#posting this a little early cuz i'd like as much time as possible to finish writing them <3< /div> Explore tagged Tumblr posts

[sweeterthanficstion]

𝖆𝖒𝖇𝖊𝖗'𝖘 𝖍𝖆𝖚𝖓𝖙𝖊𝖉 𝖕𝖗𝖆𝖎𝖗𝖎𝖊 𝖕𝖆𝖗𝖙𝖞!

to celebrate halloween, kinktober (sort of), and my return to writing, i’m hosting a fun event here on my writing blog! over the next few weeks leading up to halloween, i’ll be dropping a collection of spooky shorts for you to explore. but beware—there’s more than meets the eye. pick up the clues, uncover the secrets, and if you're brave enough, ask yourself what really happened at the haunted homestead, tucked away in the isolated prairie?

four stories over the course of decades, two souls bound by a forgotten past, one forsaken prairie. do you believe in fate, or something darker?

while not all work throughout this event will be nsfw, they will contain generally dark and/or heavy themes throughout (it's halloween after all!), so i ask politely that this event remains 18+ if you'd like to request or participate!!

navigation ⭑ masterlist ⭑ playlist

𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐡𝐞𝐫𝐞 𝐚𝐧𝐝 𝐭𝐡𝐞𝐫𝐞.

ghost!leon x ghost hunter!reader | ft. Luis Serra the year is 2001, and you've just found out about a haunted homestead on a prairie, sure to hold a million mysteries within its rotting walls. you've chased rumors of the supernatural before, but this place feels... different. maybe this time, you'll find the evidence you need to prove the existence of the other side—and finally go viral. but quickly you come to learn that some doors, once opened, can't be shut.

𝐛𝐥𝐨𝐨𝐝 𝐬𝐩𝐨𝐫𝐭.

slasher!leon x final girl!reader | MDNI 18+ in 1974, you attend a halloween party that your friends manage to convince you will be worth it. at first, it's just bad music and tacky decor, nothing out of the ordinary—until the lights go out. one by one, the guests begin to vanish, leaving behind a bloody trail for you to follow. now you're the last one standing, with a masked killer hunting you in the dark.

𝐬𝐭𝐫𝐚𝐰𝐛𝐞𝐫𝐫𝐲 𝐰𝐢𝐧𝐞.

vampire!leon x cattle farmer!reader | Wild West AU | MDNI 18+ in 1896, a stranger arrives at your doorstep, bloodied and weak. in the wilds, it's custom to help a man in need, so you do what anyone would—you take him in, and tend to his wounds out of the kindness of your heart. but as the nights grow longer, and your cattle start turning up dead, you begin to wonder if danger may be closer than you think.

© sweeterthanficstion — don't copy or steal, that's common sense i fear

[kitkatopinions]

Sorry to come into your ask box to vent after your post...

But I gotta say, you certainly managed to really sum up everything I dislike about the mentality of "subverting expectations = good storytelling" folks.

Like, it had been such a thing for people to say "X is so good because it subverts audience expectations!" And it's been driving me up a wall because that's just such a backward mentality about it: subverting audience expectations is a completely neutral thing, and one can just as easily ruin a story by going against audience expectations as tell a good story by playing out what the audience might be expecting.

Which, not to necessarily be mean about RW//BY, but yeah... that so many passionate defenders of it are also of the "a story is good cuz it subverts expectations" crowd is... not unexpected.

No, but for real! The way that people and seemingly a lot of writers think that surprise = good is frustrating!:This is one reason why spoilers are such a big deal to people, is that their viewing experience seems to bank on surprise and shock about who might die, who ends up together, who wins what victory in the end. I should be able to know all the plot points and plot twists going in and still enjoy the finished product just as much. If something isn't well set up (Adam's switcheroo in motives, the existence of the gods, Penny being a flesh person, the Ever After, Blake's personality change, arguably Ruby's depression in V9,) or not well done (Ironwood's fall to villainy, Ozpin's gray morality, the bees, Neo's eventual suicide, Ruby's journey as a SEW, the whole morals of the whole show) then whether or not it 'subverts expectations' is entirely irrelevant.

