#roy's eyepatch as a plot point
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Merry Christmas @okay-sky! Iām your secret Santa for theĀ @fmasecretsanta2020 #fmasecretsanta
I had an absolute blast writing this for you and I hope you like this RoyEd piece as much as I enjoyed writing it. Have a happy holidays and I wish you the best.
You can also read this on AO3
--
The snow was a foot deep and maneuvering through it was a pain in the ass, but Roy was determined to make it to the post office in North City. Normally, Roy rarely makes the trip unless he's on the last dredges of his food supply but the potential for one of Ed's letters to be there had him pushing onward.Ā
For the short amount of time he'd gotten to spend in Central, he'd spent a large amount of it enjoying the company of the Elric brothers, specifically Ed. It was like an old wound had finally stopped aching when he got to see the man. And he was now. A man, that is. A maturity he never thought he'd see from the older Elric permeated his actions. While he still had a temper he didn't bare his teeth at the smallest of teases. He seemed wiser now and Roy wondered what he'd experienced in this other world.Ā
His interest and desire to spend more time with Ed wasn't one-sided either. The man--amidst Royās own scramble to steal his attention from Miss Rockbell and Alphonse-- found him at all hours of the day to discuss anything. From alchemic theories to the property damage done while he was away, the two never seemed to run out of things to talk about.
When he'd been forced to return up North, Ed had been the one to suggest keeping up a correspondence through letters. Roy didn't mention that heād have to essentially hike to the post office and instead happily agreed. Ed promised to write often and Roy said he'd do the same.Ā
And he intended to.Ā
Which brought him back to his every other day trek.
He didn't know when he'd receive his first letter so he just kept coming back. For the first time, Roy was thankful for the cane that the doctor suggested he get for strenuous exercise in case the scar tissue flared up. He'd been adamant about not using it for the longest time, but out here -- where he wasn't surrounded by people who unintentionally put him on a pillar-- using the cane didn't matter.
His breath puffed in the frosty air as he took a moment to rest his legs. He could already see the city so he'd only have around another 30-minute walk if he continued at the pace he was going.Ā
North City was as lively as it could be for one with near-constant snowfall. While the population consisted mostly of military personnel there were still plenty of families and small businesses dotted amongst the abundance of government buildings.
These little businesses felt like theyād been plucked out of a different location, the warm glow of the fluorescents glimmering through the large windows. Roy's favorite was a little bookstore that specializes in customer requests. They'd take a poll from an assortment of people to find out what they wanted and go from there.
Roy indulged in much of the literature they had to offer and the sweet family-run shop told him he was welcome to make any requests he wanted.
Ed would've salivated at the thought.
On the outskirts of the inner city lies the post office. It was never terribly busy which was a blessing so Roy had no trouble siddling up to the counter.Ā
"Well I'll be," the scruffy man at the counter whistled, "you're back again already."
Roy gave him a tired smile. "Glettner, I just don't want to miss the letter I'm supposed to be getting."
"I guess, but you don't live in the city so you gotta walk here." He shuddered. "Couldn't pay me to make that hike more than once a year and I've lived here for over a decade."Ā
"I want to be punctual."
Glettner rolled his eyes, but those eyes only held mirth in them. "Well Mr. Punctual, you're in luck, a letter for you arrived yesterday evening."
Roy wasn't sure what his reaction was but it garnered him a chuckle all the same.Ā
"Ah-ha!" Glettner cried victoriously and walked back over with the letter. "This person must really like you if they're willing to use four stamps and Express delivery." He shook his head. "Express is always so expensive.ā
The letter in his hand was hefty with Edās tell-tale god awful handwriting on the front. He brought the letter close to his chest with a content hum.Ā
āUgh,ā Glettner whined, āGo read your letter somewhere else if youāre gonna be looking like that when you only read the cover.ā
Roy sent him a flat look. āIāll see you, Glettner,ā Roy called over his shoulder, tucking the letter safely into his coat. āStay warm.ā
āSpeak for yourself! Try not to get yourself killed walking to the post office you flame-brained moron.ā
Glettner always did say the nicest things.Ā
Back in the relative safety of his cabin, Roy was able to settle down and open the letter. Carefully, he pulled the small bundle of papers jammed inside, out onto the table. Offhandedly he stoked the fire a little more with a snap of his fingers.Ā
Admittedly, heād missed the ease that using his alchemy allowed him with certain tasks.Ā
Colonel Bastard,
Roy snorted and shook his head. Heād already told Ed he wasnāt a colonel anymore, but apparently, the fact hadnāt stuck in the shrimpās mind. He wondered if Ed still had his infamous temper tantrums about his height.Ā
Something to find out later.
The other man seemed to have grown up a great deal in the past two years, but Roy doubted Ed wouldāve been able to calm himself down when it came to his height and the lack thereof.
I hope this gets to you fast, and that you havenāt frozen solid up there. Havoc told me about your cabin and Iāll be honest: sounds shitty. But they did say you had a fireplace so maybe it isnāt too bad as long as you donāt move from in front of the fire. Though now that I know what your job entails I can honestly say that you might be fucked.Ā
Seriously, who wants to stand out in all that snow to watch for potential attacks from Drachma? Thatās what Briggs is for. So get your ass back here before your ass freezes to a chair or something.Ā
He couldnāt stop the laugh that burst from him. The letter was just wholly Ed and it almost felt like the other man was here in person.Ā
Al wants me to tell you he says hi, so thatās from him. Heās doing okay, heās kinda got everything figured out now. I mean he obviously did before, he was doing fine while I was gone. Heās made a name for himself even if he did kinda steal my look.Ā
He doesnāt need me anymore.Ā
The ink is smudged and blurred in spots and Royās heart clenched in his chest when he realized that those were probably tears.Ā
I expected it and Iām glad he was able to keep moving forward with everyoneās help. I donāt know. I guess I didnāt realize how thatād make me feel when you were here. Youāre kinda distracting even when Alās around.
No higher praise than being able to pull Edās attention away from his little brother.Ā
Resembool is the same, which is weird. Germany seemed to change every day. There were always new people coming through or some kind of showcase going on. Did I tell you about the rocket we were building? Itās hard to remember that Iām no longer in a world governed by the laws of āmodern scienceā instead of Alchemy.
I wish you were here. I miss your stupid, smug face.Ā
Oh did he ache for Ed to be able to insult him in person.Ā
Itās your turn to write a letter.
-Edward Elric
Beside his name, Ed had drawn what he assumed was a self-portrait of him sticking his tongue out in a cartoonish style. Charming.
Roy set the letter on the table and rubbed at his eyes and pinched the bridge of his nose. Somehow, the letter only made him miss Ed more. He wanted to ease Edās worries and reassure him that he was needed.Ā
Well, he had a letter to write.
--
Fullmetal,
I thought telling you four times was enough, but maybe your ears were too tiny to hear me correctly. Iām not a colonel anymore so the name isnāt correct. Havenāt we known each other long enough to be a little less informal?
Youāre right, itās freezing up here, and staying warm is near impossible without the fire. I wear two layers of wool socks and Iām still wary that Iām going to get frostbite on one of my watches.Ā
Briggs is in charge of guarding our border. Iām just in charge of keeping watch on the trading routes that weave along the mountain valley for any sign of trouble.Ā
Al may not need you in the same capacity that he did, but I guarantee heās happier than heās been in the last two years now that youāre here. From what Iāve heard from both Hawkeye and Miss Rockbell, he always seemed to be looking over his shoulder for you when heād accomplish anything.Ā
You are absolutely needed, and not just by Al. Never forget that Edward.Ā
Small towns donāt change often so Iām not surprised it seems the same. People grow older, but small towns keep to themselves for the most part. Every once in a while fresh meat joins the community and theyāll be a stir and things might change a little, but generally go back to normal quickly.Ā
City life is vivacious and ever-changing. A bigger place and more people means more changes. My aunt runs a bar and I remember how often the city would change around us.Ā
If by rocket you mean the one you released into that crowd of people, then yes I remember you telling me about it. But feel free to tell me again, you have a knack for storytelling that I didnāt think youād have.Ā
I wish you were here too. I miss your impish face.Ā
-Roy Mustang
--
A week later, Roy received his second letter.Ā
Glettner gave him a wry grin and presented it to him with a flourish. āYour sweetheart replied,ā he tittered, āshould ask for a lock of hair in your next letter or a care package.ā He winked at Roy. āMaybe something for those long, lonely nights.ā
āGet your mind out of the gutter,ā Roy grouched, āitās not from a lover.ā
Glettner sighed dramatically. āWell, certainly not with that attitude! Youāre clearly pining, canāt you see it?ā
He raised his only visible eyebrow at the man. āReally?ā
The other man waved him off. āNevermind, just get out of here. Iāll see you in a day or so.ā
āTake care, Glettner.ā
āYeah, yeah, go read your damn letter.ā
--
Bastard,
FUCK YOU, I GREW.Ā
Not that much Ed, Roy thought with a chuckle.Ā
I hope thatās a better name for you. And Iām not Fullmetal anymore, not really. Sure plenty of people are going to keep calling me that, but Iām not part of the military right now. Still gotta prove Iām not dead and shit.Ā
Do you know how hard it is to try to reinstate documents after theyāve listed you as dead? I was literally two seconds away from straight-up murdering a lawyer who was at city hall because he kept saying I needed more identification. Which is bullshit because Iām DEAD to the government.Ā
This wouldāve been really handy when Al and I were running from the military, though. But not now! Luckily, it is being sorted out and I shouldnāt have to wait much longer before I have all my documentation in order.
That was good. Ed had just started the whole process when he left to return to his post and itād given him a headache just thinking about it.Ā
So you lived with your aunt? Did you grow up in Central?
As much as Iāve traveled, Iām a hick at heart. I still enjoy the peace and quiet of the countryside more than the noise and life of the city. I can live in either though.Ā
A corner of his mouth lifts. Ed preferred anywhere he could read and learn without interruptions. That hadnāt changed.
Are you lonely up there by yourself? I feel like youāre probably spending way too much time criticizing all your past actions and moping. Fuck that. Tell me about something you want to do when you come back to Central. Whatās on Roy āSmug Bastardā Mustangās agenda?
-Ed
Oh, and thanks for saying that. I think I needed to hear that from someone. Iām glad it was you.
--
Ed,
I guess if you can so kindly call me something else, I can just use your name. And as much as I appreciate your affectionate nickname for me, you can just call me Mustang or even just Roy, it wouldnāt bother me at all. But if you insist on a nickname I suppose I can give you one too, shorty.
I havenāt had to deal with retracting a declaration of the deceased before so I honestly donāt have any advice for you. Iād suggest going through all the hoops that they line up for you to jump through even if a shortcut looks promising. Other people were claiming to be you for fame or what-have-you so they arenāt intentionally trying to be difficult.Ā
Why am I not surprised you actually thought about how useful the situation wouldāve been back thenā¦ Maybe youāre getting predictable.Ā
I did grow up with my aunt as my legal guardian. Both of my parents passed away when I was a young boy and she took me in. It was a rocky start. I was mourning my parents and terrified of my new living situation. But Chris Mustang always did her best to make sure I was comfortable and taken care of whether it was food or new clothes.
But she also put me to work. I obviously couldnāt work at the bar, but I bused tables and cleaned the place once we closed for the night.Ā
Her bar doubled as an information network with her girls -- my sisters-- acting as spies while going about their business. People talk a lot during sex and will let their guard down if they feel comfortable. I learned my networking strategies from them.
I donāt know if I can imagine you as the typical hick. Itās something about all that rage and attitude that makes me think more of small town punks. But there is something nice about the quiet of the countryside.
Itās not Iām not I suppose I am a bit lonely out here. I donāt really have much communication to speak of besides your letters. Theyāre the highlight of my days. The only other person I normally talk to right now is the man who runs the post office. I feel like Iām disconnected from people nowadays. Whether thatās because I was part of a coupe that unsettled them or my demeanor is just off-putting. Let me know what you think.Ā
When I get back to Central, the first thing I want to do is look for an apartment. Then Iām not sure. Maybe go back to pursuing the title of Fruher. After the whole Homunculus debacle, I stepped down in a rush toā¦ run as far away from what had happened as I could.Ā
After thatā¦ would you like to go out sometime? Get something to drink, eat a good meal with good company?
Youāre probably going to have to fight to spend time with me at first. The team kept reminding me that when I was there that they missed me. But Iāll make plenty of time for you.
-Roy
--
āRoy, you have a package,ā Glettner commented the third time he came into the post office that week. āDid you take my advice and ask for a token from them?ā He leaned over the counter with a lewd grin. āThereās no telling whatās in here.ā
Roy huffed and held out his hand. āBox, Glettner,ā Roy ordered. He thought Glettner was funny and the man reminded him of an older, grayer Havoc with all his teasing and good-natured ribbing. It made him miss his team, though.
