#mixcloud select

[jahbillah]

In Jazz, Dub Is Everything Vol 1-5.

#Dub #Jazz “In jazz, dub is everything” is mixtape series outta Novi Sad with yearly releases up on Mixcloud. Full joy easy selection!

[stevenvenn]

Soho Radio and MOVING SOUNDS with James Heather has a great interview Bat For Lashes (Natasha Khan) and some of the music that’s most inspired her. Check it out at the link above! MOVING SOUNDS TRACKLIST - 29/03/23 

Bat For Lashes - Interview Ryuichi Sakamoto - Merry Christmas Mr. Lawrence John Williams - E.T Is Alive! Dave Grusin - Mikey’s Vision Bat For Lashes - What’s A Girl To Do Aphex Twin - Xtal Boards of Canada - Amo Bishop Roden Sexwitch - Ha Howa Ha Howa Angelo Badalamenti - Twin Peaks Theme Bjork - Cover Me (Cave Version) Kate Bush - Hello Earth Bat For Lashes - Laura Slowdive - Blue Skied An’ Clear Gabriel Yared - C’est le vent, Betty Bat For Lashes - Moon And Moon

[wub-fur-radio]

Taking Sparkling Eno As Strategy (Again) Another Eclectic Tribute to Brian Eno

On the occasion of his 76th birthday, Wub-Fur Internet Radio once again pays tribute to Mr. Brian Eno with another collection of sparkling cover versions of his songs, recorded by an eclectic selection of artists between 1982 and 2021. Featuring the obliquely strategic talents of Queens of the Stone Age, The Feelies, St. Vincent, Jason Falkner, Chrome, Nouvelle Vague, Birdsongs of the Mesozoic, Game Theory, Brand X, and a half dozen more artists who know but don’t let it show.

▶︎🎶 Listen on Mixcloud

Running Time: 1 hour, 5 seconds

Tracklist

Intro: The Interesting Thing (0:15)

Needles in the Camel's Eye (3:20) — Queens of the Stone Age | Palm Desert, CA | 2007

Burning Airlines Give You So Much More (3:41) — Jason Falkner | Los Angeles, CA | 1996

Baby's on Fire (4:01) — Shearwater | Austin, TX | 2006

Third Uncle (3:19) — The Feelies | Haledon, NJ | 1984

No One Is Receiving [ft. Nadéah] (3:17) — Nouvelle Vague | Paris, France | 2016

Cindy Tells Me (3:08) — The Mess | Los Angeles, CA | 1992

St. Elmo's Fire (2:40) — Sam Miell | ??? | 2017

Sombre Reptiles (4:02) — Birdsongs of the Mesozoic | Boston, MA | 1992

Some of Them Are Old (3:00) — St. Vincent | LA/Dallas/NYC | 2012

Sky Saw (4:57) — Brand X | London, UK | 1997

The Big Ship (9:14) — Vapour Theories | Philadelphia, PA | 2021

By This River (4:02) — Alva Noto + Ryuichi Sakamoto | Germany / Japan | 2011

Here Come The Warm Jets (3:00) — Chrome | San Francisco, CA | 1987

Taking Tiger Mountain (5:22) — Pascal Comelade | Montpellier, France | 1982

Needles in the Camel's Eye (2:47) — Game Theory | Sacramento, CA | 2020

Long time listeners (and perspicacious newer ones) have no doubt already noted that this mix is a sequel to our previous Eno covers tribute, originally aired in July of 2016 and then updated and revised for Brian's 69th birthday back in 2017, which can be heard here.

[top-the-cat]

The Isolation Tapes Part 12 - I heard it on the radio, Vol 9

I'm not sure how many more of these I will end up making... I mean, I will still be aimlessly throwing my mediocre mixtapes in to the online void, but the whole 'Isolation Tapes' thing as a title is pretty much redundant now. I will still be playing my favourite tracks I've heard, or artists I've been introduced to, from BBC6Music's playlist though, as they still consistently play the best selection of music around. As always, a mix of jazz, breaks, soundscapes, hip-hop, funk, blues, electronica, and a few others that really don't fit in to any discernible mould. But yeah might do one more after this to round off on an even number, but feel the need for a change soon.... Dunno' why I'm writing all this shit though; just press play and get on with it yeah?

