#panay films

[sorreleater]

hi! would you still happen to have that horror movie analysis citation list? i plan on reading a glossary of haunting soon and would love some additional readings if possible

hey i do! so not exactly horror movie analysis - my paper was specifically on aliens and the American frontier and how the American colonial project informs how we conceptualize extraterrestrial lifeforms and our alleged interactions with them, as well as our film history surrounding it. weird i know, it wasn't a well-formatted paper because i changed tack halfway through so i just picked through my bibliography and chose what was most relevant. my favorites are in bold and i would love more similar writings if anyone has them - it was truly fascinating research!

Abbott, Carl (2005). Homesteading on the extraterrestrial frontier. Science Fiction Studies, 32(2), 240–264. http://www.jstor.org/stable/4241346

Blaine, Marcia S. (2009). The Johnsons’ plight: The role of captivity on Anglo-American identity. History 94, no. 313 (January): 53–73.

Bullard, Thomas E. (1989). UFO abduction reports: The supernatural kidnap narrative returns in technological guise. The Journal of American Folklore, 102(404), 147–170. https://doi.org/10.2307/540677

Dewan, William J. (2006). “A saucerful of secrets”: An interdisciplinary analysis of UFO experiences. The Journal of American Folklore, 119(472), 184–202. http://www.jstor.org/stable/4137923

Ebersole, Gary (2009). Captured by texts: Puritan to postmodern images of Indian captivity. Charlottesville and London: University Press of Virginia.

Kelly, Fanny (1871). Narrative of my captivity among the Sioux Indians. Hartford, Conn. Mutual Publishing Company.

Lauria, Rita & White, Harold M. (1995). Mythic analogues: Space and cyberspace: A critical analysis of US policy for the space and information age. Journal of Communication Inquiry, 19: 2, pp. 64–87. https://ssrn.com/abstract=1872313

Lepselter, Susan (2016). The resonance of unseen things: Poetics, power, captivity, and UFOs in the American uncanny. University of Michigan Press.

Lowell, Percival (1908). Mars as the abode of life. The Macmillan Company.

Newman, Leonard S., & Baumeister, Roy F. (1996). Toward an explanation of the UFO abduction phenomenon: Hypnotic elaboration, extraterrestrial sadomasochism, and spurious memories. Psychological Inquiry, 7(2), 99–126. http://www.jstor.org/stable/1449001

Panay, Andrew (2004). From Little Big Man to little green men: The captivity scenario in American culture. European Journal of American Culture 23, no. 3 (October 2004): 201–16.

Peebles, Curtis (1994). Watch the skies! A chronicle of the flying saucer myth. Smithsonian.

Pfitzer, G. M. (1995). The only good alien is a dead alien: Science fiction and the metaphysics of Indian-hating on the high frontier. Journal of American Culture 18, no. 1 (Spring, 1995): 51.

Sanarov, Valerii I. (1981). On the nature and origin of flying saucers and little green men. Current Anthropology, 22(2), 163–167. http://www.jstor.org/stable/2742701

Slotkin, Richard (1973). Regeneration through violence: The mythology of the American frontier, 1600-1860. Wesleyan University Press.

Sturma, Michael (2002). Aliens and Indians: A comparison of abduction and captivity narratives. Journal of Popular Culture 36, no. 2 (Fall 2002): 318–34.

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Head Office (Kantor Pusat) : Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

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[history-of-heidi]

两 O2 ៚ BACLARAN SHOPPING GALAAN

𒀭 ！ history-of-heidi.blogspot.com ❱❭❱❭ 📰

“BACK TO SCHOOL NA NAMAN ！” 𖤐 ⤸

‽‽ PREMiER ば ❱❭❱❭ GRADE 11 STORY ！

ʬʬ ☇ umamin.link/to/hiddenheidi 著者 💭

“istoryang nagmula sa ’yo, para sa inyo.”

𒀭 ！ ──── 𖤐 ⤸ Hello po! Alejandro Heidi Fortescue nga pala. Mataas tumalon, bente ang baon. Ako ay naniniwala sa kasabihan na kung kasalanan ang pagiging magandang lalaki, sana mapatawad niyo akong lahat. So, basically, this blog is just all about myself or rather me stating the most unnecessary things ever. This is a day in my life as a living handsome creature. Today is the last day of our vacation, simula bukas, back to school na naman. I will finally enter and face my last year in Senior High School. I’m in Grade 12 taking Humanities and Social Sciences as my strand. My first year sa Senior High ay sobrang nakaka-culture shock dahil bukod sa bago lang ako sa university na ito dahil kakalipat nga lang namin dito since walang Senior High sa pinasukan naming eskuwelahan noong Junior High kami, sobrang daming activities, new subjects at events na talaga nga namang nakakapanghina at nakakapagod. Pero, ayos lang. Naka-survive na rin naman ang pogi sa paghihirap noong nakaraang taon. Naging masaya ang school year ko dahil na rin sa iba’t ibang experiences na naranasan ko, isa sa mga activity na ginawa namin noon ay ‘yong human chess at aerobics sa Physical Education na akala mo lalaban sa national dance contest sa TV sa sobrang grabe makapanakit ng mga hita tuwing kinabukasan pagkatapos ng practice, short film sa Physical Science at debate sa Disciplines and Ideas in Social Sciences, impromptu speech sa Oral Communication at syempre ‘yong canvas art activity sa Contemporary Arts in the Philippines na nakapagpa-dalawang isip sa akin na baka fine arts talaga ang calling ko. Kemerut! Marami pang ibang activities and events na sobrang laki ng naitulong sa akin na ma-figure out ang mga kaya at gusto kong gawin. It helped me to enhanced my skills in editing, painting, dancing, public speaking including leadership skills and more. Oh ‘di ba? Daig pa K-pop idol sa pagiging all-rounder at ace of the group member.

