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100+ Very High Resolution Rock Band Pics
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#pink floyd#The Beatles#ac/dc#Led Zeppelin#Kiss#Nirvana#Red Hot Chili Peppers#Foo Fighters#Guns N' Roses#Aerosmith#U2#Black Sabbath#Green Day#Sonata Arctica#Queen#Metallica#The Who#The Beach Boys#The Eagles#The Doors
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Tina Turner - GoldenEye 1995
"GoldenEye" is a song written by Irish musicians Bono and the Edge from the rockband U2, and performed by American singer Tina Turner. It served as the theme for the 1995 James Bond film GoldenEye, starring Pierce Brosnan. Depeche Mode was initially approached in 1994 to sing the main theme song for GoldenEye, but were coming to the end of their Devotional Tour and could not meet the schedule. Instead, the producers got Tina Turner to agree to do the song. After being informed of Turner's involvement, Bono and the Edge were next to join, and agreed to write the song. The track was produced and mixed by British producer/remixer/composer Nellee Hooper, best known for his work with Massive Attack, Madonna, U2, and Björk. The track reached number ten on the UK Singles Chart and became a top-five hit in several European countries. "GoldenEye" was less successful outside Europe, reaching number 43 in Canada, number 63 in Australia, and number 2 on the US Billboard Bubbling Under Hot 100.
"GoldenEye" was first released on the original motion picture soundtrack and the following year it was included on Turner's album Wildest Dreams. The music video for the song was directed by Jake Scott. The song has been covered by Nicole Scherzinger for the 2010 remake of the GoldenEye 007 video game.
"GoldenEye" received a total of 73,5% yes votes!
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Rian announced the next Knives Out sequel and it’s not with the Muppets so what is even the point.
#I swear I had posted/reblogged something with Benoit Blanc and the Muppets and do you think I can find it#but come on it’s perfect#wake up dead man#that’s a u2 song
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electrical storm
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this random american audience member speedrunning a classic oasism emotional journey in '97 (x)
#many such cases#i have a bachelors in oasism and im still at the 'they are loud :/' stage#this was oasis opening for u2 in oakland btw. hence the heinous daylight + empty county fair vibes#at one point early in the show the camera guy zooms in on the massive rows of empty seats lmao#much like that guy did at the trump rally a few weeks ago#🫡🫡🫡#ours
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PERFECT STORM
pairing elijah hewson x fem! reader
trope established relationship
warnings pure fluff. nudity mentioned but not sexual
summary she gets caught in a storm and elijah helps her stay warm.
words 1.2k
Every part of her body was soaked. Her blouse had become see-through. Her skirt had become pounds heavier. Drops of water slid down her bare legs. Every time she walked, her Doc Martens squelched. Her socks were wet, and her feet were cold and pruny. She let out a shaky sigh as she walked up the stairs up to her apartment. Her soaked hair was in a clip that was digging into the back of her head.
He heard the sound of keys jangling. The door was unlocked. She came in and was already leaving a puddle of water on the wooden floor.
He chuckled. "What the fuck happened?" He asked, a bit amused but also concerned. He left his spot on the couch and walked over to her.
"I got caught in the rain. Didn't bring my umbrella."
"I told you to take an umbrella this morning."
"Yeah, whatever." She snapped. She dropped her bag on the floor. His mouth closed before making a snarky remark. She was obviously pretty annoyed. He watched her take off her boots.
"Come on." He said then took her hand and dragged her into the bathroom. He turned on the faucet of the tub. Temperature is pretty warm. "Sit." He commanded while motioning to the toilet cap. She did.
He pulled off her drenched socks. Then he unbuttoned her white blouse. He did everything tenderly. She kept staring at him. He looked tired. She knew he had been up very late writing. He took her bra off. Shame was no longer in the picture. He had seen her bare body many times. He wasn't even looking at her that way.
"You don't have to do this." She whispered to him. He finally looked her in the eyes as he pulled her up to take off her skirt. "I know." He replied, then unzipped her skirt. She felt warmth through her chest. That was in big contrast with the way her body felt. He always made her feel warm.
He helped her get out of her underwear. He also pulled her hair clip off and stuck his fingers through her scalp. He massaged her head, and she sighed. A moan escaped her, and he chuckled. Then he stuck the tips of his fingers in the water to check the temperature. It was a good type of warm now. He gave her a hand and helped her get in the tub. He caressed the top of her head.