[camplofi]

187 - Testing The Waters

All comments, questions, and general feedback can be sent to radiobsots@gmail.com.  Record a voice message and send it my way or leave one at the Speakpipe page!

You can subscribe to Radio BSOTS via the following options: RSS feed ||| Apple Podcasts ||| Spotify ||| Mixcloud Amazon Music ||| Goodpods ||| TuneIn ||| iHeartRadio

Connect with Camp Lo-Fi via social media: Twitter | Facebook | Instagram

This episode's track list (title / artist / source / license):

1.  Happy Birthday ccMixter by J.Lang featuring Snowflake [ccMixter] (CC-BY) (2024)

2.  Thanks For The Memories (Featuring Belle McNulty) by CM aka Creative [blocSonic] (CC-BY-NC-SA) (2024)

3.  drain the sun by niteffect [Bandcamp] (CC-BY-NC-ND) (2022)

4.  Over by Suhov [Free Music Archive] (CC-BY-NC-ND) (2008)

5.  Whenever You Wanna Call Me by Comfort Fit [Free Music Archive] (CC-BY-NC-ND) (2005)

6.  Out for a Shrink Pink Drink by Apes On Tapes [Free Music Archive] (CC-BY-NC) (2010)

7.  Configurate by Proviant Audio [Free Music Archive] (CC-BY-NC-ND) (2009)

8.  1000 Miles by Bluntspeakers [Bandcamp] (CC-BY-NC-ND) (2010)

9.  Soul Groove! (Patience) by !Mc'Lain! [Jamendo] (CC-BY-NC-ND) (2022)

10. The Holowaka Hides in the Shadow of the Sun by Fields Ohio [Bandcamp] (CC-BY-SA) (2024)

BSOTS BONUS TRACK:

11. Train Rides - In Praise of Black Men by Nikki Giovanni [Free Music Archive] (CC-BY-NC-SA 3.0) (2009)

If you're reading this, it means that you made it out of 2024.  Happy New Year and welcome to Camp Lo-Fi.  I hope and pray that you will be able to experience peaceful moments and great music throughout this year.  I pulled this episode together as 2024 was coming to a close, making this the first sonic statement for Radio BSOTS in 2025.  To kick off a new year of the podcast, this episode and the next episode will focus on my participation in the Netlabel Day Radio live stream marathon that took place in July of last year.  I initially recorded a 30-minute test run for the stream and figured that I should share that with the listeners.  

I gathered together some Creative Commons tunes from indie labels that ended up releasing later works under full copyright as time went on, but are still imprints that I hold in high regard (namely Tokyo Dawn, Budabeats, and Error Broadcast).  All cuts played during the test run can still be found online via Jamendo, Bandcamp, and the Free Music Archive.  This set of music leans heavy on the sounds of international beat culture, particularly that first decade of the early 2000s where the lines between electronic music and hip-hop production got blurry (and for the better, in my opinion).  Selections from Comfort Fit, Suhov, Bluntspeakers, and Apes On Tapes are probably the best examples of this.

Outside of the test run, the show opens with a selection in honor of ccMixter turning 20 years old (featuring the voice of Madam Snowflake - check out this video for a snapshot of her artistic journey) and closes with an addictive head-nodding joint from Fields Ohio.  I also get to share some listener feedback this time around.  As a bonus, I couldn't let the episode end without the words and voice of the late, great Nikki Giovanni.  As always, I welcome your interaction and hope that there are some selections within this installment of the podcast that grab your attention and increase your curiosity about other gems that can be found within the world of Creative Commons licensed music.

Theme music by Cy Tru (edited by Macedonia).  Background music by Techniken Defunkus.  ID drops from Morganics and Jonny Sonic.