‽‽ SECONDE ば ❱❭❱❭ FIT DRIP CHECK ！

ʬʬ ☇ umamin.link/to/hiddenheidi 著者 💭

“istoryang nagmula sa ’yo, para sa inyo.”

𒀭 ！ ──── 𖤐 ⤸ Anyways, this blog is not just all about kwentuhan at pagre-reminisce sa nakaraan, sabi nga ni Kathryn Bernardo, “no looking back, only moving forward”, dahil kailangan ko na talagang kumilos at magpunta sa Baclaran para mamili ng mga kagamitan sa eskuwelahan. Kabog ang outfit ng accla ngayon dahil lakas maka-pogi vibes na akala mo maglalakad-lakad lang sa mall pero parang binili isang buong tindahan sa Baclaran sa dami ng pamimilihin mamaya. Nakasuot ako ng black shirt na pinatungan ko ng checkered polo na may style na parang tastas ang laylayan, nabili ko lang ito sa halagang singkwenta pesos noong Christmas sale sa may ukay-ukay diyan sa may Silang, Cavite, hindi ko alam kung style ba ito ng damit pero syempre, pogi ang nagsuot kaya hindi mo maiisip na sira-sira ito o ano. Tinernuhan ko lang ng dirty white colored na pants at itim na sapatos na nabili ko naman sa Shopee noong birthday ko. Syempre hindi pa rin ako nagpaawat at nagsuot din ng kwintas para medyo nakaka-slay ang datingan natin ngayon. At dahil gusto na ring gumala bago magpasukan dahil mawawalan na naman kami ng oras at mga libreng araw para lumabas at gumala dahil sa mga sunod-sunod na activities sa school at magiging abala na rin ang mga magulang ko sa kanilang negosyo, kasama kong aalis ang buong pamilya ko na hanggang ngayon ay nagsisigawan dahil hindi magkasundo sa mga susuoting damit at panay sabi ng bilisan na pagkilos dahil daw tanghali na kahit ala singko pa lang ng madaling araw at baka raw anong oras na kami makarating sa pupuntahan, bigla pang nag-away itong kambal dahil sa power bank at earpods, talaga nga namang nag-inarte pa ang isa at sinabing hindi na ito sasama. Agad ko na lang din pinagsabihan ang dalawa at baka mawala pa sa mood ang nanay at hindi na ituloy itong pag-alis namin. Nasa labas na silang lahat habang ako naman ay ang nautusang i-check ang buong bahay kung wala bang naiwang nakasaksak na appliances, bukas na gasul o bukas na binta at naiwang sinampay sa labas pati na rin ang mga gripo sa lababo at mga banyo ay hindi ko na rin pinalampas. Matapos ko masiguradong sarado at maayos na ang lahat ay kinandado ko na rin ang aming bahay at itinago ang susi sa aking bag.

‽‽ TERCiO ば ❱❭❱❭ SCHOOL SUPPLIES ！

ʬʬ ☇ umamin.link/to/hiddenheidi 著者 💭

“istoryang nagmula sa ’yo, para sa inyo.”

𒀭 ！ ──── 𖤐 ⤸ Halos dalawang oras din ang byahe papuntang Baclaran, sakay kami ng secondhand na van na minamaneho ng amain ko na nabili namin sa kapatid ni nanay sa presyong kapatid lamang. Anong oras na rin kami nakarating at bago kami magpatuloy sa agenda naming ngayong araw ay dumaan muna kami sa Baclaran Church dahil gusto munang magdasal at magpasalamat sa Kaniya nila mama at papa. Pagkatapos ay talagang humirit na si Hadley na nagugutom na raw ito dahil hindi na nakapag-umagahan kanina dahil ubos na sa oras sa sobrang dami ba namang seremonyas sa katawan. Napagdesisiyunan ng pamilya na sa Mang Inasal na lamang kumain. Pagkatapos malamanan ang aming mga tiyan ay sa wakas, mamimili na rin kami. Ang pinaka pinunta namin dito, at dahil nga nandito kami para mamili ng mga kagamitan, gumawa ako ng listahan ng bibilhin na mas mahaba pa sa pasensya ng nanay ko para hindi masayang ang pinunta naming dito sa Baclaran at para wala rin kaming makalimutan. Nakabili kami ng mga notebook, filler notebook, big notebook, small notebook, mini-notebook, at iba pang klase ng notebook sa Baclaran. Nagpabili na rin ako ng tatlong ream ng A4 sized bond paper dahil sobrang batak magpa-activity ng school namin at gusto laging naka-print sa A4 size. Marami pa kaming pinamili tulad ng ballpen, lapis, intermediate paper, yellow paper, highlighters, art materials at marami pang iba. Binilhan na rin kami nila mama ng mga bag na gagamitin namin sa pagpasok, habang nagpabili naman ako kay papa ng bagong underwear dahil hindi na nakaka-slay ang itsura ng garter ng mga underwear ko. Bukod doon, namili na rin si mama ng iba pang mga kagamitan para sa bahay lalo na para sa kaniyang kusina, nagtungo naman sa hardware ang papa ko para tumingin ng kung anong pwedeng bilhin para sa kaniyang tools. Habang kaming magkakapatid ay naghanap ng mabibilhan ng makeup and cosmetics product. Yes, tatlo kaming magkakapatid na palong-palo tuwing in game sa ganda-gandahan at porma-pormahan. Matapos magwaladas ng pera para sa pantakip ng blemishes ko sa mukha ay hinintay na lang namin ni Hadley na matapos si Harley sa pamimili at saka nagkayayaan na kumain ng ice cream sa nakita naming ice cream store.

