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#rock's yume
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Imagine holding Madara's hand. His are steady and warm, his palms dotted with callouses—a sign of his work, always moving and on the go; constantly working. Steady, yet so shaky when they hold your own. Afraid to squeeze too hard. Holding you like you're glass.
Scars dot his hand, not self-made of course. Just some scars he gathered from constantly working, small ones along the outside of his hand. Scratches he never truly took care of, give enough care to half-heartly clean but never enough to let it be properly cleaned. Something he thinks he deserves.
Maybe kiss each one. Slowly. Softly. Gentle. Make him look you in the eye as you brush against his ruin skin, telling him with not just your words but actions; he is loved and beautiful.
I don't know I'm rambling. I'm insane.
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bocchidaily · 4 months
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I made a bocchi :)
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⬆️ bocchi nikki
Delightful! I love her!!
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woahmaaan · 6 months
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Getting back into art by drawing the first four characters which came to mind.
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nutmargaret · 2 years
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that old meme
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timefospookies · 11 months
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wips that I’ll never finish!!
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nerokichi · 5 days
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i drawing i genuinely really enjoyed to draw. this made me feel so good and im so happy how it turned out. married shark rock be upon ye
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microwraptor2 · 3 months
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ult dirkphie makes me feel silly!
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dreamwinged · 3 months
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any other nonsharing self shippers feel like yume communities are kinda like a minefield sometimes… idk maybe this only applies if your f/os are mainstream characters or maybe im just especially deranged but i’m nonsharing for comfort reasons and sometimes trying to talk about it online feels like more trouble than it’s worth >_< bc i always run into things that affect me…. i dunno
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milkiwaymw · 1 year
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i still don't know if i've analyzed myself correctly
but
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Anyway, I'm back from the dead. Still want to squish Madara's face and give him soft little kisses all over his pretty face
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yablokoapplemanzana · 5 months
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aw ye my kins
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agumonger · 2 months
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Red Rock Caves, for @spectrum-core !!
I love this 2kki world and I love his take on it 😍
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citypopdaily · 5 months
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カンナ8号線 (Canna Hachigousen) by Yumi Matsutoya / 松任谷由美
Album: 昨晩お会いしましょう Year: 1981 Label: Express Lyrics & Music: Yumi Matsutoya / 松任谷由美
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jorrated · 2 years
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Now I'm curious, what's your interpretation of Yume Nikki? /gen
OOHH!!!! Putting my extensive and extremely personal thoughts under a cut, cause it's going to be a long one
(like. fr. it's around 3.8k words long. click read more at your own risk.. plus spoiler warning + suicide discussion + mental health in general + some real artsy fartsy stuff)
1. DREAM ANALYSIS BULLSHIT THEORY
Just a little pre-ramble before my actual interpretation of the game, I wanna talk a little bit about dreams! I said on a previous post that it's almost impossible to decipher dreams from an outsider perspective, as not only people have their own symbology but dreams sometimes don’t even mean anything. However, that doesn’t mean you can’t instrumentalize dreams as something useful.
(Honestly you don’t have to read this part, I just wanted to rant about my views on psychoanalysis, since its a pseudoscience n all but I think its neat! Feel free to skip tho, I wont blame you. And whenever you see a block of text like this, bold and italics between parentheses, it’s just going to be a comment on mine and some opinions I have. It’s usually something that isn’t that related my interpretation of the game, but I felt like talking about it. So feel free to skip these too! :>)
Psychoanalysis is pseudoscience and Freud was a stupid bitch, HOWEVER, we can make something useful out of it! For example, projection. Projection is, in a simplified way, when you project your self onto others. And that situation, regardless if it is an actual projection of your own self, can help you to realize some aspects of yourself. Again, regardless if you are ACTUALLY projecting yourself, if that person has the same characteristics as you, or if you have the characteristic you think you are projecting, it doesn’t matter. What matters is that you can analyze that situation, and yourself by proxy. And if you abstract things enough we can realize that projection is just another way of saying “we can only understand the world from our point of view”, which means we think everyone goes through life with the same perspective we have, because that’s the only one we can have. I can’t access other’s point of view in pureness, as I will forever have my own personal experiences back seating, so yes, I will forever project my point of view onto others, because that’s my own and only way of viewing stuff.
