#one my my main weaknesses in full display of : i'm just crap at characters
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#my lines#shevr#this rat has no name idk.#one my my main weaknesses in full display of : i'm just crap at characters#either coming up with or writing or developping or keeping em#which obviously just will lead to a big lack of characterization.#harder to make lines endearing when the characters just go right back to the void#things to work on things to work on#anyway silly doodle
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It's been a few months since I played through Traum. I meant to write a post about it as soon as I finished, but alas life got in the way. The short version is that I loved Traum and I'm going to talk about all the things I loved in it. It's not a perfect chapter. There's weaknesses to be found in some character stories and plot elements, but nothing that ruined the chapter for me. I think it'll be a much better look at the chapter through a positive lens than trying to ding it like I'm YouTube clickbait. There will be spoilers below the cut, but if you find yourself trudging through the chapter unexcited, I urge you to spoil yourself so that hopefully some excitement can be brought into your Traum experience.
Traum introduces an element that I've long been hoping for in the story and which I feel helps enhance our main cast. Kadoc. We've seen the moody boy before, but now he's out of his coma, resigned to working with Chaldea with a suicide Squad collar around his neck and completely unprepared for the wackiness that is Chaldea. Kadoc's inclusion helps highlight how much of a normal person the Protagonist is, even after everything we've gone through. We only survive because we hold on to our humanity. Kadoc is a man with a lot of humanity, but was raised in a society that told him to succeed he needed to kill that side of him. In a lot of ways he's a repeat of Goredolf while we were clearing Lostbelt 1. Mages who have kindness inside of them, but try to act like they don't. Kadoc knows what the proper way to do things is, but he's also not great at doing it. A lot of the fun of Traum is watching him stumble along and regain his humanity while hanging out with the protagonist. Kadoc and the Protag get to be each other's senpais, one in magecraft and the other in being a human. The protagonist has a much stronger voice and character in this chapter than in previous ones, and that is very much due to Kadoc as a foil and someone to bounce off of. Watching Kadoc grow from his loss in LB 1 and to regain hope in the world after dying, that's just so great.
Sherlock also comes with us, and this is the BEST he's ever been written. I've read every official Sherlock Holmes story, so you'd best believe I rolled for him as soon as possible in FGO. His writing has always been...rough... At times entertaining and compelling, at others frustrating. It's a hard balance to write Sherlock. He's the world's greatest detective, so he can't not figure out a situation or he's an idiot. But if he figures it out too soon, it gets frustrating as the writers have him act coy and not tell us important information, "just because". There was no point during Traum I felt this issue. Holmes was very forthcoming when he figured something out, and his mental battle with Moriarty created a good reason for why he was constantly feeling on the back foot and struggling to focus. His mental acuity and his humanity were on full display. Kadoc and Vlad were also huge helps in balancing out Holmes as they could bounce off of him with their specific specialties. The fact that Traum introduced a mystery with Sherlock that we never thought to question was such a good retcon and the reveal of his origin was heartbreaking. His final moments, his sprite beautifully drawn, his thoughts pensive as he remembered everyone who meant something to him. The satisfied smile he had on his lips as he went over that waterfall...the final bow of a character I'll miss greatly.
Moriarty as an antagonist allowed our protagonists, but especially Holmes and Kadoc, to shine. He thought he was ahead of everyone but constantly his manipulations failed He had no human connections, and could not comprehend others holding on to them. Constantly rejected, in the end he doesn't get what he wants, but he does find that he gets what he needs.
OH MY GOD I LOVE THE PALADINS SO MUCH. Like, holy crap (pun intended) are the Paladins all so good. It's self evident that Astolfo is the best Servant in Fate sorry Mordred, but that they go from goofy comedy to one of the most badass 1v1 fights between honorable warriors ever done in FGO is fantastic. Through their defeat of Tametomo, Astolfo elevates Tametomo as well, adding humanity to the man who claims he's a robot, but is actually just a proud warrior and a bit of a child. Astolfo's friendly banter in this helps to give nuance and introductions to all the other characters they interact with. Roland, Bradmante, and Charlie all feel like characters we've been with forever, and one of those characters is a Traum original. Roland's one gag is pretty funny, but he also manages to be a charismatic knight who has a pretty badass and sad sacrifice. That he and Astolfo just decide, "yeah, our king would approve of an imposter stealing his name" and help the charade tells us so much about Charlemagne before he even appears. An easy going king and knight, Charlemagne is just such a positive figure. He's smart enough to understand the dark sides of people, but he looks to the positive and the good. His is a radiance that is clearly visible even before he removes his cloak. His reveal isn't a powerful moment because it's a surprise, but because of what he's doing. Standing up for a knight who was willing to give his life in battle to live up to the name he stole and protect the one he loves...
