#or maybe they know the kind of fashion crimes i plan to wear in my ears once they heal and they're trying to deter me

[eggmeralda]

I may not be that squeamish about most things but there's something about earlobes that can make me weirdly dizzy

[monogamia]

੭⠀ Some short scenarios of them seeing you wearing “someone else’s” jacket.

⋆⠀AUTHOR'S NOTES: Caleb’s part can be a little ooc since I still don’t know much about how he is after the accident.

⋆⠀FEATURING: Xavier, Rafayel, Zayne, Sylus, Caleb.

⋆⠀WARNING: English is not my first language, so it may contain some mistakes.

Linkon isn’t exactly a cold city, especially not in the spring. Maybe it was the wind or the rain that always threatened to fall but never came, but you felt as if even your bones were freezing. And precisely because it wasn’t a cold season, you hadn’t brought any coat to layer over your uniform.

Your only option was to wear the winter uniform jacket provided by the Hunter Association. They were ugly, made from fabric not as good as the uniform itself, and certainly oversized, given they came in a single, standard size for everyone. And so, you did just that—grabbed it from your locker and went outside to wait for your ride.

If you had waited inside, you might not have had to wear that jacket, but you didn’t want to be more inconvenient than you already felt by having someone drive you home. You wanted to delay them as little as possible.

𝜗ৎ ⠀⠀XAVIER

For someone so calm, he got pretty temperamental when he saw you wearing a coat that was definitely not yours—or so he thought, at least. It was almost funny how he didn’t realize it was just the standard Hunter jacket for cold days.

As soon as you walked out of the building, Xavier was already in front of it, scrolling through his phone. When he heard the click of your heels, he looked up and opened his mouth to speak, but his brows furrowed as his eyes fell on the jacket you were wearing. You found it odd that he didn’t smile when he saw you.

“It’s not that cold.” he said, though he quickly realized he had sounded rude. “That jacket doesn’t look comfortable. Where’s yours?”

You blinked, giving him a smile to mask your confusion. “This one is mine.” Xavier didn’t seem convinced, his hands moving to unzip his jacket. “I forgot my favorite one at home, so I had to wear the uniform jacket.” He paused for a moment, nodded, and then proceeded to take off his own and hand it to you.

𝜗ৎ ⠀⠀RAFAYEL

He’s so obvious about how he feels—it’s as if the mere sight of the coat is a personal offense to his existence. Rafayel wants you out of that crime against fashion as soon as possible. His eye even twitched when he saw you walking out wearing that thing.

“Very kind of whoever lent you this… thing, but what poor taste. We can’t exactly call it pretty, can we?” he said, letting out a dry laugh as he opened the car door for you to get in.

He didn’t even wait for you to explain, simply getting in and closing the door as soon as you sat down. As the driver began the route, Rafayel turned toward you. “Do me a favor?” His hand took yours and guided it to the hem of his shirt, making you hold it while he pulled off his sweater.

You raised an eyebrow, but he ignored you, holding the sweater out for you to take. “It’s definitely more comfortable than what you’re wearing.”

Although you accepted and removed the jacket to slip on his sweater, you couldn’t resist poking fun at him. “You do know this is mine, right?”

“That atrocity?” He glanced at the jacket now sitting in his lap and smiled. “Then I must say, I thought you had better taste than this.”

𝜗ৎ ⠀⠀ZAYNE

Zayne was checking his watch when he heard you greet him, and his response came two seconds late as his eyes landed on what you were wearing. But he didn’t say anything. And he didn’t plan to, either. After all, why would he be upset about you trying to avoid catching a cold…? That was the excuse he used to sweep away the hint of jealousy stirring inside him.

He opened the car door for you to get in, then walked around to the driver’s seat. Meanwhile, you kept chatting away. You knew there were times when he preferred listening to speaking, but he was even quieter than usual.

“Are you cold?” he asked, his hand moving instinctively toward the car’s heater, but you shook your head. Once again, Zayne took a deep breath and nodded, though the unease lingered.

Halfway through the ride, you took off the jacket, folded it, and placed it on your lap, as the temperature inside the car wasn’t chilly—even though the heater remained off.

When you arrived at your house, he got out first to open the door for you, and as soon as you stepped out, you felt something being draped over your shoulders—his overcoat.

“You don’t need to bother, Zayne. I’m already almost inside—” you tried to argue, but he only gave a barely perceptible smile and ignored your words.

𝜗ৎ ⠀⠀SYLUS

He almost burst out laughing when he saw you approaching, completely ignoring how embarrassed you looked. “Whose thing is that—?”

“I told you to wait at the end of the street, not right in front of the building. Are you trying to get arrested…?” you muttered, while he just bit his lip, trying to hold back the grin already spreading across his face. Still, a flicker of irritation crossed his mind at the thought that someone else might’ve had the chance to offer you a jacket before he did. “And stop laughing! It’s getting cold.”

You reached out for the helmet, but he didn’t hand it over. Instead, he placed it on the seat of the bike and turned around. Taking off his own jacket, he held it out to you. “I’m sure mine’s better than that one.” As much as it hurt your pride, he was right, and you didn’t refuse the offer. “Seriously, to lend someone something of such poor quality…”

“Lend?” you raised an eyebrow as you slipped on his jacket. “Oh. It wasn’t lent—this jacket’s mine.” Sylus smirked, finally handing you the helmet.

“Guess the hunter salary isn’t paying much these days, huh?” he quipped. “I’ve got an opening for a secretary if you’re interested.”

𝜗ৎ ⠀⠀CALEB

“Who?” was the first thing he asked, his eyes locking with yours before dropping down to the piece of clothing. He uncrossed his arms, his hand reaching out to pinch the fabric.

“It’s mine. Part of the winter uniform,” you said with a smile. Caleb mirrored it, the corners of his lips lifting just slightly.

He draped an arm over your shoulder as he guided you to where he had parked the car. “It’s way too big for you.” His tone was friendly, though you couldn’t help but sense a hint of bitterness in his words.

“It’s one-size-fits-all. I forgot mine at home, so I had to use this one.” Caleb nodded, and the two of you continued chatting as usual.

“This isn’t the right street,” you pointed out when he passed the turn that would lead to your house.

“We’re shopping first,” he said, giving you a quick glance before focusing back on the road. “We need to buy you some new clothes.”

[theink-stainedfolk]

Writerblr Interview

Thank you for the tag @drchenquill ♡♡♡

Short stories, novels or poems?

I like reading and writing both Short stories and Novels. Poems are hard for me to write and even harder to understand 😭😭😭😭 all my friends that i made in school/college are great poetess and i always try my best to support them though their poetry is often confusing my braincells.

What genre do you prefer reading?

I prefer reading Crime Thriller, Psychological Thriller, Suspense, Political Intrigue,YA Fantasy, Dark Fantasy, Enemies to Lovers and Magical Realism. Lately I've been scooting towards Adult fantasy or what most people would call "Dark Academia ". Also, i don't really mind if the characters are queer or not. To me, sexuality doesn't define a good story or characters, though it adds a bit of more charm to them.

What genre do you prefer writing?

Same as the above, but with romance.

Are you a planner or a write-as-i-go kind of person?

When i plan things for my wips, they don't go as i plan. So i am the 2nd type. Because i came to believe that in order to write the story, the story must also progress itself.

What music do you listen to while writing the story?

I usually don't but i have this playlist of my favourite songs that i can listen in any situation. Sometimes i try to listen the songs based of the situation happening in my wip but the songs sometimes are super boring.

Fav books/movies

There are so many I'd rather not write it here. I'll just say some of my favourite books are Sorcery of Thorns, The Caraval Series, A Good Girl's Guide To Murder series, Babel, Piranesi and The Will of The Many. Etc..

Any Current WIPs?

Yes... so many... too many...😭😭😭😭 Thorn-Kissed ,

Legacy of Creation , Shades of Erudition, The Masque of Murder, Whispers of Shadow and love, The Veil of Allegiance etc..

If someone were to make a cartoon out of you, what would your standard outfit be?

Very nice question. It would be abaya obviously but beneath it, I imagine my standard outfit would be a stylish yet practical ensemble. I'd likely wear a well-fitted jacket or blazer with a subtle pattern, paired with a comfortable, versatile top underneath. My pants would be sleek, maybe dark jeans or tailored trousers, allowing me to move freely. I'd have a pair of sturdy but fashionable shoes, perhaps ankle boots but i also love me some knee-length boots because it's hot. Accessories would include a distinctive watch and maybe a scarf or a book bag, reflecting my love for stories and creativity. Overall, my outfit would balance sophistication with comfort.😁

Create a character description of yourself

Meet me, a confident writer with a secret: I'm actually a self-conscious mess when it comes to my looks (don't mind my frazzled hair and questionable fashion choices). My brain is a storytelling factory, bursting with ideas and characters begging to be set free. But honestly, I just want to escape my stressful home life and find a peaceful cave where I can write in peace. As an ambivert, I can charm you (or not, depends on my mood) and engage in witty banter, but don't be fooled – I need my alone time to recharge. My sharp tongue and sarcasm might come across as rude, but deep down, I'm a squishy emotional marshmallow. When I'm not writing, you can find me binge-reading, K-pop/J-pop dancing, or obsessing over K/C/J/T dramas (don't judge me). Just be warned: I can talk for hours about my passions, but also respect my need for solo time – it's like refueling my creative tank! Friendships are my jam, but apparently, my friends don't prioritize them as much (ouch, harsh reality check!). Despite that, I remain a loyal and caring friend, always ready to lend a listening ear or a sarcastic quip. In conclusion, I'm a lovable, quirky writer with a heart of gold (i hope so), a dash of sass, and a whole lot of creativity. Just don't mind my insecurities, and we'll get along fabulously!

Do you like incorporating people you actually know into your writing?

No, not really. But i think i did it once or twice.

Are you kill-happy with the characters?

Sometimes i do it for the story and atmosphere (bye Hiram,sorry but Gentian didn't deserve you) i kill antagonists but i don't know honestly. But i do kill if necessary.

Coffee or Tea while writing?

Neither. Just my tears 🥲👍🏻

Slow or Fast writer?

I'm in the middle. Sometimes when the idea strikes, i write in a hour or so. But sometimes I'm just staring at the ceiling.

Where/who/what do you find inspiration from?

Anything anywhere anyone.

If you were put into a fantasy world, what would you be?

A very lethargic peraon with no motivations or anything. I hope it remains that way, but since this is a fantasy world, my peaceful life will come to an end due to some traguc events and someone will provoke me and my sole motivation will ignite.

Most fave book cliche?

👀 [redacted] just kidding. Enemies to lovers, fist/daggers talk instead of pillow talk. Enemies, one sided enemies, rivals. And they were roomates, one bed, fake dating to escape the situation, hidden heir, fake stranger, mysterious stranger,etc.

Least fave book cliche?

Brother's friend.... teacher student romance... insta love, mary sue protagonist, rich guy poor woman, love interest with no personal goals, stereotypical villains, stereotypical diverse characters, unrealistic relationships, cliched character archetypes, rushed endings, etc.

Fave scenes to write?

Anything with heavy feels. Like angst, romantic scene, character death, plot twist reveals, distressing situations etc.

Most productive time of day for writing?

When the inspiration is there, any time is fine but mostly at night.

Reason for writing?

Because i love writing stories and love sharing it to others in hope that they'll also enjoy as much as i do. My reason is simple.

I'll tag @finickyfelix @willtheweaver @leahnardo-da-veggie @illarian-rambling @winglesswriter @paeliae-occasionally @the-golden-comet @graveyardshift111 @thecomfywriter @roarintheheavens

[faketrex]

21 from the setting prompts!!

Thank you, Nico! 💝 For prompt 21, "a car park lit only by streetlamps."

RWRB, firstprince, post-canon, 920 words, reunions and traditions, soft and sweet.

...

If Alex is lucky, one day he'll get to marry Henry.

They don't need it to prove they love each other, of course not. Their relationship is already exactly what Alex wants it to be; a piece of paper signed by a couple of witnesses isn't going to change anything. Despite that, there are three very good reasons to get married: one, Alex loves a party, two, Alex loves giving the finger to closed-minded bigots, and three, Alex really, really fucking loves Henry.

Maybe it's sappy, but daydreaming about marrying Henry always calms him down. Every other path in Alex's life could lead him in so many unpredictable directions that it feels like the variables go on forever, like he'll never fully escape the anxiety and uncertainty no matter which choices he makes. In every iteration of his future, however, Henry is a constant: side by side with Alex, all the way to the end.

So, yeah. Someday he'll pop the question, and hopefully Henry will say "yes." They'll vow to protect and care for one another, in sickness and in health, as long as they both shall live.

Right now, though, Alex's brain is preoccupied going two hundred miles per hour, way too fast for him to be able to concentrate on that sweet daydream.

And–right now, Alex is about to absolutely roast Henry for crimes against fashion.

That's mostly unrelated.

"Holy shit, who held you up at knifepoint and made you wear that human rights violation masquerading as a tie?"

"Hello to you too, Alex. And here I thought you'd be pleased to see me."

"Seeing you requires the use of my corneas. That hate crime is going to burn them off. Come here."

The parking lot outside the fundraising venue is tiny. High concrete walls surround the rectangular space on three sides, with the building on the fourth enclosing it like a kind of courtyard. The gray garage door blends into the concrete. Two weak floodlamps leave a gap of darkness near the middle of the yard. It doesn't make any sense as a parking lot, even one for VIP guests.

The strangest part of the design is that because of how the building is oriented along the shore, Alex can hear the ocean on the other side of one of the walls. It's like being in a cement white noise machine. Or an empty, open-air contemporary art gallery.

Billionaires are so weird. Why wouldn't they put windows in the wall so they could see the ocean? Hell, why wouldn't they just build a garage and put a deck on top?

None of it really matters, though, it's just Alex's brain speeding along at a breakneck pace. The important thing is that he and Henry are the only ones in the parking lot right now.

As soon as Henry is within arm's length, Alex reaches out for him, prompting Henry to smile softly and lean forward.

Alex stops him with a palm on his chest, grabbing the knot of his tie.

"Alex, really," Henry protests.

"Of course I'm happy to see you, sweetheart, and I promise you I'll give you your 'hello' kiss in just a second, but I need to get this thing off you, first."

"It's not that bad–"

"No, it's worse. Whatever you're thinking, it's like, fifty times worse. Did you bring a back-up?"

"A back-up?"

"A spare. An extra tie."

"No, I–"

"Okay," Alex says, tugging the tie out and unfolding Henry's collar. "Here's the plan." He stuffs the hideous fabric in his jacket pocket and reaches up to unknot his own tie. "You're going to wear mine and I'm going to scandalize a few folks by going without."

"But–"

"Because I can get away with 'rakish' and you can't, that's why."

"Right."

Alex is mostly silent as he wraps his tie around Henry's neck and knots it. When he's done, he carefully folds down Henry's collar again and smooths it all out, settling the tie against his shirt placket. "There. You don't usually wear purple, I know, but your stylist is going to have to suck it up and deal just this once."

"I missed you terribly, love," Henry says quietly.

Alex takes a deep breath and runs his hand down the tie once more, then a third time, making sure it's perfect. He lets the air out of his lungs in a slow, measured exhale. It's fine. He's fine. "Me, too. I hated it. I missed you."

"Would you dance with me before we go in?"

"What?"

"It's my turn for a romantic gesture, I believe."

"Okay," Alex allows. "But it's not–I can't believe I'm saying this, but it's not a competition."

"No," Henry agrees, stepping closer. "Just a tradition."

When they're finally wrapped up in each other, swaying together in the dark at the center of the parking lot, Alex closes his eyes to concentrate. In one ear, he can hear Henry's heartbeat, familiar and reassuring. In the other, he hears the low, repetitive sound of the ocean on the other side of the courtyard wall.

With his eyes closed and Henry's arms wrapped around him, Alex's brain finally goes quiet. He takes another breath: easy in, easy out.

"Are you ready for that kiss now, love?"

In silent response, Alex opens his eyes and tilts his face up to meet Henry's.

...

About five minutes later, more or less, Alex finds out that Henry has an engagement ring in his pocket.

He is pretty fucking lucky, after all.

[pens-and-gems]

The Queen Bee and the Vesperia Chapter 2 (Second Preview)

(First Preview)

Meanwhile, at a school called College Francoise Dupont, a bespectacled girl with red hair wearing a purple sweater vest and teal-blue skirt was waiting anxiously outside the school, holding two cups of coffee.

“Oh, I hope she’s not running late!” The girl started to panic, to the point where she almost dropped the coffees. Meanwhile, two other girls, a girl with blue-black pigtails and another redhead with glasses were viewing the anxious girl from a distance. The redhead shook her head and smirked. 

“That girl really loves devoting her life to Chloe, huh?” The redhead asked her pigtailed partner in crime, who just argued back.

“It’s not like that Alya,” The second girl defended. “Chloe may kind of be a jerk, but she’s not all that bad.”

“I know that, I never said that precisely.” Alya debated humorously. “I’m just saying that devoting your life to one person all through your life is pretty unhealthy.” The pigtailed girl smirked back. “Aren’t you the same girl that helps me with Adrien?” The two share a laugh. 

“Yeah well, but that’s gotten better the more you’ve gotten to know him thanks to Nino and I.” 

“Fair point.” The two girls shared another chuckle and decided to walk over to the girl; who replied to them all sweetly. 

“Oh, hi Marinette and Alya.” 

“Hi Sabrina,” Marinette answered. She pointed at the coffee cups. “We see that you’re waiting for Chloe again.” Sabrina blushed.

“Oh yeah, always am.” She responded with a smile. “You know, she has gotten better ever since Ladybug saved her mother when she was akumatized that one time.” Hearing the sentence made Alya grin big while Marinette flushed a bit in her face. 

“Oh really?” The pigtailed one asked all awkwardly. Alya then came to her defense. 

“Don’t worry Sabrina, we’re aware that Chloe isn’t all that bad. Bossy and arrogant, sure; but not evil or malicious.” Sabrina nodded in agreement. 

Speaking of Chloe herself, she was just about ready to pull up to the front of the school in her limousine while she was adjusting her sunglasses and drinking a sip of her morning water to help keep herself hydrated for the day. The limo reached its endpoint as the rich blonde got herself ready.

“Not bad Ludwig, but next time, maybe pull in a little wider. I need the school to know that my arrival is important!” She then handed him over a 20 dollar bill. 

“Here, a 20 dollar tip. Thank my mother for it, coming from New York and all.” The rich girl then unbuckled and smiled as she blew a kiss to her driver and told him that she loved him as well. When the blonde got out of her vehicle, Sabrina grinned and cheered all the way to greet her. 

“Chloe, there you are!” The redhead coffee holder chipred. Chloe just glared at her. 

“Uh, who are you again?” The redhead’s expression went to worry. 

“Kidding!” The blonde revealed her joking side and the two friends cheered and greeted each other. Sabrina then handed her the coffee. 

“Did you remember to write down the plans for this weekend?” The blonde asked as she slipped her coffee. Just as Sabrina was going over them, the redhead bestie brought up something that sparked Chloe’s interest the most: 

“Oh, and your mother’s fashion show this Saturday!” Sabrina revealed. 

“That’s the one,” Chloe chirped and pointed at the planner. "Highlight it." The redhead obeyed. The rich girl then pulled out a small, folded piece of paper from her bag; which released a confident smile out of her.

"That's why I brought five hundred of these last week." She then unfolded it to reveal a well-designed poster of her mother's fashion show being adverstied as" Audrey Bourgeois's Haunt-Coutre! This Saturday from 10AM-5PM at the Le Grande Hotel."

"Wow Chloe, it's looks gorgeous!" Sabrina said all astonished as she reached out for it, but the spoiled, yet kind one pulled away.

"Careful, I don't need it dirty!" Chloe calmed down. "Sorry Sabrina, it's just that this fashion show means the world to my mom, that I, that I." The blonde felt a burn of insecurity in her that she had to stop herself and take a deep breath.

"Point being is," Chloe contiuned. "My mom has been really looking foward to this fashion show all week and I just can't disappoint her." The daughter of the fashion designer revealed. Sabrina then followed along.

"And it's also on the same day as your birthday?" Hearing that sentence made the blonde girl spit out of her drink.

"Huh?! Gimme that!" The blonde took the planner and was indeed shocked that the fashion show was indeed on the same day as her birthday.