Glettner deposited the box in his hands before holding out a box cutter, handle-first to Roy. āCan I convince you to open it here? I can even let you use the back room for some privacy if you want.ā
Roy shook his head with a put-upon grin. āYou seem more excited about this package than I am.ā
He shrugged āI donāt think you realize how boring it can get here. Usually the most exciting thing I get in this place is the military personnel transferring sensitive documents.ā He scrunched his nose. āI donāt know, guess the whole thing makes my romantic heart sing.ā
āYou trying to get me to feel sorry for you so Iāll open the package here?ā
āThat depends, is it working?ā
He chuckled softly, shaking his head. āFine, take me to your backroom.ā
Glettner threw a fist in the air and gestured to a door on the right. āFollow me, lover-boy.ā
He grumbled but followed after the perky man. They weaved through the stacks of boxes and came across a desk. Glettner shoved a few papers to the side so Roy had a spot to put his package on.Ā
Roy set his box down and carefully ran the knife along the taped edges. He shifted through the newspaper thatād been carefully positioned around the gift.Ā
And what a gift it was.Ā
Nestled inside the box was a phone that was almost the exact one thatād sat on his old desk. He gently pulled it out of its protective paper. Now that he could see it fully he noted the wear on some of the parts. The rotary dial was a polished bronze and looked to be the newest piece on the phone. The body of the phone consisted of a few welded pieces of metal but the job was near seamless so unless Ed knew someone who could weld, heād probably done it himself with alchemy.
He thumbed at the handset and couldnāt stop the grin that spread across his face. It felt like the same metal as Edās new arm was made of and he knew Ed had made that choice on purpose.Ā
āThey sent you a phone?ā Glettner asked, interrupting Royās casual admiration of his gift.Ā
āIām pretty sure itās so we can call each other in case we donāt want to wait for the mail system to deliver our messages,ā Roy explained.Ā
The other man turned his attention to him sharply. āSo I wonāt see you anymore?ā
Roy shook his head. āNo, youāll still have to see me,ā he nodded his head at the phone, āEven with a phone I wonāt have a guaranteed connection with where I am, but it gives us the option if weā¦ā He paused, his smile going from soft to joyful, āto hear each otherās voice.ā
āAw fuck,ā Glettner sniffled, āyouāve got that mushy look on your face.ā
Royās face closed off. āBetter?ā
The postman shook his head. āI think whatever you two are, it makes you better.ā He rubbed at his nose and shrugged. āTake that as you will.ā
--
Setting up the phone was relatively easy after he finagled a makeshift antenna to the roof of the cabin. Heād picked up a few pieces of scrap steel and transported his load back to his cabin. With a quick transmutation, heād constructed an antenna that would ideally not break if the storms got bad.Ā
Ed had suggested he use steel in his letter and if he trusted anyone when it came to metal knowledge itād be the Fullmetal Alchemist, Edward Elric.
He glanced over at the letter heād set on the table and reread what Ed had written.
ā¦ Winry and Al pointed out to me that I could be calling you if I didnāt want to wait to get a letter. But when I asked Riza how to call you she told me you didnāt have one.
What kind of bullshit is that? I figure everyone has a phone but then you get relocated and havenāt bothered to get a phone in the two years youāve been gone?
There's a large inkblot on the dot of his question mark as if Ed had paused to gather his thoughts but forgotten to pick up his pen.
Ā Sounds like you were in a bad place.Ā
Ed had always had a special gift of understanding why Roy did what he did. Even more so now that he'd matured more and had gone through a similar mindstate.
I get that. Iāve been there. But Iām taking away some of this forced isolation youāve coveted for yourself.Ā
Iām not telling you that you have to start talking to people now that you have a phone, but try. You may have lost an eye, but you arenāt blind. And you have tons of people who care about you and I know you can see that so donāt keep shutting them out.
Like that.Ā
Everyone else had given him ample space to adjust to his vision change and his disillusionment of the government he'd put so much time and effort into. But that space became hard to contain and soon he'd pushed almost everyone behind the protective wall he'd crafted for himself.Ā
He needed someone to tell him that what he was doing couldn't-- nor should it-- continue.Ā
Iāve written everyoneās number down on the back of this letter just in case you forgot, old man. I hijacked the Rockbellās landline so I can have a phone in my room. Feel free to call whenever after seven.Ā
I don't care if it's ass o'clock in the morning, call me if you need me or wanna talk or whatever.Ā
Talk to you soon, hopefully.
-Ed
He didn't use the phone for a good three hours until the hands on the clock were just shy of eleven. He tried two fingers of scotch to help him sleep, but it left a smoky aftertaste in his mouth that brought up too many memories of being a walking crematorium.Ā
He finished spinning the dial and waited for the call to be picked up or ignored. It wasnāt that he thought Ed was lying about being able to call whenever, but Ed couldnāt guarantee heād be by the phone at all times.
There was a click and then a familiar voice echoing through the receiver. āRockbell Automail, the store hours are from 9 a.m. to 6 p.m. but if this is an emergency weāll see what we can do,ā Ed recited before continuing with a knowing tone, āUnless this is a certain soldier out in the middle of nowhere up North who received his package and decided to give me a call.ā
Roy wasnāt one you would call a religious man, but he considered praying for patience. āHello, Edward,ā he conceded.Ā
āFuckā¦ holy fuck Roy,ā Ed said with the sort of casual blasphemy only he would dare. There was a shuffling on the other end of the line. āYou actually called.ā
āTime hasnāt made you any less explicit,ā Roy teased. He imagined a metal middle finger jerked at him in return.Ā
āItās been what? A month?ā Ed snorted, āIf my cursing hasnāt changed since I was a kid then a month has no chance of changing it.ā
He grinned and propped his head up with his hand. āYouāre right about that.ā He looked around the room for something to focus on, landing on Edās letter. āHow are you?ā The question came out softer than heād like, but itās what he meant.
Ed made a noncommittal noise. āItās weird. The old lady and Winry keep treating me like Iām still a little kid. Maybe itās because they didnāt get to see me grow up over the last two years. But theyāre doing their best to adjust.ā
Roy hummed in understanding. āItās not dissimilar to a person coming back from deployment. They know the person who left, not necessarily the person who comes back.ā
āYeah, I guessā¦ Itās still taking some getting used to. How come you didnāt treat me like I was the teen you last saw?ā
āYouāre a brat, but it was easy to see youād changed.ā That golden hair pulled back into a ponytail instead of his signature braid. The broad shoulders that filled out his brown trenchcoat and the bookish outfit underneath. He might mourn the loss of the manās leather pants, but he looked every inch of the man heād become. His thoughts made him brave. āYouāve become quite the looker, Ed.ā
A sputter from the other line had Roy chuckling into his shoulder. Itās enchanting to hear Edās embarrassment over the phone and a longing yawned in his chest to see the ruby flush against the manās cheeks. To see the way heād turn incredulous eyes to gawk at Roy like heād spoken gibberish. To see Ed fight the smile thatād reveal his teeth in joy instead of a threat.
He just wanted Ed. Here, with him. Or him with Ed. Together.Ā
Glettner was more aware of Royās feelings than he was.
ā-up! I hope youāre not mocking me you ass,ā Ed grumbleing finally making it through Royās thoughts.Ā
āIām not mocking you, you really are beautiful.ā
The line remained silent for a stretch and Roy wondered briefly if heād pushed Ed a little too much. That heād made the man uncomfortable with his sudden forwardness.Ā
āYou look pretty good yourself,ā Ed mumbled.
His heart skipped a beat in his chest and his cheeks grew warm. āNot much to look at compared to you,ā Roy managed to say.
āYeah, okay, sure,ā the eye roll unmistakably tacked onto the statement. āIām guessing you couldnāt sleep.ā
āCouldnāt I have called you because I wanted to hear your voice?ā
Ed actually laughed at that. āYou could and Iām flattered, bastard, but I can hear the exhaustion in your voice.ā
āAlright, yes I canāt sleep.āĀ
āWhat do you want me to do about that?ā
What indeed. He already felt better after hearing Edās voice so perhaps more of that? āTell me about your day.ā
āAs long as you're willing to pay anything the Rockbellās might be charged for the long-distance call, Iāll talk all night.ā
āJust until I fall asleep should do the trick.ā
āWell get comfy and Iāll tell you about my return to city hall.ā
Roy settled as comfortably as he could on his couch and closed his eyes, letting himself drift upon the lilts and steadiness of Edās voice.Ā
--
As they reach the two-month mark of their separation, Roy was getting antsy. His transfer back to Central seemed to be in a stalemate. Too much silence from both sides for Royās patience to tolerate. He already sent another letter to Ed to inform him that he still didnāt have a timeframe for his return.Ā
With no set date for his relocation, he got wrapped up in his thoughts. The snow bit angrily at his cheeks and heād started moving his post office trips to every three days because he couldnāt get his body to plow through the snow. The cabinās walls were thin and the flames fanned uselessly in the fireplace no matter how close Roy put himself to the heat source.Ā
Loneliness heād been able to ignore for years was near intolerable now. Heād talked to his team, reconnected with Riza, or at least started mending the relationship thatād been damaged in the wake of Bradleyās defeat and the loss of his eye.
But ever since his realization during the phone call with Ed, nothing seemed to fill the Ed-sized space in his heart. He pondered on the feelings heād developed for Ed, questioned why he loves him but only came up with Ed himself as the reason.Ā
He took a sip of his tea when he heard a knock on his door.Ā
The suddenness of the noise was enough to startle him into almost dropping his mug and he turned a wary eye to his door. He didnāt get visitors, not out here. The only time anyone had visited him itād been about the strange phenomenon that ultimately led to Ed returning home to them.Ā
He doubted something that severe would pop-up again in such a short span of time, but stranger things had happened so he couldnāt rule out the possibility.Ā
Slipping on his gloves, he cautiously approached the door. He waited until he heard another knock before he openned the door, his fingers poised to snap.
And thereās Ed.
Snow and ice clung to his clothes and he noted that Edās trench coat seemed to now be lined with a fur of some kind. He took in Edās wind-chafed skin and red nose, saw the ice crystals that had attempted to attach themselves to his lashes.Ā
This couldnāt be real. He mustāve fallen asleep and heās dreaming. He had to be.Ā
Except Ed was waving his hand obnoxiously in his face, grinning at him with the pride of a show dog. āYou still in there or did I break you?ā Ed asked.
He gaped uselessly at the figure that stood in front of him. āEd?ā He rasped, still not believing his eyes.Ā
āThe one and only.ā He tilted his head to the side, his smile going lazy. āAre you gonna make me stay out here much longer? Because Iām pretty sure my toes have fucking frozen off and I only have five. I really canāt lose them.ā
Roy snapped his jaw shut with a click and stepped back to let Ed in. āYeah, of course, come in.ā
Ed blustered in with all the hesitation of a tornado, stripping out of his dripping coat and unwinding the scarf from around his neck, hanging both over his kitchen table.Ā
āThank fuck you have a fireplace,ā Ed grunted, holding both of his hands out towards the heat source. āIf Winry and Granny hadnāt hooked me up with this new automail I wouldāve really gotten frostbite.ā
Roy nodded absent-mindedly, still stuck on the reality that Ed was here in his cabin. āHow-How did you get here?ā
Edās forehead furrowed. āWell after I took a train up here I asked around if anyone knew where Iād find a soldier with an eyepatch, the postman pointed me in the right direction.ā He shrugged. āThen I walked here.ā
He'd have to thank Glettner the next time he saw him. Or avoid him at all cost because the man was never going to let him live this down. He probably felt like he was some sort of matchmaker, guaranteeing Ed made it to him.
āThrough all the snow?ā
The man squinted at him. āYes?ā It came out as a question more than an answer. āAre you okay? Youāre really stuck on this whole āEdās here with meā thing.āĀ
And whatās he supposed to say to that? That heās still convinced that this could only be a dream because this sort of thing doesnāt happen to him. āI just never expected you to come here.ā
He gets a bemused expression from Ed for that. āWhy not? I got your letter.ā He huffed and lounged on his couch. āSo they canāt even give you a date?ā
He shook his head. āNot now, maybe in a week or two, Iāll get an answer from them.ā Roy shuffled awkwardly for a moment trying to decide what to say. āDo you want some tea?ā
Ed snorted, his nose crinkling. āI could go for some tea, but Iām fine with something stronger if you've got it.ā
He cocked his head to the side and crossed his arms. āDonāt you mean if Iām feeling generous?ā
āNope,ā Ed chimed.
āLetās start with tea,ā Roy snagged the only other mug he owned and poured Ed a cup, āget you warm first. After that?ā He handed the mug to Ed who took it gratefully. āWeāll see about alcohol.ā
Humming in agreement Ed took an aborted sip, cursing as the liquid scorched his tongue. āFuck, dammit you couldāve warned me it was this hot,ā Ed grumbled, glaring at his mug.Ā
āI didnāt know you were expecting cold tea.ā
āBastard.ā
āBrat.ā
The jibes were gentle despite themselves and Roy felt the familiar contentment in his being that heād been getting when he was with Ed in any capacity. Whether itās a phone call or in-person or even in a letter. Ed remained a stained glass masterpiece in his heart.
They sat in campanionable silence. The flickering of the fireplace casted a red glow around the room except for Ed. Edās always an exception. Instead of the red overlay across Ed, he glowed gold.Ā
His skin -- tanned and scarred-- reminded Roy of wedding rings and sun-warmed bronze. His eyes of finely crafted jewelry and the lace-gold details in famous paintings from the west. And his hair. The finest silk, bundled into a ponytail that trailed to at least the bottom of his shoulder blades.
