#quick aside but its related the end theme for this show has literally no right to be so good oh my god.....

[chalkrevelations]

WELL. Episode 3 of Word of Honor.

First of all: If you are NEW or JUST VISITING, this is a re-watch, so there are SPOILERS not just for this ep, but for the ENTIRE SHOW. A lot of them, actually. Scroll away and come back later if you haven’t seen all 36.5 eps and want to watch it unspoiled.

So, this ep feels a little disjointed. I don’t think it actually is, not in the way the back nine are a speedrun where the writing starts to feel like it’s thisclose to coming off the rails, but it feels like it, in that we’re now getting a double handful of threads thrust at us that are only just starting to be woven together into a plot, and it’s the kind of hot mess that any fiberwork looks like before the pattern starts to show itself, particularly when you’re using 15 different color threads from jump. There’s generally a major theme or issue or overriding concept that stands out to me in each ep that, you may have noticed, gets primacy of place in these reactions, but honestly, y’all, I really struggled to figure out what that might be for this episode, because a lot of this, on re-watch, strikes me as groundwork for later developments. Wen Kexing gives us an “as you know, Bob” speech about the Amory and the Glazed Armor, we meet approx. 3.2K new characters, and I feel sort of like I should start keeping a chart of who’s supposed to have a piece of the Glazed Armor and who actually does have a piece of the Glazed Armor, but it’s already so confusing that it might be too late.*

ANYWAY, on re-watch, I can absolutely see the value of spending Eps 1 & 2 on introducing us to Zhou Zishu and Wen Kexing and getting us pulled into their orbit, because then we have scenes we’re already invested in to maintain our interest as the background politics begin to frustratingly play out with a bunch of people we don’t know or have any investment in yet. I mean, y’all. I forgot just what an ill-tempered gremlin ZZS was in these early eps. He is so fk’n put out that these people will not let him drink himself to death in the gutter in peace! Or, you know, in occasional Nightly Nails Torment. And the exasperation from both ZZS and Chengling over WKX’s antics – both of their faces are priceless in the scene when they discover he’s the one who’s bought out all the rooms at the inn. I literally lol’d. Again. Even knowing it was coming. All of this interaction is so delightful. This is actually the ep that provoked my very first WoH keysmash flailing Tumblr post and inaugurated the “wen kexing’s thirst is practically a third character” tag. I guess the biggest throughline for this ep is that we can continue to see how everything changes when we know about their previous relationship – things like WKX’s insistence that they have a “deep bond through fate” take on additional layers of meaning rather than just sounding like some dude who’s trying to pick you up at last call. Interesting that ZZS describes WKX at one point during their push-pull conversational dance as “like a wretched soul that keeps haunting around.” You mean, like a GHOST? Like a Ghost Valley ghost? Like the almost forgotten memory of a past life ghost? ZZS wants to know why WKX keeps following him around, and it would be nice if WKX would just come clean, but that would be too easy, wouldn’t it?

ZZS, re: Chengling: I do my best to ensure what was entrusted to me.

WKX: :makes (already! in ep 3!) yet another in a series of bad decisions not to say anything about the fact that he, himself, was in fact entrusted to ZZS:

Show: Here’s the first of many helpings of heartache to come. EAT IT. EAT IT ALL.

(Me: Well, here’s another AU idea: What would the course of this relationship be like if WKX flat-out asked ZZS what ZZS’s relationship to Four Seasons Manor was, and bare-faced claimed sanctuary as long-lost shidi Zhen Yan at this point? Because I bet there are plenty of ways that could actually go wrong. Not to mention the deliciousness of just watching them navigate a relationship shift that sudden. I feel like, at this point, WKX would have to be actively confrontational about it, would have to throw it in ZZS’s face – it would need to be something he did in the heat of anger, in order to have this pushed out past all of his fears. Like, you say that, but where were you when I needed you? Also, you think so, well what if your responsibility actually turned out to be the TERRIFYING GHOST VALLEY MASTER, what then, huh? And ZZS, still pretty actively suicidal over all of his failures, having to deal with what’s now being presented as YET ANOTHER FAILURE.)

Also, the theme of “knowing” (zhiji, the one I know) is starting to slide in sideways – we’re seeing a lot of back and forth between them asking about seeing the other’s “true face.” WKX says that he’ll tell ZZS what he (WKX) wants from him once he gets to see ZZS’s true face (LIES, it’s going to take a lot longer than that). ZZS asks to see WKX’s figurative true face, and WKX looks kind of sad and contemplative as he warns that it may be unappealing or terrifying. So, you know, we’re starting to poke at all the softest, most tender places and the issues that are going to stab me repeatedly in the heart for the rest of the show. We’re also already seeing the way Xiao Chu just layered in references throughout the script when she wrote it that call back to each other – it’s like almost any line of dialogue references three other lines of dialogue (and that’s without even getting into all of the literary references that I’m missing because I don’t have cultural context). You get things like WKX’s little speech right at the end that it’s hard to tell a ghost from a human, which on its face might be referring to the two “ghosts” that were coming for Chengling that he took care of and act as an admonishment to ZZS not to be so quick to assume they’re actually from Ghost Valley, but it also refers to WKX, himself, and specifically lays the groundwork (“someone wearing a ghost mask is not necessarily a ghost”) for his conversation in a later ep with ZZS when he asks if ZZS thinks he’s a good person, and also calls back (“someone who looks human may not be human”) to the line from earlier in this ep, itself, when WKX tells ZZS that perhaps WKX’s true face is terrifying. And so we get a nicely little wrapped package of the dichotomy of WKX and his issues. (As a somewhat related aside, A-Xiang’s little face when Zhou Zishu says all of the ghosts of Ghost Valley are full of evil (at 6:55). D: This reaction is obviously for herself, but also may be the first time she acts as proxy for Wen Kexing, as well.)

What else, what else?

So, nobody has a good opinion of the jianghu. WKX is going to be constantly all, “You killed my father, jianghu, prepare to die,” but ZZS also goes off about how it’s just about greed, hatred and ignorance, and yeah, I guess he’d have a pretty bad impression of it, when Prince Jin and Tian Chuang seemed like a better option than the pressure he was facing, trying to keep Siji Manor Sect alive back in the day. We talk a lot about WKX’s childhood trauma, because it’s so awful and right in our faces, but I don’t know how much we actually talk about the fact that ZZS was a teenager not much older than Chengling when he inherited a sect and tried desperately to keep it from being torn apart by the rest of the jianghu. I think we see some bitterness come out in the first few episodes – frankly, in this ep, he doesn’t seem to make much of a distinction between Ghost Valley and the rest of the jianghu. Also interesting that the metaphor he uses about the jianghu’s and Ghost Valley’s greed for the treasures of the Armory is “reaping without sowing,” given what we find out is actually in there in Ep 36.

We see our metaphor of light get pulled out again – this throughline strikes me as more like beads on a string than a thread, at this point, but maybe I’ll notice it more on this second time through … Anyway, WKX’s comment at 9:11 that it’s almost dawn is notable. Indeed, but is it because your plan is beginning to work and you can see the destruction of Ghost Valley and the jianghu coming down the pike, or is it because you’ve found your shixiong?

I notice WKX has color-coordinated ZZS and Chengling in the robes he bought for them, has already grouped them together, marked them as belonging to each other – he’s already subtly treating them as each other’s family. The show, with a particular lack of subtlety, also will have ZZS there to wake up Chengling from nightmares later in the end of the ep, as Chengling calls out for his dad in his sleep.

OK, Deng Kuan is the guy in charge of the Yueyang sect contingent that arrived in time to see the Mirror Lake chaos in Ep 2 and has taken charge of cleaning up the bodies in this ep. I actually overlooked him, pretty much, the first time around, but here, he’s already got Shen Shen yelling at him (in a completely ridiculous fashion) for not getting there in time to save the Mirror Lake Sect, so he’s just going to be a punching bag through the whole show, apparently. Shen Shen is wu-di, fifth (little) brother, and he refers to Chengling’s dad as si-ge, fourth (older) brother, so Shen Shen appears to be the youngest of the Five Lakes sworn brothers, leading me to believe that some of what makes him so insufferable through a lot of the show is baby brother syndrome. Also, Shen Shen and his group find the Soul Winding Threads of the Hanged Ghost … supposedly. I mean, the Hanged Ghost was the guy who we saw get got in Ep 1, soooooo …. (remember these Soul Winding Threads, btw).

*This got super long so I’m’a put this last bit under a cut, but I did try to start a running tally of who’s holding a piece of the Glazed Armor:

Each of the Five Lakes Alliance sects is supposed to have a piece of the Glazed Armor, yes? So, as of the end of Ep 3 (hierarchical bro-titles are from didi Shen Shen’s POV):

- Yueyang Sect, led by Gao Chong (da-ge) - presumably still has his

- Tai Hu Sect, led by Zhao Jing (er-ge) – presumably still has his

- Danyang Sect, led by Lu Taichong (san-ge, presumably) – apparently the sect has already been attacked off-screen (by “Ghost Valley?” and WHEN?), as we learn in Ep 3 that Lu-zongzhu has been killed and his remaining two tiny disciples have fled to the protection of Ao Laizi and Tai Shan Sect, one of the lesser sects, and are believed to have taken Danyang’s Glazed Armor with them. We learn this from Tao Hong, Lv Liu and Begger Gang Chief, but I notice that Gao Chong only mentions the Mirror Lake massacre as the precipitating event for the Hero’s Conference and total war on Ghost Valley – he doesn’t even mention Danyang Sect, so does Five Lakes not know about this yet?

- Mirror Lake Sect, led by Zhang Yusen (si-ge) – Zhang-zongzhu killed by “Ghost Valley” in Ep 2, Glazed Armor “missing” and speculated POST EP 2 to have been taken by Ghost Valley (but will turn up in a few eps, thanks to our little Goldbean)

- Dagu Shan Sect, led by Shen Shen (wu-di) – presumably still has his

And then we move to:

- Tai Shan Sect, led by Ao Laizi – in-world speculation is that he now has the Danyang Glazed Armor. We do see him near the end of the ep with the two tiny Danyang shidi, where he makes the intriguing comment that he’s going to follow their shifu’s last wishes and keep their Glazed Armor from falling into the hands of the Five Lakes Alliance, so what exactly was going on between San-ge and his sworn brothers at the time of his death? This group also is apparently being pursued by Shen Shen to get their Glazed Armor, and they make him sound awful. You need better PR, Shen Shen.

- Ghost Valley – POST EP 2, speculated to have taken the Mirror Lake Glazed Armor (FALSE)

NOTABLY, “Ghost Valley Master” set a lot of this chaos in motion in Ep 1 when he claimed that Hanged Ghost (who got got a scene earlier) had stolen HIS piece of the Glazed Armor, although he shouldn’t have a piece (supposedly) until after Ep 2, when he’s believed to have taken Mirror Lake’s. So, what piece would that be, exactly, Terrifying Ghost Valley Master? You wouldn’t be lying in pursuit of chaos would you? (Somewhere, WKX gasps theatrically behind his fan, and he doesn’t even know what motivated it, this time.)

[dappercritter]

Once More Unto the Bre-er, Black, I Guess:

Quick Thoughts on that Pacific Rim Anime

Having given into my curiosity, I have decided to start watching Pacific Rim: The Black.

While, I am still skeptical of the significantly darker tone and how much farther they’ll take it before it becomes unwatchable, I am pleasantly surprised that that’s not all there is to it. The series is going to some bleak places, make no mistake, and this will no doubt turn off those who want lighter and more uplifting fare from their Pacific Rim content. But I was pleasantly surprised to see that the series has a good dose of heart and wit—with colour to boot! So far the series feels like an enjoyable blend of the pathos and heart of the first movie, with the escalated stakes and saturated colour and sense of humour of the sequel.

In a way it feels like a welcome change of pace and a course correction of sorts: It learns from the mistakes of Uprising while building on the foundation the original set in place.

The characters and story already have me engaged. Right from the get-go, you get a sense of how dire this fight is, being plunged right into the action at its most intense. You feel the stakes even before anything that serious has happened yet. The Travis family already shows a healthy balance of resolve, charm, and angst that even at it’s earliest, you can’t help but care for these folks. Hayley already strikes me as my favourite for her spunk and her soft-heartedness. Taylor is a bit rougher around the edges and can feel bit like a jerk at times, but he’s got just as much of a heart, and you quickly learn why it’s hardened.  Loa is already stealing the show, as you can imagine a snarky mecha AI would. The first training scene gets special mention just for how hilariously inspired it feels.

When the tragedy does strike—and believe me, friends, it strikes fast here—you will be caught off-guard. I won’t ruin the surprise because I don’t want to overhype it or spoil it for anyone who wants to watch it too, but in short, you are lulled in a sense of secure tranquility. You get the feeling that things aren’t so bad where the story starts off. You get to know the other characters just a little bit, but you get a real sense of connection between everyone. Then just as when things seem to be getting fun, things take a drastically dark turn. There is a shocking loss, that while sterile in some ways, makes it clear right off the bat, that no one is safe in this world and it sticks.

Ordinarily, I’m not one for tragedies, but after Polygon’s last giant monster-based sci-fi tragedy, the infamous Godzilla Earth anime trilogy, it feels like a drastic even welcome improvement. In Gen Urobochi’s controversial high sci-fi take on the King of the Monsters, you got a barebones story where everything was either inferred, vague, or explained in an almost unbearable level of technical detail. You never got to see things at their best, or got an idea of what there was to care about or fight for. There was virtually no sense of connection between anyone, or a feeling that this universe was lived in. The characters had no real personality, defined almost entirely by their archetypes and positions, and some looked almost indistinguishable from one another. Here, the writing, art direction, and character design, all come together to create an undeniable sense of life. That’s right: not only is this an improvement over a Pacific Rim movie, but it’s an improvement over three whole Godzilla movies from the same studio. (Although having a Western writing team who is more accustomed to character tics and interactions probably helped in that regard.)

That said, the art and animation do leave some things to be desired. Again, while Polygon is clearly improving in some areas, this is pretty standard fare for them. While the character designs are nicely made and the cinematography easy on the eyes, with some shots looking beautifully rendered that I mistook a CG character for a 2D one at least twice, there are still some framerate and composition problems that stick out like sore monster thumbs. While only momentary, I did notice that sometimes the framerates for character movement would jump from smooth for a shot or two and then return back to Polygon’s normal stiff one immediately after, and while the backgrounds are beautiful sometimes it easier to tell there are CG characters walking on 2D pictures than others. Especially when it looks like the they are literally walking on a flat service at an angle.

Moreover, while the kaiju and jaeger design continue to impress in Pacific Rim fashion, they do feel like they suffer from similar problems as Uprising had. The jaegers you see in the opening and the main jaeger, Atlas Destroyer included, continue the trend of smoother and more vibrantly coloured mechas in the vein of Striker Eureka and G Danger/Avenger than the more characterized, robotic designs of the original, and if not for Atlas’s striking colour scheme and unique status as an unarmed training jaeger, probably would not stand out from any of the others. The kaiju are all looking good—and come from rifts that open on the mainland rather than the ocean this time—with distinctive new outlines and even new species for some added peril, but they do lack the monstrous alien aesthetic of the original movie’s monsters in some places, but not enough so to bother you. Although you will be wondering when the Precursors (or whoever made them, because Boy, does this show raise some questions fast) thought straight-up giant shrink-wrapped Dobermans were they way to go when it came to picking off humans, or when they decided to experiment with their colour palette. Most jarringly though, while the show does it’s best to regain that sense of weight and scale Jaegers had in the original film, they still feel lighter and faster like in Uprising, but with Polygon’s suddenly fluid framerate and stiffer range of motion, it might just stick out more here.

The music is alright. I’m not a fan of the subdued opening title music. I get it supposed to set the mood for the dire and dramatic tone and while it does, it also feels strangely too serious for a show from a franchise with as much punch as Pacific Rim. The main titles themselves are alright too, but they’re nothing too special. There’s some cool imagery and the stills of kaiju fighting jaegers remind me of the opening and end credits of the first movie, but some of looks less rendered than other parts and a lot of it feels just bland. (In short, my thoughts have improved since I first saw it, but not by much.) The series soundtrack itself is fine—it has a somewhat similar feel to the films’ scores but it’s also has some stock cues sprinkled throughout. So not much to talk about at the moment. The end theme is pretty good, since it reminds me the most of the original movie’s main theme. Hopefully we’ll get more of that.

I think my biggest gripe is one that simply cannot be overcome. The name: Why is it just “The Black”? Race-related jokes and unfortunate implications aside, it is just dumb. Bland. Uninspired. It reeks of trying too hard to seem nuanced and dark, but it just makes sound like it will be generic grimdark pretentiousness. Which is especially damaging when that is clearly not the case here. Even in the story, it makes no sense. From what I can tell about the plot and world so far, there was literally nothing stopping them from calling it “The Blackout”, which would have just been so much more appropriate. And don’t tell me “Pacific Rim: The Blackout,” wouldn’t sound even cooler.

(Or perhaps “The Mucky-Muck,” but maybe that’s just my Tenacious D fan-brain speaking.)

TLDR; the show definitely has it’s flaws and I’m concerned how far they’ll take the darkness with the series, but it’s pleasantly surprised me in a lot of ways. I look forward to seeing where it goes.

[felicia-cat-hardy]

My 'Pretty Little Liars' Obsession Led Me To My Best Friend

“Got a secret, can you keep it?” Well, I’ve got one: Though Pretty Little Liars ended in 2017, the seven-season mystery thriller schemed its way into being an integral part of my life for the long haul, so much so that the opening credits live in my head rent-free. To this day, each time I hear the sinister theme song — “Secret” by The Pierces — I’m brought right back to my childhood comfort show (ahem, obsession). The visuals begin with a swipe of mascara, the smear of red lipstick, and a clasp of a heel onto a porcelain doll, which makes me feel like I’m watching someone get pampered for prom. Until, of course, it cuts to four girls standing in front of a casket. It's a chilling moment, one that, until Season 6B, ended with Aria Montgomery (Lucy Hale) delivering her iconic “shh.” I got cast under the show’s spell the first time I saw it, and I wasn’t the only one: Pretty Little Liars led me to my best friend.

Ironically, plotlines about deceit and betrayal actually helped ignite a long-lasting friendship. In 2011, the only other person I knew to be watching PLL was my now-BFF, Taylor, who’s been by my side for over a decade. We were only about 11 and 12 when it premiered, so shout out to our parents for letting us watch a show that dealt with very adult themes like substance use disorder, assault, and grief. Unlike our classmates, who watched tween-appropriate hits like iCarly and Victorious, we became PLL stans.

As fans know, the show is loosely based on the Sara Shepard YA series of the same name, and the first book was my entry point into the PLL universe. I loved reading about blackmailers and murderers navigating high school, but I thought I was the only one who was into it. (Was this my ~I’m different~ complex showing, or were my peers just naturally more inclined to recap Dance Moms? I’ll never know.) So, Taylor first struck up a conversation with me at school because she spotted the first PLL book on my desk — you know, the one painted with porcelain wax dolls warning to “never trust a pretty girl with an ugly secret” in a Gothic script. She asked if I’d watched the TV adaptation yet and we immediately exchanged phone numbers to text about upcoming episodes. We then fell into the fandom. Fast.

I’d never talked to Taylor before this interaction — we had only been in a few classes together — but I always saw her as approachable and friendly. Universally, the beginning of middle school is a big and terrifying year when kids from different elementary schools unite. Eager to meet new people, I reached for friendship at any chance I could get. Taylor made it easy. Aside from being a genuinely kind person (a rare trait for a middle schooler!), she was fangirling over the same thing as me.

