#nataliya artist

[miaqc1]

Nataliya Kochnichenko "Flamingo", 2024 Canvas, oil paints 100x60 cm Kyiv, Ukraine 🇺🇦

[eddy25960]

Nataliya Bagatskaya (1967), Ukrainian artist.

"By the Window"

from the series "Life in Avatar".

Canvas, acrylic, 90х65 cm, 2024

[monalisameisjemetdeparel]

"Madonna and the Child" (2021) by Ukranian artist, NATALIYA BAGATSKAYA (b. 1967). Acrylic on canvas Natalia lives and works in Kyiv. She graduated from the University of Technology and Design in "clothing design" specialty. She is a member of the Union of Artists of Ukraine. Her work is in the collection of the Korsak Museum of Modern Art in Lutsk.

Source: https://www.facebook.com/photo/?fbid=10160127478508845&set=gm.1367342437491177&idorvanity=1080475609511196

[blocpulp]

J.R.R.Tolkien - The Hobbit (USSR, 1991)

artist: Nataliya Fadeyeva

[sorrynoroomsavailable]

Там була якась історія Резиденція Вибачте Номерів Немає Галерея Коридор, 1 липня - 20 серпня, 2023 року Кураторка Наталія Лісова

Учасники: Віталіна Бойків, Габріел Булеца, Софія Голубєва, Світлана Заприлюк, Райвіс Капілінскіс, Анастасія Колібаба, Кус Іштван, Наталія Лісова, Інна Лук’янець, Марина Малютіна, Михайло Мельниченко, Марія Пелішенко , Віктор Покиданець, Петро Ряска, Андрій Стегура, Роберт Саллер, Габріелла Федяєва, Павло Фулей, Вадим Харабарук, Наталія Шевченко

Резиденція Вибачте Номерів Немає представляє в галереї Коридор праці колективного проєкту “Художні дії в довкіллі: “Вправи з лендарту”, кураторки Наталії Лісової. Художні дії відбувалися щосуботи впродож з 27 травня по 24 червня, 2023 року на заздалеідь визначених місцях, а саме: на березі водойму Карєру, на березі озера Цегельне, в Боздоському парку, на Ботанічній набережній та на Набережній незалежності річки Уж

Резиденція Наталії Лісової, проект та групова виставка стали можливими завдяки підтримці: European Cultural Foundation The beaux-arts Academy in Paris

(eng)

There was a story there Residence Sorry No Rooms Available Korydor Gallery, July 1 - August 20, 2023 Curator Natalia Lisova

Participants: Vitalina Boykiv, Habriel Buletsa, Sofia Holubeva, Svitlana Zaprylyuk, Raivis Kapilinskis, Anastasia Kolibaba, Kus Istvan, Nataliya Lisova, Inna Lukyanets, Marina Malyutina, Mykhailo Melnychenko, Maria Pelishenko, Viktor Pokydanets, Petro Ryaska, Andriy Stehura, Robert Saller, Habriella Fedyaieva, Pavlo Fuley, Vadym Kharabaruk, Natalia Shevchenko

Sorry No Rooms Available residence presents in the Korydor gallery works of the collective project “artistic activities in the environment: LENDART EXERCISES”, curated by Nataliya Lisova. Artistic actions took place every Saturday continuously from May 27 to June 24, 2023 at predetermined locations, namely: on the banks of the Quarry reservoir, on the shore of Lake Tsegelne, in Bozdos Park, on the Botanical Embankment and on the Independence Embankment of the Uzh River

Natalia Lisova’s residence, the project and the group exhibition were made possible thanks to the support of: European Cultural Foundation The beaux-arts Academy in Paris

Exhibition documentation: photo credit: Petro Ryaska

[rhetoricandlogic]

“Shards of Earth” by Adrian Tchaikovsky

April 17, 2022 ~ Nataliya

————— 2022 BSFA (British Science Fiction Award) winner for Best Novel! —————

“He was the mote in the mind of God, lost in that labyrinth of mirrors and moving parts.”

