#no one asked for this but I was playing one of the Choices games and it was about having an affair with the nanny
Explore tagged Tumblr posts
yanderefarm · 3 days ago
Note
Currently caught up on your posts and saw what 🪐 anon said so to make this better lets break some more yanderes!!
We already got some Nephy content so let's step it up a notch..
How about making some of the yanderes totally codependent on us in order to even live?? Like we go really extreme and remove one of their limbs sort of things because if they're willing to do anything to keep us then we should return the favor to them
I have an issue...
-🐝
cw;; cannibalism, gore, amputation, violence, abuse, ableism (kind of?? this isn't meant to be realistic depictions to begin with so take it with a grain of salt), amputation kink, dehumanization, dumbification, pet play, dead dove don't eat
ohhhh the amputation ask was about us doing it. still. its an amputation kind of night so we're doing it.
i can only see this with a few of them so im just gonna write about them. tbh i could probably also do something with ajax but i don't know what.
Tumblr media
silvan;; he can't hurt himself anymore if he doesn't have arms. after being particularly bad and hurting himself enough to leave an ugly scar you decided to go through the process of having his limbs removed. it's usually reserved for cruel pet owners but in your case it's necessary for his own well being. well removing his legs wasn't necessary but you thought it would be better that way. he's completely dependent on you, he has no choice but to spend his days being carried by you or his maid because you refuse to give him any mobility aids. the only time he gets a taste of freedom again is during parties where you outfit him in beautiful but barely functional porcelain prosthetics. he can't move his hands and he can just barely walk so he still has to rely on you.
imagine him cutely waking you up by crawling over top of you. you open your eyes and look up to see his cheeks red and tears in his eyes. poor thing needs you to carry him to the bathroom, you give him a little kiss before you put him on the bed. you watch him squirm and try to sit up before you finally pick him up like a child. his tears soak your nightshirt as you carry him to the bathroom. he's so pathetic.
achilles;; the ultimate punishment. one of your regulars in your streams and as a customer asked you one night how much for a leg, normal question for you. except he meant achilles leg. and he was willing to pay millions for it. achilles and you spend a long time talking it over. it's not that you don't love the idea of taking away his life and making him solely dependent on you but you're worried about him waking up one day hating you for doing this to him. he assures you that's impossible and even if he did wake up one day hating you he would want you to break him back into place. he asserts over and over that his life, his body, his mind are all yours to break as you will. so he loses a leg. and then an arm. and soon enough your cute toy is just a sweet little thing that needs you for everything.
imagine him crawling as best he can over to you whining the whole way. you take pity on him and pick him up, sitting him in your lap while you play games. everyone in the stream says hi to him so excited to see him and his face that was once the picture of stoicism lights up with glee. he waves a nubby arm at them and almost falls off your lap. you give him a gentle kiss as you fix him between your legs. you have to remind him again to use his words and he struggles to think like he has every day since he became a happy little toy. "fhank you!!" so cute.
noemie;; he's premium meat and you've always found it a waste not to eat him no matter how much you like him. so when he gets on your last nerve you decide you've had enough. he screams and cries like a proper pig but you can tell even through his tears he's so happy. you only take his limbs and let him keep the rest because that's how much you like him. he is so grateful when he watches you eating one of his legs and you're kind enough to feed him some as well!! and now, you take your four legged piggy and you put him in your bedroom, metal on his nubs, hook in his nose, a little fake pig tail in his ass. he's a reward for you after a long day of work. sometimes you take him out and carry him around for some fresh air and to see everything you've been working on.
imagine opening the door to your bedroom to see your little piggy sitting in his bed on the floor looking excited to see you and immediately oinking. you pick him up and carefully remove his nose hook before you start to head to the bath. you're covered in blood and grime from work and he smells sweaty. he'll cuddle against your chest while he talks about what he thought about all day and how much he missed you. in the bath he'll splash and blow bubbles and be all excited you have to take him out and wrap him tightly in his towel so you can actually clean yourself. but he'll never stop talking and praising and smiling at you.
115 notes · View notes
yuurei20 · 2 days ago
Note
If it’s alright of me to ask , is there any examples of yuu/prefect having any canon details about them ? such as their height being pointed out by characters or if they are psychically weak/strong?if not that’s alright I’m jus curious :) since I remember a line from Crowley saying they looked “effeminate “?
Hello hello! Thank you for this question! 🦐
I found multiple sources ( 1 | 2 | 3 | 4 | 5 ) that all agree that Crowley seems to mumble a line with no subtitles in Chapter 7 of the prologue about the prefect seeming "effeminate"!
(the subtitles say only "But..." and then ブツブツ, for "mumbling")
While the sources above do not all report the exact same wording (it is difficult to make out what he is saying), it is generally agreed the dialogue is something similar to the following:
「ま、どう見てもこのか弱さは猛獣使いでも、猛獣にパックリとやられてしまいそうな…なんだか少し女性的な感じ…」
"Well, no matter how you look at it, with this frailty, even if they are a beast tamer, they look like they'd be gobbled up in one bite by a beast…a somewhat, slightly effeminate impression…"
For their height, we know that Floyd considers them to be small!
Tumblr media
And Grim says that their legs are shorter than Vil's!
Tumblr media
Note: this is only for the game-prefect! We know very much what manga prefect look like as we have seen them. The symbolism behind their names has been explained here.
Tumblr media Tumblr media Tumblr media
(screenshots from Square Enix's official website: Yuuken | Yuuka | Yuuta )
The novel's Yuuya's physical appearance has been described here.
For non-physical-appearance details the prefect has the option of being either very poor at playing instruments or being adept at playing the flute and/or bugle!