Other key info: Macedonia on Mixcloud BSOTS show #178 - Creative Commons Gems From Public Enemy And Nikki Giovanni BSOTS show #181 - Creative Commons Sightings Of Kool Keith And DJ Harrison BSOTS show #186 - Download While You Can Netlabel Archive Funkwhale Castopod Tha Bloc Report

The content of this show has been released under a CC-BY-SA license.  All works within this show retain their original releases.  See the show notes at bsots.com for more information.

Another BSOTS podcast episode for the people...

[coconutsplit]

What is a DJ?

A DJ (Disc Jockey) is an individual who plays recorded music for an audience. DJs select and mix tracks to create a seamless flow of music, often tailoring their sets to suit the mood of the venue and the preferences of the audience. DJs can perform in various settings, including nightclubs, festivals, radio stations, and private events.

Standard Definition of a DJ

A DJ typically:

Selects Music: Chooses tracks from various genres to play.

Mixes Music: Blends tracks together to create a continuous flow of music.

Reads the Crowd: Adjusts the music selection based on audience response.

Uses Equipment: Operates turntables, mixers, CDJs, or DJ software to play and manipulate music.

Becoming a Successful DJ

1. Ethics of Hard Work, Study, and Perseverance

Passion and Dedication: Have a genuine love for music and a strong desire to share it with others.

Consistent Practice: Spend regular time practicing your mixing skills, experimenting with new techniques, and staying updated with the latest music.

Continuous Learning: Study music theory, DJ techniques, and the latest trends in the music industry. Attend workshops, take online courses, and learn from experienced DJs.

Networking: Build connections with other DJs, producers, event organizers, and music enthusiasts. Networking can open opportunities for gigs and collaborations.

Professionalism: Be reliable, punctual, and professional in all your dealings. Treat every gig, no matter how small, with the same level of importance and commitment.

2. Technical Skills and Knowledge

Learn the Basics: Understand the fundamental techniques of DJing, such as beatmatching, phrasing, and EQing.

Master Your Equipment: Whether you use turntables, CDJs, or DJ software, become proficient in your chosen equipment. Learn the ins and outs of your gear to maximize its potential.

Music Library: Build a diverse and well-organized music library. Know your tracks well, so you can quickly find and play the right song at the right time.

Mixing Techniques: Develop skills in different mixing techniques such as blending, cutting, scratching, and using effects.

3. Mixing Different Genres

Understand Genre Characteristics: Learn the defining features of different genres, including tempo, rhythm, structure, and energy levels.

Create Smooth Transitions: When mixing genres, aim for smooth transitions. Use techniques like key matching, beatmatching, and EQ adjustments to blend tracks seamlessly.

Experiment with Mashups: Create mashups by layering vocals from one genre over the instrumental of another. This can create unique and exciting blends.

Use Effects and Loops: Incorporate effects, loops, and samples to enhance your mixes and make transitions more interesting.

Read the Crowd: Pay attention to the audience’s reactions and be ready to switch genres to maintain energy and engagement.

4. Building Your Brand

Develop a Unique Style: Find your unique sound and style. This will help you stand out and attract a dedicated audience.

Create a Brand Identity: Design a logo, choose a stage name, and develop a consistent visual identity for your social media and promotional materials.

Promote Yourself: Use social media platforms, create mixes and upload them to sites like SoundCloud and Mixcloud, and engage with your audience online.

Perform Live: Gain experience by performing at local clubs, bars, and events. Live performances help you build a following and improve your skills in front of an audience.

Resources and Tools

DJ Courses: Websites like DJ TechTools, Point Blank Music School, and Digital DJ Tips offer comprehensive courses for aspiring DJs.

Books: "How to DJ Right: The Art and Science of Playing Records" by Frank Broughton and Bill Brewster, and "Last Night a DJ Saved My Life" by Bill Brewster and Frank Broughton.

Software: Popular DJ software includes Serato DJ, Traktor Pro, and Rekordbox.

Hardware: Familiarize yourself with different DJ controllers, mixers, and turntables. Brands like Pioneer DJ, Numark, and Denon DJ are well-regarded.

