#misty Boyce

[sinceileftyoublog]

Lord Huron & Allie Crow Buckley Live Show Review: 7/28, Canal Shores Golf Course, Evanston

BY JORDAN MAINZER

What is it with Chicago area weather changing the course of our summer festivals? While I wasn’t able to catch Kara Jackson again on Friday at Out of Space, as her set was cut and the bill moved hours up to avoid incoming storms, at least Lord Huron and Allie Crow Buckley provided the crowd at Canal Shores Golf Course a night of high and lonesome, Laurel Canyon-inspired Americana.

The LA indie rock four-piece, who live expand to a sextet, most recently released Long Lost (Republic), in my ears their best album to date due to its embrace of a wider variety of genres--country, baroque pop, and psychedelia, to name a few. Those songs proved to have the greatest impact. The sweeping Spaghetti western stylings of “Mine Forever” radiated an effortless cool to match its romanticism. Miguel Briseño’s upright bass, Mark Barry’s clacking drums, and Misty Boyce’s church organ Mellotron buoyed Ben Schneider’s forlorn confessions on “Love Me Like You Used To”. “I Lied”, which saw Boyce fill in admirably for the studio version’s Allison Ponthier in a duet with Schneider, featured appropriately retro steel guitar from Tom Renaud, the song achieving the same levels of longing and regret as your parents’ favorite country songs. And chugging set closer “Not Dead Yet” was a fitting bookend to the set, considering Schneider’s joke that he received a text when he woke up that lightning would strike the stage at 9 PM, Back to the Future style. “It’s not usually how I like to get my prophecies,” he said, perhaps fully aware that the best Lord Huron songs can prove to be prophetic themselves. Case in point, the band’s performance of “The Night We Met”, as Schneider’s words of terrors and ghosts and hauntings were further soundtracked by the rumbling of nearby L trains--or was that thunder already? 

Buckley, also beginning earlier than anticipated, performed songs with an appropriately languid pace for the hot sun. “Under the Sun” and “Moonlit and Devious” sported deliberate drums and buzzing guitars, respectively, operating at a twinkly sway. Her most recent album Utopian Fantasy (Nettwerk) is a collection of love songs inspired by mythology; notably, they’re defined by an expanded instrumental palate, shimmering synths and dance-oriented beats. Thankfully, the new songs radiated. The bopping “Angel” directly followed and contrasted the drippy “Cusco” and “As I Walk Into the Sea”. And “Dreamboat Soulmate” was a true standout; while the studio version emphasizes choral harmonies and a trip hop beat, live, the full band added the distorted guitars that permeated the performances of songs from Buckley’s back catalog. It was the most fully formed song of the set, Buckley and company at their most captivating.

[mtvcribbage]

save me emerald star (afwp version), save me!

[themidnightscholar]

Fenlands Folklore

The Tale of Tiddy Mun

In a time long forgotten, like a whisper travelling through the mist across the old lands of The Fens is the tale of Tiddy Mun.

Legend has it that Tiddy Mun was a land spirit who managed the waters and mists, a balanced creature, neither good or evil, as most of nature is. Until something comes along and disrupts that balance and this common-folk marshland spirit is forced to correct it, with a little dash of vengeance for good measure too!

The Fens was once vast wet land. Similar to the formidable Nile wet crops of ancient Egypt and home to a plethora of wonderful waterfowl and beautiful plant life, some of which can only inhabit this rare type of land worldwide.

It was this land that was home to the Tiddy Mun. A short creature with long white hair and a long white beard that roamed through the misty reeds at night tending to the marshes. They say that when the Fennish people’s plights had been heard and offerings accepted, you would hear the shrilling cry of the Peewit bird across the still midnight air from Tiddy Mun himself.

But in the eighteenth century the wealthy people of England, corrupt by power and greed forced the drainage of the beautiful and bountiful Fens to make way for industrialised agriculture. The Fennish common folk, akin to many other aboriginal people, fought ferociously for many years for their way of life and way of the land. But that was nothing compared to the wrath of Tiddy Mun.

