#okay now these are your assignments: read this fic. look at ems' other art. look up other angles of this sculpture. they are all so cool!!
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Family Matters (6x07) // Outlier (in Bite Marks) by sp8ce // Explosion by George Grosz // ‘Heavy in Your Arms’ by Florence + the Machine // Continuum by Charles O. Perry // ‘Either/Or’ by Sören Kierkegaard // Sam and Lucifer by Ems (@iheardyourprayer) // Outlier (in Bite Marks) by sp8ce // The Vessel (11x14)
image description: web weave using images and quotes listed above
6x07: Sam is sitting in a motel room, beaten up and tied to a chair. Glowing red veins creep up his face as his head falls forward, with Castiel’s belt in his mouth. Castiel is bent slightly forward, standing in front of him, with his hand in Sam’s chest.
excerpt from “Outlier (in Bite Marks)” reads: [It’s so easy to diminish. One life, one concentrated neutron star twisted into pain. The world around remains. Things continue in cycle and meaning. Life has never meant to be free of suffering or death.]
Explosion by George Grosz: an oil painting, with deep reds and grays, with flashes of yellow and blue. From the website linked above: [George Grosz's Explosion transports the horrors of World War I home, to Berlin. With a fiery glow in the background, collapsing high-rise buildings pinwheel around a black vortex. Windows shatter and smoke pours into the nighttime sky. Slices of half-naked body parts, embracing couples, and shadowy faces appear amid the chaos brought about by man-made, not natural, disaster.]
‘Heavy in Your Arms’ by Florence + the Machine, lyrics read: [My love has concrete feet / My love’s an iron ball / Wrapped around your ankles / Over the waterfall / I’m so heavy, heavy / Heavy in your arms]
Continuum by Charles O. Perry: two photographs of different views of a swirling, abstract sculpture made of bronze and painted black. from wikipedia: [The center of the bronze sculpture symbolizes a black hole, while the edge shows the flow of matter through the center from positive to negative space and back again in a continuum.]
‘Either/Or’ by Sören Kierkegaard, quote reads: [I see it all perfectly; there are two possible situations — one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it — you will regret both.]
‘Sam and Lucifer’ by Ems @iheardyourprayer: from the post linked above: [a square painting oriented like a diamond, acrylic pain pour with red burgundy and gold swirls, surrounding it is a black metal frame like two overlapping squares so that the painting and the metal only touch at the two side points]
excerpt from “Outlier (in Bite Marks)” reads: [But Cas cares. And Lucifer’s distracted, sloppy, wrapped up in his delight. And Cas, he cares, cares even more feeling Sam and feeling the shocking pain he’s in. Cas cares so much. Cas cares more than anything in the world in that moment, and he narrows down everything that’s ever mattered to him into Sam, into Sam’s life and saving Sam, and he yanks his hand out of Sam’s chest.]
11x14: Lucifer is using Castiel as a vessel, and he has Sam pressed against a pillar in the bunker library. He looks up at Sam, gesturing with his hand, and Sam leans away from him.
#sam and cas#sastiel#sam winchester#castiel#lucifer spn#fic#6x07#11x14#spn#spn web weaving#*mine#okay now these are your assignments: read this fic. look at ems' other art. look up other angles of this sculpture. they are all so cool!!
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Cowboy Like Me - Part One
Story Summary: HERE.
Chapter Summary: Three months after your arrival at Statesman’s Kentucky department, Jack and yourself are sent out on your first assignment together. You find out you didn’t know your partner as well as you thought you did, while Jack is forced to confront the decisions he made one year prior.
Rating: M ......for now.
Word Count: 11.2k (I know...) (also, the irony of this blog being named danidrabbles vs. this word count is not lost on me, trust me)
Warnings: Language, canon-typical violence (mentions and use of weapons, mentions of death and murder), alcohol, innuendo but no smut, feeeelings, way too many creative liberties with / assumptions about the art world - I think that’s it, but please let me know if I missed anything!
Notes: Absolutely terrifying to share my child in fanfic form with the world, but here we are... This story (even this first chapter) has known many versions, but this final one would not have been here if it hadn’t been for Astrid @javier-pena, who quite literally dragged me through this with her constant encouragement and unlimited enthusiasm. Please read her wonderful Mandalorian fic ‘The Hunt’. Astrid, I’m tipping my imaginary cowboy hat down to say that I can’t thank you enough, darlin’. I also want to mention @frannyzooey and @jura-moon�� who, with their stories, have inspired me endlessly and relit the writing flame within me that had gone out. Thank you!
PART ONE: LONDON.
“No, wait,” you whisper, and you hold two fingers up to emphasise your words.
“Wasn’t gonna do anything,” Jack hisses back.
The two of you are taking cover behind a broad column, face to face to fit the space together. The footsteps to your side stop, and then there’s the sound of hushed voices, too soft to make out what they’re saying. There are five of them, that much you know, all equipped with a gun.
You nod down at the hand resting on the holster under his arm, raising an eyebrow. “Sure.”
“Not yet,” he clarifies with a sigh. “But hiding here ain’t it… Eventually, it’s only gonna expose us more.”
“We’ve got to wait,” you say. “Listen, they’re eager, right? They’ll come to us, and if we wait for them to come to us, we can take them out in close quarters instead of at long range.” Your head perks up at the soft sounds coming from the other side of the room.
“That’d be a perfect idea if you had your little knives and I had my whip, but we gotta take ‘em out with these,” he reminds you, holding his gun up for you to see. “Remember?”
You sigh, palming the gun still sheathed in the holster on your hip. He’s right, you acknowledge with a nod, it is different without your weapons of choice. “What about visibility?”
Above you, there’s a light flickering on and off, colouring your surroundings in bright red at steady intervals, forcing your eyes to refocus every time colour bleeds back into the room.
“Think it’s a disadvantage for all of us,” he provides.
The sound of footsteps is back, this time almost rhythmical, on your left and right. “They’re probably splitting up,” you whisper, listening again before you add, “Three on the left, two on the right? Maybe?”
He listens, too. “Sounds about right.” Then, he grins. “How ‘bout a little competition, hmm? First one to take out three wins.”
Your face falls and you manage a sharp, “Jack, no,” but shit— He’s already rounding the corner. You have no choice but to come out of hiding to cover him, following only a second after he emerges from behind the column. The sight of the both of you, guns raised, fills the room with silence, until Jack fires a warning shot, which makes the footsteps turn frantic. There’s a sound to your left, and you turn, quickly firing at one of your assailants who has their gun pointed at Jack’s back, hitting them right in the chest.
Jack’s head whips around in surprise. “Thank you, darlin’,” he says, an appreciative smile apparent in-between the flickers of light. “But that one was on my side, so that makes the score one to zero in my favor.”
“All I heard was, ‘First one to take out three wins’, nothing about sides,” you counter. “Which would make it one to zero in my favor.”
“Hmm,” is all he says, and it sounds far too amused.
“What’s that?”
“S’nothing, I just… knew you’d play along if I made you.”
You roll your eyes at his remark, then refocus, scanning your surroundings. There’s crates, columns, some furniture; plenty of places to obscure you from view. You can’t see a thing during the little intervals where the lights aren’t on and it makes you feel dazed, like you’re moving in slow-motion. There’s also no footsteps, so you decide that forcing everyone to the back of the room by checking the hiding places is probably the best course of action, as it will eventually leave them cornered, easier targets. Turning to convey your plans to your partner, you find him gone from your side.
Then there’s a grunt, and a thud, and then Jack’s voice echoes through the room, “One-one.”
Before you can even think of replying, a shot flies over your shoulder, and you dive behind a large crate. You look over the top with narrow eyes, spotting someone hanging from the ceiling. It’s a smart move in theory, but only if you don’t miss; it draws attention, reveals your position. You wait, and when no shot follows, you look over the crate again, seeing the person who just shot at you struggle with their weapon.
You raise your gun, take your aim and hit them in the chest at the exact same moment as the room lights up. Another shot rings out behind you, followed by a groan, and you immediately turn towards the sound. You find Jack standing there, looking far too proud and with a body slung over one of the chairs behind you.
“Thought I’d return the favor and make things exciting,” he says. “That’s two-to-two.”
You offer him a short, fake smile, then move through the room with him. It’s nearly impossible, with Jack wedging himself into your path to be the first to check your corners on account of the current score, and after some frantic shuffling from your target, and some missed shots from you and Jack, there’s only one spot left. You will yourself to focus on the far corner of the room, cross stepping closer and closer with Jack hot on your heels.
“You’re paying attention, right?” Jack says, picking up his step again until he’s slightly ahead of you. You can see the grin on his face form between the flickers of the lights overhead. “’‘Cause I would just hate for you to lose, doll.”
God, you hadn’t even agreed to participate in this pointless bet, but you can’t help but think about how satisfying it would be to wipe that grin right off his face when you win…
Suddenly there’s a shuffle from behind the couch in front of you, followed by a click, and it makes you both duck just before two shots come your way in quick succession. Jack’s hand closes over your upper arm, dragging you behind the fallen table he’s found cover behind, and you’re both silent for a second to listen to more shuffling from your target’s hiding place, followed by two more shots.
“Looks like we’ve successfully trapped our rat in the corner,” Jack says, voice low.
You nod. “Okay, I’ll go, you c—”
“Oh, hell no.” Jack chuckles softly. “Nice try, but I ain’t handin’ you the victory on a silver platter like that.”
Your shoulders drop with a sigh, “You know I don’t actually care about this bet, right? Just need you to cover me.”
He makes a face, then pulls another 10-bullet magazine from the clip around his waist as he thinks. After sliding it into place and pulling his hand back overtop the weapon, a tick confirms the reloading of his gun, and he gives you a quick nod.
“I’m going to need verbal confir—”
“Just fuckin’ go. I’ll cover you.”
Before he can change his mind, or do something decidedly Jack-ish, you step over his body, staying low, as you sneak out of hiding on the opposite side of the table during a moment where the room is covered in darkness. Behind you, you hear Jack mutter a soft curse before he begins shooting in the general direction of where the shots had originated earlier.
You approach carefully, operating out of sight. When you’re close enough, you press your back up against the nearest column. Quickly checking your gun between the flickering lights, you nod to yourself, then hold it close to you as you start to count when your distracted opponent fires back at Jack.
One, two, three…
four, five…
six.
Bingo.
You approach the couch, pointing your gun over it. The man behind it immediately raises his own weapon at you, aims for your chest and fires, but all that follows is a soft click, accompanied by a look of horror on his face at the realization he’s emptied his magazine.
In the split-second you contemplate your options, the bet entering your thoughts again, Jack comes up to stand beside you. You take him in from the corner of your eye. He’s not looking at you but has his gun still firmly held in both hands. When you turn slightly to look up at him, your eyes meet, and you’re sure that in that moment, the exact same thought crosses your minds at the exact same time. You both point your gun down and pull the trigger.
It’s impossible to tell who lands the kill shot in the end.
Jack scoffs, hands dropping to his sides with a shake of his head. “Christ, you liar.”
You’re about to retort when you hear it: a click behind you.
The realization makes your eyes widen, but it’s too late. You hear the shot before you feel it, and it lands right in the middle of your back, making you wobble. Next to you, Jack huffs, hand landing on the back of the couch at the pressure that he’s no doubt also feeling at his back.
It’s silent for what feels like the longest time, save for the heavy breathing behind the two of you. Until…
“You’re out, agents.” Ginger’s voice crackles over the intercom.
The lights flicker on in the room, bright and almost yellow, and the loud buzzer that rings through the practice space indicates the end of training. Around you, everyone rises up from their fake-deaths. They gather around, shrugging out of their protective clothes and celebrating their win, congratulating the last woman standing as they make their way to the exit.
“What the hell, Ginger!” You shout. “You said there were five!”
There’s a soft noise coming through the intercom, before Ginger’s voice is back, “Here’s a refresher: Always verify the information you get, don’t just blindly follow it.”
“Oh, come on…”
Next to you, Jack pulls the magazine of practice bullets from his gun before he holsters it. “It’s not like it really matters,” he says.
“We were just taken out by the recruits,” you scoff. “It matters.”
Meanwhile, your mind is already racing, going over the details of the training, thinking on where you went wrong, but it’s a short contemplation because Ginger is right: You should have confirmed your targets before running out in the open and exposing yourself, have a better plan... Which reminds you—
“Hey,” you say, drawing Jack’s attention again. “Next time I would appreciate a little heads up if you’re going to disappear on me like that,” you say, jabbing your thumb over your shoulder. “I mean, if I can’t even trust you during training, how am I supposed to trust you when we get back out there?”
