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#my god between this endgame and the dooku book it's amazing i manage to get to work and do things for waaaaay too may hours a day
legobiwan · 5 years
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Master and Apprentice: An Overview of Themes
Okay, so as many of you may have surmised, I adored this book. There’s so much to talk about in it and the ramifications of some of the themes play all the way up to the Sequel Trilogy. 
To be honest, I’m not even sure where to start with everything I want to talk about, but I’m going start here with this basic outline of things I noticed and will dissemble from there over the next few days, weeks, whatever. 
Lineage
“You inherit your parents' trauma but you will never fully understand it.”
So I will preface this part by saying that I am a huge fan of Bojack Horseman and this theme comes up again and again and again in this show. (As does the difficulty, but possibility, of breaking that cycle.)
This book is heavy on the behaviors and prejudices and patterns that get passed on through generations, or in this case, lineages. Dooku’s preoccupation with prophecy touches Rael, which touches Qui-gon, which touches Obi-wan, and of course, ultimately plays a huge role in Anakin’s life. Not only that, but Dooku’s restrained, demanding manner seems to have  rubbed off on Qui-gon, who seemed to be constantly measuring up Obi-wan to an impossible metric and thinking it in his presence, which meant Obi-wan likely felt all of this and presto changeo we have a talented young Jedi who feels he is unworthy. This book really illustrates how Masters are as much parents as teachers, and how whatever issues the parent is dealing with gets passed down and processed, whether it be through rebellion, imitation, or a host of other reactions. Hell, the book mentions Yoda’s master (albeit not by name). I am *dying* to know who they were and what happened there. 
Performance Art
Okay, so one of the initial main culprits is a group of performers who end up being branded as terrorists. First of all, this made musician-me CACKLE, period. But beyond that, there is a running theme of a performative aspect to government, to ceremony (Fanry perfects this), even to the Jedi themselves with their rituals, with their idealistic Code versus reality. Sidious was perhaps the best performance artist of the entire GFFA. And prophecy, to a certain degree, requires performance, requires actors to ingest a script and accept it as truth, and finally meet its demands of life’s stage. Is it foretold because the events must happen or because the actors choose to make them happen?
Prophecy
Which leads me into the thorniest topic of this book. Dooku was obsessed with prophecies. Qui-gon became obsessed with prophecy, to the point of breaking a thousand laws to get Anakin to Coruscant. And then Obi-wan was so devoted to Qui-gon, despite everything, that he told himself he had to believe in the prophecy, for Qui-gon’s sake (back to family issues there.)
How many of these prophecies ended up being self-fulfilling because of the actors involved? (Namely, Qui-gon.) Even when Qui-gon realizes his mistake is trying to control the future instead of accepting it, he goes ahead years later to manipulate circumstances so Anakin can be a Jedi. That’s not accepting the future, he cheated at dice to change the future, to control it. And that action set off an avalanche of consequences I doubt Qui-gon prepared for. In short, Qui-gon is a very fallible character here and shows a fair amount of egotism in terms of his relationship with prophecy. 
I mean, the Force showed Qui-gon that he was “meant to misinterpret” his vision? I don’t even know where to start with the sheer audacity of that statement. Qui-gon doesn’t report his vision to the Council, because he thinks they won’t understand, thinks they’ll get mired in some minutiae of governance and not do anything substantial. And yes, the Council does dither, even Obi-wan notices it, but those controls are there for a reason and Qui-gon just runs roughshod over them, because he thinks he alone has the answers, that he alone can change the future. 
And it kind of comes back to this whole Lineage issue where Dooku had this attitude that he alone knew the truth. I mean, he defects to the Sith partially to rid the Republic of corruption, and look at his Padawans - Rael and Qui-gon, both iconoclasts, both skirting the edge of...something, and it’s almost laughable that Qui-gon gets so upset with Rael’s disregard of certain parts of the Code (the killing of his Padawan part, of course, but also the celibacy part) because Qui-gon lies and cheats and pulls cons across the galaxy and disregards swaths of the Code at will. And you have to wonder, is this because Dooku was too independent, and if Dooku was that independent, how did Yoda’s training of Dooku play into that? 
Then again, while family and upbringing play a huge part in a person’s actions and personality, they are not the only thing, they do not dictate the future. Nor do prophecies. And Qui-gon clings so much to these prophecies, just as Dooku did (and Dooku’s prophecy of choice, he who learns to conquer death will through his greatest student live again is just...it explains a lot as to why Dooku was so devoted to teaching, was so exacting on his students ((although I will never let go of the headcanon that Dooku actually enjoys teaching, because I feel that a personality like his needs someone to impart knowledge to)). 
