#raphaël pirenne

[worldfoodbooks]

IN THE BOOKSHOP: but also now totally out of print, last copies of "ALLEGORY OF THE CAVE PAINTING" from last year are in the bookshop. Edited by Mihnea Mircan & Vincent W.J. van Gerven Oei and with contributions by Haseeb Ahmed, Ignacio Chapela, Justin Clemens, Georges Didi-Huberman, Jonathan Dronsfield, Christopher Fynsk, Vincent W.J. van Gerven Oei, Natasha Ginwala & Vivian Ziherl, Adam Staley Groves, Sean Gurd, Adam Jasper, Susanne Kriemann, Brenda Machosky, Mihnea Mircan, Alexander Nagel, Rosalind Nashashibi, Tom Nicholson, Jack Pettigrew, Raphaël Pirenne, Susan Schuppli, Lucy Steeds, Jonas Leonard Tinius, Marina Vishmidt, Christopher Witmore, and Khadija von Zinnenburg Carroll. A 2010 archeological study found that the prehistoric Gwion Gwion paintings in Australia, whose chromatic vividness contrasts with their age and their exposure to sun and rain, are inhabited by “living pigments.” A symbiotic biofilm of red cyanobacteria and black fungi sustains a process of permanent self-painting, while also etching the pictures deeper into the quartz wall. The texts commissioned for the reader respond, from a variety of disciplinary perspectives, to an idiosyncratic temporality and economy—or ecology—of signification. Descending from an inscrutable past to the same extent that they are made now, in a radical contemporaneity, the Gwion Gwion are examined as an allegorical metabolism that generates new articulations of “art” and “life,” contamination and purity, prehistory and modernity, bacterial and human colonies, lost knowledge and scientific advancement—collaborative relations between antonyms, altered schemas of “origin” and “identity.” A very interesting volume that has quickly disappeared from print too soon. Available via our website now. 10% off web orders today! #worldfoodbooks #allegoryofthecavepainting (at WORLD FOOD BOOKS)

[leabeaubois]

Dear Brusselers, you can now find "Misssouri Super School" at Wiels bookstore, Filligrane, Peinture Fraiche, a book starring Aude Anquetil, LéaBeaubois, Bérénice Beguerie, Guillaume Boutrolle, Sophie Boiron, Pierre Huyghebaert, Stephanie Cherpin, Yann Chevallier, Béatrice Delcorde, David Evrard, Alberto García del Castillo, Jill Gasparina, Victor Givois, Clement "Jugement" Hebert, Laurent Le Deunff, Quentin Lemarchand, Justin "Commodore" Liebermann with Art Student Collective, Mélissa Médan, Kaliane Meret, Raphaël Pirenne, Emilie Pitoiset, Georgia René-Worms, BadiRezzak & Nelson Louis, Leslie Ritz, Wilken Schade, Alexander Schellow, Julien Sirjacq, Georgina Starr, Joelle Tuerlinckx, Nicolas Valckenaere, TomValckenaere, Laure Vigna, Lauren van Haaften-Schick, Mathilde Villeneuve, Adva Zakai.  Edition Le Confort Moderne. 

Distribution Les Presses du Réel.

[str9led]

Making-of | Santa & Cie : all VFX from Mikros on Vimeo.