His eyes narrow and it’s like he’s about to say something, then thinks better of it and turns away from you. “We ain’t going anywhere anytime soon anyway.” His voice is stained with spite and immediately after he says it, he starts making his way towards the exit.
You huff as you pull at the velcro straps to get the vest off your body and drop it into the container with the rest of the protective clothes next to the door, before following after him.
He isn’t wrong, per se. You don’t know about the details because it seems to be a sensitive topic judging from the one time you brought it up, but Jack had been put on non-active months ago after a mission in Cambodia and hasn’t been sent out by Statesman since. After a bit of an unconventional first meeting between the two of you, Champ, the head of Statesman, had decided that partnering you two up would be a good idea. Truthfully, it made sense; Jack’s a senior agent who needs to be eased back into things, you’re a junior agent who could learn from him while you could keep him reined in.
But it’s been three months since and you still haven’t been sent out on a mission, and it isn’t how you envisioned your transfer to this division of Statesman to be.
You imagined high-stakes missions, traveling the world, learning from the best—
Okay, maybe that last part had worked out.
Truth be told, Jack had proven himself a very capable agent from the very moment you met, but it didn’t really sink in until one of your first training sessions, when you discovered Jack insisted on carrying around a lasso and whip on top of this Statesman issued gun. You laughed it off at first, thinking it was just part of his cowboy-like fashion sense. Then he opted to practice his lasso skills on you, betting he could catch you with it in under a minute. Figuring it would take him more than a minute to even find you in the large training space, you agreed. In hindsight, the smirk on his face when he asked should have been enough for you to realize your mistake right away. He found you, got the rope looped around your body, and, rather indignantly, forced you to the ground; all in under 36 seconds.
It wasn’t until after, when the rope was looped around a rubber target dummy, that he showed you the lasso could turn electric…
You continued your sessions together, learning to anticipate each other’s moves, play off of them to use it against your opponent; getting a routine down and using the training time to prepare for your missions. But there’s only so much preparing you can do, especially with someone who is as much of a wildcard as Jack, someone who often makes his own plan. But the missions never came, causing Jack to become somewhat of a ticking time bomb, closer to exploding with each passing day that you weren’t sent out. You’re sure Champ has noticed by now, but still, he insists on having you train together more. And, on occasion, that means playing target practice for the new Statesman recruits.
“Being taken out by the recruits isn’t going to improve our chances, you know.” You jog after him until you’re walking next to him.
“That mean we should just take it?” Jack asks, manoeuvring through the corridors back to the main building, bumping your shoulder occasionally.
“Whatever happened to, ‘You know me darlin’, I’m always jumpin’ at the chance to pencil in a little extra training time with you’?” you manage in your best impression of his voice to echo the words he said before the two of you entered the training space earlier.
“I changed my mind and thought of something better, that’s what happened,” he says, looking at you before gesturing between the two of you. “Us two, puttin’ all our hard work to good use out there in the field. And I don’t mean any funny business.”
“Hmm, yeah, no, exactly, ‘cause we don’t practice that kind of stuff.”
You set it up for him, and you have a feeling he knows but can’t help himself. One corner of his mouth turns up, and you consider the slight change in his demeanour a small victory.
“But we could.”
You chuckle, open your mouth to reply—
“I know, I know.” He grins, before you can say anything. “Just puttin’ it out there, lest you forget.”
He stops walking, so you do as well, standing next to him and leaning against the wall as to not obstruct the hallway. He turns towards you and for a moment you just look at him as he sighs and combs his fingers through his hair while the furrow returns to his brow. “But… Christ, don’t you wanna get back out there?”
“Of course I do,” you say with a sigh. “At this rate that recruit dangling from the ceiling is going to get a mission before we do.”
“See! That’s what I’m talking about, partner.” He leans in, lowers his voice like he’s about to tell you a secret, “I say we—”
“Hey, Whiskey!” The exclamation echoes through the hall, followed by your own code name. Both your heads perk up at the sound, finding one of the recruits at the end of the hall. “Ginger’s asking for you two!”
--
Ginger Ale’s promotion to handler meant that she was able to enjoy a lot more of Statesman’s luxuries, including her own office. As you walk in, you can’t help but notice how nice it is: It is spacious, but modest with the way she has decorated it, has a gorgeous view and is full of the latest tech; it is exactly what she deserves.
You’ve gotten to know her well during the past few months. She is intelligent and resourceful, warm and encouraging. Her work is thorough and precise; she cares a great deal about the details of a mission, and you have no doubt that you could always trust her if she were to ever guide you through one.
But training is another story, apparently…
“I’m not accepting any repercussions for that training,” you say the moment you spot her by the window.
Ginger chuckles at that, and it sounds unlike her, like she’s nervous. It’s almost as intriguing as the next words she speaks, “Then I guess it’s a good thing I didn’t call you in here for that. Why don’t you have a seat?”
You shoot a quick glance at Jack, who looks equally responsive despite his silence; lips pursed, an eyebrow cocked. He strides towards her desk to take her up on her invitation, and sits down in one of the two chairs opposite her workspace. You follow quickly, taking a seat in the empty chair beside him, looking up at Ginger as she makes her way to the see-through screen on her desk.
Ginger taps the screen twice, and it lights up. It’s full of pictures of the same man, all taken on different occasions. He’s slender, mid-40s, you’d guess, with a pair of round glasses perched on his nose and has blond, wild hair, some of it missing on the top of his head.
“Nathaniel Jones,” Jack says, leaning in to take a closer look at the pictures. “Nathan resurfaced?”
“Yes,” Ginger says.
“I’m sorry, um, who is Nathan?” you ask, looking from Jack to Ginger and back.
“He’s an art thief,” Ginger answers.
“Not just an art thief, he’s one of the best, even wanted by the good folks at Interpol,” Jack corrects, turning to you. “Steals pieces all over the world and replaces ‘em with fakes, good fakes, then sells ‘em. They even suspect him of stealin’ an ancient Chinese gu from an exhibition in Nanjing, which he kept for his own personal collection. Think he might be capable of puttin’ the Gardner Museum theft to shame someday…” He trails off.
You nod, not entirely sure what that means, but you’re sure it would be an impressive feat. And Jack would know. While he’s been on non-active, Jack has taken up a new hobby: art history. You didn’t think he’d be the man for it, but apparently when Jack sets his sights on something, he goes a little hard, and if the many times he’s threatened to ‘leave the agency and live off that sweet, sweet art appraiser salary’ are anything to go by, he is quite good.
“However, no one has been able to catch him. He leaves no physical evidence, but he always allows himself to be photographed, as you can see,” Ginger says, gesturing towards the screen.
“Show off,” Jack scoffs. “Where did they spot him?”
“London,” Ginger replies, tapping the screen again to reveal an aerial map of the city centre, two red dots corresponding with some of the pictures she’s shown you earlier. “There’s a big auction coming up and he’s expected to strike.”
Suddenly, her words are kicking in. Nathan is like.. he is kind of like a target, isn’t he? And he was spotted in London… Expected to attend an event where he could get caught...
“Ginger, are you—are you saying what I think you’re saying? You’re sending us on a mission?”
“Yes and no. It’s…” Ginger hesitates, eyes flickering to Jack quickly, then continues, “It’s a mission, but it’s not our mission. It’s… It’s at the request of Kingsman.”
But it’s a mission. A real mission, in London. And it's perfect. With Jack's art expertise and both your skills as agents, you’re sure you’d be an excellent addition to the Kingsman team for this mission. A mission. Finally—
“We ain’t goin’.”
—and then Jack says that. His voice is low and dead serious, lacking any hint of sarcasm. “You know I’m not fucking doing that.”
It takes you completely by surprise, and you whip your head around to him so quickly that the muscles in your neck protest. "What?"
He ignores the question, stares straight at Ginger. Something is seriously wrong. He’s tense, maybe even more than you’ve ever seen him. It’s in the way his jaw twitches, and how he’s gripping the arms of the chair, but most of all in his eyes; it’s something you can’t place.
“They just need someone who can look at the pieces they have at the auction house, to authenticate and appraise them before the auction,” Ginger says, “and an extra couple eyes to do surveillance during the auction.”
"You should send someone else, ‘cause I ain't doin’ it."
Ginger sighs. “You think I would ask this of you if there was someone else who could do it?”
“Come on, Ginger,” Jack laughs bitterly, a thumb coming up to swipe at his bottom lip. “No art appraisers available in London?”
“You know they can't just get a civilian in on this.” Ginger sounds frustrated now.
"Well, it’s what Kingsman is gonna have to do."
You raise a brow at the way he snarls at the word ‘Kingsman’. So that’s what this is about. “Okay,” you begin, speaking in the kindest, most understanding tone you can manage as you turn towards your incredibly stubborn partner. “Okay, clearly there’s something going on here, with - with the Kingsman, right? But maybe by going there you can…,” you gesture with your hands to find the right words, “work it out?”
He seems to consider this, lips pursing further, not looking at either you or Ginger, and after some moments of quiet contemplation, he begins to sit up. “Hypothetically — and by that I do mean hypothetically — if I were to agree… Do they even know I’m the one comin’ to consult?”
“Jack—”
“It’s a simple question,” Jack interrupts, voice slightly raised. “Yes or no?”
You give Ginger a hopeful look, but her silence says enough.
Jack lifts himself out of the chair, drawing the same conclusion. “Then there’s no chance in hell.”
"Well, do I get a say in this at all?" Your voice comes out angrier than you intended, but it’s fitting. You are angry. Angry that he’s making decisions without you again, angry that he would blow this chance for the both of you after he hasn’t shut up about how he wants to get sent out on a mission.
"Not in this one,” Jack all but barks at you.
You rise up from your chair. “Excuse me?”
“Sorry, doll, but I’m not going all the way to London to help Kingsman as some sort of… last hurray before we're back to bein’ fucking… practice bait for the recruits!" Rounding the chair, Jack makes his way to the doors to Ginger’s office.
You're about to go after him, demand he tell you what the fuck the big deal with Kingsman even is, when Ginger speaks,
"What if it isn't one last hurray?"
Jack keeps walking. “Don’t bother.”
“If you go, I can talk to Champ about sending you out on more assignments.”
Now that makes Jack stop in his tracks. He doesn’t quite turn around yet, his back is still to Ginger and yourself, but he does angle his head to the side to indicate he heard her. It’s something. You can feel your anger simmering down and your heartbeat picking up; hopeful at Jack’s hesitance, giddy at the prospect of more missions. “And all I have to do is look at the pieces?” His voice is barely any louder than a whisper.
“Look at the pieces, authenticate and appraise them, surveillance,” Ginger summarises. “That’s it.”
His hands find his hips with a sigh, and he tips his head down. He stays like that, oh so still… “Tell them I’ll do it,” he says, “but not because I want to.” Then he pushes the door open and walks away.
--
“So…” You draw the word out before clicking your tongue.
You’re sitting across from Jack on the jet, still a long way from London. Ginger has arranged for one pretty much right away. Once you’ve gotten over your initial, dazzling impression of the jet – it is enormous, far too much for just two people, with a literal pool table in the middle and a fucking bar with two doors next to it that lead to the sleeping compartments – you begin quietly observing him.
He hasn’t spoken a word since you left Kentucky and, if anything, he seems to get more miserable the closer you get to your destination. The longer you see him like this, the more your enthusiasm for the mission cools, and the more you actually start to get worried this is a bad idea after all.
You have waited as long as your curiosity, and the tension, allow for it, but given the explosive start of this whole thing, you’re certain you have to know the apparent history between him and Kingsman. You’ve tried asking Ginger, as she certainly knows more about it, but she insisted it wasn’t her place to tell you. So, really, you have no choice but to bring it up now.
“When are you going to tell me what the deal is with you and Kingsman?”
“Nothin’ for you to worry about,” comes his instant reply, clearly having anticipated your question. He’s got one hand cupped along his jaw to support his head so he can stare out the small circular window, while his shoulders, judging from his posture and the expression on his face, are currently supporting the weight of the world. “It’s all gonna be just fine.”
You scoff. “Please. I’ve known you for some time now, I’ve seen you in a lot of moods, but I’ve never seen you sulk, and…,” you gesture towards him, slumped back in his seat as he is, “…you’re sulking, Jack. Clearly there’s a good reason for that.”
He sits up at your remark, adjusts his hat, then pinches the bridge of his nose, giving you a clear sign that he doesn’t want to have this conversation – at all, but especially right now. You give him a few more seconds, but when it’s clear he isn’t going to speak, you try another direction.
“Is it um, is it about Cambodia?” you gently pry.
“Woman, can’t you take a hint?” he grunts. “Or do you just like getting a rise outta me?”