No matter what else he writes, Adrian Tchaikovsky will always be known as that guy who wrote about intelligent space spiders in a way that would make even the staunchest arachnophobe root for the crawlies. Well, you’ll be glad to hear that even in this very different space opera/ misfits-space-crew-adventure he still goes for non-humanoid aliens, from kinda-crabs to kinda-clamshells to grafted insectoids to kinda-space worms — to moon-sized worlds-reshaping* artistically inclined “Architects”. The guy can do weird, and do it well.

* Case in point: space flower sculpture formerly known as Earth: “Earth would always be the same now. Earth was like a flower, forever turned towards the sun. An alien flower whose exemplar might grow in some fecund jungle on a distant world. A thing of creepers and reaching shoots, something more than vegetable, less than animal. Earth’s mantle and crust had been peeled back, like petals whose tips formed spiralling tendrils a thousand kilometres long. The planet’s core had gouted forth into yearning, reaching shapes, formed into rings and whorls, arches, curved arms… A hundred separate processes shaped from the living core of the planet as it writhed and twisted, then was left to cool. A flower twenty thousand kilometres across, splayed forever in full bloom; a memorial to ten billion people who hadn’t made it to the ships in time.”

I love the stories centered on a crew of misfits that form a found family. Misfits in space is even better. There’s something inherently appealing about a ragtag bunch of underdogs on an old but trusty ship that have bonded over years of shared adventures, taking on the world that doesn’t always treat them gently — especially if it also happens to be set in the well-done space opera expanse with its version of faster-than-light travel to a bunch of inhabited worlds and – of course – a looming threat to existence as we know it.

“My newfound surrogate daughter, you do realize we are a crummy little salvage operation here? We are not going to be fighting any star battles while I’m captain.”

Yeah, suuuuuuuuuure you won’t…

It’s definitely has that classic SF feel about it that I loved about Children of Time as well — and it would hold its own against the classics of the genre, being good enough to join that elite club. It may tread the ground already familiar, but in a way that still leaves it fresh and engaging and riveting. You do not need to subvert genre conventions to be memorable and good — but you gotta do more than just coast on the support of genre tropes, and Tchaikovsky does that “more” by being true to his form quite excellent.

“There was a future out there, and it was a terrible one. It included war and whole planets dying in the shadow of Architects. They were living in a fractured galaxy and it must come together, or it would fall into darkness one star at a time.”

And as always with Tchaikovsky, the worldbuilding – that absolutely essential part of a good SF story – is exquisite and does not rely on countless infodumps but rather dropping you smack in the middle of a huge space battle scene and leaving just enough clues to work things out, trusting that you will catch on quickly. And a bit of politics. And a bit of post-war Balkanization of human space diaspora. And a bit of war. And a bit of space gangsters. And clashes between striving for freedom and perceived duty. And it’s all fun and suspenseful and very much engaging while still very thoughtful and clever, as is customary for Tchaikovsky.

I do love the idea of Unspace as a means of faster-than-light dangerous intra-universe travel. It reminded me of the “immer” in Miéville’s amazing Embassytown – an “unreal” space that only a select few can pilot through, with something(s) that just may lurk out there — and may just choose to reach out and tap you on the shoulder when you least expect it.

“Idris Telemmier reached out into the solitary infinite, like a man feeling for some precious dropped object in a dark room. And somewhere in that sightless expanse, he felt something was reaching back to seize his hand and pull.”

Oh yeah, and it you detest cliffhangers as much as I do, don’t worry — this does not end in one despite being billed as a series opener. It’s a complete book, and although there’s more story to come, it ends at a perfectly satisfying place and is a good standalone.

4.5 stars. It’s a gem. I may not want to visit the mind of an Architect, but I’m happy to take a vacation in the mind of Adrian Tchaikovsky.

“I made a judgement call.” “A bad one.” He nodded. “The problem with judgement calls is that they’re only ever good or bad in retrospect.”

[myramglina]

Porter Robinson - Cheerleader from Hugh Mulhern on Vimeo.