SANTA & CIE

Superviseur VFX : Hugues Namur Producteur VFX : Stéphanie Dubois Superviseur 2D : Lucie Bories, Barthélémy Beaux Superviseur 3D : Janine Smith, Alexandre Rouil Superviseur 3D assets & lighting : Antoine Carlon Superviseur décors numériques: Christophe Courgeau Superviseurs animation : Alexandre Sauthier, Augustin Paliard Producteur VFX associés : Simon Descamps, Gaël Durant, Géraldine Thiriart Coordinateurs de production: Alice Neichols, Frédéric Jupin, Céline Marsais, Loïc Poës Coordinateurs I/O: Frédéric Geffroy, Jérémy Beaulieu Producteur exécutif : Frédéric Groetschel Directeur des productions : Edouard Valton Leads 3D : Romain Bavent, Thomas Haas, Boris Kaufmann Graphistes 3D : Jérémy Ageron, Mathias Barday, Hélène Fréry, Yvan Galtié, Victoria Léger, David Madureira, Louis Maëro, Fanny Marguerie, Julie Marguerie, André “Dédé” Monteiro, Clément Morge, Christophe Plouvier, Kaly Rakotondrasao, Medhi Rami, Marion Respaud, Stéphane Richez, William Tayssier, Robin Triton Animateurs : Samuel Durand, Laura Foglino, Cédric Jeanne, Elodie Lenaerts, Renaud Mégange, Grégory Mougne, Edgardo Ronquillo, Eléonore Saveri, Marine Sisnaki, Jérémy Soudjoukdjian, Clémentine Supiot, Coline Tomala, Jérémie Vidal Modélisation, textures : Adrien Courouble, Pierre Gilles, Johan Laurent, Yann Vlamynck Simulations FX : Benjamin Lenfant, Malik Nahassia, Raphaël Tillie, Matthieu Kornacki, Flora Andrivon, Alejandra Lopez Leads décors numériques : Guillaume Provôt, Benjamin Bardou Décors numériques : Matthieu Arnauld, Vincent Audineau, Benoît Duroi, Michael Etienne, Alexia Ferry, Jessica Ferry, Tristan Février, Sophie Gabay, Pierre Jury, Alexandre Laroumet, Hadrien Ottevaere, Thomas Revidon Leads compositing : Romain Bavent, Christophe Duflaut, Antoine Jannic, Jeanne Loyer, Guillaume Provôt, Olivier Raveneau, Alexis Turbé Graphistes compositing : Marie Barallon, Adrien Bauve, Etienne Bolo, Théo Cocagne, Thomas Cureaux, Lucie Delvaux, Adrien Garcia, Gilles Giordan, Fabien Husselin,Louise Leclercq, Neila Ouahmed, Julien Pierret, Sébastien Podsiadlo, Steven Raudin, Olivier Raveneau, Mehdi Tessier, Cédric Blondelle, Pierre Capacchi, François Crèvecoeur, Morgan Fontana, Philippe Frère, Morgan Hardy, Clément Liégeois, Ugo Pierantoni, Benoit Pirenne, Damien Welsch, Benjamin Zurstrassen Références visuelles : Ilona Bonjean, Jean-Yves Parent Equipe TD : Alexis Oblet, Elisa Prana, Clément Champetier, Alexandra Lefève-Gourmelon, David Haguenauer, Mokhtar Henni, Quentin Guittard Support IT : Bünyamin Cetinkaya Equipe support : Virgile Allais, Fabien Capron, Vivien Corvazier, Jonathan Del Campo, Anais Gastaud, Vincent Le Furaut, Jérôme Mandray, Jeff Neglokpe,Yanis Sibah, Joris Urban Equipe planning : Taous Ait-Idir, Christine Donatien, Isabelle Renaud

Montage Making-of : Léa Latassa Musique : The Time To Run (Finale) by Dexter Britain

[ergoteradio]

Portes Ouvertes de l'erg : Conversation sur l'articulation entre la théorie et la pratique

https://www.mixcloud.com/Ergote_Radio/portes-ouvertes-de-lerg-conversation-sur-larticulation-entre-la-th%C3%A9orie-et-la-pratique/

"Il faut oublier le terme de relation dialectique entre pratique et théorie et tenter d'activer d'autres modes de relations" Raphaël Pirenne et Alain François ont discuté sur le projet de l'erg d'articuler théorie et pratique. ...la fin de l'entretien a été perdue suite à des soucis techniques, on est désolé !

[str9led]

Making-of | Santa & Cie : séquence 118 from Mikros on Vimeo.