‽‽ QUATRO ば ❱❭❱❭ SM MALL OF ASIA ！

ʬʬ ☇ umamin.link/to/hiddenheidi 著者 💭

“istoryang nagmula sa ’yo, para sa inyo.”

𒀭 ！ ──── 𖤐 ⤸ Nang makabalik ang aming mga magulang ay bumalik na kami sa sasakyan para ilagay sa likod ng van ang aming mga pinamili at dahil good mood si mama sa mga oras na iyon dahil nakapag-withdraw ito ng pera sa may ATM machine kanina ay pumayag siyang dumiretso sa SM Mall of Asia at magpalipas ng buong araw. Wala pang isa’t kalahating oras ay nakarating kami roon at nagsimula na maglabas ng mga phone at mag-picture sa kung saan man namin makita na magandang background. Kumain ulit kami kahit hapon pa lamang, nagkasundo na rin kaming lima na iyon na rin ang magiging dinner namin para hindi na kami gagastos ulit mamaya. Naisipan naming mag-stay sa may seaside. Sumakay din kami ng mga rides gaya ng Pirate Ship, Drop Tower at MOA Eye. Lahat naman kaming magkakapatid ay walang takot at matibay ang sikmura sa mga ganitong klase ng rides kaya enjoy na enjoy naming tatlo ang mga rides doon. Hindi rin matapos-tapos ang pagkuha ng mga litrato na siguradong ipo-post namin mamaya sa mga kaniya-kaniya naming social media accounts, picture dito, picture doon. Akala mo hindi na ulit makakabalik dito eh. Pagkatapos ng mini-photoshoot namin ay bumili muna kami ng drinks at shake para sa amin at para sa mga magulang namin saka kami bumalik sa pwesto nila mama at papa na nasa may open space kung saan pwede maupo or mag-picnic. Nagpalipas lang kami ng kaunting oras bago nag-asikaso magligpit at mag-ayos ng mga sarili namin para maghanda ulit na gumayak pauwi. Nakatulog na ang kambal sa byahe samantalang ako ay nakikinig sa music gamit ang headphones ko habang nag-a-update sa group chat naming magkakaklase lalo na’t wala pang bagong set of class officers, ako pa rin ang tumatayong presidente sa klase at maayos ko silang binigyan ng instructions kung nasaan ang magiging classroom namin pati na rin ang schedule ng aming orientation bukas. Pagkauwi na pagkauwi sa bahay ay inayos ko na agad ang mga pinamili, tinulungan din naman ako ng mga kapatid ko lalo na’t nasa mga pinamili rin namin ang kanilang kagamitan sa eskuwela. Matapos maayos ang mga pinamili ay nag-ayos na rin ako ng aking sarili para makapaghanda sa pagtulog, inayos ko ang mga gamit na dadalhin at gagamitin ko para bukas sa orientation at saka nahiga sa aking kama. Syempre hindi muna ako natulog at nag-ayos muna ng mga litrato na kinuha namin kanina at nag-post sa Instagram, nag-add ako ng music na Manila by Young Cocoa at saka isa-isang nakatanggap ng notifications galing sa mga mutuals ko sa nasabing social media platform. Anyways, dito na matatapos ang kasing haba ng position paper kong blog, magpapa-antok na lamang ako sa panonood sa TikTok. See you soon! This is your Humanista Heidi! ♡

Lagi’t lagi, para sa bayan,

F., ALEJANDRO HEIDI 🎭

[pinoyaksyonnewsph]

Echo at Kim, kumpirmadong hiwalay na!

Kapwa naitago nina Jericho Rosales at Kim Jones ang tunay na score sa kanilang pagsasama bilang mag-asawa.

All this time pala, hiwalay na pala sila, mga ilang taon na!

Kim and Jericho, they were married on May 1, 2019 .

Limang taon na halos silang magkahiwalay pagkatapos ng apat na taong pagsasama nila.

Ayon sa may-ari ng isang eyewear shop at ninong rin nila sa kasal na isinuwalat ito ni Ricco Ocampo.

