#not to sound like a nerd but basically back in the late 1700s....

[themorguepoet]

reading too much history is all fun and aesthetics until you are hyper-aware of the contextual significance of an event but have no one to geek over it with-

[gisellelx]

Consider this ask a general prompt for any nerding you would like to do for us re: linguistic thoughts about various Cullens. Also: any particular headcanons of how they've influenced each other's speech in general? (I was going to say re: Edward emulating Carlisle but that might not be the most interesting example)

Okay commence much belated nerding out. Relevant post.

Under a cut because sorry, I went to town here. tl;dr--the Cullens sound different to each other, and their backgrounds and relationships have affected the way they sound over time. But they all can sound exactly how they need to any time they need to.

Here are two useful things we know about why people do or do not change the way they talk.

Communities of practice: this is a concept which comes from education but which has gotten adopted in several adjacent fields, including sociology and linguistics. Basically, the idea is, the way you talk will reflect the kinds of relationships you want to have with people around you, and how you want to draw lines separating your group from other groups. My easiest-to-understand example of this is that my friends from college athletic bands had some terms and inside practices which arose because of our shared experience of playing in those bands. We were in band twenty years ago, but if you're having drinks with a few other bandos and leave the bar, someone will go "ohhhhh see ya!" like the cheer we yell when someone gets put in the penalty box at a hockey game.

Convergence and accommodation: Speakers often try to sound like people they want to connect with in more than just practices and inside jokes. The more you want to connect with someone (combined with your personality), the more likely you are to adopt their style of speaking. This is in the short term, which is accommodation (you start to speak more slowly because the person you're speaking with speaks more slowly) or dialect convergence (over time your whole way of sounding starts to shift toward other people's.) Some evidence that extroverts do this faster, but it also depends on how desirable the connection is.

Convergence is probably more influential for the Cullens than CoP, although I imagine there are some CoP kinds of things that happen to vampires more broadly and the Cullens specifically. In particular, I suspect (and write) that the Cullens have lots of euphemisms for things: they talk about "mistakes" to avoid talking about murder, about "Royce" and "Charles" to avoid uttering the word rape, Edward's rebellion is called The Time or Edward's Sojourn (that's Carlisle).

The bigger question is, how would they sound and how would they naturally converge (or not!) based on their personalities and relationship.

So. You have the Cullens. Kind of a rough-and-tumble rundown of their varieties:

Carlisle: I headcanon Boston Brahmin . In the 1700s, the London accent was /r/-full, so Carlisle would've arrived to the US sounding more like a current-day American speaker than we associate now with British English (received pronunciation usually being the exported one). He would've hobknobbed with the educated elite on the eastern seaboard and picked up what they sounded like at the time. He loves being American--this is where he found his purpose and his family. So shifting toward that accent makes sense for him.

Esme: Lower middle class US midlands. The central Ohio accent is often perceived to be extremely neutral. It's not--there are some truly funky features--but people think it is, so there's not much reason to move away from it. She might have tried her hand at a transatlantic accent, but she slides back into her middle Ohioan often, because it's easy and it's not usually considered "bad" anywhere. She makes fun of the way Carlisle says rather. He teases her about how bag and egg are the same sound for her.

Edward: Northern Cities Shifted Chicago. If you've ever heard a Chicagoan pronounce the word Chicago, well, there you go. I realize this probably fucks with the gentle, sexy attempt-at-American accent delivered by Robert Pattinson. Edward was born too late to have transatlantic imposed on him, and so his accent was probably left to be.

Rosalie: Another reason they hate each other--they sound alike. Rosalie is on the other side of the Great Lakes, was born not that much later, and Rochester is another major source of Northern Cities Shift. So she and Edward sound...pretty much the same. They're both upper middle class/upper class and are picking up the prestige version of the NCVS.

Emmett: Appalachian. Pretty much enough said. The post I linked at the outset lays out a few things from Appalachian speech.

Jasper: East Texan. Texas is not general southern--there are a handful of features which make it notably different than say, Louisiana.

Alice: Upper class Mississippian. Now, this is somewhat indistinguishable to a northern American or non-American ear--maaaaybe you notice sort of "high class southern" but it's subtle. She's got a bunch of features of southern English, though, but the more prestigious versions of them. Not quite To Kill a Mockingbird--that's Alabama-- but that's not a bad place to start to hear it.

So that's where they're starting. Where do they end up?

Carlisle: sticks with Brahmin. The moment he arrived in the US means a lot to him, and so he defaults back to that first major change, when he adopted an American identity.

Edward: Probably goes without saying, but he sounds exactly like Carlisle. He shifted his default as soon as he was able, and his intense adoration of Carlisle means he converged on Carlisle's variety. He also picks up Carlisle's idiolect--particular phrases and verbal tics--again, because he wants to be like Carlisle in any way he can. "Oh my God will you quit; you're not Carlisle" is a phrase that gets uttered in annoyance often.

Esme: Keeps her central Ohio accent. She loves Carlisle more than anything, but there's nothing particularly stigmatized about her variety. So she keeps it. She's happy to be her own person.

Rosalie: Does not wish to be a part of this family and regrets her change. She certainly does not converge toward Carlisle's style, but the pressure of sounding anything like Edward, even if his dialect has shifted, is also grating. She brings her NCVS a little more toward Esme's Ohio variety over time.

Emmett: This man killed a bear* with his bare hands in the Smoky Mountains. He's real proud of being a mountain man and he sounds like one. He also has a healthy disdain for the upper-crustness of Carlisle and Rosalie and Edward and is determined to bring them back down to earth. Over time the most obvious parts of his dialect do fade--he doesn't use "a huntin'" very often, for instance. But he can shift into full on Appalachian on a dime and often does. It's fun for him.

Jasper: Stays East Texas. He's very proud of his cowboy identity, and is the least connected to the Cullen family as a community of practice. He can sound like whatever his paperwork says he does, but in default, he's still got the same Houston variety he's had for two centuries. I don't love darlin' darlin' Jasper in fic but I chalk that more up to writers learning how to have a light hand with dialect rather than it being something he fundamentally wouldn't say--he absolutely does say it. Also says bless your heart.

Alice: Biloxi is not that far from Houston, and she and Jasper, who are wound around each other, pick up each other's verbal mannerisms and reinforce subtle aspects of each other's gulf of Mexico accents. She both mellows Jasper's Texas English while also moving her own English toward his.

So in "default" mode, the Cullens sound a little different to each other. But there's no way a Twipire would somehow be unable to move perfectly and seamlessly between multiple English accents as they needed to. There's no reason to think that any of them showed up at Forks High School sounding like anything but exactly what their paperwork said their dialectal background ought to be.

*by the way this would've been a black bear, not a grizzly. I'm sure he loves grizzlies, but he wasn't fighting a grizzly in the Smokies. He probably got tangled up with a really mad mama bear. This is a pet peeve of mine, I admit.