#rare*? idk. and the fact i've always known (always!) i'd love myself no matter what. even if sometimes i would be really insecure. i never

[astrxealis]

damn i never thought i'd get into stardew valley this much but here we are !! makes perfect sense tho

[sawamura-daichis-thighs]

For the writer asks! - 5, 8, 14, 19 and 20 💖

ahh, thank you!! ٩(◕‿◕)۶💖

meta asks:

5. What character that you’re writing do you most identify with?

I'm primarily writing for JJK (& a bit of Haikyuu!! too) atm, so I'd have to say Megumi. He's always struck me as a more introverted character than broody or stoic; he's pragmatic but has moments where emotion overrides his logic, cares so much about his few close family/friends, and is developing confidence in himself/his abilities, all of which I can definitely relate to. Also, we both think Yuuji is the epitome of goodness and sunshine, so there's that lol.

8. Is what you like to write the same as what you like to read?

Overall, yeah! Sometimes I get in a mood for some light angst, but not often, which is why the majority of my fic is hurt/comfort and fluff. I also enjoy reading long fic, as well as fantasy AUs (I'm actually a huge sucker for pirate/mermaid AUs!), though I don't really write them myself anymore.

14. At what point in writing do you come up with a title?

Oof, usually at the end right before posting. Very rarely do titles make themselves known to me beforehand or during a fic. I usually just browse through my pretty words tag until I find something that feels right lol. I think plant kisses like seeds and love's only demand is that we fall are the only titles that were 100% known before the fic(s) were written.

19. Is there something you always find yourself repeating in your writing? (favourite verb, something you describe ‘too often’, trope you can’t get enough of?)

For sure! Y'all know I love tropes like first kisses, friends-to-lovers, sharing a bed, and nightmare-induced h/c. I've written a couple of fics using some variant of the phrase "hands out in front of [them] like [they're] placating a wild thing", because the symbolism of earning the trust of a frightened creature in relation to emotionally fragile characters is just *chefs kiss* to me, and I know I use "startled out of [their] reverie" a lot. I give a lot of attention to describing heartbeats and eyes too, I think. (Sometimes I get a little too in my head about it when I realize I'm reusing the same tropes/adjectives/phrasing but I figure that's just my writing style.)

20. Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)

Ugh, I wish I could answer this question for LOD because I could probably ramble about that for a while, but since it's not published yet I hope this is okay! I remember writing this section of on purpose, i love him and wondering if anyone would catch on to the double-meaning:

Love is the greatest curse of all, he remembers Gojo saying once, not directed at Megumi but hollow beneath his breath as if he were reminding himself, and although his eyes had been covered Megumi could tell his gaze was far away, focused on some distant memory that he couldn’t begin to imagine. Of all the lessons Gojo’s taught him over the years, this is the one that Megumi understands best.

He fell in love with a dead man, after all. The fact that he manages to return doesn’t make that fact any less true. Still, despite knowing this can only end in tragedy, Megumi chooses Itadori anyway. Grabs on with a white-knuckled grip and refuses to let go no matter the inevitable agony because Megumi’s a sorcerer and sorcerers exist to exorcise curses and Itadori Yuuji the boy deserves to be loved wholly.

Which is that Megumi, as a sorcerer, intends to exorcise the "curse" of love by allowing himself to love Yuuji unconditionally (Idk if that makes sense??). Also, it's a bit of a parallel to SatoSugu's relationship, though ItaFushi's is (hopefully) headed for a better endgame.