People are fully allowed to complain that they thought a piece of media would do something they wanted and instead did something they personally don't like that much, also, because that IS a bummer. But when I complain about RWBY, most of the time it's not just because I'm salty that it isn't doing what I think I'd personally like more. Like, I like the game Octopath Traveler, but I wish it wasn't that 8-bit looking early video game design, but at the end of the day I don't care because just because it doesn't fit my personal preference doesn't mean it isn't good. I wish Zuko had joined the Gaang earlier in ATLA or had more time with the Gaang than he did, but I still think Zuko's story is as close to perfect as it probably could've been. I just write or read fanfiction for the personal preference stuff. But the complaints I typically have for RWBY aren't like that. Like YEAH I actually DO prefer stories without heroes falling to villainy and with lots of redemption arcs, but I'm not about to hate RWBY just for not following my own personal preferences. No, I criticize RWBY for the bad execution, the lack of emotional pay-off in their story beats, the inconsistent morality they splash here and there whenever it sounds good and then forget about. RWBY is a confused show packed with ideas that never seem to be able to come together and writers that seem more interested in making giffable moments than a well done story. It's just generally not a well written well executed show.

I think that 'it subverts your expectations' is just one of many excuses that people use to wave away criticism with as little thought or effort or need to actually engage in discourse as possible. Just like complaints that the writers weren't interested in good world building and lore and therefore the transition from the moster school drama Beacon Era into magical world traversing quest wasn't well done are waved away with 'you're just mad the writers aren't following your headcanons' or 'you just want cute girls to go brr and hate substance' without actually addressing the true meat of the complaint or offering any substantial counterargument.

BTW, complain any time! I don’t mind hearing it at all. XD

[bitty-bits]

The First and the Last of the Year

And possibly last ever... on Tumblr at least.

Where did I go?

Nowhere in particular... if you've seen my socials all year, that is. This blog/newsletter however, took an extended vacation, not just from a lack of interest (and personal real life stuff getting in the way) but also from a technical standpoint - I really wanted the email newsletter aspect of this to work, but I still couldn't. I was considering using TinyLetter ...until they announced that was shutting down. If I had a nickel for every time a newsletter service shut down out of nowhere I'd have two... you know the rest. And with Tumblr getting worse as the year went by, maintaining this wasn't exactly motivating enough.

That said, it was a less than ideal year for my productivity, inconsistent pace, money issues, the lowest amount of notable dreams to write down on my dream journal to date... you get the idea.

So I can only hope for things to be better. For me to be less lazy... and work not only on stuff I make, but on myself. And I do have a bit of optimism, since a lot has, so let's see a couple of stuff, although everything else you should expect to see in a "rebooted" version of this blog...

Also, Free Palestine!

What I've Been Playing / Watching

So while I haven't fully completed a LOT of things this year, this will be going back to the beginning of the year, essentially, so strap yourselves. (Some of it I'll be grabbing from my media thread that I've made on Twitter as well)

Lucky Star (Finished)

I have posted about Lucky Star in another issue, but I was still in the middle of watching it. Now that I've actually finished watching it (in February) I can say more about it: When it comes to this anime, it was either pretty ahead of its time, or we just have Regressed as a species since then. Maybe the latter.

And sorry folkz, Lucky Star is pro-ship/pro-fic culture and there’s nothing you can do about it. I watched the entire series including the OVA, and while I’m definitely still not sure I’m exactly the "target demographic" what I saw was still very enjoyable. it really just is whatever the fuck and I'm all for it.

At first my kin™ was Konata pretty quickly because of course. That was until Minami showed up and like, she’s basically the weeb version of Ongo Jelly Jamm™!!! I actually can say I got attached to and care about most of the characters, even if just a little.

Like I said in a previous issue, in 2015 I had watched part of an episode of it english dubbed and it didn’t click with me at all. Turns out the dub just sucks as I should’ve expected lol (And I really wasn’t used to segmented "several short stories in one" type anime and stuff to be fair - that and I was dumber too of course so I couldnt properly appreciate the ART........)

My rating is Timotei/10 - and Nichijou is next!

Pizza Tower

Easily the biggest loss for gaming this year was this game not winning "Best Debut Indie" at the Game Awards. Oh well.

I was already highly anticipating this game - having first heard of it when it had a demo at SAGE 2019 I’m glad the game turned out great and is getting the recognition it deserves. I pretty much finished the game in early March. P/10

The Owl House (Finished)

Well... it’s over... for better or worse. I do think they managed to deliver a satisfactory ending all things considered. This was definitely a great cartoon to kick off the new decade.

And of course, fuck Disney as always.

This show got me to break out of, I guess an habit, you could say, or a superstition, or whatever the hell it is, when it came to media with too much ""occultism"" in them. You know the drill. I guess it opened up the little my mind had left that was still a bit closed. Even if it’s mostly involuntary.