...Which brings us to Don Quixote and Sancho. Holy shit these two had me in tears. Traum is a sequel to Atlantis is so many ways. Spiritually, Atlantis and Traum are about heroes making sacrifices and moving forward inch by inch to fight for and protect what you love. In Atlantis we heard of some Servants who fled from the might of the Gods. In Traum we meet one of these Servants, the combined Don Quixote and Sancho. A knight more famous than possibly any other in modern history. The lengths Sancho is willing to go to save her lord are awe inspiring, even as we know that he himself does not wish for any of this. But until that moment where he's facing down Constantine, hopelessly overpowered, Don Quixote just constantly gave in. But as he goes knight versus knight against an Emperor, as Sancho begs him to stop and his light is fading, through his actions he inspires Charlemagne to act. He moves a legend, and proves why he was the one who was worthy of running the realm in the King's name.
Constantine was introduced as our bespectacled ally previously, but now we get him in his full regal glory as one of the primary antagonists. He plays into several of the main themes of Traum, primarily: Existence in History and Love as Motivation. He existed, but he rebels because he finds it unfair that Pope Johanna does not. He fights for a sudden love, and in that regard he is placed in opposition of both Sancho who is willing to do anything for her Lord, and Kriemhild who wishes for nothing more than to make the pain of her love go away. He is not just defeated by a conceptual weakness, but by the love in his heart that meant there was no other path for him in that moment besides sacrifice for Johanna.
Pope Johanna, a woman who hates humanity for creating and then rejecting her existence. Traum plays around with what it means to be a Heroic Spirit and what it means to exist. Everyone in the Singularity is full of contradictions. The composed, compassionate Pope who leads the nation vs the angry woman who storms into a capital and challenges it's leaders to a fist fight. Johanna is both of those things. She's the woman famous for lovers who may not have existed, but when faced with Constantine's love, she only realizes what was there when it's gone. And with it she realizes her own mutual feelings that had grounded her the entire time. It's a tragedy and that she lasts until the end to bring her thoughts and feelings to fruition is a triumph.
Bradmante was fantastic as Johanna's gal pal. In opposition to the other knights and her king, we get to see how the Paladins operate by following their hearts. It does not matter if she's fighting her lord or friends, they understand and support her. And she brings that support back to Johanna. She may be our enemy, but she's never felt more like an honorable knight.
Salome...brought me to tears...Her story is short, a footnote early in Traum. Someone for who love in dangerous. She loves those who are exceptional, and in that love takes their lives. But the protagonist isn't exceptional. We're just a normal human in a land now only occupied by the exceptional. In a world of the exceptional, the mundane shines. And it is due to that normality that Salome is able to hold that love to completion for the first time, to not consume or be consumed by it's fires. We are not Jokanaan, we are not a saint, we are just a person who is kind. A person who cares, and is cared for. Salome resists her nature and instead of taking, she gives, and in giving she receives final moments of repose. Her love has not consumed her this time. A love that puts her in contrast with....
...Kriemhild. The Ruler of one of the three realms. The primary antagonist of Traum. The cruel dictator who sacrifices others quickly and callously on her path towards victory and her dream. Kriemhild is terrifying and effective the entire Singularity. She is driven by anger. But what is the source of this anger? The loss of her husband Siegfried? The revenge that consumed her and all she loved? The inability to change her own nature? Love. Love is the source of her anger. As it compels and empowers all the characters I've talked about above, from Kadoc all the way through Salome, no one else is moved by love more than Kriemhild. That's the main theme of Traum. When we find and free Siegfried and the two former lovers resign themselves to a final bloody confrontation it is clear only tragedy can come from this. We all know Siegfried from Apocrypha and Orleans. He is unyielding and unwavering in his determination. He will not change his ways. We know that and Kriemhild knows that. She counts on it. But in that final battle, as we fight against Kriemhild's rage, Siegfried does not beat her physically in battle or emotionally with his iron clad determination. He surrenders to his love. Kriemhild's rage melted and reshaped the metal heart of the legendary hero Siegfried. A dream long overdue, that she had given up on ever experiencing, happens in this moment. Siegfried chooses her over everything else. Kriemhild wins. He apologizes for his actions and he changes sides. Kriemhild's lover fights and dies by her side. Her will outlasted Siegfried's, and as a Servant she got what she'd long deserved in life. Kriemhild gets her wish. The scene was such a reversal of everything we knew about Siegfried and it's beautiful. In the end, love wins.
Traum is a triumphant story of heroes and of love. It is a tale of those whose names made history, and those who will never be known to us. Traum is a step towards a new era in FGO, where secrets are revealed, old allies are lost and new allies are gained. Traum is still not my favorite chapter, but I enjoyed and loved it from beginning to end.
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