PRODUCTION Production Company: Riff Raff Director: Hugh Mulhern EP/Producer: Precious Mahaga EP: Natalie Arnett Director's Representation: Hands Executive Producer: Porter Robinson Executive Producer: Slush Management (Aaron Greene, Neal O'Connor, Amar Pathak, Samuel Luria, Valerie Maybaum, Ryan Glatt) Creative Director: Pablo Jones Soler

BTS/DIGITAL Paul Mauer

SERVICE COMPANY Solent Film MD: Alex Momchev Solent Film MP: Magdalena Staneva Solent Film Service Producer: Tihomira Temelkova Assistant Producer: Elena Doroshenko Production Manager: Mitko Milushev Production Coordinator: Teodora Naydenova Production Assistants: Eva Taneva, Simona Atanasova, Serafima Deyanova, Dimitar Borisov

CASTING DIRECTOR Veselina Georgieva

AD'S 1st AD: Antony Tanev 2nd AD: Margarita Aneva 3rd AD: Damyan Tanev

CAMERA DOP: Nikita Popkov 1st AC: Vladislav Mateev 2nd AC A camera: Ivaylo Yovchev 2nd AC B camera: Luciano Ivanov Video Control: Borislav Stoyanov Drone Operator: Nikolay Georgiev - Tanera Data Manager: Delyan Kaloyanov

LIGHTING Gaffer: Alexander Trenev Electricians: Vasil Vasilev, Georgi Tsanev, Dimitar Yanev, Boris Vasilev Dimmer Board Operator: Philip Georgiev

GRIP Key Grip: Tsvetan Kostov Grips: Albert Nikolinski, Dimitar Dimitrov, Yulian Gotchev, Mihail Gotsov, Emil Ivelinov Head Technician: Borislav Tanev Crane Technician: Stanimir Vatsov

SOUND Playback: Kostadin Separevski

ART Production Designer: Elena Isolini Production Designer Assistant: Theresa Bates Art Directors: Momchil Tasev, Aleksandar Yanev Construction Manager: Minko Krustev Props Master: Ada Paunova On-Set Dressers: Nedelcho Hazarbasanov, Yavor Milanov Set Dressers: Kostadin Dervenski, Evtim Evtimov

LOCATION Location Manager: Anita Miletieva Assistants: Elena Karadusheva, Lidiya Aleksandrova

STUNTS Stunt Coordinator: Ivan Vodenicharov Stunt Dept. Coordinator: Aneta Ivanova Stunts: Marina Yordanova, Desislava Slavova, Tea Markova, Mariela Kostadinova, Ventsislav Hristov

CHOREOGRAPHY Kosta Karakashyan

SFX Supervisor: Nikolay Fartunkov Senior Technician: Ivan Kazakov Technicians: Vladimir Mitov, Blagoslav Zhenkov

HAIR/MAKE-UP Hair Cut & Color: Miyuki Goto Artist's Hair & Make-up Artist: Yesol Choi Artist's Hair & Make-up Artist Assistant: Gohun Kim Head of Make Up: Gergana Batanova Head of Hair: Veselka Tsekina Hair Stylists: Bilyana Borisova, Gergana Ivanova, Nataliya Kamenova, Gratziela Dimitrova

COSTUME Artist's Stylist: Luca Wowczyna Luca's Assistant: Elliott Lane Assistant Stylists: Maria Petrova, Teodora Marinova, Nadya Dobrikova, Yoana Kusheva, Emiliyan Bonev Tailor: Marieta Duncheva Mask Design: Audrey Mai

ORGANIZATION Set Manager: Georgi Asenov PAs: Lyubomir Tabakov, Ivaylo Tabakov, Vulcho Monkov

STOP MOTION: THE JUNKS Stop Motion Supervisor: Zlatin Radev Animator: Boris Wolf Assistant Animator / Puppet Doctor: Diliana Valcheva Rigger / Assistant Animator: Teodor Ralev Set Dressers: Alex Suninski, Marin Nalbantov

EDITING: TRIM EDITING Editor: Joseph Taylor Edit Assistant: Anders Mills Producer: Noreen Khan