He desperately wanted to say something to hear more of Edās voice. A voice that had haunted his mind for the past two years. A desperation to take, take, take until he had all of Ed.Ā
āI didnāt get to say this before,ā Ed said, finally breaking their silence. āBut Iām a fan of the eyepatch.ā
From anyone else, he wouldāve ignored the comment, but Roy knew that Ed was being serious right now. āIt was a necessity after Bradley got it,ā Roy said, setting his cup down and bringing a hand to the patch. āIt isnāt a pretty sight, even Hawkeye had trouble looking at it.ā
āI doubt that,ā Ed took another sip from his drink, āif anything she probably still feels guilty that you lost it at all.ā
He made a noncommittal noise. āNo one should feel guilty about this, I got it taking Bradley down. And I survived.ā
āYou did.ā Ed grinned at him. āAnd I think the patch makes you look rugged.ā
Roy snorted and quirked a brow at him. āSure thatās not just from living out here for the past two years?ā
Edās eyes rolled so hard that Royās surprised they didnāt just pop out of his skull. āYou havenāt grown any stupid facial hair yet so Iād say itās the patch.ā
āYou donāt think Iād look good with facial hair?ā
The tips of Edās ears flushed. āI didnāt say that,ā he mumbled, āI am saying youād look god awful with a moustache.āĀ
There is a niggling temptation to grow one just to get on Ed's nerves but he pushed that thought aside. He heaved a dramatic sigh. "I suppose I'll refrain for now."Ā
Ed laughed and it reverberated through him with the warmth of an embrace. He wanted to bottle the noise up and tuck it into the spaces between his ribs. Roy couldn't remember the last time he felt this content.
The other man was still looking at him when he focused back on their conversation. "Can I see it?"
Royās face closed off and he shifted awkwardly on the couch. āYouā¦ you want to see it?ā He clarified because surely he'd heard wrong.
Ed shrugged and scooted a little closer. āWhy wouldnāt I?ā
He asked like it should be obvious to Roy, but doesnāt comment on it. Roy couldn't bring himself to deny Ed something that Roy was readily willing to give. Wanted to give. And maybe there's a small part of him that wanted to show someone. To not have someone shy away from the topic. To look at all of him now and not who he was before.Ā
Maybe he didn't just leave Central because he wanted to still help his country through a corrupt system.
Maybe he was tired of hiding.
He reached his hand up towards the strings that held his eyepatch in place but hesitates. "Are you sure you want to see it?" He wondered if he would want to see it if this was someone else. He knew for sure that heād want to see Ed. Roy swore to himself that heād never hesitate to look at Edās scars, not a single one of them would be skipped by his eyes.
Ed's eyes softened and he moved himself closer to Roy. They were barely a foot away from the other, their knees knocking together. The solid press of Edās automail knee against his own was surprisingly grounding. He wonderd if anyone else felt this way about Edās prosthetic limbs.
Ed didn't hesitate when he cupped Roy's face with his metal hand. He expected the harsh metal to be icy to the touch ā unlike his leg that was still covered by the thick material of Edās pants ā but it was heat-licked by the fire. Roy couldn't help but lean into the touch with a pleased sigh.
Mirth twinkled in Ed's eyes like honeyed gold. He ran his thumb along the bottom edge of his eyepatch. "I'm sure."
I want to see you. Thatās what Roy heard inbetween Edās words. It didn't need to be said. Ed had already proven his surety with his touch, but it comforted Roy to hear it all the same.Ā
The satin ties of his eyepatch were easy enough to undo after he loosened the knot and soon the patch was fluttering down into his lap. He kept the eye closed for now, letting Ed see the mess of scars from the enucleation and trauma from Bradleyās blade. He watched Edās face for any reaction through his good eye, watching as he took in his face as a whole.
The first brush of Edās metal hand on the scars had him letting out a shuddering breath. His heart was pounding erratically in his chest and he couldnāt stop his sudden panic. Itās just Ed. Edward was the only one here with him. Itās just them. Together. Here. Now and not then. This steel was warm and nothing like the biting edge of a blade.
A second hand joined the first, this one with calluses and worn nails that worked their way through his hair. Instantly, he found himself relaxing under the ministrations of Edās talented fingers. Losing time or just forgetting everything that wassnāt Edward Elric.
āCome on, lemme see those eyes of yours, Colonel Bastard,ā Ed urged, his thumb teasing along Royās cheekbone.
Despite himself, Roy found himself smiling. āNot a colonel anymore, Fullmetal,ā he reminded Ed, āand I only have one eye.ā
āNot Fullmetal anymore, Roy.ā
He could hear his name on Edās lips for the rest of his life and Roy would never stop feeling his heart skip a beat. āEd.ā
Slowly, he opened both of his eyes and went back to watching Edās face. The breath hitched in Edās lungs for only a second before it settled back to normal. Roy couldnāt blame him. The clear conformer that prevented his eyelid from collapsing into the socket gave a clear view of the hollow interior. He hadnāt bothered getting a prosthetic eye, not when heād been out here by himself for so long. His doctors still werenāt sure when he would even be able to wear one given the damage done to his eyelid and ocular cavity.
Instead of the multitude of reactions that Roy had prepared himself for, Ed gave him a gentle smile and cupped his face with both hands. āThere you are.ā
āHow do I look?ā Roy asked as though he couldnāt see the way Ed looks at him.
Maybe he couldnāt, because thereās a touch of uncertainty to Royās question that he couldnāt write off. Whether itās over the way the scars mar his handsome face or over what Ed might think about his appearance, Roy couldnāt decide.
āLike you can take on the world,ā Ed said without hesitation.
Stealing himself, Roy closed the distance between them and sealed their mouths together. Edās lips are chapped from his journey through the snow, but warm and solid against his own. He didnāt intensify the kiss, keeping it chaste since Ed hadnāt started to kiss him back.Ā
Reluctantly, he pulled away from Ed trying to catch the younger manās eyes. Did he ruin this? āEd?ā
āKiss me again,ā Ed ordered but didnāt bother waiting for Roy to act, instead grabbing two handfuls of his shirt and smashing their lips together.
Itās messy, too much tongue and their teeth clack painfully against each other like Ed wanted to devour him, but he dived right in. He took control of the kiss, guiding Edās lips to slide against his own at a more sedate pace. The corners of his mouth turned up when Ed sighed against his mouth, a near-silent moan escaping him.Ā
Roy trailed a hand up Edās back until he reached the end of the manās ponytail. He wrapped the silken strands around his fingers and tugged lightly. Ed splayed his hands against the plains of his chest, releasing his shirt from his grasp.Ā
When he found himself desperate for oxygen, he pulled away once more. Ed made a displeased groan but sat back enough to stare at Roy.
The affection and happiness that sparkled in Edās eyes was overwhelming and he couldnāt help but tell Ed exactly how he felt. āI think I love you,ā Roy whispered.
Ed smiled back at him, his lips kiss-bruised and tempting. āWhy do you think Iām here, Roy?āĀ
He didnāt have to say it because Ed always showed you how he felt. So when Ed tilted his head back, Roy capitulates to the silent request, sealing their mouths together again.
A flame captured by the glint of gold and steel.
#fmasecretsanta2020#RoyEd#fma 03#falling in love#secret santa#fma#fanfic#royed fic#roy's eyepatch as a plot point#eye trauma is mentioned but very briefly and it doesn't mention any blood#letter writing as a wooing tactic#Roy is PINING#Ed is PINING#They're idiots in love until they aren't#Ed's CoS outfit#conqueror of shamballa and end of 03 mentioned#Glettner is any RoyEd fan really#my fic#my fanfic
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The Three Three Musketeers (or Where The F*ck Did All The Stupid Hats Go)
I read The Three Musketeers and then I watched the 1973, 1993 and 2011 adaptations. Which one wins tho?
Adaptation is a fascinating concept, especially of texts which are frequently adapted or parodied. After I rewatched the 2005 Pride and PrejudiceĀ I was reminded how weirdly divisive the two dominant adaptations of that book are. A lot of people consider the 2005 to be an inferior betrayal of the 1990s BBC version. I actually prefer the 2005 because I think Matthew McFadyenās Mr Darcy is a wonderfully complex character. McFadyen imbues Darcy with social awkwardness and anxiety, which Lizzie misinterprets as his pride. To overcome theĀ āLizzie doesnāt fancy him ātil she sees his houseā debate, director Joe Wright includes a moment where Lizzie glimpses Darcy alone with his sister. Heās comfortable, his body language is completely different, and heās smiling broadly. That moment really sold me on the entire film because it made Darcy a full character and was a really simple addition that rounded out the story. I still like the 90s version but for me, itās the 2005 that takes first place.Ā (Although an honourable mention for Pride and Prejudice and Zombies because it is an excellent romp.)
Look: adaptation is always a complicated topic. You canāt untangle one adaptation from another, because itās pretty rare that somebody adapting a classic text like Pride and Prejudice or The Three MusketeersĀ is not already familiar with existing adaptations. The most recent adaptation of any classic text is not simply an adaptation of that text, but the next step in a flow chart that includes all the previous adaptations and the cultural context of the newly created product. These three adaptations of Dumasā 1844 novel are all texturally and stylistically very different, and two of them diverge significantly from the original text. What I found truly fascinating was what all of them had in common, and what each new era (these were made at around 20 year intervals) decides to add or remove. What do all these movies agree are the essential parts of the story, and what are some adaptations more squeamish about including from Dumasā original narrative?
Before we dive in, no I have not seen every single adaptation of the story, that would be a dissertation level of research and I do actually have things to do right now (although, I will admit...not many.) Iām looking at these three Hollywood adaptations because they all had star studded casts (for the era they were made in), theyāre all English language, and (crucially) they were all easily available on the internet for me to stream.
What are the essential ingredients of a Three Musketeers adaptation?
Firstly, there should be at least three musketeers. Secondly, DāArtagnan (Michael York 1973, Chris OāDonnell 1993, Logan Lerman 2011) should be a young upstart who is introduced part way through a sword fight. He should also have silly hair. He is also consistently introduced to the musketeers in all three films by challenging them each individually to duels at noon, one oāclock and two oāclock.Ā
The films all maintained some elements of the originalĀ āQueenās Diamondsā storyline, and featured the Queen, Milady and Constance. The characterisation of these three varied a lot.
Our villains in each case are invariably the Cardinal, his pal Rochefort (who always has an eyepatch, although this trope is not in the book and is actually attributable to the way Christopher Lee is styled in the 1973 film), and Milady de Winter. Satisfyingly, at least two of the villains usually wear red because theyāre bad. Red is for bad.Ā
All three are very swashbuckling in tone, have elements of physical comedy, and two of them include one of the three valet characters Dumas wrote into the original story, Planchet (1973 Roy Kinnear, 2011 James āugh whyā Corden). They also all bear the generic markings of the movies made during the same era, our 70s DāArtagnan feels like a prototype Luke Skywalker. The 90s version features a random martial arts performer. The 2011 version has CGI and James Corden in equal measure (read: far too much of both.)
What are the big differences?
Iām going to divide this category into three main segments: character, story and style. My own three musketeers, the three musketeers of movie making.