But this isn’t even new. As a child I’d actually have an "imaginary friend" that i made (that kinda just Existed, didn’t really "interact" much with them whatsoever cuz i was Dumb™) that their backstory was literally that they were a demon in hell "gone rogue" so they were "not an evil one". Again, I was a kid. I never thought too much about the implications of me thinking about stuff like that already at that age. But it is interesting to think about now.

Anyways, been gay, did witchcraft. ⛥/5

Invader ZIM (Series + Enter The Florpus)

Well I did it. I finally watched the funny hot topic show™ (Finished in late May)

What can I even say about it that hasn’t been already said by everyone else? ...well maybe I have one thing: for some reason I didn’t find That One Episode that people always bring up the MOST disturbing one. I thought the one with a literal character flatlining and Zim being ":)" about it got to me a bit more.

Anyways yeah it’s Cool I liked the characters especially Gaz, and GIR obviously Why Wouldn’t He Be Here. The show can be stupid and end episodes in Whatever The Fuck ways that leave you like "That's it? That's the episode???" but I think that’s one of the unique aspects of it that I Enjoy - also the movie is cool. ☮️>🐔+🍚/10

The Super Mario Bros. Movie (2023)

So I watched it first when we only had shitty cinema bootleg recordings (that aren’t even that shitty anymore at this point in terms of quality, the Shit comes in the form of godawful intrusive illegal casino ads™ placed.) even though a bit later the raw movie would sometimes be uploaded in full to YouTube with no consequence for days. And at this point I’ve rewatched it plenty of times in proper HD (though only once in English cuz I’ll be honest, the Brazilian dub really is phenomenal really and blows the original "star talent cast" out of the water in my opinion, where it falls short is the voice for Luigi, as I know the dude’s voice too well and he’s just doing his normal voice with an accent, not to mention he’s the brazilian Sonic voice already!!!)

I think Charlie Day is the superior Loogy here but I’d still say the dub is better, not only for the fact there are "real voice actors" cuz you know, that’s Their Job, but also like, Charles Martinet is still in there cuz in case you didn't know, he voiced that jumpman dude’s only line in pretty much every language possible which is absurd/admirable.

It’s a fun movie if not mostly for looking at Mario Things happening that you know and recognize, because otherwise the story is pretty ridiculously basic, though even for "Mario game story" standards it’s definitely refreshing to see Luigi as the one to be rescued... though that Also sucks because Luigi deserved more screentime. The main Toad too. Oh well. Also disappointed that the "wise Toad" in the movie isn’t Toadsworth… or maybe he is but hasn’t aged yet and maybe in a sequel we’ll see him get older and then main Toad becomes Captain Toad. Who knows 🍄/10

Honorable Mentions - Stuff I've Watched That I've Yet To Write My Thoughts About, I Don't Have The Time Now

Spy × Family (Season 1) - Not the type of anime I'd see myself watching, but I was forced roped into it by one of my partners and found it to be VERY enjoyable.

Sparkle On, Raven: The Life of Drillgirl - Charming, shitpost-y, but genuine and fun

The Amazing Digital Circus - A very promising series with unexpected popularity, and equally unexpected high quality Brazilian dub with recognizable talent.

Murder Drones (Season 1 - 6/8) - A series I've been cautiously optimistic about since its pilot - it has endearing, enjoyable characters and settings, but flawed writing and pacing - more on that at a future date.

Scott Pilgrim Takes Off - An amazing take on a series that I'm not so familiar with (haven't seen the movie or read the comics, only really knew that the franchise "exists") and judging from what I've heard from others, it probably is the best take on the main storyline. Especially when it comes to the representation of who turned out to be my fave - Roxie. Watching the live action now is... probably gonna be very weird. Not sure if I want to.

Kunshikter (Күншіктер) - A new, yet very obscure cartoon from Kazakhstan. It's cute. It's for children but at this point I don't think y'all care. It's still ongoing and there are not many episodes so far. I recommend giving it a watch. Now!

Future YouTube Updates

As some of you saw in a xeet tweet from early October I was planning to do something significant on my main YouTube channel which has been stagnant for a while now, only for that to, surprise, not happen. I do have a set goal now: In very early January, a video to explain exactly what happened and what was the video I wanted to make, and... why it's hard for me to get a video like that out in the first place. The short answer (that doesn't actually account for Everything) is autism. The long answer is... stay tuned for it, lol

Song of the Issue

Although this section was supposed to be for sharing music that isn't mine, I thought I'd share snippets of music stuff I've been making since the beginning of 2023 until now, that you can look forward to!