Tumblr media Tumblr media Tumblr media Tumblr media
Neither option seems to have any impact on the story, so the prefect being not being able to play flutes/bugles and being able to play flutes/bugles are both technically canon!
And the prefect also canonically knows the holiday "Tanabata"!
Tumblr media
It is interesting that both dialogue choices mention Tanabata. The prefect not knowing what Tanabata is is not an option 📝
Tumblr media
They also have the option of knowing what American football is! (though the characters in the game do not) 📝
And is this maybe all that has been specified in game? 🧐
Other things get into theory territory! I have seen many ideas in many places (the prefect is maybe a shape-shifting demon? The Chernobog? Will'O the wisps Fae? They don't know who Mickey mouse is, so how they can be from present-day earth? They want to leave Twisted Wonderland, which is the same as the player wanting to stop playing the game--are they not from our world? Are they themselves Mickey Mouse? Are they the mysterious chairman of the school, suffering from amnesia? Are they dead or in a coma?), but we have many more theories than facts ^^ Still fun to think about!
137 notes · View notes
regressionschool · 1 day ago
Text
Tumblr media
little women: amazing adventures
The playground is alive with the sounds of giggles and the joyful shrieks of Littles, their colorful clothes and padded bottoms dotting the landscape like a field of bouncing bubbles. It’s attached to the new Littles daycare, a space designed for their needs—soft, colorful, and filled with all the fun a Little could want. The sight brings a smile to your face as you sit on a nearby bench, watching over Valerie and Anna as they scamper around, climbing, sliding, and chasing each other across the play structures.
Valerie, dressed in her adorable green overalls and a bright yellow T-shirt with a little cartoon pig on it, is perched at the top of a play structure, her legs swinging freely as she pops her pacifier in and out of her mouth. Her diaper, visible beneath the loose fabric of her overalls, crinkles with each movement, the playful prints peeking out every time she shifts. You can't help but notice how carefree she looks, fully immersed in her Little space, unburdened by the concerns of the adult world.
Beside her, Anna is equally playful, though her plain white diaper looks a bit more clinical compared to Valerie’s vibrant one. It stands out against her pink dress, which rides up as she climbs and tumbles through the playground. Her pacifier bounces slightly from the strap clipped to her shirt. As you watch them giggle and slide down together, you notice more Littles scattered around, their pacifiers bobbing in their mouths as they toddle and waddle, their diapers clearly visible beneath shorts, dresses, and rompers. A few of them have even shed their pants entirely, too caught up in their games to bother with modesty.
A few moments later, you see Valerie and Anna hand in hand, toddling toward you. Valerie’s face is determined, while Anna looks shy, her steps smaller, her face hidden behind her paci.  “Hey there, girls,” you greet them, smiling down at their adorably mismatched pair. Valerie looks up at you and tugs Anna closer, her voice soft but teasing. “Anna’s messy,” she whispers, though loud enough for you to hear. Anna’s cheeks flush a deeper pink behind her pacifier, but she stays quiet, clearly embarrassed.
You raise an eyebrow, glancing over at the daycare, wondering why they came to you instead of Anna’s caregiver. But then it hits you—Anna’s eyes keep flicking to Valerie’s colorful diaper, her plain white one now crinkling as she shifts awkwardly from foot to foot. You chuckle softly. “I think I see what’s going on here,” you say with a grin, bending down to their level. “Anna, do you want one of Valerie’s fun diapers?” Anna nods, her cheeks still rosy, but there’s a sparkle of excitement in her eyes. Valerie giggles, clearly pleased with her role in helping her friend get a fresh, cute change.
“Well, alright then,” you say with a playful sigh, pulling out two fresh diapers from the bag, one with bright animals for Valerie and another with cute stars for Anna. “Let’s get you both cleaned up.”
A few minutes later, the girls are both in fresh, colorful diapers, their old ones discarded into the trash nearby. Their pants, however, are now sitting in your lap—both of them had decided, without a word, that they were much more comfortable without them. Valerie gives you a cheeky grin, her pacifier bobbing slightly as she adjusts the waistband of her diaper, clearly proud of her choice.
“Feel better, Anna?” you ask, giving the shy girl a warm smile as she peeks down at her new diaper, the bright prints now decorating her waist. Anna nods enthusiastically, finally letting out a giggle. “Much better,” she murmurs behind her paci. “Good,” you say, patting both of their heads. “Now go on, go play.” The two of them run off, giggling and waddling back to the playground, their bare legs and colorful diapers on full display as they rejoin the fun, leaving you with their little discarded pants and a heart full of warmth. Watching them scamper around, you can’t help but smile at how perfect the moment feels—just Littles being Littles, without a care in the world.
100 notes · View notes
buddiebeginz · 15 hours ago
Text
I'm really happy that Buck and Tommy are finally over (thank god) but there was so much I didn't like about this episode. Not only does Tommy have a history of racism, homophobia, misogyny, etc but he was simply not a good boyfriend. And like not just not a good boyfriend to Buck (which he was that) but like not a good boyfriend in general. Like look at how he talked about Abby (and I'm no fan of hers).
I know some of the stuff with Tommy was probably due to Lou's terrible acting but some of it was definitely writing choices. I don't get the point of writing a character to be a lackluster love interest at best and dismissive patronizing jerk of a boyfriend at worst if it's not leading somewhere in the story. It just feels like bad writing. A lot of the stuff with Tommy does. It's why I'm still amazed at how much that fandom acts like they're the greatest romance of all time.