POST PRODUCTION VFX Supervisor: Vasil Galabov VFX: The Mill EP: Saskia Delius Producer: Sam Ashby 2D Lead: Ben Gallagher 2D Assists: Henry Claud N’guetta, Jane Williams, Muhaddissa Hasham Associate Producer: Rushikesh Shelar Production Coordinator: Karishma Verma Compositor Supervisor: Nanda P V Compositor Lead: Ragesh Ramachandran Rotoscoping Supervisor: Kunal Bendke Prep Lead: Jalander Madishetty GABHA Studios: Dafydd Upsdell, Daniel Morris Grade: Andrew Francis Add’l Post Production: Andrzej, Nina Muro, Nick Lane CGI: Alex (chippy) Futtersak, Dom Harwood VFX Artists: David Ochoa

TRANSPORT Coordinator: Vladimir Mashinata Blagoev Prod Vans: Svetoslav Yordanov, Ivo Radkov, Iliya Iliev, Georgi Evstatiev

CATERING Cherry Craft & Catering Manager: Mariela Manolova Cherry Craft & Catering: Petya Kovacheva, Ivan Nalbatski, Borislav Parvanov

SUNWEAVER CREATIVE Shawn Chapman: Producer - Creative Jacqueline Adorni: Producer Garrett Robles: 3D / Previs Lauren Sperling: Project Coordinator Matthew Hunt: Production Assistant

WARDROBE / COSTUME: VENIA Christine Ko: Key Costumer Keeter Ly: Key Costumer

WARDROBE / COSTUME: SUNWEAVER Cybal Hall: Costume Supervisor Annabelle Gerke: Key Costumer Christopher Hall: Costumer (Silkscreening) Daniel Rose: Lead Wig Designer Kieran Smith: Wig Stylist Samantha Michael: Wig Stylist

ART DEPARTMENT Kigarumi Sensei Taiki Nishikawa: Key Artist Paul Nishikawa: Artist

Creative Character Engineering Andrew Clement: Lead Artist Lesley Becerra: Head of Production Brad Palmer: Sr. Project Manager Cory Fisher: 3D print/fabrication Alex Dill: Fabrication Mike Ross: Fabrication

Special Thanks - Venia

[musicarenagh]

A Star on the Rise: Zara DuCrôs Debuts with "Ball Game" Allow me to present to you Zara DuCrôs – New Zealand-raised singer and actress, now based in New York, who has already created quite a stir with her debut release, ‘Ball Game. What’s dope is that Zara knowingly assumed her mom’s maiden name to be unique in an environment that is saturated with vanilla names. Her work is inspired by real life experiences or people she holds dear, the setting of New York offers her the coolest environment to be creative in. Music has always been a part of Zara’s culture as soon as it opened its doors to the public. She had this ill Ukrainian piano teacher named Nataliya in her childhood that played a huge role in her sound and love for music. It is possible to see/hear those formative years in her songs. Talking about that beat, ‘Ball Game’ is a loaded up pop-rock kind of deal, but you ain’t seen nothing yet from Zara. Inspired by such artists as Taylor Swift, Olivia Rodrigo, and The 1975, her development of a new style allows for acoustic and soft vibes to fuse with the harder elements in the most intriguing manner. It means that there are no limitations, there are no guidelines that one has to adhere to when creating artwork. Listen to Ball Game https://open.spotify.com/album/0RcJF44iBHpnixYCFN0zET Follow Zara DuCrôs on Spotify Instagram Tiktok What is your stage name? Zara DuCrôs Is there a story behind your stage name? Well, ‘DuCrôs’ is my mother’s maiden name, and it’s actually one of my middle names. My real last name is ‘Smith’, but I decided against using it given there are already so many prominent ‘Smith’s’ on the entertainment scene. ‘DuCrôs’ also just sounds cooler to be honest, and it’s French! Where do you find inspiration? I draw inspiration from a lot of areas in my life, though I primarily find it in the relationships I have or have had with people around me. I enjoy writing about specific periods of my life; thus far it’s usually the most turbulent, change-inducing, or hopeful eras that produce the best music. It helps to live in NYC as well – there’s inspiration everywhere here. What was the role of music in the early years of your life? I would say that music was one of the pillars foundational to my life from a very early point. I’ve been singing as long as I can remember, and picked up the piano at age 7. Music, in various forms, whether it was playing Tchaikovsky or singing pop songs in the car with my mum, was the most important outlet for me. It’s always been the way I am best able to express myself. Are you from a musical or artistic family? I can’t really say that I am – I’m the only one of my family who has decided on a career in the arts. However, my brother (one of the most talented people I know) is a really talented lyricist. He used to write a lot. Who inspired you to be a part of the music industry? This question is hard! I don’t know if there is any one person that inspired me, because I always felt like it was something I wanted to do. Although, one of my best friends (who has a band himself) convinced me while we were still in high school to start doing more with my music, because I was always too scared to. Maybe I could put it down to him! How did you learn to sing/write/to play? Singing is something I don’t think I ever learned properly, but I was definitely a part of school choirs growing up. I figured out how to write songs gradually as I entered the teenage years – I taught myself, really just drawing upon my favourite artists as a reference/rubric for what sounded right. When it comes to playing piano, I grew up with a lovely Ukrainian piano teacher called Nataliya. She was so passionate that it definitely rubbed off on me. I gained classical training with her for a little over ten years – I still think about her a lot and miss those days. What was the first concert that you ever went to and who did you see perform? The first concert I ever saw was Justin Bieber’s ‘Purpose’ tour – I was about 13 years old and probably just fan-girled the whole night.

