#nobody is surprised by that

[blueberryblowfly]

this is all i got.. *sniffles*

[mischievous-thunder]

Which one do you want it to be, Wade?

[marzipanandminutiae]

I hate "it's not trying to be accurate!" arguments for historical fiction or historically-inspired fantasy clothing choices that just. don't make sense logistically

why is that girl in Br*dgerton tightlacing her stays? what is she reducing- her upper ribcage? not only can you not tightlace in those (hand-bound eyelets can't usually take that strain, in my experience), but there's no reason to because your waistline is under your boobs. and unlike most of the series, they actually commit to the empire waistline for the court presentation gowns. small waists don't matter when NOBODY IS SEEING YOUR WAIST

why no chemise, in so many productions? fantasy/lack of concern for accuracy can't make things not chafe. chafing is not a matter of accuracy; it's a physical reality. did a wizard give everybody in the kingdom Anti-Chafing Spells?

just because you don't WANT a linen underlayer beneath a medieval tunic doesn't mean sweat won't get to outer garments and damage them- or make them need laundering, which weakens the fibers -at a time when all clothing is handmade, custom-fitted, and created from hand-woven fabrics and thus a HUGE investment

you're not just throwing accuracy to the winds as a design choice; you're ignoring How Textiles And Bodies And the Realities of Your Technology Level's Fabric and Laundering Capabilities Work

[eurodynamic]

NAMOR MCKENZIE "Black Panther: Wakanda Forever" Skin Marvel Rivals (2024)

[spilledte]

It's Ryutaro Naruhodou's arrival and departure today~

A Technical Happy Birthday to the gallant rural boy 💜

[brainfreeze27]

street walkin cheetahs

[ayo-edebiri]

The Penguin (2024) I 1.01 After Hours

[shima-draws]

SO excited for this year. Cannot WAIT

[themarychain]

Saltburn: text post meme 🦌🔪🏰🍷🪽👑

PART 1 / PART 2 / PART 3

[aromantic-goldfishdeactivated202]

my worst quality is that in 4th grade I was really extremely super into Warrior Cats, as in i was one of those kids roleplaying warrior cats on the playground during recess. and i thought it would be really funny to train myself to hiss at people as a startle reflect. unfortunately i did that to myself during some core developmental years and now it's locked into my brain as an actual startle reflex and now, over a decade later, i still hiss at people when being startled. this stays between you, me, my 4k followers, and the internet at large. nobody is allowed to tell my 4th grade best friend that i did this to myself or she'll make fun of me

[the-real-list-of-ominous-threats]

I’ll cause you to accidentally make a typo on a post where you mention bad writing causing people to accuse you of being 13

[bornwholocker]

Reading flatland and obviously Bill’s home dimension and flatland aren’t exactly the same, but like. Since we don’t know which parts are different I’m just thinking. This is really unorganized and all over the place and probably doesn’t make any sense but

In flatland, it takes a LOT of planning for an equilateral triangle to be born. I’m talking like generations of interbreeding and methods for the fathering isosceles to get as close to equilateral as possible. It’s a huge deal. When an equilateral is created, it’s celebrated by pretty much everyone (for a miriad of different reasons but I won’t get into that). And being “irregular” in any respect is one of the worst things you can be. If you don’t “fix” your irregularity enough, you’re executed.

So imagine Bill’s family working their triangular asses off to have an equilateral kid, to give him a better life, and when they finally do it, he’s got that eye. From what we’ve seen of his parents, they seem to have taken care of him as best they could, but again, it’s been a whole ordeal just to have him, involving the whole community and family, and he came out wrong.

I imagine that’s probably why his parents took him to see the doctor and drink the “juice” that messed with his vision. They thought they were doing what was best for him. They didn’t blame him for his eye, didn’t hate him for it, but they felt the need to fix him, either to please their families or even just bring him to their own standards. The idea of irregularity being wrong is seen as natural and obvious, so they wouldn’t find an issue with trying to change him.

Another thing about flatland is that the mention of any third dimension or any idea close to that is pretty much criminal. (Spoilers i guess) The narrator of the story, a square who saw the third dimension for himself, is eventually locked away for talking about it.

So Bill was supposed to be a sort of miracle baby, I guess is the best way to put it. And when he came out just slightly but irreparably wrong, it was devastating. And then he starts spouting about 3D and the stars and he just wants people to understand, to see that it’s not dangerous, that it’s beautiful. But his parents don’t want him to get imprisoned or worse, so they try to keep him quiet. They give him his juice and his silly straws and wave away any ideas about the third dimension.

Bill was born a disappointment, one of the lowest life forms imaginable, and the only way he was gonna get anywhere in life was by losing his stars forever. He was told that the thing right in front of him wasn’t real, that he should stop talking about it, that he could get in trouble. So he had to show everyone that he was right. He would be a hero! He would be the kid who finally discovered where the light came from, something no scientist had ever gotten close to figuring out!

But in the end his parents were right. It was too dangerous. God bill tragic backstory is so ougrhhhhj grabs alex hirsch by the shoulders and shakes him

[inkskinned]

i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.

and that should be fine; but it's never fine.

i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.

for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.

we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.

i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.

restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.