But unlike most if not all showbiz marriages, hindi naging bitter ang paghihiwalay nina Echo at Kim.

“Mutual decision at amicable agreement” daw nangyaring separation sa kanila.

It was gathered na kapwa binigyan nina Echo at Kim ang isa’t isa ng kalayaan para mag-grow sa kung saanmang direksyon ang nais nila.

Despite their breakup, nananatili pa ring magkaibigan ang former showbiz couple.

For Echo’s part, matatandaang panay ang iwas nitong sagutin ang mga tanong na may kaugnayan sa kanila ni Kim.

“I am under no obligation to explain anything,” prangkang standard answer ng aktor.

Kapwa masaya naman ang dalawa as they look back sa kanilang nakaraan.

Nakilala ni Echo si Kim sa pamamagitan ng misis ni Dominic Ochoa.

It was a date which at first ay inayawan ni Echo until he saw Kim’s photo.

Kim was born to a Filipino mother and a British father.

Tuloy pa rin ang creative collab nila with Echo as the producer and Kim as the writer, director and star of a film!

[cinemaronin]

Panay (2015)

太陽的孩子 Panay (2015)  directed by Cheng Yu-Chieh , Lekal Sumi cinematography by Ching-Yao Liao

[phoebecnstable-blog]

Film Review - Earth to Echo

Been a while since I’ve posted on this blog! Took a stab at writing my first film review today. 

Released - July 2014

Director - Dave Green

Producers - Ryan Kavanaugh / Andrew Panay

Genre - Sci-Fi

Dave Green’s found footage filled directorial debut draws influence from the great 1980s blockbusters and maintains a similarity to Spielberg’s 2011 sci-fi-horror flick, Super 8. Set in Nevada the story revolves around three friends who, in the midst of trying to save their neighbourhood from being demolished due to highway construction, discover an alien in the desert.

The found footage perspective used for the majority of the film creates an engaging atmosphere that, for the most part, makes up for a storyline that could easily been looked at as a rehashed ET. Teo Halm, Reese Hartwig and Brian ‘Astro’ Bradley all deliver strong performances as Alex, Munch and Tucker respectively. While, Ella Wahlestedt introduces a new dynamic to the group as the seemingly fearless Emma.

The films truly enticing factor comes in the kids journey and determined enthusiasm to reach their goals, however, the eventual climax lacks in impact. Echo’s ship coming together and driving the alien home just doesn’t quite match up to ET and Elliot’s famous goodbye or The Goonies’ first discovering One-Eyed Willys ship.

Overall, the story does have a tendency to feel drawn out in places and ultimately the ending, while satisfying, is nothing too memorable. Despite it’s pitfalls, Earth to Echo still has enough charm to keep viewers interested and will undoubtedly be a very enjoyable watch for it’s young target audience.

3/5

[anyonghalimaw]

PLEASE rant about that dragon design. as someone who does dragon creature design stuff it would be appreciated from both a design standpoint AND a culturally sensitive one

OMFG OK SO

first of all to preface, were already hitting massive issues with the fact that disney is mishmashing from several different, highly varied cultures.

The film is set in a fictional fantasy land called Kumandra, inspired by Southeast Asian cultures from Laos, Thailand, Cambodia, Vietnam, Myanmar, Malaysia, Indonesia, and the Philippines. To conduct research, the filmmakers and the production team traveled to all of the abovementioned countries, except Myanmar and Malaysia.

thailand cambodia and vietnam have more in common with each other than they do with indonesia, malaysia, and the philippines, and vice versa. the former r all attached to mainland asia while the latter r mostly maritime island nations. the mainland nations generally have much in common with north asia too. 

NOW FOR THE FUCKING DESIGN ITSELF... first of all lemme show tihs fucking tweet

its literaly just elsa. its fucking elsa dragon. obviously we were never gonna get anything thats actually accurate 2 the general creature design conventions/art style of se asia coz its “scary” n not marketable 2 families in the us LMFAO

they were actually kinda on the mark with this little in universe illustration, it actually resembles se asian creatures with those exaggerated tusks and the wide eyes. its still kinda shit coz they gotta make it recognizable with the marketed 3d character design but this one doesnt piss me off as bad

the horns were clearly inspired by either thai depictions of the naga, visayan depictions of the bakunawa, or both, but it DOESNT FUCKING COMMIT TO EITHER COZ DISNEY IS TRYING TO GET THE WIDEST POSSIBLE AUDIENCE APPEAL

(depiction of bakunawa on the hilt of a tenegre from panay)

(depiction of the naga on a temple roof from northern thailand)

it just doesnt fit with the fucking designs of se asia at ALL. look up the barong, the se asian depictions of the garuda, the bakunawa, the kinnara, the chinthe, the babi ngepet. they all look fucking nothing like sisu does.