Prophecy, more often than not, becomes self-fulfilling prophecy, which is an interesting paradox. Prophecies are read, believed to be true, and are enacted by the actions of the very people (beings) who read them in the first place. 
And thus they become prophecy. 
I mean, no wonder Yoda wanted to burn the “sacred texts” by the time The Last Jedi rolls around. Prophecy becomes a way to abnegate responsibility for one’s actions, to deny, whether it’s Dooku seeking to avoid death, Qui-gon proclaiming he is a vessel for the will of the Force, or even Obi-wan claiming Luke as the Chosen One in Twin Suns. (Although, I wonder about that last one, as Obi-wan is naturally skeptical of prophecy. I mean, the Jedi do have the Force and are granted visions, but then again, they make decisions. They choose to turn to the Dark Side, choose to bend to the will of a hazy future which claims no specific actors...and I feel like Obi-wan’s references to prophecy are more an expression of familial love, of tribute to Qui-gon rather than a true belief that Anakin was "the” Chosen One. Obi-wan believed in Anakin himself above all else, even his better judgment.)
The Jinn-Kenobi Express
So...what is going on with these two?
In many ways, this is more of a Qui-gon book than an Obi-wan book, although we get plenty of insight to Obi-wan’s character. And one of the things I really appreciate about Claudia Gray is the fact that she seems aware of the Jedi Apprentice series, the kind of dynamic that created, and weaves this story in a way that does justice to those interactions and the limited time we see Qui-gon and Obi-wan together on screen. 
And the thing is, Qui-gon is kind of a jerk to Obi-wan. From page two of this book, his is questioning Obi-wan, wondering why he hasn’t reached a certain point in his abilities yet (all while deliberately holding him back in areas like lightsaber combat, which is an astounding illustration of Qui-gon’s complete obliviousness to his own actions and ramifications of his actions). And, let’s be honest, Obi-wan is an empath - he wouldn’t be such a talented negotiator and diplomat if he weren’t (because, before anything else, you need to be able to read people, to know and feel their emotions in order to succeed at deals, treaties, and diplomacy). Obi-wan knew Qui-gon was questioning him, could feel it and this harkens back to those JA books where Qui-gon is kiiiind of a total douche, at times. And Obi-wan - rebellious, independent, self-esteem-lacking, so wanting someone’s approval Obi-wan...just falls right into this. It’s kind of an unhealthy dynamic, which resolves itself after Pijal, only to relapse all over again when Qui-gon finds Anakin and pulls his BS on Tatooine. 
Here’s the thing. Qui-gon is not a bad person. I don’t hate Qui-gon, he has good motivations, he wants to make things better. He cares about Obi-wan, seeks advice from his old Master (not knowing Dooku has fallen, my god), tries to free all the slaves he encounters, wants to buck every piece of Jedi and Republic law in order to make the galaxy right. And, you know, I get it. I really do. But there’s idealism and then there’s trying to do the right thing within the systems (no matter how terrible) we have created and inching forward to change because to do otherwise would be to fight yourself in a paper bag. 
Qui-gon is the living embodiment of the phrase “the road to hell is paved with good intentions.”
And Obi-wan knows this, knows Qui-gon is fallible, knows that his devotion to idealism, to prophecy is dangerous and yet he goes along with it anyway because Obi-wan’s greatest failing is his attachment. Obi-wan (the empath) cares too much and he can’t let go - not of Qui-gon, not of Satine, and certainly not of Anakin. 
"Let the past die. Kill it if you have to.“ I mean, I’m not a Kylo Ren-stan by any means, but he’s not wrong. At least, not in a broad sense, not in the way that might have allowed Obi-wan to make some clearer-headed decisions about everything from his relationship with Qui-gon to Anakin to the Council. 
In Conclusion
Dooku cared about his students but possibly feared death and thus possibly made his students his vessels to achieve the goal of immortality, despite enjoying teaching.
Qui-gon cared about Obi-wan as much as he did the betterment of the galaxy but was terrible at expressing it and put too much faith in himself, the Force, and prophecy. 
Obi-wan cared almost too much about everyone but himself, replacing self-esteem with rules and the Code, devoting himself to the memory of Qui-gon and his wishes in his guilt over his survival of the encounter at Theed.
And this writer cares waaaaaay too much about these characters and will most definitely be writing more about this book because, to quote Obi-wan flying a ship in the middle of a ship: AAAAAUUUUUUUUUGGGHHHH
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