There's also all that stuff that happened in 7x04 that I fear is never going to get brought back up again. I mean it might when Buddie goes canon (which I still believe will happen) but it might not just because if Tommy's gone they might not feel the need to address it again. But it was clearly Eddie's attention that Buck wanted in that ep (I wrote a whole thing about it here). You also have the fact that Tommy was showering Eddie was all this attention and gifts and the only time we saw him do anything remotely like that for Buck was in tonight's ep on their anniversary and it was tickets for a game Buck didn't even like so clearly Tommy wasn't that invested.
It's just this show has a habit of Buck staying in these relationships where he's not happy. Not knowing his worth and not speaking up to people who hurt him all so he can feel like he's loved. And I know a lot of that goes back to the stuff he dealt with as a kid but I'm just really sad they did this to him again. I get that Tim probably wanted Buck's first relationship with a guy to end on a positive note but then like I said why write Tommy the way they did since s7? If you take Buck and Tommy's relationship just as it played out on screen then Buck definitely should have been the one to break up with Tommy.
They wouldn't have even needed it to turn into a fight or this bitter angry thing it could have been a matter of Buck realizing that him and Tommy were just too different. That Tommy didn't really get him as a person and that could have been further made clear by having a moment where Buck calls Tommy out on always calling him Evan. I also don't get why they decided to have Tommy call him Buck in the breakup scene but then never address it any other time. Like they never really explained why he only ever called Evan and then didn't explain why he switched it up.
Like I said I'm happy they broke up but I just feel like in some ways I can't enjoy it. In both this ep and 805 there was scenes like at the graveyard where Buck acts like Tommy is this amazing important person in his life and I get that some of that is Buck trying to make his relationship with Tommy into something more than that is. And really connecting his excitement and newness of coming out with Tommy. But it still hurt to see him asking Tommy about moving in when I know Buck deserves so much better. He deserves a partner who will love him and see him for exactly who he is.
Connected to all of this I didn't like the scene with Josh, Maddie, and Buck either. I know some of that was probably the shows way of trying to make us think about Eddie and his coming out in the future but they were also talking about Tommy. Tommy doesn't get a pass for being a misogynist or racist or a homophobe just because he was in the closet. Also whatever happened with him and Abby in the past he was still talking shitty about her when he was on the date with Buck (in present day) so clearly his attitudes towards women haven't changed.
I like a lot about Josh as a character and he doesn't even know Tommy or about his past so I feel like he was just trying to educate Buck on some queer history. I don't entirely blame him for that speech he gave. I do blame Tim and the writers though. If they wanted Tommy to be seen as a guy who made mistakes in the past and had grown they should have put the work in to show him as such. The couldn't be bothered to do that even in his relationship with Buck. Truly hoping this is the last we'll see of him and also that not much time is spent having Buck mourn that awful relationship.
43 notes · View notes
clubsmarties · 2 days ago
Text
"That was your favorite part?" he asked incredulously. "Here I figured the kiss would have made an impression." Eli teased half heartedly. "That makes sense but also I understand. If I could have stayed with my foster siblings I would have. Leaving them wasn't my first choice." But it was the only decision he had to make in order to keep their family from having to take on one more mouth to feed. "I'm assuming your dad lives here?" The manner in which her features lit up told him she was more than excited to see them. "When they come visit you come to the diner. I can swing a two for one special."
He shook his head making a show of it and grinned. "Nope. Not at all. The bigger the bribery the better." Now he was curious as to what she'd have up her sleeve though he kept that part quiet. "You don't have to keep your hands and feet to yourself."
"Why wouldn't we like each other after?" His head tilted like that of a lost puppy. "You have no confidence in this. I'm hurt." he feigned hurt as he dramatically placed his hand over his forehead. "I do like to be wooed. Food is pretty much one of the best ways to get to my heart. See, now you've learned a new fact." In an attempt to make her laugh he stared right at her and fluttered his eyes. "These eyes? You think are pretty?"
"Ask whatever you want. I'd rather be asked than be figured out like 'm a zoo animal." He let out a husky little laugh and nodded. "Consider me a very interested pupil then."
Tumblr media
He took an open seat across the counter as he played with the water bottle and set it down. Answering Laurel's question from before had him half grin. "I wouldn't say dancing is a hobby. I do like it but I just don't do it as often. Never had a suitable partner to dance with until Halloween night." He thought to what he liked to do and hummed. "The boring answer is read." At least to others it'd seem boring. "Exciting answer is that I like to ski. One year our family took a trip to Aspen where I saw snow for the first time, I'd seen it before but not like that. I had seen my dad get on a board and swoosh down and thought that was the coolest thing ever. I liked it. What about you? Hobbies include having a strong flirting game?"
The thought of her already making an impression didn't sound right, but if his memory of when he first saw her was any indicator, then she was inclined to believe him. "I have to say, the dancing was unexpected, but it turned out to be my favorite part of the night." One conversation, one dance, and Laurel was hooked. That led her to a diner, and so on. “Hm, yeah,” she hummed in thought thinking of home. “California was home. I was tempted to be honest.” Juju probably would’ve loved it. “I just couldn’t bring myself to leave my dad. It’s just me and him now. No other family, really. Felt terrible to run off and leave him.” Being the second person to do that to him just didn’t feel right. “It does! I’m really excited for them to come over, soon I think.” Juju’s words crept into her mind, wanting to meet him and all. Not a good time to mention that though. “They said they’d try visiting soon, her and her boyfriend. Maybe next month?”
She was quickly discovering that she loved making him laugh. It was such a sweet sound, one she could hear again and again. “Oh, so you’re not above bribery? I’m intrigued.” The look on his face, with that smirk, invited trouble. And Laurel was immediately intrigued, ready to be bribed. His confirmation made her smile, because she still couldn’t tell if they were just joking around, but being kept warm by him seemed worth everything. “Sometimes both, so honestly any and all warm is appreciated. I promise not to touch you with my cold, cold hands.”