“I’m not asking just because I’m curious what can get such a rise out of you,” you say. “This is an assignment, technically it’s our first official one - the bank doesn’t count,” you add quickly. “And I would just like to be a little more prepared than last time.”
“The bank counts.”
“We didn’t even know—”
“The bank counts,” he repeats, and he probably thinks he’s being oh so funny and clever right now, focussing in on your mention of your first meeting like he isn’t doing it just to try to change the subject.
“I want to know what I’m about to walk into, Jack,” you say sharply.
“We all want things, darlin’,” he says with a sigh, getting up from his seat. “I for one would like ya to stop bringin’ this up.” And then he walks off to quite possibly the only place he can escape to right now, announcing, “I’m gonna hit the hay.”
“Sooner or later I will find out about it, you know that, right?” you call after him, your final attempt to make him just tell you what happened.
He hesitates – it's brief, but he does, a slight change in his step, a twitch of his upper arm. But he doesn’t stop, leaving you to watch as he slips through one of the doors next to the bar and disappears out of sight.
You will yourself to keep working and wait for him to return, thumbing through the thick files Ginger sent along. But as more time passes, the letters begin to dance in front of your eyes and your eyelids get heavy with sleep. Had this seat been this comfortable before? Your body sags into the leather and you allow your thoughts to drift away from your partner’s mysterious history with Kingsman. After all, you think, naively, trying to justify letting the sleep overtake you, if Jack has decided to accept the assignment, how bad could it really be?
--
Okay. So. Turns out it could be really bad.
After touching down in London, you’d been escorted straight to the auction house, where Agents Galahad Sr. and Galahad Jr. would meet up with you. Jack had been fidgety the whole ride, leg bouncing as he resorted back to gazing out the window. You don’t know how long he had locked himself away for on the jet, but when you’d woken up, he was back in his seat across from you, case files in his lap but fast asleep, or doing a pretty good job pretending. After arriving, you entered through the sliding glass doors, and spotted two men, both sharply dressed. One was a bit older than the other, and the older one wore a pair of glasses that left one eye obscured from view. The older man had barely taken your hand in his to introduce himself, when his colleague spotted Jack, and all hell had broken loose.
Currently, you and the man you now know as Harry, if all the frantic yelling from the other agent is anything to go by, are forced to settle what has become a standoff between Jack and Harry’s colleague. They’re standing across from each other, weapons pointed at each other after Harry’s colleague aimed his at Jack, to which Jack pulled his own gun from its holster and pointed it at the other man.
“What the fuck is this, Harry? What is he doing here?”
There’s something about his tone that confirms beyond his actions that he’s more than furious. You feel a flush creep up your neck in response to the situation you find yourself in; you feel embarrassed that you have no idea what’s going on.
“Eggsy,” Harry says. “There’s no need for theatrics.”
“He’s right. Jack, put the gun away,” you say.
“Like hell – I’ll put my gun away when he puts his gun away,” Jack answers, his eyes never leaving Eggsy’s hands.
“I— Me? I should put my gun away?” Eggsy scoffs. “I’m not even puttin’ my gun down around you. Last time you pulled a gun on me, you tried to kill me—” He looks at Harry, “You tried to kill us.”
Jack sighs. “Listen, things are different now—”
He’s saying more after that, but all that you’re hearing is that he isn’t denying it, and it replaces the flush from earlier with goosebumps that break out all over your body. That’s why he didn’t want to come here. Jack, your partner Jack, had attempted to kill two Kingsman agents.
“Why are you so calm about this, Harry?” Eggsy’s voice comes out strained, and it almost sounds like a plea.
“Agent Galahad,” Harry says sharply. “You know we can’t let our personal feelings get in the way. I simply think we should give Agent Whiskey a chance to do the job he came here to do.”
“Yes,” you blurt out. “I swear, that’s all we came here to do; do the appraisal and help with the surveillance later. After that, we’ll be out of your hair.”
Eggsy looks from you to Harry and back, gripping the gun so hard it shakes, then lowers it with a sigh. “You better.” He turns his attention back to Jack. “Or I swear, I’m gonna put so many fuckin’ bullets in you that no amount of Alpha-Gel can fix it. You got that?”
“Loud and clear.”
You heave a sigh of relief when the men holster their weapons, and as if knowing exactly when to appear, the auction house assistant enters the room, blissfully oblivious to what she had just missed out on.
Her accent is posh, especially compared to Eggsy’s, when she says, “I see everyone has arrived. Shall we?”
As she leads you to the room where the paintings are being kept, the auction house assistant informs you about them. They’re all part of a week-long event, an auction to help out up and coming artists. It’s all information you already know from the preliminary work you did for this assignment. What you don’t know is that artists usually make little to nothing from their art being sold at auction houses, but that this auction has a scoop: The artists will receive royalties from works sold on the secondary market. The works up for auction tomorrow are among the most anticipated, and they’re expected to sell at a high price. And even though you’re no art expert, you can certainly see why when the assistant leads you into the room where the works are stored.
The white walls are adorned with paintings of the most beautiful artworks. They’re all landscapes -– cherry blossom by a lake, a cave lit in a way that could be described as enchanting, a waterfall between oddly shaped high rocks, a lavender field at sundown. But they’re painted in a way unlike anything you’ve ever seen on account of the dazzling colours and unusual brush strokes. It instantly makes you want to look closer; it makes you want to touch, flit your fingers over the bumps of dried paint – an instinct you obviously don’t act upon, but you want to. It’s bitter to imagine how such stunning works would not have benefitted the artist if it would be sold at another auction house…
Jack looks equally impressed, whistling as he looks around the room before he gets to work. As he does, you watch curiously, from a distance as not to disturb him – Eggsy’s leaning against the wall next to him, much less subtle about his observant role. While you watch, you take note of the care Jack is putting into his work right now, unusually patient in his methods, evident in the way the gloved tips of his fingers brush along the canvasses, how he uses his pocket magnifying glass to inspect the painting from top to bottom, and the soft tone he uses with the assistant. It’s the kind of stuff you’ve never really been able to see him do, you realize, so different from all the tactical training you went through the past few months.
By the time he’s nearly done, you’re deep in conversation with Harry. He’s polite and to the point, with a rich voice and a kind laugh. And clearly, he’s no fool. You had struck up the conversation in hopes of prying some information out of him about Jack’s history with Kingsman, but Harry changes the subject each time you try, focusing back on the “extraordinary artwork”. It’s like the universe is conspiring against you, waiting to drop the other shoe at the right moment – or maybe these agents are just too well trained…
“That fuckin’…” Lost in thought as you are, you’re startled when you suddenly hear Jack’s voice sail through the room. “We’ve got a problem,” he declares, rounding the corner, coming back into view with Eggsy hot on his heels. He’s striding over with large steps as he plucks the latex gloves off his hands, and the concern on his face is apparent; his lips are pressed together in a thin line and his brows are furrowed. He comes to a halt in front of Harry and yourself, his fingers brushing along his chin before he explains himself, “So, all of ‘em are exactly as I expected ‘em, right? Until I get to the last one, inspect the brushstrokes and… something don’t add up. I think he’s already made the switch.”
--
Jack’s unexpected discovery at the auction house had led to a small crisis. From Eggsy, who demanded to know how Jack was so sure and if he wasn’t aiding a wanted criminal again. And from the auction house personnel, who started a frantic investigation into how someone could have gotten in and out of the secured room. It was a mystery that was quickly solved when they pulled up the security footage from last night, which showed Nathan, dressed as someone from the cleaning crew, rounding the corner where the switched artwork was located with a cleaning cart, and reappeared with it moments later.
No one expected Nathan to strike before the auction; the thief usually operates in plain sight during the events he targets. It forced Harry, Eggsy, Jack and yourself to rethink your strategy, and you had agreed to meet up early next morning to come up with a new plan. The stiff goodbyes you’d shared with the Kingsman agents served as a cold reminder of how you’d arrived here.
And even now, as you’re lying in bed, staring at the ceiling, it’s an unpleasant feeling you can’t shake, a feeling that’s keeping you from sleeping more than the jetlag. Before you can think any better of it, you’re up, through the door, walking down the hallway, and knocking on Jack’s hotel room door. He opens almost immediately, and that, combined with the way he’s still dressed in yesterday’s clothes and is doing a poor job of hiding the half-empty whiskey bottle on the dresser behind him, leads you to believe he hasn’t slept a wink, either.
“Hi,” you say, brushing past him and into the room.
“You know,” he says as he closes the door, a slight slur in his voice apparent. “This isn’t how I imagined it.”
The comment throws you off. “This isn’t how you imagined what?” you ask with a frown.
He gestures towards you. “You, barging into my hotel room.”
“I—”
“Usually less clothes involved,” he interrupts with a chuckle as he walks toward the dresser and plucks the bottle off of there.
“Yeah, well…” you look down at yourself, at your sweatpants, the soft dark blue T-shirt you’re wearing, “I’m sorry this isn’t doing it for you, Jack.”
He looks up at you, cocks his head with a grin. “Oh, I didn’t say that, darlin’.”
You sigh. You’re used to this endless back and forth, the pet names, it’s what Jack does with everyone, but you’re no longer in the mood to play into his little game. “I’m not here to get you into bed, Jack.”
“Good,” he says, and he doesn’t miss a beat when he adds, “in my dreams we don’t make it to—”
“I’m here to give you one final chance to tell me what happened between you and Kingsman,” you say with a raised voice before he’s even finished.
He makes his way over to a glass table by the window where his tumbler is waiting for him, and he pours it half-full. “And what if I don’t?” he asks.
You take a deep breath. You don’t want to give him the chance to derail the conversation by hiding behind his wit. Or walking away. You’re serious, this is serious, and you want him to know it is. “If you don’t, then that means I can’t trust you.” This time, it’s you who doesn’t miss a beat when you add, “and Jack, if I can’t trust you, I can’t be your partner.” Maybe it’s a weak threat, but it’s the truth. This is your first mission together and he’s already keeping things from you. How could a partnership possibly work like this?
You’re surprised when he doesn’t immediately have a smart retort for you. Instead, your words make him freeze, and if you didn’t know better you swear it makes him sober up. You know that he can tell you’re not kidding around, can practically see the cogs turning in his head in what you assume is him making a quick list of pros and cons. After some time, he reaches for a second glass, pouring two fingers before simply asking, “Drink?”
“Depends.”
He thrusts the glass in your direction. “Take the drink and sit down.” He gestures towards one of the leather chairs next to the table, but you stand your ground, looking at his extended arm but not taking the drink from his hand. “Please,” he says, and with the way his voice slightly goes up at the end, it’s almost a question.
You can’t help but raise an eyebrow at that, and your legs are walking you towards him before you’ve even really accepted his invitation. You take the glass from him and plop down in the chair with a huff. You still can’t really tell if he’s serious, so you wait for him to speak.
Jack brings the glass to his mouth, throwing its contents back with one big gulp before refilling it and taking a seat himself. His hand moves up to his face, two fingers rubbing along his moustache as he looks at you and gnaws at his lip. “I erm— It’s not—” Then he averts his gaze, and after a beat of silence he settles on, “It’s a long story, though.”
You’re taken aback, not used to seeing him like this. You’ve gotten to know Jack as charming, confident, cool, but while he is stuttering out his reply, the flush in his neck creeps up to his face, and his shell seems to be cracking. He is flustered, maybe even anxious, and you have a feeling that he’s not exaggerating when he says that it’s a long story.
You nip at your drink, the oaky taste with hints of vanilla settling pleasantly in your mouth before burning down your throat. “I have plenty of time to listen.”
And so you do. You listen to him explain how Kingman and Statesman worked together to stop Poppy Adams and take down her toxic drug empire. But that, somewhere along the mission, his personal feelings got in the way. After purposefully breaking a vial of the antidote they’d stolen from one of Poppy’s facilities on Mont Blanc, he had been shot in the head by Harry, who suspected him of being a traitor. Luckily, Eggsy had reacted quickly by using Alpha-Gel, effectively saving his life. (“Even got the battle scars to prove it,” he says, pointing at the scar on the side of his face). The next thing he remembered was waking up in Kentucky, where Ginger brought his memory back. He followed the Kingsman agents to Poppy’s hideout in Cambodia, where he nearly kept them from releasing the antidote worldwide, before they overpowered him and brought him back to the States in cuffs. Naturally, he was suspended indefinitely.
Throughout his story, you’re dead silent, hanging onto his every word as you sip your drink.
“Guess I kept this from you for so long ‘cause… I didn’t want this partnership to end before it properly began. But with you comin’ in here at two in the mornin’, demandin’ to know the truth or else, I figured…” He pauses with a sigh, face twisting into a something you can’t quite place. “Damned if I do, damned if I don’t.”