Conclusion

I dunno. All I can say is... happy new year! It's been a tradition to make a stupid amateurish collage at the end of the year with the highlights, but this year there's been... less of them, that I took note of at least. But that won't stop me I think. Once I have that done, I may edit this to include it.

No comment on anything related to Twitter (which I'll never call "X") and the billionaire that happened this year as you all probably already know by now, and by the way you can now follow me on the social butterfly of bluesky. See you next year!

[watching-pictures-move]

Put On Your Raincoats #21 | Double Chinn Double (Double) Feature (with Hyapatia Lee)

By the time the '80s rolled around, Bob Chinn, best known for his collaborations with John Holmes (the inspiration for Boogie Nights), had been directing movies for over a decade. For much of that time, he'd been making them for peanuts (in an interview with the Rialto Report, he recounts being once asked to make a movie for five thousand dollars, which was handed to him in fifties on the spot), but in the early '80s, he was directing for Harry Mohney's Caribbean Films, working with respectable budgets (by porn standards). Some of these films starred Hyapatia Lee, one of the most popular porn stars of the era and one of the first contract girls. Now, I suspect these aren't necessarily the defining works of Chinn's career, and I do intend to get to some of his movies with Holmes. But Vinegar Syndrome had a sale and there were two double features of their collaborations going for dirt cheap, and because I am weak and foolish with money, they ended up in my cart and a few weeks later in my grubby little paws. How did this happen? Through the magic of Canada Post, of course! Anyway, what I found was that these didn't represents any extremes of artistic ambition. They were neither seeking to elevate the genre, nor were they hackwork. Rather, they represent a happy medium, movies that seek to deliver the genre's goods in a polished, diverting package. Slick cinematography, courtesy of Jack Remy. Catchy theme songs that wouldn't sound out of place if you caught them on the radio. Flashy titles. Lee recounted the atmosphere on set as one of professionalism and engagement, where everyone present wanted to do as good a job as possible. Chinn claims to have been losing interest in his work at this point, but the results onscreen are the result of confident execution by somebody who had been doing this kind of thing for years and knew how to put the production's resources to good use.

The first one I watched was The Young Like it Hot, where the operators at a phone company worry about being replaced by computers. To keep their jobs, they scheme to go the extra mile in helping their callers. As this is a porno, most of this help is sexual in nature, as when Rosa Lee Kimball stays on the line while an obscene phone caller played by Bill Margold finishes. (In an interview on the DVD, Margold says after shooting his scene, he was invited to record additional dialogue. Being the method actor that he was, he insisted on whipping it out during the recording session despite the lack of cameras.) Sometimes they are informative, as when Bud Lee (real life husband of Hyapatia at the time) explains why the perineum is referred to as taint ("cuz it taint cunt and it taint ass"). But the highlight of their efforts are Shauna Grant's increasingly life threatening home improvement advice to one poor sap played by Joey Silvera. Hyapatia Lee is ostensibly the star, and has a certain charisma, playing the supervisor, but this is really an ensemble piece, and she's joined by more experienced actors like Kay Parker and Eric Edwards. The latter I've occasionally found bland elsewhere, but he has a nice obnoxious quality that serves him well as the villainous manager whose idea it is the automate the operators' jobs. The movie reflects a very real concern (that's very much still an issue in the modern workplace), but overall this is a breezy, affable comedy.

A bit more serious in tone is Sweet Young Foxes, a coming of age story whose dramatic parts are more sensitively realized than I expected. The screenplay was written by Deborah Sullivan, Bob Chinn's wife at the time, and this is a case where a movie definitely benefited from having been written by a woman, and it seems like an earnest effort to capture the anxieties and yearnings of its young women protagonists. Lee moves closer to a real starring role, and is joined by Cara Lott and Cindy Carver as her friends, who aren't quite as strong actors as her but do have decent chemistry. I can believe they're friends even if their line delivery can be stilted. (That the movie has a good ear for genuine sounding dialogue also helps.) Kay Parker is especially good as Lee's mother, hitting some of the same notes as Taboo, and has a credibly emotional masturbation scene in front of a mirror that did not leave me unmoved. (In what way? That's none of your damn business.) This was shot by Jack Remy, the same cinematographer who worked on The Young Like it Hot. That movie looked nice and slick, but this one is a little more stylish, with the solo sex scenes in particular resembling magazine centerfolds. There's also some nice new-wave-ish music that shows up on the soundtrack, which I certainly didn't mind. I do wish some of the sex scenes didn't run quite as long (the previous movie kept them refreshingly concise) as I'd prefer more of the runtime was dedicated to the dramatic elements, but what's there is still good.