“You can hold me to anything you want, but yes promise no judgment on the awesome blankets.” Though, now she was very curious what kind of blankets these were. Did they have some amusing design on them? Or the character blankets, like Spider-Man or something? “And, I hope we still like each other at the end of this getting to know you session,” finishing her earlier sentence. Laurel’s features softened further, her smile growing as she returned the gentle squeeze. Well, well — now, it was her turn to smirk. Amusement tugging on her lips as they both agreed on this eventual next time. “do you? Time to bring out all my wooing skills then. Just to make sure I don’t miss my chance.” Talking about Jenny made her feel awkward, shaking her head at his comment. It certainly seemed like she was upset, but part of her hoped that wasn’t true. “I hope not, because you have very pretty eyes.”
Tumblr media
That comforted her, knowing he was willing to share with her after her awkward question. "Thank you..for, more or less, feeling comfortable to answer." Laurel listened to him talk about family and the birthday celebration, exasperation was evident in his tone. She wondered if he genuinely didn't like celebrating his birthday, just something for her to know - future reference and all. “I have, but that’s nice to see - that kind of commitment to your family. I feel like most people are eager to leave their family and be independent. Hm, I’m glad they insist. You deserve to be celebrated, and cake is never too bad I hope.” She looked his way, trying to decipher if he was serious but his laughter confirmed it for her quickly enough. “Oh, tempting? Funny you say that, I was thinking the same thing. Well, the push and pull can be fun. I promise I’m not as stubborn as my sign says. Sexy, really? Consider me an expert on all things astrology then.” She definitely wasn’t one by any means, but laurel was quick to sign up. “Okay, next question: hobbies. Can I assume dancing is one of them?” Considering they had found the time to dance the two times they crossed paths.
89 notes · View notes
aventurineswife · 19 hours ago
Note
hello!! aventurine with a teen!reader who has a similar past like his?
Games of Survival
Summary: In a quiet moment of connection, Aventurine and you, a teen with a similar troubled past, bond over shared experiences of survival and manipulation. You both discuss the sacrifices made, the burden of choices, and the price of constantly playing a game with such high stakes. Despite your differences, you and Aventurine find solace in the unique understanding of each other’s struggles, realizing that, while scarred, neither of you is truly alone in the fight.
Tags: Aventurine x Teen!Reader, Platonic, Found Family, Shared Past, Emotional Bonding, Teen & Adult Friendship, Strategic Minds, High-Stakes Gambling, Emotional Scars, Understanding.
Warnings: Mentions of traumatic past, survival struggles, manipulation, implied mental/emotional scars, themes of loneliness and sacrifice.
Tumblr media
The sound of a quiet shuffle echoed through the room, followed by the soft clink of dice as Aventurine expertly rolled them across a velvet surface. His sharp eyes remained fixed on the dice, as if they were the very essence of life itself—random, yet influenced by a hand much greater than fate.
You sat across from him, arms folded across your chest, your gaze never wavering from his. The two of you were an unlikely pair, sharing a connection no one else could quite understand. Like him, you'd once been pushed to the edge of society, discarded and forgotten. Like him, you'd survived by taking risks, by playing games with the world, knowing that one wrong move could lead to destruction.
"You've got the same look," Aventurine said suddenly, breaking the silence. His voice was smooth, almost amused, as he leaned back in his chair, his hands lacing together in front of him. "That far-off gaze, like you're already five steps ahead."
You tilted your head, the slightest hint of a smile tugging at the corner of your lips. He was right. You had the same knack for seeing patterns, the same sharpness in your eyes that reflected the same haunted past. His words had never been truer. You, too, had learned to manipulate the world, to bend it to your will—or risk being crushed by it.
Aventurine’s expression softened just a fraction as he met your gaze. "I don’t know if it’s a blessing or a curse," he mused, tapping his fingers on the table. "But it’s what keeps us alive. What keeps us... on top."
You knew what he meant. Life had never been kind to either of you. There was always a gamble at play, always something hanging in the balance. Your pasts were lined with similar scars: betrayal, loss, and a constant game of survival. But while most would falter, you and Aventurine had learned to rise above it. You both had learned to play the game in your own ways.
"I think we're both lucky," you said quietly, your voice firm despite the ghosts of the past still clinging to your thoughts. "We found ways to survive, to take control. But I never forget what it cost."
Aventurine's eyes flickered with something darker, something that spoke to the shared weight of your words. He didn't need to ask what you meant. He already knew. It was the price of your soul, the parts of you that you'd traded away in exchange for knowledge, power, and survival.
"That’s the game, isn’t it?" he said, his tone contemplative. "You don’t win without sacrifice. But we’re not like everyone else. We never will be."
You nodded, understanding fully. The games you played were ones others couldn’t even begin to comprehend, the stakes too high for most to ever even try. But for both of you, there was no turning back. You were trapped in the web you’d woven, a web of calculated moves and inevitable consequences.
For a moment, silence hung in the air between you, but it wasn’t uncomfortable. It was an understanding—two people who’d been shaped by the same cruel hands, two souls who had learned to navigate the chaos of the world by their own rules.
Aventurine’s smile returned, though this time it was gentler, almost wistful. "We might be similar," he said, "but we’re not the same. You’ve got a chance, a future. Me? I’m just a gamble, a bet that’s already been placed."
His words were playful, but you could hear the edge beneath them. The weight of his own choices, his own destiny, was something he didn’t share with anyone easily.
But you? You understood. And for once, the shared burden didn’t feel so heavy when it was carried by someone who truly saw you.