Character
DāArtagnan
Dāartagnan in the book comes across as a pretty comical figure. Heās nineteen and thereās something satisfying about how similar Dumasā caricature of a nineteen year old is to a modern character of the same age. Heās overconfident, has a simplistic but concrete set of morals, and falls in love with every woman he sees. If DāArtagnan were a 2021 character, heād really hate The Last Jedi, is what Iām saying. Heād definitely have a tumblr blog, probably a lot like this one, but perhaps a scooch more earnest. He really loved The Lighthouse but he canāt explain why. Isnāt it nice to know that awkward nineteen year olds have been pretty much the same for the last three hundred years at least?Ā
In all three films heās kind of irritating, but at least in the 1973 this feels deliberate. This version has a certain āCarry On Musketeeringā quality to it and DāArtagnan is your pantomime principal, heās extremely naĆÆve and he takes himself very seriously. This is the closest DāArtagnan to the book, and the 1973 is, in general, the film which adheres most faithfully to that source material.Ā
The 1993, which is (spoiler alert) my least favourite adaptation, has Chris OāDonnell as the least likeable DāArtagnan Iāve come across. Iāve only seen OāDonnell in one other thing, the Al Pacino movieĀ Scent of a Woman. Heās bearable in that because heās opposite Al Pacino, and so his wide-eyed innocence makes sense as a contrast to Pacinoās aged hoo-ah cynicism. Rather than being introduced in a practice sword fight with his father, as in the other two films, DāArtagnan is fighting the brother of an ex-lover. This captures the problem with the film in general: this adaptation wants DāArtagnan to be cool. He is not. The comedy of the 1973, and indeed the book, comes from DāArtagnan being deeply uncool, and from his blind idolisation of the deeply flawed Musketeers who actually are cool, but not necessarily heroic, or even good people. Their moral greyness contrasts with DāArtagnanās defined sense of right and wrong, but he still considers them to be role models and heroes.Ā
2011ā²s version also suffers fromĀ āCool DāArtagnanā syndrome, with the added annoyance of that most Marvel of tropes: the quip. One of the real issues with this film is that the dialogue has a lot of forced quippery that doesnāt quite land, and the editing slows the pace of the entire film. DāArtagnanās first interaction with Constance is a bad attempt at wit which Constance points out isnāt very funny. The problem is that Constance has no personality so thereās no real indication that sheās in any position to judge his level of wit. Sheās just vague, blonde and there: three characteristics which describe an entire pantheon of badly written female characters throughout the ages. Cool DāArtagnan also means that Constance should be additionally cool, because in the book, Constance is older than, smarter than and over-all more in charge than DāArtagnan.Ā
Female Characters
Letās go into this with an open mind that understands all these films were made in the sociological context of their decade. The 1973 version wouldĀ absolutelyĀ not be made in the same way now. Constance is a clumsy cartoon character who is forever falling over and accidentally sticking her breasts out. This is not the character from the books, but does at least leave an impression on the viewer one way or another.Ā
In contrast, the 1993 has a Constance so forgettable I literally cannot picture her. I think she holds DāArtagnanās hand at the end. Thatās all I can say on the subject.Ā
The 2011 has Gabriella Wilde in the role, and absolutely wastes her. Anyone whoās seen her inĀ Ā Poldark knows that she can do sharp-tongued beautiful wit-princess with ease. Itās the writing of this film that lets her down, in general, thatās the problem with it. The storyline and design are great, but the actual dialogue lacks the pace and bite that a quip-ridden star vehicle needs. This Constance is given simultaneously more and less to do than the Constance of the original book, who demonstrates at every turn the superiority of her intellect over DāArtagnan, but doesnāt get to pretend to be a Musketeer and whip her hat off to show her flowing golden hair like she does in the 2011.Ā
The best character, for my money, in The Three Musketeers is Milady de Winter. Even Dumas got so obsessed with her that there are full chapters of the book written from pretty much her perspective. In the book, sheās described as a terrifying genius with powers of persuasion so potent that any jailor she speaks to must be instantly replaced. My favourite Milady is absolutely Faye Dunaway from 1973. Sheās ferocious and beautiful and ruthless, but potentially looks even better because the portrayals in the other films are so very bad.Ā
The 1993 version has your typical blonde 90s baddie woman (Rebecca De Mornay), she wouldnāt look out of place as a scary girlfriend in an episode of Friends or Frasier. 2011 boasts Milla Jovovich who presents us a much more physical version of the character, even doing an awkwardly shoe-horned anachronistic hall of lasers a la Entrapment except instead of lasers its really thin pieces of glass? TheĀ āyeah but it looks coolā attitude to anachronism in this film is what makes it fun, and Jovovichās Milady isnāt awful, sheās just let down by a plot point that she shares with 1993 Milady. Both these adaptations get really hooked on the fact that Athos used to be married to Milady at one time (conveniently leaving out the less justifiable character point that Athos TRIED TO HANG HER when he found out she had been branded as a thief - doesnāt wash so well with the modern audiences, I think.) Rather than hating/fearing Milady, the two modern adaptations suggest that Athos is still in love with her and pines for her. This detracts from Athosā character just as much as it detracts from Miladyās. Interestingly, and I donāt know where this came from (if it was in the book I definitely missed it), both films feature a confrontation between the two where Athos points a gun at Milady but she pre-empts him by throwing herself off a cliff (or in the 2011, an air-ship.) I think both these versions were concerned that Milady was an anti-feminist character because sheās so wantonly evil, but I disagree. Equality means it is absolutely possible for Milady to be thoroughly evil and hated by the musketeers just as much as they hate Rochefort and the Cardinal. If you want to sort out the gender issues with this story, round Constance out and give her proper dialogue, donāt make Milady go weak at the knees because of whiny Athos (both Athos characters are exceedingly whiny, 1973 Athos is just...mashed).
The Musketeers
These guys are pretty important to get right in a film called The Three Musketeers. They have to be flawed, funny but kind of cool. Richard Chamberlain is an absolute dish in the 1973 version, capturing all those qualities in one. Is it clear which version is my favourite yet?
Athos is played variously by a totally hammered Oliver Reed (1973), a ginger-bearded Kiefer Sutherland (1993) and a badly bewigged Matthew McFadyen (2011). They all have in common the role of being the most level-headed character, but the focus on the relationship between Athos and Milady in the 93 and 11 editions undermines this a lot. Athos should be cool and aloof, instead of mooning over Milady the entire time. The 2011 gives Athos some painfullyĀ āedgyā lines likeĀ āI believe in this (points at wine) this (flicks coin) and this (stabs coin with knife.)...ā which McFadyen ( once oh so perfect as Mr Darcy) doesnāt quite pull off.Ā
Porthos seems to be the musketeer who is the most different between interpretations. A foppish dandy in the 1973, a pirate (!?!) in the 1993, and then just...large in 2011. I think the mistake made in the 2011 is that large alone does not a personality make. There are hints at Porthosā characterisation from the book: his dependence on rich women for money and his love of fine clothing, but these are only included as part of his introduction and never crop up again through the rest of the film. Pirate Porthos in 1993 is... you know what, fine, you guys were clearly throwing everything at the wall and seeing what stuck.Ā
Aramis is our dishy Richard Chamberlain in 1973, followed by womanising Charlie Sheen in 1993 and then strikingly suave Luke Evans in 2011. I actually didnāt mind Luke Evansā interpretation, his dialogue is forgettable but his sleek charm stuck in my head. For some reason, this version has Aramis working as a parking attendant for horses, it worked for me as a funĀ A Knightās Tale-esque bit of anachronistic character development. Charlie Sheen has never managed to appear likableĀ or attractive to me and so his role in the 1993 falls flat. In fact, in that edition thereās not much distinction between the musketeers as characters and theyāre all just very 90s and American. As anyone whoās read this blog before will expect, I think Keanu Reeves as Aramis would have really upped this filmās game. In fact, Keanu Reeves as Aramis, Brad Pitt as Athos and Will Smith as Porthos could have been the ultimate 90s adaptation, throw in DiCaprio as DāArtagnan and Roger Allam as the Cardinal and Iām fully sold.Ā
The King and Queen
All three films try and do theĀ āQueenās Diamondsā storyline, but only the 1973 actually includes the Queenās affair with Buckingham. The queen, played by Geraldine Chaplin, is a tragic romantic figure (she doesnāt have a tonne to do besides being wistful and sighing over Lord Buckingham). The king is played as a frivolous idiot by Jean-Pierre Cassel (voice dubbed by Richard Briers). He doesnāt really think of the queen as a person, more as a possession that he doesnāt want Buckingham to have.Ā
In the 1993 version, Buckingham doesnāt really feature, and itās the queenās refusal to get off with the Cardinal that prompts his fury at her. The book does touch on the Cardinalās desire for the queen, but itās placed front and centre in 1993. This is definitely the boobsiest version, with quite a lot of corsetry on show and a cardinal who hits on literally all the women. The king is shown as a stroppy teenage boy under the thumb of the cardinal, who just wants to ask the queen to the dance but doesnāt have the nerve. The king is, essentially, a Fall Out Boy lyric.Ā
The 2011 also seems to be really squeamish about the idea of the queen having an extramarital affair. It paints Buckingham (played with excellent wig and aplomb by Orlando Bloom) as a stylish villain, whoās advances the queen has rejected. Like the 1993 version, the King is a feckless youth rendered speechless by the presence of his wife. Both these versions want the King and Queen to be happy together, while the 1973 doesnāt give a fuck.Ā
The Cardinal and his Cronies
The cardinal is kind of universally an evil creepy guy. One of the characters from the 1973 version who actually left the least impression on me, played by Charlton Heston. I think heās overshadowed in my recollection by cartoonishly evil Christopher Lee as Rochefort. Leeās Rochefort is dark, mysterious and wonderfully bad, and so influential that all other incarnationsā design is based on him. The 1993 version had truly over the top Michael Wincott as a character I could honestly refer to as Darth Rochefort from the way heās framed, while 2011 boasts a chronically underused Mads Mikkelsen in the role.Ā
Cardinal-wise, 1993 was my favourite with Tim Curry in all his ecclesiastical splendour. It was disappointing that everything about this film, including the Cardinalās sexual harassment of every single female character, really didnāt work for me. Tim Curry is a natural choice for this role and gives it his campy all.Ā
2011 has not one but two trendy bond villain actors, with Mikkelsen working alongside Christoph Waltz who was...just kind of fine. I was really excited when he appeared but he didnāt really push the character far enough and left me cold.Ā
Story
The story is where the different adaptations diverge most completely. 1973 follows the plot of the novel, DāArtagnan comes to Paris, befriends the Musketeers and becomes embroiled in a plot by the Cardinal to expose the Queenās affair with Buckingham through the theft of two diamond studs. DāArtagnan, aided partially by the musketeers, must travel to London to retrieve the set of twelve studs gifted by the King to the Queen, and by the Queen to Buckingham. He does so, the plot is foiled, heās made into a musketeer! Hurrah, tankards all round.
The 1993 version drops DāArtagnan into the story just as the Cardinal has disbanded the Musketeers. I found the plot of this one really hard to follow and I think at some point DāArtagnan ended up in the Bastille? There was this whole plot point about how Rochefort had killed DāArtagnanās father. In the original, and in the 1973 version, DāArtagnanās entire beef with Rochefort is rooted in a joke Rochefort makes about DāArtagnanās horse. I guess for the producers of this one, a horse insult is not enough motivation for a lifelong grudge. That is really the problem with the entire film, it forgets that the story as told by Dumas is set in a world where men duel over such petty things asĀ ācriticising oneās horseā,Ā āblocking oneās journey down a staircaseā andĀ āaccusing one of having dropped a ladyās handkerchief.ā The colour palette and styling are very 90sĀ āfun fun funā, but the portrayal of the cardinal and the endless angst about DāArtagnanās father really dampen the mood.Ā
The 2011 version, this is where the shit really hits the fan. We meet our musketeers as they collaborate with Milady to steal the blueprints for a flying ship (itās like a piratecore zeppelin). Milady betrays them and gives the plans to Buckingham, they all become jaded and unemployed. DāArtagnan arrives on the scene (his American accent explained by the fact that heās from a different part of France) and befriends the Musketeers. The cardinal tries to frame the queen for infidelity by having Milady steal her diamonds to hide them in Buckinghamās safe at the tower of London. Something something Constance, something something help me DāArtagnan youāre my only hope. MASSIVE AIRSHIP BATTLE. The king and queen have a dance. James Corden cracks wise.Ā
It seems like as time has passed, producers, writers and directors have felt compelled to embellish the story. I think, specifically in the case of the two later versions, this is because they wanted the films to resemble the big successes of the period. Everybody knows no Disney hero can be in possession of both parents, so DāArtagnan is out to avenge his father like Simba or Luke Skywalker. In the 2011 version, the plot is overblown and overcomplicated in what seems like an attempt to replicate the success of both the Sherlock Holmes and Pirates of the Caribbean franchises. Remember the plot of Pirates of the Caribbean: At Worldās End? No, me neither.Ā
Style
The style of these films grows increasingly wild along with the plots as time passes. The 1973 features a lot of slapstick comedy, some of which really made me cackle, and some of which was cringeworthily sexist (Constanceās boobs through the window of a litter.) Thatās the 70s though! I love The Godfather but Diane Keatonās character is unbelivably dull and annoying. Star Wars features a pretty good female character but she does end up in that bikini. The 70s seems to be a time of movies that were great except for their occasional headlong dive into misogyny. That doesnāt mean the entire movie is bad, it just means itās suffering from the consequences of being made in the 70s. There were other consequences of this, I doubt many modern productions could get away with physically injuring so many of itās cast members. From a glance down the IMDB trivia page, this film yielded a higher casualties to cast ratio than the My Chemical Romance Famous Last Words music video, and thatās a hard figure to top.Ā
The 1993 version is a Disney feature and suffers from having a thin sheen (not Charlie in this instance) ofĀ āDisney Original Movieā pasted over every scene. It looks like The Parent Trap might be filming in the adjacent studio a lot of the time. The vibrancy of the colours makes the costumes look unrealistic, while the blandness of the female characters means this movie ends up a bit of a bland bro-fest. Also occasionally the sexual and violent moments really jar with the overall tone making it an uneven watch. One minute itās Charlie Sheen cracking jokes about trying to get off with someoneās wife, the next minute you see Milady throw herself off a cliff and land on the rocks. Weird choices all round.Ā
The 2011 version, as Iāve already mentioned, was trying to borrow its style from the success of Sherlock Holmes and Pirates of the Caribbean, with a little Oceanās 11 thrown in. The soundtrack flips between not quite a Hans Zimmer score and not quite that other Hans Zimmer score, and after the success of StardustĀ it ends with a Take That song (for it to match up to the story it should have been Take That feat. Harry styles imho). Visually, thereās some fantastic travel by mapping going on, thereās far too much CGI (one of my friends pointed out that the canal in Venice seemed to be full of Flubber). Everyone is dressed in black leather, and there are not enough big hats at all. One of the best things about Musketeers films is that theyāre an excuse for ridiculous hats, and in a film with a quite frankly insane visual style, Iām surprised the hats didnāt make it through. The cast, unfortunately, really lack chemistry which means the humorous dialogue is either stilted or James Corden, and the editing is just very strange. Itās one of those films that feels about as disjointed as an early morning dream, the one where you dream youāve woken up, gotten dressed and fed the cat, but you actually are still in bed.Ā
Conclusion
Adaptations focus on different things depending on the context they were created in. The 2005 Pride and Prejudice is deliberatelyĀ āgrittierā than its 1990s predecessor, at a stage whenĀ āgritā was everywhere (The Bourne Identity, Spooks, Constantine). The Musketeers adaptations demonstrate exactly the same thing: what people wanted in the 70s was bawdy comedy and slapstick with a likeable idiot hero, the 90s clearly called for... Charlie Sheen and bright colours, and the 2010s just want too much of everything and a soundtrack with lots of banging and crashing. The more modern adaptations simplified the female characters (although the 1973 version definitely is guilty of oversimplifying Constance) while over-complicating the plot. Thereās a lot of embellishment going on in the 2011 version that suggests the film wasnāt very sure of itself, it pulls its plot punches while simultaneously blindly flailing its stylistic fists.Ā
The film that works the best for me will always be the 1973 because itās pretty straight down the line. Musketeers are good, Milady is evil, falling over is funny and the Kingās an idiot. The later adaptations seem to be trying to fix problems with the story that the 1973 version just lets fly. The overcorrection of Milady and the under characterisation of Constance is the perfect example of this. If you want your Musketeers adaptation to be more feminist, donāt weaken Milady, strengthen Constance. Sometimes a competent female character is all that we need. A Constance who is like Florence Cassel from Death in Paradise orĀ Ahn Young-yi from Misaeng could really pack a punch.
