#oh and there's a lb review from a user i'm not even mutuals with where they review a salerno movie (seasons of our love) and someone in th
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in the context of other poliziotteschi flicks thinking back on la polizia ringrazia just makes my head spin like there you have the "good" policeman realizes the system is corrupt archetype and all the other routine components to it but this movie just takes that and gives depth to them and makes every character's motivations very ambigous and layered. it really feels like reading an essay, you have to really pay attention to understand what is being said which is something i used to not like that much but i've been enjoying lately so it was a hit for me like so much that i was very taken aback by all this. it's just hysterical to me that this very genre movie could have this complexity like pack it up francesco rosi.......
#sad to report that enrico maria salerno belongs with those fascist italian actors that actually made good movies..... sometimes#ah but ever since i found out that information i think of his violent summer cameo where he plays jean louis trintignant's father and he#jumps into frame with a bald head and black shirt delivers one deranged monologue and then leaves. perhaps that was not even in the script#and he just did that bc that's how he was behaving casually#fascinating times#oh and there's a lb review from a user i'm not even mutuals with where they review a salerno movie (seasons of our love) and someone in th#comment section asks do you think salerno and gian maria (volonté) got along on set considering salerno was a fascist? dhhdxgghxudbjwkshdjk#maybe not but then again gian maria had bigger things to worry about concering that movie like his BLEACHED eyebrows. unexplicable#yes i have many grievances
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