Fast forward over a decade later, and the show still feels timeless, especially in its accurate depictions of how dramatic high school can get. It’s no surprise there’s a PLL HBO Max reboot on the way along with the remakes of other buzzy shows from that era (hello, 2010s nostalgia). Ah. It was a simpler time. Back then, Freeform was still ABC Family and for me, Tuesdays meant one thing: PLL is on. What first started as a solo viewing experience soon became a designated hangout time, a time slot reserved for me and Taylor to gush over how much we loved Ashley Benson. (We still do!)

The series had a vibe similar to Gossip Girl or Bridgerton in that a mysterious, unidentifiable pot-stirrer keeps fans guessing each episode, but it was arguably so much better since “A,” the anonymous villain, is out for, you know, murder. Ultimately, it was the type of whodunit that made me and Taylor (and millions of viewers) go down a couple of Reddit rabbit holes — remember the “Aria is A” suspicion? — and this is where my and Taylor’s experience with fan theories began.

Oh, and let’s not forget the location. PLL takes place in the fictional suburb of Rosewood, Pennsylvania, and for two girls from Bucks Country — aka the Philadelphia ‘burbs — we ate it up. The beloved “Welcome to the Dollhouse” episode was exceptionally creepy not only because the Liars get locked into a life-size replica of their bedrooms, but also because our real neighborhood looks extremely similar to their hometown. It operates like Rosewood, too, in that small-town gossip travels at lightning speed.

The Pennsylvania-based plotline also made it easier for us to identify with the characters, who felt like extensions of ourselves. In many ways, we got to know each other through their personalities. Taylor is studious and high-achieving, obviously a Spencer. And I owned feather earrings because I saw Lucy Hale sport them in Season 1, so obviously an Aria. Asking “Are you more of a Hanna or an Emily?” held as much weight in 2012 as asking someone their rising sign in 2021. While it might not say much, it also tells you everything you need to know about a person.

PLL got its start right before live-tweeting shows became popularized, so when we weren’t together, I used to text Taylor on my slide-out keyboard phone (only Zillennials will remember) to compare notes without stumbling upon many spoilers. They read something like this: “Caleb and Hanna are soul mates, TBH.” Like every other fan, we theorized about why A had to be Ian… and Melissa… and Jenna… and Mona… and, you get the point. When our elaborate speculations ran cold, we’d pause DVR’d episodes to gather more clues, like glimpses of Red Coat’s face in her second season introduction, or inspections of those eerie-gloved hands assembling dolls and sharpening knives at the end of each episode.

This game of Clue made room for conversations about all the things. We were in high school during the show’s peak, so it felt like the Liars had laid the groundwork for how to operate our school’s halls. Rosewood High was not traditional — uh, multiple students came back from the dead (*cough* Mona and Alison) — but it did prepare us for the stressors of college applications and first romantic relationships. In fact, Benson’s Hanna Marin would be proud of my matchmaking skills because back then, I introduced Taylor to the boyfriend she’s still with today.

As we both grew up with the show, our friendship got even deeper. The Liars weren’t the only ones to share secrets, and I found it incredibly easy to confide in Taylor. She’s trustworthy, level-headed, compassionate, and an excellent listener. She’s someone I know will always pick up on the second ring and is the type of friend to be there with advice, reassurance, and a quick-witted one-liner. She once joked about never needing a diary because we’ve transcribed the past 10 years of our lives via text.

Our bond has remained strong, especially because the most outrageous PLL-esque plotlines of our lives are ones we’ve experienced together. I love Taylor because I don’t have to provide background for my stories. I’m even so familiar with the cast of characters in her life that when someone re-enters after a long period, I like to say they Alison DiLaurentis’ed her.

And on the off-chance she’s not there to witness something meaningful happen to me IRL, she’s always ready to decipher what went down over texts or dinner and drinks — just like we did when we were teens trying to figure out who A was (minus the wine, of course).

The way she can reconstruct my way of thinking and offer up a perspective I hadn’t seen before is almost paranormal. Whether these are Taylor’s naturally given talents or traits learned from peeling back all the layers of the series, I’m not sure. But she’s always there to decode situations with me — whether they relate to a TV show or during moments when I feel lost.

I couldn’t be more thankful that Taylor entered my life and that PLL played a role in our friendship. I feel so incredibly lucky to know someone like her. Plus, now I have someone who is obligated to watch the reboot with me. Ali was right: Friends do share secrets. And she’s ~quite literally~ the reason Taylor’s got all of mine. Spencer and Aria, you’ve got some competition.

Get Relationship Advice Here

[silver-wield]

Hi this is not Cloti related but do you have an analysis on Cloud's relationship with Jessie? Particularly during chapter 4 after the bike mini-game? Cloud looks worried

Sorry this took a while, Nonny, I get a bit done in from life lol

So Cloud and Jessie, the girl who absolutely has no issue throwing herself at our boi. It's pretty good for him because at least he gets used to girls being all over him and helps him make his mind up just who he wants to show attention to #cough# Tifa #cough#

Ok, spoiler warning for ppl who haven’t played – do I still need to do this? Eh ok, (I tag FF7R spoilers as final fantasy 7 remake spoilers) and it’s gonna be smol.

Also, this is one person’s interpretation of the scene, so if you disagree that’s cool and we’ll agree to disagree.

You’re also gonna have to excuse the janky quality on some of the screens, I’m grabbing them from Youtube and it’s frustrating af trying to get the exact moment I want.

Please check my master post to see if I've already covered your question, thanx

Let's mosey!

Recap time!

Chapter four and our reluctant hero has been roped into help the avalanche trio go topside. Problem is they missed the last train and have to take their bikes instead. Cue a few problems with security and a meeting with the master of extra, Roche. Once that's out of the way, Jessie rewards Cloud depending on your expertise.

This scene has 3 optional endings.

Quick aside, I find it hilarious that Cloud literally tells Jessie to shut up and get off the bike when she starts annoying him during the minigame.

Ok, ending one. The bad ending where Jessie's beyond disappointed with you. These are hard to pick apart because a lot of Cloud's attention is on the road, so the usual microexpressions are even harder to catch.

But look what I caught anyway! Check that brow quirking like “excuse you?” and it's accurate because he says he's a great driver in the next moment. I really love going over these scenes and spotting all these because they build such a clearer picture of Cloud is as a person. And clearly boi doesn't like his driving ability being questioned, especially seeing how Jessie didn't do squat to help him, aside from being annoying lol

Well, Cloud does seem a bit worried here if the frown is anything to go by. I'm guessing it's because this is the bad ending and as much as he's not into Jessie, he doesn't like people having a bad impression of him. He doesn't like the idea that he's not thought of as the big badass capable merc in all ways, so this could well be hints of that self-doubt coming through. 

Although, after watching the other two endings, this is the only time we see this typical cycle of expressions he does before concluding something. This is what I like to call a real!Cloud inner debate. Cloud often goes through a lot of quick expressions or his eyes dart around. Since they can’t do that here, we get the former. Judging from the frown at the end, he’s not impressed with his own performance and likely berating himself for not being good enough. Again. Someone call a therapist for Cloud, plz.

And moving onto the second ending, which you get if you did ok on the minigame. These are making me wonder which one's canon. I don't think it's the kiss and actually, it may well be the bad one since that's where we get the most facial expression and close ups from Cloud compared to the others where we see the back of his head or a mid range view.

For this scene we only get one close up of Cloud's face and it's pretty much SOLDIER!Cloud and then the next time he speaks you can't even see his face. This is the kind of thing that hints to me which optional scene is the one we're supposed to be getting for Cloud's narrative story (and that I actually forgot about for my playthrough as Cloud lol I got the middle one because I kinda suck at fighting Roche, but I try).

Yeah, so a lot of sighing from Cloud at Jessie, the annoyed kind. I mean, we know she kinda irritates him, but he likes her too, just not in a romantic way. You also don't see his reaction to her “I might be falling after all” line and only hear him say “hmm?” Then when his face is next in frame it's full on SOLDIER, so there's really nothing to pick apart.

And now the good ending where you get a kiss from Jessie! Ooh lala!!

CLOUD'S FACE HERE! OMG I'M DYING! He's such a boi in a man sometimes! Adorable af! Definitely never even had a kiss on the cheek before in his life and look at the ott reaction to it!

WAIT! Wait! I've seen that face before somewhere!

YES OMG I'M DYING! It's the same reaction as the one to Aerith's best dress! OMG!

I'm sorry, I genuinely need a minute....

Ok, so...looool ok....I can be sensible here....maybe loool erm, the unrealistic expression on Cloud's face shows that it's unlikely this is the outcome that happened. But, on the other hand if the red dress happened then so did this kiss, so choose your poison lol

omg I love the devs for this! I really do! This is hilarious! I can’t even look at these two pics without laughing!

Ok, sensible. Kinda. 

And last one where Cloud looks grim af as usual, but with a hint of “what do I do about this?” because Jessie kissed him and he's not interested and he has no clue what to do with women and likely wants to reject her, but still doesn't know what to do with women, so you can see the dilemma he's in lol

It doesn't help when Jessie tries calling him out on it and he has this tiny frown in response. His attention is split between trying to talk to her and driving, so it's no wonder he's not that talkative and abrupt. If I wanted to speculate I'd say if he actually had an interest in her as more than friends he'd have tried harder. He had his little chat with Marle already, so he's not opposed to putting himself out if he wants to. He doesn't here, but he's still trying to concentrate, so that could explain the lack of attention, but still, Jessie kissed him and he got scowly.

Conclusion.

Well, I for one didn't remember there were 3 of these endings – each with their own remix of Jessie's theme, just like another 3 optional scenes with a remixed theme lol the parallels are killing me!

The music for each should also hint at which one is the narrative canon – I'm useless with music analysis so bear with me. The first one does sound like it fits with the other girls' themes, so very simple, easy to listen to in the background and memorable in its way. The second is louder and has more techno notes in, making it seem less like a background piece and more in your face. The last one has vocalists and is a full on pop song! No way is that right lol

For two of the three of these we don't really get much in the way of Cloud's face. It could be put down to him driving, but we get a couple of very good close ups on the bad one with varied expressions, one of which definitely goes towards his personal motivation to be thought of as a hero. Having people point out his faults would cause that kind of reaction.

The second result really doesn't have much in the way of facial expression and Cloud's voice is brisk because he's driving, so I can't really say much about it one way or the other. It’s the one I get the most when I’m playing and it’s kinda blah. Like your standard minigame pass screen. That probably didn’t help.

The last one is hilarious! That's such an exaggerated expression! Do people really believe Cloud pulls that kind of pikachu face on the regular?! I legit needed to stop because I couldn't stop laughing! That's not Cloud or real!Cloud, that's just bloody funny! Also, Cloud doesn't seem too impressed by the result if that last minute frown is any indication. He doesn't want Jessie kissing him, even though it's probably the first time any girl has kissed him – poor sweet summer child lol

If I had to make a guess at the narrative canon I'd say number one, because we know for a fact that Cloud hasn't been driving for years. Boi gets motion sickness ffs! And when did he ever drive a motorcycle? I'd definitely buy that being one of the first times he's ever driven, which would explain why he did so poorly and why he has multiple varied expressions in that result.

[sparda3g]

Gintama Chapter 703 Review

This chapter is amazing. I don’t need to review it; just leave it like that and you already know why. Joking aside (not really), what is there to say about it? It’s not the chapter I thought I wanted, but it’s the chapter I didn’t think I needed. It’s Gintama at its finest in its serious tone. It’s the finale that surpassed the last Utsuro battle. It’s the finale that surpassed my expectation, and trust me, it was pretty high. It’s the finale that the fans will forever remember.

Right from the beginning, it’s a knee-jerking experience with a sheer amount of intensity in the air. Gintoki and Utsuro are not even fighting, yet I got goosebumps just reading their dialogues. Speaking of which, Utsuro continue to be the most sinister villain in a long time for Shounen Jump. I know it’s technically not part of it anymore, but it did spawn from it. The point is, Utsuro is intimidating as always, drawing the aura of sinister that have outsmarted everyone.

He retells the whole story on why and how all the events led to this moment, in case if you are confused. Above all, it does add the shivering feeling because of how right he was about everything. The line about the path makes a callback, which makes me happy, because I reflect this many times before on how important his words were. That means I didn’t overthink it; Sorachi acknowledged it. Also, it adds more to the theme of Silver Soul; a necessary conflict to challenge. Lastly and more importantly, it adds more to Gintoki’s character; a man who can’t escape the tragic path that happened to repeat itself. It’s a mad world.

The showdown between the two have been on-point and stellar, and they haven’t yet to attack to make it so. Even Gintoki grasping his sword got me chills; that’s how unnerving it is. He may have gone through hell, but he will forever keep his words with his friends. No matter what happens, they will find their way to regroup. The conversation is so compelling. It doesn’t resort to power of friendship in blatant terms. All of their words felt meaningful because it relates perfectly to their characters. Those words about Takasugi made me feel so good, but it ultimately segue to a twist to Utsuro’s own game.

The twist is great because it finally put Utsuro in his own mind game, and rightfully deserved. It turns out that he was the one lying down and Shouyo was never there. It was confusing, of course, but the explanation is pretty rewarding. We last saw him about to kill Shouyo, but it actually never went through. He was stopped by Oboro because his blood was also consumed. This makes sense, especially when we just learned about how everything works. Not only that, but it’s even better with him being the one to stop. How can Sorachi make a dead guy, who was once a villain, become so likable in after life? That’s amazing.

I got so gleeful when Gintoki takes the role of a tyrant, looking down on Utsuro. It’s like I have foodgasm without taking a bite. The mind game on Utsuro is awesome; that line delivery about what he sees is superb. Takasugi stabbed himself rather than on Shouyo; that commitment cannot be broken. Gintoki’s strike is so well earned, along with the parallel. To recap, Shouyo is saved (for now) and he’s going to be helped by Yorozuya. Those moments were stellar enough, the next scene is downright masterful, but it comes with a heavy price.

It’s really tough to choose the best scene of this chapter. It’s interchangeable to me. Regardless, the next scene is perhaps the moment I never expected. I was so hung on the idea that the final battle must be explosive, literally or not, tons of action, and a solid storytelling. Maybe because plenty of writers thought bigger means better. That is not the case, and that’s a great thing. What the fans get and thankfully understand the nature and premise, is a wonderful climatic end.

Just before the final exchange, there’s one more conversation; preparing you for the greatness. The bone-chilling feeling that I have comes from Gintoki posing like a true Samurai, ready to fight. That cold stare only increase the chill factor. Utsuro’s words are hurtful, especially when he more or less guilt tripping Gintoki. Words about losing a master and a friend; those are stabbing to the heart pain. The narrative is whether the end path for Gintoki will forever be an empty void. Shouyo is saved, but will Takasugi be saved as well? The answer is yes; just not what you’re hoping for.

It’s badass enough for Gintoki to pose as a Samurai; it’s even more so when he doesn’t move at all to all of Utsuro’s hit. None of them connects; he stands as he knows he will never be empty. The ones he wanted to protect are right there, in his soul. That panel with Takasugi preventing Utsuro’s attacks is pure awesome. That’s friendship at its best. The next scene…is mesmerizing. Everything is impactful for one main reason: the storytelling. If Utsuro was just himself, it would have been pretty cool, but that would be the end of it. It would have been a high-five victory only. However, this is Takasugi’s body, so the story has changed. It’s a heartbreaking story that will pain the fans. It’s a tragic story that must be done. And I love it.

I love every single panel. It’s all one-sided, but it’s incredible. Much like how One Punch Man is brilliant at one-hit gag, this is brilliant at finishing the fight in a one-sided beat down with a crushing soul. I love how every hit slowly eats Gintoki’s calmness, closing in to kill Utsuro, but above all, kill his best friend. The memories begin to surface, causing me to feel the agony. I can’t do it justice here, but it’s simply gorgeous. My favorite part is the sword reflection. No matter what happens, no matter if Takasugi has to die, the reflection shows true color: he is proud of Gintoki. This is unfair. I don’t want to cry.

The way how it was paneled is amazing. It is an emotional roller coaster and each passing panel draws closer to sad fate. It aches me when it zooms in Gintoki’s eyes; understanding the pain he has to go through, but it has to be done. That roar as he holds Takasugi’s sword is chilling. The sad part is, I wanted to cheer and celebrate, but instead, I found myself pleading to stop. The double page spread says it all; epic but heartbreaking. The deed is done. I love Utsuro’s end as he truly learned the lesson as he dies; the lesson of humanity staying strong in the soul. It speaks well to his character and it’s better than simply meet people with strong willpower. It’s a great moral that captured the theme. I honestly didn’t do justice on the scene, but it’s one I often go back dozens and dozens of time; no exaggeration.

The scene with Yorozuya and Shouyo is something I thought I would never see, but undoubtedly welcoming. It makes completely sense for them to interact; it’s simply the past meet the present. It also works out well to give Shouyo a better light that his action has its upbringing and that is giving Gintoki the life he has. The panels with Gintoki looking down at Takasugi with a line about saving or protecting is quite telling. It’s very fitting for Shinpachi to be the one to thank Shouyo for meeting Gintoki. Who knows what would have happened instead if they didn’t meet. It’s such a nice moment of two generations bonding. Now, here comes the hardest part.

I wasn’t so sure what to prepare for, but it’s not the writing fault. It’s me hoping for a quick asspull or something people despise in Shounen genre. The series may be at the end, but to see a very popular character to die is hard to accept. Rarely that happens. Maybe, Takasugi would receive the Sasuke treatment, even if it was bull crap. Sadly, Sorachi doesn’t play that way. In short, this is it; pay respect one last time.

It’s as everything you can expect; it’s downright sad. I find it morbid to think the wins and losses count was a huge indication for their end. It was designed for one to receive the win to decide it all, but at a price of a life. Not like this. Even so, it’s touching that Gintoki doesn’t want the victory, even if Takasugi finds it pity. I love their last share of conversation, talking about how they were bitter with each other since youth, but they could have been best of friends. Scratch that; they always have been. What hurts me the most is the fact Takasugi had lived in the past for so long and what could have been show plenty of possibilities; but his death means it wasn’t meant to be. If that’s not tragic, I don’t know what is.

When I read the chapter’s title, I was speculating that it could mean a good thing. Technically, I was right, but not like this. Sorachi truly knows how to make something simple, complex, small, or large absolute meaningful, and by God, this is no exception. Takasugi’s left eye’s final vision was the tear of his best friend. The right should see Gintoki as the man he knows very well; the man he can called an eternal rival. That’s his final wish, and Gintoki grants that with a smile. The eye slowly closes; God, it’s hard. He vowed to get his win one day in Hell, and Takasugi will be waiting.

He’s gone. Gintoki cries. Powerful. Simply powerful.

Everything from this scene, let alone the chapter, was masterful. I don’t know how my face looked like, but I know my eyes were watery. Let me tell you, listening to Unravel acoustic was a massive mistake. It had me pouring. You can complain all you want about not wanting to end, but if it result to this pure quality, why fight it? This is what the fans truly deserved. Not exactly killing a beloved character, but the top level of writing that one would say, “It’s been 84 years.” I know it’s a joke, but I have to lighten up after this. The next chapter will be the last. By all means, end it. We are satisfied enough.

This chapter will go down as the best of the series; most likely the best I have read this year. It will likely to have the best ending in a long time. I am seriously considering to buy all volumes in one sweep. There’s no need to repeat on why this chapter is the best. You read it and you’ll know it. If only this was posted in a magazine; I will buy it in a heartbeat. Here’s to the final chapter. Takasugi won’t be here next time, but the soul will go on forever.

Rest in Peace, Takasugi.