I adored the energy of the 2011 adaptation, I loved how madcap it was, I loved how it threw historical accuracy to the wind. I thought the king was adorable, and I really enjoyed seeing Orlando Bloom hamming it up as Buckingham. I was genuinely sad that the sequel the ending sets up for never came, because once they got out of the sticky dialogue and into the explosions, the film was great fun. It was a beautiful disaster that never quite came together, but I really enjoyed watching it. I love films that have a sense of wild chaos, some more successful examples are The Devilās Advocate, Blow Dry and Lego Batman. I think the spirit of going all out on everything can sometimes result in the best cinematic experience, itās just a shame the script wasnāt really up to muster for 2011 Musketeers.Ā
Iām excited to see what the next big budget Musketeers adaptation brings, even if Iām going to have to wait another ten years to see it. I hope itās directed by Chad Stahelski, thatād really float my boat (through the sky, like a zeppelin.)
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I canāt stand Ling
Random rant about how much I dislike Ling Yao. Sorry if you like Ling, I just canāt. Feel free to argue with me if you like - this ended up way, way longer and more detailed than it needed to be. I try not to dwell on characters I dislike so donāt expect a dozen more spite posts - this is a one off. I decided Iād feel better by writing it out.
But I really do dislike him. He annoyed me from the first moment he appeared in episode 15 of BH where he behaves absolutely obnoxiously throughout the entire episode and continued to annoy right up until he got consumed with Greed. And his ending annoyed me. Ā
Part 1 - First appearance
First impression are everything, right? Iām willing to change my mind if a character has hidden depths of course but if their character is plain irritating, that impression tends to last.
Okay, so heās passed out in a random alley and Ed and Al find him - which is by the way a huge plot contrivance. Theyāre in Rush Valley in the South and Ling will explicitly tell them that he travelled to Amestris via the Xerxes ruins which are the North-East. And he seems to be heading to Central, thereās no reason for him to be in Rush valley let alone in a random alley alone so Ed and Al can help him. (This is a minor point though, I can deal with a couple of contrivances.)
After Ed and Al help him out, giving him food, he asks about the Philosopherās stone and Ed tells them they donāt know anything - and the Philosopherās stone is evil by the way, seeking power from the stone is dangerous - will Ling ever have to question his desire for the Stone and the source of its power? Ha, no. Ā
So Ling decides to sic his ninja bodyguards on Ed and Al! They said they didnāt know anything! Given how rare information on the stone is, thatās completely reasonable but oh Ling just knows that theyāre hiding something about it? And thinks attacking two kids he knows nothing about is a great idea?
Lan Fan and Fuu do not hold back either, they use explosives and knives and cause loads of damage in their fight when Ed and Al havenāt even done anything! Itās a cool fight but the circumstances make me hate it! We get a shot of Ling casually eating a big meal while this is all going on to show how little he cares. Oh and he makes Ed pay the bill for it.
When Ed and Al do manage to win, Ling is completely unapologetic and allows Ed to get all the blame for the damages he caused when he sent his people to attack Ed and Al. When Ed comes back to see Winry, she is furious at him for damaging his automail again and Lingās just there again, casually breaking in to Edās place, insisting on tagging along even though Ed tells him not to. Ling doesnāt face a single consequence for any of this by the way. Ling does explain his status here explaining that he wants the Stone to become emperor of Xing which is... yeah still quite a selfish goal.
And then thereās the conversation at the end of the episode where Fuu asks Ling why heās putting up with Ed and Al, who are beneath him. Eh? This is Ling being nice? Ed and Al have been fairly nice, helping him in that alley, listening to his story and their anger was entirely justified at how obnoxious Ling has been this entire episode. But oh Ling is supposedly bowing his head to someone so far beneath him? Ling realises thereās bigger things than a little humility when his clanās fate is in the balance? What do appearances matter then?
So youāre telling me that being the most obnoxious and annoying person ever was deliberate? All he achieved was making Ed and Al and me absolutely hate him! Iām going to ignore this conversation about Ling seeming wise and having a bigger plan because it doesnāt match up with anything else in the entire episode.
Now, I donāt mind flawed characters - but Ling never gets called out on any of his behaviour and never gets asked to change. Lan Fan is ridiculously devoted to him right from the beginning and the only way we see it as a flaw is that sheās so defensive she loses her cool just from hearing Ling get insulted. Quite why she is so loyal is never explored and I know sheās only a side character but you know I could really use a legitimate reason to like Ling.
Part 2 - Lingās leadership?
Okay, his first appearance was just a comedy episode so Iāll just be kind and dismiss it. Whatās Ling like when the plot gets a bit more serious then? In Central, Ed and Al hatch a plan to catch a homunculus by getting Scar to attempt to kill them and Ling volunteers to help fight the homunculi while Ed and Al deal with Scar.
So Ling and Lan Fan get into a fight with Wrath and Gluttony and Ling reveals that heās also a superb fighter too because why not? Like, Lan Fan takes a nasty injury from Wrath but Ling manages to hold him off and runs away while carrying Lan Fan. Thatās downright crazy alone - that Ling is such a competent fighter he can hold off Wrath while carrying Lan Fan! Isnāt Lan Fan meant to be the trained bodyguard?
Okay so his fighting skills are ridiculous, fine itās a shonen anime, everyone can fight, whatever. Itās the conversation with Wrath that really gets to me though.
Wrath tells him that if he let go of Lan Fan, he might have a have a chance of escaping. Ling interprets this weirdly and goes on about how a true ruler cares about his subjects and so would never abandon his people and says that Bradley is no true King.
Shut up Ling. Bradley isnāt hiding behind others here, heās fighting you one-on-one, not sacrificing minions. And you arenāt Amestrian so you have no reason to know about Bradleyās other decisions as a leader so how can you so confidently criticise him? (Bradley is an interesting character who totally shines when being challenged by the heroes but I hate Ling doing it here.) I mean, isnāt Ling the one who orders his minions to fight while he eats breakfast and lets someone else pay for the consequences?
Okay, so I shouldnāt take that fight seriously because itās not meant to be serious. How about the current one? Ling volunteered to help with Edās plan and that lead to Lan Fan risking her life for him! Sure, Lan Fan agreed because sheās stupidly loyal but this was Lingās plan and she got hurt! Her injuries are as much his fault as anyoneās.
Ling choosing not to abandon her is nice, sure. But given she got hurt following him, Iād call it being a decent human being, rather than a true paragon of leadership! And thatās if Iām to accept that any of this makes one particularly good for being a leader anyway. Ling is kind of extremely reckless. Did I mention the part where he disappeared on his bodyguards just because, leading them to worry as he was passed out on the street in the middle of Central? And then got arrested? Gosh heās irresponsible. He is so lucky that worked out so easily.
Bradley doesnāt refute Lingās words, just saying something about how there are no true kings in this world while Ling attempts to escape, still carrying Lan Fan. And thereās another annoying plot hole here where Lan Fan lets off a flashbomb and Ling takes the chance to escape but Wrath reveals his other eye under the eyepatch, preventing Lingās escape. And then it cuts to the next scene and... Ling has escaped the room!
Heās still running away from Wrath while carrying Lan Fan and despite how fast Wrath is, Ling manages to get pretty far away somehow. Far enough that Lan Fan successfully cuts off her arm, then they tie it to a dog, and escape through the sewers all before Wrath catches up to him. This whole sequence was all off-screen!
In case we havenāt got enough of Ling being awesome, our next scene of him has him jumping out of the sewers with his shirt off where he proceeds to capture Gluttony. Ā Heh, I guess thereās nothing wrong with that but I canāt help but feel like Iām really supposed to like Ling here and love the badass moments and I cannot. Iām upset that the scene where Ling is forced tie her arm to a dog while Lan Fan is bleeding out beside him was cut as thatās the kind of scene that would get me to actually like him. Not scenes of him being an awesome fighter.
Part 3 - The part I donāt hate
Ling is a character with flaws and room for growth, which is something I can appreciate. But these earlier flaws are presented as just comic relief. Thatās what annoys me - I usually like characters who can be obnoxious jerks so long as their flaws arenāt just blatantly laughed off as a joke.
In the next few episode we do get to see a more serious and conflicted Ling. This is Ling at his most interesting. He feels guilty about what Lan Fanās done for him when he was too weak to do so himself and is determined that her sacrifice has meaning. So heās got the hero flaw of caring too much.
This leads to an interesting conflict where Ling, Roy and Ed all fight over Gluttony and his philosopher's stone. Ed wants it for Alphonse and points out it was his plan. Roy wants it to heal Havoc. Ling wants it to become emperor and argues about what Lan Fanās sacrificed so that they could catch the homunculus. Sadly, Gluttony breaks free then so this argument isnāt explored any further here.
At the end of the series we see how theyāve changed in this regard. Ling finally has a stone and even though heās just lost Greed to another sacrifice, he freely offers the stone to Edward to save Al. Ed refuses. So this stuff is all interesting and I really do wish the conflict and resolution wasnāt so brief (and that Roy wasnāt just given a stone to cure his blindness but I digress.)
Next, Ling gets swallowed by Gluttony and thereās more comedy which is still a touch irritating but not nearly so bad as his first few appearances. Ling collapses again with no energy and this should be serious but itās still presented as comic again. I canāt take Lingās fainting spells seriously as itās played for comedy every. Single. Time. That aside, Ling is at his most tolerable here and itās interesting how determined he is against Envy in contrast to Edās horror at Envyās true form slowing him down. When theyāre out, Ling distrust of Father is also good.
And finally we get to Ling accepting Greed into his body. Again heās being super-reckless and heās sort of being called out on this as Ed urges him to fight but Ling decides not to. Again we get this characterisation of Ling as someone willing to surrender and lose face to get what he wants. As he said to Fuu when he first met Ed, appearances donāt matter in the long run. He can bow his head when the situation requires. Fighting Greed here would be pointless.
(This is in contrast to Ed who is prideful and can never accept defeat. In Gluttonyās stomach we see him marching relentlessly onward even though its futile. Later, we see Edās growth where he agrees to be Greedās minion, letting go of his useless pride as he realises he can gain something by humbling himself.)
I wish this was explored a bit more too though. It feels more like Lingās recklessly jumping at the chance to gain immortality despite having been told repeatedly that its a bad idea and, though it seems like he faces consequences in getting consumed by Greed, it eventually works out quite well for him. (Okay thatās a bit harsh, I love Greedās struggle.) And it seems like its more like luck than any cleverness on his part, which is kinda irksome with how lucky Ling is generally.
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So yeah, I like where heās serious and gets challenged but I feel like it rarely happens. Lingās other flaws just feel like theyāre all comedy where the joke is that heās rude and obnoxious and pushy and gets away with it. None of his other appearances stop his personality from grating on me. At the beginning of the series, he thinks heās going to find the secret to immortality and be a great leader and apparently heās completely correct. Not that I want him to fail, I just donāt like his initial character when I feel like Iām supposed to and most of the character development with Greedling feels like its solely for Greed. Eh Iāve rambled on enough now.
I actually love Greedās character, heās really interesting and I adore his development. My hatred is purely directed at Ling.
#fma#fmab#fullmetal alchemist#Wow this turned out long#heh sorry I ramble#but yeah it's cool if you're a fan of Ling#I just seriously overread into characters sometimes#and my sense of humour isn't suited to fmab#fmab crit#meta#myposts#but sometimes a sour first impression can leave a lasting impact
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Yo dude your fma liveblogs are entertaining as hell and your analysis posts areššš I love both versions of fma. However, I watched ā03 first, so it holds a special place in my heart. I appreciate you for not bashing it and for giving it a chance. You bring up many good points in regards to both series and their flaws. I respect that. Hope your cosplay turned out great/turns out great! I havenāt finished reading your liveblogs, so Iām not sure if youāve finished it yet. Goodnight!
Ahhhh yay thanks!!!
Sadly, despite the fact that I watched and finished 2003 / COS about 7 months ago, I still havenāt completed that Envy cosplay I was working on. Isnāt that pathetic??? I need to finish that thing. A friend of mine who was also working on an FMAB cosplay just wore the finished product New Yearās Eve. So since he got HIS end of the deal done, I need toā¦ get my buttocks onto finishing my project. Haha whoops.
I am thankful and honestly sort of relieved to hear you appreciate my thoughts on the 2003. Thanks for telling me and sending me this encouraging message (and connecting with me over FMA!!!!) I know that, unlike many people, Iām not coming into 2003 with the same nostalgia they feel. Itās very different watching a show as itās premiering, and before another anime is created following the manga timelineā¦ than it is watching a show 15 years after it debuted, and with the foreknowledge/experience of the full manga/later show.