--

PLEASE ENJOY! THE CHAPTER SHALL BE POSTED EITHER TOMORROW OR SUNDAY!

[toads-n-moss]

completely innocuous questions about the no dl6 au Are the designs of mia, maya and franziska still the same as they are in the original trilogy or do you have your own? if it's the latter, can we see them 👀

hello hello!!!

sorry this took so long, school's been crazy. but oh i love designing characters!!

this is gonna kind of be a character study so this might be a longer post

first up is the hair styles!!

first row is chapter 1, and second row is chapter 2

for maya, i tend to draw her hair a lot thicker than it is in the games, but that's mostly a stylized choice. i also tend to draw her hair with braids instead of the ponytails (are they ponytails? who knows). she keeps her hairstyle relatively the same throughout the story, but she tries out some new hairstyles here and there.

for mia, i tried to reference her short choppy bangs from 3-1 and 3-4, mainly cuz i love them so much. she keeps her bangs short throughout chapter 1, but grows them out by the time chapter 2 rolls around, similar to her hairstyle in 1-1. i feel like she would have her hair back in ponytails a lot, but i also feel like she would wear a lot of hats but i get into those when we talk about her clothing.

for franziska, while she is not a present character in chapter 1, she is going to be shown during the 5 year gap between chapters through phoenix point of view. at the start of the 5 year gap, she would probably have her AAI hairstyle. by the time chapter 2 begins, she's started to step out into the world herself. the asymmetrical cut is supposed to be her silent "rebellion" against manfred's idea of perfection. but as the chapter progresses, we'll see that she (and phoenix) still have a ways to go.

now onto clothes!!

while i haven't been able to draw their ref sheets yet, i do have some ideas of what i'd like their "styles" to be.

disclaimer, i'm not a fashion person, so apologies if i'm using the style names wrong ksbdkssn

for maya, i imagine her wearing a lot of grunge style clothes. kind of y2k/grunge mix? she steals a lot of miles', mia's, and even phoenix's old t-shirts. a lot of the references i've found are very neutral colors but i imagine she would wear some pretty bright colors. she probably wears headphones a lot cuz i hc her to be autistic and headphones are a great way to block out sound.

these were some of the references i had for her outfit in this drawing!

for mia, i imagine she'd wear things that i feel you'd see japanese city pop artists wear, if that makes any sense. turtlenecks, skirts, fun blouses, cool boots. but also, she'd probably wear blazers and nice pants.

for hats, i feel like she would wear cute berets you know? or maybe those newspaper boy hats?

the picture on the left was actually the main inspiration for her outfit in this drawing :D

as for franziska, it's a crime that i haven't drawn her as much.

i do plan to draw her outfits sometime, i'm just really busy-

she probably wears a lot of blouses, vests, and skirts during chapter 1, but during chapter 2, she wears more suits :D

she definitely seems like the kind of person who wears their coat on their shoulders

*glancing at phoenix* wonder who she got that from hmmmm

anyways, i hope this helped! and i hope you enjoyed my rambling about their outfits :D

[savingthrcw]

Oh God, he was opening up more. Now she was starting to feel horrible, the poor thing was like a girl speaking of her first love, heart in his hands and all. Not that what he was saying didn't make perfect sense, but it was still so personal. So innocent.

"As a... an English woman, obviously I can't with for your victory, for all I know my father may join the fight soon enough," she pointed out tentatively, making sure to stay in character, "But at the same time I... understand why you must do what you are doing. It's not even just about freedom, is it? It seems to me a matter of fighting for what you believe in. Up until now I've only heard frightening stories about what the rebels would do to women like me, but clearly, if you are allowed to be here, in a position of power, while having such a... kind, positive view of life, I must rethink what I know... And maybe if I tell my father about this, he'll be able to quiet such rumors!" she offered with renewed energy, showing innocence she herself did not possess, but that an ignorant young woman like Sophie would.

"If I am allowed to ask, what are the 'women-things' of which you entertain yourself?"

He had clearly enjoyed her silly choice of words, with would have boded well for her since Sophie did not require a much more advanced grasp on the English language than the real Stella had. Too bad they would never be able to speak of anything, not only she'd leave soon but she figured he'd resent her for letting him speak so freely, even if she wasn't mocking him in the slightest. "Theater? Oh, I'm afraid my father is too protective for that. He understand I must marry some day, yet still sent so many chaperones with me that the general's mansion was at full capacity. No, my... women-things are far less fascinating. I enjoy cooking, even if a woman of my station is meant to leave that to the help, I do it anyway. I like making sweets for my friends, so we can share while we have tea." Had she had any real friend, the kind who could come over for tea and not the kind who would have a laugh with her while they ran from a crime-scene, she would have. She didn't need to keep Sophie the same exact person she was to the general, so she could give Benjamin a little more of the truth, if only because it worked so well with his personality. Not that she would be compatible with him in any shape or form, he was an honorable soldier and she was a greedy criminal, but she did have some very simple hobbies. "I like making dresses. I know you'll think it silly, it's just fashion, but there is something about wearing a gown I made with my own hands..."

He seemed to have misunderstood her tone, and she was quick to rectify her mistake: "I believe you do! I just meant to say that speaking the truth to women may work better for you than any line. What woman wouldn't be pleased? Children are the future. They are meant to be cherished." She had once believed so, when planning her own future and family to be.

"What about yourself? You mentioned your father...is he intent on your match with the general?"

If only he knew. "I think my father would rather keep me, to be honest. I'm the only daughter he has. I doubt he'd believe anyone worthy... and as much as he claims to disapprove my presence in the kitchen, I know he pouts when he can't have my dinner on Sundays. He must have been lost without me these past few months." Easy, affectionate words that felt so normal to say she almost believed them herself - because as far as she knew, that was how it was supposed to be. "He accepted my presence here, but I think he was relieved to know I didn't fall for the General. But I'm in no rush. I want to do things right. Your men may believe me a complete fool," she brought up, not having forgotten that, "But I think I'll be fine. I think I'll find a good husband. My temper can surely be balanced by my loyalty. And the cooking."

"Teaching little boys seems already like the most rewarding way to spend one's days..."

"It was," Benjamin softly agreed, smiling. "Some days, I wonder if it was all worth it...to leave them behind. But then I remind myself that I'm fighting for them and their future, and I know I'm doing the right thing." He shrugged, absently fiddling with a stray piece of fringe on his coat. "How can it not be? If I don't fight for their freedoms, I fear there will someday be none to be had."

The woman was strangely kind. "You are honorable even at a time like this, and when speaking to a woman who is... technically the enemy," she said. "I have no doubt that a good wife is waiting for you. It's simply too soon now, you are busy."

Benjamin offered a sheepish smile. "It's as I said: we try to be gentlemen, Miss Knight, not barbarians. To treat you as anything less than a civilian would be a disservice to the uniform...and to you."

Men-things?

Laughing at that, he agreed, "Well, I suppose I can't argue with such a statement...my life is rife with 'men-things,' and it grows tiresome being weighed down by the pressures of them all." He folded his hands with a smile. "If I am allowed to ask, what are the 'women-things' of which you entertain yourself? During my brief acquaintance with womenfolk, trips to the theater or the millinery seemed to be high on the list, but I've never personally accompanied any of them...it was just an observation."

He was always an observer, but never a participant -- at least in the war, he had some semblance of control when it came to his desires.

Sophie waved a hand. "In any case, it won't take you long to find a sweetheart. Just tell me you like children, ladies love that."

"But...I do like children," Benjamin replied, unsure if she was assuming his earlier words to be a lie. "To teach without love for my pupils would be as foolish as sending a boxer out into the gardening world. There's a certain delicacy and adoration required...to give any less than my all would be an unspeakable crime."

Lowering his eyes, he wondered how Sophie could assume a sweetheart would magically fall from the sky into his lap. Yes, it assuredly was true that all the parties Washington threw for his officers drew in young, eligible women, but he wasn't interested in dalliances -- he wanted love; real love, and he didn't believe he would find that from one night in the arms of a total stranger.

"What about yourself?" he softly asked. "You mentioned your father...is he intent on your match with the general?"

[invisibleanonymousmonsters]

This Game of Yours

Father of Mine – Part 1 and Part 2

Jason was beautiful.

And somehow that scar that went from the right corner of his mouth up to his temple only made him that much more beautiful to Y/N.

Those blue eyes were the same color of water on a stormy day in the Irish sea. And somehow Y/N knew they held the same tempestuousness.

The white streak weaved with his jet black hair so naturally that Y/N would’ve believed he was born with it.

His shoulders were so broad, making his 6’3 height feel even more imposing. He had a presence. People noticed every time he walked into a room. It made Y/N wonder how he was ever able to sneak up on people as Red Hood.

He was wearing a black hoodie underneath his black moto jacket.

Y/N knew Jason didn’t give a shit about fashion. Yet he was well-dressed without any effort – more so than most of the models Y/N had shot throughout her career.

Not being able to control herself any longer, Y/N raised her camera and took a photo.

Jason stopped surveying their surroundings and his gaze snapped to her.

“What do you think you’re doing?” 

But his growl didn’t scare her in the slightest.

“Anyone who’s by me when I have a camera is at risk of getting their picture taken. No one is safe. Not even you,” she answered his question unapologetically.

Y/N was working on a personal passion project for her next show. Her collection would be about the poverty and crime of Gotham. Half of the photos would show the heaviest crime areas of the city. And the other half would expose the lifestyles of the wealthiest people in Gotham.

Why did so many suffer from the same system that helped the rich get even richer?

When Bruce found out Y/N was going to Crime Alley and the Bowery by herself, he was visibly upset.

But he realized that Y/N would do as she pleased, so his plan b was to give her protective detail.

However, Y/N didn’t know that Jason had volunteered, almost immediately.

Instead, all she heard was Jason grimly telling her, “You’re lucky you haven’t been fucking murdered yet.”

She had only responded with a roll of her eyes.

“I’m not your escort so you can take my picture. I’m here so you don’t get raped or murdered.”

“Has anyone ever told you that you have a way with words?”

His only response was a glare.

Jason loved playing this game. The game of pretending to be irritated with her when actually he was absolutely infatuated with Y/F/N Y/L/N.

“The easiest way to stop getting your picture taken is to always be the one holding the camera,” Y/N added with a smirk and wink.

Jason didn’t answer, only thinking what a shame it was that no one got to photograph her.

Suddenly, the sunlight hit the top of his head perfectly, creating a halo around that thick and messy hair of his.

Y/N snapped another photo.

“Will you stop?” He warned.

It only succeeded in making her laugh.

And that just excited his heart even more.

“Jason, you were born to get your photo taken.” 

There was no joke underneath her words, only sincerity.

“Whatever,” he mumbled.

Jason had a hard time believing that. His skin was riddled with scars. And he was convinced that she’d be singing a different song if she saw his chest, with its thick autopsy scar amongst the so many others. The absolute last word he’d use to describe himself was beautiful. Strong and imposing? Yes. But never beautiful – or any other positive adjective, for that matter.

“I’m not kidding. If you ever want to stop the whole vigilante thing, you can easily become a model.”

Y/N had noticed it as soon as Jason took of his helmet that night. His domino mask had done nothing to prevent her from noting the obvious.

It didn’t take long for Y/N to realize Jason wasn’t like his “brothers.”

“Brothers.” What a strange word.

Should she consider all of them as hers?

Only Damian was actually related to her – and technically he was only her half-brother.

Y/N had watched Jason get on his motorcycle and leave the cave that night she’d almost died.

She’d agreed to stay for dinner and get to know everyone. And a part of her brain was excited to get a better read on the masked man that sat by her bedside as she’d recovered.

“He’s not staying?” Y/N had asked Bruce as he guided her to the stairs that led back up to the manor.

He only shook his head, but she noticed the disappointed expression.

Soon she found out that Jason was the black sheep of this strange family that had taken her in.

Dick was the one who told her about Jason’s dark past. All of it seemed unbelievable: murdered by Joker and brought back to life from a mysterious pit. Only to return to the family who appeared to have replaced him and never sought vengeance on Jason’s behalf. 

But it was true; Y/N had seen no lie in Dick’s eyes when he filled her in.

Suddenly there was yelling coming from around the corner.

Without hesitation, Jason shoved Y/N behind him.

He reached for one of his guns and then realized that he didn’t have any.

Y/N was rather vocal about hating them, claiming they made her extremely uncomfortable.

Her expression alone as she said it was enough for Jason to swallow his stubbornness and leave the things at home.

Bruce was rather taken aback by the gesture. Nothing he’d ever said was enough to get Jason to do that.

A gang of young men came marching around the corner like they owned the place…because they did. This was their territory.

Jason immediately recognized them as some of the Russian mob.

Despite pulling Y/N behind him, they still caught sight of her and looked her up and down without an ounce of shame.

“Hey, beautiful. How you doing?”

“Продолжай идти, придурки,” Jason growled at them.

He was outnumbered. But there must’ve been something about his body language that made the gang realize they shouldn’t pick a fight with him. Maybe it was the muscles or his height or that he looked like he wouldn’t even blink before murdering them.

So they just…walked away. Some of them mumbled threats or insults at him. But they realized they shouldn’t even so much as look at Y/N.

A split second before they were gone, Y/N took a picture of Jason.

“Really?” He asked.

She shrugged. “You look like a different person when you’re protective.”

Y/N was beautiful.

Jason watched as she passionately explained her work to a potential buyer.

He recognized the man as a local politician – luckily, one of the few that hadn’t been corrupted from this shitty city.

Y/N had the intimidating energy of her father, but the kind eyes of her mother. At least, that was what Bruce had told everyone, and they all took his word for it.

She wore a stylish white jumpsuit that made her look like a 1980s villain and black stiletto heels. 

Jason watched as men cowered in her presence, hating the fact that she proudly stood taller than them. She was just one less woman they could intimidate or manipulate – and they couldn’t stand it.

But Jason loved watching the emasculation in real time.

The bastards didn’t deserve her anyway.

Dick was one of the very few men Jason knew who didn’t blink at a woman towering over him. In fact, his older brother had a track record of preferring it.

“Surprised to see you here,” Bruce said beside him, catching Jason watching Y/N.

“Well, I was her personal bodyguard through all this. Figured I should see if it was worth me wasting my time or not.” Then he tossed back his champagne and slammed it on the tray of a waiter passing by. “Plus, free alcohol.”

Bruce just quirked an eyebrow, silently telling Jason that he knew he was lying.

“Are you buying something?” Jason asked, trying to change the subject.

“I have been strictly forbidden,” Bruce sighed.

Jason chuckled.

He knew if Bruce had his way, he’d buy every single on of Y/N’s pieces.

“I have to know,” Bruce began. “What exactly is holding you back?”

Jason finally ripped his gaze away from Y/N to give Bruce a questioning look.

“What are you talking about?”

“Y/N. You care about her.”

“All of us do,” Jason brushed off. “Even the demon spawn.”

Bruce knew there wasn’t a chance Jason would admit his feelings – especially to him.

“Not that I think you care…but you have my approval.”

Little did Bruce know, Jason did care.

Jason had convinced himself that their rocky relationship and past fights meant that Bruce would die before he let Jason be anywhere near his daughter.

And Jason could hardly blame him.

He didn’t deserve to be loved. He lost that right after he died and came back a monster. And that was the story Jason told himself over and over again.

So he would love Y/N from afar. And hope she would pick someone who was worthy of her love.

“She’s basically my sister,” Jason groaned in fake disgust.

It was quite the performance.

Bruce narrowed his eyes. “We both know that isn’t what’s stopping you. And you’ve made it clear you don’t consider us your family.”

“Whatever, Bruce.”

Jason walked away, having enough of the subject.

“What was that about?” Clark asked as he joined Bruce’s side.

“Jason refusing to let himself be happy,” Bruce sighed.

Clark already knew what Bruce was talking about. He’d seen Y/N and Jason dancing around each other for months now. He’d never really seen Y/N take an interest in anyone before, so it was all new for Clark.

“Don’t worry. Y/N won’t let him get away with it for much longer,” Clark said through a smirk. “She gets what she wants.”

And Bruce believed him.

“It doesn’t bother you – the two of them together?” Clark asked with genuine curiosity.

“Jason reminds me every day that I’m not his father. And I’m hardly Y/N’s.” A soft smile formed on Bruce’s lips. “He’ll look after her. And she…I think she’d be good for him. I just want them to be happy. Both of them.”

——

Jason headed home rather early.

He’d never actually went to say congratulations or even hello to Y/N.

Every time he was about to go over, someone else stole her attention. He didn’t want to get in the way of her talking to potential buyers or even just friends.

Jason was just about to make himself something to eat when there was a knock at his door.

He froze.

Very few people knew where his apartment was.

Jason grabbed a gun and tiptoed to his front door.

With a peak through the peephole, he let out a irritated sigh.

Jason whipped the door open, “You’re lucky I didn’t shoot your head off.”

“Maybe don’t own guns and you wouldn’t have to worry about shit like that,” Y/N snapped back.

“What are you doing here?”

“You come to my gallery opening and don’t even say hi?” Y/N accused as she stepped around him and into the apartment, not waiting for an invitation.

Jason eyed the paper bag that was in one of her hands.

“By all means, come on in,” he called sarcastically as he slammed the door behind her.

Y/N started searching through his cabinets. “Where are your glasses?”

“The one to your right. What are you doing here?”

Y/N had the brightest and almost mischievous smile as she pulled a bottle of champagne from the paper bag.

“I brought this as my thanks for you making sure I don’t – and I quote – ‘get raped and murdered.’”

Jason glared at her.

Here was the game again.

Y/N being charming and hilariously provoking..and Jason pretending like he hadn’t fallen for her.

She poured them both a glass. They weren’t flutes or coupes, but she couldn’t care less.

“We’re chugging these, by the way,” Y/N informed Jason as she handed him a glass.

He sighed, but obediently clinked his glass with hers and tossed it back.

Barely giving them a second, Y/N immediately refilled them.

“So, why didn’t you come over and say hi?” She repeated.

“Didn’t want to bother you,” Jason mumbled with a shrug.

She narrowed her eyes at his answer. “You’ve never bothered me before, Jason.”

Now he felt guilty.

Jason bowed his head. “I should’ve come and talked to you,” he agreed. “Your work…it looked – it’s amazing, Y/N. Congratulations.”

Apparently Y/N hadn’t expected such a sincere compliment from him, and she was stunned to silence.

“Thank you,” she managed to whisper once she’d recovered.

She cleared her throat, trying to maintain her edge. “And really…thank you for being my own little security detail.”

If Jason was healthy about expressing is thoughts and feelings, he would’ve told her that it was the highlight of his weeks. That he looked forward to her calls or texts, telling him that she was going to photograph another shady area. “Be there or don’t. I’m going no matter what,” she’d text him with her usual snark.

But Jason didn’t express his thoughts and feelings.

He kept them bottled up – with the same energy he used to keep Y/N at a distance.

So instead, Jason said, “If it wasn’t me, one of the others would’ve done it.”

Y/N winced slightly at that.

‘You’re such a fucking asshole,’ Jason told himself.

“You know…we can see each other even you’re not my bodyguard.”

Jason was impressed by her boldness. But she didn’t know what she was doing. She didn’t understand that he wasn’t good. He couldn’t play the loving boyfriend role. She belonged with someone like Dick or Clark – or literally anyone but him. And Jason was willing to be an asshole to make sure she understood that.

Y/N took a step closer to him, invading his personal space.

Without breaking eye contact, she threw back her second glass of champagne and then placed it on the nearest counter space.

She stepped even closer.

This was simultaneously Jason’s worst nightmare and most desired dream.

Her eyes moved from his eyes to his lips.

But before she could make her final push, Jason took a step back and cleared his throat.

He looked down at the ground as he said, “You should go.”

When he looked up, he expected to find Y/N heartbroken or embarrassed.

But she was neither.

No. She looked irritated.

Not because she wasn’t getting what she wanted, but because she was sick of his games.

Y/N sighed and stepped back. “Fine.”

Jason rubbed his face in frustration as she grabbed her purse and started for the door she had walked through only minutes ago.

She opened it and paused.

“You know what? No. Fuck that,” Y/N snapped before slamming the door closed.

She whipped around and strutted back to him with purpose.

Jason was suspended with both fervor and awe.

Y/N grabbed his face and pulled him down to her lips.

All self control went out the window. Jason couldn’t continue his game. It was all over for him.

He kissed her back almost immediately. How could he not?