Your brain is failing to process all this information at once, and Jack takes your silence as a prompt to continue,
“And I hate it. ‘Cause for the first time in a long time, I was havin’ some fun again.” He nods at his own statement, then looks up at you, his eyes searching your face. “When we were training together and you picked up on everything I was doin’… You anticipatin’ all my moves made me wanna anticipate all o’your moves, to become attuned to you and your…your stupid little knives.” His smile falters, and there’s that look again. “I mean, we’re a good team, aren't we?”
Jack’s always chatty, but the way he’s talking right now he’s being downright loquacious. It’s probably on account of the whiskey, but it still makes you choose your words carefully, unable to be as blunt or demanding as you were earlier. “All of that training stuff,” you begin, “I think it means nothing if we can’t be honest with each other.” You pause, so your words can really land with him, before asking, “Can I trust you to do that?”
“After all that, can you trust me to do that?” He’s making that face again, and the flush on his cheeks is back and—
Oh.
Oh.
You completely forget about his question because suddenly you can place the look on his face: He’s ashamed.
He’s ashamed and he thinks you’ll see him differently from this point on and that that’s why— Wait. Do you? The weight of his story is starting to catch up to you. Because holy shit, the Poppy Adams situation last year was intense. You remember the TV broadcastings, the utter chaos across the globe, but nothing about Cambodia that could have made you connect the dots previously. Had Jack succeeded when he went after Harry and Eggsy to stop them from releasing the antidote, millions of people would have died – literally millions. Which— Yeah, that’s a lot to process. Your partner almost played a key part in allowing that to happen…
Almost.
Because here he is, all the tell-tale signs of shame suddenly apparent; the way he’s turned away from you, how his eyes keep darting away from yours, the red splotches on his neck, his quivering Adam’s apple. However, you also know that feeling ashamed isn’t the same as feeling guilty. You can feel ashamed over something that you’ve done, freeze and feel your gut twist at the memory, but still feel like it was a necessary evil. Does he feel any remorse for what he’s done? Just like that, there’s only one thing that really matters, that you need to know.
“Do you regret it?” you ask. He’s silent, and as you watch his finger trace the rim of his glass with a frown, you can tell that wasn’t what he was expecting, so you elaborate, “Cambodia, I mean.”
It makes his frown ease up. “All the time.”
You can feel yourself sag into the leather in relief before taking another swig from your glass. The whiskey seems to make you lose-lipped as well, because before you can really debate if you should push this any further right now, you’re firing another question at him. “Then why did you do it?”
It doesn’t sound accusatory – or you don’t mean it that way, at least. It’s simply curious, but it still makes Jack twitch, the liquid in his glass sloshing around with it. And as flushed as he was before on account of his candour and the alcohol, your question seems to drain all the colour from his cheeks.
“No, don’t—” He cuts himself off and grimaces at his own sharp tone, quickly correcting himself to something softer, “I think that’s enough story time for tonight, alright?”
It’s not enough, not really, but still you find yourself nodding, setting your empty tumbler down on the glass table that separates you. “We should...get some sleep, be prepared for tomorrow,” you say, standing up from the chair, wincing when you take note of the clock.
Jack makes a noise that somehow sounds detached; it’s not agreement, but not disagreement either. He makes no haste to get up, so you simply look down at him from where you stand. “See you in the morning?”
“Sweet dreams, darlin’,” is what he offers with a lopsided smile that doesn’t reach his eyes.
You return the sentiment with some words of your own, but have a feeling it’s in vain, that his bed will stay unkempt as it is, before you let yourself out of his room. And when the door closes behind you with a soft click, you’re left with your thoughts again, and you realize the conversation has done nothing to make you sleep easier either.
--
“Excellent, there you are.”
You’re fresh out of the car that has escorted you to a tailor shop in London. It was early. So fucking early. You hadn’t slept and can still taste hints of oak and vanilla in your throat every time you swallow. But now, inside, after passing through a secret door behind one of the changing rooms in the tailor shop, Harry’s voice is warm, dare you say pleased, when Jack and yourself report for duty, and something about his optimistic tone makes you forget about the early hour and the hotel whiskey. It makes your shoulders straighten and your head cock with interest.
And you’re clearly not the only one.
“Found anything?” Jack asks.
Harry leads you to a wall full of screens, where a Kingsman agent is frantically typing on the keyboard in front of him. “One of our agents found the stolen piece for sale on the black market.” One of the screens displays some sort of advertisement on what looked like the dark web; it had several marketplaces for illegal stolen goods.
“Son of a bitch is trying to get rid of it before the auction’s even started.” Jack scoffs.
You jerk your chin at the screen. “We need to ambush him, catch him red-handed.”
“Arrange a meeting,” Jack agrees.
“Precisely,” Harry nods.
“I’ll go,” Jack says instantly.
“Fuck no.” You hadn’t even noticed Eggsy until now. He’s leaning against one of the walls, then pushes himself off, making his way over with his arms crossed over his chest. “Absolutely not. I’ll go.”
“‘course you are” Jack scoffs. “Probably couldn’t tell the difference between a watercolour and an acrylic painting to save your life.” The statement is more of a murmur, but it sets Eggsy off all the same.
“What’s that?”
“You couldn’t sell the bit, Galahad!” Jack exclaims. “We ain’t got the time to fight about this while someone else steals the piece from right under our sorry noses. I’m the most competent man for the job and this bastard has been doing this for years now, so we really should be fixin’ to get ourselves this meeting.”
It’s Eggsy’s turn to scoff. “Oh, so you can excuse mass murder, but draw the fuckin’ line at art theft, Whiskey?” He all but spits out Jack’s codename, walking up to him until their toes almost touch.
Jack’s chest rises as he takes a deep breath, no doubt firing up to counter, but before he can even open his mouth, you raise your voice.
“Alright, stop puffing your chests out at each other, Christ.” Neither of them so much as bat an eye. “Obviously we both want this target, correct? You asked for a Statesman agent with art knowledge, and well, this is him. So, let’s just work on this together, be professionals, and then be fucking done with this assignment. We send Jack to the meet—”
“No—” Eggsy immediately interrupts.
“Jack is going to the meet,” you repeat louder, giving Eggsy a look. “He’s the least likely to be made because he actually possesses the art knowledge to make it convincing and…,” you pause for a second to swallow, and the taste of whiskey still prevalent in your mouth immediately takes you back to the night before, “…and I know you don’t trust him, but I do. I can vouch for him, hell, I’ll even go with him if it makes you all feel better, but Jack goes.”
You don’t miss the way Jack’s head whips around to you, but before you can turn to meet his gaze, Eggsy is speaking again. “He’ll make you right away.”
“You have a tech guy here, right?” You ignore his statement to continue explaining your plan. Your hands land on the shoulders of the man behind the keyboard. “Pretty sure he can put together some fake credentials and create the fake online presence of a pristine, wealthy art collector – a website, social media, news articles, the works. We’ll suggest a public place to meet up, like a restaurant, all to give the target some false sense of security… and then we take him in.”
No one says anything for a while, until Harry, who had been watching the scene before him silently, finally gives his verdict, “I think it sounds like a fine plan. Get to work,” he orders the Kingsman agent behind the keyboard.
“And what about you?” Eggsy asks you, clearly displeased.
You shrug. “I don’t know, I can pose as like… a waitress?”
--
You adjust your tie in the mirror or the restaurant bathroom, then fold the collar of your dress shirt into place and smooth your hands down over the apron you’re wearing; to play the part you have to look the part. Although… You’re pretty sure the average waiter doesn’t have knives and a gun hidden away in a thigh holster under their apron. You hadn’t been entirely serious, but you were nothing if not true to your word, playing the role you’d suggested. You take one last look at yourself in the mirror before exiting the restaurant bathroom to take your position.
As you enter the restaurant, you find it’s mostly empty, just like Kingsman has arranged it to be. Your eyes find Jack, tucked away into a corner close to the door, having also done his best to look the part. His hair is in its usual side part, but somewhat slicked back, and he’s wearing a navy suit that’s much fancier than the ones he usually wears. You pass his table quickly, your eyes meeting briefly, and he nods at you once as you take your place in front of the window across from his table.
Daytime is the perfect time at a restaurant to clean the windows, right?
Your supplies to really sell your performance are already waiting for you, and you reach down to dip a cloth into the warm water, wringing it out above the bucket before bringing it up to the window. Via the glass, you can see the reflection of the table Jack’s sitting at, and the look on his face makes you want to turn to him, to reassure him one last time—
“I’ve got eyes,” Harry’s voice suddenly informs you through your earpiece. “Target approaching on foot, alone.”
Behind you, Jack sits up at the message, face transforming, relaxing, visibly slipping into the role of rich art collector. You focus yourself back on your work, rubbing the cloth along the window as your eyes search for the target through the glass. And then you see him approaching the restaurant with quick, short steps. He’s even more slender in person, but has the same pair of round glasses perched on his nose. His short, blond hair dances in the wind, and he brings one hand up to smooth it back down onto his head while the other hand carries a black briefcase.
You bring your hand up to the side of your face and press the little button on the earpiece. “Target confirmed,” you say. “Permission to continue mission?”
“Message received,” comes Harry’s reply. “Continue mission. Good luck, agents.”
Nathan enters the restaurant shortly after, and you will yourself to focus on your fake task at hand. Leaning down to wet the cloth again before getting back to work, you hear Nathan and Jack making introductions, and in the reflection you see him take his place across from Jack, setting his briefcase down next to his chair.
“I must say I’m surprised about getting an offer so soon.” Nathan checks his watch. “The auction hasn’t yet ended and the piece we discussed is… at the auction.”
“Technically,” Jack replies.
The man chuckles at that. “Technically, indeed.” He pauses, narrows his eyes. “Tell me, how did you know?”
Jack folds his hands and places them on the table as he begins his story. “Given my… reputation, I was allowed to view the pieces ahead of the auction and I found myself… distressed, when I realized my personal favourite piece was, in fact, a forgery. You see, it was damn near perfect, but then I noticed the brushstrokes; the way they were angled. I know about your…” Jack pauses, searching for the right word, “methods, and I knew I had to get in contact. Figured I could get the piece for a much better price from you than I could at any auction.”
“And how would you know about my…,” Nathan pauses, mirroring Jack’s earlier intonation, “methods?”
Shit. There’s a slight hitch in your stroke of the cloth along the window. What if he just made Jack? In the reflection you can see your partner’s look of contemplation, how he’s almost calculating what to say next and how to do it. You drop the fabric from your hand to land into the bucket by your feet, and take the dishcloth that’s slung over your shoulder to wipe your hands dry as you listen.
“I’m simply an admirer. Of this work, o’course,” Jack says, gesturing towards the briefcase next to the chair. “But also of your work.” Jack leans in, speaks softly when he asks, “Is it true, about the Chinese gu?”
Nathan doesn’t answer definitively, but his lips purse in a pleased smile before he pushes his glasses farther up his nose. “You’ve done your homework.” He sounds impressed, and you can’t help but be amused at the way Jack’s feeding this guy exactly what he needs to hear right now.
Leaning back in the chair, Jack matches the other man’s expression and gives him a casual shrug. “Told you, I’m an admirer.” He pauses, eyes drifting down to the case next to the chair, then asks, “Can I see the piece?”
There’s a long moment where Nathan doesn’t answer, but then, without a word, he reaches for the briefcase, clicks it open and gives Jack a view of the artwork inside.
Jack whistles. “Gorgeous,” he says, looking up at Nathan with an impressed smile. “Your replica looks just like it.”
Nathan smiles proudly, and you know you’ve got him when you hear what he says next, “You won’t believe how easy it is, especially with these smaller pieces.” He seems to catch himself, too; cheeks flushing the slightest bit before he’s checking his watch again. “Listen, I hate to cut this short, but I have another appointment; let's wrap this up, shall we?”
Jack shifts, looking down as if he’s contemplating the question. “I don’t think so.” He reaches inside of his suit jacket, produces his gun from its holster and points it at Nathan under the table, removing the safety with a soft click. “You’re gonna come outside with me – calmly, quietly, no need to make a fuss – and we’re gonna make sure every bit of stolen artwork is gonna go back to their rightful owners.”
Across from him, Nathan moves fast – surprisingly fast. He pulls his own gun from his jacket, points it at Jack. “Do you think I’d come here unprepared? I’ll tell you how we’re gonna do this: You’re gonna let me walk—”
As he talks, you glance over your shoulder, take in their positions, guns out but hidden from view of the rest of the restaurant. You look at Jack, and he doesn’t look at you, but his head jerks in a short nod. You turn away again, hand slipping under your apron, fingers flitting over one of the smaller blades in the holster before slowly slipping it out of the leather.