Body Girls goes back firmly to comedy territory, where Hyapatia Lee and the members of her gym are trying to win a bodybuilding contest despite a rival gym's attempts to undermine them. This comes in the form of a pair of schlubs in yellow tank tops who break into the gym after hours to sabotage their equipment, only to be foiled by Hyapatia and her girls who just happened to be having sex in the locker room as people do. Of course, despite Lee's attempts to teach them a lesson (which depending on your proclivities, may have the opposite effect), they don't give up, and during the contest threaten the judge at gunpoint. Not one to take things lying down (okay, poor choice of words here), Lee finds a way to influence the judge back in her favour. (The judge is played by Francois Papillon, bringing a dopey charm to the character as he fumbles through his lines in his French accent.) Her method is pretty ridiculous and certainly in service of genre requirements, but I did laugh.

Now, there's probably a dilemma in audience sympathy here as both Lee and her rivals are cheating, but Lee's methods are more agreeable and directed at the judge instead of her rivals so I guess we ought to root for her. She's also buoyant, charismatic and has a real star quality, and is joined by such fan favourites as Shanna McCullough and Erica Boyer, all of whom sport wildly different hairstyles. As can be expected given the exercise theme, most of the ladies have toned, athletic bodies (and given the decade, voluminous coiffures), with the exception of Tigr, who brings a wiry punkish energy that stood out to me despite her limited screentime, and she also performs the miraculous feat of making a mullet look cute. (I'd previously been moved by her work in Kamikaze Hearts, the great mockumentary about a porn production and her relationship with Sharon Mitchell. She didn't stay in the industry for too long, but I'd be interested in seeing more of her work.) The screenplay was written by Lee with her husband Bud (who plays the judge's assistant with an agreeable presence that's neither too alpha nor too schlubby) and is full of exercise-related dialogue. Most of this is pretty clunky and calling it wordplay might be a bit generous ("sexercise" features at one point), but I did appreciate the effort. Also as is requisite for the premise, the longest set piece in the movie is an orgy in Lee's gym with the various participants snaked around different pieces of equipment. I must note that one of the male actors resembles Barry Gibb and that Francois Papillon is shown to wear a tiger-striped speedo. Did I enjoy the movie? Yes, but not for reasons cited in that sentence.

At the end of Body Girls, Bud Lee suggests to Hyapatia, "Let's get physical", which is the title of the next movie. (Body Girls also features a character looking at dirty magazine with stills from Sweet Young Foxes and ends with a plug for some of these other movies, anticipating the MCU's narrative and marketing strategies by a few decades.) Now, all of these movies have had decent theme songs, but the one in Let's Get Physical has lyrics that are plagiaristically close to those of Olivia Newton-John's 1983 hit. (The delivery however is more shrill but not unpleasing.) This movie is a drama where Lee plays a dance instructor trying to put together a ballet performance despite her strained relationship with her impotent husband played by Paul Thomas. (In the interview I listened to, Lee speaks well of almost everyone she worked with on these films, with the pointed exception of Paul Thomas. If there was bitterness behind the scenes, it arguably helps their performances.)

Lee wrote the screenplay for this one, and unlike Body Girls with its surface level references to bodybuilding and exercise, the dialogue here feels packed with knowledge of the real thing, which is understandable given Lee's real life interest in dance going back to her childhood. (I looked up "Luigi jazz dancing" after finishing the movie and was pleasantly surprised to learn it was a real thing.) This movie goes all in on her star power, and features a number of dance numbers that seem genuinely interested in the form rather than just leering at the performers. (There is one scene where the song Lee dances to sounds suspiciously like "Beat It".) I did appreciate that the sex scenes were kept relatively concise and tied into the dramatic aspects, although in some cases, the choices made could be goofy, like the scene where Lee makes love to her student Shanna McCullough while Thomas, in a dramatically justified but still awkward gesture, watches from another room and jacks off. (I assume he's playing the audience in this scene. Also, McCullough's character remarks "I've never done this before" when going down on Lee, and yeah, okay Shanna.) Other highlights include a car stunt that may or may not have been lifted from elsewhere but still looks decently executed, as well as a dream sequence where Thomas (or his character at least) plays the piano and sings a song. This is held back a bit by the genre's demands, like when it places a completely superfluous sex scene at the end after Lee's reconciliation with Thomas, but on the whole this is probably the best one of the lot.