[fireeaglespirit]

@fireeaglespirit @viviane-lefay i do worry sometimes with the stories I write if things might be too much for you. To be fair I dont think in any fanfic Ive ever written anything too explicit but now Im so conscious of other people’s viewpoints and being inclusive that it is a concern. Ultimately I write what I want to/need to but I am aware it might not be for all tastes hence always trying to follow ratings etc.

Replying here so it doesn’t cause any problems with OP, etc..

Ohh. I’m sorry if this worried you.. tbh this was very random and I wasn’t even thinking about fiction when I rb this. This one reminded me of a few times I went out with friends and colleagues and I just felt starkly asexual, lmao

About my tolerance regarding sex and explicitly in fiction, I’ll be honest with you…

There’s hardly anything I could say I wouldn’t read about. I just don’t feel ‘triggers’ or anything of the sort, no hard feelings when it gets to fiction and I value your will to be conscious of other viewpoints but its practically impossible to cater to all tastes like you said, so don’t worry about it much… there’s always someone out there who will feel offended and others who will fiercely love it.

As for myself, I’m very tolerant to sexual content in fiction, idk? I don’t seek it out particularly but its not a deal breaker either.

I know some asexual people are less tolerant, I usually just get a ‘meh’ feeling whenever those subjects are touched in much detail, idk some works do get nasty and bothersome because of much detail involving sexual practices so I just give up on them or put them aside when they bring me no joy but I gladly consume material with sex on it as long as I like some aspects of it. Also, I’m good at ignoring or glossing over things I don’t like in fiction… when I read explicit scenes with intercourse it does nothing to me and my eyes focuses on the sentences I loved such as regarding the feelings between the characters and subtle interactions instead of the physical/carnal aspects of it, and this makes it all worthy it.

Even so, some works might become overwhelmingly depressive or repulsive so I might put them aside even if I enjoyed an aspect of it or I might just skip through them and this happened recently to a series of fantasy books I tried to read which were actually really good but they were so overwhelmingly and unnecessarily dark and had an horrid oppressive atmosphere towards women an sex so I just felt no joy reading them? Its not like I was traumatized by its tone but it felt like a chore and I couldn’t care about it further and no character inspired me whatsoever that the world could change for the better, so I dropped them.

But its not like I’m judging it, I just feel weirded out to some things and I just imagine the kind of mind that takes upon themselves the chore to write a whole series of book which has nothing but suffering and misery in them, especially concerning women, lol. We already had this shit in history and still have in some places in the world so I kinda feel like its not interesting for me to read about it in a fictional setting, especially if I don’t feel like the writer is going to challenge the setting.

But I’m aware most people are much more sensitive… these things can be horrid for those who are more sensitive, and perhaps my own asexuality protects me from feeling it fully as I don’t even think of myself as a being capable of partaking in this (weird, I know), so I have problem even projecting.

But I did felt really strongly for the way women were oppressed absurdly and had their agency completely obliterated, so that sparked a sort of empathy or kinship in me which made progress in such book a chore…

You got my point and this just illustrates a bit my relationship to fiction and things that irk me since you were interested in my opinion… I have another example of fantasy book with lots of sex in it:

I read asoiaf even thought its full of sexual stuff but I don’t feel joy at these parts, yet the work is so good on other themes that I ignore it for the most part… but even so, recently I’ve read F&B and it was kinda overwhelming on the sexist aspect with myriads of female characters turned into child brides and raped and dying at their childbirth repeatedly it just got very tiresome and repetitive near the end, because there where almost no counterpoints to it, unlike in the main series where the situation is dire for women but we have characters challenging it more often and idk. F&B just lacked on that front.

So, this shows a bit my sensitivity towards sex is more related to sexism and the feeling that women are confined to their reproductive aspects: motherhood, childbearing, marriage, sensuality, etc.. I don’t have a problem with sexual intercourse per se as you can see, but that’s from my unique point of view and I know some asexuals are more repulsed towards it, but you asked my opinion…

So, if its consensual sex: its not my cup of tea but I don’t feel like its a deal breaker…

Just to give you a positive sex example: when I see an OTP of mine getting to the point of having sex I think its pretty sweet, like when Jon and Dany consummated their love on that boat… I was happy for them, for all that it means, the symbolism between the union of ice and fire and just two characters which I love dearly, finding happiness and comfort in each other. What’s not to love about it??

This is a rare stance I can say I saw a pair I ship get to that point xD

I love shipping as you know, but its more about the psychological aspects and potential for character development and even when I’m reading fanfic about my OTPs I enjoy more the angst and symbolism than the ‘hot’ parts which usually just makes me go ‘meh’ (again).

So this makes me say: when sex is the focus of works I could feel like I’m too asexual for this, even if it regards an OTP, it just doesn’t have a very exciting effect on me or I’m not explicitly interested in this part of a relationship, when so many other things caught my eye… sometimes subtle interactions and dialogue and and gentle approximation (touches, caresses, kissing, etc..) is so much more exciting for me to read about than the ‘thing’ itself, lol.

To sum it up: when its there just for p*rn or even worse, shock value it just makes me go ‘meh’ or ‘ugh’ or ‘uhh why am I even reading this?’

This reminds me of Vivi’s take on the ‘hiero gamos’, in this case I just say I might even enjoy the theme as long as the scenes involving sex are meaningful and passionate and the aspect I value the most about them are sublime and platonic instead of carnal but I’m aware the carnal aspects are very important for the characters and the audience so I also worry when I get to show my stories people will think they lack sexual content ^^  I get you.

Now that you know my feelings towards sex in fiction, to a broader sense I just wanted to say..

There’s no way to guess people’s sensitives but it doesn’t mean you need to walk on eggshells afraid to trigger people all the time, hell no! I’m all for freedom of creation. At least around me there are no metaphorical ‘eggshells’.

Everyone has their own set of opinions which makes them unique, not just me, I mean…  even so I will let my snowflake syndrome show but I’m quite peculiar if you could say, so I sort of grew a strong ‘carapace’ towards the world as I deal with people with completely different views and values on a daily basis which might make me have inflamed political opinions while at the same time, I’m very flexible and forgiving when it comes to fiction in general.

I don’t expect much of the population to be like this so I’m also self conscious when it gets to writing my own stuff because I know people can feel very strongly about it and you’ve seen the way fandom reacts to minor things and bash creators when they perceive flaws in their work… I’m just not a judgmental person, its not in my nature. I just ignore things in fiction if I don’t like and I became even more relaxed over time in regards to this all, lol I nearly reached a ‘nirvana’ as I don’t even feel strongly negative feelings in regard to this.

Snarky and bitter comments from time to time? Yes… but no hard feelings. RL needs my hatred, lol so I don’t have it to spare with fiction any longer.

Anyway, on an unrelated sub note… as you might have noticed, I don’t feel comfortable about current fandom trends and specially policing, and with reason as this gets very serious and quick with literally ‘wave chain reactions’ of hatred sparked apparently from nowhere. I hope people could create more freely instead of the political correct police and restraining of creativity we have now. It was good for a while and I’m all for diversity and change in status quo (for the better), but I think this has gone too far and I perceive a lot of rigidity in fiction right now due to fear of fandom backlash we have creators afraid to make their thing and afraid it isn’t ‘inclusive or progressive’ enough… so they bend themselves endlessly until fandom ‘approves’ them, but even so someone is bound to scream and say the work is offensive and the cycle of hatred is restarted.

I know this reply was like a huge egocentric monologue and I strained with non related issues at the end, but you asked my thought on this so I tried to convey it with detail.. including things related to the perception we have concerning fictional themes and I just kinda had to vent at some parts of it.

etc…. This doesn’t mean I forbid judgment from others or criticism or that I forbid people from harshly criticizing works of fiction, just that sometimes it gets more harmful than beneficial and scare people off, and I felt like saying that.

Anyway,,, just want to say nonetheless I find it very sweet and considerate that you are taking different opinions in mind while writing, but you don’t need to worry at least from my part, and I don’t think you ever got even close to being explicit in your writings so there’s absolutely nothing to worry about.

[thebestplltheories]

Farewell, Pretty Little Liars.

Today is the day that we must finally say goodbye to Pretty Little Liars. With its never-ending theories and constant renewals, the PLL endgame always seemed like an intangible, abstract and theoretical concept that is just so far away, that it will simply never come. It feels so surreal to say that today is that day, which again, over the years, was never in sight. I thought watching Pretty Little Liars would just be some light, weekly, background entertainment. On June 8 2010, I did not truly know what crazy rollercoaster I had stumbled upon. Through numerous ups and downs, these past 7 years have certainly been unforgettable. If you told me seven years ago that a television show will have such a positive impact on my life, I would have laughed at you and called you dramatic. Tell me that today, and I’ll smile in appreciation at the positive influence and power a television show can bestow upon its viewers.

Not every show makes it to seven seasons, particularly mystery shows. Seven years is a long time. I started watching this show when I was 13, and I am now 19. (I realise I am probably very young in comparison to most other PLL fans!) Just to visually see this: Pretty Little Liars was with me while I was 13, 14, 15, 16, 17, 18 and 19. These are arguably some of the most important years of one’s life. As I grew, PLL grew too, in a literal sense, as we got a time jump where the characters matured, but also in figurative sense, since the stories gradually shifted from being high-school oriented to dark and twisted themed through a demented dollhouse and a psychologically straining board game. All while PLL was on the air, I graduated from primary school and high school, started university, got my driver’s license, my first job, credit card, car, gone overseas by myself, and made life-long friendships. Achieving all that never was easy, but it was made easier by PLL. If I ever struggled in my personal development, I always had PLL to fall back upon for psychological stability and security, aside from general entertainment. A part of me sees the end of PLL as if the training wheels are coming off my bike: for 7 years, I was learning how to become a young man, and now that I finally am one, I no longer need this safety rock that is PLL in order to continue developing.

This long, personal post is dedicated to me and my seven-year relationship with Pretty Little Liars.

How I started watching PLL

On June 8 2010, a new show called Pretty Little Liars aired. My sister had her friends over and they were all obsessing over this fresh new murder mystery with a hot cast. But it was socially unacceptable for me to watch this show, since I’m a boy. “Are you seriously watching Pretty Little Liars with us? Don’t boys play PlayStation when they’re bored?” My sister laughed in agreement at her friend’s comment to me. (To this day, I am even shamed for my love for Selena Gomez as a person and her music, because she is labelled as a female entertainer.) So I left my sister and her friends alone to watch their stigmatised “chick flick” that was PLL. Apparently it was wrong of me to take interest in this show. But I wasn’t going to let the irrational comments of a group of girls stop me from finding out how Alison DiLaurentis disappeared. And so little 13 year old me began watching the episodes online, in my room, every week, once my whole family had gone to bed. I was careful to put my headphones on a safe volume, because I didn’t want the sound to pulsate too loudly from them, and I always had my computer screen positioned so that it can’t be seen by anyone who unexpectedly walks into my room. Shoutout to my sister, for indirectly introducing me to Pretty Little Liars, but shame on you for making me feel less masculine just because I enjoyed the murder mystery of a show with female leads. I never shamed her for liking Harry Potter; a movie series with mostly male leads. As of June 8 2010, Pretty Little Liars was my secret.

Tumblr

In my secret weekly viewings of the show, I eventually reached the point where I was so personally immersed with the intricate mysteries of Rosewood, that I needed to hear other peoples’ thoughts to see if they aligned with those within my crazy mind. When I wasn’t doing my homework, I was studying who could be this omnipotent and omniscient stalker and potential murderer. What’s so wrong with a guy wanting to get to the bottom of such a juicy mystery? Apparently, everything was wrong with that. So around the season 3 Halloween episode, I decided to unload my brain on Tumblr; a place my sister could never put a face to the person behind the screen - she could never know her little brother is talking about the “chick flick” that is PLL.

During the first few months, I was lucky if my theories garnered the slightest bit of discussion and attention; I considered it to have been a very good week when I received two messages. Since Tumblr was the only way I could talk about my secret, I persisted with the near-silence my posts were getting because I knew those two messages per week are better than the zero people I can talk to outside of Tumblr. Never ever did I think my blog will blow up into what it is today with tens of thousands of followers and hundreds of messages per week, literally. I’m saving the thank you’s for the very end, because my gosh, that is the most important part of this entire post.

Being highly active on Tumblr during PLL’s lifespan definitely negatively affected my viewing experience of the series. Every single day, I was answering questions, reading theories sent in to me, reading theories posted by other blogs, reading Tweets from the writers/cast and watching interviews from the writers/cast. Everyday. While that was all fun in the moment, I’d be lying if I said that knowing absolutely everything about upcoming episodes and reveals made the show more fun to watch. I was always up to date on every single theory and all of the latest leaks, news, spoilers… whatever. Absolutely anything PLL related, you can bet I had read it. In fact, since I joined Tumblr, not one single event that has happened in the show has truly shocked me. I was here reading theories that Charles is a transgender CeCe. I was here reading theories that Toby is just being A to protect Spencer. I was here reading theories that Spencer gets shot, because we paused the promos at the right frames and could see it happening. Heck, I knew Ezra was only writing a book, I knew A is someone named Charles DiLaurentis and I even knew Mona is alive and being held captive in a dollhouse, ahead of their reveals in 420 and 525 respectively. Not only did scripts leak, but someone who worked on the subtitles of the show leaked the content of the reveals. Being on this site, of course I saw these leaks and spoilers even despite my serious attempts to avoid them. It’s impossible to avoid spoilers since you don’t know it’s a spoiler until, well, you’ve actually read the sentence. Since joining Tumblr, I can honestly say that nothing in PLL has shocked me, so I can conclude that Tumblr did ruin the fun in watching PLL.

Having a less fun viewing experience was a small price to pay for what I received in return for signing up for this wild ride that is Tumblr. Call me obsessed with PLL, and yeah I guess I am, but PLL is merely just the topic of conversation, in this world we created for ourselves. More than PLL itself, I am obsessed with this loving community of fans uniting from around the world, bound by a common passion which places us all as equals who share a sense of belonging and worthiness. This loving and fun community is emphasised and taken advantage of every single day - not just the days a new episode airs. Every. Single. Day. The warmth this community provides to my heart, alone, is enough to instantly override the fact that Tumblr stole the show’s entire shock-factor from me.

It feels very surreal to think that this show experience has finally reached its end - a lot of personal adjustment will need to now take place. In the society and culture I live in, your social status is defined by how many likes you have on your Facebook profile picture and how many likes you get on your weekly Instagram posts. When my posts aren’t up to everyone else’s standards, I find mental security and comfort in closing Facebook and Instagram, and opening the Tumblr app; a place where I do not have to prove my worthiness in society. Numerous times, my friends have been refreshing their Facebook profiles to see how many likes they got, meanwhile I’m refreshing my Tumblr dashboard to see one of your friendly commentaries. Again, this may seem overly obsessive with PLL, but I re-state: over the years, PLL is just the conversational topic. The simple existence of conversation, regardless of the topic, is enough to provide this mental stability I’m speaking of. On top of this inappropriate importance placed on social media in my culture, there have been other times where I have said no to dinner and a movie with friends and admittedly, family too, because I’m lazy and I would rather a date night with my bed and the Tumblr community. No longer will I have something fun to do on a Friday night, home alone. No longer will I have something to occupy me on the bus ride going home from uni. No longer will I have theories to think about during my study “breaks”, or something quick and easy to reward myself with after hours of studying. No longer will I wake up on Wednesday mornings (the Tuesday night equivalent here in Australia) full of energy. Now that this experience is over, I anticipate that my brain may start to feel empty. Sure I will miss the characters and the mysteries of Rosewood, but for me, this is the area that will require a lot of adjustment.

My final evaluation of PLL

As this is a post dear to my heart that I will keep forever, I want to include here my final evaluation of Pretty Little Liars, as a whole series.

Undoubtedly, the best season, in my opinion, is season 7. “But what about good old seasons 1 and 2, when PLL was at its prime?” Sure, seasons 1 and 2 were pretty good. We had just been introduced to fresh and exciting new characters and stories. Everything was amazing in seasons 1 and 2. The girls could be baking cookies whilst talking about good books they’ve read lately, and I would have loved it, because I’d be spending time with these new characters I just met. Retrospectively looking back on earlier seasons, I find that they are way too ‘bubblegum’ for my liking. Mona/A forced Hanna to stop her dad’s wedding, A gave Ella a ticket to the museum Ezria visited, A was hiding in the Spencer’s closet, A was spying on the girls visiting the therapist, A sends the girls on a scavenger hunt in the woods…  sure, these stories did the job to reel me in back then, but if the show continued with these flowery, teenage-girl themes, I don’t believe I’d be here seven years later. Again, they were great for the time, but PLL did need to take a convoluted, complicated, psychologically twisted turn. What excites the 19 year old me, are the stories that season 7 is telling: the liars killing an imposter, the previous A being murdered, a dead body in the trunk, attempting to cover tracks for murder, seducing a cop, twins, the liars getting arrested, a liar betrays her best friends and wears the hoodie, a liar finds out her parents have been lying to her since literally day 1, a liar has been impregnated by the uber villain using another liar’s eggs, and ultimately, the uber villain being revealed. The stakes are heightened, and this is what I appreciate and enjoy watching, more so than a high-school Truth Up Night, a sleepover in the barn, or a liar steeling her sister’s boyfriends. No longer is the show about the Queen Bee of a group of high-school girls who went missing, followed by threatening text messages from an anonymous person. The show is far more mature now in season 7, and I appreciate that a lot. Again, earlier seasons did the tough job of attracting me to permanently reside in Rosewood, but such bubblegum stories would not have sustained me for the years to come. As each season went on, sure more fans began complaining at its progressively unrealistic and exaggerated nature, but I, on the other hand, sat here twiddling my fingers muttering “excellent”.

But have I just got it so damn wrong? If the general worldwide consensus is that PLL is no longer what it used to be, why am I more in love with season 7 than the earlier seasons? The answer is simple, yet easier said than done: I forget about what the writers have done wrong in the past, and I just enjoy the present. Here are the 6 areas that the writers have cumulatively pissed off the fans over the years: mysteries are dropped ridiculously fast (remember Melissa in Ali’s backyard saying “do it, just do it” to someone unknown?), red herrings are not properly explained once the truth is revealed (Melissa’s suitcase handle just so happened to break, when a similar object is what killed Charlotte?) the inconsistency in interviews/tweets (some actors say AD clues exist in season 1, yet Marlene says to ignore seasons 1 and 2), not making answers explicitly clear in the show and instead using interviews to confirm a theory the characters have (Garret being killed by Wilden was never said in the show), some answers don’t have a lot of logic behind them (why was Sara Harvey helping Charlotte?) and a significant imbalance between the romance and the mystery (did we really need to see Hanna dump Jordan because her favourite restaurant shut down, when Big A was killed two minutes ago?)

To summarise this point I’m trying to get across - I hear, and I agree, with the complaints PLL fans have. But never ever did I let “we still don’t know why Sara Harvey helped Charlotte” and “ugh I still can’t believe they killed Maya” disrupt my here-and-now viewing experience. THAT is why I’ve continued to love PLL more in 2017, than I did in 2010.

I’d like to conclude my evaluation on PLL by saying that I felt like I knew these characters on a personal level, to the point I could predict their future behaviour and responses. (Which is a good thing.) I’ve never ever felt this way about the characters of a TV show before. They felt like my friends, who grew up with me, and I’d catch up with them once a week by tuning in. Never have I ever seen a show where the off-screen chemistry is this visible on-screen. I also would like to commend the show for its portrayal of the LGBT community. When the show first started, I was a young, uneducated and immature 13 year old who thought that being straight was normal and being gay made you weird. I reflect back on this and am disgusted by the way I used to think. PLL was my only exposure to the LGBT community, and this show certainly standardised non-straight relationships for me, and was the absolute driving force to my acceptance of all people regardless of their identity and sexuality. To put this into perspective, I ended up ‘siding’ with PLL, rather than my own Catholic school which preached totally contradictory messages to PLL. Go figure: I chose the values of a TV show, than the values of my own school’s religion. While I may be one of the few to admit this on paper, I just know I can’t be the only one to have gone through something like this.