But that doesn’t mean I can’t see those “projection moments” and analyze why I do those projections. For example I can dislike someone for being annoying and be like “Wait, hold on. Am I annoying? Is this me projecting or just common sense”. And regardless if it is actual projecting, I can think about my negative feelings. Maybe I just want someone who’s worse than me, maybe this is a weird way of self hatred, maybe I just don’t want to deal with the fact I’m annoying. All of those can be true or false, but the thinking process can lead me to analyze myself and become someone better.
And this is something I extend to dream analysis, as it very much doesn’t have a proven reality or a method, but it’s something we can use to understand someone’s point of view! If done right, of course. So it doesn't matter if dreams have obscured "true real" meanings to them or not, what matter is what we are able to gleam from it and try to understand the dreamer’s point of view.
I'm going to try to do a dream analysis, which will take both Freudian and Jungian analysis beats, as I do believe neither theory has a perfect method, but they are the most prominent theories that I'm familiar with. While Freud takes every dream as a glimpse of the subconscious, which shows repressed desires and impulses, Jung only considers dreams that resonates with the person to be relevant. In my opinion, no dream has an actual meaning, but we can abstract it into something useful, so even small details can reveal something about someone, even if that something is so small that some may consider it irrelevant. And I also don’t consider dreams to work as a “pathway” to the subconscious, as dreams are not limited to desirable actions/events only, given that nightmares exist and all.
And PLEASE FOR THE LOVE OF GOD don’t take anything I say about psychoanalysis or Jung or dream analysis as like the actual theories. I’m a psychology student and we do study Freud’s theories (haven’t gotten to Jung yet), but I’m still going through my classes and it’s very easy to just fumble the theories since they’re written in the most confusing way possible. SO don’t quote me on any of this, this is all for fun!
2. MY ACTUAL INTERPRETATION
FINALLY, here’s what I see in Yume Nikki! I tried to divide all my points by events, effects, places n all that stuff, just to keep myself organized, tho because a lot of it is just symbology interpretation, but lots of these overlap so it can get confusing. Plus I have MANY readings on the game, some of which don’t work perfectly together, since the game can get pretty “dense”, so I’ll try to write everything down in categories and by the end, attempt to put some of the bigger theories together in a more organized manner.
(LOL. I wrote this thinking I really could just write all my thoughts around Yume Nikki in one go, comical. I only really go into my interpretation of the effects here, and I think I’ll try to write more about my theories and interpretations, so just know this is incomplete)
2.1. EFFECTS
In my eyes, the effects were always “sections” of Madotsuki personality and self. Given she’s the only one in the game able to utilize them, but also she obtains them through interacting with others. Just like personality traits, we hardly ever just become what we are by existing, and we are molded through the experiences with have with others and the world around us.
Each trait can be noticeable or minor, but they are what forms the self, which may include how we view certain things, ourselves, others and concepts. That results into day to day impacts, like us acquiring certain hobbies, but it also can impact how we view difficult topics like death, relationship to others and so on.
Which I find interesting since when dropping the effects onto the nexus, they become these little egg thingies, an action that is necessary to finish the game. Being divorced from aspects of yourself for you to be able to take a leap out of balcony, gives me a lot of possible readings.
The least metaphorical one being Mado just leaving everything behind to commit suicide, in which the effects could be her negating what she considers flaws. Even if they aren’t strictly flaws, for someone to take their own life they need to be in such a horrible mental state that could skew their self-perspective to be strictly negative. And “leaving” those aspects behind to be “free” of them is, unfortunately, the logic that some people dealing with suicidal thoughts go through.
However, putting the effects into the nexus, could also mean the complete opposite. By making them concrete and physical, onto the nexus, the link between her dreams (subconscious) and her dream room (preconscious – located on the subconscious, but allows and negates the passage of information to consciousness) could mean acceptance of those aspects. Looking and manifesting the effects could be a metaphor for coming to terms with herself, even if some aspects could be seem as flaws by Mado’s eyes. This could have the same conclusion like the previous hypothesis, resulting in a suicide, but because she accepted she had “too many flaws”, also another sad reality. But if taken into the account that the suicide isn’t a desire to die, but a leap of faith to a new life (killing your old self basically), this could be a better and positive ending. Fist step for a change is acceptance and all that jazz.
