#or would that just be the agony pit Bonnie creature theory

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[bestkillerin87]

Theory

In this post I will try to guess who Eleanor is and what role she plays in the plot. Enjoy reading.

– Acquaintance with Eleanor.

Before I start discussing her, I want you to roughly know and understand who she is.

Eleanor is the antagonist of the Fazbear's Fright series of books, appearing in the chapter "Being Beautiful" and the epilogues.

Eleanor has a painted face with pink cheeks and lips. Her red hair is braided in two tight pigtails, and her green eyes with long eyelashes look a little like a child from the circus. She has a smooth body with grayish skin, a long neck, a thin waist, rounded bust and hips. Her arms and legs are long and thin. Her body is also small and light, as seen when Larson easily threw her to the sides.

She is an evil and manipulative creature, prone to lies and deceit. She likes to tease and mock her opponents by winking at Jake after he has absorbed the evil contained in the Stack Ghost and telling Sarah that her wish came true when she was dying. Until now, the only person with whom she had any positive relationship was William Afton, as evidenced by the fact that she gave him the strength to create a merger and supported him when he was too weak. However, she was actually using him for her own purposes.

In addition, Eleanor used Andrew's infected things to her advantage: it was she who gave the Plush Toy Hunter his human eyes and teeth. It was she who tortured Delilah at 1:35 a.m., implying that Eleanor was experiencing Ella's Agony. She held Pete after he was hit by a truck in the movie "Closer to the Step." She was the great evil that was inside William Afton and popped out of his body. There is a version that she was the second signal in his brain when he was a patient. She was also the one who clung to Toby's shadow, appearing as RWQFSFASXC from the arcade game, inheriting his competitive nature in hide and seek, and was the one who pushed Sam under the train in Blackbird.

-Agony.

Well, when you've read this, it's time to start analyzing personality. And the first thing I would like to talk about is that Eleanor is an agony associated with an egg pit.

In this case, her existence is similar to that of Kelsey (the Newcomer), who may also have been created out of agony.

I will express my opinion: I agree with this theory, but not completely. Eleanor was most likely a Pitbonnie, because Pitbonnie, like Eleanor, had a black mustache. Perhaps Eleanor really knows how to travel in the pit, but she is not connected with this, but with balls. If she had been bound, she probably would have taken the rest from the soul balls, but she didn't, implying she couldn't. She just uses the power of the pit, but not the composition of the pit.

Eleanor was involved in Larson's nightmares, so maybe she's connected to his mind.

-Charlie in the trilogy.

There is a version that Eleanor is a creature similar to the robot Charlie from the trilogy.

I think so because she has a human body and the ability to transform into other people in the form of an illusory disk. At the same time, the name Eleanor is another form of the name Ella, like the Charlie doll.

Perhaps Eleanor was created by Dr. Talbert to revive Renelle after her death. The drawings of Charlie's bodies could have been found by him completely by accident.

-PitBonny.

As I said earlier, Eleanor was most likely a Pitbonnie before the events of the epilogues. This proves that PitBonny, like Eleanor, cried with a black mustache and had disks of illusions, rushed at everyone.

Perhaps Afton was even obsessed with Eleanor when he killed Bonnie in a spring suit. That's cool.

-Patient out of 46.

There is a theory that Eleanor may be a patient from 46, which is based on the fact that patient 46 looks like a person, but very unnatural, which is consistent with Eleanor's ability to disguise herself as people, as well as the fact that they seem to be related to William.

This sounds very interesting, and it's possible that Eleanor is probably the second signal keeping Afton alive. She could keep him at a distance. Unsurprisingly, the authors mentioned patient 46.

-Shadows.

There are rumors that Eleanor may be Bonnie's Shadow and Freddie's Shadow from the fnaf plot.

This is proved by the chapter "Hide and Seek", where the Shadow of Bonnie, who was Eleanor at that historical moment, came for you. Plus, Freddy's Shadow in the canon always brought back memories to the main character and was like a signal not to forget the past, and Eleanor has the same abilities. It looks like it.

-A Nightmarish Puppet.

And then hardcore starts for the Old fnaf.

There is a version that Eleanor, under someone's guidance, takes the form of a Nightmarish Puppet and torments children in their nightmares. This proves a security breach when we found Nightmare Doll toys in a room with a sleeping girl.

Eleanor's resemblance to a Puppet from a Nightmare firsthand: they both have antennae, and they are both real material beings, unlike nightmares.

But what if the Crying baby was also Eleanor's victim? It turns out that it existed back in the days of FNAF 1, in 1994. It's scary to live.

-Elizabeth.

The most popular theory is that Eleanor is the new Elizabeth.

It is quite possible. Eleanor pursued Delilah, holding back Ella's agony. Ella, who appears in chapter 1:35 in the morning, may be a Child without disks. In this case, Eleanor is closely related to a Child without disks, as if the soul of this Child has moved into Eleanor's costume, becoming a perfect evil. It sounds brilliant, and those who support this theory are probably smiling now.

-Perfect hell.

Well, the last thing I want to notice is a full mention of hell in Eleanor's presence.

In the epilogues, words like occultism, hell, demonic being refer to Eleanor. Maybe it's just a birth from hell that feeds on agony. What other creature can feed on the torment of people?? Just a hellish creature.

An ordinary robot does not need this, moreover, Eleanor did not really like Afton and did not get the rest for him. She lives for herself. And everything else.