Y/N bit his lip slightly, making him hiss in surprise. It was his punishment for making her wait all this time.

Eventually they needed a moment to breathe.

But Y/N didn’t let go of his face when their lips finally parted.

“Choose your next words very carefully,” she breathed.

He swallowed nervously. “You’re kind of fucking terrifying. You know that?”

Her smile was pure evil.

Apparently this was the right response.

“Are you done being an idiot?” She asked.

He nodded quickly.

Her hands moved down and then lingered on his neck, tracing the bottom lines of his jaw.

She smiled again and then looked him up and down.

“What?” He questioned.

“Nothing,” she laughed. “I’m just…I’m not used to being shorter than men.”

“Is that the only reason you like me? Huh? My height?” Jason goaded.

“Of course not,” Y/N scoffed. “It was the whole ‘I look like I could murder everyone and I can, but deep down I’m a big softie’ that did it for me.”

Jason’s grip tightened on her waist. “Oh, yeah? You’re one to talk…”

“Me?!” She yelped. “I couldn’t kill anyone, even if my life depended on it.”

“Maybe. But your terrifying in basically every other way.”

Y/N laughed at that.

Jason couldn’t stop himself from smiling at the sound

“So…still want me to leave?” She asked.

And this time, she would if that’s really what he wanted.

“Fuck no,” Jason answered, almost threateningly.

Then, for good measure, he picked her up by the back of her thighs and carried her to the couch, before he started to kiss her once again.

Y/N knew things weren’t always going to be this simple.

Jason had his demons. 

And honestly, so did she. They were nothing like his. And maybe they were silly in comparison. But she wouldn’t be the perfect partner. Just like he wouldn’t be. 

They’d drive each other crazy. But it would be the good kind of crazy.

------------------------------

+ Childhood

[thr-333]

Just Another Class Trip :)

Part 1

No, no ignore the smily face i assure you it means nothing foreboding, nothing foreboding at all.

Next >

---------

“It’s suspicious,” Marinette glares as they leave customs.

“What would that be, Mari?” Chloe yawns, not bothering to dedicate her limited remaining brain power apparently.

“Lila,” She whispers back, “She’s been so quiet all the way here,”

“What about how she weaseled her way into first class?” Chloe yawns again, sleep mask resting on her head.

“Or tried to steal your bag,” Kagami says with venom, her having saved Marinette from that disaster.

“Accused you of giving her the wrong flight time,” Adrien adds, somehow being full awake even after their long flight.

“Slipped metal into your pocket so security would go off,” Chloe downright glares at Adrien, but would never admit to the bags under her eyes.

“Came by and woke you up every time you fell asleep,” Kagami looks at her pointedly, shadows under her eyes being her only give away.

“Too quite,” Marinette whispers, the list going largely ignored as they approach the security scan.

“Just relax Mari,”  Adrien pats her shoulder, not enough to break her concentration, “Lila will be so distracted by being in Gotham she won't have time for you,”

Adrien was wrong.

Of course he was wrong.

This is Lila they're talking about.

“Oh Marinette!” Lila all but yells as Marinette is placing her bag in a tray, “I’m so glad you didn’t go through with it,”

Marinette cringes, the security guards all looking her way as Lila dances off. She just sighs as she is escorted away by the airport security, to the protest of her friends and not much else.

“No sir I am not holding any firearms or weapons,” Marinette answers as monotone as possible, the security guard didn’t deserve her ire not matter how tiresome this was getting.

“We interview the source,” Oh no “Apparently you were discussing terrorist activities,”

“I was not sir, Lila must be mistaken,” Yep big mistake, I’m sure that's all it is , “I’m simply here for a class trip,”

“You’re wearing a bulletproof vest,”

Yeah probably should have left that one at home

“My parents are protective, they know how dangerous Gotham can be,” They were not fans of the horror stories Aunt Selina used to tell her from this city, “They insisted I have it as protection,”

While they most certainly wanted her to be safe the vest was more her idea. It was also more for enabling trouble than avoiding it. At least she was trying to be safe about secret crime fighting.

“Makes sense,” He sighs from across the table, checking through some paperwork, “You’re seventeen, here on a class trip right?”

“Yes sir,”

“Well if you’re here on a Wayne funded trip they probably did and extensive background check,” He pauses for a minute looking deep in thought, “Alright then, you can go,”

That seems kind of lax

“Are you sure?”

“We literally have super villains walking through here every other day,” True that, “You’re holding no weapons and have been endorsed by the Wayne's that's better than most people that have been in here,”

“Well if you’re sure,” Marinette stands awkwardly walking to the door as he waves her off, “Is there anything I need to sign, or…”

“Unless I want to fill out extra paperwork, no,” He seems so tired, Marinette wished she could get back at Lila for making his job harder.

“Have a good day then!” She smiles brightly, getting a small one in return.

She leaves, the security guards handing back her bag, fortunately not mentioning the miracle box or her Kwamis. She smiles brightly, even with Lila trying to ruin her trip she could still enjoy her time here in Gotham- and her phone buzzes with an Akuma alert.

With a sigh, Marinette ducks into the nearest bathroom, locking a stall behind her.

“Kaalki,” The Kwami zips out of her bag, “Tikki, Combine,”

With a flash of light followed by another she appears in Paris dropping Kaalki’s transformation.

She looks over the city, some Akuma attacking the Eiffel tower. At least they didn't seem to be the brainwashing type, she didn’t have Chat Noir there to help with crowd control.

With a flip she jumps, planning to kick the Akuma on the way down. They dodge and she lands in front of them instead.

“Well, well if it isn’t the bug,” The Akuma, in a horrible patch work costume mocks, a purple mask appearing over their face, “Hand over your miraculous!”

How about you come and make me Hawkmoth? I promise to stick that cane up your ass

Oh how she wishes she could say just that, but it wouldn't be very Ladybug of her. Why did the younger her have to have a stick up her butt?

“Not today Hawkmoth,” She says instead, making sure to put the practiced amount of enthusiasm into it, “Or any other day for that matter,”

“How are you going to save Paris without your little kitty cat?”

How are you going to beat me with that terrible fashion sense

Besides Chat Noir deserved a break. At least she hoped he was taking a break, he couldn’t tell because of secret identity reasons. It wasn't like she had any right to stop him, she was having a vacation in Gotham right now, and she was out all the time for work. She could manage without Chat for a while, he deserved that much.

“I will do whatever it takes to protect the people of Paris,” Ladybug remembers to answer the question.

“Hand over your miraculous now!” The Akuma lunges at her

I should have chosen a different persona

She dodges the beam of light that can’t mean anything good. Jumping back to get some distance.

Chat Noir had the right idea

She bites back the cutting remark on the tip of her tongue. Instead throw out her yo to wrap around their arm. The Akuma pulls it forward, sending her through the air. She leans into it swinging around to get a better vantage point, studying the monologuing Akuma below.

Maybe I can for Starling

She has created Starling as a vigilante identity to use in Gotham, if the class was ever in trouble. No not if, when . With a sigh she summons her lucky charm getting a table tennis paddle.

Although I’m only meant to use that identity as a disguise to protect the class

The only thing that stood out was the Akuma's hand, she'd have to gather more information before striking.

Maybe Starling can have a word or two with Lila, that could be fun

She drops down in front of the Akuma. They seemed to like monologuing, maybe all she had to do was probe a little bit.

“Why would you want to side with Hawkmoth?”

“This is my family's greatest heirloom it has been passed from generation to generation for centuries, some fool broke it and I was crushed having disappointed all my ancestors!” The Akuma holds up a broach type jewel, “But Hawkmoth- Hawkmoth brought it back and now my greatest and dearest treasure will forever be-”

Ladybug smacks it to the ground, crushing it underfoot.

The Akuma looks at her shocked, letting out a long drawn out gasp. Marinette does not meet their eye as she catches the Akuma. She throws the paddle she used to smack it out of their hand into the air to cast the cure.

I must be really jet lagged, I’m usually at least a little more creative than that, but it worked

She pretends not to see the reporters coming in for interviews, seeing the victim and their broach in one piece. She makes a speedy exit, needing to transport back to Gotham before the class get too ancy.

“I’m sorry the rented bus left a long time ago,” The attendant informed her, looking sorry for the dishevelled teen.

Marinette groaned, so much for running around the airport for thirty minutes with a dead phone. Thanking the attendant she sulks off to collect her bag instead, she’d have to figure another way to the hotel.

She spends another hour hunting down her bag. Chasing after leads of people who might have mistook it. Checking again with Airport security, who again pulled her aside for having a suspicious missing bag. Luckily the security guard before defended her, she brought him a coffee and two for herself.

“Maybe someone will return it?” Tikki whispers, her and Kaalki hidden in the folds of her scarf.

“It’s fine Tikki,” Marinette sighs, halfway through her first cup in under a minute, “I have replicas of all of them anyway, I’ll just grab some samples from the MDC fashion show,”

She’d have to stop by later, the outfits should have been transported last week along with most of her recent catalogue. The only problem was all the other necessities she lost. But that wasn’t a problem, she carried the miracle box in her backpack and that's all that really matters.

“And some of my… special outfits when we go back home,”

She had altered her current outfit to transform into her vigilante disguise. Her scarf pulled up and could be turned inside out into a mask. Her skirt could be transformed into a cape and hood combo. A zip down the middle of the skirt to split it for the cape and a zip up hood that lay flat along her skirt. She simply turned it inside out and wore it around her shoulders. Combined with a bullet proof vest it wasn't half bad, her belt full of weapons could always be hid under her skirt which was a big plus.

She sighs waiting for a taxi in the cold Gotham air, hating it more than most. Although she supposed superhuman strength was a fair exchange for extra cold fingers. Marinette fought to stay awake, she had also been holding Kaalki for so long she was starting to develop the ability to sleep standing up and would doze off randomly. Certainly helpful at times, but not right now.

“Hello,” Marinette is startled out of her drowsiness.

She looks at the hesitant young man before her, looking just as tired as she is.

“Hello?”

“Is something the matter?” Something sparks at the back of her mind, a feeling she often gets from Chloe whenever she is helpful.

Do I look that bad?

“Just a mix up with transportation,” She smiles, he clearly knows it’s fake.

“Do you need a ride?”

“No I’m-” She sighs, what could go wrong getting in the car of a random person in Gotham, “Yes, I do thank you,”

“Over here, I’m Tim by the way” He stifles a yawn, leading her towards a limousine, the door being opened by a driver.

“Marinette, here,” She hands over the extra coffee, “You look like you need it just as much as me,”

Tim looks at her like a god sent, taking the coffee as they reach the limo.

“Good call Alfred,” Tim whispers to the driver, slipping into the car.

“Hello miss, I am Alfred Pennyworth,” She shakes his hand, something stronger fires at the back of her mind, a true holder perhaps? But Chloe was a true holder right?

“Marinette Dupain-Cheng,” She smiles, trying to assess what miraculous would suit him.

“Best get inside Miss Dupain-Cheng,” She climbs inside at Alfred's behest, “Gotham is awfully cold for a Lady,”

She gets the feeling that is not chivalry.

“Where to Miss Dupain-Cheng?” Alfred asks, already in the driver's seat.

“Wayne hotel please,” She pulls her backpack onto her lap, still regarding Alfred suspiciously.

“Traveling alone?” Tim asks absentmindedly, still nursing his coffee cup.

“I’m here with my class, they left without-” No that's no good , “I got held up they went ahead,”

“Class… staying at the Wayne hotel…” Tim mumbles to himself.

“I believe what Master Tim is trying to ask is if you are part of the Martha Wayne foundation trip,” Alfred informs from the front seat.

“Yeah that,” Tim takes another scalding gulp of coffee.

“Yes I sent in the submission, I’m still surprised we got it,” Marinette had been thrilled at a trip to Gotham, it is where her Aunt Selina lives after all.

“You seem very responsibility Miss Dupain-Cheng,” Alfred complements, “Almost as if you could shoulder the weight of Paris,”

“I didn’t say where I was from,” Marinette tenses getting more than a little unsettled, he seemed to know something more.

“Not to worry, I have close connections with the Wayne's and was aware this years class was from Paris is all,”

“I see,” Marinette nods along, the possible meaning behind the comment still being concerning.

“We forgot your bags!!!” Tim suddenly yells, jumping up and making Marinette jump, they both curse in sync as they spill coffee on themselves.

“It’s alright!” luckily the coffee landed on her black tights, so no noticeable stains, “My bags were stolen,”

“Oh…” Tim relaxes back, “Wait… that's not alright at all!”

“It’s fine, I already have a plan to get some spare clothes and I just need to run to the store,”

“Right… to the Wayne hotel was it?” Marinette nods and Tim starts tapping away at his phone.

She fishes out some wet wipes from her bag, passing them to Tim, who looks confused until she points out the growing coffee stain. With a smile and a few more taps at the phone he takes them off her.

“Left behind and bags stolen, doesn't sound like your Lucky day,” Alfred presses, and he needs to stop, it could be chance, surely its just chance.

“I guess not,”

You don’t know the half of it.

“Well I hope the rest of your day is much better,” Tim bids as they pull up to the hotel.

“Thank you, and thank you so much for the ride,” Alfred opens the door for her to get out.

“Not a problem,” She waves them off, watching them disappear down the street.

They’re nice, probably wont ever get to see them again, thats a shame

“Dick! Holy fuck!” Tim kicks down the door of his brothers room, “I just met the nicest girl who's had the shittest day on earth,”

“First of all welcome back, how was your trip?” Dick greets hanging from the ceiling as Tim takes his desk chair, “Second, what are you talking about?”

“Met a girl at the Airport who didn’t have a ride, she gave me coffee,”

“That's enough to buy your loyalty,” Dick grins, Tim flips him off.

“Listen, she's part of that Martha Wayne Foundation trip and her class left her at the Airport!”

“What?!” Dick drops from the ceiling onto his bed, “Thats so dangerous, especially in Gotham,”

“Right?! She even had her luggage stolen!” Tim pushes the chair over to Dick, “And she was still so nice, even after an eight hour flight!”

“You said she was part of the Wayne foundation trip?” Dick asks, getting a nod from Tim, “Yeah, we are definitely seeing her again,”

[rhysismydaddy]

Prisoner's Game Pt. 4 (Rowaelin)

THANK YALL FOR BEING PATIENT I AM SO SORRY

Parts 1 \ 2 \ 3

________________________________

Journal Entry #2000

Sometimes I think it wouldn't be so bad to die.

To leave this island forever and not have to worry about being discovered anymore.

I wasn't always this macabre, but two thousand days of checking over my shoulder and wishing for a man's murder has dulled the wishful excitement I felt when I first got here.

Five years ago, I was grateful to even be alive.

I couldn't believe a stranger give up everything for me and the others--couldn't believe she'd agree to fight this battle because of my decision.

I have to actually remind myself to still be grateful to her, if I'm being honest.

Because sometimes I think about that night all those years ago, when she showed up in the darkest part of the night to kill me. When she'd held the knife with a trembling hand and told me that the price for betraying Arobynn Hamel was my life. When we discovered together that she couldn't bring herself to kill me.

Sometimes I think it would be better if she would've just done it.

At least it would've been over.

At least I wouldn't have to spend years on an island, living the same day over and over again. I think that's what's driving me mad, beyond anything else.

The predictability of my time.

Every day, I follow the same routine. The routine she laid out for me in a hushed whisper.

I wake up and go to the small café a mile down the road to watch the news. And every day, I pray to see Arobynn Hamel's face next to to the words, "Breaking news: billionaire crime boss found dead."

Because that was her only stipulation.

That the ten of us would stay on the island, hidden from sight, until news of his death was announced. In exchange, we got to live.

She'd warned me it would take a long time.

She'd told me to not get complacent.

And then she'd whispered what she planned to do.

Even now, over five years later, the words she'd whispered while shoving a plane ticket and a new passport into my hands were crystal clear.

"The devil isn't going to go down easy."

~Aelin~

The shaft of her recently-fashioned shiv was cold in her hand as she silently grabbed it from under her pillow.

The soft clink of the bars shutting again told her whoever had just snuck in her cell was now locked in with her.

Unfortunate for them.

She wasn't afforded the luxury of a clock, but she knew it was the middle of the night. Normal visiting hours were far over. There was no one here but the bored night guards, four janitorial staff, and rows and rows of sleeping inmates.

And the idiot trying to sneak up behind her bed.

She kept her eyes closed as she listened to the quiet steps walk closer and closer. Right when she was about to turn around and attack, they stopped.

Then the weirdest thing happened. It sounded like whoever it was slid down the wall directly across from her bed.

A killer wouldn't do that.

Curiosity piqued, Aelin turned her head to see who and what was going on.

It was dark in the cell, but she'd recognize that shock of silver hair anywhere.

"Rowan?" she whispered, so quietly she almost didn't even hear herself. "What are you doing here?"

He didn't respond, but the way his muscles tensed told her he'd heard her.

Slowly, she sat up so she could see him better and maybe figure out what was going on.

For the first time in a long time, he looked less than perfect. Far less than it, actually.

His hair was going every possible direction, like he'd been running hands through it and pulling on it. He was wearing a gray t-shirt, rumpled dress slacks, and tennishoes that weren't even tied.

But that wasn't what worried her most. It was the way he was sitting completely still and silent.

He didn't even look like he was breathing.

"Hey," she tried again. "What's going on? Look at me."

Another few heartbeats passed, and then he slowly shook his head.

"Please, Rowan. Just look at me."

He winced, like hearing her say his name physically hurt him.

And then his head came up.

Deep green eyes met hers, and even though it was what she'd wanted, what she'd needed, Aelin instantly wished he'd look away.

Because with one look, she knew he'd figured it out.

He knew, and the pain and turmoil in his eyes... she'd put that there.

She'd seen him angry and sad and happy and everything in between, but she'd never seen him, or anyone else, look so broken.

He looked completely and utterly broken as he sat before her.

"Rowan," she whispered, shaking her head even though she didn't know why.

He bowed his head again, seemingly unable to even look at her.

"Ro," she whispered, dropping to her knees in front of him.

Almost like the old nickname broke something inside him, Rowan's shoulders started to shake.

And then he sobbed.

It was the kind of sob that couldn't possibly be held in. The kind that made her heart clench and tears brew in her own eyes, the kind that told her how much pain he was in.

Tears ran down her cheeks as she put a hand on his arm. He shook off the touch like it burned him and looked up at her again.

"I ruined your life," he croaked, the tears on his face reeking of self-hatred. "I ruined your life."

She shook her head. "No, you didn't."

Anger bled into his tone. "I put you in prison for eight years for murdering people who aren't even fucking dead, Aelin. I didn't listen to you, didn't look hard enough. I've had the clues you left me for eight years. We were in love, and I didn't even try hard enough to... I... please explain to me how I didn't ruin your life."

"You did not ruin my life, Rowan," she told him again, meaning every word.

"Eight years of your life, gone because of me. I don't even understand how you can look at me." He huffed a laugh, but he was far from amused. "No wonder you hate me."

His chest was heaving, his hands were in fists, and his stubble-crested jaw was damp with tears.

And she'd thought he hadn't cared.

Aelin felt like a fool--a horrible, stupid fool--for ever doubting him. For thinking him indignant.

Because this was technically what she'd wanted. What she'd planned to happen.

She'd wanted it to hurt, had wanted him to feel an ounce of what she'd felt when he'd led the case against her.

But it wasn't what she wanted anymore.

Moving slowly, Aelin crawled onto his lap, put her hands on the side of his face, and lifted his gaze to hers while she said, "Arobynn Hamel ruined my life, not you."

He shook his head, breathing heavily. "No-"

She cut him off by wrapping herself around him.

Like she was trying to heal physical wounds, she wrapped her arms around his shoulders and pulled his head to her chest. She sank into him until there wasn't an inch of space between them. Her hands wandered over his back as she held him tight to her.

He was stiffer than a board at first, but eventually he sagged against her, wrapping his arms around her in return.

It was like he was drowning in the sea, and she was the only thing preventing him from being swept away. He shook, his entire body trembling, and his arms became a vice around her.

"I'm so sorry," he whispered after a moment.

She shook her head, but it didn't matter. He said it again, and again, and again, until his voice was hoarse and broken.

Aelin ran her hands over his back slowly, and just held him as pain he'd felt for eight years seemed to reach a crest.

Eventually he stopped crying and just laid against her, warm breath fanning across her collarbone.

"I'm so sorry, Aelin," he whispered yet again.