How could you describe your music? I would describe my music as a blend of pop and punk influences, with lyricism that explores the turbulence of girlhood. This new single has a pop-rock vibe to it, though a lot of my other work I plan to release is more of an acoustic sound – soft pop stretching from a piano ballad to a more folky/indie pop track. I think that my sound will be ever changing! Describe your creative process. It definitely differs, though usually I will sit down at the piano when I’m feeling inspired and bang out a song in anywhere between 30 minutes to a couple of days. Sometimes that’s frequent, and sometimes I have huge dry spells. I have a journal that I’m constantly jotting down ideas into – lyrics, concepts, experiences, etc. so when the idea for a verse or a catchy hook strikes, I have the concept ready to go. Or vice versa! What is your main inspiration? A lot of things; mostly my relationships with people who are important or have been important to me. What musician do you admire most and why? I struggle to narrow that down to one. Lyricism is super important to me – I love clever lyrics. For that reason, I love artists like Lizzy McAlpine, Sophie Holohan, Olivia Rodrigo and Taylor Swift. I also love creative production and am really impressed by artists like The 1975, Del Water Gap and Harry Styles who I feel take risks all the time and make interesting choices when it comes to producing a track. Did your style evolve since the beginning of your career? My career is really only just beginning, so I don’t know that I could speak to the evolution of my style. I definitely think that it will in the future; after just my first release I can feel myself wanting to experiment more with my sound. Who do you see as your main competitor? I honestly have no idea. The other girlies in pop? I definitely have a lot more to produce before I’m competing at the top! [caption id="attachment_55973" align="alignnone" width="1500"] I definitely have a lot more to produce before I’m competing at the top![/caption] What are your interests outside of music? I’m also an actress! I’m frequently taking technique classes and recording self-tapes. I also love team sports, going for nice walks etc. Recently I’ve had a weird obsession with the weather as well that I can’t really justify. If it wasn't a music career, what would you be doing? If not acting, maybe journalism. That interested me for the writing elements – I also think I would have enjoyed being a live-cross reporter on the news. What is the biggest problem you have encountered in the journey of music? I think getting over what people might think about what I put out – it took me a while to take the first step, but at the end of the day I’m really proud of what I made, and I like my music! So it’s alright if no one else does. If you could change one thing in the music industry, what would it be? I’m not entirely sure. Though if I speak for right now (as in June 2024), I would love to see more fun, dance-able pop music make an appearance. I feel as though as a culture we peaked with summer music in 2016 and it hasn’t been the same since. Less moody ballads (though I do love those) and more upbeat bangers! Why did you choose this as the title of this project? The line in the chorus “we’re playing different ball games” seemed to encompass the song best out of them all – so calling the song ‘Ball Game’ felt like the best choice. https://open.spotify.com/artist/16gvrEBggrhpyppxDsbvVC What are your plans for the coming months? I have plans to get the ball rolling on an EP soon; there are a lot of tracks that I am excited to share, so I would love to put out a larger body of work moving forward. Do you have any artistic collaboration plans? Not as of yet, though I’ve been meeting a lot of new artists in recent months who are super talented, so who knows! A collab could be on the horizon. What message would you like to give to your fans? I’m not sure that I have

any fans just yet! But if there are any out there, I would want to say that my goal is always to make music that helps you feel seen. I know how much music has helped me deal with the rockiness of relationships and change throughout the years – if my music can help anyone in the same way it helps me, that would mean the world.

