#not bringing up the conflict between trolls and dwarves in the main post bc... yk... but like. it's there. it's VERY there.

[skydaemon]

so we (and by we, i mean the very specific overlap of jews and nerds among whom i make my home) talk a lot about how tolkien's dwarves, in both the books and movies, were likely influenced by certain jewish stereotypes. obsessed with gold/wealth, secretive (especially about their language and religion), refugees from their ancestral home, portrayed with big, sometimes hooked, noses and interesting facial hair, and most specifically: the favourite little meow meows of one particular god, causing them to be shunned and persecuted by other races and creeds. this is likely unintentional, coming from the subconscious of tolkien in the same way orcs were "based on mongols" (ew colonialism) and activating subconscious biases/stereotypes in the people who designed the dwarves for the movies. it's subtext, albeit subtext that influenced the next eighty years of fantasy.

but what i don't see much discussion of is the fact that in terry pratchett's discworld, it's intentional. terry pratchett's dwarves are, more or less, jews.

carrot is a human adopted by dwarves, based on human standards. but within dwarf culture, he IS a dwarf. specifically, he has undergone specific rituals and memorised certain passages, making him LEGALLY a dwarf. this is basically how conversion works in judaism. indeed, as in judaism, it's considered rude to even mention that carrot is six feet tall and obviously wasn't born into the culture he has adopted.

the dwarves also have internal rifts - there are a group of 'orthodox' dwarves who consider the dwarves in ankh-morpork (who have adopted other customs and don't follow traditional roles) not to be dwarves at all, and don't recognise carrot as a dwarf for the same reason. they believe that the way to be a dwarf is to live in an all-dwarf community and follow their traditional rules, while other dwarves believe they need to change with the times and integrate (at least somewhat) with larger society. jewish as fuck.

there's also the interaction of dwarves with gender. when cherie comes out as female (which isn't a recognised gender by dwarvish society) she is ostracised for taking on the feminine roles common to other discworld races. however, she could never THINK of cutting off her beard, because she is still a dwarf. i see parallels with women in judaism taking on roles traditionally considered 'masculine' (e.g., as rabbis, wearing tallit and kippot) and the acceptance of queer people into jewish communities. there's lots of great discussion about cherie as a trans character on tumblr, btw.

finally, something that particularly strikes me is the line from carrot in tfe, where he says that the biggest dwarf city on the disc is ankh-morpork. obviously all diaspora communities can relate, but it's really something to know that new york is the city with the most jews in the world (960k to jerusalem's 570k. btw, 3rd is LA!).

i just love that, again, consciously or unconsciously, pratchett incorporated more positive elements of jewish culture into his portrayal of the dwarves.