"Please stop saying that. None of this is your fault. You aren't the reason I'm in prison."

"Yes, I am," he insisted, shifting beneath her. "But I'm getting you out right now."

He looked up, eyes bright with new-found purpose, and wiped the tears off his cheeks like they were distracting him.

"What?"

He nodded quickly. "We can bring those people back, and you can get your life back. I know it's not the same, and I know I can't get you these years back, but-"

"No."

He paused. "No?"

She shook her head. "I can't leave yet."

"Leave? What the hell does that mean?"

"It means I still have shit to do here. I'm not leaving before it's done."

His eyes narrowed. "You're acting like this is a hotel, not a high-security prison. And what do you even mean?"

Aelin had the good sense to feel a little guilty as she slowly got to her feet and walked to the wall at the back of the cell. A few well-placed taps later, it swung open.

Rowan's mouth dropped open, then closed, then repeated the whole routine like he couldn't decide what to say first.

He apparently figured it out, because it opened again so he accuse, "I knew you were robbing me! Where the fuck is my bed?"

She sighed and rubbed her temples. "That's what you care about right now? Seriously?"

He grumbled something as he got to his feet and leaned into the makeshift doorway in the wall.

It took him a few moments to examine the ladder leading down to the tunnel, and then he straightened and looked at her again with a mixture of confusion, awe, and understanding on his face.

"You've been sneaking out this whole time."

She nodded.

Most of her escapes had been in the past six months, but she'd occasionally left in the years before to check on something or track down a lead.

"You beat up your roommate so they'd put you back in solitary."

Aelin nodded again.

"But how did you know they'd bring you to this cell?"

A small smile pulled on her lips. "Look again," she told him, gesturing towards the open brick door.

He stuck his head in the hole again and couldn't stifle his surprised intake of breath as he saw the other ladders.

He came back in the cell, and the expression on his face made her bite her lip to hold back a smile. "You... you tunneled into prison?"

"Into every solitary cell," she confirmed.

"When? Why?"

"One of my old jobs for Arobynn was to break a client of his out of solitary. I knew which cell he was in, but... getting locked up is kind of a right of passage for my former career, so I figured I'd plan ahead and give myself a way out, should I ever need it." She smiled. "Hamel never could figure out how I did it, so it's safe for me to use now."

Rowan spent a long moment looking at her. "That's... genius."

"I tend to be," she agreed.

They were both silent for a minute, then he said, "You need to tell me everything. Enough of both of us wasting time assuming what the other is thinking. We need to get everything out in the open, and we need to do it now."

Aelin nodded, knowing it was true.

It was time to either finally trust him or kill him, and just the thought of the latter made something inside of her twist so hard she felt nauseous.

She nodded to the tunnel, not wanting to have the following conversation overheard by any prying ears. He nodded and followed her down, closing the door behind him.

When she knew they were alone, she started to explain.

"Maddison Kliff, my first so-called victim, funded her campaign for senator with money from Arobynn Hamel."

Rowan's eyebrows went up in surprise, but he nodded for her continue.

"He gave it to her, with the caveat that when she won, she'd vote against renewable energy for Rifthold. He has millions in oil, so when she did the exact opposite and voted for the green plan that switched the city to 70% electric, he took a pretty hard hit." She took a deep breath. "The day after the vote, I got my orders to kill her."

His jaw clenched.

"I went that night, thinking I could do it. Thinking I'd get it over with and never think about it again. I snuck in her townhouse and had everything set up." She let out a laugh. "But then I realized my deal with Arobynn covered ten of Sam's jobs. If I killed Maddison, and did a good enough job of it to get away with it, I knew he'd put nine more names on the list."

"So you didn't do it," Rowan said, like he already knew but needed to hear her say it.

"So I didn't do it."

Aelin ran a hand through her hair, starting to pace. "I ran. And then I went back the next night with a suitcase, a new ID for her, and a plan."

"Why Aruba?" he asked.

"I'd done all that research for our trip," she said, a pang of sadness shooting through her at the memory of planning their first vacation together. "I didn't have time to research another place. And I never told you, but the house I wanted us to rent? You kind of... own it."

"I own a house in Aruba," he repeated slowly, his tone making it clear he didn't understand.

She rolled her eyes at his tone. "Arobynn might be a bastard I'd love to put in a grave, but he paid me well. I was eighteen and didn't know what else to do with the money. So I bought a house."

"In Aruba. In my name."

She nodded. "No one can trace it back to you. It's hidden in an off-shore corporation, owed by another off-shore corporation, but technically, yes, you're the owner. It was going to be your Christmas present."

"You bought me a house," his lips twitched. "For a Christmas present."

"I was in love with you," she muttered. Then pointed out, "My lack of shopping impulse control really isn't the point of the story."

He rolled his eyes, still fighting a grin at her antics. "Please continue."

"Right. So I sent her to the house in Aruba and told her to stay at the house with anyone else he wanted me to kill. I told her to not say a word to anyone besides those people, and that I'd be forced to actually kill her if she did. If Arobynn finds out they're alive, he'll send someone for me."

She explained the list next. "He requires proof of all completed jobs, so I kept the "murder weapons" and made sure the crime scenes had enough blood to indicate the person couldn't still be alive. It was mostly fake, but I took just enough blood from each of the victims and mixed it in to make it realistic enough to fool DNA scanners. Then I put the weapons in storage lockers he owns and wrote the numbers down so I wouldn't forget them."

Rowan nodded, most certainly remembering that part.

He was doing a good job of hiding his emotions, but she still saw how heavily this all weighed on him.

Everything he'd been feeling for eight years was hitting him at once, and while explanation made sense, it probably didn't make him feel any better about the role he'd played in all of this.

He confirmed it by asking, "Why didn't you tell me?"

He asked it almost casually, but she didn't miss the pain he couldn't keep from seeping into his voice.

"I wanted to," she breathed. "Gods, I wanted to. I know now you investigated before giving the list to the cops, but to me, it looked like you found it and just turned me in. You never asked me. And you looked at me... you looked at me like you thought I was guilty. I knew you wouldn't believe me."

Rowan went quiet, regret and shame coming off of him in waves so thick she almost choked on it.

"How is all of this going to play out?" he asked, seemingly trying to force himself to think about something else. "And what do you have to do that you need to be in prison for?"

She hesitated, suddenly not wanting to tell him.

Not out of a lack of trust, but because if she told him... he'd realize she's guilty of the crime she's in prison for. He might go back to hating her, back to thinking her a horrible person.

And she just got him back.

She's pulled from her thoughts when he reaches a hand out, slowly gripping her jaw to tilt her face to his.

"I'm not going anywhere," he said, the words final.

Of course he knew what she was thinking just from looking at her face. He always was a little too astute.

A part of Aelin wanted to put on a brave face and act like that wasn't exactly what she'd been worrying about, but a bigger part wanted him. Wanted him to see that even after all this time, she needed him.

So she forced down the witty jokes and sultry smiles she usually used as ways to hide her vulnerability and looked up at him.

"Promise?"

He closed his eyes and shook his head slowly. "I promise, Aelin."

His hand was still on her face, and he leaned in until his forehead rested against hers. "I'm never going to leave you again. I'm so... I'm so fucking sorry I did in the first place. I should've come to you, or at least listened when you told me you were innocent."

"I'm sorry I thought you didn't fight for me," she said back. "I'm sorry I didn't tell you."

They'd both done things they regretted, but Aelin knew that now, no matter what, he was telling the truth. He wasn't going to leave her.

The knowledge felt like a weight lifting off her shoulders, and just to lighten the mood, she whispered, "And I'm sorry I stole your bed."

He pulled back to glare at her. "You're going to explain one day how you even pulled that off. But I'd like the answer to my other question first."

Aelin took a step back and ran a hand through her hair.

"Arobynn Hamel dying is the endgame, Rowan. I have to stay in prison so I can kill him and have an alibi no one will question."

He paused, and for a moment, her fears skyrocketed, so she rushed to explain, "As long as he's alive, those people have to be in hiding and I have to look like I killed them. Once he's dead, I can bring them back without worrying Arobynn will kill them. Or me."

He gave her a strange look, but she spoke before he could, explaining, "It's why I've been in prison for so long. I would've killed him and ended it years ago, but I only found him a couple months ago. He's been in hiding ever since I was locked up, because the FBI knew I was one of his and started looking for him."

"Okay, but Aelin-"

She cut him off. "I know it's insane and not at all ideal, but I need you to leave me in here. Just until he's dead, and then it's over."

He stepped forward and grabs her shoulders, shaking her slightly.

And then he did the weirdest thing.

He smiled.

"What the hell do you look happy about?" she demanded. "I'm being serious-"

It was his turn to interrupt her. "Aelin, if that's the stipulation, you're already free."

Unease drifted through her stomach. "What do you mean?"

"I mean he's already dead."

Shock rushed through her so fast and thoroughly, her vision swam and she swayed in his grip. "What... what did you just say?"

"That's why I came today, now. I actually figured out you were innocent two days ago, but I wasn't going to come until I could tell you with certainty I was getting you out, and I knew you couldn't bring everyone back without risking your life. I've spent the past 48 hours planning a jailbreak and a way to sneak you to somewhere the US doesn't have extradition."

He grinned again. "But then it was announced on the 11 o'clock news tonight that he died last week of pneumonia complications. His family kept it private because they wanted a small funeral, but he's dead, Aelin."

Still feeling the weight of shock, she argued, "He's not dead."

"But he is."

"No," she insisted, pushing away from him and starting to pace again. "He can't be dead."

His face softened at the panic in her voice. "Aelin, I know you wanted it to be you, but-"

"No, Rowan, you don't understand. I mean he cannot physically be dead, because I haven't finished killing him!"

It was his turn to be shocked.

"What do you mean you haven't finished killing him?"

She took a deep breath, trying to keep her emotions in check. "I've been poisoning him since the day I figured out where he holes up. Turns out he has kidney problems and goes in once a week for dialysis. I show up and add a little... extra to his medication. The last time I went was less than a week ago, and while he might have been sick, he most definitely was still alive."

Besides that, what were the odds that Rowan figured out her "victims" were still alive, and just two days later Arobynn croaks?

It would be one hell of a coincidence, and Aelin learned long ago to not believe in those.

His eyes went wide. "What? You mean he faked his death? Why the hell would he do that?"

"Because," she said slowly, dread forming like a lead ball in her stomach as she realized what this meant for her, for the ten people whose lives she'd traded her freedom for. "I told Maddison and the others to wait for news of his death before coming back. I told them that until he was dead, they weren't safe."

She shook her head, whispering, "I told them to watch the news."

Rowan realized what she was saying and cursed.