[birdsofpasssage]

younger siblings who like to sing huh

[vordemtodgefeit]

‘nobody wants a general election, obviously’, says second PM in a row that wasn’t voted in by the general public, wasn’t even voted in by members of the party let alone the people he claims to represent, and whose party is predicted to lose said general election

[bandtrees]

the thing about curly is that it feels like a copout to describe him as "too nice" but i think that really is the situation with him. i feel when talking about him as a leader there's a lot of talk about the anya and jimmy stuff but i feel not a lot about the parts that show his passiveness causing problems before then.

most notably, that he let daisuke aboard a ship not made for five people, and that he told the others about the layoffs before he was meant to. both very well-intentioned, interpersonally Nice things to do, that were welcome as a friend who cares about the crew, but less so as an authority figure who's supposed to have a spine about those sorts of things.

he's not really thinking about the repercussions for revealing this information, or the impact it'll have on his crew's mental states in the months they have left for their last haul, because in his eyes - and this is something he tells both anya and jimmy - they'll Get Through It Together. curly is someone who reassures the people around him a lot in his dialogue. he cares a lot about people but does, in fact, care too much, and when it comes down to it, he can't do much except care.

an important thing to note with the anya situation (specifically in contrast to the "curly only cared about jimmy" take i see around) is that curly does reassure her, and i think did genuinely believe what he was saying when he told her everything was going to be okay and that they'd figure it out together. it's just that he also told those things to jimmy, and when you're a person as passive as curly, if you don't put your foot down people are going to weasel in and use that as an opening.

curly was a good friend, but not a good leader. there's only so much that reassurances without tangible action can do for someone in the state anya was in. he likely let daisuke board because he felt for and liked him, disregarding the fact it was literally unsafe for him to do so because of the pod situation. he told the crew they were getting laid off because it felt right for him to do so, he acted as a "friend" and not as a "leader".

and this is really cool contrast to jimmy, imo, who has no sense of compassion and is quick to take impulsive, ruthless decisions he expects praise for by sole virtue of being hard. jimmy would rather mouthwash someone's open wounds and force another to commit cannibalism than mercy-kill them - because someone dying under his care means he failed, and he can't have that, and so he will drag out their suffering for as long as humanly possible. he can't actually face the consequences of his actions.

both of them have this mantra of "i can fix it" without actually fixing much of anything - however i think curly differs in that he's a compassionate person who doesn't mind being on the same level as his crew (for better or worse), meanwhile jimmy can never shake the title of "captain" and the inflated sense of importance it gives him and that he projects onto curly. curly cares but doesn't act, jimmy acts but doesn't care.

BUT - i think a really interesting thing here too is how they act in the immediate danger of the crash. jimmy hides with his hands on his head, catatonic, while curly rushes in to try and salvage the ship even when it'll endanger him. jimmy is unable to face the gravity of what he did, while curly - even if he's not a good captain socially - is willing to put himself in danger to fix it. it gives the impression that while curly can't raise a hand against other people, he's willing to go down with his ship and put others before himself.

and putting others before himself is his entire relationship with jimmy, no? curly's dialogue with his crewmates is very reassuring, with a generous "we'll fix it together" attitude (see his patience with daisuke in the foam scene, and how he offers to do jimmy's psych eval when anya doesn't want to (compared to how jimmy would likely handle those situations, as we see when he yells at anya when asked to do tasks for her)) - BUT i would argue it's even moreso apparent with jimmy.

curly's povs, in my mind, offer the views on characters we don't see from jimmy's perspective, as jimmy cherrypicks scenes to paint anya as incompetent, daisuke as stupid and spoiled, swansea as mean and unstable - with curly, we see anya is gossipy and likes to joke around, daisuke is willing to fix problems by himself even if he struggles, et cetera. and with curly, we see, in how he talks to and about jimmy, he's very... concerned for him? and walks on eggshells around him.

^^^ after jimmy has pivoted a conversation curly was having about his life to be about his insecurities, and curly takes the bait and reassures him.

in general, he seems wary of jimmy as someone who will blow up if not reassured.

and he talks to, and about him, like he's taken on this quasi-therapist "responsible" role for him. he has this very... mental health-centered way of talking to jimmy - we'll fix it together, one day at a time, hey i believe in you, etc. which gives me the impression of, and this happens very often, a very trusting and overly-empathetic guy who's been roped into a relationship with someone whose safety and actions have been made his responsibility.

(i obviously don't mean this to woobify curly, or to diminish the game's commentary on rape culture, but rather to express that there's more to curly's behavior around jimmy than "shitty men cover for eachother".)

and i think one of the ultimate tragedies of curly's character is that, in the end, what jimmy projects on him -

-was true. this is how curly thought, before he was forced to come to terms, via experiencing jimmy's abuse of him, witnessing anya's suicide and the others' bodies, that jimmy was a monster who was never going to care about curly the way curly cared about him.

but, because jimmy views curly, now disabled, as a complete blank slate because he physically cannot speak for himself, jimmy continues to project upon him the dynamic that did exist between them - no matter the horrors he puts curly through, because if curly let him get away with it then, he'd let him get away with it now, right?

and when curly didn't put his foot down when it mattered, he now no longer can - and so jimmy's words, as long as he's as unable to speak for himself as he was back then, will be in his mouth forever.

:(