and finally.. the issue of having a dragon as the central Thing: in southeast asia dragons rnt.. rlly that common AJSDHKJDHSJDHS off my head i can think of the naga from thailand and the bakunawa from here (the philippines). vietnam has a dragon that bears more similarity with the chinese dragon than the other asean nations. dragons arent rlly a fucking universal se asian thing?? in fact we share more monsters than we do dragons! they were clearly aiming 2 make something thatd be General enough to appeal 2 All of southeast asia for maximum profit, but if they rlly wanted 2 aim for all of us they shouldve gone with monsters/spirits coz we have so many shared ones LMFAO (see: manananggal and penanggalan who r definitely related, the tiyanak and pontianak who r probably related) this is a really good thread on the similarities of monsters and spirits in se asia. this place is haunted as SHIT

anyway im mad as shit and this is long enough LKASDLHSDJDHS thanks 4 givig me the opportunity 2 rant <3

[rickyvalero]

Netflix Original Film He's All That Review

Netflix Original Film He’s All That Review

Director: Mark Waters  Writer: R. Lee Fleming, Jr.  Producers: Andrew Panay, Jennifer Gibgot, Bill Block  Cast: Addison Rae, Tanner Buchanan, Madison Pettis, with Matthew Lillard and Rachael Leigh Cook, Peyton Meyer, Isabella Crovetti, Myra Molloy, Annie JacobPlot: A teenage girl sets out to give a nebbish classmate the ultimate high school makeover. An updated remake of the 1999 film, ‘She’s All…

[pintualuminiumkacakamarmandi80]

PREMIUM!!! WA 0821 7001 0763 (ALUMINOS) Pintu Kamar Mandi Aluminium Yang Bagus di Tebing Tinggi, Pintu Kamar Mandi Aluminium di Onohazumba, Pintu Kaca Aluminium di Panombean Panei, Pintu Aluminium Kaca di Medan Labuhan, Pintu Aluminium Minimalis di Panai Hilir.

ALUMINOS FORTRESS adalah produk Pintu Baja Motif Kayu Sebuah terobosan inovasi terbaru sebagai alternatif pengganti pintu rumah konvensional yang mengunakan material baja sebagai bahan baku utamanya.

Tingkatkan Keamanan Rumah Anda dengan 13 Keunggulan Fortress Pintu Baja!

Material Baja Berkualitas Tinggi.

Finishing dengan Pola Serat Kayu Alami.

Kusen Baja dengan Detail Architrave yang Anggun.

Engsel Baja Tersembunyi dalam 4 Set.

Sistem Penguncian 5 Titik dengan Kunci Utama.

Sistem Keamanan A-B Lock dengan 7 Kunci Elektronik.

Dilengkapi dengan Slot/Grendel untuk Penguncian Tambahan.

Terdapat Lubang Pengintip.

Pelindung Karet pada Kusen dan Daun Pintu.

Lapisan Honeycomb Paper sebagai Penyerap Suara.

Lapisan PE-Film untuk Perlindungan Tambahan.

Dilengkapi dengan 6 Set Baut Pemasangan.

Memiliki Ambang Pintu yang Kokoh.

Dapatkan keamanan yang tak tertandingi dengan Fortress Pintu Baja, solusi pintu yang kuat dan tahan lama untuk melindungi rumah Anda.

Hubungi Kami Segera (0821-7001-0763)

Head Office (Kantor Pusat) : Jl. Raya Binong Jl. Kp. Cijengir No. 99, Rt.005/Rw.003, Binong, Kec. Curug, Kabupaten Tangerang, Banten 15810

Kantor Cabang JBS : (Solo, Pekanbaru, Surabaya, Lampung, Palembang, Kendari, Makassar, Balikpapan, Medan, Dan Kota Lainnya Menyusul)

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Pintu Kamar Mandi Aluminium Yang Bagus di Tebing Tinggi, Kusen Pintu Aluminium di Onolalu, Pintu Aluminium Kamar Mandi di Pematang Bandar, Toko Pintu Aluminium Terdekat di Medan Maimun, Pintu Kusen Aluminium di Panai Hulu.

[rome-writes]

Honestly i’m jealous nowadays sa jowa ko, but in a good way. Sabi naman na niya sakin na stubborn person siya at dream school niya yung UP tapos gusto niya mag-aral ng film at maging abogado. She’s taking a step with her dreams, nagbabalak na siyang lumipat ng UP tapos papasukan niya na course ay related pa rin sa comm o kaya film. Lately kabado siya kung makakalipat ba siya o ano, so bilang mabait na jowa todo support at hype lang ako sa kanya; what else am i suppose to do? Sobrang hirap din kasi mareject ng dream school na gusto mo. 

Panay niya reason is maganda tignan sa resume at trabaho na graduate ka sa UP, honestly may makakapag push pa ba ng credibility nito na pag UP graduate pasok ka agad sa trabaho? My senior sa org ko na public speaking and debate taught me that hindi porket PUPIAN ka eh tatanggapin mo na ang kahit anong trabaho, dapat daw mataas ang standard ko kahit PUPIAN ako. My dreams and hopes for my dream university is long gone and gusto ko na lang makagraduate talaga para makapag masterals na ko. Hindi ako pumasa sa UP at na wait listed sa UST which is my dream school, noong first year ako after my second sem nagkaroon ng problema sa prof at marami samin ang gustong lumipat kaso walang grade so di kami nakalipat. 