“—I mean, what’s your plan, hmm?” Nathan asks. “To shoot me here? For everyone to see? Whether you’re law enforcement or not, I know you’re not gonna do that.”
Jack’s grip on his gun tightens. “And you are?”
You turn and bend down, and to the untrained eye it would look like you were about to tie your shoelaces. During your movement, you swing the knife and throw it towards the table in front of you. There’s a soft swoosh, and then the knife lands in Nathan’s thigh with a squelching sound. He yelps, reaches for his leg, and in the process, the gun drops from his hand. Jack catches it effortlessly before it can clatter to the ground, then kicks at the bottom of Nathan’s chair. It sends the man tumbling backwards, the wood hitting the floor with a thump. You’re back on your feet in no time, rushing over to shield the man from the view of the few people in the restaurant, shoulder to shoulder with your partner who had the same idea.
“Oh, sir! Are you okay?” you ask, kneeling down to pull the knife from his thigh. He keens in response as you hide the blade away in the pocket of your apron.
“Oof,” Jack says, making a face and holding the lapels of his jacket as he looks down at the squirming man at his feet. “Came clattering down harder than a screen door in a storm.”
“I know,” you say with faux-concern, taking a hold of Nathan’s hand and pressing it down over the wound with a wet sound. “That was quite a fall! Let’s get you up, we should get you some air. Come on.” He struggles against you, but with a firm grip on his arm, you still him, then haul him onto his feet. You look at Jack with a knowing grin. “Sir, can you help me get this man outside?”
--
You find yourself watching from below the overhang of the restaurant, sheltered from the London weather, as Jack escorts Nathan to Harry and Eggsy, who are waiting by a dark car. As Eggsy helps Nathan into the backseat, Harry sticks his hand out at Jack, who contemplates the gesture for a split-second before taking Harry’s hand and shaking it. They exchange some words, briefly look in your direction, but you’re too far away to really make out what they’re saying. Eggsy closes the car door and watches the two agents, seemingly contemplating if he’s going to follow his colleague’s example, and you can’t help but breathe a sigh of relief when he does. Jack says his goodbyes in the form of a two-finger salute, then turns to make his way to you.
“Well?” you ask when he stands next to you, leaning back against the window as you both watch the car drive off. “Did we save the art world?”
“Close enough,” he says. “Harry said to thank you on Kingsman’s behalf, and that they’ll handle it from here on out. They just… want our mission reports within the week.”
You groan, eyes closing and shoulders dropping at the reminder. “That was the one thing I hadn’t missed about going on missions…”
Jack grunts softly, in agreement, you think, then says, “Think it was a successful first assignment together?”
“I’d say all the training’s paid off,” you say, shifting and knocking your shoulder against his. “Be sure to mention that in your mission report, yeah?”
“Yes, ma’am.” Jack chuckles shortly, then shuffles his feet and shoves his hands in his pockets. “Been meanin’ to ask you… Did you mean what you said earlier? ‘Bout trustin’ me?”
You look at him, trying to determine whether he’s really asking or just being a dick, but he keeps looking straight ahead, his expression giving nothing away.
“I did.” You pause before adding, “I wouldn’t be much of a partner if I didn’t, right?”
He cracks, the corners of his mouth turning upwards, a slight hint of a smile appearing. He looks at you from the corner of his eye. “You are a good liar…”
You can’t help but match his expression, thinking back to how exasperated he looked in the red flickering lights of the training space days ago. “I’m not that good.”
He’s quiet after that, head tipping down to look at his shoes as his eyebrows knit together and his tongue comes out to wet his lips. It feels tense, suddenly, and you don’t know if it’s because you said something you shouldn’t have. Does he not believe you? Maybe it’s just your imagination. You think of something to say to break the tension, or to at least change the subject.
“It was my wife,” Jack suddenly says, head shooting up to look directly ahead again and straightening his back.
Your mouth opens, then closes, seriously doubting if you’ve heard him right. With a confused shake of your head, you ask him, “Sorry, what was that?”
He clears his throat. “My wife. She’s why I turned on the agency.”
You frown, even more confused than before. “You never told me you’re married.”
He’s pausing again and your heartbeat picks up, cheeks heating at the idea that he has mentioned his wife and that you simply forgot. It’s just that Jack… He didn’t seem to be the type to be in a serious relationship. You rack your brain, going over the interactions you’ve had with him and scanning for the word ‘wife’ or ‘spouse’ or—
“Was,” he corrects. “It was years ago and... she died.”
—oh.
There had been so much emotion in his voice, and it’s all so unexpected that he knocks the absolute wind out of you with it. He almost doesn’t look like himself when he finally looks at you. He takes a breath before he continues, “Two methamphetamine users killed her durin’ a robbery. She was pregnant with our son and… and I guess, in my fucked up mind, that justified—”
“Stop,” you say. “You were right earlier. It’s— You don’t have to tell me anything you don’t want to tell me.”
“You were right,” he presses. “And I thought you oughta know it, ‘cause I—” He stops himself with a bitter chuckle before continuing, “Christ, this is gonna sound so fuckin’ cheesy, but… The whole thing in Cambodia, that’s not who I wanna be. I wanna be… better, y’know? Do the right thing, be a good agent, not be a shitty partner, the whole nine yards, and I… I’ve been thinking on it and I think it starts with trust.” He cocks his hip, hooks his fingers in his belt loops, and it might have been somewhat funny if he didn’t look so bashful when he peers up at you after. “And me workin’ on my communication skills and bein’ earnest, which I’m honest to God tryin’ my damnedest at right now,” he adds with a hint of a smile. “That sound acceptable to you?”
Blinking up at him, you let his words wash over you. You had truly meant it when you said you trusted him back in the hotel, and with the way he is standing across from you, all but wearing his heart on his sleeve, you trust him to be truthful and genuine with you now. There is only one answer you could give him.
“Yes.
#agent whiskey#agent whiskey x reader#jack daniels x reader#agent whiskey x you#jack daniels x you#kingsman the golden circle#kingsman 2#pedro pascal#cowboy like me fic#dani writing#(screaming) i can't believe its real and here!!!
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Charcoal Dust
Female reader x Brian May
Word Count ~6,100.
I had this fic sitting in my documents since August and re-reading it, I didn’t hate it. So I guess I’m posting it. A bit of a warning I suppose...it goes get slightly suggestive but not 18+..If you’re sensative to that sort of thing, maybe skip this one my dudes.
With the last flick of your eyeliner, you deem yourself ready to head out to the bar. Freddie wanted to let off some steam with finals and you couldn't help but to join in. The apartment you two share have been littered with projects and materials and he almost strangled you for not cleaning up your charcoal dust. With that being the straw which broke the camel's back, tonight is to just get shit faced and to have fun. At least Fred settled one a bar that isn't too much of a walk so you don't have to worry about driving. Grabbing your coat, you leave the complex and into the cold december night.
***
"Y/N, dearie, you're here! Finally the night can commence!"
Freddie runs to you and wraps his arm around your shoulders.
"The boys are here as well. Can't tell you how much work it took to get John out."
Your eyes settle on Deaky, already a bit drunk and waving at you with a grin. "Evenin' Y/N! How's it going?"
"Not as good as you from the looks of it. But I bet a couple drinks could fix that."
You turn to the bar and order your usual mix drink along with a round of shots for everyone.
"Here's to having a good night amongst friends!"
"Cheers!"
Everyone downs their shot and you finally sit down, taking the empty spot next to Deaky. Roger and Brian seem to be in their own little world talking about something so you don't bother with that can of worms yet.
"Y/N, did you find a new model for your drawing yet?"
"Nope. That fucking Steven kid answered my ad, took my payment then just vanished. Won't answer the phone, haven't seen him around campus..I'm out like 80 quid and nothing to draw for my final."
"Ouch. What does it entail exactly?"
"I need to do a live nude model study."
Roger's ears seem to perk up with the mention of 'nude'.
"I can help you out with that, love."
Brian rolls his eyes and Freddie chuckles.
"So, me buying you a shot doesn't get your attention but mentioning I need to draw a naked person does?"
"Well, yeah. You should know this by now."
"I thought alcohol and nudity were on the same tier of importance to you, Taylor."
"Close..but not quite."
You nod at him with a fake academic-like expression as you rub your chin.
"Right, so if anyone knows someone who would be down to model for me let me know."
"I just said I was!"
"Anyone but Roger."
"Oh! What about Brian, dear? He'd be a great model."
The man in question glares.
"Uh..Fred, I don't think so."
"Why ever the fuck not? I've seen you naked before, May. You'd be fantastic. Plus Y/N gets to see your cute little bottom and huge cock!"
His cheeks turn bright red.
"Absolutely not, Fred."
Freddie looks over to your face, laughing despite blushing profusely. He knows of your small crush on the guitarist and loves to relish in opportunities making you and Brian uncomfortable in hopes you two would actually do something. Much to his, and your disappointment, nothing ever happens.
"Well I would do it but I don't have the time in my schedule considering I'm going to be stuck in the art building working on my own shit. Now come on, don't subject her to Roger."
Brian looks over to you, finding you playing with a hem on your shirt, trying to distract yourself from the awkward conversation.
"Well we both know Bri's not going to do it, so when can I come over, love?"
With a slump of your shoulders, you face the blonde.
"It's not a sexual thing where I draw everything, you know. You're going to be in a pose you can hold for a long period of time while I focus on drawing mainly your prominent body landmarks like ribs, pelvis, and muscles along with bones."
"See, Bri? It's not a personal experience, she's just studying your anatomy. With how lanky you are, it'd be easy to see everything."
"I'll also pay you for your time. Might be a bit before I can get the money but you will be compensated. Also if it's too much for you, you can wear your underwear for most of it until I need to get a certain part."
He looks between you and Freddie, a sigh escapes his lips.
"Fine. I'll do it."
Freddie smirks at you and gives a wink before coming into to whisper in your ear.
"Just a heads up, I've seen him naked and you may have to draw three legs."
You turn bright red but can't help but to cackle at his comment. Brian rolls his eyes and says 'fucker' under his breath.
*** A couple drinks turn to quite a few and talking with Brian ended up with the date, time and place for your drawing session. Now that three days have passed, the time arrives along with four knocks on the door.
"Hey Y/N."
"Hey Bri, thank you so much again for doing this for me."
He looks around the living room and sees you've set up your workspace: an easel, one of the living room chairs and one of the end tables with your box of drawing utensils. He also looks at how it's pointed towards the sofa with a sheet draped on it.
"How would you like me?"
"Comfortable. You'd probably be stuck in that spot for a while. I have pillows if you want 'em."
He nods and sits down on the sofa while you go towards the record player and pop on one of your favorite records.
"I like to work to music so hope you're okay listening to the Beatles for a few hours."
"Why would I complain about good music?"
You chuckle as you sit down in your spot, making any last minute adjustments to the easel's height. Turning your head to the sofa, you see him unbuckling his belt before slipping his shirt off. Back towards you.
Freddie was right, he has a good figure to make this assignment easy for you. Despite trying to stay professional, it's hard to not check out your crush as he strips. When the pants start slipping off, you turn away, too shy to look anymore.
He is your friend, Y/N...he is your friend who is helping you with a project. Don't make this weird..
But then you remember your roll of tape for the sheet so when it's break time, you won't lose the pose.
Shit...
"Hey Bri, once you settle on a pose, would it be okay if I put some tape around you so we don't lose the pose after we take a break?"
"Yeah, that's okay. I also might take you up on that pillow offer."
"Sounds good, I'll be right back."
You smile as you get up and leave for your bedroom to grab him a couple pillows off your bed. When you walk back into the living room, you swear the air has shifted once you see him laying in his underwear on the couch, watching the record spin on the turn table. A knot forms in your stomach..
You're working on your final, you're working on your final, you're working on your final.....
You walk up towards him and hands him the pillows. He promptly adjusts them to fit his pose.
"This alright for your composition, Y/N?"
"Let me check."
You sit down back in your chair and look at what you can see. You can see many of the body's landmarks..ribs, collar bones, muscles, parts of the pelvis...but not the strongest for a good composition.
"The pose is fine but I'm going to move over a bit to get a more interesting angle of ya."
You scoot your set up closer towards the turntable, giving a more dynamic angle of your model.
"Alright, we're looking good. Just need to tape where you're at and we can get started."
Hands slightly shaking on the masking tape roll, you rip pieces off and place them where Brian's posed. It's easy to tell he's tense.