By combining technical skills, continuous learning, networking, and a strong work ethic, you can become a successful DJ capable of mixing different genres and captivating diverse audiences.

[remarkcentral]

20 Years of Remark Back to Mine. from Remark on Vimeo.

Two decades ago, I began experimenting with creating and curating continuous, non-dance soundscapes. I have a deep passion for ambient, new age, shoegaze, alternative, and post-rock music and was inspired to combine these elements into ornate aural narratives. I named the project Remark Back to Mine after the popular series of the same name.

To celebrate 20 years of Back to Mine, I am finally releasing the 23rd soundscape, titled “Ataraxia”. Defined as "a state of serene calmness”, this 5-hour journey transcends you into another dimension, free from this sad, painful world, where you can lose yourself entirely in the euphony of the universe. Experience the mix now exclusively via Soundcloud and Mixcloud. In addition, I’ve added five unreleased sessions from the archive to the Back to Mine playlist. “Existed”, “London”, “Couleurs”, “Hopelost”, and “Virtue” all explore a collection of emotions — from despair to heartbreak, indifference to excitement, inspiration to friendship.

Remark Back to Mine sessions reveal some of my most intimate sound selections and are engineered to provoke thought, reflection, emotion, and introspection. Most of these melodic contours are responses to chapters in my life: moving to a new country, best friendship, reactions to the world, heartbreak, contemplating life, equanimity, and falling in love. The sessions tell stories and explore the twists and turns of life — an intimate wander in subliminal emotion, a snapshot in time, a soundtrack to the soul. They often venture from the conscious to the unconscious. Sometimes peaceful, sometimes calming, sometimes mysterious, sometimes rocking. Explore twenty years of these curated soundscapes by listening to the Remark Back to Mine playlist now on Soundcloud and Mixcloud…and enjoy the ride.

• remarkcentral.info/promo • soundcloud.com/remarkcentral/sets/remark-back-to-mine • mixcloud.com/remarkcentral/playlists/remark-back-to-mine-sessions

[dealgemeneverwarring]

De Algemene Verwarring #101 - 13 November 2023

Episode one hundred and one of De Algemene Verwarring was broadcast on Monday, November 13, 2023, and you can listen to it by clicking on the link below that will take you directly to the Mixcloud page:

Pictured below are De Portables, the Belgian band from Bruges that played its very last show last Friday. They existed for about 27 years and have always been a part of my musical life. Unfortunately that last show was on the same day as the first day of the Sonic City festival here in Kortrijk, so I missed it, but I've seen them numerous times in the past and I've always thought that they would be around for ever. There are only a few bands like that, the ones that have been around all your life and that you assume will be there forever. Sonic Youth was one of those bands, The Ex is still one of those bands, The Cure is one of those bands, and De Portables was one of those bands. I'm quite sure that there will be more musical output from the different band members (I mean, for instance, listen to Wio's excellent Disintegration cover album), but still, this is the end of a musical era. And there are not a lot of Belgian bands with the same legacy as De Portables. I already played on of their excellent cover songs in the previous episode, and this time I'm playing the opening and title track of their album "Rosegarden". Thank you for the music!

This whole episode has a post festival vibe, there's only one very loud track, there's a lot of slow long tracks, a few drones, and a bit of krautrock. Bands in this episode include The Shifters, Sex Church, Stereolab, Lungfish, PJ Harvey, Hydroplane, Ordeal, K-Group, and a new Blod track to open the show. And beneath the photo you can find the playlist for the show. Enjoy!