The show should be proud of everything it has achieved.

What’s next?

Let’s be real: PLL will get a reunion of sorts in the future. Shows this popular on social media and with a cast that call each other family, do not just die forever with the series finale. In 5, maybe 7 or 10 years, we will get a Netflix mini series, or even a movie. You can bet your ass I will be here for whatever reunion we get and I genuinely hope we can meet again, come that special time.

With tens of thousands of followers (thank you!!!) I could never have notifications turned on. My phone would have a panic attack. Now with the show ending, I’m expecting a major decline in Tumblr activity. So, I can safely enable notifications now. I promise you: any message I receive, or like, reblog, comment, whatever - from now on in, I will see it. I’m not going anywhere. I will be here forever, in the sense that I’m not deleting the Tumblr app. I may not be posting as frequently, but I’ll be here if there is something to post, or a notification to interact with.

As you may all know, I am obsessed with Riverdale. It is the new PLL. Amazing cast, insanely intriguing mystery. If you’ve never seen Riverdale - watch it. There have only been 13 episodes, concluding the first season, and season 2 is coming later this year. If you loved PLL, which I’m assuming you did if you’re on my blog, you’ll love Riverdale. Two months ago (!!!) I made a Riverdale-theories blog, and I have been waiting for today to officially announce @thebestriverdaletheories !

I am not sure yet if I want to use this blog. I feel like this Tumblr experience should be uniquely special to Pretty Little Liars. If everything is special, then nothing becomes special - I feel like if I start another blog for another show, then this PLL experience will be diminished. Unless, we join each other. If a significant portion of this PLL fandom ports over to Riverdale, then I’m willing to give this new blog a shot! If you go and follow me over there, just send me a message and say that you were a part of the PLL squad, so I know who to follow back! I’d love to see the community continue in this way, if possible. We’ll see how it goes! But I’ll be on thebestplltheories dissecting the finale for a bit, before I move over. Plus, this PLL blog is my main blog, with the Riverdale blog being a side blog. So, I guess this Riverdale blog will be a way for PLL to live on, as I’ll have to look at thebestplltheories every time I log in! So yeah - I’ll give it some time, and we’ll see if PLL fans are passionate about Riverdale!

Thank you

Before this post, no one knew the truth behind this nameless faceless blogger. I feel embarrassed, yet amazing, to finally be sharing with you all my personal and private story.

I cannot find the words to express my gratitude to each and every one of you reading this. Likes, reblogs and pressing that follow button, whilst always appreciated, amounted to nearly nothing in the grand scheme of things. What I appreciate the most, is your gift to me: your gift of a voice. You all gave me a voice in a community that my society labelled for “females only”. I mean, over the years, I received numerous messages with tags like you go girl and thanks girl! Which is fine - how could you possibly know I’m male!? But I highlight this just to emphasise that intuitively, it was always assumed that I am female and so I kept my gender a secret, in fear of being dismissed and not taken seriously in this fandom. All I wanted to do was to participate in PLL theories, and I really did think that my gender wouldn’t allow that. Eventually, I realised that that’s so not true anymore; my gender doesn’t matter! Which poses the question - why didnt I admit this earlier? I didnt want to be known as that blog that’s run by a guy. I wanted to be seen as normal. I knew I wouldn’t get rejected and dismissed, but I also didn’t want to stand out even in this slightest way.

So thank you, ultimately for giving me a voice that my sister and her friends, on June 8 2010, said I can’t have. Thank you for entertaining me every single day. No, not just days of new episodes. We all know this is a daily thing, not weekly. You guys are funny, brilliant, optimistic, honest, kind, energetic, intelligent, passionate, loyal and loving. (Each word there has been carefully selected. I’m not throwing around random positively connoted adjectives.) Thank you for being a spark of positivity in my life for all these years.

FOREVER IN MY HEART, PRETTY LITTLE LIARS

The only ‘show’ I have ever watched, and ever will watch, that is not “just a television show for entertainment purposes only”. The only show who’s set I have visited. That means something to me.

8 June 2010 - 27 June 2017

To summarise this experience in five carefully chosen words: unforgettable, irreplaceable, fun, special, passionate.

Til DeAth Do Us Part.

[elizabethrobertajones]

12x22 watching notes

*loud Dean!girl tears*

Cup of Tea No. 1:

Expectations - Berens Buckleming Clean Up Operation, which tbh when you rank writers by skill at this job WAS the top of the game over Dabb but then Perez showed up. But I still expect a competent job.

This appears to be the BMoL and Mary wrap up episode, although on this show appearances can be deceiving.

As a fervent Mary stan this season, I'm hoping they don't kill her but if they do kill her she dies next episode for heroic reasons, not this episode for rubbish hubris reasons, although I am open to being won over to a tearful passing if they actually get to friggin communicate everything with her, and in that respect I feel we've been waiting since 12x03 for Berens to get back to the point he was making there...

I EXPECT Ketch to die bloody, but ever since last episode I've been pre-emptively disappointed that he's going to be mauled by his own hellhound. Slightly less disappointed if Dean opens the cage and says "Sic 'im, boy," to the dog, because this IS an episode by Bobo "Drowley" Berens.

Aside from that, I've pretty much got nothing because I haven't been speculating ahead on much or really daring to entertain any ideas, except for firmly staking my entire farm on the mystery dude from the 2 in 1 trailer being "Garth with padding" so I expect I will be handing over my farm soon. Although I assume that's in 12x23 and therefore not yet and maybe not for hours.

[note from past me ‘hours’ yeah okay this episode literally ended up making me bedridden and too weak to move by the halfway point so I took like 24 hours from start to finish :P]

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Oh yeah, Dean's got a pending 7 years ago "welcome to next time" for Walt or Roy from Dark Side of the Moon. One or the other is supposed to be in this episode. The reminder of 5x16 nudges all its themes onto the table, and it's nice that it's a Dabb episode, the one that wrecked Dean n Cas's faith, ruined Heaven for Sam n Dean, and had Zach attempt to ruin Mary for Dean with that chilling speech that after 12x03 we were saying really cut too close to home on what Dean might have thought after Mary walked out.

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Quick Jody recap. Not entirely sure if the "Jody is good people" line comes from 10x20 about Claire, or 7x22 about not!Jenna, the Alpha's blood slave, but it certainly wasn't about Alex, although it's laid over a clip of them together, and the only reminder about Jody is that she adopts wayward daughters.

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Blah blah  murder!Mary, capturing Toni recap, Mary is brainwashed, bunker is gonna kill you... Noticing Ketch saying the air will "reverse" which means what, exactly, but anyway goes with the theme of reversing things. He also has an extremely punchable face, and since DHJ grew his beard back, all these con photos from the other day have been literally unrecognisable and I keep wondering who the normal looking bloke is hanging out on stage with them, because I'm so used to him looking like this:

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(brief break because Berens episodes always make me really sick for some reason)

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Anyway.

NOW.

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Dead guy (thing?) on a truck.

Dead guy. Mary used some reaaaally horrible cat claw looking knuckle dusters or something to kill him. BMoL including savergy as part of the deal; Mary is the hellhound who tears up these guys. Not just being effective at killing - it has to be horrible too. And Mary's been getting used to killing monsters horribly - why should it matter when it's people?

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the obvious problem next season is the hunters have been decimated so monsters are going to be a much bigger problem and sam and dean can't rely on all these random nobody hunters to stop the next generation of tragic backstories.

This one was called Lester, and I watched 10x02 waaay to recently and that's the guy who got screwed over by Sam's demon deal shenanigans and Dean killed.

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Oh no I think he worked in Auto Repair - Bobby would have been a target if only they still had a Bobby

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Bobby would not have stood for this. Mary would have been in the panic room in a flash through some trickery and smart paranoia :P

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Aaaaah Jody's on the hit list. Who did Jody ever hurt???

I can tell you why that's stupid even for the BMoL: aside from killing law enforcement being a dumb idea in general to not draw attention to yourself, the local sheriff type hunters will literally always be the sort to get involved in cases on a local level and start hunting for themselves to protect a small town like Jody did... you're never going to stop them popping up and you're removing a valuable local level resource and I bet there are others like Jody who just didn't have the misfortune to know the Winchesters who literally never fight above their weight limit but are ready for vampires to come to town >.>

I know she's on the hitlist because she's an associate of the Winchesters but I mean... their overall plan is STUPID if they're going after hunter cops in general. Pfft

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*Sam, Dean and Toni bicker entertainingly*

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Toni argues that they NEED her so THEY don't kill her. It's like... on the endless infinite loops of Crypt Scene reversals, this one is Toni arguing for HER life to UNDO a brainwashing if they don't kill her, using the keyword "you need me", and... yeah. Same sort of deal - someone saying stuff to not get killed and there's brainwashing involved.

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Sam: "LORE"

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DAY ONE

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Remember how 11x14 is one of my favourite Sam episodes because Berens just sometimes writes the Perfect Sam, and he's all peppy and researchy? I've seen literally 2 seconds of this scene and I'm like, yeah, he's at it again.

Berens's take on Sam is probably the interpretation I've funnelled into Terrible Coffee AU, mostly because I laughed SO HARD at excessively caffienated Sam in 11x14 and what it did to his personality, I decided then and there I would never write a scene with him where he hadn't had at least 4 cups of coffee

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Sam found a gremlin spell :D

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Pfft they need to purify some blood to make it work. While the Bunker is on lockdown and the lights are flashing red. Dean's even wearing a red shirt, though it's a plaid one, because he's in the family again unlike 10x03, and Toni's the ~invading element~ who last episode like demon!Dean spat a load of bitter truths at Sam, did the same to Mary.

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Aw they're all combining their blood. They're in like some sort of pact now, that they all at least want to live, at least long enough to try killing each other in free air. But yeah, no one of them is being relied on to be the purified one - symbolic that while they hate each other, when it comes to getting free none of them is being more self-righteous than the others, and also an admission that none of their bloods are pure enough that any of them could have lorded it over the others.

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(Sam, of course, is working with Toni and compartmentalising everything about how she tortured and mind-raped him)

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Brains failed, now for brawn. (Sam and Dean still being aligned this way, and each having a day to try their thing)

I hate seeing a map of the Bunker as if it makes sense, but it reassuringly magically produces a brand new wall we've never seen before with a convenient exit right behind it - "let's Shawshank this bitch" - so I figure its magic is still at work. It's brainwashed too - it doesn't want to kill them, so it's doing its best to help :<

They need to manually override it.

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Dean immediately gets repurcussions for his idea by getting a shard of concrete in his eye. Probably not symbolic

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Also they probably wasted a ton of air doing that

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"how did this happen?" "which part?" "all of it" - haven't hit play but cosmic consequeeeences

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"We had Cas back, we had Mom back"... I assume Dean's priorities have been pointed out by everyone but I'm doing it anyway. Even if you just say he's listing them and had to go one way or the other, and "Mom" is the more surprising one, but still... Cas being got by Lucifer was like, up there with things that getting him back was like getting Mary back, in how happy it made Dean. That is a Thing.

Also belatedly had some Thoughts and came back to this point, that Amara is really the big bad of this season too, but as an abstract concept of chaos, which she represents, where her 2 actions for Dean were to give him Cas and Mary back, but between throwing Lucifer wherever to let him carry on as he liked, and bringing Mary back to get tangled in this, she creates the two heads of the end of season chaos, and both arcs (and Mary and Cas have been mirrored all the way as the two sides of this sort of looping around each other)... I guess what I'm saying is I expect chaos and I'm blaming it on her, but it's belatedly given me a really interesting way to look at the randomness of the season.

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Sam's regretting things. Give him a dog. *ruffles his damp hair* He was just too optimistic for his own good. He wanted the world wide scale doing good thing, and wanted to follow along instead of leading.

Whenever I think of Sam and leading I think about boy!king Sam and the plans that were apparently there for him. He had the "I'm not a leader" arc like 6 years before Cas did, and it turned out it was all a con anyway, but the point is, Sam very very firmly does not like being put in a position of responsibility, probably has season 2-3 trauma related to it, since it was how he first died, and then how Ruby met him, swearing loyalty to him as if he would be that leader...

Ironically in 12x14 and Berens knows this full well as he writes Sam saying this, Sam took control and leadership of the situation and crisis-managed it all the way through to a dead Alpha vamp, getting the hero shot and everything, but he still blamed the BMoL over and over that they were the ones who did all the hard work, and turned to them for guidance, instead of seeing what he did there.

As Leviathan!Dean once said, but, uh, reapply this to being a GOOD leader, they're strong and smart and so on... He just went to the end that it was a perfectly good opportunity to subjugate the weak (which is what the BMoL want) and of course Sam would rather not do that :P

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Cup of Tea no. 2

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Oh crap, they're have a Moment about how they want to die, talking about how they didn't imagine it being this way because, well, who plans to be murdered by their own Bunker

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I don't think Dean plans to die this way any more

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Did Dean just....

he did

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Toni hates the Americans

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YEAH DEAN

He's gonna remember that forever.

If he's not dead and tbh if he is he just died happy

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Having an explosion in the Bunker was a terrible way to use up all the oxygen

YAY Dean did the thing and all the smoke is clearing

I suppose because this is on the CW Dean doesn't stumble in with a massive boner from finally getting to use it

This was already a symbolic victory for the crazy American way of hunting.

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Oh dear, it's Mary.

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She is covered in blood and just walks up to the door, and Jody's like... okay I guess this is what happens with the Winchesters.

I think 12x06 softened her up too much to the idea they just show up covered in the last hunt and want to watch TV

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Omg GARTH IS ALIVE. For now?

"You and Bess need to get someplace safe" :3 Thanks for looking after them for me

I mean now Eileen's dead and Garth is still alive I feel sort of bad for using his life to bargain with. Hence hoping he's mystery guy.

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Nyoooom

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oh that was a cruel fake trail of blood.

I mean real blood but fake anyone got killed because Jody is upright and Alex is next to her and Mary's just got a bleeding nose and a smirk while being wrapped in rope.

"Hello boys"

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Heee Alex and Jody took down Mary and they're being proud of each other for doing it

I love them so much so I am in absolute terror that one or both of them dies

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oh dear Dean's stuck in a room with Jody and Mary and she's taunting Jody for playing mom to Dean - 9x19 comes immediately to mind, and Momma taunting Jody for doing the same to Alex, which is how she got her in the first place. And Mary's tied to a chair and all she's got is the same demon!Dean thing from 10x03 to snark at Dean and tell Jody she can have him.

Honestly, Dean's adapted a lot very well to even survive watching Mary say she doesn't want him to his face.

He doesn't look HAPPY but he didn't like, burst into tears and/or storm out the room

"What's the matter, Dean? Am I too different from the Mary you know? Or too much the same?"

The whole messed up family thing in one go here >.> Mary mirroring Dean as demon!Dean having a dark side that renounced his family and claimed to have always been this thing, and Mary doing the same...

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Lol Mary's hiding behind "inpenetrable psychic walls" - that's not the metaphor the Bunker was warning about us or anything, OR anything deeply symbolic about all the character stuff for Sam and Dean where they hide behind walls of "the story became the story" and all that. Looks like maybe this is how Dean is forced to tell Mary all the dark horrible truth about her deal and all that we saw in the script they teased? That he has to try and find a way to ease her out from behind it, maybe taking a few scratches and shrapnel in the eye to get there, but... Can he grenade launcher through it with his words??

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"They can't be torn down with grenades"

Dean is too sad to even do a "watch me try"

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Random hunters!

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And Walt and Roy!

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"No hard feelings" yeah it's much easier to understand when Sam's alive and that was 7 years ago and honestly so much character growth since then or something

Nice demonstration of putting aside bad feelings to work together

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Dean leaves Sam to do the big presentation and Sam stumbles over introducing it as a personal problem he and Dean have ended up with, but then suddenly drops into inspirational speaking about "our people", taking on the burden as a leader :D

(I mean that's like the one thing they told us in PR but it was "sam n dean" and look I'm really proud of him okay? Berens writes a Sam I love)

Sam also admits, in front of Walt and Roy even, that he was one of the hunters who messed up and were suckered in by their flashy tech. Admitting that the current terrible scenario is his fault again, when that's what they originally killed him for - whatever was on the hunter grapevine about what Sam Winchester had done...

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blah blah America is great land of the free etc *Sam finishes the speech with an American flag flying behind him*

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But I mean good laying out of the philosophies of what they see hunting is really all about - the whole cops and robbers thing Sam talked about in 12x14 but thought the BMoL could help with that instead of seeing they weren't going to be anything like what he idealised about the job.

And he asks them to follow him :')

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I hope the near-death experience made Dean change his mind about dying bloody too

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Dean's so proud

Me too

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Oh no he's sitting it out. Literally because he blew his own fucking leg up.

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I'm sitting this out too... I'm in too much pain to continue doing anything useful right now

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Cup of coffee no. 1

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Morning! So Sam gets his big character growth moment to maybe not mess up leading a thing this time (people are going to die but they know that... more alarmingly, Jody's going with them >.>) and Dean's saying behind to fix Mary. He gives a speech to Sam about doing that which sounds almost exactly like the sort of thing Sam was saying about demon!Dean - if there's any of them still in there they're going to find it and bring them back.

The Mary stuff has always been emotionally more on Dean's side just because Sam would be perfectly content for her to exist and see what happens (which is probably an unspoken part of how the BMoL suckered him in that he didn't mention in the big speech to the other hunters) - he gets the external evil to fight, something which helps fix his and especially Mary's mistakes by taking down the operation, while Dean deal with Mary.

It only just occurred to me typing this, even though I've had like 14 hours since I found out what the plan was, that that puts Sam in a Ketch-ish direction if he's going to be anywhere predictable. I'm still torn about this because I want Sam to kill him for Eileen but Mary's got a personal beef too and I'd honestly be sort of confused if despite being the least-most-invested in killing Ketch, Dean doesn't get pitted against him, partially because this is The Raid pt.2 (this time the hunters doing exactly what the vampires did when they were all being killed off) and partly because stuff just kind of happens to Dean more. But it's entirely unfair of him to hog ALL the emotional catharsis if he's got Toni and Mary with him trying to fix Mary, and then ALSO has to deal with an unexpected Ketch

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Oh dear, Alex just told Jody to kick it in the ass while heading off to a safe house with Donna. It's sort of the show generic rallying cry because Kim Manners, but it's also the Ellen and Jo bye bye phrase, and I don't like this. I have suddenly remembered I am very very worried about one or both of them, and Alex unfortunately still don't have much point to be in this episode except it's weird to pretend Jody doesn't have a family just because the actresses need herding, Claire's purposefully driven off into the sunset so doesn't seem to be a part of this, and that leaves Alex here to either kill or react to Jody being killed.

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Sam and Dean do the bitch/jerk thing which in a show where there was actual threat to either of them dying would make them having a "don't die pls" farewell unnerving for the exact above reasons, but just makes me feel like everyone's having tearful goodbyes to try and pretend the stakes are equally high - at least, the characters think so - to obscure killing off Jody.

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The BMoL have Sam and Dean on their board with "ELIMINATED" underneath them. Losers.

Aaaah I forgot Claire was a potential target though. The WORST thing they could do is kill her off-screen without ceremony and let Jody and Alex find out because Jody bursts into the control room and sees Claire's picture with "ELIMINATED" under it

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Oh nope Ketch is getting nervous about where his asset is so he gets the "keep it between us" info that Mary's in Lebanon, Kansas, aka time for Ketch to not be around to get killed in the base (making it infinitely easier to raid for everyone else) and for him to go exactly where I assumed he would.