Another possibly is that the effects aren’t personality traits, but specific memories that impacted her in one way or another through her life. In that read you can go either way with the accepting or rejecting of those memories, as described before. But the context would have different tone I think, because in this way, the effects could symbolize traumatic events that lead Mado to be in this state of mind, events that she has to accept and move on, or deny what happened and live possibly haunted by it.
Either way! Here’s some of the effects I think are most relevant:
2.1.1 Knife
While a lot of people see this as Mado’s violent tendencies, I always saw it as a defense mechanism, like pushing others away (and maybe even hurting others, but not limited to only physical violence) to protect yourself. This goes with the themes of constant isolation and silence her dreams have. With the few times an entity actively interact with you, the Toriningen, is triggered by the stabbing.
How I see this is Mado’s pushing other’s away, to be kept from being hurt. And that is seen how, regardless if she uses the knife on a passive character, they disappear (effectively cutting any interaction with them) or an active character like the Toriningen (forcefully isolating Mado), it ends with Mado being alone. In connection with some NPC’s moving away from her when she holds a knife, and hostile Toriningens isolating her without triggering them, this might be a reaction of how others have reacted to this self-isolating behavior Mado has, and has had for a while probably.
It’s also notably found on the emptiest and darkest world on all the dream zones (Dark World), probably how Mado feels about this actions. While mostly alone and quite, the zone still has a few NPCs, most of them barely reacting to anything Madotsuki does, but one follows her around the world (I think his name is Follony), giving that lingering feeling that despite everything, it still feels like there’s someone trying to get in. Regardless if there really is someone trying to get in, Mado may have some type of paranoia with others interacting with them, perceiving their attempts as prodding or “chasing”.
2.1.2. Medamaude
Somewhat similar to the knife, I think this is also related to Mado’s isolation. While the knife is the action of pushing other away, the Medamaude is the avoidance of others and her own behaviors. Often used to escape the rooms Toriningen put you on, I think Mado may have the behavior of simply turning a blind eye to these situations (literally closing your eyes and fist to escape), as a form of either coping or self defense.
2.1.3. Cat
Here’s where the messiness I mentioned before. I think the cat is Mado’s desire to be able to talk to other and be able to interact with them. While it seems contradicting with what I just wrote about the knife and Medamaude, I do think despite Mado’s self isolation, she still desires someone to trust or be able to have friends. It’s paradoxical, but it’s a common feeling many have, specially teenagers. Having success into pushing others away can actually be extremely painful, as the person is not being hurt specifically by others, but also does not have a support net or healthy (and necessary) interactions to build off.
The cat being a symbol for that is quite fitting, being an animal who many consider the cutest, but also having an image of being “distant”. Many people (usually people who don’t have cats) see them as “less loving” than other pets, like dogs for example, because they don’t understand the different ways cats show affection.
Madotsuki may want to be like that, be perceived as approachable and cute, but still able to maintain a distance, without getting “suffocated” by the relationships. This theory can also be supported by the fact when meowing she resembles the Maneki-neko, a Japanese talisman that is associated with good fortune and wish fulfillment. While the original and most common variant is white, a pink Maneki-neko is often associated with love, romance and relationships in general, so once again, bringing that desire for human interaction.
One thing of note too, is that the cat effect is slightly annoying to get, as the kitty-coin you get it from moves quite quickly, in comparison to other NPCs. This may be indicative that, while desirable, Mado finds difficulty into manifesting this approachable appearance, probably due to the established self-isolation mentioned before.
2.1.4. Triangle Kerchief and Nopperabou
Not gonna do a big text for these, I’m sure you already got it and are tired of me writing about isolation. Could mean feeling invisible, not being seen or that people don’t care about you (or are even afraid). Disassociation and reality detachment can also be a thing here.