"Maybe," you said, your voice soft but resolute, "but we both know the rules, and we both know how to win."
Aventurine’s smile widened, a flicker of respect in his eyes. He lifted his glass in a subtle toast, and you did the same, clinking your glasses together. In that moment, you knew that despite everything—despite the scars, the broken pasts, and the games you played—you were not alone.
The game had just begun.
Tumblr media
31 notes · View notes
pangolin-404 · 3 days ago
Text
The Don Thacker QnA
Continuation of this post; tldr: I emailed Don Thacker and he was kind enough to answer some questions about Jazzpunk's live action trailers. :) everyone say thank you don thacker
This includes his words about working with Necrophone Games, the production of Project Pigeon and Project Switchhook, and their scripts. Here's the full thing (it's quite long!):
How did you start working with Necrophone Games, and what was it like? Did you work more with Luis Hernandez or Jess Brouse more?
Jazzpunk was originally brought to Imagos through Adult Swim Games. We had done several live action spots for ASG and I think the Necrophone Games guys may have seen something they liked? Most publishers we work with regularly basically lay out a marketing strategy and we're on the menu. "Do you want something from these guys," kind of thing.
At the time, we were an agency of record for ASG, and they put us together. To ASG's credit, they mostly stepped out of it once NG and Imagos were working together, though. It was an incredibly cool deal from them.
All of our work with ASG was like that; they would come to us with a project or a nugget of an idea and say, "go wild!" and we would, of course, go our particular brand of wild.
The Jazzpunk IP moved away from ASG, or at least the marketing side of it did, between the first spot, "Johnny," and the the second spot, "300-1200 Baud Buyman."
To both ASG's credit and NG's credit, the process was prettuch the same both times: awesome.
Did you work with Hernandez to compose the soundtracks?
Not at all. All in-game music was done without any influence from Imagos, and Imagos commanded the entirety of the music side for live action. Obviously, NG had notes/ input, but the two worlds remained mostly separate. 
This is actually intentional most of the time that Imagos does a live action spot. We need to keep the game proper and the hyper-splatter of crazy images in the marketing close enough to be causally related, but distant enough to neither give away the experience you would get from playing a game or try to express in 90 seconds what a game takes 90hrs to say.
How much free reign did you have over the creative direction? 
This is an awesome question for this project in particular. NG was the most hands-off absolute dictatorship we have ever worked with IN THE VERY BEST POSSIBLE WAY.
Essentially, they hit us with a hundred thousand little details and asked us to go ham and cheese on them. They were open to almost every one of my wild pitches, but the details were fine tuned by them to an incredible degree.
Imagos's process, when asked to pitch a story for a spot, is to put together a deck of several ideas that we feel would best serve the project and present them as a menu from which a client can choose ideas from; even mix and match elements from all of the presented ides (which happens). We do this to limit the infinity of choice. It helps with clients who don't know exactly what they want, but know things they DO want, and know very clearly what they don't want.
The NG pitch wasn't like this at all. I had a few lightning strikes and we hopped onto a video conference and I just ranted a bunch at them about my weird concepts and they rolled with them almost immediately. It was in the details that they really pushed hard to make sure what we were doing was going to live in the world of Jazzpunk. 
Looking into our archives, I see the notes we came up with during those meetings. Here they are, pasted:
Pitch 1
Noir detective enters office/closet
Pulls out briefcase
Gun, parabolic mic, bluebox
Banana, lobster, blender, ping pong ball
Dumps a pile of cardboard hands
"I'll be there in 10 minutes."
Pitch 2
Keanu reeves enters facility
"I've got to check my email"
puts on helmet, gloves, puts bit into his mouth
"hit me"
seizure
cut into: checking email, facebook, etc
Pitch 3
[Look Around You - but 1960s]
1960s style educational video
"the computer, invented in 1932 by James Bromely--"
"robots are used in many homes for--"
As you can see, we used a lot of bits from those. As I've said, this is 0% how we usually ptch. Usually there's a whole proposal with notes on tones and imagery and stuff.
Do you still have the storyboards? 
We didn't board Johnny - we listed. The time and money didn't really allow for it.
I worked with the same Cinematographer on both Johnny and 300/1200 Baud Buyman, one with whom I had collaborated on several commercial projects as well as a feature film before this point, so we had a bit of a shorthand going. We made shotlists and went into the day with a clear vision once we saw the set.
The set took seven days from concept to film ready. It was built in front of a greenscreen cyclorama, so the outer windows could show through to the city, TOKYO DUO. It was an incredible endeavor from a production designer I had worked with on some other ASG spots (and more), and it benefited heavily from his understanding of the Imagos look. It was entirely built, with wild walls (we could move any wall at any point) and an incredible level of set dec.
Once the DP and I stepped in, we knew the lists would work and we just went wild.
For 300/1200 Baud Buyman, we used a practical location (the interior of a grocery store) and boarded some of the action for clarity. Not as much as we'd board normally, but, again, the budgets for both of those spots was limited, and the timelines so short, that boards were a luxury we didn't get to play with widely.
Here is a set from 300/1200 Baud Buyman:
Tumblr media Tumblr media Tumblr media
Was there anything planned that didn't make the final cut?
For Johnny, only one beat; a comedy beat where the agent gets all geared up to CYBERJACK INTO THE NETRIX and then we hit a cold drop. He's forgotten to push the button. Then he pushes the button and it's ON LIKE TRON.
I think we cut this beat as redundant. Once we got to filming, it felt a lot like cyberjacking into the netrix was going to be enough. Watching him unwrap the thing and follow all but one instruction felt like it might be dead space. 
That, or we just ran out of time. That's always an option in production.
Tumblr media
Otherwise, it was all 1:1 the script.
