#msr's crimes are more like. constant breaking and entering
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They're bi4bi. They're coworkers. They solve crimes. Nobody comments on the crimes they commit together. She's very pretty and fashionable and he's a guy in a suit (affectionate). They didn't sleep together but they didn't not sleep together. Their favourite mode of communication is the double entendre.
#i was going to add the âi didn't say their names etc.â#but i couldn't be bothered#most of the time i can't get into m/f ships#but i love this dynamic#it's steed and peel#and msr#and maybe the ashes to ashes guys too i just haven't watched enough of that to be certain yet#the avengers (tv show)#x-files#do i tag a2a?#yeah why not#a2a#partywithponies you are the exact target demographic for this post i hope you see it#steed and peel have both killed people and nobody ever talks about it#it's never particularly obvious but there's a lot of#âoh that guy's never going to get upâ or âmaybe he survived that fall out the window but like. how likely is thatâ#msr's crimes are more like. constant breaking and entering#most of the time they have probable cause#occasionally mulder will enter some guy's house because he's convinced that they're using evil cockroaches to commit murders#with zero actual evidence for that line of thinking
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Only the Light Ch. 12
12/? | AU where Melissa moves in with Scully after Scullyâs abduction | angst, msr slow-burn, occasional fluff | currently: Irresistible adjacent | T | 3.5k | previous chapters | read on ao3 | tagging: @today-in-fic
Scully gets major insight into what's wrong with her at her follow-up doctor's appointment. Then, Missy takes her to get a tarot card reading.
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It is not Scullyâs ideal Friday afternoon. The paper gown itches, the medical chair makes her feel like sheâs on display, and Dr. Zapolsky is not exactly the next person she expected to be inside her. As Dr. Zapolskyâs wand probes around, Scully distracts herself by wondering what Mulder is up to. He submitted the Aubrey case report to Skinner yesterday--he told her over the phone--so that probably means he was assigned a new case today. Heâll be doing background research and formulating his crackpot theory then. It must be much more productive without her fighting him every step of the way.
Dr. Zaplosky finally gets her wand into place and points to the black-and-white image on the monitor. Scully and Missy, who sits off to the side, both watch intently. âSo what weâre looking at here is the antral follicle count inside your ovaries,â the doctor explains. âFollicles contain the egg that gets released during ovulation, so essentially the higher the count, the more fertile you are.â
The image on the screen contains grey matter punctuated by a few dark circles. âAre the circles the follicles?â Scully asks, worry growing in her voice.
âYes, maâam.â Dr. Zapolsky repositions her wand and pulls the monitor toward her and Scully. âI have to be honest, this is an abnormal count for a thirty year old.â She taps a fingernail against each dark circle on the screen as she totals them up. âFive.â The word hangs in the air.
âThatâs too low, isnât it?â Scully says, posing it as a question though she already knows the answer.
âIâm afraid it is.â Dr. Zapolsky fiddles with the wand. âThe average count for a woman in your age range is fifteen.â
While Dr. Zapolsky removes the wand, Missy watches her sisterâs face. Blank. She bites her lip. Like twin telepathy, the emotion that Dana will refrain from letting out bubbles up inside her.
Scully takes her feet out of the stirrups, clutches her clothes in her lap. âHow could this have happened?â
Dr. Zapolsky washes her hands. âWell, considering that youâve had no irregularities in the past, it is unlikely that youâve had a naturally low follicle count since birth. A number like that is very unusual, and the only women Iâve seen it in have had menstrual issues for years.â
âIs it something that could beâŚtampered with?â Scully swallows the lump in her throat away. The only thing worse than being a victim is the constant reminders of it.
âAgain, unusual, but yes. I would suspect that an ova removal was performed.â
âYou mean they harvested my eggs?â Scullyâs voice has gone up an octave. She flirts with hysteria.
âUnfortunately so.â
âThatâs horrendous,â Missy whispers, unable to stay quiet any longer.
âIt seems that enough of the supply was removed to affect your hormone levels and stop ovulation altogether,â Dr. Zapolsky continues.