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Sorry Sam, you get the second hand reassurance that Ketch paid for it >.>

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Nighty night, Dean and Mary :D I'm surprised they didn't just say African Dream Root but I suppose the BMoL have had time to develop these technologies and magical chemistry that makes the stuff work, and dream root does come with the problem that you can literally kill someone in one of the dreams, it's so real, and tidying up all the lore on how to do this sort of thing would make sense if they wanted to not have to deal with any odd plotholes from that. Using electrodes and stuff to link Dean and Mary connects them without the basic way dream root does it, polyjuice potion style, so theoretically neither of them should have control over the other, although Dean's entering Mary's head?

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WHERE'S THE SOCK MONKEY? INACURRATE. FAKE.

Oh well, I suppose there's some sort of weird symbolism sticking Dean in that chair to wake up but without Dean's sock monkey it just doesn't feel real to me.

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I suppose it could be any old day of the week not like dropping Dean directly into the scene in 1x01, since it's daylight beyond the windows, so perhaps Mary has been tidying and Dean's sock monkey is in his room where it belongs and it just happened to be on the floor in 1x01 because she hadn't tidied that day >.>

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Dean whatever you do do not pick up the tiny Sammy. He's very cute but I have a bad feeling about randomly appearing babies.

Oh it's so weird to regress Mary back to the Mary she was stuck at the whole time of the show for 11 seasons. I mean MARY said she was stuck there in 12x03 as well but her surface actions have all been really different, obviously. And at this point... Dean looks stunned to see her and I don't think it's just because it's the "wow Mom" shock he would get all the previous times, but now, FINALLY looking at her as someone who she USED to be...

Oh no he's so small.

This is what he looked like when he wore the "I wuv hugs" shirt. He's seeing it from the other side now.

Dean could pick HIMSELF up.

Oh noooo he's eating PB&J I didn't sign up for this.

I was expecting him to do this but I was not expecting it to be Dark Side of the Moon over again instead of 1x01. I thought he was going to go do something similar to Sam in the vision Azazel showed him in 2x21, but I suppose the point is that they return to the most important moment to them, and for Dean it was eating PB&J with his mom. It's utterly tragic that Dean and Mary have the same Heaven memory but from different sides, because one of the worst  things about Heaven is the isolation - if you don't know to start pressing on the walls looking for roads or loose threads, you can stay in a dream for eternity, and Mary and Dean might be living the exact same moment over and over again, but without each other... I'm not saying they should be soulmates, I'm saying Heaven should be more like what Ash made of it without the sneaking around and needing an advanced understanding of quantum physics or an angel to tell you what to do to start hopping between Heavens.

Of course put too many people together and they start talking and questioning and it's easier to keep them content if they don't have the ability to think about their situation deeply and philosophically, but are drugged up in their Heaven dream with happiness and mindless contentment living over their best times again.

And now Dean's stuck on the outside looking in of the same moment just as Sam was 7 years ago (you know maybe last night I was wondering if we'd come back here because I was thinking Roy and Walt were a very obvious clue... This is what happens when  you take 14 hours off)

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YEAH JODY. FUCK THE LAW. RUN A GUY OVER. SHOOT SOMEONE.

LOL Roy and Walt are driving Gadreel's car

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Of course in the way the show endlessly loops around itself, what Dean is doing, especially the sitting opposite Mary while her brain is hacked thing, is 9x10 again. Toni is Crowley but this time Dean is going in himself.

-

"You're choosing this" *Dean is horrified* *has only just gone through this with Cas last year* He hates that anyone would choose not free will because, well, contradiction. But Mary has regressed back to how she would have been in Heaven - living in the dream and not really able to think about what's outside herself, and so the choice to stay is very easy: abstract pain and harsh reality, or just not thinking about it. In a way it's almost like trying to right what she feels was done wrong to her - all those gifsets comparing it to Buffy talking about how she didn't ask to be brought back and how she had been happy in Heaven. To Mary, THAT was the violation of her free will...

"I hate you"

Aaand Dean reaches the most dramatic part of HIS character arc relating to Mary.

Ironically one of the B99 episodes I caught up while laying around like a dead fish yesterday included one where Holt got annoyed Amy wouldn't stand up to him even after he lost her favourite pen, and eventually wound her up enough to make her yell at him and dare to disrespect her superior officer (... to an Amy degree anyway :P) and, yeah. Same deal; Dean's been completely INCAPABLE of expressing anything negative to/about Mary, and even the argument in 12x14 was more a sort of downwards bump in this relationship, because within the episode he decided to reconcile with her *just* because she was Mary, and of course the argument was not as stark and final sounding as "I hate you" - reconciling with her after was just putting that aside in order to keep her around, not any sort of conclusion to this fight.

-

lol getting some more use out of the sci fi corridors to randomly mimic the opening of A New Hope, though the BMoL are literally "the empire" and the American hunters are the "rebels"

-

oh I think Roy or Walt is already dead. Lol. Sucks to be them.

(they DID just think they were doing what was right in 5x16 but still. They've been a statisticaly anomoly to be someone who killed a Winchester and lived to tell the tale (I suppose the lady from Wishful Thinking as well but she was as much a victim of the spell as anything so it doesn't... count...?? I suppose the people from Mystery Spot who helped kill Dean all those 1000s of time as well :P))

Anyway being a redshirt on this mission gets them killed on the Winchesters' behalf so fair's fair

-

Oh boy here's the stuff from Dean's confrontation with Mary, and aside from squeezing her eyes not to listen it's completely one-sided as Jensen delivers the sort of Dean monologue which of all the monologues which should have got him an Emmy already, this is the best. This is terrible :D

He's using instead of "we love you" truths to get to her, the HoRRIBLE truth that she's been owed THIS ENTIRE TIME

Anyway he's blaming his whole tragic backstory on her instead of Azazel, because the story has become the story that even after 4x03 Dean's managed to keep Mary pretty much exactly on the pedestal he always kept her on rather than confront that she is the root cause of his angst, which involves her death... He's letting go of everything. Seeing her saying she wants the best for him and will keep him safe, but he knows she's saying this having ALREADY made the deal, and that her entire happy life with her kids was ALWAYS a sham because she ALWAYS knew something bad was coming, but while she was living like this she put herself entirely into that dream to ignore it.

"You left us, ALONE, because Dad was just a shell" holy crap the show is actually OVER, what's even left to SAY

I know when Mary came back, around this time last year we were screeching about the development he'd be offered by this, by finally getting to confront his family history again and get to be at peace with the way he was raised and all that... It's gutting to watch it in real time though

"I had to be a father, and I had to be a mother"

holy shit I wish I could send this scene back to season 10 me to see :D Like, right after 10x03. Because the character thread in Dean I've been following the entire time I've been in fandom has been waiting to see if this would ever get resolved well, after 10x03 where demon!Dean blurted out similar to Sam but from the worst possible place, at HIS lowest point. (This is not Dean's lowest point. Lowest point for his relationship with his mom, but higest peak he's ever stood on for his own personal strength. Holy crap I'm proud of my boy.)

(The phrasing here is all kind of reminiscent of 10x05's song about John and Mary and it's making me laugh inappropriately because the start of season 10 nailed all this so much)

And the thing is by setting this all here in the Dark Side of the Moon day it's a completely timeless moment - like sure there's some vague outside stuff going on like it's BECAUSE of the BMoL but Dean's ONLY talking about their history, their past, how his life was all the time since ever, and the historical facts of Mary's life. Any time since 5x16 they COULD have pulled the trigger on a scene like this, because all they needed was a run up to get Dean in the right mood to say it all. Of course this is the end result of a massive, at least 4 years project to tear Dean down and build him back up and have his character development go on an absolutely incredible journey... At this point I feel like the sports commentator yelling encouragement on the final lap before an absolutely record breaking victory.

"I couldn't do it - and you want to know what that was like?" YES PLEASE KEEP TALKING

Dean lists all the shit that's happened to Sam like the bitter Sam!girl he is and says "all because of you"

I think at this point I just want to look back at 1x09, where Mary as a ghost goes to Sam, before almost any of this happens except Jess dying and the horrible upbringing, and says "I'm sorry" because she KNEW what she'd done to him, and she died guilty about it. She said in 12x02,

MARY: And when we do find Sam... how am I gonna face him? DEAN: What do you mean? MARY: That yellow-eyed thing would never have come for him that night if I... I started all of this.

but with all the massive miscommunication themes she didn't go talk to Sam when she should have - when he came to her in the end of the episode and hugged her, she should have apologised there, and made a start on it. And if not then, then in 12x03, although I'm feeling like from the moment she cut her hair it was too late and she was already avoiding who she had once been, chopping off the style associated with herself as their mom and stepping into what would become this demon!Dean-like brainwashed Mary. I suppose it makes sense to say in 12x02 she raised the problem that she had to face sam somehow, and she DIDN'T and then we got 12x03, the mirror episode to this one on this side of the story (and it feels like Berens has made one of those clear lines through the season, with 12x14 being mirrored on the other side of this episode, in the way Robbie owned season 9 - so like I hand season 9 to Robbie, I'm giving Berens season 12 :P Good work on all this, sir.) In 12x03 Mary is faced with the haunted house full of mirrors to exactly what she's NOT seeing here - Sam as the burned, soulless doll in a crib, the object the demons passed around, and eventually was nothing but a hollow person, as Dean ends it on describing that Sam lost his soul. And for Dean, she sees the little boy, and she hasn't moved past that, but Dean had to tell her from the moment she died he wasn't that any more - he was the parent of the family. She's got her family regressed here again, because confronting it in 12x03 just made her run away. And this is as far as she's run, through the season, literally just running on the spot in this exact place.

Outside Mary is crying, but inside Mary is refusing to show anything. Maybe it's just because where her consciousness is - she won't cry on the face Dean can see. He's leaking tears in the dream but not on the outside. But yeah, she can pick one (1) set of tear ducts to angrily repress. Because at the end of the day, Mary has always been the one more like Dean.

Dean FINALLY gets through the "i hate yous" he's always needed to say to get back to "i love you"

*slowly sinks underneath the blankets* Yeah, saying "I love you" to Mary is the only way he's ever been able to get it out before - the speculation being that once he's worked through his COLLOSAL issues with his parents he might be able to say "I love you" more casually to others because he's at peace. I can SEE him settling into being at peace now, which I think is all that Amara INTENDED when bringing Mary back, but obviously the MASSIVE repercussions going on outside their little insular family bubble.

And Dean forgives her. And says on the other side of this, they can rebuild their family and make it work. AAAAAAH.

(AAAAAAAAH)

Finally he gets to the "but I need you to fight"

"Mom I need you to see me" Oh god this is so good and painful

Mary's crying on the inside too! But in this case it's good because that's the part of her that can see Dean

And we're back to mirroring the start of the season, the very opening scene, but this time Mary recognises Dean and gets to say his name first, instead of Dean crashing out of the trees at her, yelling "Mom", and getting his ass handed to him :P He had to tell her who she was, but this time he told her who HE was. And NOW she sees him, now he took down every single wall between them.

-

LOL Oops bye Toni nice knowin' ya except for all the times you were terrible.

If Dean had trusted her - and if they'd changed the freakin LOCKS again - she might not be dead.

Ketch does the thing again where instead of just killing his targets, he wants to talk to them, so he wakes Dean up instead of just slitting his and Mary's throats while they're unconscious.

-

I suppose now it's on Mary to wake up and save Dean

-

I was torn on who needed to kill the dark mirror of John more, but honestly, Dean's done, came out of the oven perfectly risen and smelling great, so he does not need to reject John. He sees John accurately and describes him in that speech in such a way... His memory doesn't have to haunt Dean, and he's forgiven Mary too.

(And we never mentioned the cupids. Pfft.)

-

christ, Dean's being given the Swan Song beatdown with his leg not working. For once he fights back because Ketch is absolutely not a loved one, but he's completely outmatched, and Ketch is enjoying punching him.

He says Mary said absolutely nothing about Dean - Dean knows from being in Mary's head how she DOES care about him, and that she was being brainwashed - he doesn't know for how long... Point is, these words can't hurt. He already made his peace with Mary too.

-

I think Dean just threw Ketch through the SW DW table, which is hilariously dark about their legacy >.> It's more about in the contacts they build outside themselves, and the WORK they do, than anything they write on a table - shots of Sam and Dean thinking about the world while sitting alone in the bunker or in/on the car are often very sad about how isolated and alone they are.

Thinking of which, we're rapidly running out of episode for me to be worried about Jody in.

-

Ahaha Ketch brought a gun to the fight. He says he's not stupid after Dean points out how stupid he was, but he's got his back turned to Mary, and Dean's now in exactly the same place SAM was in 10x03 after the demon!Dean chase, where Cas suddenly came out of nowhere and grabbed Dean.

Oh Dean flinched, he had been watching Ketch. Nice surprise. Mary's back :D

Dean hobbles over to stand at her side.

"I knew you were a killer. You both are." "you're right." Yeah, Dean n Mary are a pair aren't they :P Both been through this same arc now. Dean owns the description but I think he has a very different definition than Ketch, for all people tell him that he's a killer. He can kill things for his job and when it needs to be done, but that does NOT mean he's a psychopath like Ketch. And Mary has a heart too and chose the right side.

-

Jody pls don't stand with your back to the open door - this is literally how that random no name got killed in 12x14 and I really really don't like you not covering your back, especially when you're a cop, and even when you think you cleared this place.

-

Oh they all survived. Sam got the news about Lucifer, decided to pass on working with a maybe lesser evil to deal with a bigger one. Jody saves his bacon with the big kill shot.

-

Where does Dean even get prescription painkillers. I suppose he'd have got some when  he broke his leg but aside from that it's pretty much up to them to work out how much to medicate themselves by whatever illegal means off-the-grid people can fake prescriptions or health insurance. Also America's healthcare system is terrible because it seems like an entire adversity all by itself to their lives, while in a free healthcare country... yeah, not so much a big deal :P

-

Mary's got the season 7 Cas guilt now - everything that happened is her fault, she feels. I mean she certainly really helped the BMoL get a foothold and so on although they seemed pretty intent to come on over whether she had anything to do with it or not. But the broken family relationships, yeah, she ran away >.>

-

"What if he can't forgive me?" "Mom. You don't have to be scared of me" *Winchester family sandwich*

I think I'm starting to cry at this show way more often than I used to but oh my god I'm so happy for Sam right now. He misses the entiiiiiiiiire thing but the point he made back at the start of the season is he just wanted Mary THERE and her problem is she was TERRIFIED of him, and having the whole equivalent drama to what Dean just went through with her, but if she knew Sam, that's not him. He zenned out in season 5-7 and has already recovered from like, the whole thing, and piled on totally different trauma :P His arc was so important to resolve to the story they already completed the arc in Swan Song, and it wasn't about Mary but it WAS about peace with himself, and of course all done with external actions and plot drama while Dean had to deal with the internal stuff, literally going inside Mary's head to sort it. Anyway point is Mary doesn't need to be scared of him because there's nothing to be scared of. It's literally as simple as he wants his mom, should she happen to be here. Unlike Dean's entire character arc since season 1 still having been unresolved. And the heart of it was stuff that was obvious since season 1 or the first episode, but Sam got his resolution in season 5, while taking us back to that season 5 moment, showed how Dean did NOT get his resolution when he needed it, because it was never JUST about sam but his entire family.

I wonder how he'll be next season, no matter if Mary survives it or not.

-

Thinking of which, now Berens has finished writing season 12 for us, I suppose Dabb has a whole bucket of fuckery waiting to throw us into season 13.

[dlamp-dictator]

Allen Rambles about Symphogear

AKA Allen’s Ramblings XXVI. Yes I know I still need to do the Seinen ramblings, they’re coming I swear.

Ah, Symphogear, probably one the most memorable anime I’ve watched… and one of the few series I’ve kept up with throughout these last few years. I… don’t really know where to begin with this. To explain the plot of Symphogear is… like trying to explain the plot of Blazblue to a certain extent… okay, not really, but it’s still hard. In a nutshell, it’s a magical show featuring idols, singing, dancing, guns, kung fu, and over the top shounen action. As for the plot itself… at least for season 1, destructive creatures called Noise exist in the world, destroying and corrupting everything they touch. It’s up the idol duo Zwei Wing to fight them off with mysterious relics known as Symphogears, magical/ancient technology that grants its users the strength to fight back the Noise with the power of song. Literally. These girls need to sing while simultaneously fighting, and they don’t just play some pre-recorded tracks of these voice-actors singing, you can hear the grunts, growls, and forced breaths as they sing and beat up bad guys and I just find that detail cool. Anyway, that tangent aside, the plot takes off from there. Going into further detail would be spoilers, and I personally don’t like spoiling shows and games when I do these tagged Ramblings, so… moving on.

Now, I got into Symphogear right around the time season 3 was wrapping up. I think I was seeing some gifs of the main character, Hibiki, doing kung fu moves against some Noise and I was still on my martial arts girls high from finishing up Nanoha Vivid at the time, so I checked it out. Then… then I found out the show had 3 seasons. And with shows that have that much of a backlong I tend to worry about how long it’ll take for me to get to the stuff I wanna’ see, being all the cool martial arts stuff. I had the same experience when I saw a gif of that Rin vs Luvia from UBW, only to marathon all Fate-related anime material. What can I say, I like context for my fight scenes. So I marathon all the original Fate/Stay Night anime, Fate/kaleid liner PRISMA ILLYA, and Unlimited Blade Works just to learn that fight scene was in an epilogue episode… then again, that turned me into a fan of the Fate universe and made Prisma Illya one of my favorite magical girl shows yet, so… I took a chance on Symphogear, praying that I got to see kung fu, singing, magical girls in season 1 and not suffer through three seasons of magical girl tropes and monster-of-week style battles before I got there.

Thankfully, I didn’t. In fact, I was really invested into the plot after episode 1. The stakes were raised from the get go and I was hooked. Throughout the first season I actually found Tsubasa to be the more interesting character at the time between her and Hibiki. She was a battle-hardened warrior that had closed her heart to others, even to her love of singing, to become a weapon that could destroy all the Noise that faced her after she witnessed her partner’s death. She was surprisingly antagonistic at first, wanting more to ground Hibiki into the dirt more than even talk to her due to her involve in said partner’s death. Well, I there go my lack of spoilers. What really hooked me though was the fact that this wasn’t a monster-of-the-week kind of magical girl show like I was expecting. I’ve said this before, but I tend to lose interest in monster-of-the-week shows very quick unless I’m really attached to the characters do the fighting. Otherwise, it’s just a bunch of tropes with a lesson-of-the-day at the end of each episode. Symphogear didn’t do this, instead giving a clear antagonist, being Fine, and making the show about learning her plans and eventually stopping her. Now, I know a few other magical girl shows that do this, but most those shows tend to be a bit darker than typical magical girl shows, and Symphogear was more or less playing it straight with the magical girl stuff. It was something I appreciated.

I’d talk about Chris at this point, doing that would really spoil the first season, so I’ll just say I liked her as a villain and foil to the main duo of Hibiki and Tsubasa. The show had subverted a lot of what I had expected, and it only got crazier from there after season 1. To this day Hibiki is still my favorite character in the show, perhaps one of my favorite female characters of all time, right up there with Mikoto Misaka and Cecily Campbell. She reminds me a lot of Asuka from Senran Kagura in a wau. She’d rather not fight any battles, goes out of her way to try and resolve things peacefully, but she won’t hesitate to defend herself or fight against what she believes is wrong and evil if pushed to do so. And I have a soft spot in my heart for Kirika after season 3, but… again, spoilers, plus I’d need to rewatch the show to go into more detail and I’m already keeping up with season 4.