For 300/1200 Baud Buyman, nope. Nothing. We shot what we wrote :) Well, we didn't do the tongue quarter gag.
Interesting note for 300/1200 Baud Buyman: The split-screen section, with The Director talking to the Cashier in one frame, was entirely a practical, in-camera effect!
Tumblr media Tumblr media
What happened to the props and spoof items used? 
For Johnny:
The CRANIAL REFRACTION HELMET was destroyed. Several of the parts that made it into that beast were either rental bits or owned by one of the crew/creatives. The rest was auto butyl and bits of rubber and piping and stuff.
The set was struck and, as with the helmet, the bits went to their respective owners or the trash. Even the wall flats.
Tumblr media
The stuff in the attache' case:
The prop pistol was returned to the armorer.
The POLYBLANK POINTING HANDS hands 
The parabolic microphone lives in a storage unit with select props from other projects.
Sadly, the pigeon is likely dead. It was a well taken care of racing bird, fully trained and treated like royalty, but they don't live very long and it's been more than a decade :/
The 2600htz whistle was kindly donated to the project by an unnamed source whose possession of it I will neither confirm nor deny. If you wonder what this means, look up 2600hz cap'n crunch whistle on the intertron.
We're especially curious about the fate of the Director prop(s).
For 300/1200 Baud Buyman, The Director was made out of foam board, and, unfortunately, didn't survive the transition into present time.
The rest of the set dress and props are, as well, all disposed of. Except for a giant cereal box front, that lives in storage.
I'm also curious about any remnants of old PAX East 2014 props and merchandise, but that might've been more in Necrophone Games' hands than Imagos Films'.
All of that is with NG. The only thing we had to do with their presence at PAX was a few pictures of us stopping by their booth and bumming around with them.
The 2014 trailer is called Project Pigeon in the Flickr album documenting the set. In the 2016 trailer's behind-the-scenes video, the composer Ryan Ike refers to it as Project Switchhook. Who named them and how were the names chosen? 
Imagos has a tiered naming structure for commercial projects:
CLIENT  -> PRODUCT -> PROJECT -> TITLE
CLIENT = Client (obviously) PRODUCT = Thing the spot is about PROJECT = The specific spot. We may do several spots for one product, so this is how we differentiate. TITLE = The actual spot title.
For the FIRST Jazzpunk spot, the breakdown is like this:
CLIENT = Adult Swim Games / Necrophone Games PRODUCT = Jazzpunk PROJECT = #projectpigeon TITLE = Johnny
Tumblr media
For the SECOND Jazzpunk spot:
CLIENT = Necrophone Games PRODUCT = Jazzpunk PROJECT = #projectswitchhook TITLE = 300/1200 Baud Buyman
Tumblr media
Who named them and how were the names chosen? 
Anything you see with a "#project" prefix is the PROJECT name. These project names tend to be silly or abstract. This is mostly because some of our projects need to be secret as we shoot them.
I write all of our work, and, as such, name the projects. Much to the confusion and frustration of my business partners :)
In the 2016 trailer's behind-the-scenes video, the composer Ryan Ike refers to it as Project Switchhook. 
A switchhook is an old phone term. It was a physical switch set into a hook for hanging your receiver on. It was an analogue electrical circuit, and could be manipulated by phone phreaks to, you know, DO TEH HACKINGZ. 
Similarly, where did the other title for the 2016 trailer, "300-1200 Baud Buyman," come from?
A baud rate is the rate at which a modem transfers data. Analogue modems used to use these baud rates as indicators of speed or bandwidth, in marketing, much as modern broadband connections use megabit or gigabit ratings.
Without getting too technical, analogue modems transfer data as 1s and 0s by flipping signal frequencies to represent state changes. This is the dumbest way to say this, but a baud rate of 300 means that 300 signal changes can take place per second of connected time. 1200 baud is 1200 signal changes per second.
A top of the line phone modem in the late 80s/early 90s could band between 300 and 1200 baud. Kingmakers and 1337 h4x0rz might have been able to convince their parents to get into a 1440 baud modem. If they were lucky.
This is all pre-millenium phone phreak/hacker stuff. I was exactly the right age, in exactly the right place to have been swept up into all of that as my form of teenage rebellion.
The Jazzpunk world is a cyberpunk inspired pre-digital hackerverse, and I grew up in the height of that, and leaned on those things for the scripts.
The Director is jumping though time, buying goods at a low price and selling them at a high price in the future. In the spot's narrative, that's how the entire endeavor is being funded. He is, however, causing massive inflation in the process.
And he's using a 300/1200 baud modem to transfer himself back into the past, because that is the technology that existed.
#projectpigeon is named such because the pigeon. In the spot. The spot has a pigeon in it.
The 2016 trailer's IMDB page lists someone named Chris Morson as the voice actor for the Director. Is this true? Additionally, do you happen to know who voiced the Editor in the game, or any other voice actors?
Chris is an INCREDIBLE actor. I've worked with him several times, and every one of them has been incredible. Yes, he plays the voice of The Director in the spot, but has nothing to do with the game. 
As well, I also have/had nothing to do with the VO in the game. A shame, because I would be super proud if I had!
Did you/Imagos Films make anything else for Jazzpunk?
Unfortunately, no. I would love to, of course. That series of spots is truly a wonderful time.
I have attached the script for both Johnny and 300/1200 Baud Buyman as a little gift. Enjoy.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
22 notes · View notes
nat20composure · 10 months ago
Text
Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims
Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:
I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.
I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.
To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.
When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.
The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.
Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?
I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.
When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.
A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.
To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.
I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.
The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.
NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.
Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.
Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.
Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.
Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.