[gamieboop]

Check out this listing I just added to my Poshmark closet: NWOT Sz-7 Silver Cocktail Ring-Multiple Colors-Stamped NVC~Nataliya V Collister.

[mouseandboo]

1923 Graphic Design by Gail Anderson Via Flickr: Postcard with a picture of a poster called Grand Bal de Nuit done in 1923 by Russian artist Nataliya Goncharova (1881 - 1962). Sent by a Reddit member in their Random Acts of Cards group.

[klimkovsky]

Μουσική των Ουράνιων Σφαιρών — μέρος 1 — από το σούρουπο ως την αυγή

Friends, some of you know, and for some this will be news, but such a phenomenon as “Music of the Spheres” or “Music of the Celestial Spheres” came to us from ancient Greece (as well as many other things). Cosmos is a Greek word, and it means — neither more nor less — "Order". Music and Harmony are also Greek concepts. The desire of Greek philosophers to understand the structure of the World in which we live combined Music and the order of movement of the heavenly bodies in such a way that each planet or star had its own specific tonality or note, and the sound of these notes created Harmony. These were absolutely no joke researches — relying on them, the smartest people of that era found for themselves and other people the meaning of our lives (what do we live for?) and the rules, following which you can live your life happily, without suffering, because the laws of harmony are the same in Heaven and on Earth. It’s just that for now there is less Harmony on Earth, and more disharmony — disorderly, incoherent, out of step with the sound of each of us. But the Music of the Spheres can change this — at least, Pythagoras, Plato, Aristotle and many other thinkers of ancient Greece thought so. Just as a tuner compares the sound of a string and the tuning fork by which he tunes it, so people had to compare their deeds and actions with how harmonious they are with what the Cosmos sounds around us.

More than two thousand years have passed since then, but these ideas are still relevant. And a person finds happiness only when he is in harmonious resonance with the World around him. Well, if for some reason this resonance is suddenly upset, the Music of the Spheres still helps to return it.

When I recorded my first music album (in 1997) I didn't know any of this. But I intuitively searched for harmony and resonance of sound with the vibrations of the World, with the barely audible singing of the stars. When the record was ready, I finally thought about what to call it. At some point, a hint seemed to flash in my mind — “Call it “Music of the Celestial Spheres”.” And I gave it exactly that name, although at the time I had no real idea what I was dealing with.

Over the years, I then found amazing examples of other musicians and scientists going through a similar path. Johannes Kepler devoted many years of his life to attempts to create the “Music of the Spheres” based on mathematics and celestial mechanics. But in my search there was more of a desire not to calculate cosmic melodies, but to feel them with my heart, if such a thing is at all possible. It seems to me that I managed to feel something. In any case, many of my listeners who left reviews for that very first album uploaded to Youtube think the same.

Most of the time, this album was published in Russian and English versions. A couple of years ago I published an album with translations into Spanish and Chinese. And only recently I remembered that the idea of “Music of the Spheres” is of Greek origin, and that I simply must publish the Greek version of the album “Music of the Celestial Spheres”. My colleague, artist and singer Nataliya Victoria, who has lived in Athens for many years, helped me with this. And now the first album of the “Music of the Celestial Spheres” cycle has been uploaded to Youtube in Greek design — with Greek melodic names and descriptions in this beautiful language.

We also translated the design of the booklet for the CD and created a colorful digital ArtBook — all this is included with the digital version of the album. Those interested can receive it.

I hope this work will continue, and the next parts of the “Music of the Celestial Spheres” series will also be republished in the language of Pythagoras, Plato and Aristotle.

https://www.youtube.com/watch?v=aZSKna7FUFM

Happy listening, Friends!