Playlist:

Blod: Splittringen (LP “Ondskans Frö”, self-released, 2023)

Sex Church: Hidden Hand (12” “Somnambulist” on Psychic Handshake Recordings & Instant Pleasure Records, 2013)

The Shifters: The American Attitude To Law (LP “The Shifters” on Future Folklore Records, reissue from 2018, originally released on cassette in 2015 on Comfort 35 in 35 copies)

Stereolab: Harmonium (2LP “Refried Ectoplasm (Switched On Volume 2)” on Duophonic Ultra High Frequency Disks, reissue 2018, originally released in 1995)

Cloudland Canyon: Krautwerk (LP “Lie In Light” on Kranky, 2008)

Lewsberg: A Different View (LP “Out And About”, self-released, 2023)

Hydroplane: Failed Adventure (2LP “Selected Songs 1997-2003” on World Of Echo, 2023, originally released on a 7” on Elefant Records, 1997)

PJ Harvey: A Child’s Question, August (LP “I Inside The Old Year Dying” on Partisan Records, 2023)

Lungfish: Ann The Word (CD “Artificial Horizon” on Dischord, 1998)

Twinsistermoon: Black Nebulae (LP “Then Fell The Ashes…” on Blackest Rainbow, 2010)

Loopsel: I En Skog (LP “Öga För Öga : Eye For An Eye” on DFA Records & Mammas Mysteriska Jukebox, 2023)

Ordeal: Falks Grav (LP “Vätterns Pärla” on Aguirre Records, 2023)

K-Group: Remaining Light (LP “New Series 1” on Knotwilg Records, 2023)

De Portables: Rosegarden (CD “Rosegarden” on Kraak, 2001)

[noloveforned]

no love for ned is back on wlur tonight from 8pm until midnight with a new theme! tune in at 8pm to see what will help shape the show this winter. if you can't listen live, you can check out last week's show on mixcloud from now until eternity.

speaking of last week's show, we belatedly wrapped up our fall theme last week. for the past four months we've been starting shows off with songs that mention food. we've heard songs from the memories, yo la tengo, bettie serveert, personal and the pizzas, the b-52's, tuscadero, the flaming lips, peach kelli pop, pavement, men i trust, luna, cibo matto, elf power, teenage fanclub, of montreal, leyna noel, oasis, and warren zevon.

no love for ned on wlur – january 5th, 2024 from 8-10pm

artist // track // album // label warren zevon // werewolves of london // excitable boy // asylum fraser bell // still spinning // still spinning 7" ep // little lunch barbara manning // don't hold back // charm of yesterday…convenience of tomorrow // ba da bing! uni boys // let's watch a movie // buy this now! // curation wolf girl // get you // every now and then // everything sucks nathy sg // corporate lawyer // nathy sg 7” ep // cowie jaw tyvek // m-39 // overground // ginkgo thee retail simps // rubble // rubble 7" // goodbye boozy sundae painters // in came you // sundae painters // leather jacket mhaol // jack // attachment styles // merge team dresch // molasses in january // hand grenade 7" // kill rock stars circle pit // infinity // bruise constellation // timberyard nighttime // when the wind is blowing // keeper is the heart // ba da bing! simon joyner, michael krassner and fred lonberg holm // my love isn't yours to give away // this is where the ocean begins // grapefruit brian eno and fred again.. // radio // secret life // text matthew sage and zander raymond // it is isn’t it // parayellowgram // moon glyph ambrose akinmusire featuring bill frisell and herlin riley // weighted corners // owl song // nonesuch brent fuscaldo and przemyslaw krys drazek featuring hamid drake, tatsu aoki, thymme jones and joshua abrams // mirror beams // june 22 // feeding tube / astral spirits angelika niescier, tomeka reid and savannah harris // oscillating madness // beyond dragons // intakt tierra whack // chanel pit // chanel pit digital single // interscope evelyn "champagne" king // love come down (12" version) // the essential evelyn "champagne" king // legacy missy elliott // work it // under construction // elektra the young senators // ringing bells (sweet music), pt. 2 // if there's hell below... compilation // numero group joey valence and brae // punk tactics // punk tactics // jvb 2m8o // what trent does // 2m8o // under the gun hazy sour cherry // i need your heart // hazy 7" ep // freak city soundtrack hero no hero // rabbit hole // pacific standard time // subjangle secret shine // temporal // untouched // sarah blue ocean // take a care // fertile state // slumberland hydroplane // we crossed the atlantic // selected songs 1997-2003 // world of echo duster // cigarettes and coffee // remote echoes // numero group

[apneaslounge]

Apnea After Dark Vol 1 Let your mind and body drift away into a near meditative state with this expressly discerning pan-genre, pan era selection of down tempo, 420, auspicious melodies.