Many of the elite outsiders, invaders to their own country, went out into the marshes never to be seen again, drowned in the boggy waters by Tiddy Mun. One after the other, after the other, after the other lost to the depths of the marsh but they kept coming and kept draining until cursed pestilence struck across the unrecognisable land.

The poor common folk pleaded and prayed to Tiddy Mun, left out their offerings but the Peewit cry never came…

Here and now in 2024, the Peewit or more commonly known as the Lapwing has seen signs of return to the UK Midlands, where minor but significant efforts have started to restore some of the wetlands of The Fens. Perhaps also to restore the strength and return of Tiddy Mun.

Note: Anyone interested in the restoration projects should check out The Great Fen Project and The National Wildlife Trust and anyone interested in the history of The Fens should check out Imperial Mud by James Boyce, I couldn’t put it down 😊

[ulkaralakbarova]

Beverly is the perfect happy homemaker, along with her doting husband and two children, but this nuclear family just might explode when her fascination with serial killers collides with her ever-so-proper code of ethics. Credits: TheMovieDb. Film Cast: Beverly Sutphin: Kathleen Turner Eugene Sutphin: Sam Waterston Misty Sutphin: Ricki Lake Chip Sutphin: Matthew Lillard Detective Pike: Scott Morgan Detective Gracey: Walt MacPherson Scotty: Justin Whalin Birdie: Patricia Dunnock Carl: Lonnie Horsey Dottie Hinkle: Mink Stole Rosemary Ackerman: Mary Jo Catlett Mr. Stubbins: John Badila Betty Sterner: Kathy Fannon Ralph Sterner: Doug Roberts Carl’s Date: Traci Lords Marvin Pickles: Tim Caggiano Howell Hawkins: Jeff Mandon Father Boyce: Colgate Salsbury Mrs. Jenson: Patsy Grady Abrams Herbie Hebden: Richard Pilcher Timothy Nazlerod: Beau James Judge: Stan Brandorff Luann Hodges: Kim Swann Suzanne Somers: Suzanne Somers Gus: Bus Howard Sloppy: Alan J. Wendl Juror #8: Patricia Hearst Jury Forewoman: Nancy Robinette Rookie Cop: Peter Bucossi Policewoman: Loretto McNally Press A: Wilfred E. Williams Court TV Reporter: Joshua L. Shoemaker Court Groupie A: Rosemary Knower Court Groupie B: Susan Lowe Carl’s Brother: John Calvin Doyle Book Buyer: Mary Vivian Pearce Mean Lady: Brigid Berlin Police Officer: Jordan Brown Vendor: Anthony ‘Chip’ Brienza Flea Market Boy: Jeffrey Pratt Gordon Flea Market Girl: Shelbi Clarke Macho Man: Nat Benchley Dealer: Kyf Brewer Baby’s Mother: Teresa R. Pete Church Baby: Zachary S. Pete Doorman: Richard Pelzman Kid A: Chad Bankerd Kid B: Johnny Alonso Kid C: Robert Roser Joe Flowers: Mike Offenheiser Girl: Lee Hunsaker Burglar A: Michael S. Walter Burglar B: Mojo Gentry Mrs. Taplotter: Gwendolyn Briley-Strand Reporter: Jennifer Mendenhall Joan Rivers: Joan Rivers TV Serial Hag: Catherine Anne Hayes Lady C: Susan Duvall Press: Valerie Yarborough Kid: Jordan Young Camel Lips: Jennifer Finch Camel Lips: Suzi Gardner Camel Lips: Demetra Plakas Camel Lips: Donita Sparks Husband A: John A. Schneider Court Clerk: Lyrica Montague Eugene Sutphin’s Nurse (uncredited): Bess Armstrong Birdie’s Father (uncredited): Greg Coale Video Store Customer (uncredited): David L. Marston Stage Diver (uncredited): Kim McGuire Cop (uncredited): John Poague Club Kid (uncredited): Al Sotto Ted Bundy (voice) (uncredited): John Waters Film Crew: Art Direction: David J. Bomba Sound Re-Recording Mixer: Mark Berger Executive Producer: Joseph M. Caracciolo Jr. Thanks: Paul Reubens Original Music Composer: Basil Poledouris Writer: John Waters Production Design: Vincent Peranio Editor: Janice Hampton Producer: Mark Tarlov Supervising Sound Editor: John Nutt Thanks: Don Knotts Editor: Erica Huggins Director of Photography: Robert M. Stevens Associate Producer: Pat Moran Costume Design: Van Smith First Assistant Director: Robert Rooy Property Master: Brook Yeaton Art Department Production Assistant: Jeffrey Pratt Gordon Carpenter: Thomas Turnbull Thanks: Harry H. Novak Set Decoration: Susan Kessel On Set Dresser: Lianne Williamson Sound Editor: Ernie Fosselius Thanks: Arthur Machen Utility Stunts: G. A. Aguilar Sound Mixer: Rick Angelella First Assistant Director: Mary Ellen Woods Sound Editor: Frank E. Eulner Casting: Paula Herold Set Dresser: Michael Sabo Second Unit Director: Steve M. Davison Sound Editor: Robert Shoup Hairstylist: Kathryn Blondell Sound Re-Recording Mixer: David Parker Stunt Double: Cheryl Wheeler Duncan Assistant Makeup Artist: Janice Kinigopoulos Makeup Artist: Debi Young Makeup Artist: E. Thomas Case Post Production Supervisor: John Currin Assistant Property Master: R. Vincent Smith Music Supervisor: Bones Howe Draughtsman: Rob Simons Additional Hairstylist: Howard ‘Hep’ Preston Assistant Makeup Artist: Barbara Lacy Art Department Coordinator: Sarah Stollman Utility Stunts: Michael Runyard Unit Production Manager: Margaret Hilliard Hairstylist: Ardis Cohen Assistant Production Design: John Lindsey McCormick Makeup Artist: Betty Beebe Sound Recordist: Philip Rogers Producer: John Fiedler Secon...