I would have transferred to UST, but lets face the fact, middle class lang kami at single parent ang mom ko; basura dad ko and it’s his fault bakit siya nagkastroke at wala man lang financial assistance ang mga kapatid niya sakin. So wala na kong choice at ayoko naman mastuck na lang sa probinsya kasi alam kong di ako maggogrow dito, walang pakialam sa lipunan ang karamihan dito and thats the truth.

Bumawi na lang ako sa orgs at dito ko nakita purpose ko bilang peryodista at dahil rin sa The Communicator (Dakom) marami akong naging connection at nagawa pang maging mover ng rappler, so i decided na i’ll just build my credentials and skills dito sa PUP at sa mga org; baka sakali na mas maging preferred ako ng employers. Sabi ko mag mamasterals na lang ako either sa UP or PUP, wala na sakin ang mga pangalan ng paaralan o ano, because the important thing that i want to do is to payback my mom for all the hardwork she’s done for me.

Naiingit lang ako sa jowa ko kasi bata pa siya and she’s got a long way to go at mas magiling siya sakin. Naiingit ako na she’s taking action while i feel like i’m stuck in a puddle. Pero yun wala naman ibang makakatulong sakin kundi sarili ko. It’s kinda bad to say pero i feel in the future magcaclash mga goals namin. Ako kasi i want to raise a family when everything is well and kahit di man na ko masyadong religious, i want to have a methodist family. Pero honestly malapit na din ako mag agree sa jowa ko not to have kids, lalo na kung ganito ka fucked up ang mundo at pilipinas. She’s way better on setting her goals and plans, while i’m just trying to survive the fucking world and maybe fucking publish a book someday. She’s agnostic and wala kong problema dun, i just have this faith restored in me mula 2015; sobrang dark at fucked up ng taon na yan sakin, i wouldn’t have survived without God’s help. 

Ewan ko ba kung saan patungo itong sinusulat ko, maybe its just for me learning to accept that we all have our own phase and time. Hopefully lang makapag masterals talaga ko. Habang sinusulat ko rin to narealise ko na ang pinaka gusto kong gawin ay makabawi sa mom ko para sa lahat ng ginawa niya para sakin. Kasi at some point all i’ll have to take care of is myself, so the least i can do is build a career and future for myself. Call me stupid also pero sabi ko noon i’m dating for company; but maybe this time i’m dating to marry and i don’t fucking know what to do with how i feel. Someday i’ll get to the bottom of this.

[coolmarriagerecords]

Cinq B.O de films

Par Benj’ Metal, publié dans Psycho Disco #2

On m’a présenté le truc comme ça : « si tu veux nous faire un top 5 des tes meilleures weed, de tes cambriolages ou de tes musiques de film préférées, on est preneur ». En vrai une proposition comme-ça, ça se refuse pas. Le plus dur finalement dans cette histoire, ça a pas été de choisir 5 B.O., ça a été de pas choisir de faire un top 5 sur la weed. Hum. Ce qui suit est donc un second choix, que je suis malgré tout pas mécontent d’avoir fait.

Bernard Hermann - « Vertigo » Putain je commence avec LA B.O. qui m’a pas quitté depuis la vision de ce film, c’est-à-dire 1986 je pense. Même à 12 ans je me souviens que la musique m’a complètement tourneboulé la teté. Hermann a clairement composé les meilleures musiques des meilleures films d’Hitchcock (mis à part peut-être Waxman sur « Rear Window » qui a sû mettre un be-bop qu’Hermann aurait évidemment désapprouvé et qui va tellement bien avec la Ville de cette époque comme la filme Hitch), et là on est à l’apogée. Les notes claires des violons, qui frisent la dissonances sur le dernier mouvement, le tout dans un mouvement complètement hypnotique, j’en ai encore des frissons au fion à chaque fois que j’écoute le morceaux d’ouverture. Du violon, donc,  sous toutes ses formes, langoureux sur les errances de la fantasmatique héroïne, pincé pour pauser une ambiance, strident pour nous foutre les jetons. ajoutez à cela un espèce d’orgue branché sur un espèce de phaser qui colle une impression de Fantastique, et vous aurez… Bah en fait je sais pas ce que vous aurez et on s’en fout un peu… Vous aurez un truc balèze, voilà ! Aucune musique ne me rappelle plus une séquence de film que celle-là ! Et puis y’a l’emphase, jamais vraiment grandiloquente pourtant, toujours un peu borderline, mais qui a le chic pour coller à la narration et à l’histoire…Hé ouais, « Vertigo » est évidement un film sur le fantasme, et c’est là qu’Hermann est bonnardo, c’est qu’il arrive à insuffler ça dans son score. Ayé Bernardo. Bien ouèj !