âSo Iâm menopausal then?â Scully digs her nails into her clothes. âOr at least premenopausal?â
âItâs still early, and it is possible that hormone replacement therapy could stimulate the follicle growth and perhaps promote fertility.â
âBut my menstrual cycle is shut down, is that what youâre saying?â Scully presses. âIf I didnât do anything, I would enter menopause.â
âMost likely, Dana,â Dr. Zapolsky responds solemnly.
The back of Scullyâs throat burns, threatening to unleash tears. âWell, Iâd like to exhaust my options. I know early menopause can have detrimental health effectsâŚâ
âIt can, and the hormone therapy would attempt to combat that.â
âAnd I would like to have the option of carrying a child, if possible.â
âOf course.â
Scully bites her lip and looks to her sister, whose eyes have filled with tears. She has to look away. Seeing Missy like that only breaks her even more.
âWeâll take care of you, Dana,â Dr. Zapolsky promises. âThere are plenty of options, and Iâll provide you with information on them all.â
She musters a smile, nods. âThank you Dr. Zapolsky.â
She does not feel thankful, not at all.
----------------
âNonconsensual ova removal, thatâs got to be some kind of crime, doesnât it?â Missy asks as the elevator deposits them in the hospital parking garage.
âMedical rape, I suppose,â Scully replies, her voice flat and dissociated. âI donât know if it could be prosecuted.â
âIt sure as hell better be prosecuted,â Missy fumes.
âWell, my case is still open, but itâs not exactly a top priority.â
âWeird, isnât it?â Missy huffs. âYou work on the X-files, are the victim of an open x-file, and yet it gets pushed aside.â
âItâs not Mulderâs fault,â Scully stammers, the words flying out of her faster than she can process them.
âI never said it was.â
âSkinner and the Bureau canât afford to keep us on it. Any case that goes longer than six weeks, thatâs what happens. Like Mulderâs sister--that case is still open too.â
âThat case is twenty years old, Dana. You were abducted two months ago.â
Scully says nothing. Does Missy think that she hasnât counted the days since her return, eagerly anticipating the moment the number of days sheâs been back exceeds the number that she was gone? She hits the unlock button on her key fob, the carâs highlights directing her and Missy toward it in the shadowy parking garage.
Missy speed-walks to the driverâs side. Scully grimaces.
âItâs my car, Missy. Iâm fine, Iâve got it.â
Missy doesnât move. âI know, but I want to take you somewhere.â
Scully sighs, lets her sister slide into the driverâs seat. âDo I even want to ask?â
âWell, I would expect you to.â
Scully settles into the passengerâs side as her sister cranks the engine.âWhat are the chances that Iâve been there before?â
âAre there such things as negative percentages?â Missy quips.
âWell--â
Missy cuts her off right there. âFor these purposes, thereâs not.â She glances over her shoulder, backs out of the spot, and guides the car down the maze of parking garage levels. âIâm taking you to a friend of a friend of mineâs. Sheâs a clairvoyant.â
Scully smirks. âIs that so?â
âShe does palmistry and tarot cards readings, plus she can contact spirits,â Missy replies.
âOh, well now that I know she talks to dead peopleâŚâ
âCâmon Dana, she could really help you. You donât go to therapy, so this is the least you could do.â
Scully laughs. âYou think a psychic is comparable to therapy?â
âA good one, yes. I mean, thatâs what you need right now, isnât it? Some clarity about your future?â
Scully rolls her eyes. âI could get as much clarity from a magic 8 ball.â
âSome psychics are scammers, sure, but not Holly. Holly is a trained professional.â
âYou can read palms and tarot cards too. Why go to her?â
âBecause she doesnât know you. You wouldnât believe a word I say, and thereâll be no bias in Hollyâs assessment.â
Scully glances over at her sister. Missy takes this to mean that sheâs entertaining the idea. âItâs not like you have anywhere else to be,â Missy reminds her.
âYou do,â Scully counters.
âAt five. Weâve still got three hours before then, darling,â Missy says with a mischievous smile.