"Bri, you're welcome to chat during this if you want. And whenever you want to take a break to stretch out, do not hesitate to ask."
"Sounds good, love. I guess I'm ready when you are."
He's called you love before but now it seems a bit different...
HE IS JUST HELPING YOU ON YOUR FINAL PROJECT, STOP IT
You rub over your paper pad, sighing and grab your hard charcoal to get the initial lines and shapes in. You can see him closing his eyes once more marks land on your paper. His shoulders also slowly begin to become less tense.
*** Two full albums later, Brian calls break time. You clean your hands off on your pants and set your charcoal back in its box next to you. Having the main structures done and angles correct, you feel good about the progress.
"How's it coming along, love?"
"I think maybe another hour or so and we'll be good."
"Can I sneak a look or is it confidential?"
You nod your head for him to take a look, his presence now behind your back as he analyzes your work. Nerves become more apparent the longer he's silent. You're about to look over your shoulder until you hear him say
"I'm really liking it so far, Y/N. Fred's told us about your work and it's incredibly articulate. However it is odd knowing that's me on your paper."
You blush profusely at his compliment, even more so now that you realize he's extremely close to your body wearing just underwear.
"Well how about I grab you a robe and I'll make us some coffee?"
"Sounds lovely to me, especially since seeing how you're fully clothed, I'm a bit vulnerable."
"I don't mean to make you uncomfortable! Let's get that robe."
"I'm not uncomfortable, just a bit cold maybe."
Leaving for your room once again, you grab your robe. It might be a bit too short for the gentle giant in your living room but it's better than nothing.
"I'm surprised you didn't give me Fred's."
"You don't want it, trust me."
He laughs, tying the belt around his middle and follows you into the small kitchen to grab his favorite mug whenever he visits. The silence grows more comfortable as you hear the coffee drip into the small pot and another cabinet opens to grab the sugar. You open the fridge to grab the milk. Your pour the hot liquid as he adds the sugar to the two mugs, followed by the splash of milk you like in yours. Smiles meet each other and you two sit back in the living room, a new record begging to be played.
"Want more Beatles or how about just some John? I have Plastic Ono Band and Imagine."
"Oh god, that's a decision isn't it?"
"It really is. I'm half tempted to just put Hard Day's Night on."
"Did you see that in theaters? The girls went absolutely mad."
"With that scene with John in the bath? I'm sure I still have hearing issues from that. It got even worse seeing Help."
"George bit?"
"George bit."
Laughs echoed amongst the walls, sharing knowing glances at how loud the shrieking was.
"Have to love sort of shared traumatic experiences. But I'm intrigued, who is your favorite of the four?"
"The Beatles or Queen?"
A slight smirk dances across his lips.
"Beatles? When I was younger, Paul. In more recent years, has to be John. I really respect his political work and his solo albums are so personal and raw."
He nods at your answer, agreeing.
"But with you lot? No one. Don't tell Freddie that, he'll plant something in my bed."
He answers in a hearty laugh.
'It's not like I can say you before we get back to working on a naked drawing of you...'
*** With Lennon playing on the speakers and more charcoal on paper, you're back at it again. Brian somehow managed to get himself back into the same pose with one or two directions from you. Things are now going easier considering the drawing is now just filling in the blanks until you couldn't get one detail right due to it being covered by his underwear. The more you try to remember how the muscles and bone look, the more incorrect it looks to your eyes. The inevitable needs to happen.
"Hey Brian, I'm hating to ask this but uh...I can't get the lower abs to look right with the pelvis. Could you....takeyourunderwearoff."
The last part just rushed past your lips as fast as you could. Your cheeks are bright red, a tell tale sign being how hot your face just became. It's even worse when he arches his brow.
"What was that last part?"
You sigh deeply.
"Could you...take your underwear off so I can get your pelvis a bit better?"
"Oh...uh, yeah."
His cheeks probably match yours but you cover your eyes while he strips the last bit of cloth standing between him being completely exposed in front of you.
"Alright Y/N, you can look now."
His nervous laughter is puntuated with your eyes opening again. While you have a clearer view of the muscles in question, you also have a clearer view of other things.
You now understand why it's called a happy trail.
Correcting his angles once again, you start where you just left off. Only to have the record stop playing, meaning you had to stand up and change the music. Meaning probably a clear view of his, what Freddie called, 'his third leg'. Hands slightly shakey as they remove the vinyl and put it back in its respective sleeve. Fingers lead their way towards Revolver, your go-to homework album. Once the intro of Taxman plays, you make your way back to your seat. During which, your peripheral vision does you dirty.
Fred wasn't entirely kidding. Dear god, Y/N, you're almost done just finish your damn project so Bri can go home and you can take a cold shower...
You sit back down and sigh, taking your charcoal and getting back to work, correcting any inaccuracies caused by his underwear being in the way and adding more to his figure. Side one is over far too soon, causing you to get up and be betrayed by your eyes once again.
At least now it's just adding a bit of definition to the head and small details. Taking the blunt end of your charcoal stick, you begin adding some hair to the drawing. The couple hairs on his chest, a gesture of pubic hair and some messy lines for the curls on top of his head. Staring at his face now, he peeks his eyes open and winks at you then smiles.
"I thought you weren't going to draw my face?"
"Just a little something so it's not just a blank shape."
"Alright. Do you want my eyes open or closed?"
"Do what you want, Bri."
His eyes land on the legs of your easel, moving them around a bit to follow the smudges of paint and charcoal about. Your eyes trace along the angles of his face, adding them to the basic head shape you added during the beginning steps. Browbone, cheeks, nose, eyes, brows, and gesture of his slightly open mouth put down on paper as you mark it done. Looking at the lower right corner of your paper and taking your thin marker, you write your name, class session, semester, and model's first name.
"Alright Bri, I think we're good to go. Want to come take a look?"
Standing up and putting your robe back on, he walks behind the chair. His eyes take in the final composition, from the pillows to his curls all the way down to how to managed to get the angle right on his feet. The sofa, while made of basic abstract shapes, make him look like he's properly weighed out on the cushions.
"It's weird seeing me like that."
"I bet. Talking with some of the models outside of class, they tell me it takes some getting used to seeing shit like this."
"Seeing what others see in your naked body is very...daunting. I think you made me look too good to be honest."
"I just drew what I saw, May."
You look up behind you and catch him blushing, looking down at you while smiling.
"You are incredibly talented, Y/N. If you don't get an A, I'm taking personal offense with your instructor."
You blush hard at the compliment while laughing at his comment.
"Honestly, I would too. You made a beautiful model, Bri. It was an honor to draw you."
Why did I just say that?..
He looks away, face looking shy. He takes compliments almost as bad as you. He sits down back on the sofa, looking at you.
"Now, you did say at the bar that I'd be compensated for my time."
"That I did."
You start to pack away your drawing supplies before digging a can of hairspray out of your backpack. Spraying a light coat over your drawing, you let it dry before packing it away for safe keeping.
His eyes watch you dismantle your workspace, showing him something you've done nearly a hundred times over. Little did you know, seeing you in your element like this made his heart swell. Brian knew you were an art student but never saw you at work. Little did he know, yours did the same when you saw him at practice or on stage. After cleaning up and putting furniture back in their right spots, you sit down in the chair to only find Brian patting the cushion next to him. Giving him a fake glare, you sit next to him.
"I've been thinking of payment and would it just be fine if we ordered some take away and hung out? I'd feel bad taking your money."
"You sure? I'd feel bad not compensating you for your time."
"Y/N, I laid on your couch, chatted with you and listened to my favorite music. Yeah it was a bit weird considering I take a girl out before she sees me naked but hey."
You laugh nervously at his joke, blushing for probably the 53rd time that night.
"I'll get dressed and we'll head out, that good for you?"
"Yeah. I need to change clothes anyway."
"Why? You look cute covered in charcoal."
Your heart nearly jumps out of your chest like a looney toons character. You and the guys are used to calling eachother cute or handsome but something about him being just about naked underneath your robe after drawing him for nearly two hours makes your heart race at a dangerous pace.
"Let's get ready, hmm?"
He stands up, clothes in tow as he walks to the bathroom. The sound of the door closing brings you back to the moment. Grabbing your pillows and sheet off the couch, you leave for your room. The slight smell of him lingering on the fabric fills your nostrils as you throw it towards your laundry basket.
"Goddammit...don't get your hopes up. It's not like this is a date, Y/N..." You whisper under your breath.
Grabbing the clothes you wore earlier today, you get dressed and apply a little extra deodarant and perfume. By the time you've put your shoes on and out of your room, he's slipping his shoes on. Even in mid-December, he's wearing his clogs. He hears your laughter from across the room.
"What's so funny?"
"Bri, it's Christmas in nearly two weeks and you're wearing clogs? If you slip on ice thanks to those things, I’m not helping you up."
"It hasn’t snowed yet, though! Have to wear them while there's still time. Besides, look who's bloody talking wearing canvas sneakers in the cold."
"At least my entire foot is in the shoe."
"That's it, I'm not letting you borrow my scarf if it's still windy. Not with that attitude."
You smack his arm and grab your purse off the coat rack. Locking the door behind you is the last thing before you two leave for any place that is still serving food at this hour.
***
Only getting as far as a corner store, you two buy a couple drinks then enough snacks to constitute a meal. The walk back to the apartment was on the quiet side, Brian looking up to the sky every few blocks in a vain attempt to see any stars that would accompany the moon shining that night. Not much for viewing besides the waxing moon hanging above your heads, hundreds of thousands miles away.
"Hey Bri?"
His features seem almost guilty, being caught in the act but he smiles at you.
"Would it be possible for you to teach me some things about what's up there? Fred's showed me some astrology stuff but it would be kinda cool seeing the constellations and what makes them, y'know?"
"I'd just talk your ear off."
"Can't be too bad, I deal with that already."
You wink as he rolls his eyes.
"But I'm serious, I want to know a little bit about what you study in uni. Especially since we go to different schools, it'd be interesting seeing another side of academics that isn't just color theory or how to mathematically draw cylinders."
"How do you mathematically draw cylinders?"
"It's all about angles and where it sits in space, mostly. Getting that perspective correct. After enough practice I guess you can just sort of see it rather than drawing out all these different grids and lines."
"Does that tie in with drawing people?...That's probably a stupid question of course it does."
"It does but with that, you also need to keep in mind where things in the body are. In our class we also have to do these...sculpting lessons. We're given half a skeleton on a stand and we sculpt the muscles using clay."
He nods, listening to you talk about your coursework and your subject matters from basics to more focused studies. Once back to your apartment, you find Freddie has returned from the art building. The noises of you and Brian taking off shoes and coats made him pop his head around the wall.
"Y/N, lovie, how did your drawing session go?"
"Rather well! Want to see it?"
"Well of course, dear!"
You grab your and Brian's bags from the corner store and place it on the kitchen counter before heading over to your drawing pad, propped up against your chair. Nerves arise as you watch his eyes gaze over your work, the smell of the hairspray you used seal in the charcoal floating to your nostrils.
"Fucking hell, this is brilliant. If you get a bad mark I'm visiting your professor during office hours and giving them a piece of my mind."
He looks down Brian's legs on the paper, your careful contour lines elegantly outlining the muscles.
"I think you forgot a leg, though."
Brian's rolls his eyes as Fred's cackle fills the room. You slap the sketchpad closed and return it to it's spot next to your school bag. A sympathetic look is aimed towards your model.
"Come on you two, lighten up. How about a game of Scrabble, hmm?"
"It is getting a little late, Fred, and Brian has to get back to his place."
"He knows he's welcome to crash on the couch if he wants."
The man in question looks between you two, biting his lip in thought.
"I wouldn't mind crashing here tonight. I'm sure Roger wouldn't mind the flat to himself."
"Then it's settled. You old ladies get your food out of the kitchen and we start this game."
What wasn't expected was Brian winning with such a lead. You could've sworn you've seen Fred's eyes glow red as he told the curly haired man to get out of his home for disrepecting him that severely. He went to bed infuriated as he left you two out in the living room to watch TV.
"You sure you want to spend the rest of your Friday night here?"
"It's technically Saturday morning now."
"Smart ass."
He smiles and slowly leans towards you on the sofa, his warmth sneaking up the arm closest to him.
"Hey Bri?"
He hums in response, eyes not leaving the program painting the screen.
"I never really properly thanked you for helping me with my assignment. You honestly saved my grade modeling for me."
He turns his head to face you, eyes looking at yours illuminated by the screen's light.
"You're more than welcome, love. It was interesting watching you work. You have this little face you make when you're really concentrated."
"Where I don't blink and my mouth is partially open? That's my focusing amphibian look."
He chuckles.