Honestly, I was worried I would sound too unintentionally irreverent or something. Truth is I adore the experiences large franchises bring. Itās FUN to get infinitely more characters, more story, more adventures, more memories, more media. We can choose how we participate in large franchises - we can stick with main materials, or, if we want, we have the opportunity to excitedly fish through EVERYTHING we can find. And Iām a fisher! I want all the factoids, all the amusing moments, all the incidences, in the fictional worlds I love. For me, itās far more enjoyable to be able to appreciate the good in all and ANY part of a franchiseā¦ looking for tidbits to enjoy and supplementing my love of the worldā¦ never entering anything with unrealistic expectationsā¦ and not getting caught up in negative stigma.
And even if I do end up feeling negative about something in a franchise, for whatever reasonā¦ ngl I keep that to myself in main public circles. Occasionally Iāll post constructive criticism from a more objective analytical light, but I hate the idea of me being negative on main. I really avoid posting negativity publicly online because I donāt like the idea of contributing negatively to a community thatās here to have fun about fiction. Iām not perfect. Iām a sucky fallible human. Iāve broken my own rule. Heh. But I truly prefer my experiences in fandom to be connecting with positive things. So I wouldnāt want to enter a culture of talking negatively about ANYTHING.
The FMA franchise is something I, for the most part, embrace as a whole with happiness. The ridiculousness in Prince of the Dawn and Daughter of the Dusk I find endearing. I have affection for the Live Action in all its ups and downs. The books are fun, the guidebooks are fun, the art books are fun, the OVAs are funā¦ and honestly, Iām sort of jealous you can enter the 2003 show with that affection, too. ^.^ Itās fun to feel that way about shows and 2003 has lots to offer.
Confession: every other part of the FMA franchise I can embrace for what it is, but 2003 trips me up because I spent almost ten years of my life hearingĀ ā2003 vs 2009ā³ fandom battles. I canāt experience it apart from that competitive and negatively-spun paratext. Itās ingrained now. I canāt help but feel odd thinking about the 2003 becauseĀ FMAB is my dear, dear child and 2003 feels like itsĀ ācompetitionā orĀ āthreat.ā Usually that isnāt a problem and I embrace everything in a franchiseā¦ but in the world of FMAā¦ I have difficulties emotionally accepting 2003 and it leaves me with mixed thoughts. I hope that doesnāt hurt anyone to hear I feel this way - because I would much rather not have those mixed feelings about 2003. Iād be happier without them. Iām just trying to say: I respect you for not having that baggage!
Iāve noticed that when I talk about FMA 2003 as itself, without any comparison, I have a fun time. Doesnāt matter if I talk constructive analytics or happy-go-nothings, looking at *JUST* 2003 on *ITS OWN* is fun. Iāll talk with people about the ridiculous shenanigans Team Mustang get into, the cool disguises characters wear, the emotional tragedy of Alphonse Heiderich, the deep social commentary in the Ishvalan plot arc, and how hot Roy is with an eyepatch. Thereās no sense ofĀ āthreatā to FMAB that way.
But as soon as I hear comparisons between the two shows, I get edgy and uncomfortable and feel weird. I know some of it is that I place FMAB on a pedestal of reverence and donāt want to hear comparisons that might not mark it āperfect.ā But I know some of my discomfort with FMA 2003 vs 2009 conversations is from my experiences with fandom culture. Unfortunately Iāve run into far too many instances of 2003 lovers shitting and speaking critically of FMAB (and vice versa), and I donāt like that climate at all.Ā I donāt want to be involved in that climate of compare, contrast, compete, and Judge (with a capital J). I donāt like people speaking ill of something I love when Iām here on tumblr to have recreation. Itās not that I canāt engage with different perspectives, but this is a place where Iām here to have fun about shows and be a fan of them - not to hear critical negativity. I donāt enjoy that part of fandom culture.
Iām sorry that youāve probably been in experiences where youāve seen 2003 bashed because thatās such a damper on a mood, seeing people speak poorly of a thing thatās special to your heart. I sympathize for the negativity culture you might have been exposed to, too. If you need, letās make a happy bubble here!Ā If you or anyone want to talk happily with me about 2003, or talk about 2003 on its own in any analytical way, Iām up for it, yo! :D Or ANY part of the FMA franchise!Ā
I hope that this long ramble didnāt sound too much like me talking about myself or my experiencesā¦ the point isā¦ I love that you feel happy about the 2003 and FMAB and are a fellow FMA fan, and Iād love to experience positivity with you and others who feel that way too!
Just, all I ask, is that no one ask me to get involved in that comparison culture ofĀ āwhich show is better and whyā! XD
Take care and have an awesome day, too!
#long post#blabbing Haddock#FMA#Fullmetal Alchemist#FMA 2003#Fullmetal Alchemist 2003#ask#ask me#non-dragons#ralseiralsei#PS I love your url!
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Metal Gear Primer: The Fandom Pain (6811)
Oh boy here goes.
I am not super into the MG/MGS fandom, I only lurk, but this is a down and dirty primer for a friend that introduces the series and all of the characters (...and the ships). If this is super inaccurate, I am sorry. There are probably plenty of ships that I wonāt have here. If someone notifies me, Iāll try to fix it if I can. Thereās just so much ._.
Beware! Spoilers abound and will be unmarked. If for some reason you care about the plot of these games and want to discover them for yourself by playing the game, this is not for you. (That said, the gaming experience is obviously quite separate from any paragraph long description I could generate and would be worth looking into, or at least watching Letās Plays of)
Theme: https://www.youtube.com/watch?v=6miaTf1gF4g
It starts with a man by the name of Kojima. Hideo Kojima always wanted to be a film director, but went into video games instead. After a shaky start in the video game industry under Konami, he was told to take over the assignment of Metal Gear from a senior associate. He turned a fairly straightforward Contra-esque game into the first stealth action game, emphasizing evasion and avoidance over direct combat. This was his first notable hit and he would continue to innovate and expand his repertoire with Snatchers and Policenauts, but at the end of the day, he always went back to Metal Gear, first willingly, but then less and less every time until MGSV. After this last sequel, Kojima split with Konami to form his own independent studio, and we await his first game as an independent producer. So it is at least somewhat important to note that the story of Metal Gear is also in many ways the story of Kojima, and each reflects his artistic journey to that point.
Metal Gear (1987) 1995. Solid Snake infiltrates a nation-state called Outer Heaven that was established in South Africa by a mysterious legendary mercenary. Snakeās unit, FOXHOUND, had previously sent one of its top agents, Gray Fox, to infiltrate Outer Heaven, but it lost contact with Gray Fox. Therefore, FOXHOUND commander Big Boss sends Snake, a solid rookie, into the fray to both investigate Outer Heaven and rescue Gray Fox in a mission called Intrude N313. With the help of Big Boss over the radio and some local resistance members, Snake penetrates successfully.
After finding and rescuing Gray Fox, Solid Snake learns of āMetal Gear,ā a bipedal walking tank with nuclear capabilities. With Metal Gear, Outer Heaven hopes to become not just a recognized state but also a new superpower. Snake rescues the scientist, Dr. Madnar,Ā who was forced to work on Metal Gear and is able to make quick work of the bipedal tank before it is completed, but not before running into traps that seemed specifically set for him. Moreover, Big Boss starts to become erratic, sending bad advice and even breaking the fourth wall to dissuade the player from continuing the game. Lo and behold, that mysterious legendary mercenary is Big Boss, who was playing both sides this entire time. Snake takes Big Boss out and gets out of Outer Heaven before it implodes.
Metal Gear 2: Solid Snake (1990) 1999. Snake is brought out of retirement to infiltrate Zanzibarland in Central Asia. New FOXHOUND commander Roy Campbell and āHellā Master Miller send Snake in to rescue a Dr. Marv, a scientist who discovered/created a species of algae that can mass produce petroleum-grade hydrocarbons and thus relieve the on-going energy crisis. Dr. Marv was kidnapped by Zanzibarland soldiers to take the world hostage through energy control and captured Soviet nuclear weapons. In the midst of infiltrating, Snake finds out Dr. Madnar was also captured and forced to make another Metal Gear, Metal Gear D. When rescued, Dr. Madnar reveals that Gray Fox, who had gone missing since Intrude N313, is piloting Metal Gear D. Dr. Madnar also reveals that Zanzibarland is led by none other than Big Boss, back from the grave.
Later in the game, Dr. Madnar has one final reveal: heās gone somewhat vindictively loony after the scientific community rejected him and his little bipedal tank project, so he wasnāt so much captured as invited back under Big Bossās wing. After taking care of him, Solid Snake takes out Gray Fox in Metal Gear D and takes out Big Boss by take an impromptu flamethrower to his eyepatched butt. Big Boss dies.
Metal Gear 2 is known as the game that no one played in which the story actually came together with larger ideas and themes such as nuclear proliferation and the horrors of the war engine.
Metal Gear Solid: The Twin Snakes (1998) 2005. FOXHOUND, Solid Snakeās former unit, has agents go rogue under the name āSons of Big Bossā and take over a nuclear weapon disposal facility on Shadow Moses Island off the coast of Alaska. They want Big Bossās remains and a billion dollars or they use Metal Gear REX against the United States. Colonel Roy Campbell and Master Miller pull Snake out of retirement for this one last-last mission. Again. Snake is to infiltrate the target and neutralize the threat as he sees fit. He meets up with FOXHOUND agents along the way, and they have a strange habit of dying around him. Of note are Sniper Wolf, Revolver Ocelot (who does not die but has his arm sliced off) and Psycho Mantis (who is basically a fourth wall breaking meme on his own). As for allies, Snake meets up with Meryl Silverburgh, another infiltrator; Hal āOtaconā Emmerich, the new scientist forced to make Metal Gears; and a mysterious Cyborg Ninja, who slices off Revolver Ocelotās hand.
The leader of the Sons of Big Boss, Liquid Snake, reveals to Solid Snake that theyāre actually brothers, both clones of Big Boss, thus raising this sequelās main question āTo make the perfect soldier, are GENES the deciding factor?ā as the two were a part of a secret cloning project in the 70s known as Les Enfants Terribles which was an effort to replicate the perfect soldier that was Big Boss. Liquid also reveals that he was impersonating (the recently deceased) Master Miller over the radio to trick Snake into doing his bidding, activating Metal Gear REX. They have a fight. The Cyborg Ninja reveals himself to be Gray Fox back again. Gray Fox sacrifices himself. Liquid loses. REX is basically destroyed. Snake is told he has been injected with a virus called FOXDIE that targets and kills FOXHOUND members, but is āprogrammedā to kill Snake āsometime in the future.ā Snake rides off into the sunset with either Meryl or Otacon. The idea that GENES control oneās fate is thus at least half refuted as Snake decides to take his own path and not be the perfect soldier They want. Revolver Ocelot, de-armed, appears after credits to deliver the plans to Metal Gear to a shadowy figure, possibly the US President.
Metal Gear Solid 2: Sons of Liberty (2001) 2007. Solid Snake and Otacon now run a NGO called Philanthropy that wants to put a stop to all of this Metal Gear nonsense. Snake infiltrates a tanker to investigate Metal Gear RAY. At the same time, mercenaries attack the ship for RAY. They are led by Colonel Gurlukovich who brought his daughter, Olga, and Revolver Ocelot along to steal the RAY. Revolver Ocelot has two arms again, one grafted from Liquidās body. Upon interaction with Snake, Ocelot seems to have some kind of psychic weirdness as Liquidās personality somehow reveals itself from the arm. Ocelot under Liquidās control steals RAY for himself, blasting a hole in the ship, abandoning Colonel Gurlukovich, Olga, and Snake to their respective dooms in a sinking tanker.
2009. Codename ļæ½ļæ½ļæ½Snakeā from the newly reformed FOXHOUND infiltrates Big Shell, an offshore facility placed over the tanker spill. Big Shell has been taken over by a group that calls itself āSons of Libertyā and is led by a man claiming to be Solid Snake. āSnakeā quickly renames himself Raiden and meets up with Iroquois Pliskin, a man who claims to be a Navy SEAL. Thereās a lot of hostages and stuff. What you need to know is that the entirety of the Big Shell mission is supposed to be reminiscent of the previous games, drawing the question āTo make the perfect soldier, are MEMES the deciding factor?ā playing on the theory that the circumstances and ideas around a figure make them who they are. The mission goes quite off the rails, Iroquois is revealed to be Solid Snake, trying to clear his name. The man calling himself āSolid Snakeā is actually Solidus Snake, a āperfectā clone of Big Boss, who was elected President. He was also a warlord in the Liberian Civil War who conveniently(?) raised Raiden as a child soldier. Thereās even a Cyborg Ninja, who is Olga, who only agreed to be the Cyborg Ninja because theyāve taken her child.
This entire scenario was devised by an AI called GW (or George Washington), who has been guiding Raiden along as the Colonel (but not Campbell) trying to make another perfect soldier by recreating scenarios. Thereās a fight on a huge submersible fortress thing called Arsenal Gear that houses GW. In order to break free, Raiden uploads a virus into Arsenal Gear and causes the Colonel to freak out in fourth wall breaking ways. Raiden and Snake crash the fortress into Manhattan where Raiden fights Solidus. At this point, Raiden has more or less completely left the path of dļæ½ļæ½jĆ vu shadowing Snake, and heās able to katana Solidus to death. Thus, the idea that MEMES controls oneās fate is somewhat refuted as they fail to make Raiden into the perfect soldier They wanted. āTheyā is also finally revealed to be a shadowy organization called The Patriots, who all take names (like GW) after Founding Fathers. Ocelot seems to be working directly for The Patriots, psychic weirdness besides.