[msamba]

Through Delicate Glass Sprouts, Nataliya Vladychko Emphasizes the Wild Resiliency of Seeds | Colossal

JANUARY 17, 2024 GRACE EBERT “Triticum” (2020), wooden platform and flame-shaped borosilicate glass,
26 x 27 centimeters.
Photo by Steven van Kooijk. All images © Nataliya Vladychko Artist Nataliya Vladychko sculpts spindly specimens in glass, capturing both their delicacy and strength in a single form. “After the fire brigades rescued the London Natural History Museum from German incendiaries,…

[canadianartjunkie]

Sketchbook Saturday - Animal Ghosts

These sketches use the so-called ghosts of animals to plead with women not to wear animal products, to stop cruelty to animals. The artist is Moscow-based designer Platonova Nataliya (Pedalja) who titled the series Everything is Fine. See more of her work on Behance, here.

[custompictureframer]

“Melting” is an original oil painting on panel by artist Nataliya Gurshman. Instead of a brush, Nataliya works with a palette knife to create lush, flowing texture. The piece is perfectly paired with this coffee brown floater frame from Studio.

Read the full article

[sorrynoroomsavailable]

Там була якась історія Презентація відео та фільмів Резиденція Вибачте Номерів Немає Галерея Коридор, 27 липня, 2023 року Кураторка Наталія Лісова

Учасники: Віталіна Бойків, Габріел Булеца, Софія Голубєва, Світлана Заприлюк, Райвіс Капілінскіс, Анастасія Колібаба, Кус Іштван, Наталія Лісова, Інна Лук’янець, Марина Малютіна, Михайло Мельниченко, Марія Пелішенко , Віктор Покиданець, Петро Ряска, Андрій Стегура, Роберт Саллер, Габріелла Федяєва, Павло Фулей, Вадим Харабарук, Наталія Шевченко

Резиденція Вибачте Номерів Немає представляє в часі тривання групової виставки “Там була якась історія” в галереї Коридор відео праці з колективного проєкту “Художні дії в довкіллі: “Вправи з лендарту” кураторки Наталії Лісової. Художні дії відбувалися щосуботи впродож з 27 травня по 24 червня, 2023 року на заздалегідь визначених місцях, а саме: на березі водойми Кар`єру, на березі озера Цегельне, в Боздоському парку, на Ботанічній набережній та на Набережній Незалежності річки Уж.

Групова виставки “Там була якась історія” триває зараз і відкрита для відвідування в галереї Коридор.

Резиденція Наталії Лісової та Групова виставка стали можливими завдяки підтримці: European Cultural Foundation The beaux-arts Academy in Paris

(eng)

There was a story Presentation videos and movies Residence Sorry No rooms available Korydor Gallery, July 27, 2023 Curator Natalia Lisova

Participants: Vitalina Boykiv, Habriel Buletsa, Sofia Golubeva, Svitlana Zaprylyuk, Raivis Kapilinskis, Anastasia Kolibaba, Kus Istvan, Natalia Lisova, Inna Lukyanets, Maryna Malyutina, Mykhailo Melnychenko, Maria Pelishenko, Viktor Pokydanets, Petro Ryaska, Andriy Stehura, Robert Saller, Habriela Fedyaeva, Pavlo Fuley, Vadym Harabaruk, Nataliya Shevchenko

During the duration of the group exhibition “There was a story” in the Korydor gallery, the Sorry No Rooms Available residence presents a video of work from the collective project “artistic activities in the environment: LENDART EXERCISES”, curated by Nataliya Lisova. Artistic actions took place every Saturday continuously from May 27 to June 24, 2023 at predetermined locations, namely: on the banks of the Quarry reservoir, on the shore of Lake Tsegelne, in Bozdos Park, on the Botanical Embankment and on the Independence Embankment of the Uzh River.

The group exhibition “There was a story” is ongoing and is open to the public in the Korydor gallery.

Natalia Lisova’s residence and the Group Exhibition were made possible thanks to the support of: European Cultural Foundation The beaux-arts Academy in Paris

Photo credit Petro Ryaska

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Powerful and fiercely feminine, notable vocalist and hit songwriter Nataliya captivates audiences and artists alike

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