation with the Artist through Facebook/Messenger, Weren’t also able to take a video chat with him because of their Work/Company Policies)
 Questions :
1. What type of animation are you specialized in?
 2. What software do you use more often?
 3. What inspires you when making animations?
 4. As a fan of animation, what are your
favorite things to do when not working in the field?
 5.If you were working on a project and suddenly
the deadline changed, how would you handle it?
 6. How do you keep track of work so that it gets done on time?
 7. How do you stay focused while working long hours?
 8. As an Animator, what do you believe is your best asset?
 9. Why did you chose a career as an animator?
 10. What steps are you currently taking to
improve your knowledge and skill as an animator?
 11. As an animator, what advises can you give to beginners
and your fellow animators?
  Animator’s Answers :
1. Flash/Cutout Animation
  2. Adobe Flash Cs6/CC
  3. Money, Bills, Hobbies. There's the still the drive to pursue the artistry naman, may passion parin for the craft.  Pero syempre nandun narin yung real world problems e, kailangan lang talaga i-balance.
 I'm inspired with what I see. Satoshi Kon,  Hideo Anno, Studio 4C, Madhouse, Ghibli, Disney, mga ganyan. Yan yung kumbaga #goals sa industry. Di Nawawala yan. Pero syempre, kailangan enough parin ang kitain para sa sarili.
  4. I usually go out in the weekends, either with friends or workmates. Be it hiking up mountains or drinking out. I also collect toys and books, actually most of my income goes there.
  5. For me I just assess my remaining scenes and see if I still have time to do it all. I I can't,  I ask my colleagues if they can help out, and I reassign my scenes to them. It's all about having a clear head really, try not to let your emotions cloud your judgement, especially when there are possible solutions to think about
  6. I do my scenes in by order,   I don't usually do the easy ones first and leave the hardest for last. I have a daily quota of scenes to be finished,  but it depends on the difficulty level too. Sometimes I do 5 scenes in a day, or I do one scene for 3 days. I try to finish it all at least a week and a half before the deadline, so I still have time for revisions.
 7. I keep a notebook for sketches nearby, and a brush and bottle of ink. I also have some toys that I pose around if I feel like I need a break. Or I look at cute dog memes to pass the time. Music helps too, I find that I work faster and better when there's some fast paced noise going on in the back ground.
  8. Kaya kong lumamon sa gabi pero sa umaga walang ebidensya,  payat parin.
 Kaya kong ubusin yung sinahod nung Friday tapos pagdating ng Monday gapang ulit.
 Kaya ko buhayin yung character sa computer pero diko kaya buhayin yung bank account ko.
 Kaya kong mag OT kahit hindi bayad.
 Actually mas ok ako sa mga fast, action scenes. Sa mga acting, kaya naman sakto lang. Mas nag eenjoy and nag eexcel sa ganun kesa sa simpleng scene lang.
  9. I really like drawing,  ever since I was a kid I was already sketching. Supposed to be I was gonna take up MMA, but I found out that I needed a lot of capital for that. Cameras, computers, which at the time we couldn't afford. Then I saw there was an animation course offering at CSB, so I went with that. And I stayed. I really enjoy the work, regardless of the time lost and money gained, I enjoy it. I don't really feel like I'm working, I just go to the studio to draw and animate. The only stress there is is with other people and deadlines. But the job itself is great.
10. I don't watch cartoons as often as I'd like, but that's not really a requirement. It's more like, you have to know what you're looking at. Don't just see, but observe. It really is a study about life, how things move and feel. I do some life drawing, read graphic novels, copy the files of the scenes that have really nice movement in them. I always try and see how other animators do a certain move, ano yung diskarte nila sa isang eksena. Thats where you learn really.
  11. Don't strive for "just ok" scenes. Hindi pwede yung "pwede na" na gawa. If you're gonna do something, give it your all. If you did the work,  but didn't get the money,  it doesn't matter. You still have the work. It's always about self improvement, don't get blinded by the salaries of other veteran animators,  kahit 40k a week pa yun. Quantity darating ka rin naman dyan e, quality ang kailangan unahin. Mas gusto rin ng director yun. Wala kang ibang kompetisyon kundi sarili mo.  In everything in life,  be it good or bad, don't forget to make good art. Yang Law, Medicine, Engineering, lahat yan kailangan to sustain life. But Art makes life worth living.
 Also protip: kung may binigay na sayong trabaho, wag mo unahin yung mga madadali tapos pagdating ng deadline saka mo ire reassign yung mahirap. Madali makahanap ng ka away pag ganun, walang magkaka gusto sayo at tatanda kang virgin.
 Animator’s Scenes & Work web references:
https://www.youtube.com/watch?v=Kq4XTNX0vdQ
https://www.youtube.com/watch?v=_IHKP0MO9U
https://www.youtube.com/watch?v=AMYVvG4Kbgw
https://www.youtube.com/watch?v=kAFVQqJi3g8
 (Samples of his scenes & work are also shown at the end of the interview slide ; soft copy)
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