Scully lets herself be swept away. Holding tightly to the reins has done her no good.
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A few minutes later, Scully finds herself in a house in the Virginia suburbs that looks permanently decorated for Halloween, on the inside at least. A bell rings as they enter the front door, the only indication that this is a shop formerly zoned in a residential area and not where someone lives. It is the exact cliche Scully would expect from a psychic's place, and it makes her feel no better about Missyâs insistence that the woman is a professional.
A woman with braided hair and long black nails emerges through a beaded curtain.
âMelissa! How nice to see you.â She and Missy trade kisses on the cheek like theyâre in Europe. âAnd who do we have here?â the woman asks, casting a curious eye toward Scully.
âHolly, this is my sister Dana. Sheâs here for a reading.â
âOh, how wonderful!â The woman approaches Scully and holds out her hands. Reluctantly, Scully grasps them. âYou have a very fraught energy, Dana,â the woman says, the edges of her lips turning down. âIâd be interested in doing a tarot reading with you.â
Still holding the womanâs hands, Scully answers, âYou can do what you want, but I canât say that Iâll believe you.â
The woman lets go of Scullyâs hands. âThatâs okay. Just because you donât believe it doesnât mean itâs not true.â
Scully throws her sister a sideways glance. Missy smirks. It is rare for her sister to get so effortlessly shut down.
They make their way to a candlelit back room, and Scully is certain she must have walked onto the set of a bad movie. She keeps this thought to herself as Holly seats her at a cloth-covered table. Holly takes her place across from Scully and pulls a deck of cards from a shelf under the table. Missy sits at the tableâs edge with a perfect view of both of them.
âI take it this is your first time getting a reading?â Holly asks as she shuffles the cards. Scully is impressed that she can do it with such long fingernails. She nods.
âGreat, I always enjoy newcomers. I would like to do one of the most comprehensive readings with you, Dana. Itâs called a Celtic Cross spread. Ten cards. What do you think, Melissa?â
âThatâs exactly what I was going to suggest.â
âPerfect. Now normally, Dana, we use a question, chosen by you, to guide the process. However, the Celtic Cross is a spread that encompasses many areas of life, so it doesnât require one.â
âAlright.â Scully doesnât care what this woman does as long as Missy pays for it.
âYouâll draw ten cards, then Iâll place them down, flip them, tell you what each position means, and interpret each card. Finally, Iâll interpret the spread altogether.â
âLovely.â She canât help but throw some sarcastic bite in. This sounds like a rigorous process.
The deck shuffled, Holly fans the cards out and holds the display toward Scully. âGo ahead, pick one at a time and I will lay them out.â
She does as told--one, two, three, four, five, six, seven, eight, nine, ten-- until they are laid out in front of her in the shape of a roughly constructed cross.
âWonderful.â Holly lays her own palms against the table. âNow, Iâll flip each one and tell you about them. Are you ready?â Holly looks up at Scully with piercing brown eyes. They remind her of Mulderâs when heâs frustrated.
âYes maâam,â she says, feeling suddenly submissive.
âLetâs begin with the present card, which reflects your current situation.â Holly turns the card, revealing a sketch of a burning building. The sudden desire to flee grips Scully, but she stays put. âThe tower,â Holly says. âThere has been an abrupt change in your life recently, one that you might call a disaster. You are scared, certainly, but you donât need to be. Change is necessary when the foundation of what you believe has proved faulty. It is a survival mechanism.â
Scully stares at the card. What would she do if she were stuck in a skyscraper on fire? Jump. And panic the whole way down.
âNext card, please,â she mumbles.
âAlright.â Holly flips the second card, an upside down triangle. Scully hears Missy lick her lips.