"Roger does the same thing but that's his confused look."
"I thought his confused face was this.."
You imitate the face you've seen many times during your homework sessions with the boys. Also when he tries to understand what Fred wants to do add extra flair to shows or songs.
"No, you're right. That's the one." He laughs.
Comfortable silence floats around the air as you two continue watching telly. Thirty meants turn into 90 as the episodes of various shows play before you. Slight comments here and there said but it wasn't until Brian laid his head on top of your head that something was really spoken.
"I have a question."
"Care to share with the class, May?"
You can feel his cheeks stretch out with a slight smile.
"Would you think less of me if I put my studies on hold when, or even if the band gets bigger? I know we only have one album out at the minute but I've thought about it and..."
Patting his knee, you spoke.
"I could never think less of you for persuing something like that. You and the guys have worked your asses off and if, no, when your hardwork pays off, grab those opportunities. You earned any success that comes your way."
He moves his head to look directly into your eyes.
"Knowing you, you'll eventually get your PhD but sometimes life throws you a curveball and you have to just roll with what it gives you. If it's Queen, then see it through."
Surprise washes over you as he gives you a hug, enveloping you in his arms tightly as his face creates a home in the crook of your neck. This breath along your skin giving away to goosebumps.
"I've been thinking about this for weeks and um...."
"Did you already drop out, Bri?"
"No, no..."
"Uh huh..." You narrow your eyes at him.
"Seriously, Y/N, I haven't dropped out of uni. I've been thinking about...."
You pull away and look at his eyes directly, cheeks flushed even in the low light of the living room.
"What is it?"
He sighs, looking down at his lap.
"You."
Eyes going wide, you look at anything but him. The stray floaty in the air, the reflection of light as a car drives past your flat, the one stray strand of yarn or whatever it is sticking out of the rug on the floor.
"I'm not saying this because you drew me naked and I'm feeling obligated to but tonight made me realize something."
Your eyes finally focusing on your hands, fingernails picking at cuticles.
"If this does become something larger than life, I don't want to leave you behind. When Freddie introduced us to you last year, there was something about you I couldn't shake off. I wasn't sure what it was the chalk pastel dust you were covered in or something else."
You smile at his words but your heart doesn't lighten up the speed at the rate it's beating. When it comes loose, it's going to skyrocket across the English channel.
"But now actually getting to know you over time and tonight made me come to the conclusion that....I certainly have feelings for you and I don't know what you want to do with that information."
Your fingers stop picking at a loose bit of skin on the side of your nail and you swear your heart just stopped in your chest. Eyes wide, you stare at him. Mouth agape, not knowing what to say other than just "Bri..."
"I can see I made you uncomfortable, I'm sorry. Maybe I should head ho-"
As he begins to stand up, you grab his wrist and pull him right back down towards your side.
"Meeting you was one of the most profound days in my life, Bri. You...fuck,...I'm not a wordsmith and I'm nervous as all hell right now."
He smiles ever so slightly but his leg bounces with such vigor you wouldn't be surprised if your downstairs neighbor complained to the landlord tomorrow.
"And now hearing you may have feelings for me? Like...how do I even process this when it's something I've been wanting to hear for almost a year?"
It's now his turn for his eyes to buldge open in shock.
"When you first talked to me about astrophysics and I saw your entire demeanor light up with such passion, my heart damn near stopped. I couldn't focus on anything else but you. Even when you're just relaxed I feel like that. You're breathtaking and I'm pretty sure I went comotose and had a lucid dream seeing you perform with the boys for the first time."
He smiles, eyes looking directly into yours as your mouth just vomits out any word you promised to never let out.
"I've fallen for you so hard. I love your smile and laugh. I love the slope of your nose. I love that you've let your hair be curly because let's be real, you looked real questionable when you straightened it."
He laughs and you can tell his cheeks are heating up.
"I love that little noise you make when you find something interesting in your textbooks and your hums when you're thinking of a new song and your little eyerolls at the boys when they're being dumbasses and your sense of humor and just......fuck, look at you! You're so fucking handsome and that's even with the clogs!"
He grabs your hands, rubbing his thumbs against the knuckles. His smile shining so bright even with the low light from the television that's now taken a backside seat of your conversation. He looks down at your entertwined hands.
"Calling you a friend and wanting to see you has gotten me out of bed so many days Y/N, I've lost count. I can't even imagine if you'd be more than a friend to me but I guess we can find out."
Your smile has extended to lengths you didn't know possible. Letting go of his hands, you wrap your arms around him instead.
"I forgot to say this, but I also love your hugs."
A chuckle escapes his chest and he holds you tighter, a kiss lands on your cheek. Time goes by as shows flash before your eyes, eventually leading to you falling asleep in his arms with him not too far behind.
*** Hours pass before you awake, head laying on his lap and knees tucked in. Sitting up, you find him using the arm rest as his pillow, arms crossed underneath his face. He looks so peaceful and you don't want to take him up but you want to sleep in your bed.
Dare you ask if he wants to join you?
It'll just be us sleeping together in the same bed and maybe cuddles...?
You brush his curls away from his face, tucking what you can behind his ear as you shake him gently.
"Hey Brian..?"
He doesn't stir, contemplating on just his carrying his lanky ass to your room.
"Bri.. wake up, hon. Come on."
You continue rubbing his upper arm until he stirs awake, opening his eyes and squinting at the screen's light.
"...What time is it?"
"Late. Would you want to sleep on the couch or my bed?"
"I'm fine out here, I don't want to take your bed from you."
You smile and chuckly slightly.
"I mean share the bed with me."
He smiles at the idea but eyes are shy.
"I'd like that."
You two stand up, him shutting up the TV and you leading the way to your room with his hand in yours. Navigating the small hallway at night lead to him bumping into you twice, and him saying apologies but you could not care less.
Once in your room and switching on the light, he's greeted to your own personal space. He can see canvases with studio projects painted on them under your bed, posters littering your walls. Some local band shows you've attended, a Queen one catching his interest. His eyes also catch your Beatles poster, the one from their White Album. He also sees the pillow he used earlier that day when he was modeling along with the robe tossed into the corner with the rest of your dirty laundry.
"I think I might have a pair of pants you could wear unless you're not a pants to bed kind of guy."
"No pants is what I normally go for but if you're uncomfortable with that I ca-"
"It's fine with me, just no funny business, May."
"Are cuddles out of the equation?"
"I sure as hell hope not."
He smiles and removes his necklaces, placing them next to your sketchbooks on top of the small desk next to the bed. You change into sleep shorts as he takes his trousers off.
Never thought I'd see that twice today.
Shutting off the light and climbing into bed, he goes first, leaving you in your usual spot. Fluffing up the pillows and adjusting the blankets now done, He wraps you in his arms almost immediately, lips kissing your cheek gently.
"You have enough pillows, Bri?"
"Yes. Thank you, love."
"Want me to grab another blanket?"
He laughs gently, kissing your face one last time.
"I'm more than okay."
You turn around to face him head on, able to make out where his eyes are looking. Fingers playing with one curl, eventually leading to caressing the side of his face. Thumb tracing over one of his cheekbones.
"You're so handsome, Bri."
"Ever look at yourself?"
"Do you always kiss ass?"
"Not until the 3rd date."
You slap his arm, laughing.
"I guess with that comment I won't give you a kiss goodnight."
His face contorts in fake hurt. It's wiped off as soon as you bring your lips to his, fingers gently caressing his jaw as you kiss him. Almost as fast as it happened, it stopped. Smiles painting both your faces.
"Goodnight Y/N."
"Goodnight Bri."
Turning back around, you scoot closer to him. Arms around your waist and face tucked near your shoulder, you two fall asleep.
*** You wake up before him. His arms are still wrapped around your middle and your legs entangled with one anothers. Your bladder urging you out of the warm confines of your bed, you carefully move out of his grasp to not awake him. Mission was successful as you close the door behind you, hearing Freddie in the kitchen as you walk to the bathroom. After giving yourself a pep talk while washing you hands, you face your roommate, face giving you a smirk.
"Y/N....I saw his god awful shoes by the door but he wasn't on the couch. Please tell me the details, darling!"
"Nothing really happened, Fred! We ended up talking after you went to bed and he sort of told me he had feelings for me and we passed out on the couch."
"He finally told you? About fucking time! You have no idea how much Roger got on his case. Even Deaky was begging him to shut up and ask you out. 'Oh how is Y/N doing? Is she free sometime soon, Fred? What should I get her for Christmas? What does she like? Do you think she likes me?'....every practice Y/N..every practice."
"At least I finally got around to it, Freddie."
He wrapped his arms around you, voice heavy with sleep.
"Now I get to annoy you about her even more now that we're dating."
Brian kisses your neck as Freddie pinches the bridge of his nose.
"Please don't subject us to that. We've suffered enough, dear."
***
aaaay, it’s done! Tbh, I got the idea for this fic after looking through some of my life drawing sketches. Also, a tip with charcoal or chalk pastel drawings from an art student...use hair spray. It’s cheaper than fixitive spray, works just as well, doesn’t affect the colors in chalk pastels, and doesn’t harm your lungs with the fumes (not nearly as badly, anyway). Besides that, thank you so much for reading, liking, reblogging, etc 💖💖
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The Road Trip - Prologue
pairings: logicality (platonic or romantic, depending on how you view it) words: 1740 chapter warnings: talks about life/death, implied main character death (upcoming, never occurring directly in the story), chapter summary: feat. one more chat about sunsets.
a/n - this is the last chapter of my big bang fic! do not let the title fool you, heh. thank you so much for reading <3
< previous chapter << first chapter
[read on ao3]
[masterlist]
*credit to art in this chapter goes to @lemonyellowlogic ✨*
**note: the link to the song in the end is written & sung poorly by yours truly :)**
---
Despite protests that he “didn’t drive enough”, Logan reassured Patton that yes, he’d be fine to drive the rest of the way home.
“It is my car, after all,” he had told him.
“Yeah, but you have to sleeeeeep .”
“Neither of us have gotten much sleep,” he replied, “but only one of us would be able to function despite that fact.”
And Logan was right, of course. Soon enough, the pencil fell out of Patton’s hand and onto the car floor as he dozed off.
The rest of the drive was rather quiet, the events of the previous night still settling in. Despite his best efforts, Logan couldn’t figure out a way to get Patton’s words out of his head.
“Took her humanity back with her.”
For someone whose appeals involved unicorn frappuccinos and endless amounts of cotton candy, Patton was so painfully wise.
Logan found himself humming quietly to himself as the sun chased after them. Given their early start, he predicted that they would arrive back at Patton’s place by the early evening.
He took the time to think over everything, all in a figurative new light. He thought about how he met Patton; how he was compelled to get to know him from the moment he laid eyes on him. He thought about his mother and the Clinic (not many thoughts occurred without considering them), and he thought about where he was today.
Then, he looked over at Patton; who was still sleeping, his notebook hardly staying put on his lap.
In four days, Patton was going to die.
And Logan?
...He didn’t know where he’d be.
(Something in his chest ached with such longing at the thought.)
Every now and then, Patton would stir and write a few more things in his notebook; always sneaking glances between Logan and the view outside his window. It took a few repeats of that before Patton was much more alert and engaged into more of a conversation.
“The sky’s so gorgeous today,” Patton murmured, sticking his head out of his open window like a small puppy. Logan smiled.
“It truly is.”
“Like it doesn’t just look... blue ,” Patton continued excitedly. “There’s white, fluffy clouds! There’s hints of purple right underneath the surface and– and there’s dark blue!”
“It is quite commendable that you are able to identify different colours in what others would perceive to be a fairly monochrome sky.”
Patton stuck his head back into the car and grinned at him. “Just practicing!”
At some point, they stop for lunch at the same 50’s diner they went to at the beginning of their trip. Patton even ordered the same dish, which sparked a lighthearted conversation of its own.
In between the gaps of silence they inevitably ran into during their meal, Logan would quietly observe Patton write some more in his notebook. He smiled to himself as Patton scarfed up his food just to write with little to no interruption, humming what sounded like chords, as if trying to tune himself.
When Logan commented on Patton’s newfound urgency to write, Patton simply said, “I can’t help it! I’m inspired – and inspiration waits for no one!”
Of course, Patton happily put down his pencil when Logan offered his hand out to him for one more dance.
During the final hour of their trip, Patton finally closed his notebook and turned his head to face Logan.
“Can I ask you a kinda...dark question? You’re free to say no.”
Logan nodded. “Go ahead.”
“...How do you think you’re going to die?”
A beat of silence. He wasn’t shocked, just stunned. Usually, Patton would dance around the subject so delicately. He wasn’t quite sure what changed.