"He knows."

~~~~~~~~~~~

Lemme know in the comments if you want to be tagged!

Part 5 will (realistically) be out in the next three weeks. Sorry for the slow updates; school is consuming all my time and energy.

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[queerdraws]

Cleaning Out the Rooms - a Harry Du Bois playlist Alcoholism, getting better?, memory loss, being a superstar, The Final Dream, forming political opinions, bad breakups, past transgressions, being a strange and inconsistent being, and persisting despite it all 26 songs (r-slur warning for Turnin’ on the Screw - QotSA)

including: David Bazan, They Might be Giants, The Mountain Goats, British Sea Power (of course), Queens of the Stone Age, and more.  Full track listing and lyric excerpts under the cut

---- Turnin' on the Screw - Queens of the Stone Age (This is the opening track on Era Vulgaris, seemed like an appropriate opening song / introduction to Harry's general essence) ----

... They say those who can't just instruct others And act like victims or jilted lovers You can't lose it if you never had it Disappear, man, do some magic

Want a reason? How's about because You ain't a has been if you never was

I sound like this

Scared to say what is your passion So slag it all, bitter's in fashion Fear of failure's all you've started The jury is in, verdict: r******d

I'm so tired, and I'm wired too I'm a mess; I guess I'm turning on the screw

---- Bless this Mess - David Bazan (Harry being a drunk and a general mess, things going in cycles) ----

God bless the man who stumbles God bless the man who falls God bless the man who yields to temptation God bless the woman who suffers God bless the woman who weeps God bless the children trying her patience Trouble getting over it Is what you're in for So pour yourself another 'Cause it'll take a steady pair of hands Holy or unholy ghost Well now I can't tell, but either way you cut it You should get some distance if you plan to take a stand God bless the house divided God bless the weeds in the wheat God bless the lamp hid under a bushel I discovered hell to be the poison in the well So I tried to warn the others of the curse But then my body turned on me I dreamt that for eternity My family would burn Then I awoke with a wicked thirst

---- Don’t Sit Down Cause I’ve Moved Your Chair - Arctic Monkeys (general Harry vibe.  off-kilter) ----

Break a mirror, roll the dice

...

Find a well-known hard man and start a fight Wear your shell suit on bonfire night Fill in a circular hole with a peg that's square

But just don't sit down 'cause I've moved your chair

...

Bite the lightning and tell me how it tastes Kung fu fighting on your roller skates Do the Macarena in the devil's lair

But just don't sit down 'cause I've moved your chair

---- I've Been Seeing Things - They Might be Giants (feels very Harry's detecting style, surreal happenstance) ----

I've been seeing things I've been seeing things Don't have answers but I've got lots of questions

Carpool's up, someone gets out Hand someone else a violin case I'm trying not to let them see me looking at them But I'm pretty sure there was a dollar sign

Keep your eyes peeled and you'll see stuff Which at first seems like unimportant irrelevant things

Can't just ask some perfect stranger "What are you hiding in your violin case?" Shadow them at a distance instead Try to get inside their head

Where'd they go now (Where'd they go now) I got distracted (I got distracted) Begging me to stay (Begging me to stay) Wearing a disguise (Wearing a disguise) That lady (That lady) Must have ditched the kid (Must have ditched the kid) Hidge the down (Hidge the down) [???] What's she up to now? (What's she up to now?) Trembling cold by the airport road Watching them stack containers in rows Seagulls, helicopter, windblown trash Something doesn't add up

I've been seeing things I've been seeing things No one asks but I'm packing all kinds of attention

Later I'm watching a news report Camera pans across a crime scene Unremarked upon detail Empty violin case Okay maybe not the same case Different material, different color Still you have to wonder Am I the only one who knows

I've been seeing things

---- Music is the Victim - Scissor Sisters (breakup Harry.  drug-addled disco Harry) ----

I left my heart in San Fransisco It's at some motherfucking disco The people there where dancin' on it And that's including Ms. Matronic

Hell if music is the victim then so am I Of lovin' and a cheatin' the snake gon' bite I beg and I scream and I cuss and I cry If music is the victim then so am I

Of your bad fun Money's all gone but you need some Lover's on the phone but they got none Daddy ain't home from the dog run And you're riding through the city with a shotgun

I left my bag in Pasadena Where all them girls was doin' Tina Them bitches sure were crunked up on it I said I'd rather smoke some chronic

Hell if music is the victim then so am I Of lovin' and a cheatin' the snake gon' bite I beg and I scream and I cuss and I cry If music is the victim then so am I

---- Down to Your Soul - Right Away, Great Captain! (about the Final Dream and pre-game Harry) ----

And I see things I actually don't see. I knew it wasn't actually you a few feet from my reach. I looked into your eyes and I began to lose my teeth, And I felt you were dreaming the same thing.

And I know you don't know what I'm capable of But if you give me just one more minute I'm sure That you would be shaking right down to your soul And I'd hope that the fear of the lord brings me home. I'm a man in a body of water so tall Could swallow you whole and forget where he's going But I carved a map in the back of my arm Don't worry I'm coming home I said don't worry cause I'm coming home

---- No Surprises - Radiohead (suicidal harry, pre-game.  Maybe immediately before the game.  A little Big Communism Builder) ----

A heart that's full up like a landfill A job that slowly kills you Bruises that won't heal You look so tired, unhappy Bring down the government They don't, they don't speak for us I'll take a quiet life A handshake of carbon monoxide

And no alarms and no surprises

…

This is my final fit My final bellyache

…

No alarms and no surprises, please (get me out of here)

---- Cleaning Out the Rooms - British Sea Power (The instrumental part seems to have been used / referenced for a background music track.  And also the name of that one thought project. as expected, it fits beautifully.  Wake up in a new life, down by the seaside.  Cleaning out the rooms.  She’ll be coming soon.) ----

Where life is good in a way Swept away upon our hearts, in cold coal ceremonial On a rainy day, hang it up Get the vacuum and suck it in Cleaning out the rooms, I'll clean it up Dark cloud, drifting out of view I'll never know, she'll be coming soon, that is all I'll wake up in a new life, ship shape and shoe shine Cleaning out the rooms, I'll clean it up She'll be coming soon Drifting into view, way in the west, white cloud If everybody knew, I never knew, she'll be coming soon I'll wake up in a new life, down by the seaside In a new life, down by the seaside Cleaning out the room, I'll clean it up Dark clouds, she'll be coming soon Down the chimney, out the window, that is all

---- In the Morning of the Magicians - The Flaming Lips (waking up with no memory, but bad vibes) ----

In the morning I awake

And I couldn't remember What is love and what is hate

The calculations error

Oh, what is love and what is hate? And why does it matter? Is to love just a waste? And how can it matter?

Oh...

As the dawn began to break I had to surrender The universe will have its way Too powerful to master

---- Once in a Lifetime - Talking Heads (Huh??  What's happening??  same as it ever was, same as it ever was) ----

And you may ask yourself, "How do I work this?" And you may ask yourself, "Where is that large automobile?" And you may tell yourself, "This is not my beautiful house" And you may tell yourself, "This is not my beautiful wife"

...

Same as it ever was, same as it ever was Same as it ever was, same as it ever was

...

And you may ask yourself, "What is that beautiful house?" And you may ask yourself, "Where does that highway go to?" And you may ask yourself, "Am I right? Am I wrong?" And you may say to yourself, "My God! What have I done?"

---- Don't Change - David Bazan (alcoholism, cycles of wanting to get better, depression, slipping in to old coping mechanisms, plus a little bit in here about dreams.  This is a song for if Harry continues partying after the memory wipe, I suppose) ----

He seems nice You met him once or twice But you wonder what he's like When he's sober

Then again You hear he has no friends Just people that he spins To do him favors

When he wakes up in the morning he tells himself Today I'll make a change But falling into his bed at night he thinks Man it was a beautiful day to stay the same

I'm so deep That only in my sleep Do the secrets that I keep Float to the surface

So I hold them down Till they don't make a sound Like they accidentally drowned Except on purpose

And when I wake up in the morning I tell myself Today I'll make a change But falling into my bed at night I think Man it was a beautiful day to stay the same

---- Airbag - Radiohead (born again, back to save the universe) ----

In the next world war In a jackknifed juggernaut I am born again In the neon sign scrolling up and down I am born again

In an interstellar burst I am back to save the universe

In a deep, deep sleep of the innocent I am born again In a fast German car I'm amazed that I survived An airbag saved my life

In an interstellar burst I am back to save the universe

---- A Comet Appears - The Shins (puppeting a man-body around pretending to be a living thing. drinking, depression) ----

One hand on this wily comet Take a drink just to give me some weight Some uber-man I'd make I'm barely a vapor

They shone a chlorine light on A host of individual sins Let's carve my aging face off Fetch us a knife Start with my eyes Down so the lines Form a grimacing smile

Close your eyes to corral a virtue Is this fooling anyone else? Never worked so long and hard To cement a failure

---- The Communists Have the Music - They Might be Giants (Big Communism Builder, but especially Harry's shallow understanding of Communism.  Party-boy communist) ----

I got handed an Ayn Rand sandwich Straight from the can, it tasted so bland I asked a lass to pass me a glass Of Engels' Conditions of the Working Class

Right away they dragged me to the committee To explain my un-American activity They're gonna see they made a mistake If they'd only let me play my mixtape

I'm not partial to the martial Or the plutocrats, in their beaver hats And the fascists have the outfits But I don't care for the outfits What I care about is music And the communists have the music

---- Harlem Roulette - The Mountain Goats (Harry thinking about Guillame le Million?  Generally: that vibe of secret, maybe supranatural machinations happening just outside your field of view.  A kinda lonely, pensive vibe, sprinkled with past drug use, driving...memory) ----

Unknown engines underneath the city Steam pushing up in billows through the grates Frankie Lymon's tracking "Seabreeze" in a studio in Harlem Its 1968. Just a pair of tunes to hammer out. Everybody's off the clock by 10:00. The loneliest people in the whole wide world are the ones you're never going to see again. Feels so free when I hit the avenue. Nothing like a New York summer night. Every dream's a good dream, Even awful dreams are good dreams, If you're doing it right. Remember soaring higher than a cloud. Get pretty sentimental now and then. The loneliest people in the whole wide world are the ones you're never going to see again. And four hours north of Portland, a radio flips on. And some no one from the future remembers that you're gone. Armies massing in the dusky distance. Ghosted in the ribbon microphone. Leave a little mark on something, maybe, Take the secret circuit home. Nothing in the shadows but the shadow hands. Reaching out to sad, young, frightened men. The loneliest people in the whole wide world are the ones you're never going to see again.

---- Suture up Your Future - Queens of the Stone Age (Harry's gonna fix his mess) ----

I'm gon' suture up my future I ain't jaded, I just hate it See, I been down too long It's kinda hard to explain Burned and buried, all I carried

...

Tried explaining unexplained Got caught in the plan All this talking at once I've been giving my love away To the things that tear it apart I'm gonna suture up my future

---- Lampshades on Fire - Modest Mouse (Harry trashing his body / having already trashed his body, just kinda a Harry-vibe song) ----

...

Well, the lampshade's on fire when the lights go out This is what I really call a party now Well, fear makes us really, really run around A-this one's done so where to now? Our eyes light up, we have no shame at all Well, you all know what I'm talking about The room lights up, but we're still dancing around We're having fun, having some fun now

Pack up again, head to the next place Where we'll make the same mistakes Open one up and let it fall to the ground Pile out the door when it all runs out

...

As our feelings are getting hurt Oh, we want you to do the work Our ass looks great inside these jeans Well, we want just our water clean

Well, this is how it's always been And this is how it's going to be So you just move on

---- Seven Nation Army - The White Stripes (Harry "can-opener" du Bois.  Talking to the skills, solving things, detecting, generally being a terrifying force of nature / the pale) ----

I'm gonna fight 'em all A seven nation army couldn't hold me back They're gonna rip it off Taking their time right behind my back

And I'm talking to myself at night Because I can't forget Back and forth through my mind Behind a cigarette

And the message coming from my eyes Says, "Leave it alone"

Don't wanna hear about it Every single one's got a story to tell Everyone knows about it From the Queen of England to the Hounds of Hell

And if I catch it coming back my way I'm gonna serve it to you And that ain't what you want to hear But that's what I'll do

And the feeling coming from my bones Says, "Find a home"

---- Body of Years - Mother Mother (Harry's past that follows him, Harry's half-decomposed body that marks the years of abuse it's been through) ----

All the remains of a cadaver of days I keep hidden away, keep them there just in case I wanna visit that place Blow the dust from the bones Off a body of years that I leave all alone Just a body of years

See the skin disappears And the blood turns to stone In a body of years now a pile of bones Like a sheet of veneer Each a piece of my soul It's a body of years that I leave all alone

It's Just a body of years, now a pile of bones You know Old soul who falls down Can't stop trippin' on these Old roads I go down Get back up and get my foot in the door And my face on the page Make my mark in the world With a bat and a blade It's a body of work that you can't ever change Like a body of years that you take to your grave It's just a body of years that I leave all alone It's just a body of years, now a pile of bones Like a sheet of veneer Each a piece of my soul

---- The Cap-m - They Might be Giants (just a Harry vibe song) ----

When I talk you keep looking away from me 'Cause you probably think that I'm high on pot But I'm not, I'm not

Look me over, I'm the Cap'm You say it's such a joke But I don't see you laughing

People seem to think you can't be called the Cap'm Unless you drive a boat Well, I don't I don't

Look me over, I'm the Cap'm Go ahead and mess with me You'll find out what will happ'm

...

Did you say what I think you just said My hat looks good on me? I agree, I agree

Look me over, I'm the Cap'm You act like it's a joke But I don't see you laughing

---- Broke - Modest Mouse (oops!  all mistakes.  Broke it all.  Want to forget it but can't) ----

Broke account, so I broke a sweat I've bought some things that I sort of regret about now Broke my pace and ran out of time Sometimes I'm so full of shit that it should be a crime

Broke a promise 'cause my car broke down Such a classic excuse it should be bronze by now Broke your glasses, but it broke the ice You said that I was an asshole and I paid the price

Broken hearts want broken necks I've done some things that I'd love to forget, but I can't

Broke up, and I'm relieved somehow It's the end of the discussions that just go 'round and 'round And 'round, and 'round, and 'round ... It was like everything was evidence of broken time

You're living on fancy wine You'll drink that turpentine You're starting conversations You don't even know the topic

---- Spent Gladiator 2 - The Mountain Goats (Defiantly alive) ----

Like a spent gladiator, Crawling in the coliseum dust. Who can count on his remaining limbs, All the people he can trust. Like the one who stands behind him, Cheering him on. Ecstatic when he stands defiant, Wild with abandon when he's gone. Just stay alive. Keep your eyes on the pay line. Like a village on the step, About to get collectivized. When the men emerge with rifles from the haystack, Everybody looks surprised. Like the mice in the forgotten grain, Way up on the top shelf. Like someone who's found a small town to escape to, Keeps one eye on his abandoned, former self. Stay in the game. Just try to play through the pain. Like a fighter who's been told its finally time for him to quit. Show up in shining colors, And then stand there and get hit. Like the clock that ticks in Dresden, When the whole town's been destroyed. Like the nagging flash of insight, You're always desperate to avoid. Like the bloody-knuckled gunman, Still stationed at the breach. Like that board game with the sliders, And the children on the beach. Stay alive. Maybe spit some blood at the camera. Just stay alive. Stay forever alive.

---- You Only Live Once - The Strokes (just general Harry, talking about the skills, choices you can make, what kind of cop you can be) ----

Twenty-nine different attributes Only seven that you like, oh-oh Twenty ways to see the world, oh And twenty ways to start a fight, oh

...

And countless odd religions too It doesn't matter which you choose, oh, no One stubborn way to turn your back, oh This I've tried and now refuse, oh

Oh don't, don't, don't get up I can't see the sunshine Oh, I'll be waiting for you, baby 'Cause I'm through Sit me down Shut me up I'll calm down And I'll get along with you

---- Pork and Beans - Weezer (Superstar Cop) ----

They say I need some rogaine to put in my hair Work it out at the gym to fit my underwear Oakley makes the shades to transform a tool You'd hate for the kids to think that you've lost your cool

I'ma do the things that I wanna do I ain't got a thing to prove to you I'll eat my candy with the pork and beans Excuse my manners if I make a scene I ain't gonna wear the clothes that you like I'm fine and dandy with the me inside One look in the mirror and I'm tickled pink I don't give a hoot about what you think

Everyone likes to dance to a happy song With a catchy chorus and beat so they can sing along Timbaland knows the way to reach the top of the charts Maybe if I work with him I can perfect the art

I'ma do the things that I wanna do I ain't got a thing to prove to you I'll eat my candy with the pork and beans Excuse my manners if I make a scene I ain't gonna wear the clothes that you like I'm fine and dandy with the me inside One look in the mirror and I'm tickled pink I don't give a hoot about what you think

No, I don't care I don't care

---- Freaks - Surf Curse (head filled with skills, The Final Dream) ----

Don't kill me just help me run away From everyone I need a place to stay Where I can cover up my face Don't cry, I am just a freak

I am just a freak(x3)

My head is filled with parasites Black holes cover up my eyes I dream of you almost every night Hopefully I won't wake up this time

I won't wake up this time(x3)

---- The Smallest Church in Sussex - British Sea Power (oh yeah this is mandatory) ----

[vavuska]

CRUELLA, THE STORY OF A PUPPY SLAUGHTER (Part 2)

Here for part 1:

Part 1 - Summary:

In the previous part we saw how was originally described Cruella de Vil in Dodie Smith's 101 Dalmatians: a rich heiress, bossy, cruel toward animals, obsessed with fancy jewls, luxury and also fur coats. Cruella met Anita at school, they were in friendly terms, even if Anita described Cruella as a menacing student, expelled from school for drinking ink. Dodie Smith wrote that Cruella comes from a troublesome family: her ancestor was a serial killer, with the supernatural ability to summon storms and a tail (reference to Bram Stoker's Dracula and the devil). Cruella has strange eating habits (uses a lot of pepper, the Devil's spice) and is usually cold (as a corpse or a vampire). Cruella was so obsessed with fur to marry a furrier not for love but only for his job. Cruella's husband is weak and she is the dominant element in the couple, she also forced him to take her surname after their marriage.

We saw also the rapresentation of Cruella in 1961 cartoon version of 101 Dalmatians. Cruella is still a old friend of Anita. Her main colors are red (her loudy red car is the fist thing we see of Cruella) — expressing blood, anger, determination and passion — and green (she is always surrounded by nasty green smoke that comes from her cigarette) that rapresents envy, sickness and greed.

Her appearance is very particular, because she looks like a skeleton and her skin is very white - pale, very different from the healthy pink one of the other characters. She looks like a corpse, she looks sick in this 1961 version of 101 Dalmatians.

Her entrance is accompanied by a song, written by Roger, in which he anticipates the evil intention of Cruella and underlight the disturbing connotations of her surname (Count de Ville is one of Dracula's alias; Cruella de Vil is a pun name on “cruel devil”).

3 - Cruella in 1996

The 1996 live action of 101 Dalmatians the entrance of Cruella is anticipated by a sequence in which we heard a news London Zoo discovered the excoriated carcass of its prized 3-year-old female Siberian tiger, then the news reporter says that according to animal protection groups that monitor the international trade that a white Siberian tiger's fur is so rare that the offer of a pelt would surely draw the attention in contraband. And then the journalist ask “Who cold do something so horrible?”

Then enters Cruella. She wears veiled garment complete with Balenciaga-inspired extreme shoulders and floor-length black and white fur cape.

We saw this mysterious woman with veiled face and a long fur coat - we doesn't know she is Cruella yet - , exiting from her black and white 1974 Panther Deville, license plate “De Vil”. This version of the car is more closed to the book's one.

In Dodie Smith's book, Cruella's chauffeur-driven car is black-and-white striped, which Mr. Dearly describes as “a moving zebra crossing”, and Cruella boasts that it has the loudest horn in London, which she insists on sounding for the Dearly couple.

We saw Cruella shaking the ashes of her cigarette on the shiny and impeccable shoes of her vallet Alzonzo, while he tries to not look bothered by this lack of respect, and then we saw Cruella entering in a luxurious place called “House of De Vil”. Her red cigarette holder — switching from the turquoise the 1966 animated version favored — matched with her brilliant red lipstick, makes a great contrast to her black and white attire and also underlight the psychology of color typical of Disney villains: red is associated with malice, evil (hell and the devil), blood, danger, strength, power, determination and passion.

Now we have a sight of this long railway-like white hallway surrounded by exotic fur-clothes. Now we know she is a stylist and that she is maybe the one who cold be interested in the fur of the dead Siberian tiger.

A crowd of terrified / adoring employees hurry to greet the woman: “Good morning, Miss De Vil”.

Finally Cruella enters in her office and takes off her hat with veil, reveling her double-colored hair. She is Cruella De Vil in all her glory.

This sequence recalls openly the Devil Wears Prada.

This version of Cruella played by Glenn Close is much more human that the 1961 version. She is more charismatic too and also more fashionable. Her entrance is not as scary as the 1961 version, but shows her obsession for fur, her violation of the law and abuse on animals (also at those at risk of extinction) and her high level stylist house of fashion.

She isn't Anita's friend anymore, she is Anita's boss.

While walking to her office, Cruella meets Anita, played by Joely Richardson. She spots that Anita is working on a new model (no more white tiger stripes, but dalmatian's spots). Anita's design catches her eyes and interest, as well as Anita's dog, Perdi: they had a strange chat about Perdi's fur. That, knowing already the plot of the movie and the news details Roger and Pongo were hearing in the previous scene, well, this conversation sounds a lot disturbing.

Cruella: “Anita, darling.”

Anita: “Good morning, Cruella.”

Cruella: “What a charming dog.”

Anita: “Thank you.”

Cruella: “Spots?”

Anita: “Yes, she’s dalmatian.”

Cruella: “lnspiration?”

Anita: “Yes.”

Cruella: “Long hair or short?”

Anita: “Short.”

Cruella: “Coarse or fine?”

Anita: “l’m afraid it is a little coarse.”

Cruella: “Pity!”

Anita: “But it was very fine when she was a puppy.”

Cruella: “Redemption! We need to have a little girl talk. Come to my office. Bring the drawing.”

Ok. The next scene contains a very popular quote from this movie.

We are in Cruella's office: she has just invited Anita to talk about her design. Cruella wants a new coat and would love to wear the one that has just see at Anita's desk. Let's remeber she doesn't want to wear Anita's puppies already, for now is just an abstract idea about someone else's puppies, but they are still talking about Dalmatians' spots, compared with leopard ones and Anita seems to be perfectly fine. I don't think she knows already of Cruella's criminal way to obtain fur from animals at risk of extinction that her henchmen steal from Zoos, but Anita works for a woman who loves to wear REAL fur. I just can't imagine Cruella wearing any faux fur coat. This is not a crime, because it's legal wear fur coats made of mink, sable and ermine and such, but I found very weird that Anita is not having any suspect about Cruella's intention, because she is working on a model of striped tiger fur and Cruella lives for fur, worship fur. She just could not accept to wear faux fur.

However, Anita doesn't seem bothered at all by this strange talk about her dog's fur (yes, dog are not coats), but as a woman who works for fashion/fur industry and loves dogs she should know that in some parts of the world it is legal using cat and dogs to make clothes. I simply can't understand why she is not having any reaction at Cruella's strage interest about Perdi's fur.

