#now it's just the occasional oh this went off in 2020/2021/2022/2023

[robinsnest2111]

I think there'll always be spoiled food in the cabinets as long as my mother's in charge of grocery shopping...

[mesaprotector]

Under the cut: most overrrated and underrated anime of each year since 2017 for me (subjective!), with explanations. You can send me hate but be nice about it.

I'm only including stuff I've watched at least a cour (12 episodes) of. And also, some stuff like Dororo, even if I didn't personally enjoy it, I can see why people would, so it isn't on this list.

Starting with overrated.

2017: Dragon Maid

I guess the appeal of this is gay undertones with adult characters in an era when that was still pretty uncommon. And I do like some parts of it, including the ending. But I just cannot look past the weirdness of the Kanna/Riko ship and especially whatever is going on with Lucoa/Shouta, and the show overuses many of its worse gags. Even as someone who has developed a decent tolerance for "weird anime fanservice" this went too far for me.

2018: Violet Evergarden

This is a more mild case. It's a very pretty anime I don't dislike, but the story is kind of all over the place and the lasting acclaim it's gotten surprises me. There's just one episode that's top-tier (you know which one); besides that, the show doesn't know what direction it wants to take or what message it wants to have, and Violet herself is nowhere near entertaining enough to make it work.

2019: Shield Hero

This take is so lukewarm it's like someone forgot they put it in the microwave. But yeah—it starts off decent for exactly four episodes then does nothing whatsoever of interest for the rest of its runtime. I feel vaguely sad every time I hear about it getting a new season.

2020: Jujutsu Kaisen

It's a shounen, so I don't really expect more than well-animated fights out of it, and it has occasional good writing. The characters are not as interesting as I wish they were, something made clearer by my friend making me watch part of Naruto soon after the first season aired.

2021: Komi-san

This is not how social anxiety works. It does not just render you a mute who is somehow the most popular girl in your class regardless. I mean, sure, if you're watching this just to laugh it's kind of funny, but nobody should pretend this has any social message.

2022: Bocchi the Rock

Oh boy. I liked this, actually—it's a slightly above average CGDCT (Cute Girls Doing Cute Things) show with one-dimensional characters, a predictable plot to the extent that there is one, and only a single saving grace—highly imaginative animation for approximately 2 minutes out of every episode. I finished it, re-emerged into the world of online anime discussion, and found that people were calling this an all-time classic. I think no other show's acclaim has confused me as much as what happened with Bocchi; at one point Anilist had it at #4 all time, which is absurd even after considering the recency bias. There are similar shows that do far more interesting things with their casts— A Place Further than the Universe, The Demon Girl Next Door, K-On. I guess since I don't relate to Bocchi I just don't get it. I'll admit, at least, that she's written much more realistically than Komi is.

2023: Heavenly Delusion

This show started out extremely well, but but just like Dragon Maid above, it's a rare case where the fanservice is so jarring it seriously bothered me. The show has one episode in a completely different animation style for no real reason, just because they pulled in a guest director. The ending is miserable to watch and unlike plenty of tragic shows there doesn't seem to be a point to it, or any level of narrative coherence. I would refuse money to watch a second season of this.

2024: Apothecary Diaries

This is another mild case, similar to Violet Evergarden—it's quite good, I just don't think it's as smart as people believe it is—and Maomao's character feels a bit too pander-y even with how good Aoi Yuuki's voice acting is.

———

Now underrated.

2017: Shoukoku no Altair

I guess this entire post is "overrated: shows with great animation" vs. "underrated: shows with poor animation". But I feel a shounen with an interesting world (based on historic Turkey), actually smart writing of military tactics, and great character moments shouldn't suddenly go ignored just because it ran out of animation budget near the end.

2018: Akanesasu Shoujo

I post endlessly about this show. It's a very dumb and yet very wise show with the most emotionally beautiful final episode in the history of the medium. Cowboys. Baked fish cakes. Amazon Prime. Arranged marriage. Watch it please I'm begging you.

2019: Granbelm

As far as I can tell the only reason people dislike this 2D (!) mecha show is the cutesy designs for the mechas. It's a show that handwaves a lot of its plot elements, so it wouldn't appeal to someone who wants logical analysis of their stories, but it's emotionally smart without being cliché, and the sound design is fantastic. I scarcely notice sound design—only this and Chihayafuru do it so well to make a real difference for me.

2020: Id:Invaded

This show is reasonably well-liked and not that obscure, but it's still better than its reputation. If I had any doubts before that I Kenjirou Tsuda was actually a fantastic voice actor instead of just having a great voice, they were gone after watching this.

2021: Pretty Boy Detective Club

Slow-paced dialogue-driven shows almost always feel underappreciated by the anime community, with Monogatari the lone exception. This is by the same author as Monogatari, visually beautiful, and every bit as well-written—and yet MAL has it at a 7.08. My best guess as to why is that the primarily straight male Monogatari fandom was annoyed by the mild fanservice of the boys in this show (it's in the name, isn't it?), and nobody else bothered to watch it. It's much less ambitious than Monogatari is and much easier to get into.

2022: Requiem of the Rose King

If "an anime reimagining of Shakespeare's Richard III with dysphoria as a major theme" is a premise that appeals to you, and you can tolerate some animation budget struggles, watch this; if it doesn't, don't.

2023: Revenger

Maybe people rated this poorly because they saw "Gen Urobuchi" in the title and expected it to be as good as Psycho-Pass and Madoka (it isn't). It's still a really good series about assassins and crime syndicates in a medium-sized Japanese town, with uh—broken-down churches? Hot guys? Trade negotiations? The animation isn't even at fault here so I have no idea why it didn't take off more.

2024: Sakuna of Rice and Ruin

There are a lot of shows this year I feel were underappreciated, but this is one of the easiest to recommend—it's simple and pretty, with good character development and a really good setting, and plenty of rice farming. It is a touch kid-oriented, maybe, which shows in the lack of complexity of its character conflicts, but I don't fault that.