[d-criss-news]

ryanlerman: 🎄

[launderground]

MISTY BOYCE : TELEPHONE

[thejoyofviolentmovement]

New Video: Blue Canopy Teams Up with Misty Boyce and Patrick J. Smith on Slow-Burning "Stranger At The Door"

New Video: Blue Canopy Teams Up with Misty Boyce and Patrick J. Smith on Slow-Burning "Stranger At The Door" @BlueCanopy3 @abeaconschool @mistyboyce @GrindSelect

Portland, OR-based songwriter and multi-instrumentalist Alex Schiff started his music career as a co-writer for indie outfit Modern Rivals — and with Modern Rivals, Schiff has shared stages with the likes of Ra Ra Riot, Stars, and The Black Keys. Since his time with Modern Rivals, Schiff has stepped out into the spotlight as a solo artist with his recording project Blue Canopy, which sees the…

[dorothy16]

ryanlerman 🎄

[alliewritesbooks]

Music Recommendation #9

I”m back with the full twenty songs this week y’all and I’m so happy that I didn’t just bullshit a bunch of songs last week because now this weeks list is really really really good, and I’ve been listening to all of these on repeat all week. 

Happy Listening!

Girls/Girls/ Boys (Acoustic)- Panic! At The Disco *Brendon Urie’s Voice in acoustic songs is a gift from the gods* 

What Am I Here For- Jade Bird

I Can Take It- Jake Etheridge

The Lions Roar- First Aid Kit *10/10 Would recommend checking out the music video to this song. It’s pretty lit*

Cursive- Billie Martin

Bridge Burn- Little Comets

Get Over You- Misty Boyce

Ghost- Aquilo

King For A Day- Anderson East

Never Tear Us Apart- Bishop Briggs *Disclaimer, I can’t stand The Fifty Shades franchise, which is where this song comes from, but the song is a bop and Bishop Briggs is an Absolute Babe™, so its worth a listen*