Going back to Kojima, many people argue this video game as an introspective look into what people are looking for in a video game sequel. More of the same? Would they be more upset about having the same exact things happen again, or being given something completely new? Kojima, being the sort to continue to push the envelope, did not settle for more of the same as Metal Gear 2: Solid Snake kinda ended up being.
Metal Gear Solid 3: Snake Eater (2004) 1964. After the end of World War II, the world was split into two... East and West. This is Kojimaās love song to Cold War spy movies, and the key word this time is SCENE. A CIA Agent, code name āNaked Snakeā is sent into the jungles in the USSR to rescue a defecting Soviet scientist named Sokolov in what is called the āVirtuous Mission.ā Snake infiltrates with the help of Major Zero, Para-medic, and his mentor in the FOX unit, The Boss. He retrieves Sokolov and finds out more about the Shagohod, which is a nuclear equipped tank (sounds familiar, I know). En route to exfiltration, Snake gets sucker-punched by The Boss, who promptly defects to the Soviet Union into the hands of Colonel Volgin, a madman with electrical powers, taking Sokolov and the Shagohod with her. This is a devastating blow to Snake and he almost gets blown up for his troubles as Volgin detonates a nuke. The Boss is blamed for the detonation.
A week later, Naked Snake is sent back into the jungles to kill his mentor as a part of a deal between America and the Soviet Union called Operation Snake Eater. Since The Boss has clearly gone rogue and is the reason for this international incident, killing her, destroying the Shagohod, and putting down Colonel Volginās uprising is the best way to make amends. Snake is assisted by his crew (Zero, et. al) over the radio, and an American defector named EVA, who is clearly supposed to be the Bond girl. Snake runs into the Cobra Unit, the Bossās old unit of supernaturally afflicted emotion based superhuman soldiers, who are calling themselves now āSons of The Boss.ā He kills all of them. He also runs into the Ocelot Unit, which is lead by none other than a young Ocelot (minus Revolver). Ocelot is defeated several times and Snake even introduces the young man to revolvers. Next, Snake gets captured by Volgin, fails to stop Sokolov from getting brutally killed, and gets his eye shot out by Ocelot in quick order. He then fights Volgin and the Shagohod and somehow wins. In the dust, he finds out about the Philosophers, a shadowy organization made up of victors of WWII that hid a ridiculous amount of cash, known as the Philosopherās Legacy, that Volgin was trying to take for himself. Turns out the Americans were trying to secure it, which is part of why Snake was sent out there. Snake then fights and kills The Boss in probably the most emotionally charged battle in all of MGS. He gets out, but not before being betrayed by EVA who turns out to be a Chinese spy and who steals the location of the Philosopherās Legacy. EVA also reveals to Snake that The Boss didnāt really defect. Her mission was to pretend to defect get close to Volgin to steal the Philosopherās Legacy from him, but after the nuclear strike, The Boss was offered as a sacrificial lamb.
Back in the States, Naked Snake is given the title āBig Bossā for surpassing the Boss, is hailed basically the perfect soldier. As Zero builds Snakeās praises as a propaganda piece for his new organization called Cipher, Snake becomes increasingly disillusioned by everything around him, eventually leaving the States completely. After end credits, Ocelot pops up again, tells the KGB that they could use Snakeās work in the jungles as blackmail against the United States, and then tells the CIA that the information that EVA stole from Snake was fake. He had the actual information and would be able to give it over to America so that the United States and the Soviet Union would each have half the Philosopherās Legacy. Basically Ocelot is playing EVERYONE. Heās also The Bossās son.
Metal Gear Solid 4: Guns of the Patriots (2008) It would be hard to argue that MGS4 isnāt the culmination of this entire clusterfuck of a series. Iāve tried my best to omit anything in the previous details that isnāt relevant to understanding this game or the ships discussed afterwards.
2014. Solid Snake has prematurely aged a ridiculous amount and looks kinda like Solidus Snake, only less buff. They literally call him Old Snake. This also means he looks like Big Boss if Big Boss hadnāt kicked the bucket. Snake is still working with Otacon and theyāre raising Olgaās daughter, Sunny, together. Campbell basically hauls Snake out of retirement one last bloody time to end the story, basically. All guns are now ID-locked, meaning only people who are authorized to shoot them can shoot them, meaning thereās a ridiculous amount of control in War now. And this is possible because of nanomachines. Ocelot, now going by Liquid Ocelot, is raising an army of nanomachineād super soldiers for some nefarious reason and Snake needs to take out Ocelot once and for all now heās been built up to be this magnificent bastard mix between Liquid and Ocelot in the last three games.
At first, Liquid Ocelotās after Big Bossās remains again because Big Bossās biometrics unlock something about the Patriotsā AI or whatever, giving control of everything to potentially him. Raiden shows up, this time heās the Cyborg Ninja, and he and Meryl Silverburg do their part covering Snakeās old man butt. EVA reveals herself as the leader of a resistance movement against Liquid, Big Mama. Turns out she is the surrogate mother that gave birth to both Liquid Snake and Solid Snake under the direction of Para-medic, who ran the Les Enfants Terribles project. Ocelot goes after the lot of them to reveal he no longer wants Big Bossās remains. He actually blows them up. Instead, heās just going to destroy the Patriotsā AI system and replace it with his own, so heās in control. To do this, he needs a nuke, but the only place without an ID-locked nuke is Shadow Moses Island. Thereās a gratuitous battle of the abandoned Metal Gear REX piloted by Snake defeats Metal Gear RAY piloted by Ocelot. Thatās okay for Ocelot, heās got a new and improved Arsenal Gear, now called Outer Haven. Yes, like Outer Heaven. It has the nuke that Ocelot needs to destroy the Patriotsā AI. They stop him by putting a virus into Outer Haven that destroys Ocelotās system, the Patriotsā system, and basically leaves civilization teetering on the brink as the system controlling it is destroyed. Snake fisticuffs with Ocelot in this amazing boss battle that echos all of the final boss battles throughout the series, and Ocelot finally dies.
This would be happily ever after, but Solid Snakeās FOXDIE is about to go off. He decides to go out on his own terms, but is stopped by Big Boss! Yes, Snakeās āfatherā Naked Snake survived the flamethrower to the face all the way back in MG2. Surprise. He stops Snake from killing himself just in time. Big Boss explains how the Patriots were formed with the idea that theyād follow the Bossās final wish, to see a unified world. Zero took the wish to mean that he needed to control the world to unify it, thus Cipher, the Patriots, and everything that happened since on the shadowy government side. Big Boss took the wish to mean that he should unify the worldās soldiers, giving them a refuge and a consistent means of living. Thus the war. But Big Boss now sees that neither of them were right. With that said, Big Boss reveals lastly that the FOXDIE has mutated to something that wonāt kill Snake but will kill him. So āFatherā and āSonā have a touching moment. Big Boss finally finally finally freaking dies. And Snake is finally finally finally able to live out the rest of his shortened lifespan actually on his own terms.
Youād think that was where the story ended. And it probably should have! If Kojima had his way. No instead we got
Metal Gear Solid: Peace Walker (2010) 1974. Naked āDonāt call him Big Boss he hates thatā Snake has established a mercenary group called Militaires Sans FrontiĆØres with help from Kazuhira āMasterā Miller. They had met in the jungles of Colombia and Snake owned Millerās entire mercenary group. Snake āconvincedā Miller to join him. Thus, MSF. Theyāre approached by a man by the name of Ramon Galvez Mena, who says that Costa Rica has been taken over by an occupying force and, having no military of its own, needed someone to help liberate it. Snake doesnāt buy it and immediately identifies Mena as KGB, but Paz, Menaās student, has a recording of The Boss, which convinces him to go investigate it. As payment, they receive an off-shore facility that Miller dubs āMotherbase.ā Anyway, thereās another nuclear tank. This time it has feet instead of drill wheel things, itās fail-deadly, meaning it will launch if itās armed and gets destroyed, and itās known as āPeace Walker.ā A guy named Hot Coldman wants to use it to demonstrate the ultimate deterrence. To defeat Peace Walker, Snake finds and ārecruitsā wheelchair bound walking technology enthusiast Huey Emmerich and Dr. Strangelove, an AI specialist who was in love with The Boss and is basically there to be a lesbian for much of the story. She starts off hating Snake because he killed The Boss and took her title, making Strangelove so obsessed with her possibly former lover that she makes the AI that drives Peace Walker a copy of The Bossās personality. Yes itās very much hard science. The idea is, as Peace Walker is run by an AI, it doesnāt need someone else to confirm the launch of the nukes it has on board.
Mena reveals himself as Zadornov of the KGB and attempts to steal Peace Walker. Hot Coldman activates a data uplink to NORAD to convince American officials that the Soviets had launched against them and that they had to retaliate, thus giving the AI an opportunity to respond without outside input. Instead of preparing to launch the nukes, Peace Walker, under the control of The Bossās personality, walks into a lake, drowning itself and rendering its launch and the data uplink broken and dead, preventing all out nuclear retaliation. Snake takes this to mean that The Boss always meant to abandon her principles as a solider for soldiers and abandon him as well. Heās upset enough that he decides he will take the matter into his own hands and provide that place for soldiers himself, even if the Boss doesnāt want it. He wonāt abandon the battlefield or those who serve on it like his mentor did postmortem.
While this was happening, Huey was doing his bit and had actually made a bipedal tank. Better than Peace Walkerās quadrupedal design. Itās called Metal Gear ZEKE and they armed it with the nuke retrieved from Peace Walker, but it gets taken by Paz, who is also not who she seems like Mena, but instead of the KGB, sheās a spy for Cipher, aka Major Zero. She gets tossed into the sea. With this final insult from a former friend, Snake decides to take up the Big Boss title and take action as the legendary soldier by declaring Motherbase an āOuter Heaven.ā
You would think that tie in with MG1 would be the end of it. Youād be wrong.
Metal Gear Solid V: The Phantom Pain (2015) 1975. Big Boss and Militaires Sans FrontiĆØres catches wind that Paz is still alive. In order to not screw up an UN nuclear inspection, they sink Metal Gear ZEKE again and the nuke, and they need to recover Paz who knows about their nuclear capabilities. As Snake is offbase retrieving Paz, MSF is attacked by this elite force, XOF, that no one saw coming. Motherbase starts to sink. Big Boss picks up Kazuhira Miller via helicopter as they make a retreat into the unknown. They realize Paz has a bomb in her. The on-board Medic cut her open to pull a friggin bomb from her guts. When Paz, in pain but made full conscious, realizes they pulled the bomb out of her guts, she indicates that thereās a second bomb. But before they can properly deal with it, she launches herself out of the helicopter in an attempt to save everyone else. She explodes mid-air and the helicopter crashes.
1984. Big Boss wakes up from a nine year coma. He finds out his memoryās been fucked with because thereās metal shrapnel in his head and face that may or may not cause hallucinations as well. Heās also lost his arm. Things kinda suck for Big Boss right now. Heās completely emaciated and weak as hell. Vulnerable. Even so, the word gets out that āV has come to.ā A few weeks after returning to consciousness, the hospital that Big Boss is in gets attacked by XOF again. Heās saved by a man with bandages wrapped around his face who might be a hallucination and calls himself āIshmael.ā Thereās an escape sequence that involves avoiding XOF soldiers, staring at Ishmaelās ass crack, and more almost hallucinations: A Man on Fire, and a tiny floating boy with immense psychic powers. Big Boss gets out with Ishmael, but the ambulance theyāre in crashes. When Big Boss comes to again, Ishmael is gone. Outside, there is a man in cowboy gear on a horse. Ocelot. Revolver Ocelot. They run away together and get on a boat to a new Motherbase in the Seychelles. This is perfect because it means theyāre in range of Afghanistan, where Kazuhira Millerās been captured.
Big Boss, now calling himself Punished āVenomā Snake, goes in, rescues his XO, and gets attacked by these zombie-esque dudes called the Skulls Parasite Unit. Theyāre parasite-based super soldiers (not genetically enhanced or nanomachine enhanced) with whom Venom has to wrangle with several times in the game. Theyāre terrifying. Having rescued Miller, minus an arm and leg, the group of them swear revenge against the people who destroyed Motherbase and MSF, calling their new group Diamond Dogs. But to do that, they need men and they need cash. So Venom starts working to generate capital for Motherbase and kidnap recruits by fulton balloon. Primarily this involves sticking his nose into the Soviet-Afghan War and the Angolan Civil War. At basically every step, Ocelot says one thing and Miller does his best to contradict what Ocelot says as a bad idea. This includes fultoning home a wolf-dog puppy. Ocelot says yes and Miller says no (The doggy stays and is called D-Dog and he is a GOOD BOY). Along the way, the Man on Fire returns to fuck shit up and that boy with the psychic powers, Tretij Rebenok, pops in to make things spooky. The main antagonist is revealed to be a man by the moniker Skullface, who is the head of XOF, a branch of Cipher that Major Zero originally commissioned to clean up after FOX, and ātook care ofā the minor details behind the Virtuous Mission and Operation Snake Eater. Skullface, tired of being used by countless masters, having lost his face, his home, his mother tongue, his very identity, wrested control of Cipher from Zero and is now using the research Cipher has been doing for his own malicious ends. Namely, parasites that can do basically magic. The superpowered Skulls are only the tip of the iceberg. Venom also captures this parasite-powered super-sniper, Quiet. He decides not to kill Quiet after defeating her, and Quiet returns the favor by saving Venom from a pursuant fighter jet sent by Cipher. Miller wants nothing to do with Quiet, as sheās obviously an assassin sent by Cipher bent on killing Venom and destroying the Diamond Dogs. Things arenāt as bad as Miller makes them out to be, and Ocelot sees Quiet as an asset, since she has had so many opportunities to kill Venom but has not acted on a single one after being defeated and captured.