2.1.5. Frog, Dwarf, Poop Hair, Fat and Buyo-buyo
These could all be representations of how Madotsuki is afraid of been seen as, or already perceives herself as. Although self-explanatory, these are very common anxieties teenagers (and adults) have, that can be extremely distressing and impacting in their mental health, regardless if those traits are actually negative (like there’s nothing wrong with being fat, short or be a little person). But, because of social and cultural notions of beauty standards, people who deviate from them are often made fun of, with some extreme cases of bullying leading to suicide or intense harm.
And me, while not being Japanese or having any deep understanding of the culture, have the impression that the norms there, are way harsher than here on Brazil (or America in general). While, yes, the social pressure and even stigmatization to look a certain way is definitely a problem in all countries, but with some examples like young girls starving themselves a few days before their weighting in health check ups (because they happen in the school and everybody knows everybody’s numbers), lead me to imagine just how the huge damage that can have in someone’s psyche, specially in a young girl.
For the frog effect I imagine it’s in association of feeling ugly in general, or even having acne (as some species of frogs have bumpy skin). Again, very subjective and not even inherently bad, but in associations of stories like the “frog prince” and saying like “ugly as a toad”, there is a cultural stigma with not fitting in visually. And again again, can have an immense impact in one’s mental health, confidence and self esteem.
And for the Poop hair, I have two readings: one in relation of poor hygiene as consequence of debilitating mental health problems, and the anxiety of been seen as stupid. The second one is also pretty self explanatory, it’s not nice to feel like you’re unintelligent. Grading specifically comes to mind, as Japan infamously has a harsh discipline between students by publishing their grades for everyone to see, even low grades. It’s something that already is difficult to deal with, as it feels like a spotlight is put onto you, but also, even more so if someone is struggling with psychological issues, which will discourage them to study at something that they already might be struggling at.
The mental health aspect can also affect the personal hygiene of someone, as mentioned. Some depressive episodes can lead to people not leaving their beds for days, which can lead to unpleasant smells, and in extreme cases even have excretions happen in bed. It’s something that is extremely sensitive to talk about, because it’s a humiliating experience to anybody, but it is a facet of mental health that is often unexplored. While unpleasant, some people may not have the will to get up and clean themselves, while simultaneously being deeply ashamed. Independent if Madotsuki is at that stage, I think she has anxieties of being seen as unhygienic, perhaps even as a burden to her caretakers (another common fear of people in this situation). Some people think her room is the full apartment, but I always saw as just a room, as we don’t see a bathroom or somewhere to cook, and that might explain why it’s pretty clean and organized, despite Mado’s clear debilitating mental health, as her parents would take care of her.
(Unrelated because I’m going to make a silly comment right after such a sensitive topic, but it’s actually insane how some people completely ignore some themes cause they seem stupid or gross, like poop. I know we live in a society that goes “hee hee poop funny ha ha” like those deranged poopie unicorn kids toys, but it’s like. Really important to take things seriously if you want to talk about depression and mental health? I don’t know man, it bothers me how some people sometimes just woobify depression and simply fucking ignore some aspects cause they’re “gross”. Just really dehumanizing. Like people will have sympathy for people who cut, but treat those with such low energy they physically cannot go to the bathroom as freaks. Not that we shouldn’t have sympathy for those who self harm, that isn’t at all what I’m saying, but this condition IS ALSO A FORM OF SELF HARM CAUSED BY EXTREME DEPRESSION. Sigh.)
2.1.6. Long Hair and Blonde Hair
In contrast with the previous effects, these two could indicate what Madotsuki wants to look like, or be seen as. Long hair is considered very feminine through many cultures and also as beautiful, so maybe that’s the desire. Mado’s hair already seems long, due to the pigtails having that length, so maybe it’s something else, like letting her hair free from the braids. Another theory, that relates to the hygiene topic mentioned, it’s that it’s someone common to tie hair up when it’s dirty, but a bun or a ponytail could be uncomfortable to sleep in, while the pigtails would suit much better.
The blonde hair however, many people associate with beauty, and sure it can be beautiful, but in Japan it’s quite uncommon. Once again, dunno much about Japanese culture, but there’s a few examples of people with blonde hair going to Japan and being stared at, mostly cause it’s uncommon, and maybe associated with Gyaru fashion, which can be seen as garish. It’s something that may have been changing currently, with international media and even Japanese celebrities dyeing their hair, but it still seems there’s a social stigma around it. So I’m not really sure how to interpret it. One reading could be that Mado would like to change her appearance, y’know? Just have a big change, I don’t know. This one (and the last 2 effects) kinda leave me stumped a bit.
