#ooof this went in certain directions i didn't expect

[ellicler]

izzy hands is a sad and desperate little man futilely struggling against the systems he hates, yet unable to escape their conditioning. he constantly recreates the very power structures that he’s trying to destroy because a. he thinks they’re effective, b. they’re the only thing he knows and c. he’s inherently someone who likes existing inside of very ordered and familiar lines and he’s afraid of the chaos of change, of stepping into the disordered unknown. (in that way edward is very complementary and very healthy for him.)

there’s three major areas where he exhibits the same dynamic (they’re all interconnected of course). first is obviously patriarchy with its toxic masculinity, its cycles of abuse, its denial of true intimacy. a lot has been said on this point by people more eloquent than me. it’s stede who has the idea to propose an idiotic and visionary question, ‘and what if it wasn’t like that?’ (stede who has more leisure and more intellectual breathing room as a member of the privileged class. this show is so good.) other pirates (even the ones from blackbeard’s crew) accept this freedom of emotional expression, izzy vehemently rejects it.

second is the (british naval) hierarchy, and probably more generally western colonialism as a theme. it’s great we got to see how much izzy despises the british (’do you really want to lick the king’s boots?’) and yet his intransigence about the hierarchy on blackbeard’s ship is something weirdly parallel to the inhumane discipline on the british fleet. what are you even a pirate for, if you don’t have workplace democracy and a preestablished code of conduct? all right, a ship needs a certain amount of discipline to function, and you want to beat you enemies at their own game, but leaving no freedom for your crew makes you honestly indistinguishable from the system you hate. (it does make me wonder if izzy has some past background in the military fleet.) this is also a perspective that best explaines the rather odd scene of izzy as captain of Revenge lording it over the crew. he’s pointedly having dinner while they work (very much a parallel to the ep1 dining scenes with the british officers, a caste who hold themselves above the simple sailors serving them and get killed for their arrogance) and he also chooses to put to physical work the three men of color from the original crew (who doesn’t love to add a bit of racism to their classism). from the POV of the audience (and the crew) izzy is achieving precisely nothing with this show of symbolic power, but for him it’s probably the natural way to display and reinforce his new status (he wants to establish new boundaries quickly). a hilarious values dissonance. (mate just take a page out of blackbeard’s book and threaten someone with a knife through the eye, even that would’ve worked better.)

third is christianity with its ideas about love, servitude and virtue. (as @knowlesian hasn’t yet written the Weird White Jesus post, i’m forced to muddle through on my own, but i didn’t notice it before their game-changing izzy meta. unfortunately christian insanity is background noise to me, i was raised and bred on dostoyevsky.) there’s a very specifically christian emotional tone about self-sacrifice and suffering as the Greatest virtue, about self-abjection and self-negation due as service to your idol who is the quintessence of all perfection and power. the worship and unquestioning obedience due to White God Jesus and his proxies on this earth are trained into you and that's something that leaves a permanent impression on one’s sense of self. so once you rebel against the corrupt and selfish authorities you still carry that expectation of the Perfect Incarnation of Authority in you, an empty place inside your soul. you’ve learned that joy in acceptance of suffering is the highest form of love. you must not only submit willingly to the pain inflicted on you but also find happiness and fulfillment in it. ...i’m sure it’s plain to see the more extreme of izzy’s kinks have a lot of themes in common with this, but it’s also about the general psychological need to find the perfect leader and submit oneself wholly and entirely to his cause. you can’t just respect and follow a good man: you have to make a God out of him. (again, from edward’s POV being objectified in this way is just a colonisation narrative, again as @knowlesian pointed out here).

so anyway. izzy hands season 2 challenge. if your violent defiance of these systems is to be worth a damn, you have to stop letting yourself be defined by their narratives