Speaking of, I’m hyped to be watching season 4, it’s been real good so far, and I seeing some possible development for Chris and Team Neopolitan (thank you for giving us that name AXZ). I’ve got high hopes, but… I’m curious where things go from here.

…

…

…

Y’know, I’d usually end this little essay here, but… whenever I make an “Allen Rambles about X” ramblings and tag it I tend to break down things into what I specifically like and dislike, and it wouldn’t be right if I didn’t that, so… this’ll my first time do that for anime, but let’s talk about…

The Good

The Music

When I was talking about my musical taste in my Persona 5 rambling I said anything with brass and jazz would get me to [RETRACTED] all over the soundtrack. However, a good rock song has the same effect, and all of Chris’s songs just get me pumped up. I really like how every Symphogear has they’re own kind of theme and genre. Hibiki’s has a celtic/rock/pop sort of vibe, Tsubasa’s is traditional Japanese instruments with some rock elements, Chris’s has some borderline Daisuke Ishiwatari hard rock in them (just listen to Bye-Bye Lullaby for an example), and the other Symphogears are spoilers, but Shirabe is my favorite out of the newer ones, so I’ll just leave it at that.

The Action

Seriously, this anime just does all the crazy shounen action I love so well, especially all the kung fu stuff Hibiki does in later seasons. Again, Tsubasa is probably my favorite character in season 1 not only for her interest personality and story arc, but her fighting style was so cool in season 1. A samurai that can summon swords, do demon fangs, manipulate her sword’s size, it was all so cool. And that fact that she was probably the only trained fighter up until Hibiki got training in just made watching her fight a spectacle.

The Writing

I’m not really going to go in depth about the write of a show I watch for its action, but I like how Hibiki has stayed firm on her attempts at trying to settle things peacefully before nailing people with tetsuzankos and other moves she ripped from Akira Yuki.

The Not So Good

I usually do the flaws in more of a list since I don’t like being in depth about them unless they’re really big flaws so…

Season 3 was... a little lacking, and I didn’t really care for Hibiki’s character arc when [RETRACTED DUE TO SPOILERS].

Really... season 3 is the only season I had issues with. Nothing big, but just some small holes I could poke at since season 2 was just going to be real hard to top.

Uh... I guess season 1 pails in comparison to the production values of the later seasons, but... eh, that’s like saying Sonic 1 is worse than Sonic 3, kind of an obvious thing, and even Sonic 1 wasn’t that bad to begin with.

So yeah, Symphogear is just a good action show that subverted my expectations and continues to grip me. Again, got some high hopes for Season 4 as it continues, and I hope you all get a chance to enjoy too.

[nora-reads-homestuck]

Nora Reads HS Part 68

Pages 6154-6184

Hey guys! Some quick background on why I’ve been a little scarce: I’ve mentioned a personal project that’s been eating into my free time, and that is... dun dun dun, a custom 5e D&D campaign I’m running IRL! The campaign is just starting, so I’m in the phase where I’m planning out a lot of details and building locations, etc. What that means is that sometimes I’ll need to take little breaks from liveblogging to work on the game, and other times, I’ll put D&D to the side to focus on liveblogging! I haven’t disappeared or anything like that, and once the campaign really gets going, my need to take short breaks should ease off. No need to worry! I am here and ready to find out what’s up with this robot bunny that young Bro has built Jane. *Seinfeld music* Does the auto responder have a connection to it the way he has a connection to the brobot? Does it fight with Jane? Is it... touchy feely?

Let’s... find out. Eurgh.

*click*

Poor poppop's severed head got nicked by the FIREPLACE POKER.

OH SHIT. I’m so accustomed to seeing damaged eyes that it didn’t really register the first time I looked at this panel. Is this Hussie teasing us with the idea of a Poppopsprite? Because I would be PERFECTLY OK with that eventuality. Circumstantial simultaneity.

Also, damn, check out all those Astaires.

Jane: Put head back.

You stick the poker down his neck hole and jam the head back on the spike as a temporary measure. That looks somewhat more respectable you guess.

THE PERFECT CRIME.

Looks like the troublemaker's father is calling.

That choice of language is weird and it’s skeeving me out. I DUN LIKE IT. On the other hand, yay, more kidchat! Or... robokid chat?

KID SIGHTING. And... well, he looks exactly as expected. He appears to be standing on the roof of his building, surrounded by... fucking... are those doves?

TT: Why have you activated dear, sweet Huggy Bear. TT: Are you in danger?

...I... it’s gotta be Snoop Dogg Huggy Bear, right?

TT: I disabled the AR for now. GG: Ok. Just making sure! GG: Jake was having some issues with it earlier, and I don't think he received its obfuscating tendencies in the humorous spirit intended. TT: Yes, I'm catching up with the situation now. GG: Oh, so you're talking to Jake then? TT: Nah. Just reading their chat logs.

Why does this seem weird and intrusive if the ‘AR’ is basically fucking him? (Haa haa.)

TT: Its demeanor leaves something desired though. I'd prefer it didn't make such aggressive and repeated claims of fidelity to my persona. TT: Be misrepresentin' hells of key subtleties, yo.

‘Subtleties’. Sure.

TT: Jake needs to be more skeptical. Rather than take a Pollyanna jackknife ass-first off whatever turnip truck is blowing through town that day, he's got to apply more critical reasoning to shit. TT: I keep telling him. TT: I keep telling him, dude, you got to be more like Jane. GG: These lectures I presume are roughly similar in complexion to those I'm familiar with? GG: Those wherein I have, and I quote, "got to be more like Jake?" TT: Yes, exactly. TT: You're finally fucking getting it. GG: I sincerely doubt that I am! TT: Said the stubborn skeptic, skeptically. GG: Let's not talk about my "issues" again, shalln't we?

Alright then. Young Bro is apparently trope savvy, so let’s see what tropes we can apply to him, so far. A: a fair few.

TT: Shalln't? TT: That ain't a thing to say, even for you. GG: Shush! GG: The word shalln't escape my vocabulary any longer, just as you SHALLN'T nitpick my language! That's my turf you're on, buster. TT: Alright. Kinda don't care.

WOW, what a jackass.

GG: What were you saying? TT: About what? Jake?

Careful, Strider, your crush is showing.

GG: About leaving the responder on! TT: Yeah. TT: Anyway, I kind of owe it to him to let the program run as often as possible. GG: Jake? TT: No. TT: The responder.

AHAHAHAHA. Yeah, this is going to get mined for drama later, isn’t it? Normally I’d be fucking allergic to the idea of a teen love n-gon, having experienced enough of them in YA fiction to make me sick, but then, this is Hussie. It’ll be amusing if nothing else.

(IF LITTLELONDE IS THE ONE TO END UP WITH JAKE I WILL SHIT. I might actually ship it??)

TT: It is a fully cognitive, self-aware entity I am responsible for, not even to mention an approximate cerebral duplicate of myself. TT: You don't just make a clone of yourself to live in a dead end existence where it has no chance to thrive as an individual or surpass its limitations. TT: That'd be sick.

That’s a charitable view to have toward an AI, and I’m going to remember this moment in case he reneges on his words later.

TT: Also. TT: The more the software runs, the broader and more detailed its experiential canopy becomes. Makes for a better dialogic partner. GG: Dialogic? GG: Are you saying you have conversations with your own auto-responder? TT: Of course. TT: Why do you think I made the thing? GG: Hrm, that's interesting. GG: I guess I always thought it was just a really elaborate gag! TT: It's that too.

Let me guess; the gag lies in the enormity of the narcissism involved in valuing yourself as the best possible dialogic partner, and is somehow tied up in ‘the ironies’.

God, what an insufferable prick. I think I would like him better if he were charming. Rose, for example, can get away with quite a lot by virtue of her rapier wit. What’s interesting to me, though, is that the most intelligent character in any work of fiction can only be as intelligent as the author. Rose and Doc Scratch were conduits for Hussie to show off his sense of humor and sesquipedalian loquaciousness, but Bro might be his chance to show off his raw intellect.

OH MY GOD JANE, YOU LOOK LIKE AN IDIOT. <3 And what the hell is the rabbit doing?

GG: Sometimes your sense of humor seems more impenetrably advanced than your robotics. I'll never understand this tapestry of irony you weave.

Replace ‘honor’ with ‘irony’.

GG: Maybe I'm just stuck in the dark ages of pranksterism with my funny mustaches corny old joke book. TT: Yes, you are. But that's fine. TT: We come from different traditions. Someone needs to keep that racist southern asshole's legacy alive.

WOW SUCK MY DICK. How can you even be mean to Jane.

TT: There's dignity in taking up the work of our familial predecessors, even if what they did was insanely fucking stupid.

So... adult!Dave is still all about irony post-Scratch, and Bro claims to have gotten his shtick from him, instead of the other way around, but... he thinks Dave’s work was stupid?? This is infuriatingly circular.

GG: Is that a note of bitterness directed at your superstar brother I am detecting?

I AM SO HERE FOR FAMOUS DAVE, YOU DON’T EVEN KNOW.

TT: No way. He's awesome. TT: I've told you, I don't begrudge any of his success. TT: I've also told you he isn't my real bro even though I call him that. We're related through an esoteric process of genetic reamalgamation. GG: Oh lordy. Yes, yes, I know. I don't need another ironic lesson in science fiction!

Wow, yet another Sburb process the post-Scratch kids are inexplicably aware of. Does Bro know the actual nature of their relationship? Because that’s got to be weird and squicky in a Freaky Friday parent-kidswap kind of way. Maybe... Did Dave tell him all this stuff about the game, and Rose told LittleLonde, and that’s why Jane is still in the dark? Because Dad wasn’t a player???

IT ALL MAKES SENSE! :D

If Dave and Rose remember the game and their other lives, that would explain the continued existence of SBaHJ without adult!Bro’s awful comics to inspire him! And maybe they were the ones to encourage this troll friendship the Scratch kids have got going on! It would seem to run counter to the previous example we have in the troll ancestors, who didn’t recall game details after their Scratch, but it’s not exactly a game-breaking retcon to have the humans remember.

I still wonder why Jade would make all that Lord English-themed stuff, if she knew he was an evil motherfucker, but ah well. At least we know why she was so adamant about engaging “”Betty Crocker”” in corporate warfare!

TT: The point is, obviously his satirical methods have flaws, and whatever tempered brand of hero worship I might be practicing isn't keeping me from seeing that.

WHATEVER, HE LEARNED IT FROM WATCHING YOU.

...LITERALLY.

GG: Flaws?? Talk about understatement. Those movies are unwatchable. GG: Unless your name is Jake English.

AHAHAHA.

TT: Yes, spectacularly so. But they will have profound historical significance. Mark my words.

Consider them marked. And knowing Hussie, it’ll be played for drama just as much as laughs.

TT: And flaws aside, it's a legacy I'm proud to inherit. My duty isn't to appropriate his methods with absolute loyalty, but to apply reason and improve upon them. To leave my own mark. TT: To perfect the art of irony.

UGH. Improve upon his methods by “”applying reason”’, as if, had Dave only been just a little bit smarter, just a bit more logical, he’d have told better jokes?? Bro’s one of those “let me play devil’s advocate, if I may” douchebags, isn’t he. He should’ve had a fedora on his shirt.

...OH MY GOD HE HAS THE KATANA TOO, IT’S PERFECT.

TT: It's just like what you're doing with the work of your ancestor. You are striving to perfect his hokey vaudeville bullshit, or something. TT: You seek the Zen of a pie to the face. The Tao of falling the fuck down.

Alright, that one’s actually funny.

TT: Can't fool me. You take your shit as serious as I do. TT: And if I wasn't serious about it, I wouldn't have made you that rabbit. Then where the hell would you be?

Still literally homestuck, if with an intact grandfather-son. But you don’t gotta be a fuckin’ prick about it.

Whoa, they’re not doves, they’re seagulls! Not unheard of, that close to Galveston. Also, the sky is lovely and blue. I would expect the post-Scratch Earth to be more of a crapsack world, a la post-Scratch Alternia, so this is interesting. Maybe it’s just because it’s Fall?

GG: Well, aside from thousands of dollars in corpse-repair richer, I can't say.

Ahahaha. Fuckin’ tell ‘im, Jane.

TT: Has he been sleeping in the old man hollow again? Shit, that's adorable. GG: I can think of cuter places for him to sleep, frankly! TT: Yeah, bullshit. TT: He's just being instinctive. In the wild, he would gut a carcass and sleep inside for warmth, as well as to secure tactical advantage for ambushing would-be scavengers. GG: Oh, please.

UGHH I AM QUICKLY APPROACHING MY LIMIT FOR DOUCHERY.

On a side node, what is the internal temperature of a tauntaun?

(What do you mean, an African or a European tauntaun?)

GG: Anyway, property damage and desecration to cherished elders aside, Mr. Bear has been a lovely addition to the family. TT: You haven't renamed him yet? GG: Oh... no. GG: I keep forgetting I'm supposed to! TT: You've got to fucking rename him. Or change him to a girl if you want. That was important. TT: When pets change owners they get new names. Fact. GG: Sorry.

Ok not only is that patently untrue, but I swear to god if this asshat keeps being rude to Jane, I will TURN THIS FUCKING COMIC AROUND.

GG: I will name him right now! GG: How about Lil' Sebastian? TT: Fuck if that isn't the best name a thing could get. GG: Yeah!!!

HALF MAST IS TOO HIGH.

GG: So then, are you saying Mr. Sebastian here was an ironic present? GG: Relayed strictly for guffaws?? >:B TT: Yes, but it's not that simple. There were many layers involved. TT: Some of them are literal layers, of metal and plush. GG: Huh? TT: There's a real stuffed rabbit beneath its exoskeleton. GG: What! Really? :O TT: Yeah. TT: It belonged to my bro. GG: I thought you said you didn't have such an heirloom to complete the plushie trifecta? TT: I didn't. He didn't give it to me, and never intended to bequeath it. TT: I stole it.

Huh. So, like Dave’s gift to John in the pre-Scratch universe is the “original” bunny, having at that point taken no trips through time, so the bunny inside Lil’ Sebastian is the post-Scratch universe’s original. Why did adult!Dave have it in his possession? He didn’t give it... to... 

Oh. Con Air came out in 1997, and John died in 1995. So he bought it and kept it as a keepsake, in memory of his departed friend, only to have Bro steal it. For a good cause, yeah, but still. :’(

GG: Ooh. Risky! TT: Nah. I got a little help from RL and ganked it out of his museum. TT: It's this whole "priceless" collection of stupid shit from movies, defended like Fort Knox. Ironically of course.

PROBABLY NOT IRONICALLY, YOU JACKANAPES.

GG: So it's from a movie? TT: Ever hear of Con Air? GG: Nope. GG: Wait... GG: Wasn't that some bit of action schlock from the 90's? TT: Yes. GG: Some of the silly nonsense referenced in his work was well before my time. I don't have the wherewithal to investigate all this minutia. TT: Yeah, it doesn't matter really. But it was from that. Dude weirdly obsessed over that shit movie for years, among others.

Awww, noooo, he's sad about John!! D:

GG: That does sound a tad obsessive. Wasn't he furious about your burglary? TT: Pretty sure he didn't even notice. In years since, I never saw a news story about a "daring heist" or anything. I feel like he would have made some hay outta that. TT: And if he did know, he'd probably just want to give me a stoic fist bump or something. 

Maybe, but probably not for the reason you think.

TT: Like I said, there are layers. TT: On one level, I gave you a filthy tattered piece of shit, albeit of tremendous cultural significance, manhandled by some old B movie actors, now candy coated to function as a highly practical defender droid for your personal protection. TT: On another level, I needed to incorporate something passable as a real heirloom. TT: For sentimental reasons. GG: D'awwwww. GG: Wait, real sentiment, or ironic sentiment? GG: Or is there no difference?? Am I missing the point here? TT: No, it was genuine.

So he’s not completely without a heart, even if it is, to quote him directly, a filthy tattered piece of shit.

TT: The upper echelons of irony should always include measures of sincerity. And if the satirical practice is executed faithfully it will achieve something bona fide in its own right regardless. TT: Through an intense commitment bordering on religious devotion to the absolutely inane, absurd, or plain fucking stupid, a very different kind of sincerity begins to materialize. One of reverence to the ridiculous. You begin to "mean it," but what exactly it is you mean is never quite what appears on the surface, and is utterly inaccessible to obtuse and literal minds. That you "mean it" then becomes inseparable from the joke, and additional rich strata of humor may be stripped aggressively from this irreconcilable truth.

I’m torn. On the one hand, I want to reach through my monitor and punch this kid in the face. On the other, even I can recognize that this is basically Andrew Hussie sock-puppeting his own ironic ideals. It’s just somehow more insufferable when Bro says it.

GG: I have so much to learn. And I am not even saying that "ironically!" GG: Will you teach me your ways one day, sir? Perhaps an apprenticeship will open? TT: Oh god, I'd love that. TT: Consider the position yours for the taking any time. Feel free to approach and kneel before Cal. With my sword and his floppy mitten, you will receive my flashstep anointment shoulder to shoulder, and to shoulder again.

UUUGHHHH. His head’s stuck up his own ass, but at the very least, he does seem to be sincere about enjoying teaching people things.

JESUS RABBIT, WHAT ARE YOU DOING. If it’s really got a mind of its own, then it’s like a hyper-competent dog with a sword. If you don’t walk it or play with it enough, it starts destroying things. LIKE SOMEONE I KNOW. *stares down the dog*

GG: Lil' Seb is beginning to act out, and I must put his fidgetiness to constructive use!

‘Fidgitiness’, that’s putting it politely.

TT: Cool. TT: Jane, one more thing. TT: I'm sure you must be aware by now that you'll be the leader of our group, as you will be the first to enter the session. GG: Um, no? GG: This is news to me. I never gathered that "team leader" was a thing for this game. TT: Trust me. It's a thing.

Hmm. Frankly, it’s a little surprising to me that Bro would both know about the leader position, and willingly give it up. He seems like the kind of person who would want to be calling the shots, if for no other reason that he’s SOOO SMAAAART.

GG: Are you sure? I have my doubts. GG: I believe as a group we will have the temerity to succeed, without my having to order people around like an insufferable bossypants. TT: That's why you're our leader, Jane. GG: Hm? TT: Optimism through stalwart skepticism is an affect not everyone is plucky enough to be graced with. GG: That's stupid! TT: Yeah yeah. I know. TT: You're not our leader, you're our FRIEND, right? GG: Precisely! GG: There is a BIG difference! TT: And statements like that are also why you're our leader.

Whoa, whoa. So like... Bro and LittleLonde have certainly been privy to a lot of things they have no business knowing, which I’m still assuming was imparted to them by their troll friend or by Dave and Rose. But either that’s just an extremely coincidental call back to that exact conversation between Rose and John, or... Or I don’t know. It’s probably just him knowing her really well, and her being a lot like John and Bro being a lot like Rose. B...Brose?

TT: But only in name and in spirit. Less so, functionally. TT: If it puts your mind at ease, I'll be the one pulling the strings here.

Oh. Oh, wow. Never mind. You know what? I hope it all backfires spectacularly, so that the pre-Scratch kids can swoop in and save the day, while Bro looks on in stupefied wonder.

They wait, bitches.

GG: Oh yes? GG: Then this whole affair will be one of D. Strider's grand productions in puppetry?

Alright, so his name starts with D. Not all that many 4-letter male D names. Dean, Doug, Drew (ahaha), Dale, Dane, Dirk, Dion, Dann, Dill... Dick...

Also, ‘grand productions in puppetry’ makes me want to punch (and judy) something.

TT: I will be the unseen hand whose nimble digits are behind every subtle twitch in our session's bulbous foam ass. TT: At least those gyrations not happening by the volition of its own quivering absorbant proboscis. TT: If you ever need help, Jane. If you're ever in any trouble at all, let me know. Just say the word. TT: I'll whip the toggle stick of this ludicrous marionette, cavorting its humongous bottom to intercept your freefall through the abyss.

