#museos de arte

[lionofchaeronea]

The Earth, Maerten de Vos (1532-1603)

[oncanvas]

Saint Casilda, Francisco de Zurbarán, circa 1630-35

Oil on canvas 171 x 107 cm (67.32 x 42.13 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain

[7pleiades7]

María Hahn, the Painter’s Wife (1901), (detail), by Raimundo de Madrazo y Garreta (Spanish, 1841-1920), oil on canvas, 192 × 128 cm, Museo Nacional del Prado, Madrid

[mercuriicultores]

1905, Armando Menocal, Ganímedes

[empirearchives]

Baldassare Calamai, Allegoria di Napoleone a Sant'Elena con la Fama che vince la Morte, post 1821

Location: Rome, Museo Napoleonico

Source: Jean Tulard, L’Histoire de Napoléon par la peinture

[tragediambulante]

David with Goliath and two soldiers, Valentin de Boulogne, 1620-22

[arthistoryanimalia]

For #GuineaPigAppreciationDay, here are two Chimú polychrome effigy vessels in the form of guinea pigs, North Coast Peru, 1100-1400 CE, now in the Museo de América Madrid collection. Both feature split-color black and white faces so there are three views of each.

Inv. 10217 (3 views)

Inv. 10297 (3 views)

[garadinervi]

Neide Dias de Sá, Transparência, (vinyl on methacrylate), 1968/2017 [Museo Nacional Centro de Arte Reina Sofía, Madrid. © Neide Dias de Sá]

[diemelusine]

Boulevard de París (1890) by Joaquín Sorolla. Private collection.

[hopefulkidshark]

Museo de Arte de Tigre, Buenos Aires, Argentina: The Tigre Club stands on the banks of the Luján River, in Paseo Victorica, Tigre, near Buenos Aires, Argentina. The club, built next to the Tigre Hotel, was financed by Ernesto Tornquist and was designed by the architects Pablo Pater, Luis Dubois and the engineer Emilio Mitre; it was opened on 13 January 1912. Wikipedia

[lionofchaeronea]

Desert Scene, Francisco Lameyer, 1863

[bishopsbox]

source:bishopsbox

Eve (1945), by Juan Barbero Martínez. Málaga Museum.

Eva (1945), por Juan Barbero Martínez. Museo de Málaga.

[7pleiades7]

Flaming June (1895) by Sir Frederic Leighton, 1st Baron Leighton, PRA (English, 1830-1896), oil on canvas, 120 × 120 cm, Museo de Arte de Ponce, Ponce

[mercuriicultores]

1893, Fernando Cabrera Cantó, Academia (Baco)

[artsandculture]

Saturn Devouring His Son (1819-1823) 🎨 Francisco de Goya 🏛️ Museo del Prado 📍 Madrid, Spain

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must have been mixed technique, as chemical analysis reveals the use of oils in these works. The Baron Émile d´Erlanger acquired “la Quinta” in 1873 and had the paintings transferred to canvas. The works suffered enormously in the process, losing a large amount of paint. Finally, the Baron donated these paintings to the State, and they were sent to the Prado Museum, where they have been on view since 1889.

Saturn devouring one of his sons is one of the most expressive images from his Black Paintings. It occupied the wall across from Leocadia Zorrilla on the ground floor of “la Quinta del Sordo.” This mythological god could be the personification of such a human feeling as the fear of losing one´s power. The mural paintings from “la Quinta del Sordo” (the Black Paintings), have been determinant in the modern-day consideration of this painter from Aragon. The German Expressionists and the Surrealist movement, as well as representative of other contemporary artistic movements, including literature and even cinema, have seen the origins of modern art in this series of compositions by an aged Goya, isolated in his own world and creating with absolute liberty.

[tragediambulante]

Saint Sebastian, Jusepe de Ribera, 1651