"I'm going to go make you some tea. You're probably going to catch a cold." She was shivering slightly. Her nose was red, and she was sniffling. She nodded, and he stepped out of the bathroom.
He put the kettle on. He wasn't upset at her for snapping. Or the way she obviously was in a piss-poor mood. She tended to be a little moody. Whenever she ran out of patience or was annoyed at something, she was a bit intense. He never took it personal. It brought humor to him — which she hated. He usually got her to come around, though.
The kettle was taking forever. He heard the sound of the drain. Hopefully she was warmer now. She left the bathroom and went to their room. He messed with the settings of their stove. Increasing the heat. Her small frame came into the kitchen. Sweatpants, fuzzy socks, and a hoodie she stole from him on her body. He was leaning back on the counter facing her. She looked shy as she got closer. They didn't speak. She was ringing her hands. He grabbed one of her hands and pulled her into him. Her face nuzzled into his neck.
"Sorry, I snapped at you. She murmured into his skin. He scoffed, the sound vibrating through her body.
"That was nothing. It didn't bother me."
"Still. I don't like it when I'm mean to you."
"You're always mean. That's why I like you so much." He kissed her cheek, and she smiled. He looked down into her eyes lovingly. He could decipher anything she was feeling by looking at those gorgeous big green eyes of hers. "Are you warm? Your lips are still kind of blue."
"I'm good now." She nodded while looking up at him.
"Want me to warm them up?" He asked with a cheeky grin, and she chuckled. He pulled her in and placed his lips on hers. His lips were soft and warm against hers. She could taste the remnants of a cigarette in his mouth. He had probably had a smoke earlier. He cupped her face. Calloused hands against soft, cold cheeks. He slipped his tongue in her mouth, and she shivered. This time it wasn't from the cold. He tasted her. She was his favorite flavor. She hummed. His hands left her cheeks and settled them on her hips. Pulling her closer. He could do this forever. He ran his hands up her sides. The kettle whistled. It scared them both, and their lips separated with a smack.
"Shite." He cursed, then grabbed a handcloth and placed it over the handle. He poured the hot water into the two mugs. Her favorite mug. It read, 'Dibs on the lead singer.' His was a U2 mug with his dad's face plastered on it. It was a gag gift from her. He made both their teas how they liked it.
"Careful. It's hot." He warned before he passed the mug to her. She blew on the hot liquid. Smoke fanned her face. They moved to the couch and just sat there in comfort and silence. Elijah and her could always relax together. Especially when he's in vocal rest. She can tell what he wants without him even speaking.
He was being so sweet to her. It made her eyes burn. He wasn't looking at her, but she was looking at him. Sometimes when she looked at him, feelings would choke her. Sitting at her throat, waiting to be spilt. They had been dating for around 6 months. She hadn't said it yet. The word had always made her uncomfortable. She had warned him about it. He said it to her first. Sometimes he drops it in conversations.
Right now though. The words were at the tip of her tongue. Ready to stumble out.
"Eli..." She let out breathlessly. His head turned. He saw her expression. His brow raised in question. "What is it?"
"I..." She gulped. She didn't know why this was so difficult for her. She cursed. He sat up straight. He could tell her. He just knew. Taking a sip of his tea before speaking.
"You don't have to say it. I know."
"What?" Her mouth agape. Eyebrows furrowed. He couldn't possibly know what she was about to say.
"Oh, come on. Did you think I didn't know? I see it on your face every day." He chuckled at her face.
"See what on my face?"
"Love."
"Fuck off." She rolled her eyes. He laughed louder this time. She crawled towards him. He smirked at her.
"You're such a bloody eejit." She sat on his lap. A peck to her lips.
"That you love."
"Yeah, whatever, fucker. I love you." He smiled widely now. Almost giddy. His cheeks turned pink.
"Are you blushing?"
"Yeah, whatever. I love you more."
#elijah hewson#elijah hewson imagine#inhaler#inhaler dublin#inhaler band#robert keating#elijah hewson x reader#robert keating imagine#bobby skeetz#bobby skeetz imagine#ryan mcmahon#ryan mcmahon imagine#josh jenkinson#josh jenkinson imagine#rockstar girlfriend#rockstar girlfriend imagine#u2#imagine#comfort#fluff#fanfiction
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📸 Captured Tracks
#cassettes#tapes#Depeche Mode#B-52's#REM#Peter Gabriel#Echo & The Bunnymen#David Byrne#U2#Deee-Lite#XTC#They Might Be Giants#Tori Amos#Talking Heads#Peter Murphy#Public Image Ltd.