Mature Content. This 2 hours set may contain profanity, and sexual language.

May contain low end frequencies that may damage your speakers. Various Genres and Eras.

This set is the music portion of the "Apnea After Dark" broad cast.

RATED: (NSFW) NOT SAFE FOR WORK

[secretmeaningofthings]

Get ready to dance away the night at the Strict Tempo presents Body Heat: New Years Eve-Eve Italo Disco Party on Saturday December 30th, 2023 @ Underbelly Seattle (Pioneer Square)

Strict Tempo's 4th Annual Italo Disco end-of-year party!

ITALO DISCO, 80s NEW WAVE, SYNTH-POP & ITALO BODY MUSIC ALL NIGHT

$12 adv/$15 door

8:30 PM doors 9:00 PM music starts

Tickets - https://bodyheat2023.eventbrite.com/ RSVP - https://www.facebook.com/events/1109555546883944

sounds selected by DJ Vox Sinistra Vox Sinistra is a Seattle-based DJ exploring the synthesis of dark underground electronic sounds with retro and modern inspiration, ranging from old-school EBM, industrial and New Beat to minimal and cold waves, forward-thinking electro and techno, and '80s synth music such as Italo disco, acid house, synth-pop, new wave and more. With a background in post-punk, no wave and related '80s alternative and DIY punk movements, she combines sounds with rebellious spirit, nostalgic melodies, and avant-garde genre-mashing that stimulates bodies into movement.She is currently host of dark dance club night Strict Tempo, where she books an international selection of dark electronic artists, and is also known for her post-punk/obscure '80s wave radio show Secret Meaning of Things at KHUH 104.9 FM since 2011, shortlisted for Best Music Show - Alternative in the 2018 Mixcloud Online Radio Awards. She has also been featured in Mixcloud's 'One to Watch' series as a "post-punk extraordinaire" with chart-topping mixes in over 20 genres. https://linktr.ee/VoxSinistra https://linktr.ee/StrictTempo

[simonemorgantidj]

Enjoy this selection of #progressivehouse and #trance #vibes on #beatstherapy #set 026 #smbt out now on #youtube and #mixcloud (link in bio)

Link YouTube: https://youtu.be/MOKB4D6Gus0?si=k7kUEI2Oj7RKV4PP

#djset #dj #simonmdj #simonemorgantidj #anjunafamily #goodvibes #anjuna #mix #stream #twitchstreamer #anjunabeats #music #melodictrance

[starbeat-cherkasy-life]

Shanter /Cherkasy, Ukraine/ - Grand Point - ТОР 1 #Drumstep & #Techstep Global Trending Chart, the general trend of Ukraine!

Our congratulations!

"Grand Point Mix" is an impressive sound selection of Drum Bass music in which we conveyed the feeling of an unstoppable struggle for every centimeter of our land.

Our Mriya will never perish!

"European Squad" in the international project "Rendezvous Under Rockets" in support of the Armed Forces of Ukraine.

Stay strong, keep fighting!

We believe that with our project we will be able to convey through music the emotions that arise in people when they hear sirens and the sounds of explosions, the pain of war and the joy of approaching victory over the aggressor.

Support the Initiative of the President of Ukraine: the UNITED24 project https://u24.gov.ua/

Thank you for your support in a difficult time for Ukraine!

STAR BEAT

Ukrainian Culture Cluster.