SANTA & CIE

Superviseur VFX : Hugues Namur Producteur VFX : Stéphanie Dubois Superviseur 2D : Lucie Bories, Barthélémy Beaux Superviseur 3D : Janine Smith, Alexandre Rouil Superviseur 3D assets & lighting : Antoine Carlon Superviseur décors numériques: Christophe Courgeau Superviseurs animation : Alexandre Sauthier, Augustin Paliard Producteur VFX associés : Simon Descamps, Gaël Durant, Géraldine Thiriart Coordinateurs de production: Alice Neichols, Frédéric Jupin, Céline Marsais, Loïc Poës Coordinateurs I/O: Frédéric Geffroy, Jérémy Beaulieu Producteur exécutif : Frédéric Groetschel Directeur des productions : Edouard Valton Leads 3D : Romain Bavent, Thomas Haas, Boris Kaufmann Graphistes 3D : Jérémy Ageron, Mathias Barday, Hélène Fréry, Yvan Galtié, Victoria Léger, David Madureira, Louis Maëro, Fanny Marguerie, Julie Marguerie, André “Dédé” Monteiro, Clément Morge, Christophe Plouvier, Kaly Rakotondrasao, Medhi Rami, Marion Respaud, Stéphane Richez, William Tayssier, Robin Triton Animateurs : Samuel Durand, Laura Foglino, Cédric Jeanne, Elodie Lenaerts, Renaud Mégange, Grégory Mougne, Edgardo Ronquillo, Eléonore Saveri, Marine Sisnaki, Jérémy Soudjoukdjian, Clémentine Supiot, Coline Tomala, Jérémie Vidal Modélisation, textures : Adrien Courouble, Pierre Gilles, Johan Laurent, Yann Vlamynck Simulations FX : Benjamin Lenfant, Malik Nahassia, Raphaël Tillie, Matthieu Kornacki, Flora Andrivon, Alejandra Lopez Leads décors numériques : Guillaume Provôt, Benjamin Bardou Décors numériques : Matthieu Arnauld, Vincent Audineau, Benoît Duroi, Michael Etienne, Alexia Ferry, Jessica Ferry, Tristan Février, Sophie Gabay, Pierre Jury, Alexandre Laroumet, Hadrien Ottevaere, Thomas Revidon Leads compositing : Romain Bavent, Christophe Duflaut, Antoine Jannic, Jeanne Loyer, Guillaume Provôt, Olivier Raveneau, Alexis Turbé Graphistes compositing : Marie Barallon, Adrien Bauve, Etienne Bolo, Théo Cocagne, Thomas Cureaux, Lucie Delvaux, Adrien Garcia, Gilles Giordan, Fabien Husselin,Louise Leclercq, Neila Ouahmed, Julien Pierret, Sébastien Podsiadlo, Steven Raudin, Olivier Raveneau, Mehdi Tessier, Cédric Blondelle, Pierre Capacchi, François Crèvecoeur, Morgan Fontana, Philippe Frère, Morgan Hardy, Clément Liégeois, Ugo Pierantoni, Benoit Pirenne, Damien Welsch, Benjamin Zurstrassen Références visuelles : Ilona Bonjean, Jean-Yves Parent Equipe TD : Alexis Oblet, Elisa Prana, Clément Champetier, Alexandra Lefève-Gourmelon, David Haguenauer, Mokhtar Henni, Quentin Guittard Support IT : Bünyamin Cetinkaya Equipe support : Virgile Allais, Fabien Capron, Vivien Corvazier, Jonathan Del Campo, Anais Gastaud, Vincent Le Furaut, Jérôme Mandray, Jeff Neglokpe,Yanis Sibah, Joris Urban Equipe planning : Taous Ait-Idir, Christine Donatien, Isabelle Renaud

Montage Making-of : Tchook

[worldfoodbooks]