Kristofer Komeda - « The fearless Vampire killers » Définitivement mon film de chevet. Bah ouais y’a de la neige tout le long, de la bonne neige de studio filmée en studio. La classe ultime. Je crois que Komeda a pas fait des masses de B.O. mais celle-là vaut vraiment le coup. Tout l’intérêt de ce compositeur vient du fait qu’il mélange musique d’ambiance de film plutôt classico et jazz. Mais pas en mode je met un peu d’ambiance et après je vous colle un bon vieux jazz de chez papa. Nan nan, le mélange se fait dans les morceaux et ça donne une ambiance de la mort. Bref, du rire, des larmes, des cachets au fond du slobard, tout le monde va en prendre pour son grade. Bon je connais tellement le film par coeur que chez moi, l’écoute des morceaux me renvoie direct à la séquence correspondante, mais je crois pas me tromper en disant qu’ici encore, la musique colle parfaitement aux différentes scènes du film. Il faut écouter la contrebasse du côté jazz, et la flûte (j’avais envi de dire « le flutiot » parce que ce mot me fait bien marrer mais en vrai je pense que c’est de la flute hein… encore que si ça se trouve le flutiot, ben c’est un truc qu’existe pas…) Bref, la flute, donc, et les choeurs du côté cinoche. Et puis, tout le monde arrête pas de me dire que c’est une comédie ce film mais moi ça m’énerve vachement en fait, parce que c’est pas du tout qu’une comédie. C’est aussi un vrai film d’horreur et de vampires et je trouve qu’il y’a vraiment un côté malsain tout le long. D’ailleurs le film se finit plutôt très mal - comme d’hab chez Polanski le mal triomphe à la fin - et c’est là que la musique tue aussi, parce qu’elle mélange vachement bien le côté comique et le côté horrifique. Une B.O. ambivalente pour un film ambivalent, donc.

John Barry/Duran Duran - « A View to a Kill » Ouais ouais ouais, j’en vois déjà certains qui vont hurler aux petits pois sur ce choix plutôt douteux. Douteux parce que les scores des James Bond comptent dans leurs rangs deux petites pépites qui auraient plus leur place ici et sur lesquelles je vais revenir tantôt, et douteux par la nature même des films considérés par certains comme nanars abominables. Mais j’avais vraiment envie de jouer un peu les emmerdeurs. Et puis ça peut pas faire de mal d’écouter des morceaux un peu kitsch mais diablement jouissifs. Pour commencer il faut dire que les titres phares interprétés par les groupes/chanteurs-euses sont toujours très biens, y compris quand le groupe est mauvais. Y’a eu McCartney et les wings pour « Live and Let Die », Rita coolidge pour le culcul la praline mais génial « Octopussy », Nancy Sinatra pour « You Only Live Twice », Aha pour le sous estimé « The Living Daylight » et évidemment Shirley Bassey pour « Moonraker » (qu’on oublie souvent), et « Goldfinger ». J’en passe et des meilleures. Ensuite il y a quand même la qualité indiscutables des thèmes composés par John Barry que l’on retrouve encore dans les Bond actuels, 40 ans après. Le personnage Bond possède sa propre musique, au même titre que Dark Vador… c’est quand même pas rien bon dieu de bon dieu. Ici on deale avec Duran Duran et un Simon LeBon qui dégouline de son bel organe un morceau assez martial mais bien gaullé. Faut quand même lutter pour pas ouvrir de grands yeux d’étonnement à l’écoute de l’intro du morceaux qui se lâche pas mal sur des rythmiques de guerre que jouent de jolis tambours électronique comme seul les eighties ont su faire dans une quintessence de mauvais gout. Splendide. En vrai je sais pas si c’est de la nostalgie à la con (surement !), mais j’aime vraiment ce morceaux. Et puis y’a la musique à proprement parler du film, et là, ben y’a pas grand chose à dire parce que c’est quand même toujours un peu la même choses, avec toutefois quelques exceptions. Je veux dire que ce score est pas le meilleur qu’a produit Barry, mais pas le pire non plus… Le ventre mou quoi… Je l’écoute toujours avec plaisir en tout cas. L’exception sus-mentionner fait bien sûr référence à « Goldfinger » qui reste à mon avis le meilleur score de tous les bond. Y’a tout le mystère et la violence de ce film dans ces putains de descentes de violons. (Note pour celui qui allait râler sur mon choix mais qui peut pas parce qu’il est au Canada : je pouvais pas choisir « Dr No » puisque même si c’est un excellent album de Calypso, il est pas du tout représentatif de ce que j’aime dans la musique des Bond… Tsss, bah ouais…)

Ryuichi Sakamoto - « Furyo » Y’avait une chiée de trucs nouveaux pour moi quand j’ai entendu pour la première fois ce disque. D’abord c’était des sons que j’avais pas l’habitude d’entendre du haut de mes 9 ans et fort de ma culture mi-varietoche mi-prog/synthwave que je devais à mes frères et soeur. Des instruments auxquels j’étais pas du tout rodé et des progs de synthé complètement fofolle pour l’époque. Y’a aussi les constructions en boucle et la superposition progressive des nappes, ça c’était un truc de ouf pour moi et franchement, malgré tout ces trucs nouveaux et bizarres, ça sonnait quand même comme des bon vieux tubes. La mélodie et ce bon vieux côté catchy… Et puis en vieillissant j’ai appris le caractère particulier des films d’Oshima en matière de « déviances » sexuelles, mais à l’époque je panais rien à tout ça moi, sauf que… Sauf que aussi loin que je me souvienne, j’ai toujours été autant fasciné par la pochette du disque que par la musique et avec le recul, le symbolisme du dessin est édifiant. Alors, ça fait de ce disque un obscur objet du désir de mon enfance. Pour être clair, je crois que j’ai aimé cette B.O. parce que je l’ai trouvé chelou. J’ai vu le film quelques temps après avoir écouté la musique et ça n’a absolument pas changé mon avis sur la question. C’était aussi ambigüe et étrangement dérangeant que la musique. Je me souviens encore de la gueule de mes ramps devant les relations crypto-homo-sadiques entre Bowie et Sakamoto, parents qui n’arrêtaient pas de m’emmener voir des films totalement inadaptés à mon âge avec la plus grande naïveté . Bref, voilà un score qui défonce et qui n’a pas pris une ride. Franchement si vous pensez ne pas connaitre ce disque, c’est faux, vous en avez au moins entendu le thème principale, « Merry Christmas Mr Lawrence », une fois dans votre vie. Le reste est du même acabit, ça vaut donc vraiment le coup de s’y pencher.