628 notes · View notes
starry-bi-sky · 2 months ago
Text
Sketch dump! I havent done one of those in a while. These are all from June-July while I was on vacation.
First we have Layal! The delightful Mother of Monsters, aka the Ghost Zone’s most evil mama bear AND my take on a fem!danyal dan! I like to imagine she could pummel Dan into the ground, but that stands true for any and all of my au Dans. Bc i am INCREDIBLY biased.
She mostly lives on her island in the Ghost Zone, taking in monsters of the Infinite Realms of all kind and raising them as her own. Surprisingly enough, she does genuinely love her children. That’s about where her love ends. She stole the minotaur, his name is Asterion.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Then we have Daini-Yel! He’s from an au i’ve never actually talked about on here. He’s literally just Danny for an Epic!-inspired au. He's an unknown entity in the newly released open-adventure, odyssesy-inspired game "Nautilus", and he is not a part of the game's code :). He showed up three months after the game's initial launch, and was discovered during a live when a streamer was on their way to fight a boss much similar to Circe and the streamer accidentally took a detour and found his pathway (of which did not previously exist).
He's very friendly! And offers you, the Captain, a strange liquid with even stranger powers called "Ektolai", in order to help you fight Circe. His whole vibe and creation is literally just the song "Wouldn't You Like" from Epic. If you run into him enough times at the start of the game, you can convince him to join you on your adventure as part of the crew. He's a powerful ally and a very good friend, despite his strange awareness of the world around him...
Oh, but be warned... just like the rest of your companions, your actions have consequences and what you do affects their opinion of you. Daini is no different! Your close allies can quickly become enemies.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
59 notes · View notes
dykedvonte · 10 days ago
Note
I never even considered that parallel, that Anya would have an ignorance to (or at least, vain hope against) Jimmy abusing Curly with his meds. Because they're friends, because she hopes he wouldn't be as callous with Curly as he is with her, because Curly even said himself "I know him." Incorporating that into my world view.
I don't think Anya thinks Jimmy is a good man, but I do believe she would think he'd be reasonable enough not to raise tensions in a situation this bad. She genuinely wants to believe that in their worst moment Jimmy won't be a monster.
Everything has gone wrong. Curly is gravely injured and she is doing everything she can to keep him clinging to life, despite believing he caused this. Swansea has relapsed and is constantly arguing with Jimmy. Daisuke is trying to stay positive but in a way it just reminds everyone of how hopeless it all is. And to top it all off Jimmy is defiantly losing it with all he's trying to do and the responsibility he can't handle.
Anya wants to believe that no matter how angry, how bad and awful he could get with her, he'd at the very least show decency to one person who tried to show some semblance of care to everyone. The one person that always stuck by his side. The person who confided in him and maybe told him how he was struggling instead of her. I don't think it's guilt but she regrets not prying more with Curly, making him admit what's wrong because it was her responsibility to help and she gave him the okay. I like to think even if she never realized Curly didn't crash the ship, Jimmy was the real reason or a big part of why he did and is why she tried to keep Curly from him in death.
It's Curly's worse moment and she's hoping Jimmy will be less of a monster for it. She knows she's hoping on what would basically be a miracle but it's the only thing she has left keeping her going.
45 notes · View notes
rawliverandgoronspice · 2 months ago
Note
I don't get why people hate the timeline so much, its not like you can't pretty much completely ignore it when you play the games. The only time it even approaches mattering to the story is when there is an explicit sequel like botw and totk or zelda and zelda 2
Hey sorry your ask got lost in the sauce of my broken tumblr, but: yeah!
I mean, I get why in some sense. It's been a heated point of debate and I think some people understandably resent the space it has taken not only in fandom discourse, but in how people began to understand the game and its narrative aesthetic choices. There is such a thing as over-rationalizing everything to hard logic, and sometimes it's just not the fandom for that --especially when you begin to forget it's all just fan theory and start to forget what the games are supposed to be like and evoke beyond just strict facts displayed in a linear way.
What I think bugs me with TotK in particular is that it both evokes and relies on continuity and the idea of a timeline, of archeology, of history itself, while being so loose and vacant with it that it both is doing Timeline Shit while also completely failing to understand why some parts of the fandom were invested in Timeline Shit to begin with.
But that's just my two cents of course!
#asks#tloz#timeline#totk critical#thanks for the ask!#I do... feel two ways about that myself#I think pure evocation is genuinely one of zelda's greatest storytelling strengths#that mood is sufficient and enough in itself and doesn't always need justification#it is the way the games center story --and that's genuinely wonderful and a strong take on narrative in games#as something freeflowing and accompanying gameplay rather than the opposite#and to ignore that and focus on hard facts all of the time kind of misses the point of the games' stories to a degree#BUT#I also get quite annoyed at the weird condescencion towards fans that do decide to engage with the stories more factually#especially since this is either revelatory regarding some of nintendo's choices#(that the aesthetics of evil are so tied to The Desert TM while taking so many inspirations from european fairy tales for example)#(it's not neutral even if we ignore ingame “lore”)#or just a great fodder for creativity and narrative play#and it is a part of the IP too!! just as much as dungeons and items and musics and curiosity-driven exploration!!#I do have beef with people not resonating with that aspect thinking others that do so are just stupid or childish#and that you can only have an enlightened relationship with zelda if you like it “the right way”#(which is somehow always mechanics/logic-driven which is. interesting to me.)#(or in a completely passively aesthetic way as in “I like fairies they're pretty”)#but you know it's the weird Triforce Shirt Dude stigma thing#that notion that you can (and must!) Love Zelda Deeply and Defensively#but you cannot be *passionate* about Zelda#then it's weird and immature#I don't know I feel like there's a lot to analyze in that arbitrary dychotomy#anyway sorry for the mega novel in the tags!!
