#preserved forever and presented as art. ESPECIALLY WHEN YOURE WEARING THE MASK OF A MARGINALIZED UNDERREPPED DEMOGRAPHIC.
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britneyshakespeare · 4 years ago
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Barnes and Noble’s website wouldn’t let me post my review of Mirrors: The Aborigine Poetry of Eldred Van-Ooy by Justin Spring because it “contained inappropriate content.”
I called the book racist because it makes up an Aborigine poet but in the afterword Justin Spring admits there was no Eldred Van-Ooy and he wrote most of the poetry himself (the rest was found from an unknown source and is being displayed in the book up to that point as if it’s an authentic representation of Aboriginal Australian literature, when there is no proof of that).
I was infuriated because I bought a book and it was literary blackface. This is one of two books on Barnes and Noble’s entire website that contains—or claims to contain—poetry from this 50,000-year-long, oldest-living-culture-on-the-planet whose members have been victims of colonization, forced assimilation, and genocide. 
And there is no information, on any website I’ve found (and I looked around quite a lot before I bought it), that will warn you that this book does not have authentic Aborigine poetry in it. Because that’s the point. Spring reveals in the afterword that it’s a lie as a part of some stupid thought experiment on how we interpret art, truth as a ground of “shifting mirrors” (where the title comes from)... and it’s just... there are so many ways you could write this concept into a book without exploiting marginalized people.
Other than that I don’t hold back in describing how offensive this book is, I don’t believe I was “inappropriate.” I did not use profanity, but I suppose whatever moderating system B&N has in place thinks I defamed Spring’s character, because I call him out for being a well-established and wealthy white author who does not sympathize with indigenous people, and is using people’s curiosity for an extremely underappreciated oral literary culture to profit and center himself. 
There have been even fewer books of Aborigine poetry published in English than you might expect, and Spring’s book is the first of few results that show up when you search the words “Aborigine poetry” on B&N’s website. I also pointed that out in the review, which is why I bought it on little information. He’s one of the sole visible voices for this entire group in the vast genre of poetry, but his book features zero actual Aboriginal people. 
Consumers deserve to be aware of this, and I should not have to mince words on how insensitive this book’s very existence is. It’s poison to literature, to academia, to culture, to philosophy. Who would want this? Who is enlightened enough to search for Aborigine poetry, and dense enough to think anything about this book is acceptable for publication? 
Does anyone know if it’s possible to appeal Barnes and Noble reviews, or should I just try rewriting the review again but taking out the part where I call the book an elaborate pull-my-finger joke? 
I don’t want to, but if I have to, I’ll sacrifice the final paragraph where I say a more genial approach to the author’s idea would be to start the book over again at page one, with simply: “We’re no strangers to love. You know the rules, and so do I. A full commitment’s what I’m thinking of. You wouldn’t get this from any other guy. I... just wanna tell you how I’m feeling... gotta make you... understand.”
Update 10/30/2021: Someone in a comment pointed out that the word “Aborigine” is considered derogatory, which I did not know as an American with no personal connection to this culture. Aboriginal people, First Nations peoples, Torres Straight Island Peoples, Indigenous Australians, or more specific culture groups’ names are more appropriate. None of the reading or schooling I’ve done in my life has ever distinguished between different terminology, which is probably because of its distance from where I am. I would also blame Justin Spring for using the word in his title and normalizing it. These are not excuses, though, and I do take responsibility for my ignorance, but I do not want to erase the evidence of its existence, so I’m writing this update instead of pretending I never made the mistake in the first place. For a more extensive reference on Aboriginal terminology, this PDF is a helpful read.
#racism cw#colonization#racism in publishing#is that a tag??? idk how to... make other ppl aware of this#ill tag this as#aboriginal culture#there aren't a lot of suggested tags in that... ppl who care about this topic of racism in academia and poetry and all that#should definitely be aware of this book. this needs to be widespread knowledge. there's literally radio silence about the content online.#and that's probably bc a lot of ppl haven't read it. poetry is underappreciated. especially translated poetry. ppl dont buy it a lot.#other than colonization that's why there isn't a lot of poetry available in english from this culture. ppl dont want to read poetry from#almost any culture. especially from non-english-speaking cultures. especially from non-western and non-white cultures!#there are a lot of factors involved as to why this obvious example of racism has just kinda flew below the radar.#text post#rant#the writing style of the book is also insufferable and i found spring annoying and irritating before i got to the big racist reveal.#he's such an affluent white guy who worships his own self-supposed brilliance and doesn't realize not every thought he has needs to be#preserved forever and presented as art. ESPECIALLY WHEN YOURE WEARING THE MASK OF A MARGINALIZED UNDERREPPED DEMOGRAPHIC.#altho even tho i found spring's prose in the foreword to be really annoying... i couldn't have predicted how appalled id be at the end.#ppl think the biggest problem with modern poetry is the popularity of instapoets. no. ppl actually read instapoets at least.#and they have some dodgy messages sometimes but theyre not that deep. the style is bad. is that the worst thing in the world?#it's not the worst thing about modern poetry. the biggest problem is that ppl don't care about the marginalized. or at least not their#history. or their preservation. DEFINITELY not translation. there are so few efforts to break the barriers of western academia in poetry.#most of those efforts are insufficient. and sometimes the product can be something as insidious as mirrors: the aborigine poetry of eldred#van-ooy by justin spring.#i really just would've rather been rickrolled. i really would.
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