Paul williams - « Phantom of the Paradise » Bon, celle-là elle est assez évidente il me semble. Mais encore faut-il aimé les chansons. Je veux dire une vraie chanson, avec plein de jolies mélodies, de jolis choeurs, de jolis arrangements, de jolis instruments bien joués etc… Bah là c’est exactement ça. Je veux dire qu’on a vraiment l’impression que tout tombe parfaitement en place au bon moment. Et puis là où ça devient vraiment cool, c’est que non seulement « Phantom of the Paradise » est un film sur la musique, mais aussi un film sur las affres de l’industrie musicale. Alors à nous d’en tirer les conclusions qui s’imposent via une savante équation entre cette perfection musical, l’histoire du film pas tendre pour les producteurs et le plaisir de l’auditeur… Tout ça se mords donc joyeusement la queue dans une des ces fameuses mise en abîme dont on nous rebat les oreilles depuis quelques années. Voilà une B.O. très intelligente parce que très bien cerné par De Palma (Brian hein, pas l’autre abrutit) qui sait très bien de quoi il cause et qui veut maitriser son film de bout en bout, jusqu’à sa bande sonore qui doit évidemment faire partie intégrante de l’histoire, eu égard à son propos. Si vous avez une certaine affection pour les tubes, ce disques est pour vous. Demandez, vous obtiendrez, dans le désordre, un tube rock, un tube pop, un tube ballade, un tube slow, un tube chanson triste, un tube chanson fun etc… Le tout bien écrit, composé, arrangé, joué… que demande le peuple.

[don-lichterman]

Addison Rae to Star in Paramount's Fashionista

Addison Rae to Star in Paramount’s Fashionista

Addison Rae is set to star in Paramount’s upcoming film Fashionista, according to a report from Deadline. RELATED: Interview: Addison Rae & Tanner Buchanan Discuss Starring in He’s All That The film is said to be based on a draft by Amy Andelson & Emily Meyer, with Laura Terruso having written the latest script for the film. Jennifer Gigbot and Andrew Panay are producing the film via Ethea…

[helloyoucreatives]

Leading children’s charity Noah’s Ark Children’s Hospice has launched its most ambitious fundraising campaign to date, created, directed and produced by integrated content agency The 10 Group. The 36 hour campaign pledges to raise over 2 million pounds to triple the number of children coming through the hospice’s doors and continue the essential work of its specialist nurses.

The film follows Hayley, who heads up nursing care at the hospice, as she reflects upon the past eighteen months and the particular challenges that the pandemic has created for the families of seriously unwell babies and children. Driving over 100 miles a day, Hayley recalls, she has led the care team supporting over 370 seriously unwell babies and children, and helped 30 families say a final goodbye to their children.

As she speaks of the critical role that public support has played in keeping the hospice’s doors open, the film cuts between sequences of children making special and lasting memories at the Ark – from playing with toy cars and musical instruments to spending a sunny day outside with the hospice’s carers.

The integrated campaign, which will run across owned and earned media comes at the end of a pivotal year for Noah’s Ark, after the hospice has developed partnerships with a number of leading London hospitals including Great Ormond Street.

Anthony Hayman, the Director of Fundraising and Communications at Noah’s Ark Children’s Hospice says: “The team at The 10 Group have a remarkable ability to devise and develop content that truly cuts through the noise, as well as the expertise and energy to distribute it at scale. We have been quite blown away by what The 10 Group has made possible for Noah’s Ark, and are excited by the opportunities that ‘No Child Left Behind’ could help create for London’s most unwell babies and children.”

Elaine Stern, CEO, The 10 Group adds: “It is a real honour to be joining Noah’s Ark on such a powerful mission, and to have played a part in the 2.1 million pounds that has been raised to support the hospice’s nurses and carers during the pandemic. We have been incredibly moved by the response our campaigns have received so far, reinforcing the power storytelling can play in driving tangible, positive action, and we’re delighted to continue supporting the charity in its mission to support more families than ever before”

Client: Noah's Ark Children's Hospice, Anthony Hayman, Director of Fundraising & Communications

Creative Director: Lorry Powles

Director: Tommy Panays

DoP: Luke Atkinson

Creative Producer: Charli Poster

Editor: Jack Webster