Cruella and Anita talk about their work and Cruella makes lovely appreciation for Anita's drawings: she says she is talented and she doesn't want to risk to lose her pen.

That's now that Anita says she would not left Cruella's House for another job, she would left only if she decided to be a stay-at-home mother and wife. Well, no, she talks more genericly of "plans" with a hypothetical, for now, husband/boyfriend, and this could means everything, for example moving to another city, the assumption about marriage is an association made by Cruella that told us a lot of things about how producers would she looks, compared with the family-oriented Disney business plan. This is a very relevant issue we was also in her 1961 version: the losing comparison between Anita's family's oriented live choice and Cruella's — who is sigle, rich and indipendent — one. Cruella loves only her fur coats, while Anita have an husband, a simple house and also a lot of dogs. Cruella is alone, evil, ugly, wears a lot of make up, and not happy, while Anita is married, preatty but in a natural way and happy of her simple lifestyle with her husband and their dogs.

Cruella: “Now, darling, tell me more about these spots. l did leopard spots in the ‘80s. Well, dalmatian spots are a little different, aren’t they? Cozy. Classic.”

Anita: “Cuddly. Less trashy.”

Cruella: “Exactly! Do you like spots, Frederick?”

Frederick: “Oh, l don’t believe so, Madame. l thought we liked stripes this year.”

Cruella: “What kind of sycophant are you?”

Frederick: “Um, what kind of sycophant would you like me to be?”

Cruella: “Frederick… l’m beginning to see spots. What would it cost us to start again on next year’s line?”

Frederick: “Millions.”

Cruella: “Can we afford it?”

Frederick: “Well, yes--”

Cruella: “Pay it, darling. Now go away. l have to talk to Anita.”

(...)

Cruella: “Sit down, please. How long have you been working for me?”

Anita: “Uh, two years last August.”

Cruella: “And you’ve done wonderful work in that time.”

Anita: “Thank you.”

Cruella: “l don’t see you socially, do l?”

Anita: No.

Cruella: “And you’re not very well-known, despite your obvious talent.”

Anita: “Well, notoriety doesn’t mean very much to me.”

Cruella: “Your work is fresh and clean, unfettered, unpretentious. lt sells. And one of these days… my competitors are going to suss out who you are… and they’re going to try to steal you away.”

Anita: “Oh, no. lf l left, it wouldn’t be for another job.”

Cruella: “Oh, really?bWhat would it be for?”

Anita: “Well, l don’t know. Um, if l met someone, if working here didn’t fit in with our plans.”

Cruella: “Marriage.”

Anita: “Perhaps.”

Cruella: “More good women have been lost to marriage… than to war, famine, disease and disaster. You have talent, darling. Don’t squander it.”

Anita: “Well, l don’t think that it’s something we have to worry about. l don’t have any prospects.”

Cruella: “Thank God.”

Cruella makes a very cynical — but historically appropriate and also very sharable — critic about marriage. She was right, expecially because of what we saw about her 1960s version and how she is rooted in anti-feminism and in an open condamn of women's growing emancipation from the “traditional family role” imposed by media in the 1950s and 1960s, rapresented by 1961's Anita. However, Cruella is a cruel, evil villaness, so what she says to Anita is just a condamn made by Disney on women who choose career over family and love.

But, here, Cruella is not a friend of Anita who gives her a kind and appreciable life advice (if we ignore that Cruella is evil), Cruella is Anita's boss and doesn't want to lose a valuable and talented employee, so from this point of view her statement sounds a lot more controversial: women in the 50s lost their job if they got married, they were fired because most of the time bosses made them sign a contract with a marriage bar that allow employers to withdraw from the contract, so their contract would terminate on marriage, or said in a simple way: employers used to fire the soon-to-be wife, because it was clear for them that a wife should focus more on family and house care than on a career (that's because the soon-to-be wife is going to have an husband, the bread-giver of the family).

Nowdays, it's a bitter different, but women that want to have also a family are discriminated in workplaces: employers ask constantly in job interviews of they plan to have a family, if they have some relationships or if they are single. That's because employers would lose money paying for maternity leaves to their female employees that cannot work for some month. A young woman in fertile age with a stable relationship is a risk for a employer more than a young man in fertile age with a stable relationship. A newly mom is more closed to chose a lesser paid job or a part time one compatible to her family then a newly dad.

And also this quote, remember we are talking about the 90s, gives a clear flashback on women's unstable careers back then, but also puts in highlines some stereotypes about women who menage to balance both work and family: their quility of work is lower than before (this is said by Cruella to the new-mom Anita, we will see it below), they are not productive enough, they makes employers lose money, ecc. Nowadays, unlike in the 90s there is a constant svalutation of women who chose to put family first: they have no free time, they have no a social life (well, some shy single woman like Anita doesn't have a frizzy social life too), some kind of lifes are better than others (luxury and exotics vacation are better than reading books, dancing and going to bars with friends is better than playing sports or painting, ecc.) and if they dare to go out with their friends or take time for themselves and their hobbies, society is still ready to shame them for “not being good mothers”. That's not right: everyone should be able to live their life as they want, to have a frizzy social life or just enjoying a little time for themselves, without receiving criticism of any sort.

In the US the marriage bar, the practice of restricting the employment of married women was never explicitly eliminated by federal laws. Marriage bars were widely relaxed in wartime, during World War I and World War II due to an increase in the demand for labor in the assistance of war efforts (mostly because men were at the front).

Since the 1960s, the practice has widely been regarded as employment inequality and sexual discrimination, and has been either discontinued or outlawed by anti-discrimination laws. For example, in Italy marriage bar is declared illegal with law nr. 7 of 1963, that establishes the prohibition of dismissal of female workers for reasons of marriage (later extended also to male workers), and law nr. 1204 of 1971 prohibited dismissal of the working mother within the first year of the child's age (maternity bar).

The main reason of the bar is that married women were supported by their husbands, therefore they did not need jobs. However, marriage bars provided more opportunity for those whom proponents viewed as "actually" needing employment, such as single women or married men (needed to support the family).

Discrimination against married female teachers in the US was not terminated until 1964 with the passing of the Civil Rights Act.

Marriage bars generally affected educated, middle-class married women, particularly native-born white women. Their occupations were that of teaching and clerical work. Lower class women and women of color who took jobs in manufacturing, waitressing, and domestic servants were often unaffected by marriage bars.

However, some State law provides protection for people discriminated for their marital status. For example, in California, discrimination in employment based on marital status is against the law. Under the California Fair Employment and Housing Act (FEHA), it is illegal for an employer to discriminate based on an applicant’s marital status or perceived marital status.

Under the FEHA, it is an unlawful employment practice for an employer to treat an applicant or employee differently based on the employee’s marital status. This includes: Refusing to hire or employ, Refusing to select a person for a training program, Firing, bearing, or discharging an employee, Discriminating against a person in compensation or in terms, conditions, or privileges of employment.

Marital status could refer to whether an individual is married or not, has been married, or plans to get married. This includes: Currently married, Divorced, Married to a same-sex partner or opposite-sex partner, Engaged to be married, Married but separated, Married but seeking a divorce, Widowed, Annulled marriage, Plans to get married someday, Plans to never get married, Other marital states.

Forty years ago, on October 31, 1978, the Pregnancy Discrimination Act (PDA) was signed into law to prohibit discrimination in the workplace on the basis of pregnancy, childbirth, or related medical conditions. Since its passage, more women have been able to continue working while pregnant; they have also been able to work further into their pregnancies without being forced to leave their jobs.

Pregnancy discrimination involves treating a woman (an applicant or employee) unfavorably because of pregnancy, childbirth or a medical condition related to pregnancy or childbirth. The Pregnancy Discrimination Act (PDA) forbids discrimination based on pregnancy when it comes to any aspect of employment, including hiring, firing, pay, job assignments, promotions, layoff, training, fringe benefits, such as leave and health insurance and any other term or condition of employment. Pregnancy discrimination also includes perceived bias when expectant employees experience subtly hostile behaviors such as social isolation, negative stereotyping and negative or rude interpersonal treatment such as lower performance expectations, transferring the pregnant employee to less-desirable shifts or assignments or inappropriate jokes and intrusive comments.

Claims of pregnancy discrimination filed with the U.S. Equal Employment Opportunity Commission (EEOC) increased sharply in the 1990s and 2000s, and pregnancy discrimination remains a widespread problem across all industries and regions of the United States. Yet statistics show that in the last 10 years, more than 50,000 pregnancy discrimination claims were filed with the Equal Employment Opportunity Commission and Fair Employment Practices Agencies in the United States.

So, yes. Disney here touched a lot of points in about two levels:

Family is more important than a career (successful, unmarried stylist Cruella is the evil one) and if you, a working woman, put career over family you are wrong. Nowday, we know that there isn't anything wrong about putting career first, but also we know that there isn't anything wrong also on putting family first or find a balance between the two. The important thing we should remember is that if we have not equality in working places, we should have not real free choices about our dream life;

It's perfectly fine excluding women in stable relationships or women with children from workplaces, because their work would not be at the level of a single woman, that can sacrifice her free time working late (employers exploitation logic deny free time);

Only child-free single women should be allowed to work, but only until they meet a soul mate (reminiscent of the old Disney penchant for old traditional gender roles).

However, returning at the plot, after that Anita reassures Cruella that she has no marriage prospects on the horizon, Cruella asked to Alonzo to bring Anita's drawings to her and the two women start to discuss about Anita's work, because Cruella want to add a long fur stole to Anita's original model: “I look wonderful in spots”, says Cruella,“we could do this in linen. It would be stunning in fur”. Then Anita remarks that would not be appropriate wearing fur in April, so Cruella give her famous lines: “But it’s my only true love, darling. l live for fur. l worship fur. After all, is there a woman in all this wretched world who doesn’t?” and then makes a joke that anticipates what she will plan to Anita's puppies more over in the movie: “lt is rather amusing, isn’t it? (...) If we make this coat... it would be as if l were wearing your dog.”

Then Anita and Perdi meet Roger (Jeff Daniels) and his dog Pongo, they fall in love and get married. Cruella doesn't like this. Obviously. We see a very enraged Cruella, wearing a black cellophane velvet with black and white coque feather trim, screaming against Anita's “betrayal”, when she read Anita and Roger's wedding publication on a newspaper.

Her anger toward Roger for stealing her best employee, maybe envy for Anita's love (well, it’s Disney), are promptly consoled, when her two henchmen bring her a little present from Mr. Skinner (Nomen omen, this surname fits perfectly creepy scared guy that work as furrier): it's the Siberian tiger found dead and excoriated in the London Zoo at the beginning of the movie. It was Cruella that wanted her fur and at the end she obtained it.

This Mr. Skinner (John Shrapnel) is a sadic taxidermist that enjoys killing and skinning animals alive, just like he did to the female white tiger at the London Zoo. He doesn't speak beacause when he was young, a dog attacked him by tearing open his throat and ripping out his vocal cords in the process, leaving him with a bad scar on his neck and is a little based on Mr. de Vil, Cruella's husband in Dodie Smith's book, but with the difference that Mr. Skinner has a more strong and menacing personality, while Mr. de Vil was weak and totally dependent by Cruella's desires.

Near the end of the movie, we will see in a crescendo of more explicit references to animal abuse, this charming version of Cruella de Vill ordering Cruella De Vil to Mr. Skinner to kill the dogs, because she fells that the police's suspicion are mounting against her: “poison them,” says Cruella “drown them, bash them on the head. Got any chloroform? I don't care how you kill the little beasts, just do it, and do it now!”

(See here for references: X and X)

In second relevant scene, Roger and Anita are out, walking the dogs, when Anita spots Cruella's car. In fact, as happen at the beginning the black and white 1974 Panther Deville is the first element we see in this scene and anticipate the entrance of Cruella. Recognizing the car, Anita runs to home and there she found Cruella. She welcomes in a very lovely way Anita in her own home, but she is very rude with Roger, who tries his best to be polite during the whole scene. Cruella then mocks Roger about his job (he is a videogame designer, a well paid job nowadays, but that in the 90s can just make snobbish people like Cruella turn up their noses, it's not the classical respectable professions “to make money”). Anita and Roger are just returned from their honeymoon and Creulla acts very nicely toward Anita, she says she missed her and their exchange of ideas, but she isn't happy when Roger announce they are going to have a baby, but Cruella remarks that “she has no use for children”, but she is very interested in Pongo and Perdi's puppies.

Unlike her cartoon version Cruella during the movie shows a lot of different, hiconic and fashionable outfits: at her visit at Anita and Roger's house, she wears a zebra coat dress with mink sleeves with matching Russian-inspired hat, red PVC boots that match with gloves in the same color and material (long fake red nails on each finger) and her red cigarette holder. Her dress also features a practical detail: a cigarette case paired with ammo cartridges as if they are military medals. The zebra stripes also give off the impression of bones or a rib cage for that extra goth vibe. Her lips are permanently stained the color of crimson, while her winged eyeliner adds to her high drama aesthetic.

Despite being set in contemporary London, everything about Cruella's closet defies a specific time period. It is as if she stepped in from the '60s of the original story combined with a century's worth of high fashion references. This is very logic: people have a lot of clothes and is natural for a very fashionable stylist to have and wear a lot of haute couture outfits.

Cruella: “And you must be Rufus.”

Roger: “No, it’s-- it’s Roger. And it’s a pleasure, Miss De Vil.”

Cruella: “What’s a pleasure?”

Roger: “Uh, making your acquaintance.”

Cruella: “Such a sweet thought. l wish l could reciprocate. Tell me, darling, you married him for his dog. Oh, darling, l’ve missed you so. l hate that you’ve taken leave.”

Anita: “But l’m still working. Um, you’ve been getting my sketches?”

Cruella: “Well, it’s not the same thing. l miss the interaction-- And what is it that you do… that allows you to support Anita in such… splendor?”

Roger: “l design video games.”

Cruella: “Video games? ls he having me on?”

Anita: “Oh, no, he’s very good at it. Um, and it’s a growing business.”

Cruella: “Those horrible noisy things that children play with on their televisions?Someone designs them? What a senseless thing to do with your life.”

Roger: “Oh, did Anita tell you the news? She’s going to have a baby.”

Cruella: “ls this true?”

Anita: “Yes.”

Cruella: “Oh, you poor thing! l’m so sorry.”

Anita: “We’re very excited about it, Cruella.”

Cruella: “You can’t be serious.”

Roger: “She is!”

Cruella: “Well, what can l say? Accidents will happen.”

Anita: “We’re having puppies, too!”

Cruella: “Puppies! You have been a busy boy. Well, l must say, that’s somewhat better news. l adore puppies! l’ll expect a decline in your work product.”

Anita: “Oh, l shouldn’t think so.”

Cruella: “Be sure to let me know when the blessed event occurs.”

Anita: “Oh, well, it won’t be for another eight months.”

Cruella: “The puppies, darling. l’ve no use for babies.”

Again here we have a remark of how horrible is Cruella as boss (she says to Anita she expect a decline in her work, and this would make her useless and less precious for Cruella's House) and as person: according to Disney people who doesn't like children are horrible and cruel, but there is a double meaning in Cruella's word: “Iʼve no use for babies” could mean both that she is not interested in maternity (that's perfectly legit, not all like children, are comfortable with them or just dream to have children someday) but also that she couldn't find any material use of babies, while for puppies we know she knows well how to use them: as material for a new fur coat.

The next scene is a classical recall to the original Disney cartoon of 1961: it's a stormy night and during the lightning flash for a few frames only, we see Cruella as a complete silhouette while few second after she opens the door and enters in Anita and Roger's house, with a big menacing smile on her face.

Pattern clashing will not only stand, but it is also encouraged, as the tiger cape with a leopard lining reveals. Paired with a leather skirt and tiger bodice featuring claw clasps

Again there is the recurring joke about Cruella misnaming Roger (Rufus, Rupert, Roland), if it's intentional (and this version of Cruella doesn't seem to left anything casual) it's a clear remark about how she dislikes Roger, the guy that stole her best designer, if it's not intentional, shows how Cruella find him irrelevant for her purpose at the point she doesn't even bother to rember his name to flatter him. Cruella is not polite or kind to Roger as she is with Anita. She doesn't need Roger, she need Anita and hates Roger for turning down Anita's value for her interests.

In this scene Cruella uses the same words she uses in the 1961 version (“How marvelous. How marvelous! How perfect... Oh, the devil take it! They’re mongrels! No spots! No spots at all! What horrible little white rats!”), but with something new that shows her uncaring nature (“All right, put them in a bag. l’ll take them with me now.”) and again mocks Roger for his “strange” and not prestigious job, when he firstly deny her offer for the puppies (“Oh? You’ve come into some money, have you? Did you design some silly game… that will drive the delinquent kiddies into frenzies of video delight?”).

However, compared to her 1961 alter ego, this Anita is more assertive and talks for herself, saying a determinated “no” to Cruella. Anita also starts to be a bit suspicious about Cruella's intentions (“But, Cruella, what would you do with 15 puppies?”). Roger and Anita this time seems to be equally determinated to refuse Cruella's business proposals.

Cruella crescent rage is underlight by the sounds effects of thunderclaps and it is Anita who says the final “no”.

“All right, keep the little beasts. Do what you like with them. Drown them, for all l care! You’re a fool, Anita! l’ve no use for fools. You’re fired! You’re finished! You’ll never work in fashion again! l’m through with all of you! l’ll get even! Just wait! You’ll be sorry, you fools! You idiots!”

When Roger and Anita refused to sell the puppies, Cruella's rage exploded as happened in the cartoon version (she screams and insults Roger and Anita, she tears the check into a thousand pieces and throws them in Roger's face), but let's remeber she is Anita's boss now: she uses her power and fired Anita's too, now that Anita and Roger refused to Cruella what she want, Anita become immediately useless. In fact Cruella has yet the design for her new outfit, from Anita needed only the puppies and if she cannot obtain them with good manner, well, as happened in the cartoon version, she will steal them.

In the previous part we saw how in the 101 Dalmatians of 1961, the car was the alter ego of Cruella, well, in this 1996 live action, her personality and her obsession is channeled into her outfits. Before it all goes to hell for the fashion maven, her rotation of zebra, leopard, and tiger print reveal she wasn't bluffing when she exclaimed of her fur obsession.

The costumes as designed by three-time Oscar winner Anthony Powell (co-designed with Rosemary Burrows) take Cruella's love of all things animal print to the extreme, delivering jaw-dropping results.

Cruella's entire life is a performance supported by her wardrobe, makeup, and hair. Cruella increases the level of red (it's the outburst of her bloody determination to obtain what se want, it's her mad passion for furs that determinated her end) during the climax with her fur coat of choice, which will soon be ruined by some farm animals. That smell is going to be hard to get rid of, and there aren’t any dry cleaners in prison.

As we saw in the previous part, Cruella's change of luck is well rapresented by her ruined clothes: she is going to jail, her life and career are over, her clothes aren't perfect and fancy anymore.

This happens also in the 102 Dalmatians live action of 2000: red clothing anticipates Cruella's criminal climax, while her ruined clothes are the sign of her defeat.

Nearly at the end of the movie, when her plans are finally reveled, Cruella wears a very unique red “flames” dress: the bodice is organza and silk satin beaded, sequined with a beaded net collar. The skirt is silk satin and nylon net beaded and sequined, lines in ostrich feathers. The headdress is tiered flames made of mirror, metal and painted glass. While her attire during her final metch with the Dalmatian is a black dress with large shoulders that recall Balenciaga, a black lather waist belt and a Gothic necklace with rubies, pearls and diamonds. The fur coat is floor-length black and red, while her headdress is a little hat with black and red feathers.

(See here for references: X and X)

4 - Cruella in Once Upon A Time

More recent version of Cruella can be founded in the ABC TV show Once Upon A Time. I will not make a summary of the themes of the TV because it has a very complex plot and that is not relevant for our comparison. So, let's say only that is a show who feature the adventure of Emma Swan, Snow White (Ginnifer Goodwin) and Prince Charming (Josh Dallas)'s daughter, and her biological son Henry (who was adopted by Regina Mills, the Evil Queen, now mayor of Story Brook) to break the magic curse that turned Enchanted Forest to a modern day Maine town called Storybrook, in which live all the characters from the popular fairy tales we know from Disney adaptations, unaware of their true identities.

Cruella is introduced in Season 4. The evil Rumpelstinskin (Robert Carlyle) recruited her and some other evil lady to regain his Dark Lord magic powers and take his revenge on the people of Storybrook as well as his happy ending.

The first we saw Cruella is at her ungodly hour: she is divorcing from a guy called Mr. Feinberg, strongly in debt and FBI is repossessing her husband's belongings, including her fancy fur coats, her big mansion in Long Island, New York, and her other goods. (See here for references: X)

Cruella plays little importance in the plot, until the Author is released from the book; unable to kill him herself, she pretends to threaten Henry Mills's (Jared S. Gilmore) life to force Emma (Jennifer Morrison) and Regina/Evil Queen (Lana Parrilla) to do so. However, Emma confronts her, not knowing the restriction the Author placed on Cruella, and magically blasts her off a cliff to her death.

The actress chosed to play Cruella de Vil is Victoria Smurfit and her appearance recalls more the 1961 version than Glenn Close. She wears a black night gown with paillettes or little pearls, long red PVC gloves and a white fur coat, but drives her black and white 1974 Panther Deville. However, during the show she is seen also wearing leather black pants, red boots matching with her gloves and several different types of fur coats. Cruella's phone case has dalmatian spot patterns.

Rumplestiltskin/Mr. Gold snarkily remarks that he recognized Cruella's scent as “desperation and gin”, somewhat suggesting or implying that Cruella is an alcoholic of sorts. Cruella later confirms this, having blamed her misfortunes on “bad judgment and gin”.

Unlike her other version, this Cruella has some a very limited magic powers, and has only been known to accomplish a few specific spells. Her most remarkable power is the ability to control any animal, whether it be a Dalmatian or a Dragon. The green smoke that comes out of Cruella's mouth when she uses persuasion magic on animals is designed to reflect Cruella's green and yellow cigarette smoke in Disney's 101 Dalmatians.

Her other main power is a very limited telekinesis: Cruella is able to enchant her car to drive itself around.

In the 5 Season, after her death, Cruella ends up in the Underworld, a purgatory run by the deity Hades (Gregory Germann). She makes a deal with Hades, who offer her to rule Underworld in his absence and help trap the heroes there. Delighted with the idea of getting to torment souls for eternity, Cruella agrees to the deal. This makes even more evident the similarities with the goddess Hela from Norse Mythology, as both ruled the underworld and have half-black half-white hair.

However, the most important episode about Cruella is “Sympathy for the Devil”, in which we learn about her true story.

"Sympathy for the De Vil" Season 04, Episode 18