2.1.7. Lamp and Stoplight
Beside the knife and the Bike, I think these two are the most iconic effects in the game! But beside that I think they can hold a lot of interpretations, from the most surface stuff to some abstract philosophy bullshit.
Starting with the lamp, I think it can either be just that, a lamp with dream logic. But also, I have a few other readings about it. One of them being Madotsuki’s desire to be able to clearly see things, as in being able to understand her struggles and how the world works. Specifically on teenhood, people start to develop a lot of the questionings about how things work, which often is confused with just having and attitude or being rebellious. Being curious about the world and it’s functioning is normal, and it is also extremely common with mentally ill children, because they struggle to understand their negative feelings and wish to “solve” them. By having a lamp as the head, it could mean Madotsuki is trying to be “rational” about her issues, trying to see things fully without any shadows obscuring her perception. If it’s effective is another can of worms, but it’s comforting to a light (explanation) for an issue.
Another theory of the lamp that I have, is that it could possible symbolize how Mado feels about having mental issues, as if it something that everyone can notice, bright and noticeable. Not only an anxiety of being visibility mentally ill a very common anxiety people who are mentally ill worry about, but the heat of the lamp can also bring a new meaning to “burn with shame”.
For the stoplight, I actually side with the people some kind of traffic accident must have happened with Madotsuki (at least) around to witness it. She being able to control how others react may be an indication of how she wish she could actually do that, maybe to stop a traffic accident, maybe to stop someone’s actions that seem malicious, so on. Although it’s something I think I can only explain by going over some of the theories I have.
2.1.8. Umbrella, Hat and Scarf, Towel and Bicycle
These items, to me, don’t need to have specific meaning themselves, as they are very common everyday items and might just be that. I often dream I wear flip flops, but to me it doesn’t feel like a metaphor for anything, as I wear them everyday in my house. So these give me the impression of just that, representation of something that is considered normal and present on her life.
Although, the umbrella, bicycle and hat/scarf could indicate Mado’s desire to go outside. These could also be items that USED to be normal everyday items, but no longer are due to her being stuck insider her room. And highlighting the bicycle on it’s on, it’s a way of transportation that is very freeing, due to the person riding it being the one in control (different from taking the train or a car ride).
In contrast, the towel can be the comfort she feels by being inside and/or the fear of going outside. When using the effect, Mado sneezes, indicating she’s sick, so maybe there’s an association that she gets sick very often, probably by going outside. And that can corroborate the umbrella and hat/scarf, as they would protect her from getting sick (protect her from the outside).
2.1.9. Severed Head, Yuki-onna, Witch and Oni
While these could be an indication of Madotsuki “feeling like a monster”, or displaced, it could easily be an indication of just an interest in the supernatural and fantasy. Specially the witch effect that resembles Kiki from Kiki’s delivery service. I don’t think it’s a stretch to say Madotsuki (and Kikiyama by extent) may be a fan of Ghibli films, given Uboa can also be a reference to No Face.
2.1.10. Neon and Flute
Dude I don’t fucking know. LMAO. Maybe she likes playing the flute and think neons are cool. But for real, they may be simply just that, as again, not everything needs to have a “”deep”” meaning like I have for the others.
But if I HAD to come up with something, I’d say the neon effect is Mado’s desire to be noticed and the flute the desired to either be heard or create something. And both can be an indication that Madotsuki has an affinity for art, given the drastically changing style of her dreams, something that can happen with people who play and experiment with art often.
(ay. i was going to write more but hey i got tired so that's it for today. hope you liked my insane ramblings!)
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Today’s J-fashion wearer is Shabobon from Show by Rock! She wears ocean-themed yume kawaii!
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useless-cast · 2 years
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Ohno, Bocchi is lost in the backrooms!
Bocchi will back to STARRY!?
With the participation of Madotsuki and Kobeni, who also ended up lost for different reasons hehehe
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