âThis is the three of pentacles reversed,â Holly explains. âThis second spot represents the main challenge you are currently facing. We normally perceive a triangle as well-balanced and in synergy. The upside-down triangle means that you are dealing with a lack of teamwork. A power struggle in the work environment, perhaps? One that is keeping you from becoming your most enlightened self.â
Scully shakes her head. âIf anyoneâs keeping me from becoming my âmost enlightened selfââ--she puts air-quotes around that phrase--âitâs me.â
Holly continues. âThe version of yourself that you feel like you have to be around that person is whatâs holding you back. Work on expressing your truest self. If that person cares about you, they will accept it.â
Scully looks toward her sister, who might as well have a bucket of popcorn and some Junior Mints with how much sheâs enjoying this. Missy winks, and Scully rolls her eyes and focuses back on Holly. âWhatâs the next card?â she asks with some apprehension.
âThe third card represents the past.â Holly flips it, and Scully finds herself looking at an upside down goblet with a bird on top of it. âThe ace of cups,â Holly remarks. âReversed. You are coming out of a period of loss, emptiness, instability. The water was running out of your cup, so to speak. Youâve gotten used to pain and emotional exhaustion, maybe too used to it. Now you must lift yourself out of that dark place and step into the light. Leave the past in the past.â
Scully crosses her arms over her chest. Missy led her right into the belly of the faux motivational beast. This is worse than therapy, too belittling and sentimental.
âAnd the next card?â she asks, impatience building inside her.
âCard four, the future.â A balanced scale adorns the card. âJustice! The truth will come to pass. Whatever has happened, the offender will be held accountable, and the victim will breathe easy again.â
âThatâs one of my favorite cards,â Missy pipes up.
Holly nods. âWho doesnât love to see justice served?â
âMmm,â Scully mumbles, not interested in furthering the conversation. She shifts in her seat. âWhatâs card five?â
âCard five is the conscious card. It represents the goals and desires that drive you.â She flips the fifth card. A woman with a sword stares back at them. âQueen of swords,â Holly remarks. âShe makes principled, logical decisions, never letting herself be guided by her heart. Is it possible that you have embraced this as an ideal, molding yourself to fit this archetype?â
This is a rhetorical question--or at least she hopes it is--because Scully is not planning to answer it. âInsightful,â she snickers.
âThen we have card six, which represents the unconscious desires that are driving you. These are the values that you might not even understand yet, but which are most fervently directing you toward your goal.â
âAm I allowed to flip it myself?â Scully asks. âOr does that ruin it?â
âYou pick them, I flip them,â Holly replies. âIt maintains the balance. I appreciate your enthusiasm, though.â
Scully chuckles. For a psychic, Holly sure is reading her wrong.
Holly reveals the sixth card, ten cups in a circle. âThe ten of cups. A beloved card. It indicates true emotional fulfillment. The feeling of having it all; harmony, peace, happiness. This is what you are unconsciously in pursuit of.â
âIsnât everyone?â Scully interjects.
âMost people think they are, but very few actually are.â
Scully decides not to read into this. Sheâs expecting a full card-by-card breakdown from Melissa later anyway, so itâs best to expend as little brain power on this childâs play as possible.
âCard seven,â Holly continues, âindicates the influence of your perception of yourself on your life and advises how to move forward.â
Scully nods and watches as the woman flips a card with one less cup than before, all upside down. âOh, the nine of cups reversed! This is often associated with dissatisfaction of some sort. Your life may look perfect, but it is still lacking. You have what you thought you wanted, yet it is not entirely what you want.â Holly locks eyes with Scully, who feels like a hostage at this point. âIn times of discontent, itâs best to identify the parts of your life that are failing to fulfill you. Disregard the expectations of others, and listen to what your soul is saying.â
Scully purses her lips. Something inside her stirs, taps on some long-forgotten childhood impulse, makes her want to cry. She will not. She will not.
âAnd whatâs the next card?â she asks, her voice gravelly.
âExternal influences. The energies around you that impact your energy.â
âHuh.â Scully blinks. âI thought this was an internal assessment.â
âIt is,â Missy replies before Holly can get to it. âWhat shapes you more than the people you spend time with?â She sends a smirk her sisterâs way.
âAh,â Scully replies, directing her attention back toward Holly before Missy can cause any more trouble.