In 1920s England, a young and blonde Cruella De Vil (played by Milli Wilkinson as child and Victoria Smurfit as adult) is being mistreated by her mother Madeline (Anna Galvin) as she instructs her Dalmatians to chase her daughter, and is locked in the attic in the same setting that resembles the 1979 Gothic novel Flowers in the Attic by V. C. Andrews. The room where Cruella is locked up is filled with her mother's dog statuettes and dog show trophies. Fast forward to several years later, and that a reporter, who is revealed to be the Author (Patrick Fischler) but is using an alias by the name of Isaac Heller, is paying a visit to the home pretending to seek out a story after having seen Cruella from the attic, only to have Madeline warning him to stay away. Isaac returns and helps Cruella escape from the attic. He then takes Cruella out for a date that includes dinner and dancing. Cruella reveals to Isaac that the reason she was kept in the attic was that she witnessed her mother kill her father and her succeeding husbands; Isaac then reveals to Cruella that he was more than just a reporter and has the ability to use his pen and ink to create magical stories. Isaac proposes that they run away together, and uses his quill and ink to give Cruella her persuasion powers to control animals.

(See here for references: X, X, X and X)

However, for Isaac, his future with Cruella would later take a unique twist that will put his future in danger. When Madeline pays a visit to see him, she tells him that Cruella had lied to him about what actually happened to her husbands: as child Cruella killed her own father, Madeline's first husband, by putting a poisonous flower in his tea. Cruella was a troubled child and her parents had hoped she would grow out of her disturbing behavior. But after Cruella murders her father, her mother fears that Cruella's murderous tendencies will get worse and will become a full fledged serial killer. Not wanting anyone else to get hurt or killed by Cruella and not wanting her daughter to go to prison, Madeline had no choice but to lock her Cruella away from the outside world and keep her close to try to snap Cruella out of her disturbed mind. However Madeline's intentions were in vain as Cruella ended up poisoning her next two husbands. Terrified that Isaac will set her daughter free and start killing more people, Madeline warns Issac to stay away from her, because she is dangerous and can not be saved, while Isaac doesn't believe her, Madeline tells Isaac that Cruella takes everything someone loves and destroys it and tells him to stay away from her or he will suffer the same fate as her two husbands and lose all he holds dear.

(See here for references: X)

When Madeline returns home, Cruella was ready for her, and eventually kills her mother by controlling her Dalmatians and commanding them to attack her.

Afterwards, Isaac discovers that Cruella has stolen his pen, and goes back to her house to find out that Cruella used her ability to control animals to make her mother's pet Dalmatians turn against her and rip her to shreds, before Cruella herself slaughtered the Dalmatians and made a fur coat out of them.

«Some people struggle not to be drawn into the darkness. But ever since I was a little girl, I've said... "Why not splash in and have fun?"», says Cruella to an astonished Isaac.

Horrified, Isaac makes a dash for the pen to stop her, but during a struggle the magic ink is spilled onto Cruella. She accidentally ingests some and the ink shows her true colors. As Cruella is about to kill him, Issac uses his powers as the Author to make it so that Cruella can never kill anyone ever again by writing it down on a piece of paper "Cruella De Vil can no longer take away the life of another." As he leaves, Cruella tells him she's not done.

Cruella kept this secret, as intimidation would still work for her needs.

This episode have a lot of Disney reference to the old 1961 version of 101 Dalmatians:

Madeline's car is similar in design and color to Cruella's car from One Hundred and One Dalmatians.

The song that Cruella hears on the radio is a jazz instrumental version of the song "Cruella De Vil", from One Hundred and One Dalmatians.

Ink spills on Cruella, just like Cruella spilled ink on Roger Radcliffe and Pongo in the movie. (One Hundred and One Dalmatians, 1961)

When Cruella uses persuasion magic, the magic comes out of her mouth in the form of green smoke, which is designed to reflect the green and yellow cigarette smoke that Cruella puffs in the movie. (One Hundred and One Dalmatians, 1961)

This 1920s version of Cruella de Vil we see in Once Upon a Time is inspired by Zelda Fitzgerald, the wife of writer F. Scott Fitzgerald. Interestingly, in "Sympathy for the De Vil", Isaac can be seen reading F. Scott Fitzgerald's novel The Great Gatsby. While he is captive in Mr. Gold's cabin, Isaac reads F. Scott Fitzgerald's The Great Gatsby. And largely recall what we already saw of Cruella's original version in the book by Dodie Smith: Cruella is a cruel serial killer. She is smart and manipulative, shows no empathy and emotions and uses people for her own needs. She uses Dalmatians as her own weapons to take her revenge on her mother: she turned her own dogs against her and finally removes the last obstacle to her own freedom. Is important to notice that Cruella slaughters and skins the Dalmatians to create a new dalmatian fur coat for her own, that wears victoriously under Isaac horrified eyes. The Dalmatian fur coat is her trophy. Killers like to take trophies and souvenirs from their victims. Keeping some memento — a lock of hair, jewelry, piece of clothing, newspaper clips of the crime — helps prolong, even nourish, their fantasy of the crime or to relive the crime over and over in their minds. Cruella at the end fully reveals herself as the serial killer she is.

When Cruella drinks accidentally Author's ink that transforms her hair black and white, is another reference to the novel The Hundred and One Dalmatians by Dodie Smith, in which is said that Cruella used to drink ink as a child. The dress Cruella is wearing at the jazz club is the dress Bérénice Bajo wears in the the famous 2011 comedy-drama film The Artist. Also the dancing scene between Cruella and Isaac recalls the one between Bérénice Bajo and Jean Dujardin, when play the role of actors Peppy Miller and George Valentin filming a ball scene for a mute movie.

Conclusion

As we saw, all the version of Cruella that were developed time by time, still share the characteristics of a sadic, cruel villaness.

Glenn Close version of Cruella doesn't care about animals' lifes, doesn't care about workers rights or other person's life projects. She uses creepy hanchmen to obtain what she wants, she steals and plot the death of even rare animals for their fur. She uses and manipulates people.

Victoria Smurfit's Cruella is a real serial killer. She is selfish, cunning, manipulative and the violence against animals is just a moment on her murderous revenge on her mother: she used Madeline's pretious dogs to kill her and then kept their skins as souvenir, as serial killers do.

There's no doubt that all those versions of Cruella are evil and Disney simply can not create any positive emotional connection with a woman who murders dogs. It's simply impossible to explain why Cruella hates dog in a way that can justify abuse toward animals. That is why this Cruella movie with Emma Stone is a huge mistake.

As conclusion, I will borrow again the words of composer Bill Lee from the 60s animated version of 101 Dalmatians to say what I think of trailer with Emma Stone as Cruella:

This vampire bat, this inhuman beast

The world was such a wholesome place until

She ought to be locked up and never released

Cruella, Cruella de Vil

[super-predictable98]

(Not) My Dream Girl | Princess Jellyfish AU

Warning: Strong language.

(Masterlist)

September 5th

Dear Diary,

WHAT A FUCKING DAY TO BE ALIVE!

Today I had the scariest moment of bi panic. Every time I tried to come out to my mother she said I was just confused, that I didn't actually like girls. Today I got proof that she's wrong. I definitely like girls, maybe more than boys after meeting this goddess.

She's an exchange student, I barely know anything about her. All I know is that she's a sophomore who came to New York to study fashion, her dad is some big shot politician back in Japan, and she's the most beautiful, the funniest, the sexiest girl I've ever seen in my life. Her name is Kuranosuke which probably means insanely hot chick in Japanese. If it doesn't, it does now.

I was walking down the hall, nervous as all hell (but then again, when am I not?). I was still thinking about what mom said when she found out what my major was: "Are you insane, y/n? How do plan to make any money like that? You think you're just gonna suddenly become Coco Chanel and get rich?" Yeah, God forbid I follow my passion, right? But then a voice pulled me away from my overthinking trance.

"I'm a little lost," she chuckled. What a vision, with her long blonde hair, bubblegum pink lips, slender figure with long limbs like a top model, and violet eyes. I never knew someone could have such gorgeous eyes.

Her outfit? Well, she was dressed like she just walked straight out of the cover of Vogue. And she smelled so good, not sweet or fruity, she smelled like... like... she smells like the feeling of watching a Broadway show for the first time, if that makes sense.

I helped her find the way to class, luckily we were going to the same place, that's when she told me the little bit of info I listed before. She was so friendly, I imagined a walking Barbie doll like her would be rude and self-absorbed, but it's quite the opposite. She's kind, she's dedicated and passionate in a way that makes you passionate too. The way she speaks, so... not worried, loose, like she has the world in the palm of her hand.

She must think I'm so shy, but I just couldn't find the right words to sound smart and captivating. Usually with boys, it's easier. You look at them and that's enough, but Suke is different.

When I asked her if I could call her that, she laughed again. She has a boyish laugh, that's probably what I like the most about her. That and her accent, it's absolutely adorable.

"I'm sorry, for an American it must be a little complicated to say my name. Suke is cute, I like it."

When she asked if I wanted to sit with her, I nearly had a heart attack. I just assumed she was being courteous after I helped her find her way, but she actually wanted to spend time with me and have a conversation? What sort of sorcery did I do to deserve her attention?

Needless to say, I barely paid attention to the lecture. I did hear some bullshit about the regency era and how the fact that period dramas have actresses wear corsets without a chemise is a crime against fashion, but I was mostly focused on the way Suke twisted her curls in between her fingers.

How she bit the end of her pencil while listening to our professor blabbing about something unimportant, and how sometimes she would look at me and smile as I tried to hide the fact that I was staring the whole time.

If I had to guess, I'd say Suke is pretty used to the attention, and why wouldn't she? A girl like her must have all sorts of admirers, she can pick whoever she wants. I feel like the song She's So High was written with her in mind.

I wonder if she's thinking about me like I'm thinking about her. I wonder if she thought about me at all after we parted ways.

I don't think I've ever felt like this before. That feeling like your heart might explode if you're not next to that person. And when you are, it races non-stop. Her voice has been haunting me, I can't stop thinking about the way she says my name or when she asked to see my notes because the professor was talking too fast.

"My brother told me I would have trouble," she shook her head with a small pout, leaning closer to me and my entire body nearly went up in flames.

Her arm went around my shoulders as she read my (probably very unhelpful) notes. "But I didn't believe him, he's soooo stuck up and annoying. Do you have any siblings? If you do, you know how it is, we love them and hate them at the same time. Thank you, honey, you're a lifesaver."

Wow, I must sound like an idiot, gushing over someone I just met a few hours ago, like I'm in love with her or something. That would be hilarious and ridiculous, pitiful really. I don't even know if she's queer (judging by her long nails, I'd be doubtful). All I know is that I can't wait to wake up tomorrow and see her again at fashion history.

[writingtoforgetreality]

Too Close To Home (Malcolm Bright x Reader)

Request: Hi! I'd like to request a Malcolm Bright x reader or OFC story. Malcolm and the reader know each other since a few years. The reader has grown up in an abusive family and also has anxiety. They spend more time together cuz of a case. When the reader gets into danger, Malcolm saves her. He guides her home afterwards. First he doesn't want to come in but then they spend the night together (smutty or not, whatever you prefer). Afterwards they experience the most peaceful sleep they've had in ages :) (by @angelicastiel), [Prodigal Son-Masterlist]

Summary: Another case you & your team got to work on. This time, though, the backstory of the killer hit a bit too close to home. Still, you wanted to get the job done & arrest the murderer. There would have been a better, less dangerous way, but you could not change your actions anymore. And maybe you got something out of it. Something you had been wanting for the longest time.

Words: 3,827

Warnings: mentions of anxiety, angst, language, probably spoilers for season 2, father figure!Gil, little kidnapping situation, talks of murder (I mean, it’s Prodigal Son), first time writing for Prodigal Son (even though I do feel kinda confident writing for it, idk…let me know what you think)

If you like my work & wanna support me: a coffee would be highly appreciated ❤

Being part of Gil Arroyo’s team was a dream coming true. Your years in college were spent working your ass off in order to end up in a job like that. Not only did Gil give you a place to work, he also took you under his wing. Talking about your past was something you dreaded but somehow you found yourself opening up to him. He knew about your parents & could tell when things started becoming too much for you. Throughout your time at the NYPD, you got closer with your team. Dani & JT had become your best friends. Malcolm, on the other hand, had been a different case. While the two of you sure were friendly with one another, you slowly developed a little crush on the profiler. Who were you kidding? You had the biggest crush, it was kind of embarrassing. Especially because Dani & JT teased the living hell out of you. Luckily, Gil had yet to notice. You did not want to bring private business into your job.

This case had been a tough one. Not only that but it hit too close to home for your liking. The killer you had been looking for left you a letter at the crime scene. It was a man who had been abused by his parents when he was younger. In that letter, he explained why he did what he did. Like, yeah, you came from an abusive household, too, but you were not running around, murdering a what looked like innocent man. Like, chill a bit. Gil pulled you a few feet away from the scene after you all had finished reading. This left Dani, JT & Edrisa alone with looking for more details. Malcolm was still nowhere to be found, even though all of you had tried calling him a couple of times.

“Maybe you should sit this one out.” Gil’s hand was on your shoulder, keeping you an arm’s distance away to take a look at your face. He knew right away that you were thinking about your own parents & sometimes things could be messy if private stuff got mixed up with work stuff. Again the reason why you kept your feelings for Malcolm at bay.

“Gil.” you sighed. “I’ll be fine. Besides, you guys need me.” Gil hated to admit it but you were right. The team was lost without you & nobody knew if your killer was planning another crime while you were inspecting this scene. A voice interrupted your conversation & both, you & Gil, looked at where it was coming from. Would you look at that. Malcolm, everyone. Fashionably late, as always. Why did he have to look so good though? Ugh…

“I heard there was another murder? What have we got?” Malcolm, being his usual self when it came to crime scenes, directed his questions at both of you.

“You would know if you decided to show up sooner.” Gil gave him a tight lipped smile & you could hear the sarcasm in his statement. Yeah, nobody could ever stay mad at Malcolm for a long time. Except maybe JT. But he seemed like he was just pissed off by whatever Malcolm did. That was why they were such great friends.

“The guy left us a letter, kind gesture, right? Edrisa should have it.” your arms crossed over your chest to hide how bad your hands were shaking. The action did not go unnoticed by Malcolm, though. He could tell you were uncomfortable. Your anxiety seemed even worse than usually. It was not like you ever opened up to Malcolm about your struggles. You had found it hard to talk about your feelings, even when you talked to Gil. But since Gil had become some sort of father figure to you, you found it a little easier to open up to him. The thing was that Malcolm was working even when he was not working. Which meant that he was profiling others even outside of work. It was not hard to notice your trembling hands, your bouncing legs, your struggle to keep eye contact. He could tell that your anxiety was bad. Most days, you hid it rather well, he had to give you that. A normal person would have never noticed anything wrong with your behavior. Malcolm, though, knew better & while he did not know what had happened to you in the past, he knew you were struggling nevertheless. But he could worry about you another time, for now, he had to focus on the crime scene.

As Malcolm walked over to where Edrisa was standing, you pulled at Gil’s hand, motioning him to follow you. Edrisa handed over the letter & explained briefly what they had found so far. You knew what was about to come. As did everyone else, so you quieted down & let the profiler do his job.

“Our dear murderer wrote the letter after he killed James here. The ink is too fresh & some of the letters are smudged. The printer in the office was still running when you got here, right?” this earned him a nod from Edrisa. “No fingerprints, though, he was smart enough to wear gloves. Which brings me to my assumption that he had planned this long beforehand. The bruises show that he was strangled & while we still have to wait for the autopsy, I’m almost entirely sure that he was killed because of that. I believe the stab wounds were caused after he died. The way his words were written sounds way too passionate for an accident. No, this guy, he was enjoying it. If it were an accident, he would have left the scene way sooner. But he took the time to type a letter & print it, to complete his mission by laying it right on top of our victim’s chest.” Malcolm finished & looked around to find everyone rolling their eyes except for you. Whenever he started rambling & piecing evidence together, you simply stood there mesmerized. This time was not different. His eyes met yours & he shot you a little smile which you copied.

“Anything else you wanna tell us? Like, why you’re way too excited about this entire thing?” JT spoke up. You gave him a little slap & chuckled.

“Don’t act like it’s something new.” laughing when you looked at his face.

“Okay, guys. Wrap it up here, we need to continue this at the precinct.” Gil’s authority voice came through & you all knew better than to mess with him.

Malcolm, Dani & JT were already in one of the offices when you & Gil came in. Usually, you asked Gil to take you everywhere, mostly because you got rather shaky during cases & you did not trust yourself enough to drive on your own. Gil told you he did not mind at all.

“Found anything useful?” you asked when you entered & looked over JT’s shoulder to make out what he was doing on his laptop. Malcolm stood at the front of the room, right in front of the whiteboard & was too busy sorting his thoughts to even notice you. Dani told you that they had no luck just yet & soon you found yourself helping them with research, something you were incredibly good at. Gil had left for a while but when he got back, he brought each of you a cup of coffee, knowing it was bound to be a long night without much rest. Being the stubborn person that you were, you declined his request of you calling it a night & heading back home. You were onto something & could not stop right now. Gil let the topic die down with a long sigh. The five of you spent the entire night looking for clues & connections & by the time the sun started rising, you had a plan filed out to catch the killer.

After hours of research, mostly from you, you found out that the victim had very wealthy parents. Parents who loved their kid like nothing else. Parents who would do anything for their kid. Checking his social media profiles, you could tell that he was not silent about his wealth or the love he felt for his parents. “Enough to get our killer started.” Malcolm had said. It took you a while but after checking James’ classmates, you had a suspect & after checking his social media accounts, you knew where you had to go to catch him. Sometimes, things could be so easy, so clear to see. Probably a bad idea to expect you were right with everything but you had a good feeling. Yet, you could not quite understand how someone could kill just because of envy. Just because they did not have what someone else did.

Your suspect spent almost all of his evenings in a local pub, not too far away from the precinct. It was a small pup, not a lot of people, but since it was Friday, you expected it to be filled tonight.

“Why does (Y/N) have to be bait again?” Malcolm asked after discussing the plan yet another time.

“Because she looks more like a guest of a pub like that. You would be out of place, so would Dani & JT.” Gil reasoned. He did not like the idea either but it was probably the best shot they had.

“Right, because if I make an effort I can actually look like an alcoholic. Is that what you’re saying?” despite your chuckle, you found yourself growing more & more nervous. Malcolm noticed right away, didn’t comment on it though.

“What I’m saying is that we all want this asshole locked up & I don’t want you to look like an alcoholic. I want you to go there as if you just got done with work for the day. Take a seat at the bar. We’ll be connected with you this entire time, we’ll hear your conversation. Wait a little & if he doesn’t approach you then you will. Understood?” Gil looked around the room, kept his focus on you, though, & when you nodded he told you all to head off & get this party started.

 “You’re nervous.” you flinched when you heard a voice beside you. Malcolm. Of course.

“I’m not. Just preparing myself.” you did not mean to sound this harsh but he did not really pay attention to that.

“So your shaking hands are a form of preparation?” he teased but you could not focus on his way of calming you right now. Your anxious mind was killing you.

“Look, Mal, I need to go, okay? We’ll talk later.” & before he even had the chance to answer, you were sprinting off.

Ordering a strong drink at the bar in the hopes of it calming your nerves, you tried acting as if you did go out every night. In fact, you were highly uncomfortable. Crowds made your anxiety act up & pubs were usually worse. Drunk people wanting to get laid or whatever. It just was not your world. Anyway, you had better things to focus on. Your suspect had already walked up to the bar & took, much to your dismay, a seat too far away from you to start an actual conversation. Quickly informing your team, an idea popped into your head. He would start taking an interest in you if you got him to grow envious. So without overthinking, you grabbed your phone from your purse & pretended dialing someone.

“Hi mom! How are you?” as much as it hurt saying those words, you felt accomplished when you noticed the suspect’s eyes on you. “Great, as always! We still on for lunch tomorrow?...Perfect! Actually, I wanted to thank you for the purse you got me! I found the package earlier today, you are crazy. That’s way too much.” if it were not for your job at the NYPD, you would make one hell of an actor. Deep down, your heart was breaking a little more with each word you said. “Oh? I’m your favorite daughter? I’m your only daughter, mom, but thanks.” you gave a genuine, or at least you hoped it sounded genuine, laugh & continued. The man had already made his way over to you & took the empty seat next to you. You had him, not fully but almost. Just keep going, you thought to yourself. “Tell dad I miss him, too! I’ll make sure to meet up with him soon. A much needed father-daughter weekend. It has been too long…Alright, I love you too, bye.” you ended your call & placed the phone back into your purse. Gil would kill you after you finished this case. Once again you were improvising but at least it got you here, sitting next to a possible killer. Possible killer? No, you knew it was him. He made it rather obvious after that fake phone call. Thinking about what you had just said on the phone got cut short by the man beside you speaking up.

“Sounds like a nice mom.” a drink in his hand, his gaze not focused on you but on the liquid in his glass.

“Oh, she’s the best. I’m lucky to have her. Same goes for my dad.” these words hurt so bad & if you were not so focused on arresting this asshole you would have started breaking down right in the middle of this bar.

“I’m Enrico, by the way.” he held out his hand for you to shake which you did.

“(Y/N).” faking another smile at him, you were surprised that your silly plan actually seemed to work. This dude was desperate. And it made him extremely dangerous.

“(Y/N), wanna head out & catch some fresh air? This pub is filling up.” he placed money on the counter, paying for not only his but also your drink. Thanking him, you got up. When his hand grabbed yours, you slightly flinched but did not pull away. The thought of your team waiting outside with handcuffs made you breathe easier. Arriving outside did not exactly put your mind at ease. Where was your team? Just when you wanted to turn around, you felt a strong grip around your waist & a cloth being held in front of your nose & mouth. There was not even enough time to scream before you were met with darkness.

Loud voices woke you up. A gunshot. Shit, why could you not move? Where the fuck were you? Looking down at your wrists, you saw them being chained tightly to a chair. Suddenly, a person was kneeling in front of you & you were surprised to find Gil helping you out of the chains. His mouth was moving but your heartbeat was too loud to make out any other noises.

“Have you got him?” Gil rolled his eyes at your question but soon after, nodded. This could have ended badly for you & he was just happy to see you alive & breathing.