Well, that’s... sweet? I guess he’s saying he’s got good intentions, but still, I can see this (and am sort of rooting for it) to backfire horribly.

TT: Snowcone you up in the fluffy crook of its cleft. Don't be alarmed if you're in no hurry to unpry yourself. TT: For the great jut of this impudent rump has more yield to your touch than you ever dreamt. Remember to catch your breath as it cherishes the imprint of your hand like a memento from a lover gone to war. TT: There's a lot of give to that ass, you may say. TT: Might like to settle in. Make myself comfortable. Start a family. TT: Bounce a coin off that ass, you'll demand of visitors. It's not going anywhere. TT: Bet that coin'll take a good nap there. TT: It's a gamble you win every goddamn time. TT: Yeah.

I hate to use the same gif twice in one post, but...

GG: These lessons we talked about... GG: They've already begun, haven't they? :o TT: Jane, soon you'll believe what I've told you. TT: You'll believe it all. TT: It's just a shame that believing will take something so coarse as seeing, for a girl as sharp as you.

How biblical. What all exactly is he talking about? Game stuff? Betty Crocker stuff?

TT: Critical thought can lead one to accept the unlikely, just as much as dismiss the impossible. TT: I can help with this too. Would you like me to program a Jane Crocker responder for you? TT: I only require a simple captcha of your brain.

Alright, Doctor Fuckin’ Jekyll; let me just get right on that.

Wait, doesn’t DAVE have a captcha of his own brain? ...Oh no. Also, that means the auto responder isn’t n% indistinguishable from Bro just because it was programmed to be; it’s literally a copy of his brain. That’s kind of disturbing.

GG: Holy moly! GG: Um, thank you, but no. GG: I'm not ready to get dialogic with my cyberself just yet. My friends keep me busy enough as it is.

YES, JANE, THIS IS A GOOD ATTITUDE TO HAVE. KEEP IT UP.

GG: Speaking of which, I really need to go. I know you love to talk my ear off, and it's always a treat,

Pahahahaha.

but let's catch up later after the game starts, ok? GG: And if I do need your help, I promise I'll take you up on your offer! TT: I made several. Which one? GG: The one where you, hopefully not literally, offered to catch me in the crevice of a great big squishy butt! Hoo hoo hoo!

I fucking love this kid. She’s a little more assertive than John so far, though she’s also less mean-spirited. What will it be like when they meet? Can’t wait to find out! :D

Jane: Command Sebastian to lift fridge.

You order dear, sweet Lil' Sebastian to put his fidgetiness to constructive use. He is eager to assist, and lifts the appliance with ease.

Y’know, I was about to say something like, ‘how the hell is that tiny little robot supposed to lift the’ but then he did it. Welp. that certainly makes for a convenient escape route! After all this trouble Dad went through to keep Jane inside, she’s not going to get, like... sniped or something, is she?

He finds a note taped underneath the fridge. It seems to be addressed to you.

UGH I want to hate this bunny because Bro made it, but it is SO CUTE.

Fat chance, dad. This bird's gotta fly!!!

Jane, come ON, you’re courting danger now.

Never would have seen that one coming. (Jane, I’m about to throw a fridge through your wall.)

I like to imagine that the water pressure from the hose was at blasting power just before this panel, and drooped along with Dad’s confusion.

Jane: Throw down your hat in disgust.

Here it comes...

Wait for it...

You've been climbing your echeladder very gradually for various minor accomplishments here and there since you were 13. That was such a sweet textbook HAT POF, it earned you just enough to clear the next rung, FEDORAFLEDGLING. Nice going!

Huh, now this is a more interesting panel than you might think. First off, the mostly irrelevant details: Jane’s hat has what looks like a flag or a tag on it, instead of a feather, and her boondollar total is inching closer to 111,111,111 (damn, she’s rich). Now for the real meaty stuff.

The lowest level we can see on the echeladder, which, since the scrollbar is at the bottom, we can pretty safely assume to be the actual lowest level, is ‘Baby Ectobotananna’. This one took me a second to figure out, but then I realize it’s a combination of John’s ‘ectoBiologist’ and Jade’s ‘gardenGnostic’ via ‘botany’, and then ‘Nanna’.

Batterlass represents the obvious; she’s the heir to BCCorp, next in line after the Batterwitch.

‘Overbite Restart’, ha ha. John had ‘Overbite Upstart’.

‘Snorkbait Sporkplu’g, I have no idea, other than that it’s a call back to John’s ‘Sharkbait Sparkplug’.

‘Bespectacled Skeptic’ reflects what Bro was telling her, that she’s gotta believe more.

‘Haberdasher’s Daughter’, because Dad and hats.

‘Britches Healer’ connects back to the earlier rung ‘Britches Ripper’, and is either a reference to her being the Maid of Life, or else she just sews things a lot?

‘Sodajerk’s Confidante’ took a little digging, but it seems to be a Problem Sleuth reference.

‘Maid in the Shade’... this one’s interesting. It’s already lit up like she’s achieved the rung, and I wonder what prompted it. My first thought just looking at the name of it would be that she’d have to visit the Land of Wind and Shade, but obviously that has not happened. ...Unless she mysteriously achieved the rung shortly after her 13th birthday, when Nannasprite “”concurrently”” appeared in LOWAS.

‘Mourning Starlet’ is also a mystery. I get the pun, but who or what was she mourning? Her freedom? Poppop was long since dead, and her Dad is still alive.

The next rung up from the current ‘FedoraFledgling’ is ‘Heiress Sans Parent’ (a reference to John’s ‘Heir Transparent’), and if that isn’t leading, then... then... THEN I’LL THROW DOWN MY HAT! *levels up* Sadly, it looks like this Dad’s going to bite it too. T_T

And that’s all I’ve got for now!

The well traveled HAT shares in your glorious spoils. The battle-hardened accessory reaches dizzying new heights, leapfrogging from the DOUCHEBAG'S DOMESUCKER rung, to the rare, highly coveted MARTYR'S PISSCRADLE rung.

This is because FedoraFreak tried to use his hat to strain his piss, isn’t it. Did we ever find out what happened to ol’ FF? Did he go god tier?

How can these things be so fast on land???

JESUS.

...Now, wait a second. Gamzee never spent much time with his lusus because it was always out at sea, and I assumed that was because it couldn’t come on land. But if it could, and it just didn’t want to...

Oh no, it's a hostile swarm of those little fairy bulls! They are probably pissed off about the one you killed earlier. They have come for revenge!

Maybe the tinkerbulls and the goatdad will fight each other, allowing Jake to escape! Or... maybe the goatdad will follow in Gamzee’s footsteps and get all weirdly attracted to the tinkerbulls, and the tinkerbulls will get all shy and moe. ¯\_(ツ)_/¯

OH MY GOD THE HUMANITY. HOW THEY EXACT THEIR POUND OF FLESH. OH GOD NO OH GOD OH GOD OH GOOOAAAAAAAAUUUUUUUUUUAAAAAAAAAAAAAAAAAAGGGGGGGGGGHHHHHHHH.

AHAHAHA, I love it.

> [S] ==>

Oh? Oho? What is this? *click*

...

This might just be the singular most beautiful moment in all of Homestuck. This is it. This is everything I’ve been waiting for. Everything I have ever wanted.

Nearby, someone or something bleats like a goat for strategic purposes. And also

Ironic purposes.

I can die happy now. Seriously, what was that, like, 3000 pages later?

Jane: Run.

The jig is so totally up. Nothing left to do but scurry your little legs to that box, snatch the mail and scram!

Ooh, are we going to get a strife? :D

God dammit, I love Dad so much. That his reaction to WORLD SHATTERING SHIT is just a mild ‘?’ and moving on just makes my fucking day.

Gasp!! He seems to be concerned about Jane being outside most of all! She’s totally gonna get sniped, isn’t she.

> [S] Jane: Get mail.

Wow, or that. I’m assuming Hussie’s pulling the whole ‘OH LOOK JOHN’S HOUSE EXPLODED, SURELY HE COULDN’T HAVE SURVIVED THAT’ thing again, but still, yikes. Poor Dad. :(

Also, if that ‘HOMESTUCK’ logo in the sky is an actual physical object like the words floating around Prospit and Derse are, can people see it? Does it spook the U.S. government? Have people been on manned missions to the Homestuck instead of the moon?

END OF ACT 6 ACT 1.

And that’s the end of this Act Act! (I think. I’m not gonna click that arrow just yet.) I know it makes for a short post, but I said I’d divide things up this way so that I didn’t get overwhelmed making an EOA reaction post for what is essentially half the comic, so there you have it! If you’d like, you can send me fanworks up through A6A1, though I warn you I’m still not done looking at all the stuff that got sent to me for A5A2.

Next up, Reactions, and then Act 6 Intermission 1! Or... maybe the other way around, if the Intermission deserves being included with A6A1′s impressions? We’ll see.

Until next time! ^0^

[hoynovoy]

My 'Pretty Little Liars' Obsession Led Me To My Best Friend

“Got a secret, can you keep it?” Well, I’ve got one: Though Pretty Little Liars ended in 2017, the seven-season mystery thriller schemed its way into being an integral part of my life for the long haul, so much so that the opening credits live in my head rent-free. To this day, each time I hear the sinister theme song — “Secret” by The Pierces — I’m brought right back to my childhood comfort show (ahem, obsession). The visuals begin with a swipe of mascara, the smear of red lipstick, and a clasp of a heel onto a porcelain doll, which makes me feel like I’m watching someone get pampered for prom. Until, of course, it cuts to four girls standing in front of a casket. It's a chilling moment, one that, until Season 6B, ended with Aria Montgomery (Lucy Hale) delivering her iconic “shh.” I got cast under the show’s spell the first time I saw it, and I wasn’t the only one: Pretty Little Liars led me to my best friend.

Ironically, plotlines about deceit and betrayal actually helped ignite a long-lasting friendship. In 2011, the only other person I knew to be watching PLL was my now-BFF, Taylor, who’s been by my side for over a decade. We were only about 11 and 12 when it premiered, so shout out to our parents for letting us watch a show that dealt with very adult themes like substance use disorder, assault, and grief. Unlike our classmates, who watched tween-appropriate hits like iCarly and Victorious, we became PLL stans.

As fans know, the show is loosely based on the Sara Shepard YA series of the same name, and the first book was my entry point into the PLL universe. I loved reading about blackmailers and murderers navigating high school, but I thought I was the only one who was into it. (Was this my ~I’m different~ complex showing, or were my peers just naturally more inclined to recap Dance Moms? I’ll never know.) So, Taylor first struck up a conversation with me at school because she spotted the first PLL book on my desk — you know, the one painted with porcelain wax dolls warning to “never trust a pretty girl with an ugly secret” in a Gothic script. She asked if I’d watched the TV adaptation yet and we immediately exchanged phone numbers to text about upcoming episodes. We then fell into the fandom. Fast.

I’d never talked to Taylor before this interaction — we had only been in a few classes together — but I always saw her as approachable and friendly. Universally, the beginning of middle school is a big and terrifying year when kids from different elementary schools unite. Eager to meet new people, I reached for friendship at any chance I could get. Taylor made it easy. Aside from being a genuinely kind person (a rare trait for a middle schooler!), she was fangirling over the same thing as me.

Fast forward over a decade later, and the show still feels timeless, especially in its accurate depictions of how dramatic high school can get. It’s no surprise there’s a PLL HBO Max reboot on the way along with the remakes of other buzzy shows from that era (hello, 2010s nostalgia). Ah. It was a simpler time. Back then, Freeform was still ABC Family and for me, Tuesdays meant one thing: PLL is on. What first started as a solo viewing experience soon became a designated hangout time, a time slot reserved for me and Taylor to gush over how much we loved Ashley Benson. (We still do!)

The series had a vibe similar to Gossip Girl or Bridgerton in that a mysterious, unidentifiable pot-stirrer keeps fans guessing each episode, but it was arguably so much better since “A,” the anonymous villain, is out for, you know, murder. Ultimately, it was the type of whodunit that made me and Taylor (and millions of viewers) go down a couple of Reddit rabbit holes — remember the “Aria is A” suspicion? — and this is where my and Taylor’s experience with fan theories began.

Oh, and let’s not forget the location. PLL takes place in the fictional suburb of Rosewood, Pennsylvania, and for two girls from Bucks Country — aka the Philadelphia ‘burbs — we ate it up. The beloved “Welcome to the Dollhouse” episode was exceptionally creepy not only because the Liars get locked into a life-size replica of their bedrooms, but also because our real neighborhood looks extremely similar to their hometown. It operates like Rosewood, too, in that small-town gossip travels at lightning speed.

The Pennsylvania-based plotline also made it easier for us to identify with the characters, who felt like extensions of ourselves. In many ways, we got to know each other through their personalities. Taylor is studious and high-achieving, obviously a Spencer. And I owned feather earrings because I saw Lucy Hale sport them in Season 1, so obviously an Aria. Asking “Are you more of a Hanna or an Emily?” held as much weight in 2012 as asking someone their rising sign in 2021. While it might not say much, it also tells you everything you need to know about a person.

PLL got its start right before live-tweeting shows became popularized, so when we weren’t together, I used to text Taylor on my slide-out keyboard phone (only Zillennials will remember) to compare notes without stumbling upon many spoilers. They read something like this: “Caleb and Hanna are soul mates, TBH.” Like every other fan, we theorized about why A had to be Ian… and Melissa… and Jenna… and Mona… and, you get the point. When our elaborate speculations ran cold, we’d pause DVR’d episodes to gather more clues, like glimpses of Red Coat’s face in her second season introduction, or inspections of those eerie-gloved hands assembling dolls and sharpening knives at the end of each episode.

This game of Clue made room for conversations about all the things. We were in high school during the show’s peak, so it felt like the Liars had laid the groundwork for how to operate our school’s halls. Rosewood High was not traditional — uh, multiple students came back from the dead (*cough* Mona and Alison) — but it did prepare us for the stressors of college applications and first romantic relationships. In fact, Benson’s Hanna Marin would be proud of my matchmaking skills because back then, I introduced Taylor to the boyfriend she’s still with today.

As we both grew up with the show, our friendship got even deeper. The Liars weren’t the only ones to share secrets, and I found it incredibly easy to confide in Taylor. She’s trustworthy, level-headed, compassionate, and an excellent listener. She’s someone I know will always pick up on the second ring and is the type of friend to be there with advice, reassurance, and a quick-witted one-liner. She once joked about never needing a diary because we’ve transcribed the past 10 years of our lives via text.

Our bond has remained strong, especially because the most outrageous PLL-esque plotlines of our lives are ones we’ve experienced together. I love Taylor because I don’t have to provide background for my stories. I’m even so familiar with the cast of characters in her life that when someone re-enters after a long period, I like to say they Alison DiLaurentis’ed her.

And on the off-chance she’s not there to witness something meaningful happen to me IRL, she’s always ready to decipher what went down over texts or dinner and drinks — just like we did when we were teens trying to figure out who A was (minus the wine, of course).

The way she can reconstruct my way of thinking and offer up a perspective I hadn’t seen before is almost paranormal. Whether these are Taylor’s naturally given talents or traits learned from peeling back all the layers of the series, I’m not sure. But she’s always there to decode situations with me — whether they relate to a TV show or during moments when I feel lost.

I couldn’t be more thankful that Taylor entered my life and that PLL played a role in our friendship. I feel so incredibly lucky to know someone like her. Plus, now I have someone who is obligated to watch the reboot with me. Ali was right: Friends do share secrets. And she’s ~quite literally~ the reason Taylor’s got all of mine. Spencer and Aria, you’ve got some competition.

Get More Dating Advice Here

[oblivionspeakk]

Learn How To Make More Money With SEO 2019

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The most important SEARCH ENGINE OPTIMIZATION factor for creating high-quality articles is doing good keyword analysis. Criteria changes in 2018 seem in order to centre on reducing the efficiency of old-school SEO techniques, along with the May 2015 Google ‘Quality' criteria update bruisingly familiar. Keep in mind in SEO article writing recommendations you keywords have to create sense too. Domain Authority within SEO is a rank that will measures how popular and reliable search engines call at your own website. If the key phrases you might be hoping to rank with regard to don't display on the page, this will be much more difficult to achieve your goals -- making on-page optimization a important part of most SEO strategies. You will become introduced to the foundational components of how search engines such as google work, how the SEARCH ENGINE OPTIMIZATION landscape is promoting and exactly what you can expect in the particular future. The SISTRIX Toolbox consists associated with six modules 1) SEO, 2) Universal, 3) Links, 4) Advertisements, 5) Social and 6) Optimizer. Low-quality content can severely impact the achievements of SEO, within 2018. When your own SEO starts building strong coffee grounds, competitors can start maligning your own SEO backlinks. ” With content marketing spend likely to reach $300 billion by 2019, this statistic is worrisome. Now the electronic marketing companies know how in order to use AI for SEO, plus in coming years AI may dominate in developing the SEARCH ENGINE OPTIMIZATION strategies of the digital marketing and advertising companies. Ray Cheselka, AdWords and SEARCH ENGINE OPTIMIZATION Manager at webFEAT Complete, the design and SEO agency, states that in 2019 search intention will continue to become even more important. Expert writers of SEO articles will certainly take the time to study the particular industry or specific niche market market. 2 tools to help with nearby SEO are BrightLocal (for rankings) and MozLocal (for local research optimization). Concerning on-page SEO best practices, I usually link out to other quality related pages on other websites exactly where possible and where a individual would find it valuable. It includes a well known Routine Table of SEO Success Factors”, a 9-chapter guide to SEARCH ENGINE OPTIMIZATION basics, and links to a few from the site's most useful blog posts. Here's the fantastic news: You don't have in order to have to be a SEARCH ENGINE OPTIMIZATION wizard to make sure your own website is well positioned intended for organic search engine traffic. SEARCH ENGINE OPTIMIZATION is the acronym for research engine optimisation. 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Official Site Associated with BlowFish SEO - Professional Search Motor Optimization Services operated by Robert DiSalvo SEO Located in Hand Beach Gardens, Florida. The takeaway here is definitely that if you might have got LOTS of location pages helping A SINGLE business in one particular location, then those are really probably classed as some type of doorway pages, and possibly old-school SEO techniques for these types of type of pages will discover them classed as lower-quality -- or even - spammy web pages. CRAWL this, like Google does, with (for example) Screaming Frog SEO spider, plus fix malformed links or items that result in server errors (500), broken links (400+) and needless redirects (300+). SEARCH ENGINE OPTIMIZATION gives you a go at rating for the terms which your own customers use, so you may do better business. The job of the SEARCH ENGINE OPTIMIZATION is to create high-quality articles and after that win the attention, the particular love as well as the particular link from a blogger or even editor. The keyword difficulty or even keyword SEO difficulty is the very useful metric for key phrase research.

[recentanimenews]

Mr. Osomatsu: Six Faces, Six Decades [Part 2]

Mr. Osomatsu, a revival of Fujio Akatsuka's classic Showa-era comedy, Osomatsu-kun, has made big waves both in Japan and in the West. Revolving around the daily lives of a group of unemployed sextuplets, the new anime series has done a fine job in changing with the times. While other franchise reboots have stayed a bit too true to their roots to reach a contemporary audience, Mr. Osomatsu is boldly in touch with its new generation of viewers. It's a comedy series that tackles touchy subjects with conviction, but holds enough self-awareness to poke fun at itself in the process. At times crude and unrefined, at others strikingly perceptive, Mr. Osomatsu is a hearty belly laugh that many have found enjoyment in. 