Flaws- Vancouver Sleep Clinic

Villians- Luca Fogale

Whats Good- Fenne Lily 

Together- Ryan O’Shaunghnessy

Love Divine- Wilder Adkins (ft. Justin Cross)

Plasticine- Longfellow

Bridges Burn- NEEDTOBREATHE

Ground- Wallows

1950- King Princess

Runaway- Tayla Pary (ft. Khalid) 

[not-great-at-28]

Not only do I get to see Sara, but I also get to hang out with Misty after the show. I love these woman! Can’t wait to catch up with Misty!!

[mtvcribbage]

saw lord huron yday and it was a religious experience if u even care

[selffagellation]

I HATE WHEN THE INTRO TO TNWM IS A POPULAR TIKTOK AUDIO I HATE WHEN PEOPLE USE IT AND DONTKNOW WHAT IT IS I HATE THAT EVEN THE LH ENJOYERS HALF THE TIME DONT KNOW WHO MISTY IS I HATE THAT SHE PUT HER WHOLE MISTUSSY INTO EVERY SONG SHE'S EVER CONTRIBUTED TO ONLY FOR NO ONE TO RECOGNIZE HER, JUSTICE FOR MISTY BOYCE 2k22

[mistyboycemusic]

Limits (Music Video)

Produced, directed, edited: Jessica Earnshaw DOP: Sergei Franklin Gaffer: Jose del C. Martinez

2015

[maki-matsurra]

Hi everyone!

Since everyone liked my Baffy playlist, I decided to make another one! One for our lovely Freelance Husbands Sam & Max!

Anyways! Here you are! Enjoy!

Freelance Husbands Playlist

Bad Reputation - Avril Lavigne

American Boy (Glee Cast Version) - Glee Cast

Animal (Glee Cast Version) - Glee Cast

Baby, It’s Cold Outside (Glee Cast Version) - Glee Cast

Best Day of My Life - American Authors

Centuries - Fall Out Boy

Clarity (feat. Foxes) - Zedd

Dead Girl Walking - Barrett Wilbert Weed & Ryan McCartan

Gives You Hell (Glee Cast Version) - Glee Cast

Halfway There - Big Time Rush

I Thought I Lost You (Radio Edit Remix) - Miley Cyrus & John Travolta

Live It Up - Owl City

On The Ground - ROSÉ

The Other Side - Hugh Jackman & Zac Efron

Titanium (feat. Sia) - David Guetta

Weightless (Less Is More Version) - Natasha Bedingfield

Wildest Dreams - Taylor Swift

In the morning - ITZY

Blackout - In The Heights Cast

Misty Frosty Love - You Watanabe (CV. Shuka Saitō), Riko Sakurauchi (CV. Rikako Aida)

All Eyes on Me - Or3o

Ain’t No Mountain High Enough - Marvin Gaye & Tammi Terrell

Do You Wanna Touch Me? (Glee Cast Version) - Glee Cast

Demons (feat. Jennel Garcia) - Boyce Avenue

I Lived - OneRepublic

Revenge Party - Mean Girls Broadway Cast

War! - Zach Callison

My Guy - Leon Bridges

mother tongue - Bring Me The Horizon

There’s Nothing Holdin’ Me Back - Taron Egerton & Tori Kelly

Never Ever Getting of Me - Waitress Original Broadway Cast

Be Strong and Hit Stuff (feat. Casey Lee Williams) - Jeff Williams

Believer - Imagine Dragons

Stay The Night (feat. Hayley Williams)

TOMBOY - (G)I-DLE

Death of a Bachelor - Panic! At the Disco

House of Memories - Panic! At the Disco

I Wanna Dance with Somebody - Whitney Houston

Everybody Wants to Rule the World - Tears for Fears

Running Up That Hill (A Deal with God) - Kate Bush

Hangin’ Tough - New Kids On the Block

Without Me - Eminem