[burlveneer-music]

Listen to Permutations 6/3/2023 byPermutations on hearthis.at

My WVUD playlist and stream, 6/3/2023

Afrika Bambaataa & Soulsonic Force - Renegades of Funk Aleem - Release Yourself feat. Leroy Burgess Two Sisters - Destiny Nevaris - Remedy Nicky Skopelitis - Proud Flesh Aïyb Dieng - Bôka Devotion Andrea Belfi - Exotica China Crisis - Feel to Be Driven Away Ferdi Schuster - Pulsing Gerardo Frisina - Gujarat ECHT! - Cheesecake Mandy, Indiana - Pinking Shears Skinny Pelembe - Oh, Silly George Modern Cosmology - Trauma Release Makes Free Nico Motte - The Burning sets The Selecter - Armchair Guevara Samuel Blaser - Chronicles Entoto Band - Tezalegn Yetentu VitcoRAMA - AfroRobot The Budos Band - Frontier's Edge Calibro 35 - Bolero! Root Soul - Solar Strut Speedometer - Minor Mirage Ju-Par Universal Orchestra - Flute Salad

listen on Mixcloud listen on HearThis.at

[songvalle]

A Step-By-Step Guide to Uploading Your Track Without a Distributor

The music industry is evolving rapidly, allowing independent artists to take control of their music distribution. Traditionally, musicians have relied on platforms like Delivermytune, TuneCore, or CD Baby to get their songs on streaming services. However, many artists are now looking for ways to submit your track on all streaming platforms without a distributor to retain full control over their work, keep 100% of their royalties, and avoid unnecessary fees.

While most major platforms still prefer working with distributors, there are ways to bypass them and get your music out to a global audience. In this guide, we will break down a step-by-step process to upload your music independently, ensuring that you maximize your reach without sacrificing ownership.

1. Understanding Why Artists Choose to Bypass Distributors

Many independent artists are moving away from traditional distributors for various reasons.

1.1 Avoiding Subscription Fees and Revenue Splits

Most distribution services charge a monthly or yearly fee, and some even take a percentage of your earnings. If you’re an artist releasing multiple tracks per year, these costs can add up quickly. By skipping the middleman, you can keep all your streaming revenue.

1.2 Retaining Full Ownership of Your Music

Some distributors have clauses that allow them to own part of your rights or take control over licensing. Uploading directly ensures that you own 100% of your master recordings and royalties.

1.3 Faster Upload Process

With distributors, you often have to wait several days or weeks before your music appears on platforms. When uploading independently, you can release music instantly or on your own schedule.

2. Choosing Platforms That Allow Direct Uploads

Not all streaming services allow artists to upload music without a distributor. However, several platforms provide direct upload options, allowing you to release your music independently.

2.1 SoundCloud – The Best Option for Independent Artists

SoundCloud allows artists to upload music without a distributor and even offers monetization through SoundCloud Premier. If you meet their criteria, you can earn from streams just like on Spotify and Apple Music.

2.2 Audiomack – Free Monetization and Global Reach

Audiomack is a rising platform that lets artists upload and distribute their music for free. Unlike SoundCloud, Audiomack automatically monetizes your content once it gains traction.

2.3 Bandcamp – Sell Your Music Directly to Fans

Bandcamp is ideal for independent artists because it allows direct sales, full control over pricing, and a community-based model where fans support their favorite musicians.

2.4 YouTube Music – The Overlooked Giant

Many artists forget that YouTube Music allows independent uploads. By simply uploading a track to YouTube, you can distribute your song through YouTube Music’s catalog.

2.5 MixCloud – Best for DJs and Mix Artists

If you create DJ mixes or long-form music content, MixCloud allows direct uploads and monetization without needing a distributor.

3. Preparing Your Music for Upload

Before uploading your track, ensure that you meet technical and legal requirements.

3.1 Choose the Right Audio Format

Most platforms require high-quality audio files, usually in WAV or FLAC format, to ensure the best sound quality.

3.2 Add Proper Metadata

Metadata includes:

Song Title

Artist Name

Album Name (if applicable)

Release Date

Genre

3.3 Copyright Considerations

If you use samples, beats, or collaborations, ensure that you have legal rights to distribute the song.

4. Uploading Your Track to Streaming Platforms

4.1 Creating an Artist Profile

Most platforms require an artist account before you can upload music. Sign up and verify your profile.

4.2 Uploading Your Music File

Once logged in, navigate to the upload section, select your audio file, and enter the required metadata.