“I...I’m not sure,” he finally answered. “As you said before, there’s really only one way out for me, is there not?”
“Ah. Right.” Patton’s voice was suddenly meek and quiet. Perhaps not much has changed, Logan noticed.
“Okay okay, new question.”
“Mhm.”
“Say the Clinic didn’t exist–”
Logan scoffed.
“No no, please hear me out,” Patton insisted. Logan just nodded with a small smile. “Say this– this entire system didn’t exist, and we just...didn’t know what was going to happen to us. We would live a long, full life to do whatever and die...well, whenever. How do you think you would live?”
A pause.
“I’d be a teacher,” Logan said with a small, thoughtful smile. “I’ve always wanted to be a teacher anyway; my interest in the occupation was not completely fabricated.”
Patton grinned at him. “That’s really cute.”
“Perhaps I would also get a cat,” he continued. “I never had the time to care for one, so perhaps this life would allow for some...accomodation.”
“Awww, that sounds purr fect!”
Logan chuckled.
“I suppose, hence, if I were to live such a peaceful life,” Logan concluded, “I feel as though I would want to die in the same way. No disease, no pain. Ideally, it would happen in my sleep. That way, I would never know. I would just be at peace.”
“Oh, Logan .” His name sounded so soft coming from him. It made Logan smile. “It’s what you deserve.”
“How about you, Patton?” he hummed. “How would you live?”
Patton scrunched his face up in thought.
“I...I always thought that if someone would ask me this, I would just want to live in any way that wasn’t my life; all the good parts, none of the bad.”
“Yeah?”
“Yeah,” he murmured. “But…but now, I don’t think I would change a thing.”
His hand found Logan’s on the gear shift.
“I would want to be happy and satisfied, surrounded by the people I love,” he said, “and then, I’d close my eyes.”
Logan looked at Patton– really looked at him.
And hidden behind Patton’s irses were fireworks; quietly going off in small sparks.
“...It sounds like a beautiful way to go.”
Patton smiled. “I look forward to it.”
---
“Is there something wrong with your ukulele?”
“Oh! No no, I’m just tuning it. I...I have to record something quickly.”
“Ah, I see.”
“Is that okay? I can just wait ‘till I get home, maybe sing you something else if you want.”
“...Surprise me.”
-
When Patton ended the recording of his last song,
Logan took a slow, deep breath– one he felt like he was holding all his life–
and broke down into sobs.
(He was ready.)
---
Logan held Patton’s bag in one hand, and held Patton in the other.
“Well,” Patton giggled, “this is me.”
“I mean, it is a house; it is not you.”
Patton just giggled even more as Logan handed his bags to him.
“Are you sure you do not want me to drop you off at your mother’s?”
“It’s okay!” Patton chirped. “I’m just here to pack up some of my stuff before anyone comes to collect ‘em. Plus, I think I’m going to stay at my mum’s for the next few days. She probably needs help with the twins more than ever, heh.”
“Ah, I see.”
“Besides,” Patton continued, “my place is on the way to the Clinic. It’ll be easier for you to get there; I know you said there was some stuff you had to take back with you.”
“Mhm.” Logan averted his glance down at the ground. Hesitance began to creep back in, but he did his best to let the feeling settle.
“You’ll be okay going back?” Patton asked quietly.
A beat of silence.
“I don’t know,” he replied, finally more human than not. “But that’s okay.”
Patton smiled. Logan suddenly caught a glimpse of something behind Patton’s shoulder and his eyes widened.
He then closed his trunk and motioned Patton to follow him, going over to the front of the car and leaning against the hood. Patton trailed behind him, still holding his hand. He set his bags down at his feet as he leaned back against the car as well.
“ Wow, ” Patton breathed out.
Logan nodded as they both looked up at the sky. “I dare say it is prettier than the one we encountered when we began.”
“Yeah,” Patton murmured with a small smile. “It’s beautiful. ”
They sat in silence, tilting their heads up towards the mix of colours above them. Logan did his best to look– really look – at the sight.
He noticed how the clouds were illuminated with pink, orange, and yellow highlights; and surrounding them was a swirl of purple and blue. It almost looked like the sun was setting the sky on fire.
A cool breeze rushed past him, but he felt the warmth of it all from where he was standing.
It was like he could see everything.
And when he looked over at Patton, he saw that his eyes were closed.
“Thank you for the adventure, Logan,” Patton whispered, gently squeezing Logan’s hand. “Thank you for giving me time. ”
Logan’s breath hitched, but his surprise soon gave way to a smile. His thumb brushed against Patton’s hand.
“Thank you for understanding me more than I ever could have,” he murmured. “And thank you for being my friend.”
“...Your best friend.”
“Do not make me regret assigning you this role.”
Patton laughed, letting go of his hand and turning to face him.
And then, Patton gave him a hug.
“I’ll see you soon, I’m sure of it,” Logan heard him say in his shoulder. “ I wish you the best with the time you have left.”
-
Before Logan started driving, he received a text from Patton.
Patton | Today | 8:13 pm
<3
Found attachment(s) : new recording.mp3
A smile grew on his face as Patton’s voice soon surrounded him. It was as if he never left.
Logan took a deep breath. Thoughts of the Clinic swarmed his head, and the memory of watching his mother drive away from him towards another life clouded his vision.
He lifted his head up and slowly started the car, his stare fixed ahead of him.
And then, he drove away from Patton – away from it all–
going towards the sunset instead.
---
alone with you, watchin' the sun fall down. i’ll cry with you, come home with me safe and sound. and whether or not i deserve it i guess i’ll never know. but maybe we’ll see some new colours on the other side of the road.
~ sunset (the other side of the road) - demo | uploaded by pattonmsings ~
#TS Storytime 2020 Submission#gabbie writes things#the road trip#sanders sides#sanders sides fanfic#sanders sides fanfiction#logan sanders#patton sanders#logan/patton#logicality#human AU
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Devotee
Slowly making my way through requests after a long writing hiatus......
Request: Hi Phee!! I’ve read all your fics and they’re so goooddddd! I was wondering if you could do a con-artist!reader x bucky where he knows her before joining with the avengers and he calls her (unbeknownst to the Avengers) and she turns up and stuff??
Whoop, so here we go I’ll be trying to make my way through the list over the next couple of days and I’m sorry I’ve been gone so long and this has taken so long to get written :( xx
Masterlist
“The painting ‘Starry Night Over The Rhone’ has been stolen in transit from the Musee d’Orsay in Paris to The Metropolitan Museum of Art here in New York.”
Stark scoffed. “We’re the Avengers; why are you coming to us over art theft?”
“Because it’s not the first theft. There have been several other high-level thefts of a similar nature and we believe they’re all related.” Fury stared him down with his one eye.
Steve looked up from the file in front of him. “And by similar nature you mean?”
Fury leaned off the table. “All of them have been art thefts or valuable items. Moreover, they’ve all had the same signature left at the scene.” He pulled out an item and placed it on the table before flicking his coat and walking out the door.
On the table laid an origami swan.
A man who had been silent all the way through the meeting made eye-contact with femme fatale sat opposite him before walking out the room alongside everyone else.
Later that day, Bucky Barnes sat on the bed of the room Stark had given him spinning the burner phone in his hand. Coming to a conclusion he dialed a number and waited with baited breath.
-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-
You slipped past a businessman, sliding his wallet from his suit pocket and smirked before extracting the notes from the wallet, putting them into your own bag before doubling back and slipping the wallet back into the man’s pocket and continued down Fifth Avenue, no one any the wiser. You had barely moved when your phone began to ring causing you to raise it to an ear, only barely glancing at the Caller ID.
“Hey Barnes, it’s been a long time since you’ve decided to show face.” Your tone was light, showing nothing was meant by the comment.
“What can I say? It’s been rather busy.” The man replied with a chuckle.
You rolled your eyes. “Somehow, through magic obviously, I don’t think this is just a social call.”
“Damn doll, how could you have known; it must be the magic.”
You laughed into the phone at his sarcasm as you moved south. “How can I help?”
“Heard of the collectibles thefts going on at the moment? Well we’ve been assigned the case by Fury.”
“Wait Nick Fury as in the dead but now apparently not dead SHIELD director?”
“Yeah, but that’s not common intel so mind out. Thought the case may be of some interest to you if you wanted in, Y/N.”
“Consider my interest caught but tell them I want a 10% cut when I’m done because I already have it down to three people anyway. Are you based at the tower or some other ex-government secret base?”
Bucky laughed. “No, we’re at the tower. I’m guessing you’re on your way?”
“Make sure they’re ready for me. And tell Nat I’ve missed her.”
The line went as you ended the call, the Empire State Building and Avengers Tower coming into sight.
The doors loomed over your head as you pushed your way through the spinning door. you scanned the crowd before picking an employee. You flashed a smile onto your face bumping into the poor woman.
“Oh my gosh, I’m so sorry I didn’t mean to! Here let me help.” You grabbed the files she had dropped on the floor with her help and as you handed them over you slid her badge off waist. “Once again miss, I’m so sorry!” Flashing an apologetic smile at her as you walked backwards to reach the gates. You scanned your new security card so the guard could buzz you through and you waited till you were out of sight in the elevator.
Scanning the card one more, the buttons became illuminated so you could choose the one you wanted. Ascending to what you knew to be the Avengers floor, you happily sipped your Starbucks drink you had acquired from reception and watched the numbers flash.
When the elevator opened with a ping you strolled out and surveyed it all. The modern design showed an open plan kitchen and living area with a large dining table to transition the two. Various things were scattered around the place: papers, files, a gun, and a few books on the kitchen island. Bucky stood there, arms crossed looking at you amused.
“Was the Starbucks necessary?”
You looked affronted. “Absolutely.”
You opened your arms and walked towards him as he did the same, his tightly wrapping around your waist and yours swung around his neck in a tight hug.
“It’s good to see you, Y/N.” He whispered.
“You too, James.” You pulled away and took a few steps around the kitchen, your hand just barely brushing over the gun on the side. “So now I’ve gone through weapon checks and reunions...”
The sound of a gun being cocked sounded behind you and you trailed off staring at James sending telepathic help signals.
James who was leaning forward on the island, smiled at the person and shook his head. “Oh, I wouldn’t do that if I were you.”
A familiar female questioned it. “Why?”
You rolled your eyes sarcastically as you turned around head down. “Well for one it would bloody hurt.”
You could see the gun lowering through your hair before the grip tightening and a loud click was audible. And again. And again. And..
“Looking for this?” You lent back on the island, armed folded, holding the missing magazine from the gun.
“Y/N?” Natasha’s eyes widened and her mouth dropped ever so slightly.
“Hey Nat.” You smiled as she zoomed to embrace you in a tight hug.
“What are you doing here? Not that I’m not loving the fact you’re here.” Natasha took steps until she was with the rest of the team again.
“Well, mon cherie,” You moved around to lean on his shoulder in mock adoration. “Our darling soldier gave me a ring.”
James shrugged you off with a chuckle.
Steve Rogers, Captain America, stepped forward. “Who are y-”
“Oh my god! You guys could have told me that there was a legend in the building. Y/N L/N, I am a huge fan of your work and your innate ability to piss off almost any figure of authority there is. I mean it’s truly incredible and-”
“ Mr Stark. Thank you.” A deep voice cut the billionaire off as a man dressed in purely black garments walked in, an eye-patch and all. “Avengers, this is Y/N L/N, the best con-artist in the world.”
“Hey! Alleged con-artist. They never actually proved I did any of my alleged work. Besides I’m touched; you think I’m the best?”
“You said it yourself: everybody knows you did your ‘alleged’ work but they can never tie it to you making you the best, Y/N.” Natasha interrupted as she clicked the gun magazine back into place.
“Prove it.” Sam Wilson aka The Falcon.
You laughed. “Okay, sure. Can I borrow your wallet a second?”
He patted around his pockets only to look up and see you smirking, holding the wallet. “What? How? You haven’t even come near me?”
“You shouldn’t underestimate me, Wilson, it’s rather provocative.” You raised an eyebrow and twirled the wallet in my hand before tossing it back to him.
He opened it only to see brown leather.
“Missing these?” Your hand held his card and $65 in bills
“Yeah give ‘em back. That’s mine.” You laughed at him before sliding it along the counter to him.
“Yeah, I think I’m alright.” Although as you said this you were testing the balance of one of Barton’s knives he kept on him at all times.
Clint just stared at you entirely confused but accepted the knife gingerly when you held it for him.
“So, as your new Art theft consultant I will take the liberty of narrowing down the suspect list to three people.” You threw three folders from your bag onto the counter as Bucky stood next to you. “Yeah you have him to thank for this.”
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