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half the credit goes to my bestest of all friends, @maysthoughts <3 she made me ponder ordinary love
U2, Ordinary Love // Raphael Bob-Waksberg, Someone Who Will Love You In All Your Damaged Glory // La Dispute, Woman (In Mirror) // Everything Everywhere All At Once // @bicarusgf
#mine#on ordinary love#ordinary love#web weaving#webweaving#intertextuality#someone who will love you in all your damaged glory#raphael bob waksberg#u2#everything everywhere all at once#la dispute#woman (in mirror)
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Band Aid - Do They Know It's Christmas? 1984
"Do They Know It's Christmas?" is a charity song written by Bob Geldof and Midge Ure to raise money for the 1983–1985 famine in Ethiopia. The BBC News crew were the first to document the famine, with Buerk's report describing it as "a biblical famine in the 20th century" and "the closest thing to hell on Earth". The song was recorded by Band Aid, a supergroup assembled by Geldof and Ure consisting of popular British and Irish musical acts such as U2, Sting, Wham!, Duran Duran, Culture Club, and Phil Collins, as well as the US group Kool & the Gang. The song was recorded in a single day in November 1984, and the single was released in the UK on 7 December 1984.
It entered the UK singles chart at number one, where it remained for five weeks, becoming Christmas number one. It sold a million copies in the first week, making it the fastest-selling single in UK chart history until Elton John's "Candle in the Wind 1997". UK sales passed three million on the last day of 1984. The song also reached number one in 13 other countries. It was released in the US on 10 December 1984 and sold 1.9 million copies in its first eleven days on release but did not reach number one, due to the more complex chart system, which counted airplay as well as sales. Despite outselling the official number one by four to one, it did not make the top ten due to a lack of airplay, and reached number 13 on the Billboard Hot 100. The song had sold 11.7 million copies worldwide by 1989 and 3.8 million in the UK by 2017.
Most retailers agreed to sell the record at its cost price of £1.35 including VAT. The British government donated an amount to the charity equal to the amount of tax they had collected on the single. The song raised £8 million for Ethiopia within a year, far exceeding Geldof's hopes. When Wham!, who appeared on "Do They Know It's Christmas?", reached number two with their single "Last Christmas" (poll #445), they donated their royalties to the Band Aid Trust. The success led to several other charity singles, such as "We Are the World" (1985) by USA for Africa, and spin-off charity events, such as Comic Relief and the 1985 Live Aid concert. In 2010, the BBC apologised after falsely reporting that money raised by Band Aid and Live Aid had been diverted by rebels and used to pay for weapons.
Critics objected to the song's depiction of Ethiopia and Africa as barren. Ure said the song was secondary to the purpose of raising money for the cause. It was re-recorded and re-released in 1989, 2004 and 2014. All three reached number one in the UK, and the 1989 and 2004 versions became Christmas number ones. A new mix, combining elements of the previous versions, was released in 2024 for the 40th anniversary. For the 2014 version, several contentious lyrics were rewritten, and the song was changed to focus on Ebola rather than famine. The new lyrics have also been criticised as promoting stereotypes and condescension. Criticism from Africans regarding the song remained: in 2014, African activists and Twitter users complained that the song disregarded the diversity of the continent of Africa and ultimately did more harm than good for the people.
Several publications and commentators have described the lyrics as racist and demeaning towards Ethiopians. Ethiopia is home to one of the oldest Christian communities in the world, yet the lyrics and title imply that Africans would be unaware of Christmas at all. Peter Gill, one of the few Western journalists in Ethiopia at the time, said: "As Ethiopians have pointed out ever since, they did of course know it was Christmas because the starving were mainly [Orthodox] Christian."
"Do They Know It's Christmas?" received a total of 48,7% yes votes.
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#finished#80s#o1#o34#o34 tie#band aid#english#u2#culture club#duran duran#george michael#wham!#kool and the gang#spandau ballet#sting#phil collins#genesis
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U-2
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I like to paint as a hobby. I'm not 100% sure about the land background, but I think I'm calling this one complete. I have an F-4 on the to do list, so hopefully soon. One of my favorite aircraft designs. Not entirely fast...but I love the silhouette. Grace personified.
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Quincy Jones being real.
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