IN THE BOOKSHOP: but also now totally out of print, last copies of "ALLEGORY OF THE CAVE PAINTING" from last year are in the bookshop. Edited by Mihnea Mircan & Vincent W.J. van Gerven Oei and with contributions by Haseeb Ahmed, Ignacio Chapela, Justin Clemens, Georges Didi-Huberman, Jonathan Dronsfield, Christopher Fynsk, Vincent W.J. van Gerven Oei, Natasha Ginwala & Vivian Ziherl, Adam Staley Groves, Sean Gurd, Adam Jasper, Susanne Kriemann, Brenda Machosky, Mihnea Mircan, Alexander Nagel, Rosalind Nashashibi, Tom Nicholson, Jack Pettigrew, Raphaël Pirenne, Susan Schuppli, Lucy Steeds, Jonas Leonard Tinius, Marina Vishmidt, Christopher Witmore, and Khadija von Zinnenburg Carroll. A 2010 archeological study found that the prehistoric Gwion Gwion paintings in Australia, whose chromatic vividness contrasts with their age and their exposure to sun and rain, are inhabited by “living pigments.” A symbiotic biofilm of red cyanobacteria and black fungi sustains a process of permanent self-painting, while also etching the pictures deeper into the quartz wall. The texts commissioned for the reader respond, from a variety of disciplinary perspectives, to an idiosyncratic temporality and economy—or ecology—of signification. Descending from an inscrutable past to the same extent that they are made now, in a radical contemporaneity, the Gwion Gwion are examined as an allegorical metabolism that generates new articulations of “art” and “life,” contamination and purity, prehistory and modernity, bacterial and human colonies, lost knowledge and scientific advancement—collaborative relations between antonyms, altered schemas of “origin” and “identity.” A very interesting volume that has quickly disappeared from print too soon. Available via our website now. 10% off web orders today! #worldfoodbooks #allegoryofthecavepainting (at WORLD FOOD BOOKS)

[worldfoodbooks]

IN THE BOOKSHOP: but also now totally out of print, last copies of "ALLEGORY OF THE CAVE PAINTING" from last year are in the bookshop. Edited by Mihnea Mircan & Vincent W.J. van Gerven Oei and with contributions by Haseeb Ahmed, Ignacio Chapela, Justin Clemens, Georges Didi-Huberman, Jonathan Dronsfield, Christopher Fynsk, Vincent W.J. van Gerven Oei, Natasha Ginwala & Vivian Ziherl, Adam Staley Groves, Sean Gurd, Adam Jasper, Susanne Kriemann, Brenda Machosky, Mihnea Mircan, Alexander Nagel, Rosalind Nashashibi, Tom Nicholson, Jack Pettigrew, Raphaël Pirenne, Susan Schuppli, Lucy Steeds, Jonas Leonard Tinius, Marina Vishmidt, Christopher Witmore, and Khadija von Zinnenburg Carroll. A 2010 archeological study found that the prehistoric Gwion Gwion paintings in Australia, whose chromatic vividness contrasts with their age and their exposure to sun and rain, are inhabited by “living pigments.” A symbiotic biofilm of red cyanobacteria and black fungi sustains a process of permanent self-painting, while also etching the pictures deeper into the quartz wall. The texts commissioned for the reader respond, from a variety of disciplinary perspectives, to an idiosyncratic temporality and economy—or ecology—of signification. Descending from an inscrutable past to the same extent that they are made now, in a radical contemporaneity, the Gwion Gwion are examined as an allegorical metabolism that generates new articulations of “art” and “life,” contamination and purity, prehistory and modernity, bacterial and human colonies, lost knowledge and scientific advancement—collaborative relations between antonyms, altered schemas of “origin” and “identity.” A very interesting volume that has quickly disappeared from print too soon. Available via our website now. 10% off web orders today! #worldfoodbooks #allegoryofthecavepainting (at WORLD FOOD BOOKS)