18 notes · View notes
vehemourn · 2 months ago
Text
Tumblr media
guy in mabinogi rolled up on a vespa and began polling
16 notes · View notes
moonlit-tia · 3 months ago
Text
Tumblr media
Made my fields of mistria oc, Vesta, with this picrew by maetheellen! I got the template from here ♡
16 notes · View notes
thedrotter · 5 months ago
Text
Tumblr media
not-yet-dead-person
silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww
(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)
Tumblr media
i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!
the head circles are there for emotional support
very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.
(i will now comment on my process and it is not brief sorry)
usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.
according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it
Tumblr media
the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!
Tumblr media
Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.
background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!
for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway
that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it
#re:kinder#fanart#sayaka re:kinder#rei re:kinder#OH I ALREADY RAMBLED IN MY POST WHATEVER SHOULD I TALK ABOUT NOW IN MY TAGS UEEEEEEE😭😭😭#oh yeah do you want to know a fun fact about this drawing#i started it yesterday. i wasnt meant to I DID NOT HAVE PERMISSION...FROM MYSELF... i was meant to be on break#i self imposed a one week break from doing any rekinder related project after the transcript to avoid accidental burn out#NOT THAT I GOT TIRED OF IT AFTER THAT TRANSCRIPT NOT AT ALL#but jumping straight into more hours of creativr work after over 30 hours of it is asking for disaster. it is asking for burn out#yesterday was the last day . 12 hours were left but i was going to die if i didnt draw anything it would have been OVER#(aka my period started recently so i got very gloomy and depressed so i needed to run to my favorite stress relief...drawing rekinder☺️)#(on that note seriously what the fuck please explain the evolutionary advantage to getting horribly depressed every month)#(like hello?!?! rant real quick— i get enough flashbacks everyday i DONT need them to last longer and have me more msierable ?!?!?)#(periods are so dangerous to my mental health for no reason can i get a restriction order on them or some shit what the fuck)#(anyway thats enough of that break of character DONEEEE :3333)#SO YEAH I DIDNT EVEN LAST 7 WHOLE DAYS i even played a new game in between those 6 days youd think itd het my mind of rekinder. WRONNNNGGG#not even another devastating rpg horror gamr could divert my attention for long i hsd to draw rekinder😊#using the newfound power of mt transcript i was decided on drawing rei because i dont draw her enough for how high she is on my fvaorites#i was initially doodling random lines but then i stumbled upon this interactkon and it doesnt really fit into my usual expression sheets#so i thought hey lets do it asife#i thumbnailrd it and from there i was like hey lets do it in comic format isntead of separated messy doodles in tint canvas#and the rest is hisotry .... aka i spent the last two days doing this instead of doing MY HOMEWORK!!!!!#on my defense when i wasnt drawing i was horribly depressed i had no other choice#(seriously fuck off periods WHAT what do you mean i need to be distracted 24/7 to not be struck by crippling meltdowns LEAVE ME ALONE?!?!?)#(they should be banned we as a society should find like a . cure to them it dont do me good to have a whole week where i cant function)#these tags have been more of a weird rant im sorry IVE BEEN FEELING PEEEVEDDD LATELY SO YOU GET. STRANGE DROTTER LORE ????
17 notes · View notes
d1sc01nf3rn0 · 1 year ago
Text
Of all the dumb things the cishet men in the fanbase of Disco Elysium could say, I never expected "Dora Ingerlund is bad cause she had an abortion" to be one of them.
Which is weird, cause I feel like I also should've expected them to believe such nonsense lmao.
54 notes · View notes
todayisafridaynight · 5 months ago
Note
Why not combine them? You could post about MineDai eating pasta! Does Mine bulk with pasta? Does Daigo have a favorite pasta dish? Do they cook it together for a date night? Does Daigo even know how to boil water?? (Genuinely if you have any interest in posting about this please do, would read)
mine could, in fact, be the one who makes daigo pasta with a lil olive oil and salt and parmesan youre right ......
#snap chats#in MY world anyway ......#posts that inspired me to stop playing fps games to eat pasta instead <- im playing again later with my brother#bulking with pasta tho ..... im built like a cool stick you find in the forest but i love having pasta after a midday run ...#maybe not as a Meal meal but a quick meal just to have something afterwards yk#though would that not be lunch .... pasta lunch ... not a terrible meal for lunch actually...#idk i dont really eat lunch. unless that IS lunch.... idk dont ask me about the specific dietary habits of characters i dont eat#i dont imagine daigo has a favorite pasta dish- not that he doesnt like pasta its just not something he has strong opinions on#spaghetti's always a safe choice isnt it .... omg jollibees spaghetti ... i dont think he's had any but i just want JB spaghetti now ...#im full on pasta actually my stomach hurt <- just ate / contradicting 'i dont eat' statement#i cant imagine daigo and mine cooking together. maybe its because the thought of someone cooking with me makes me want to kill them#like im literally trying to cook here get out of the WAY. mine would be more nice of course he'd just have daigo wait if he was cooking#i should draw something with that .. i see it clearly. .. one day.#i just think itd be nice if daigo Wnated to help and insisted on it but mine's Deadass this time like. Go Away. Respectfully.#daigo'd prob joke about helping but then he gotta get hit with the Im Serious tone and now he's laughing while he walks away#like FIIIINNNEE WHATEVER guess he wont get the chairmans help <- the kitchen will not be burned down now#thats hyperbolic. moving on#youre right anon with the power of my mind i can make anything about my day related to minedai#i will be abusing this power indefinitely
9 notes · View notes