4.3 Adding Album Artwork

Your cover art should be at least 1400 x 1400 pixels and follow each platform’s guidelines.

4.4 Setting the Release Date

Some platforms allow scheduled releases, while others publish your track immediately.

4.5 Enabling Monetization (If Available)

If you are using SoundCloud Premier or Audiomack, enable monetization options before publishing.

5. Promoting Your Music After Uploading

Once your track is live, the next step is promotion. Without a distributor, you need to work harder to market your song effectively.

5.1 Leverage Social Media

Use platforms like Instagram, Twitter, TikTok, and Facebook to promote your release.

5.2 Submit Your Music to Playlists

Even if you don’t use a distributor, you can submit your track to independent curators for playlist consideration.

5.3 Encourage Fans to Share

Ask your audience to share your song, tag you in posts, and create engagement around your release.

5.4 Utilize YouTube & Lyric Videos

Upload a lyric video or a visualizer to YouTube to expand your reach.

6. Tracking Your Performance and Earnings

Even without a distributor, you can track your music’s performance and revenue.

6.1 Using Analytics Tools

Most platforms provide analytics, showing:

Play count

Listener demographics

Engagement metrics

6.2 Monetization Reports

If you’re using SoundCloud Premier, Audiomack, or Bandcamp, check your earnings dashboard regularly.

7. The Pros and Cons of Skipping Distributors

7.1 Pros

✅ Keep 100% of your earnings ✅ Full control over release dates ✅ Avoid monthly or yearly fees

7.2 Cons

❌ Limited reach – Some platforms require a distributor ❌ More effort required – You handle everything yourself ❌ No automated royalty collection

Conclusion

While most artists still rely on distributors, you don’t necessarily need one to get your music on major streaming platforms. By using SoundCloud, Audiomack, Bandcamp, YouTube Music, and MixCloud, you can submit your track on all streaming platforms without a distributor and retain full control over your music.

The process requires more effort, but the rewards include higher earnings, total ownership, and the ability to release music on your own terms. Are you ready to take the independent route and distribute your music without a middleman? If so, start by uploading your next track today! 🚀

Related Articles:

For further reading, explore these related articles:

How to Submit Your Track on All Streaming Platforms in 2025

How to Submit Your Track on All Streaming Platforms and Make Money

How to Submit Your Track on All Streaming Platforms as an Independent Artist

How to Submit Your Track on All Streaming Platforms Without a Label

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[graemepark]

COMING UP ON MIXCLOUD THIS JANUARY

Here's what's happening this January on my Mixcloud Profile.

I'll be sharing both of my DJ sets from the first Graeme Park & Friends at Steelyard Kelham in Sheffield from the 21st December. The first is a warm up set and that's available now with the second set to follow soon. That will be followed by my five hour set from New Years Eve at The Trading Rooms at The Peice Hall in Halifax, which really was a wonderful night. All three of these sets will be exclusively available to Mixcloud Select subscribers who also have access to my weekly Long Live House Extra DJ Mix which is an extended and uninterrupted mix of the first hour of my weekly Long Live House Radio Show with extra tracks, deeper cuts, exclusives and rare tunes not featured in the show.

Lots of you have asked about my DJ set in the Star & Garter at the FAC51 The Haçienda at the Warehouse Project in Manchester on the 7th December as well as my set with Mike Pickering in The Concourse on the same night. Both sets were recorded, but due to an agreement that the Warehouse Project have with Apple, both of these sets will be appearing first on Apple Music. Details will follow soon.

Going forward into 2025 I'll be posting regular Traxsource charts so you can get hold of the available tracks featured in my weekly Long Live House Radio Show for yourself. You can check out my 'New Year, New Chart' now.

I'll also continue to record and share my DJ sets from my forthcoming dates as well as remastered classic sets from the past 40 years too.

As always, keep up to date with all of my forthcoming DJ dates, Haçienda Classical and everythihg else I'm up to right here in my website, as well as my social media platforms too.

Thanks for your continued support and I hope to see you in a dancefloor soon!