    Before delving into this feature, I'd recommend reading Part 1, where I discuss Osomatsu-kun as well as the cultural climate surrounding its style of humor. This half of the feature is intended to be somewhat of a comparison piece, looking at how Mr. Osomatsu has revamped the franchise's formula to better suit the tastes of a contemporary audience. 

   Fast forward 25 years from Osomatsu-kun. In contrast to the economic boom of the 80s, Japan has now entered a recession. In addition, its aging population continues to grow, while many young adults face challenges finding employment and romantic relationships. As Japan’s people continue to live amidst these rough times, humor becomes an effective tool at tackling the country’s touchiest subjects. As anime such as Sayonara Zetsubou Sensei have proved in the past, a touch of satire and black comedy can go a long way.

  While Osomatsu-kun’s approach to humor was a product of its era (lengthy slapstick skits with wacky, absurd tangents), Mr. Osomatsu director Yoichi Fujita chose to adapt the manga into a format closer to other skit-based, meta comedies. Fujita had served as the series director for a large chunk of Gintama’s anime adaptation, and many of his comedic sensibilities can be seen throughout Mr. Osomatsu. However, this is not to say that Mr. Osomatsu is simply another Gintama clone; rather, the staff at Studio Pierrot were respectful of Osomatsu-kun’s legacy. Both writing and animation teams were asked to check out specific episodes from Osomatsu-kun (1988) for inspiration, cementing Pierrot’s decision to respect the franchise’s forefathers.

    Throughout the first season’s run, Mr. Osomatsu made the occasional nod to plotlines from Osomatsu-kun, with one of the more notable examples being the Wacky Races homage. At the same time, Studio Pierrot crafted a unique identity for Mr. Osomatsu by drawing upon the characterization and comedic stylings of modern anime. To that end, Mr. Osomatsu is both a celebration of the old and the new – and is one of the few comedy anime that has found commercial success in that marriage between past and present.

  One of the primary alterations Pierrot made to Osomatsu-kun’s formula was in the casting. Iyami and Chibita were relegated to side characters and the Matsu brothers were given the spotlight once again. While Osomatsu-kun effectively treated all six Matsu brothers as a homogenized entity, Mr. Osomatsu was quick to build each brother into his own memorable character. A far cry from the bratty, rambunctious youths of their golden days, now each Matsu is a fully-grown adult NEET in his 20s.

  The title character, Osomatsu, is perhaps the most basic of the bunch. Despite being the eldest brother, Osomatsu is very self-centered and insensitive to his brothers’ troubles – traits that certainly run in the bloodline. When he’s not staring aimlessly at the ceiling, Osomatsu can be found squandering his time away at pachinko parlors and race tracks. So much for setting an example for the younger siblings!

  The next in line is Karamatsu, a self-appointed ladies’ man who quite literally wears himself on his back. Karamatsu is a narcissist by nature, sporting shades, a leather jacket, and his own theme song wherever he goes. He frequently tries to play it cool and smooth for the mythical “Karamatsu Girls” in the audience but unfortunately neither his brothers nor anyone in the anime seems to care. When Karamatsu spouts a line that he considers to be magnificent or intelligent (often accompanied by his broken English), he is either outright ignored by everyone on screen or cast into a fiery pit for a slapstick gag. Regardless of how painful Karamatsu’s presence is, he is an inseparable part of the show and is one of the most popular Matsu brothers.

    Choromatsu is the third brother, and compared to the over-the-top Karamatsu is more down to earth (relatively speaking). Choromatsu fits the mold of an otaku to a T and is often found obsessing over the latest female idols in a frenzied state. His character is intended to be a satire of idol otaku in Japan, but Choromatsu also plays the obligatory tsukkomi (straight man) in many gags.

  The fourth brother, Ichimatsu, is a natural loner with a bad case of social anxiety. He keeps to himself and becomes absorbed in his dark, depressing thoughts – with his only friends being the neighborhood cats. Despite that, Ichimatsu still hangs around with his brothers a lot, bickering and getting into fights when there’s an issue that concerns the entire group. Throughout Mr. Osomatsu, Ichimatsu shows the occasional sign of wanting to open himself up to human contact, but his mental health issues often prevent him from doing so. Whether his troubles are played for laughs or a serious examination of an individual struggling socially, Ichimatsu is a character that many audiences found themselves attached to. As a result, he is also one of the most popular Matsu brothers.

  The fifth Matsu brother is quite honestly the most difficult to describe. Jyushimatsu has a perpetual smile plastered onto his face and has an undying love for baseball. Perhaps this is why he’s responsible for the anime’s most left-field outbursts and actions. Jyushimatsu just seems like he’s living in his own universe half the time, which may explain why he’s rarely shown to be bothered by being a NEET. He remains cheerful and upbeat to the point where even his own brothers question his sanity. Has Jyushimatsu simply found a way to cope with the dread of being unemployed, or has he truly lost his marbles?

  Last but not least is Todomatsu, the youngest brother. Totty acts in an effeminate manner and is very vain, being concerned with his physical appearance and public image. While the other Matsu brothers are borderline hopeless with women, Totty has shown some success in being able to go on dates – albeit as a result of his fake persona. Sadly, jealousy is something that runs in the Matsu family and Totty’s brothers often sabotage many of his attempts at getting the girls. Goes to show that a Matsu brother can’t escape his genes.

    In short, the Matsu brothers were meant to embody some of the least desirable personality traits in Japanese society. Yet in spite of all their inadequacies, they collectively managed to garner a huge fan base – many of which were young women, no less! While a character like Ichimatsu was a social reject, many of his fans either found him relatable or endearing. Many perceived his inability to voice his inner feelings and friendship with cats as being moe traits, which is why you’ll find lots of people with Ichimatsu as number one in their hearts. On the other hand, a character like Karamatsu provided some of the best comic relief in the anime through his absurd behavior and hammy lines.

  In an industry where anime needs recognizable, visually-appealing character designs and likable personalities to sell merchandise, Studio Pierrot made the right move with Mr. Osomatsu. Although distinguishing one Matsu brother from the next proved to be difficult at the start of the series (due to their appearances being identical aside from minor facial features), their personality quirks were distinctive. Additionally, the occasional focus episode on each brother granted a touch of character development, allowing audiences to connect with each brother on an emotional level beyond what a gag comedy would normally offer.

  However, it wasn’t all sunshine and roses for the cast of Mr. Osomatsu. While the Matsu brothers certainly took up the microphone and stole the spotlight, some of the supporting cast received the short-end of the stick. Iyami is perhaps the most notable example, given that he was previously the heart and soul of Osomatsu-kun (1988). The issue with Iyami’s character in Mr. Osomatsu was that he didn’t change, unlike the Matsu brothers. Iyami was still the same conniving conman that he was in Osomatsu-kun. His catchphrase became the bread and butter of his character, and unfortunately defined him as a recurring punchline. As a result, he received far less screen time during the latter half of Mr. Osomatsu’s first season.

  Likewise, Studio Pierrot faced a similar hurdle with adapting Chibita and love-interest, Totoko, to fit the contemporary slant of Mr. Osomatsu. While their transition wasn’t as awkward as Iyami’s due to their occasional interaction with the Matsu brothers, both Chibita and Totoko’s personalities were simplified in comparison to their Osomatsu-kun counterparts. Totoko, for instance, was still the same vanity queen as she was in Osomatsu-kun, but her portrayal in Mr. Osomatsu was limited to her fake idol persona. Unfortunately few attempts were made to stretch her beyond that mold throughout the show’s run either comically or emotionally.

    With that said, the weakness of the side cast was hardly a call for concern with Mr. Osomatsu. In keeping with the show’s spirit, Studio Pierrot thought up some rather creative ways to make the best of the worst. One of Mr. Osomatsu’s strengths was its awareness of the fact that it was a reboot of a franchise nobody knew of anymore. Case in point, the anime’s first episode kicked off with a scene produced in the style of the 1966 adaptation of Osomatsu-kun, with the characters shocked their show was going to receive an anime adaptation in the year 2015. However, being from the Showa era, the Matsu boys were not accustomed to the style of modern anime, feeling their simple catchphrases would not be enough. Eventually the brothers settled on trying to do an anime in the style of a bishonen idol anime, as they believed it was the best way to market their all-male cast. Unfortunately, their other cast members joined the fray, desperately referencing popular anime from other genres. This culminated in a shameless parody of Attack on Titan and was never brought up again.

  This self-awareness would persist throughout the entirety of Mr. Osomatsu, with characters stating that their crude behaviors were going against the wishes of their late creator, Fujio Akatsuka. Iyami even acknowledged that nobody knew his catchphrase and was furious audiences weren’t finding him funny anymore. As such, the anime always had that slight touch of meta humor in its back pocket and even evolved alongside its rapidly-growing fan base to focus on its more popular aspects. One instance of this was when Studio Pierrot included alternate universe skits featuring gender-swapped versions of the Matsu brothers. This “GirlyMatsu” episode was produced in response to the anime’s large female following and translated each Matsu brother’s personality traits into a female counterpart. For example, the idol-obsessed Choromatsu became the fujoshi, Choroko. In short, Mr. Osomatsu’s meta humor was strongly tied to its identity as a malleable franchise that had survived for over half a century.

  Amidst all the meta humor, crazy alternate universes, and crude slapstick, there exists one aspect of Mr. Osomatsu that firmly anchors it to its passage in time. The decision to cast the Matsu brothers as NEETs was not simply an aesthetic choice, as certain segments of the show are very upfront about being a wake-up call for the young adults struggling both financially and romantically. While the cartoony depictions and general wackiness are still present, the issues that Mr. Osomatsu tackles are a reality for Japan. This is a major departure for the franchise, as Osomatsu-kun had always used satire to poke fun at less-pressing idiosyncrasies of Japanese culture as opposed to addressing current issues.

    Through the skits focused on the mundane lives of the Matsu brothers, we see a lot of their worries, anxieties, and frustrations surrounding their futures come to light. The brothers are all jobless, socially and romantically inept, and waste their lives away gambling, drinking, and looking at pornography. Their characterization alone is a blunt reflection of NEETs taken to the extreme, and the show does not shy away from depreciating the brothers for laughs. Family and friends alike will often call them jobless virgins, with the Matsus themselves internalizing their own hopelessness. However, in keeping with their unique personalities, each brother deals with these social pressures differently. For instance, Ichimatsu constantly refers to himself as “human trash” and chooses to isolate himself as much as possible to avoid being hurt. On the other hand, Karamatsu and Choromatsu simply escape reality by becoming enveloped in their fake narcissist and idol producer personas, respectively.

  Interestingly enough, Mr. Osomatsu never proposes an idealized or romanticized solution to the brothers’ struggles. This is perhaps a result of the anime’s skit-based format and only minor threads of continuity, making Mr. Osomatsu more of a humorous portrait of contemporary NEET life, rather than a social discourse on it. Nevertheless, it’s a very effective one, and is in many ways a more powerful statement than some anime attempting to be dramatizations of reality. Mr. Osomatsu effectively uses satire and black humor to bring to light the shortcomings of its society.

  In closing, the Osomatsu franchise has had one hell of a ride for the past half century. What started as a slapstick gag comedy has now evolved into something that creator Fujio Akatsuka could have never predicted. While respecting its roots, Mr. Osomatsu has achieved both commercial success and worldwide notoriety all thanks to Studio Pierrot’s willingness to adapt the franchise’s material into something more befitting of a contemporary audience. With six unforgettable faces and a second season underway, who knows where the Osomatsu name will end up in the future?

    Let us know your thougths about Mr. Osomatsu in the comments below!

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Brandon is a Features Writer for Crunchyroll and also a freelance writer about anime. Follow him on his Twitter at @Don_Don_Kun!

By: news+feed@crunchyroll.com

[miamibeerscene]

Denver Bars and Breweries Go Into Overdrive for Great American Beer Festival

Euclid Hall’s upstairs space on a crowded night. (Credit: Adam Larkey)

October 1, 2017

Twenty years ago, Falling Rock Tap House owner Chris Black says there was nothing happening during the annual Great American Beer Festival®, outside of the festival itself.

“That’s one of the reasons I opened the Tap House,” Black says. “Tons of people came to town every year and no one was capitalizing on that.”

For his first Great American Beer Festival (GABF), he says, “I just put on decent beer.” Now the Tap House has 31 events over six days and does a month’s worth of business during that time.

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Black’s ecstatic that other Denver breweries, beer bars and restaurants are joining the party, offering an increasing number of special beer events. Owners and event organizers aim to impress the thousands of beer lovers who descend on Denver during GABF week, and it takes a ton of careful planning. Here’s how they pull it off.

7 Rules Denver Bars and Breweries Live by During Great American Beer Festival Week

1. Prepare in advance – WAY in advance

Black says most brewery showcase spots at his bar are locked in by the end of June, to the consternation of those who think a call in August or September is going to result in anything fruitful.

“We do six months of preparing for GABF every year, and then six months of catching up from GABF,” jokes Nick Nunns, owner of TRVE Brewing. TRVE also runs a small distribution portfolio, so Nunns is expanding the number of breweries and events they’re organizing on behalf of those brands.

2. Offer a wide range of events for every level and palate

Deschutes ‘Woody’ beer trailer parks in front of Euclid Hall. (Credit: Euclid Hall)

Jesse Claeys, public relations coordinator at New Belgium Brewing in Fort Collins, Colorado, says that the brewery does about 10 to 11 events in Denver, from sour beer tastings to more low-key offerings at local watering hole Star Bar’s “Kenny Lagers” event. “We try to have something for everyone,” he says.

Jason Forgy at Freshcraft beer bar and restaurant says that anyone interacting with the public needs to be able to work with all levels of beer drinkers, from beginners to experts. “We all need to try to have patience with newbs,” he says. “We need everyone to be included in this beer world.”

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Euclid Hall Bar and Kitchen serves special beers around themes, like Locals’ Night, where they’ll tap kegs from Denver-area breweries that aren’t usually distributed. They also plan their well-known Sour Night.

Sometimes breweries prefer to stick with their personal vibe, such as TRVE, which is a heavy metal brewery, according to Nunns, so a lot of their events outside the brewery involve concerts and heavy metal music.

3. Make sure the lines move fast

“I hate seeing people standing in line at my place,” Chris Black of Falling Rock Tap House says. Since the number of people crowding the Tap House is unlikely to decrease (very much the opposite), Black’s implemented several GABF protocols over the past 10 years to get everyone moving. The thing that’s helped the most, he says, is numbering all the taps and having the kegs and the menus organized accordingly. That way, the staff doesn’t need to memorize the names of the beers they’re pouring, since they literally change every hour.

4. Have a game plan with a great staff

In order to get everything in order to keep lines moving and customers happy (or at least not too frustrated), a flexible, passionate, energetic, smart team is key. So is a well-communicated plan of attack and an understanding of how to operate if something goes wrong (which of course it will).

“It’s important to make sure communication between everyone is happening in all aspects of the process,” Great Divide’s Matt Sandy says. The brewery’s two tap rooms have more tours, longer hours and more staff during GABF. “We’ve got someone who all they do is check IDs, along with a dedicated glass runner, someone on hand to sell swag, and more people behind the bar,” he tells us.

Great Divide Brewing pays extra close attention to its brewing schedule before GABF week. (Credit: Great Divide)

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Jules Bouchard at Euclid Hall says that the service staff takes a weekly mandatory beer class throughout September in preparation.

Chris Black may get all the public attention directed at Falling Rock, but he’s quick to point out that he couldn’t do it without his assistant Beth Walter, who’s completely involved in the process. Her job covers everything from setting up distributor meetings in the spring to all the menu creation/formatting/distribution prep work, to staying on top of social media.

Although he mostly uses his existing staff, he has one person dedicated to changing the kegs, and a friend of his comes by every year just to bus glasses on Friday and Saturday nights.

5. Organize down to the smallest detail

Jason Forgy at Freshcraft says organization is the key. (Credit: Freshcraft)

With all the extra staffing and all hands on deck, organization is key. Freshcraft’s Jason Forgy swears by Excel or other spreadsheets to keep everyone and everything organized, such as keg size, keg location, keg origin, schedule of tapping, and keg pricing.

“It becomes our lifeline over the course of the week to keep us on track when we’re just exhausted,” Forgy says.

Another organizational tip he’s discovered is ordering the kegs strategically in the cooler so they’re lined up exactly as they’re supposed to be tapped. “Saves us looking around everywhere to find that one keg.”

Falling Rock’s numbering the taps, as mentioned earlier, along with accurate and up-to-date printed menus is a huge thing to keep organized. Since new ones need to be distributed every half hour (the inside changes beers at the top of the hour, and the outside bar changes on every half hour), every single beer needs to in place, with the correct corresponding number that the customer can use to order, which is found on every menu. That takes a hell of a lot of organization. Chris Black says they try to do as much as possible ahead of time, but things can go off track easily, and a well-organized system can help quickly spot an error.

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6. Ensure the beers are at their best

TRVE’s Nick Nunns says they set aside special kegs all year to save for GABF week. “We want to make sure we bring out our coolest and best beers,” Nunns says. “Of course we want to show off.”

Matt Sandy at Great Divide says they are particularly mindful of their brewing schedule leading up to GABF week to make sure their beer supply is as plentiful and fresh as possible.

“We want to make sure we bring out our coolest and best beers.” Nick Nunns, TRVE Brewing

7. Build relationships with brewers all year long

You might ask, “Why do these breweries and businesses push themselves so hard every year?” I mean, honestly, at this point, people are gonna come in and spend money regardless, right? But the service industry is different from a cost-benefit analysis point of view. Not only do outlets want to provide a fun, cool experience for their guests, but they want to support all the breweries they’ve been working with, whether it be one year or 10 years.

TRVE’s license to distribute means they can help their friends in the industry put on events and spread the gospel of their brand to new, wider audiences. That’s why they’ve gone from representing two breweries last year for GABF to eight breweries this year.

Both Freshcraft and Euclid Hall also feel that supporting brewers during GABF is the least they can do for breweries that have supported their businesses through the years.

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“People who take care of me year round get to showcase their beer at the largest beer festival in the country,” Jason Forgy says.

Jules Bouchard agrees. “Promoting beer and breweries during GABF are the outcomes of the relationships that Euclid Hall has built over the years.”

Established breweries like New Belgium and Great Divide are happy to take the opportunity to reach out to beer lovers who may have overlooked them in favor of the newer breweries. “We want to let people know that Great Divide is still doing some good stuff,” Matt Sandy says.

Breweries want to reach out to other breweries, too. Jesse Claeys notes that GABF is huge for New Belgium due to the connectivity on the industry side, with the opportunity to continue building relationships every year.

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Get Your GABF Game Face On

These Denver businesses have the standard advice for attendees, like stay hydrated and find a source of info for all the events happening on any given day at any given hour (ProTip: Download the My GABF app). However, Nick Nunns at TRVE suggests the radical idea of not making a plan and just letting circumstance take you where you need to be. “Don’t make a list,” he says. “Just follow fate.”

Great Divide’s Matt Sandy says, “You can try to make a plan, but you probably won’t stick to it.”

It’s OK though – Denver’s breweries, beer bars and restaurants have been planning for months to show you a good time, so lean in and let it happen.

And most importantly, according to Freshcraft’s Jason Forgy: “Have fun, because beer is supposed to be fun, right?”

Nora McGunnigle

Nora McGunnigle is a freelance beer and food writer living in New Orleans, focusing and the unique food and beer culture of Louisiana and the Gulf region. Her work can be found in Beer Advocate, All About Beer, and Louisiana Kitchen and Culture and is a regular contributor to Southern Brew News, Alcohol Professor, Eater NOLA, and the New Orleans alt-weekly, The Gambit. Keep up with her work at NOLAbeerblog.com. Read more by this author

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