Holly flips the eighth card, revealing a man holding a staff high in the air. âThe king of wands. A motivating energy. Someone who is a bit of a visionary, a natural born leader who follows through and carries out their goals. For someone who is more restrained, the king of wands can really get them out of their comfort zone.â
Scully nods, not able to debate this one.
Holly takes a breath. âAnd the ninth card, perhaps the most telling one. It is an analysis of both hopes and fears, reflecting how what you most fear may be exactly what you need, or vice versa.â Holly flips the card, and Scully is face to face with a skull and crossbones. She laughs--regrettably--out loud. âDeath?â
âYes, this is the death card,â Holly remarks. âBut donât be scared, it doesnât mean literal death. It represents rebirth and renewal, actually. A metamorphosis is upon you, and you have the opportunity to change your life for the better.â
âAnd I fear that?â Always the skeptic, she is.
âYou fear the unknown that comes with change. You mistakenly believe that change only yields bad outcomes, when your life has proven that to be false multiple times.â
Scully bites her lip, annoyed by the audacity of this woman to assume that she âknowsâ her because of some cards. âAnd the final cardâŚ?â
âYes. Card number ten is the outcome. A summary of your situation and its likely resolution.â Holly turns the final card, a divinely dressed woman on a throne. âThe empress,â she says. âA wonderful card for you.â
Scully furrows her brow. âWhat do you mean?â
âWell, the empress is an expression of feminine nature. Itâs deeply associated with fertility and nurturing.â
âAnd what does that have to do with me?â
âWell, you have a little girl, donât you?â Holly says confidently, as if she had heard it from Missy.
âNo.â Scully shakes her head. âI have no children. I canât have children.â
âOh.â Holly dodges Scullyâs glance. âWell, you would make a great mother, Dana.â
âYou donât even know me,â Scully practically growls. âYou just know the stupid cards.â
Scullyâs chair howls as she pushes away from the table. She disappears through the beaded curtain before Missy has even gotten up.
âIâm sorry about her, Holly,â Missy murmurs. âSheâs going through a very sensitive time. How much do I owe you?â
âDonât worry about it. Pay it forward, treat your sister to something that will make her feel better.â
âAre you sure? You did a wonderful job, you deserve compensation for your time.â
âSpend it on your sister,â Holly emphasizes. âShe needs it more than me.â
Missy pats Holly on the shoulder. âThank you. I will stop by again soon, I promise.â
Holly smiles, nods. âGoodbye, Melissa. And say thank you to Dana for me.â
The bell pings behind Missy as she exits the shop. Outside, her sisterâs in the driverâs seat with the engine already running. Missy slides into the passengerâs seat.
âQuite a performance there,â Missy teases. âYou missed your standing ovation.â
Scully grips the steering wheel with perfect 9-and-3 positioning even though they are still in park. âI want to go home, not be lectured by some woman who uses a game to say the same generic crap to everyone.â
âBut it didnât feel generic, did it?â Missy probes her sisterâs face. âYou connected with much of what she said.â
âAnd Iâm sure you did too, because itâs just universal truths of humanity served in bite-size portions. Vague enough that you can connect them to your life and feel like some incredible spiritual reading is taking place.â
Missy raises a brow. âAre you this difficult with Mulder?â It comes off harsher than intended. Scully���s gaze drops to her lap, her psyche pierced.
âI guess youâd have to ask Mulder, wouldnât you?â she responds coolly, shifting the car into reverse and cutting off any further conversation.
If her sister--the one person she feels most willing to be herself with--thinks she is difficult, then how must everyone else view her? Especially Mulder, who is only trying to grow out of his trauma. He must hate her for making it so hard, and for what? So she can have the satisfaction of being right? Truly, what would she lose if aliens knocked on Mulderâs door this very day?...Her pride? She cannot bear to think about it any longer, how her partner must hate her and yet has been so good to her. How she deserves none of it.
#if its not already clear i write this instead of going to therapy#đđ#and I genuinely appreciate anyone who reads it <3#only the light fic#the x files#txf fanfic#txf#missy and scully fic#mine
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