“You hurt?” this time his voice was more serious. He looked you over but besides the bruises on your wrists, you seemed fine. Shaking your head no was enough for him to drop it for now.

“That was stupid, (Y/N). We could’ve walked in there & just arrested him in that damn pub. Why did you think it was a good idea to start this whole pretending thing?”

“Could we please not do this today, Gil? I’m tired.” you felt ashamed, embarrassed that you did not handle the situation better. Usually, you were way more careful when it came to other cases. You could not even tell why you thought you needed to act out an entire scene. It felt like the right decision at the time.

“Malcolm? Come over here.” Gil decided to let you rest for tonight but he sure as hell would teach you a lesson tomorrow. He could not have another person risking everything & acting irresponsible. He already had Malcolm. No need to have another one like him.

“(Y/N)? Oh, thank God.” Malcolm came jogging over to where you & Gil were. A small smile started forming, signaling that you were fine.

“Take her home with you. She shouldn’t be alone tonight.” & with that he left you & Malcolm alone.

Two hands came into view & you let yourself be pulled up into a standing position. Malcolm still held onto you since your legs were on the verge of giving out. After a few seconds, though, you felt steady enough & thanked him for helping you. Without another word, he took your hand in his & dragged you outside to his car. Any other day, you would have blushed like crazy but your exhaustion was overpowering your crush. Malcolm opened the passenger side for you & helped you in. Then, he got around to the driver’s side. His body turned towards you & when you noticed that the car still had not been started, you found Malcolm staring at you. Your eyebrows shot up in confusion. After a long pause & a deep breath of his, Malcolm’s voice broke the silence in the car.

“That was-“

“Stupid, I know. Gil already told me.” usually, you would have sounded sarcastic but tonight, you did not have the strength to try & act like you were fine. Because if you were honest, everything that had happened got you thinking. Not that you could have died but everything that had happened with your parents. How awful they treated you. How abusive they were. Not trying to start another conversation, Malcolm started the engine & drove up to his apartment. Gil’s order, after all. Though, he had to admit that he liked the idea of you being close to him. Hell, he could have lost you today. He could have lost you & you still had no idea about his feelings for you. Simply because he was too much of a coward when push came to shove.

The car ride was silent & the tension could have been cut with a knife. Once or twice you almost started talking, wanting to explain yourself. Why you were so exhausted. It was not the first time you got close to death but it was certainly the first time where your past came catching up. Each time, though, you chickened out.

“I’m sorry.” it was you who spoke up first when you entered Malcolm’s apartment.

“What for?” Malcolm turned his focus back to you.

“I made this case unnecessarily hard for you guys. I should’ve handled it better. It’s just…this thing with this fake phone call, it was…fuck, how do I say this?” the last part you mumbled to yourself but when Malcolm spoke up again, you knew he had heard you.

“It’s okay. Gil told me about your parents. I get it, I do. I probably would’ve done the same thing & then it would’ve been you & Gil telling me I was stupid.” you chuckled lightly & Malcolm was happy that you were not mad at him for knowing about your past. He had been aware of your struggles before, now he could finally tell where they were coming from.

Strangely, you felt a weight lifted off your shoulders, now that Malcolm knew. At least you knew he would never judge you, he had his own…familial issues after all. Tears started forming in your eyes & you tried blinking them away angrily, frustrated that you were losing it now even though the situation had been dealt with.

“Come here.” Malcolm opened his arms & you gladly accepted the invitation. Throwing yourself onto him like your life depended on it. His arms wrapped strongly around you. Not in an uncomfortable way, more like in a comforting way. The two of you simply stood in the middle of his apartment, not saying anything, he let you cry it all out & in that moment, it was all you needed.

“Thank you. Sorry for messing up your shirt.” a quiet laugh escaped you. It was not much but it was a good start.

“It’s no problem, really. Here, I’ll bring you some clothes to sleep in, I’m sure you don’t wanna sleep in work clothes?” Malcolm opened one of his drawers & grabbed a basic t-shirt & some sweatpants. Not much but definitely way more comfortable than what you were wearing right now. This was not your first time being at Malcolm’s home so you helped yourself & moved into his bathroom to take a quick shower & change into his clothes. It only took you about ten minutes, you were craving sleep.

“You can take the bed, I’ll sleep on the couch.” Malcolm was setting up his couch to sleep on when you came out of the bathroom.

“Nope, forget it. I wont let you take that couch.” you argued.

“Hey, it’s a comfortable couch!” he defended his way too expensive piece of furniture.

“What about your restraints?”

“Don’t need them when you’re around.” Malcolm let slip without much thought. Only when you tilted your head & raised your eyebrows did he realize what he had just said. “I mean…I don’t know. I’m usually much calmer when I’m with you.” It was funny to see Malcolm trying to explain himself. He was embarrassed but you were putting a stop to it right away.

“Okay, so I guess it would help even more when you’re right next to me, am I right? Your bed is big enough, Mal.” your sweet smile was convincing enough & soon you found yourself laying on one side of the bed while Malcolm was occupying the other.

For a few minutes, neither of you moved or said anything. The silence was not uncomfortable, the situation was still new for the both of you. Yet, you knew what you wanted. What you needed. So you grabbed one of Malcolm’s hands, turned around & let his arm fall around your waist. This action caught him off guard but he relaxed into the new position quickly. While the both of you still had not confessed, this felt like a step into the right direction. You felt safe in his embrace & knew you could be your true self with him. No hiding whatsoever. That thought made you smile. Exhaustion soon took over but the last words you heard before falling into a peaceful slumber were: Sleep well, (Y/N). I’ve got you. Afterwards, he pressed a light kiss on your shoulder & fell asleep himself. Tonight, your struggles could be forgotten. At least for a few hours until morning came around. Then, you still had enough time to deal with whatever was happening between you & Malcolm. Tomorrow, you could deal with your past some more. But right now, all you wanted was to have a peaceful night & Malcolm could give you just that.

Published (03/25/2021) by Cathy

Tags: @fandom-queen67, @cons-tit-ution, @where-thesundoesntshine, @itsanemu0101, @chill-fangirl, @angelnyx, @octopus5555, @the-unknown-fan-girl (thanks for your support <3 - sorry if I tagged you mistakenly/please let me know if I did)

[geekgemsspooksandtoons]

My likely plans for The Mask Rebirth Part 3

This is something I told Kaijuguy earlier that I’m gonna write this. But I’m not gonna make it yet. Because I’m still wondering about it. And also on Thursday, me and my family are gonna go to Universal Studios. And we’ll be back on Saturday. I will likely have my phone. But I may not post a lot or...it depends.

Part 3 is something I’ve really wondered about. Including having some inspiration from, “The Hunt For Green October”. But instead of shoving Ray Tuttle and his daughter’s story into this. I’ve decided that...may be part 4. So those jokes I said to Kaijuguy are likely gonna be a thing.

Anyway, I strangely want to make this seem like a leaked plot details thing before a movie comes out. You know that kind of shit right? I think I just want a reaction of how people may feel towards it. Before I officially make the thing.

Including I just wanna mention what I did with part 2. It strangely felt like an adult extended The Mask Animated Series episode in a sense...that was something I had thought long ago...but let’s get to the point. Of what the direction for this story was.

I have said characters like Owen Big Head, Stanley Big Head Killer, Davida Steelmine, Walter, and Pretorius are involved with this. And I may just reveal the secret behind Pretorius that I have kept secret. If I want to go through with it.

The story may take 6 months after part 2. With Edge City in a much better position after crime has seriously lowered down. And I’ve been thinking part 1 takes place in January. Part 2 takes place in June. And finally, part 3 takes place in December. So in a year, Owen has had the Mask Of Loki for nearly a year.

With Edge City actually being in a more peaceful state. But this doesn’t take place during Christmas. It’s before it. Owen’s mother, Anna, decides to take her son and their roommate Tina on possibly a two week vacation. With Leonor joining them. With the vacation taking place in either Finland or Sweden. Very likely Finland. Despite knowing he needs a much needed vacation. He brings the Mask Of Loki in case. Practically bring Loki along as well.

But during those 6 months. Stanley was thought to be dead after his body wasn’t found. But in fact, he had survived and tried to start a new life with a new name in Edge City. Mainly due to the possibility the police and Big Head may try to look for him. Stanley is more anti social and angry at life. Keeping to himself, like a hermit. Until an unknown man gives him a mysterious gift. A green mask of sorts. 

Having kept his memory of wearing the Mask Of Jormungandr. But weary of Davida’s deception of him. He accepts the strange gift.

During this as well, after 6 months of being in prison and everyone against her. Vicky Pratt, mostly known as Davida Steelmine has escaped prison. With a new goal of exacting vengeance upon Owen Heffernan. But first going to the young man’s house, sneaking in, and taking the Mask Of Hel. And finding out he’s in Finland. She wants to start a new life. But she’s angered by having been exposed for who she is. She wants payback first.

Back to Stanley, when he wears the mask. He turns into what appears to be Big Head. But looking different. But to Stanley, this is the greatest thing ever. And possibly better than being Serpent Man. He embraces the terrible nature of the mask starts using his newfound powers by killing the Butcher gang first. Which had beat him up much earlier. And while I question if I wanna make Stanley’s rampage one night or two. 

Compared to Owen’s first outing as Big Head. Which was mainly fun mischief. Stanley goes on a killing spree against people that have wrong him in anyway. Even such as the car mechanics, a man who owned him 60 bucks. Which also results in him killing many police officers trying to stop him.

But there’s a goal in mind that Stanley has. To find Vicky/Davida, Tina, and finally Big Head himself. The goal to finally kill all three. The ones that hurt him the most. 

Yet during a situation where it’s only Kellaway and Stanley. Kellaway is confused and horrified by what seems to be Owen going on a random savage rampage. He tries to talk to him and calm him down. Asking him if something is wrong, instead of getting angry at him. But to Kellaway’s shock, Big Head tells him, “Who the Hell is Owen!?” And asking why is Kellaway calling him that and maybe Stanley revealing who he is, likely not. Which results in both realizing two different things.

Kellaway realizing, horrified, but strangely relieved that this Big Head isn’t Owen. And to Stanley, he’s shocked and remembers Owen Heffernan, he puts it together. Realizing Owen is very likely Big Head. 

After escaping the police, and going to a place where he could hide. Stanley is met Walter, and the two fight. But the same man who gave Stanley the mask tells Walter to stop fighting him. Revealing Walter is with this unknown man. He reveals himself to be Septimius Pretorius. A very secretive man that the crime lords of Edge City would send traitors or anyone they hated to be tortured. But due to his secretive nature, and no one exactly knowing who he is. Most people didn’t like talking about him. As some gangsters would tell others stories about Pretorius to scare them. Along with Dorian when he was alive having met Pretorius in person before, and praising his work.

I’d like to admit, I got this idea form @kaijuguy19 I tried to remember. So thank him. On the part where I talk about Pretorius and Walter being strangely friends in a way.

And the biggest thing that made people strangely afraid of Pretorius. Despite he never made an attempt to be a crime lord. He was the one who made Walter who he is. While Walter was strong and huge already. He met Pretorius earlier in life, and Septimius has told others he merely improved Walter. 

He reveals he created that duplicate mask for Stanley personally. To help him achieve his revenge and give him want he wanted. Despite Stanley’s hesitation to trust someone again. He gains Stanley’s trust by telling him that Vicky/Davida and Tina/Kathy are in Finland. But also telling Stanley what he has been wondering. Confirming that Owen Heffernan was his hero, Big Head. Who is in Finland as well with Tina too.

While not considering Pretorius or Walter as new friends. Stanley joins them, with Pretorius giving them a private plane ride to Finland.

Back to Kellaway, who tells Lionel that this Big Head isn’t Owen. And he believes him because of how radically different this Big Head dresses and sounds. The two go to Owen’s house. But realizing Davida has snuck in and stole her old mask. What horrifies the two more is the catch that she’s gonna be possibly going to Finland as well. 

Wanting to confront the Owen himself instead of calling him. They take a plane ride to Finland. With possibly trying to come up with a reason why the Big Head Killer is going there. But also maybe Davida. I’m not sure about this. And I may change this. Such as trying to call them. But they don’t have their phone numbers.

So in this case.

In Finland. Owen as Big Head and others are gonna have to face off Davida Steelmine who wants revenge. Walter, who wants payback as well. But also Stanley as a new Big Head, who desires the same thing. But against Davida and Owen. With Pretorius in the background.

In what is said to be the happiest country in the world....holy shit.

Now Pretorius. This was this the idea I felt was crazy. So I’ll just reveal it. The idea that Pretorius was one of the survivors of Ragnarok. And was responsible for killing Sigyn. The wife of Loki, and the one keeping Ragnarok at bay. With Sigyn’s killer never found, her death was the final kick in Loki’s becoming ultimately evil. Presuming the gods had killed her. Thinking the gods want Ragnarok to happen. And becoming more nihilistic, resulting his fate within the mask.

Along with the other idea combined with that Pretorius was one of the survivors who had imprisoned Hel into her own mask. But also being the one who had come up with the idea to imprison Loki and his family that they felt caused Ragnarok. But due to this, his existence was ultimately covered up by the survivors of Ragnarok. And he didn’t mind that. Not a god, but merely someone able to use magic in a similar fashion like science.

Having lived throughout history with humanity for so long. He came to Edge City because of it’s horrible nature with crime. And one of the only people who seems to have developed a sort of friendship with Walter. Mainly both respecting each other for their talents. But also Walter respecting Pretorius for making him stronger than before.

Having believed the masks have been lost to time. Until Big Head showed up. He was curious, yet confused. But when Dorian had become a giant werewolf in a way. He started to wonder if humans have finally found the masks. His suspicions were confirmed when it was revealed Davida Steelmine and Stanley Ipkiss had been using the mask of Hel and Jormugandr. But also even learning the Mask Of Loki before all this, was found in Africa before. Yet it was stolen and never found again. With smaller stories of an similar Big Head like figure causing mischief. But he suddenly disappeared.

Having kept in the shadows, trying to figure out who was really Big Head. And why wasn’t the wearer gone insane. He eventually found out, but didn’t act on anything. But what he had learn is that Stanley Ipkiss to him, should’ve been the one that found the mask and not Owen. Believing the young man had tainted the mask, and possibly changed Loki.

After 6 months, trying to create what he felt was a better mask. Using whatever magic he had left. With the inclusion of voodoo involved. The Death Mask, a duplicate of Loki’s mask and soul.

I think I’ve said enough...hope you folks like this. Mainly you Kaijuguy lol.

[barkkletshunt]

Those Worth Fighting For Part four

Have you ever seen a fic update so fast? Four updates in two days?

Part one

Part two

Part three

Part five 

Part six

Part seven

Part eight 

“While I like the idea of them having a red, green, and gold colour scheme going on, don’t you think it would have too much of a christmas theme and take away from the magic of their wedding?” Marinette sat on the same couch as Felix did, across from Kagami and Adrien who, despite their careful appearances, looked frazzled. 

“But those are our favourite colours,” Adrien tried, but Felix held his hand up to stop his cousin.

“Your wedding is in late spring, if you think for a moment that christmas colours are appropriate for that time of year then you need to hand over your fathers fashion industry to me right now.” Felix sipped at his now cold cup of coffee. “If anything, we could do red and gold and have green accents if we used things like leaves and give it a more rustic feel.”

“But that wouldn’t go well with their general aesthetic. They need to look like a king and queen, not a cottagecore couple.” Marinette countered. “I think we could go with a green, gold, and cream theme. That way they both get one of their favourites while keeping with the posh style. Either way, no matter what gold has to be a part of it. That I will not budge on.”

“If we made Adrien’s tie green it would bring out his eyes more.” Felix hummed, looking over at his co-planner. “You have good tastes, Marinette.”

“Why thank you, Felix, your tastes aren’t so bad yourself.” She said back. 

The two planners had successfully gotten their way with the wedding with everything they had put forth. Marinette’s ideas were either on point with Felix’s or close to it so the planning was going a lot easier than either of them had expected. Both had spent enough time with the bride and groom to know their likes and dislikes and due to their fashion background they knew what they were doing. 

They were unstoppable, not that Kagami and Adrien even tried. They saw the fire that was lit behind their companions' eyes and knew better, and it wasn’t like they didn’t like anything their friends had said. In fact, the more the two spoke the more excited Kagami and Adrien felt about the upcoming event. 

“Why don’t we make the groomsmen wear gold ties, just so that Adriens tie doesn’t fade in with the rest of them.” Marinette rambled, showing Felix the designs she had tucked away in her portfolio that she refused to show Kagami. “If you wear green too your eyes will stand out and Adrien is supposed to be the one people are paying attention to.”

“Should the bridesmaids wear green then? If that dress design is anything to go by we don’t want Kagami to blend in with the other girls.” Felix hummed, sliding closer to Marinette without thinking about it. “Can’t have you stealing the show from the bride, you know.”

Marinette’s face grew warm at the compliment, even if it did match her unintentional flirting moments earlier. The added proximity didn’t help, but she could pull herself together. This was Felix, after all, and despite how nice he had been that evening she still needed to see more of him before passing a proper judgement on him. 

The two planners missed the looks between the future Mr. and Mrs Agreste. 

“Well, after the akuma attack today I feel exhausted. I think I shall turn in tonight, since the two of you have it covered.” Kagami said as she stood from her seat. 

“Did you want me to make you a coffee?” Adrien asked innocently enough, but was immediately shut down.

“No, if I have a coffee now I won’t sleep.” Kagami raised her brow at her fiance, wondering if he had caught her drift yet. “And you have business to take care of in the morning. Let’s leave the planning to these two, shall we?”

The blonde man abruptly stood up, realizing what she was getting at. “Oh, oh! Yeah! Of course! They don’t really need our input for any of this stuff anyways, and I’m definitely beat after that sentimonster. We should go to bed.”

The owners of the house bid their goodnights and quickly escaped from the room, leaving Marinette and Felix sitting there dumbfounded. 

“Have, have they always been that obvious in their plans?” Felix finally asked, breaking the silence that had stretched on after their friend's departure. 

Marinette shook her head, “I have only seen them like that once when they were trying to plan a surprise birthday party for me.”

“And how well did that go for them?”

“Adrien ordered the cake from my parents bakery over the phone, but didn’t realize that I was the one taking his order.” Marinette recalled the look of horror on Adrien’s face when he had come to pick the cake up the day prior, and had begged Marinette not to tell Kagami he blew it. “For someone so smart he can be really oblivious, you know.”

“I did live with him for two years, I am well aware of how he can be.” Felix snorted. He shifted positions so he was facing towards Marinette. “I think it actually turned me into a better person, to be honest.”

“What do you mean?” Marinette mirrored his position on the couch. Adrien was an open book to her, she could ask him anything about himself and he’d answer her, and when she asked about his time in England he never said much about it. She couldn’t miss hearing about it from a second party, though. Especially when her friend was the cause of someone becoming a better person.

“Well, as I’m sure you are aware I was a terrible teenager.” Felix started.

“What? You? The man who deleted my love confession and mocked our friends?” Marinette jokingly pushed his shoulder. “I don’t believe it.”

Felix grinned, “I know, I know. I’m such a saint now. I wasn’t sure if you had even recognized me at first.”

“It was a bit difficult without those devil horns you used to wear.”

“Oh those? Those were natural. Grew them myself. Kind of miss them, actually.” 

The two laughed for a moment, enjoying their friendly banter that seemed to come so easily to them. 

“Okay,” Marinette giggled, “tell me how our sweet sunshine child managed to change the demon known as Felix.”

“Well, when he first moved in I was sent into a whirlwind of emotion.” Felix started, “I was still angry that Adrien had abandoned me when my father had died because his father wouldn’t let him call or text us, but I also knew how terrible it was to lose a father even if it was only to a lifetime imprisonment. I had so much baggage that I took it out on him. I think I made the first few weeks of his stay with us hell.”

The blonde man shifted, no longer wanting to look her in the eye as he confessed to his crimes. It didn’t take a trained psychoanalyst to see the regret he felt coming out and causing him to fidget. 

“It was when he transferred into my school and started to get bullied that I changed my tune.” Marinette was shocked. Adrien was so loveable and kind, how could anyone have bullied him? Then it donned on her. He was a terrorist's son. “People would shove notes in his locker with butterflies on it, or draw on his desk, and he’d just smile and say that they must have been doing it because of his fathers fashion symbol being a butterfly. Perhaps he wasn’t oblivious to it, but purposefully ignorant. No one would want to believe their father was the supervillian of Paris after all.”

“It was then that I decided to switch my targets from my cousin to those bullying him, and oh was I ever brutal. I had a few of them expelled for harassment, some I actually got physical with since they assumed I was Adrien. Either way, it was my school and I wasn’t going to let anyone insult my cousin. That was my job.” Felix’s brows pulled together. “It was the fights that got Adrien to step in. He reminded me that the emotions of people were complicated things, and that they were acting out more out of fear than actual hatred towards him. He told me what he actually needed wasn’t another bodyguard, but someone to lead his PR campaign.” 

Marinette remembered when Adrien’s image in the media had changed the first time, when he went from brilliant model to the heir to Hawkmoth's legacy. It had taken almost another full year of Adrien working harder than he ever had before to show the world that he wasn’t a monster, and it still took a live interview from Ladybug herself to convince the rest of the public that there was no way Adrien was involved in any of his fathers crimes nor was he a holder of a miraculous. It had been a wild ride from start to finish, but all considering it only took two whole years to get Adrien back in the world's good graces when the sunshine boy didn’t think he’d ever be able to live it down. 

“I spearheaded Adrien’s redemption. We donated to so many relief funds, I used our similar appearances to go onto talk shows to give a more calculated interviews. I did everything in my power to make people realize how inherently good Adrien is, and it worked.” Felix let out a long breath before turning a kind smile towards her. “But by the time all of that was done I had changed. I had become a person Adrien was proud of, and now I am here planning his wedding with his best friend. Whom, might I add, he talked about almost as much as he did his own girlfriend.”

“Now if you could have told me that, say, five years ago I would have been ecstatic.” Marinette set her portfolio down on the coffee table as she remembered how intense her crush for Adrien used to be. “But I am long over my crush on Adrien.”

“I am sorry about that, by the way.”

“Hm?” Marinette tilted her head to the side, not sure what he was talking about.

“Deleting your confession.” He explained. “It was wrong of me. I was jealous and petty and I’m sorry.”

Marinette wasn’t angry anymore, even if she wanted to be. Felix wasn’t the same as he was all those years ago and neither was she. It was silly for her to hold onto all that anger when he had changed himself so completely. 

“I am, however, not sorry you didn’t end up with my cousin.” He grinned. “Now I might have a chance.”

Maybe not so completely.

“In your dreams, devil boy!”