They get wind of Huey Emmerichās whereabouts. They go to capture him too and Kazuhira Miller kinda licks his chops over getting revenge on Huey as well as Huey was the one that called the nuclear inspection on MSF āto resolve them of all guilt.ā Hueyās been busy working under Skullface, making a new Metal Gear known as Sahelanthropus. Despite being barely finished, it can move on its own accord thanks to the help of the psychic boy, Tretij. Venom Snake captures Huey and gets the hell out of Dodge. At about this time, the Diamond Dogs expand their operations into Africa as well, as itās known that XOF and Cipher have been working with the various paramilitary factions there. So Venom goes in to snoop again. He picks up Eli, who is this jerk-ass kid who leads a bunch of child soldiers who donāt have adult handlers. Eli is clearly a twelve year old Liquid Snake, and he HATES hisĀ āfatherā Big Boss. Anyway, all of the adults in the child soldiersā villages have died. Upon further investigation of the reasons why, the second third of the parasite research comes to light: āvocal cord parasitesā that kill everyone that speaks the language theyāre attuned to. Thereās a bunch of neat theory crafting that says that these parasites should be living in symbiosis with us, but theyāve been changed/nuked to be harmful instead. As a vocal chord parasite rampages through the Diamond Dogs, Venom enlists the help of Code Talker, a Navajo parasitologist who was captured and forced to work for Cipher. This brings into light the last third of the parasite research: Metallic ArchaeaĀ that can convert regular uranium into weapons grade uranium. Skullface wants to spread nuclear weapons to every single faction possible and make it simple for these factions to acquire more nuclear weapons as a part of deterrence. The trick is that he can also deactivate the Metallic Archaea so that only the nuclear weapons that he wants to work will work. He also wants to spread the English strand of the vocal cord parasites to wipe out what he sees as the most virulent language of the modern world. This way, he will be able to take revenge against everyone who has in some way betrayed or slighted him. Venom stops this shit. Tretij betrays Skullface because Eli is a lot more interesting to him. This causes Sahelanthropus to run amok, nearly killing Skullface. After Sahelanthropus gets fucked up, Miller and Venom shoot Skullface, holding the gun together as the recoil is too much for Miller alone to handle. Their revenge is now complete. Or is it?
The rest of the game is spent wrapping up plot points. Huey was discovered to be selling secrets to Cipher, and then causes an outbreak of the language parasite by surreptitiously increasing X-ray exposure on his coworkers, trying to make the parasite mutate. Eli and Tretij steal Sahelanthropus, which was being refurbished by Huey, flying it off Motherbase through the power of powerful psychic energy. Tretij is thus free to become Psycho Mantis and Eli Liquid Snake. Miller decides thatās enough shit that Hueyās been allowed to get up to, and they find Dr. Strangeloveās remains in one of Hueyās projects. Turns out Dr. Strangelove had a child with Huey and that child was used in experiments, which Dr. Strangelove protested, which lead to her getting killed. That child is of course Hal āOtaconā Emmerich. Upon learning about Dr. Strangeloveās fate, Venom and the Diamond Dogs discharge Huey from service and exile him. That fucker. The Man on Fire is revealed to have been Volgin, whose electricity superpowers (possibly powered by parasites) had kept him in a coma. He was also seeking revenge through the aid of Tretij. But after Tretij left, the remaining psychic emanations of Volgin finally die off. Quiet is revealed to have been one of the assassins sent to kill Venom in the Hospital, but sheās done so much for Venom at this point, thatās practically a wash. She was originally going to get revenge on all of them by killing Venom and then releasing the English strand of the vocal cord parasite on Motherbase. She no longer wants to do that, but upon finding out that the parasite can be mutated and activated even if she doesnāt speak a single word of English, she escapes Motherbase and goes AWOL, trying to make sure she doesnāt accidentally kill everyone sheās come to know and love.
The final twist in the game is that Venom Snake isnāt Big Boss. Heās the Medic who was caught in the explosion on the helicopter. Major Zero through Cipher decided that, through the use of hypnosis and reconditioning (because this is what Ocelot is good at), they would make a decoy double for Big Boss, just in case Big Boss needs to die. Instead of being furious with this idea, Big Boss goes with it, and uses Venom to the utmost of his ability, even posing as āIshmaelā to make sure his decoy survives. Ocelot auto-hypnotizes himself to forget he had run this entire hypnosis process on Venom so that he could work under Venom without giving up the ghost, or the phantom, so to speak. When Miller finally finds out after the credits, heās furious. He completely disavows Big Boss and decides to support āhis Phantom and his sons.ā Thus setting up the events of Metal Gear. At the same time, Venom learns about this... and accepts this. Kinda. Itās ambiguous if heās that loyal to Big Boss or if heās given up being separate from the legend. In this sense, this might be one of the only āclone/remaking of Big Bossā that is truly successful. Partially because it had to be successful. Partially because Big Boss was involved directly.
The Phantom thus dies at Solid Snakeās hands in Metal Gear, patching up a plot hole in the continuity.
Now the part that people actually care about.
Metal Gear Solid is the game that everyone in the fandom basically started out on because Metal Gear was before a lot of peopleās times, and Metal Gear 2 wasnāt properly distributed in the US until about Metal Gear Solid 3ā²s re-release.
There are some hints of Big Boss/Solid Snake, Gray Fox/Solid Snake, and Miller/Solid Snake but these are primarily after the fact when their characters are better established. Nothing that was concurrent with the games (at least nothing Iām aware of).
Expect a lot of hatesex.
Metal Gear Solid:
Snake/Meryl and Snake/Otacon are basically the two most obvious ones and both of these ships revolve around the characters that you primarily interact with and āsaveā in some way in the game. The two endings either have Snake and Meryl riding off into the sunset on a snowmobile (if Meryl is saved) or Snake and Otacon riding off into the sunset on a snowmobile (if Meryl dies).
Solid Snake/Liquid Snake is somewhat present as itās the typical protagonist/antagonist ship with a bit of incestuous spice.
Snake/Ocelot kinda exists in the way that Ocelot clearly enjoys torturing Snake and Ocelot is that kind of super flashy/flamboyant character.
Snake/Gray Fox is barely present, the fight that happens includes bits where Gray Fox basically wants Snake to hurt him more. And that gets somewhat expanded on. In extra games that I havenāt listed because they are of dubious canon, itās revealed that Gray Fox served as a child solider under Big Boss so thereās also that connection.
Snake/Sniper Wolf exists only because thereās a whole āShe needs to fall in love with you to kill youā weirdness around her femme fatale character.
Metal Gear Solid 2:
Snake/Otacon is going strong as the entire first section is basically about Otacon commenting on the outrageous things Snake gets up to.
Snake/Ocelot gets expanded upon slightly because of the ridiculousness of Ocelotās appearance and exit.
Raiden has a girlfriend called Rosemary who is revealed to be an AI, but thereās another actual Rosemary that Raiden has become semi-estranged to but that Rosemary is also involved with the Patriots... Itās complicated.
Snake/Raiden and Iroquois/Raiden is pretty big, as this is gruff older dude with somewhat effeminate younger dude (with amazing hair). Snake also tells Raiden to āchoose his own fateā so thatās also a charm point.
Solidus Snake/Raiden is a thing that probably has a lot to do with daddy kink, as Raiden was a child soldier under Solidus Snake, and hateshipping the protagonist and antagonist.
Raiden/Vamp (a mid-boss) kinda exists? Itās mostly because Raiden gets flirted with in a dangerous way and finds out that Vamp is a bisexual.
Snake/Iroquois is largely a part of a running joke in which everyone wants to know what happens to Iroquois Pliskin who clearly not Snake.
Metal Gear Solid 3:
Naked Snake/The Boss is a big one, itās implied Snake has feelings for his mentor, which makes his final battle with her even more tragic.
Naked Snake/Ocelot is compounded by the way Solid Snake/Ocelot was a thing, but this has been expanded into a full on āOcelot has a giant crush on this dangerous hunk of a man who trained under Ocelotās mom.ā
Naked Snake/EVA is another ship that happens largely because they have sex and a lot of suggestive comments/flirting before then.
Naked Snake/Volgin is kinda the typical protagonist/antagonist ship with the extra kick of Volgin having tortured Snake. Volgin also is strongly implied to be at least gay if not bi and extremely sadistic. He apparently has a relationship with an officer named Ivan Raidenovitch Raikov (who looks ODDLY LIKE RAIDEN), and part of what EVA was originally tasked to do was get close to Volgin to steal the Philosopherās Legacy, etc. Volgin/Raikov and Volgin/EVA are not unheard of for that reason.
The Boss/EVA isnāt unheard of, if only because thatās basically the only given/possible woman/woman ship thatās present. The only other female presence is the voice of the Paramedic.
Metal Gear Solid 4:
Snake/Otacon is still going strong and itās tragic! Snakeās in his twilight years! They have a daughter! Otacon looks like a rugged handsome nerd and not just a nerd! There are a lot of melancholy domestic fics here.
Snake/Ocelot has taken a REALLY WEIRD TURN now that itās been revealed that Ocelot had a thing for Big Boss. Especially since Ocelot is pretending to be Liquid Snake at the same time. A lot of fuck ups all around. Ocelot also can kiss Snake in their ultimate battle on top Outer Heaven.
Raiden/Vamp returns because they had a rematch in this game. Except Raiden is a cyborg now.
Thereās a bit where Snake/Raiden exists in a āRaiden is taking care of the geriatric Snakeā sorta deal.
Johnny/Meryl is now a thing. Johnny being a gag soldier that constantly gets diarrhea as toilet humor. He still gets diarrhea in this game. They also get married. Yes, they marry Meryl off to the shittiest character.
Is there a thing for Snake/Big Boss? I really donāt know?? They have one scene where theyāre Old together and they kinda have a making up after awkward years of wtf.
Metal Gear Solid: Peace Walker:
Now, there are ādatesā that you can go on as extra fanservice missions. Really there are only two that are really notable: Big Boss/Kaz and Big Boss/Paz.
Big Boss/Kaz is amazing because it goes from Big Boss dominating Kaz to it being a mutually reciprocated relationship but Kaz still kinda feels like heās under Big Bossās thumb. Thereās also an aspect of Kaz wanting to live up to Big Bossās expectations.
Big Boss/Paz is kinda squick because sheās allegedly only 18 (really 25 but thatās not revealed until she reveals her true nature as a spy). Itās mostly the schoolgirl crush on the handsome older man sorta deals.
Strangelove/The Boss makes a bit of an appearance because Strangelove retroactively becomes a big part of The Bossās backstory, even if itās not explicitly stated that The Boss reciprocated those feelings.
Strangelove/Huey is also a thing if only because Huey obviously has a thing for Strangelove.
There are a few other minor characters due to the game being much more of an ensemble game.
Metal Gear Solid V
Shit gets complicated/interesting here.
Venom/Miller/Ocelot As āBig Bossā has an established relationship with both of them, so thereās an O3P revolving on Venom Snake. Venom/Miller and Ocelot/Venom are both popular as well with kinda opposite dynamics.
Big Boss/Ocelot and Big Boss/Miller are also major as these are both the ātrue versionsā of the āfakeā ship that is Venom/et al. That said, aftergame Big Boss/Miller becomes a straight up hateship.
Big Boss/Venom is also kinda a thing because of the way that Big Boss is controlling/behind Venomās actions and motivations. A lot of it basically becomes emotional abuse based on like super gaslighting.
Somehow Iām pretty sure Big Boss/Ocelot/Miller is rarer than Big Boss/Venom/Ocelot/Miller. Possibly because by the Big Boss reveal, thereās no way Miller sits and takes it unless Venom is there too.
Ocelot/Miller is also somewhat of a hateship because theyāre constantly at odds with each other and have the same love interest(s). With how smarmy/smug Ocelot can be and how pissed off Miller is, thereās some good content here based on Millerās frustration/exasperation.
Venom/Quiet is kinda pushed in the game (they have a vaguely romantic scene together) and they work great together (Venom works well with all of his partners. D-Dog included) and thereās a bit of tragic hateship-ish involved.
Miller/Quiet is also a thing simply because Miller hates Quiet and Quiet is a superpowered cryptid and Miller has half of his limbs but Miller is the XO and Quiet is technically like a PoW, so thereās really weird power dynamics going on.
Liquid Snake/Psycho Mantis becomes a thing retroactively because Eli/Tretij is kind of a thing but itās uncomfortable shipping two clearly underaged boys.
No one likes Huey, but there might be something where Huey gets his ass kicked by Skullface. And everyone else. Hueyās not a good person.
Venom/Skullface and Big Boss/Skullface is theoretically something that should exist, but is probably more rare than it should be because there are so many better ships out there already. Skullface also looks pretty nasty and not handsomely rugged.
AND THAT IS THAT FOR A PRIMER ON METAL GEAR SOLID IāM SO SORRY ITāS SO LONG BUT THEREāS SO MUCH.
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